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Hi. I'm Warren Beatty. Welcome to The Graham Norton Show. | 0:00:00 | 0:00:02 | |
CHEERING | 0:00:02 | 0:00:04 | |
This programme contains some strong language. | 0:00:07 | 0:00:14 | |
Oh... Oh! | 0:00:19 | 0:00:21 | |
Oh! | 0:00:21 | 0:00:23 | |
CHEERING AND WHISTLING Oh, you're so kind! | 0:00:23 | 0:00:25 | |
Thank you! | 0:00:25 | 0:00:27 | |
Hello! Hello... | 0:00:27 | 0:00:30 | |
Hello, hello. | 0:00:31 | 0:00:32 | |
Good evening, everyone, you're very welcome. | 0:00:32 | 0:00:36 | |
Yes, I am thrilled to welcome Hollywood great | 0:00:36 | 0:00:38 | |
Warren Beatty to the show! | 0:00:38 | 0:00:41 | |
CHEERING Yes! | 0:00:41 | 0:00:42 | |
Oh, I'll tell you... | 0:00:42 | 0:00:44 | |
Warren joins us tonight on a really packed sofa. | 0:00:44 | 0:00:48 | |
I mean, I hope I haven't overbooked - | 0:00:48 | 0:00:50 | |
I might have to drag one of my guests kicking and screaming from their seat. Mm. | 0:00:50 | 0:00:53 | |
LAUGHTER | 0:00:53 | 0:00:55 | |
Did you see that? Wow. | 0:00:56 | 0:00:58 | |
A passenger on a United flight was | 0:00:58 | 0:01:00 | |
"involuntarily relocated" | 0:01:00 | 0:01:03 | |
from his seat, so they could give it to a crew member. | 0:01:03 | 0:01:07 | |
Like, hats off to United, | 0:01:07 | 0:01:09 | |
cos there aren't many companies that can make Ryanair look good. | 0:01:09 | 0:01:12 | |
LAUGHTER | 0:01:12 | 0:01:13 | |
Like, Ryanair must have been punching the air! | 0:01:14 | 0:01:17 | |
"Yes!" | 0:01:17 | 0:01:19 | |
Or thinking, "Good idea!" | 0:01:19 | 0:01:21 | |
LAUGHTER | 0:01:21 | 0:01:23 | |
The 69-year-old doctor | 0:01:23 | 0:01:24 | |
was left with blood all over his face. | 0:01:24 | 0:01:26 | |
Ironically, the crew then asked if there was a doctor on board. | 0:01:26 | 0:01:29 | |
Yeah, there WAS, but you've just kicked the shit out of him. | 0:01:29 | 0:01:32 | |
LAUGHTER | 0:01:32 | 0:01:33 | |
Let's get some guests on! CHEERING AND APPLAUSE | 0:01:33 | 0:01:36 | |
Very excited - later, we'll have music and chat | 0:01:36 | 0:01:38 | |
from global superstar Jennifer Hudson, | 0:01:38 | 0:01:40 | |
ladies and gentlemen! | 0:01:40 | 0:01:41 | |
WHOOPING I know. | 0:01:41 | 0:01:44 | |
She'll be singing her new single Remember Me. | 0:01:44 | 0:01:46 | |
But first, he's about to start his final season | 0:01:46 | 0:01:48 | |
as Doctor Who - Great Scot, it's Peter Capaldi! | 0:01:48 | 0:01:52 | |
WHOOPING AND APPLAUSE | 0:01:52 | 0:01:53 | |
-Hello, sir! -Hello. | 0:01:54 | 0:01:57 | |
Oh, hugging. Lovely to see you. Peter Capaldi! | 0:01:57 | 0:02:00 | |
-Have a seat, do. -Thank you. | 0:02:00 | 0:02:03 | |
She's the queen of comedy | 0:02:03 | 0:02:05 | |
and she's about to make her West End debut | 0:02:05 | 0:02:07 | |
as Miss Hannigan in Annie - it's only Miranda Hart! | 0:02:07 | 0:02:10 | |
CHEERING AND APPLAUSE | 0:02:10 | 0:02:12 | |
Hello. | 0:02:12 | 0:02:13 | |
-Trendy! -I know. | 0:02:13 | 0:02:16 | |
Very nice. Come in and sit down. | 0:02:16 | 0:02:18 | |
Hello, lovely. | 0:02:18 | 0:02:20 | |
She is one of the hottest stars on TV, | 0:02:20 | 0:02:23 | |
in Line of Duty, The Missing, | 0:02:23 | 0:02:25 | |
and now, a new series of hit drama The Durrells - | 0:02:25 | 0:02:27 | |
it's Keeley Hawes! | 0:02:27 | 0:02:29 | |
WHOOPING AND APPLAUSE | 0:02:29 | 0:02:30 | |
-Oh! Hello, Keeley Hawes! -Hello! | 0:02:30 | 0:02:32 | |
Oh... | 0:02:32 | 0:02:34 | |
Lovely to see you, my dear. Come in. | 0:02:34 | 0:02:36 | |
Have a seat. | 0:02:36 | 0:02:38 | |
And this man truly IS a Hollywood legend. | 0:02:39 | 0:02:42 | |
He's the Oscar-winning actor, writer, director and producer | 0:02:42 | 0:02:45 | |
behind Bonnie And Clyde, Heaven Can Wait, | 0:02:45 | 0:02:48 | |
Dick Tracy and Reds. | 0:02:48 | 0:02:49 | |
DRUMROLL Please welcome, for the first time, | 0:02:49 | 0:02:51 | |
Mr Warren Beatty! | 0:02:51 | 0:02:53 | |
CHEERING, APPLAUSE AND WHISTLING | 0:02:53 | 0:02:55 | |
Hello! | 0:02:57 | 0:02:59 | |
Come in, come in, come in. Sit down. | 0:03:00 | 0:03:02 | |
Warren Beatty, everybody! | 0:03:02 | 0:03:04 | |
APPLAUSE CONTINUES | 0:03:04 | 0:03:07 | |
Sit! Sit. | 0:03:07 | 0:03:09 | |
Thank you. | 0:03:09 | 0:03:11 | |
Sit, sit, sit, sit. Now, were you guys chatting out the back? | 0:03:11 | 0:03:14 | |
-"Out the back?" -LAUGHTER | 0:03:14 | 0:03:16 | |
-Yes. -Yes. | 0:03:16 | 0:03:18 | |
So did you all explain who you are to Warren? | 0:03:18 | 0:03:22 | |
-No, not really... -He was very kind | 0:03:22 | 0:03:23 | |
-and pretended that he knew all of us. -Yes. -Oh, excellent. | 0:03:23 | 0:03:26 | |
Needed no explanation. | 0:03:26 | 0:03:27 | |
Oh, good - so did you know them? | 0:03:27 | 0:03:29 | |
Deeply. | 0:03:29 | 0:03:30 | |
LAUGHTER | 0:03:30 | 0:03:31 | |
-Hollywood legend! Hello? -LAUGHTER | 0:03:31 | 0:03:34 | |
Hollywood come to call. | 0:03:34 | 0:03:36 | |
But before we do another thing, | 0:03:36 | 0:03:37 | |
we must say, Peter Capaldi - happy birthday! | 0:03:37 | 0:03:40 | |
-Happy birthday! -Oh, thank you very much. | 0:03:40 | 0:03:42 | |
Yes... APPLAUSE | 0:03:42 | 0:03:44 | |
Thank you. | 0:03:44 | 0:03:46 | |
And we must ask Peter Capaldi, is this... | 0:03:49 | 0:03:52 | |
Is this the year of the tattoo? | 0:03:52 | 0:03:53 | |
Erm...well, I'm not sure. | 0:03:53 | 0:03:56 | |
I mean, the reason you're asking that is | 0:03:56 | 0:03:59 | |
my wife got a tattoo of, er... | 0:03:59 | 0:04:01 | |
On her back, down here, of my name. | 0:04:01 | 0:04:04 | |
-Peter? -Yes. Which was very sweet of her. | 0:04:04 | 0:04:07 | |
Mind you, that IS quite a common name. | 0:04:07 | 0:04:09 | |
LAUGHTER | 0:04:09 | 0:04:11 | |
She could go again, couldn't she? She'll find another Peter. | 0:04:11 | 0:04:13 | |
But what I'm worried about | 0:04:13 | 0:04:15 | |
is I think she wants me to get a reciprocal one. | 0:04:15 | 0:04:18 | |
-What's HER name? -Well, it's much longer than mine. | 0:04:18 | 0:04:22 | |
-It's Elaine. -Oh. OK. -Not too bad. | 0:04:22 | 0:04:24 | |
-It's not MUCH longer. -Yes. | 0:04:24 | 0:04:26 | |
But it's not such a common name. | 0:04:26 | 0:04:28 | |
-You might struggle to get another Elaine. -Yeah. -Yeah. | 0:04:28 | 0:04:31 | |
-And have you...? -I don't have a tattoo. | 0:04:31 | 0:04:33 | |
-Never? -Never. -Were you ever tempted? | 0:04:33 | 0:04:35 | |
No. | 0:04:35 | 0:04:37 | |
LAUGHTER | 0:04:37 | 0:04:38 | |
Ah, but I think, you know... | 0:04:38 | 0:04:39 | |
I don't want to say your age, | 0:04:39 | 0:04:41 | |
but you're older than you were... | 0:04:41 | 0:04:43 | |
You can say whatever you want. I'm old. | 0:04:43 | 0:04:45 | |
I think now is the time when... Go tattoo crazy! | 0:04:45 | 0:04:49 | |
Now's the time to get facial tattoos, | 0:04:49 | 0:04:50 | |
neck tattoos... | 0:04:50 | 0:04:52 | |
-You think so? -Yes! | 0:04:52 | 0:04:54 | |
How much time do you have? | 0:04:54 | 0:04:55 | |
LAUGHTER Well, we have a tattooist... | 0:04:55 | 0:04:58 | |
Live. We're going to tattoo you live. | 0:04:58 | 0:05:00 | |
No, we're not. | 0:05:00 | 0:05:01 | |
But Miranda, YOU have ink - it's so unlikely that you have ink, but... | 0:05:01 | 0:05:05 | |
-I have ink? Is that the street way of saying "You've got a tatt"? -Yeah. -"You've got ink"? | 0:05:05 | 0:05:08 | |
-"You've got ink." -Yeah, people always say | 0:05:08 | 0:05:11 | |
-"I'm really surprised"... -I can SEE some ink! | 0:05:11 | 0:05:13 | |
Yeah, that's a peace... | 0:05:13 | 0:05:15 | |
That's my dove, and heart. | 0:05:15 | 0:05:17 | |
-What? -Peace and love, man. | 0:05:17 | 0:05:19 | |
Oh, there's the dove, I see. Yes, I get it. | 0:05:19 | 0:05:20 | |
I've got a lovely, erm... | 0:05:20 | 0:05:23 | |
You know when you've had socks on all day, and you've got a... | 0:05:23 | 0:05:26 | |
LAUGHTER | 0:05:26 | 0:05:28 | |
I just showed that to the nation for the Easter weekend, so there's a treat! | 0:05:28 | 0:05:31 | |
-That's bad circulation. -Is it bad circulation? | 0:05:31 | 0:05:34 | |
-Apparently so. -Oh, great, thanks(!) | 0:05:34 | 0:05:36 | |
That's what happens when you... | 0:05:36 | 0:05:38 | |
-And Miranda - he's a Doctor. -Yeah! | 0:05:38 | 0:05:39 | |
And I'm old! | 0:05:39 | 0:05:41 | |
And I've got a tattoo here | 0:05:41 | 0:05:43 | |
of Chinese symbols, which I won't show you | 0:05:43 | 0:05:46 | |
because I'd...show my breasts on television. | 0:05:46 | 0:05:48 | |
-LAUGHTER -And the shoe was bad enough. | 0:05:48 | 0:05:50 | |
And it's Chinese symbols, but I don't know what it means... | 0:05:50 | 0:05:53 | |
-Maybe it says "Peter". -It might say "Peter" | 0:05:53 | 0:05:56 | |
LAUGHTER | 0:05:56 | 0:05:57 | |
But once, I was getting on a Tube, | 0:05:57 | 0:06:00 | |
and a Thai man came up to me and said, | 0:06:00 | 0:06:03 | |
"I promise you I'm not joking, but in my language, that means | 0:06:03 | 0:06:07 | |
" 'Mind the gap.' " | 0:06:07 | 0:06:08 | |
LAUGHTER | 0:06:08 | 0:06:10 | |
And I was like, "Oh, come on..." | 0:06:10 | 0:06:12 | |
And he was like, "Honestly, I swear on my life." So I don't know. | 0:06:12 | 0:06:15 | |
And there's a lot of tattoos on the couch, because Keeley Hawes... | 0:06:16 | 0:06:19 | |
Do you have a tattoo? | 0:06:19 | 0:06:21 | |
I DID have a tattoo. | 0:06:21 | 0:06:23 | |
Oh. | 0:06:23 | 0:06:24 | |
Oh...! Yes, I did, and I got it removed. | 0:06:24 | 0:06:27 | |
What was it of? | 0:06:27 | 0:06:29 | |
The "ink". | 0:06:29 | 0:06:31 | |
-My "ink"... -Yeah. -..was... | 0:06:31 | 0:06:34 | |
-It was a dolphin. -Oh... | 0:06:34 | 0:06:37 | |
Sorry to anybody who does have a dolphin, I'm sure it's lovely. | 0:06:37 | 0:06:40 | |
But I got "inked" when I was 17, | 0:06:40 | 0:06:43 | |
-and then I started having children and things and thought, "Mm." -Oh. | 0:06:43 | 0:06:48 | |
The dolphin became more of a manatee. | 0:06:48 | 0:06:50 | |
Yes. | 0:06:50 | 0:06:51 | |
LAUGHTER | 0:06:51 | 0:06:53 | |
Now, Warren, the last time we all saw you, | 0:06:53 | 0:06:56 | |
you were involved in... | 0:06:56 | 0:06:58 | |
well, the TV moment, | 0:06:58 | 0:06:59 | |
if not of the year, the decade, | 0:06:59 | 0:07:02 | |
at the end of the Oscars. | 0:07:02 | 0:07:03 | |
-Not the century? -Let's go with century, yeah. | 0:07:03 | 0:07:07 | |
It probably WILL be - | 0:07:07 | 0:07:08 | |
in compilations, that moment will be shown...a LOT. | 0:07:08 | 0:07:11 | |
-Uh-huh. -So, end of the Oscars... | 0:07:11 | 0:07:14 | |
I mean, you handled it brilliantly, I have to say, | 0:07:14 | 0:07:16 | |
because it's a big live television show | 0:07:16 | 0:07:18 | |
and there must have been an awful lot of stuff going on in your head. | 0:07:18 | 0:07:22 | |
What was going on in your head? | 0:07:22 | 0:07:24 | |
I thought, "Well, maybe this is a misprint." | 0:07:24 | 0:07:28 | |
-You know? -Yeah. | 0:07:28 | 0:07:30 | |
"And I shouldn't foul up the show | 0:07:30 | 0:07:32 | |
"just because someone made a little error." | 0:07:32 | 0:07:35 | |
Cos it did look like you handed it to Faye, as in, kind of like, | 0:07:35 | 0:07:38 | |
"Well, I'll let HER do it." | 0:07:38 | 0:07:40 | |
-No, no, no. No... -LAUGHTER | 0:07:40 | 0:07:43 | |
My instructions were | 0:07:43 | 0:07:45 | |
take the envelope when I walked out - | 0:07:45 | 0:07:48 | |
I couldn't have it before that - | 0:07:48 | 0:07:50 | |
then I go out, then I say something... | 0:07:50 | 0:07:53 | |
-Yeah. -..and then I open the envelope | 0:07:53 | 0:07:55 | |
and then I give it to Faye, | 0:07:55 | 0:07:57 | |
and she then says what it says. | 0:07:57 | 0:08:01 | |
And she did. | 0:08:02 | 0:08:04 | |
Well, it looked like it said | 0:08:04 | 0:08:06 | |
the name of the movie. | 0:08:06 | 0:08:07 | |
La La Land. | 0:08:07 | 0:08:09 | |
And presumably afterwards, it was bedlam. | 0:08:09 | 0:08:11 | |
Was it just chaos afterwards? | 0:08:11 | 0:08:12 | |
Well, I... | 0:08:12 | 0:08:14 | |
I guess you could say it's chaos. | 0:08:14 | 0:08:16 | |
LAUGHTER | 0:08:16 | 0:08:18 | |
But also, that night, it must have been | 0:08:18 | 0:08:20 | |
all anyone could talk about. | 0:08:20 | 0:08:21 | |
No, that's not true. | 0:08:21 | 0:08:23 | |
People talk about themselves. | 0:08:23 | 0:08:25 | |
LAUGHTER | 0:08:25 | 0:08:27 | |
APPLAUSE | 0:08:28 | 0:08:31 | |
Now - ladies and gentlemen, | 0:08:35 | 0:08:37 | |
Warren Beatty is here to talk about his new film, | 0:08:37 | 0:08:39 | |
Rules Don't Apply - it's out on the 21st of April. | 0:08:39 | 0:08:42 | |
Now, you don't make films very often, | 0:08:42 | 0:08:44 | |
but when you do, you REALLY make them - | 0:08:44 | 0:08:46 | |
you write 'em, direct 'em, you're in 'em, you produce them... | 0:08:46 | 0:08:49 | |
And it's been 15 years since the last one, | 0:08:49 | 0:08:52 | |
so is there a particular reason why now? | 0:08:52 | 0:08:54 | |
-Well... -HE CLEARS HIS THROAT | 0:08:56 | 0:08:58 | |
..we have these four kids, | 0:08:58 | 0:09:01 | |
which I like to call our four small Eastern European countries, | 0:09:01 | 0:09:05 | |
I negotiate with them. | 0:09:05 | 0:09:07 | |
LAUGHTER | 0:09:07 | 0:09:09 | |
And they are all more interesting to me than any 50 movies, | 0:09:09 | 0:09:14 | |
and so, now that we're approaching the, er...empty nest period, | 0:09:14 | 0:09:22 | |
then I'll maybe go and make some movies, but... | 0:09:22 | 0:09:26 | |
I don't know if I said to you, | 0:09:26 | 0:09:28 | |
I have sometimes compared making a movie to vomiting. | 0:09:28 | 0:09:32 | |
LAUGHTER | 0:09:32 | 0:09:33 | |
-I don't like to vomit. -No. | 0:09:33 | 0:09:35 | |
-I rarely vomit. -Good. | 0:09:35 | 0:09:37 | |
But something builds up and you think about it for a long time | 0:09:37 | 0:09:41 | |
and you don't do anything, you try to avoid working. | 0:09:41 | 0:09:44 | |
And then finally, you say, "Well..." | 0:09:44 | 0:09:47 | |
-HE SIGHS -"..I think maybe I'll just feel better | 0:09:47 | 0:09:50 | |
"if I go ahead and throw up." | 0:09:50 | 0:09:51 | |
LAUGHTER | 0:09:51 | 0:09:54 | |
-And then, er...you make a movie. -Lovely! | 0:09:54 | 0:09:57 | |
APPLAUSE | 0:09:57 | 0:09:58 | |
Thank you. | 0:09:58 | 0:10:00 | |
So this one, Rules Don't Apply, is terrific - | 0:10:01 | 0:10:04 | |
well, also, I love films like this. | 0:10:04 | 0:10:05 | |
It's a film set in Hollywood, in the 1950s, | 0:10:05 | 0:10:10 | |
and it's a mix of historical people, fictional people... | 0:10:10 | 0:10:12 | |
and then it's hard - it's a romantic comedy, I guess? | 0:10:12 | 0:10:14 | |
It's a light romantic comedy | 0:10:14 | 0:10:17 | |
with two kids that I think are so... | 0:10:17 | 0:10:20 | |
You know, Lily Collins is wonderful, | 0:10:20 | 0:10:24 | |
and Alden Ehrenreich, who is now the new Han Solo... | 0:10:24 | 0:10:28 | |
-Wow. -..and they're just really good. | 0:10:28 | 0:10:31 | |
They're funny and they're sweet, and it's... | 0:10:31 | 0:10:34 | |
It's a romantic story between | 0:10:34 | 0:10:36 | |
these two kids who then have the fortune, or misfortune, | 0:10:36 | 0:10:40 | |
to get involved with a kinda crazy old...rich guy. | 0:10:40 | 0:10:46 | |
LAUGHTER | 0:10:46 | 0:10:47 | |
Howard Hughes. He's not playing himself. | 0:10:47 | 0:10:49 | |
Howard Hughes, yeah. | 0:10:49 | 0:10:50 | |
But it's not really a movie about Howard Hughes, | 0:10:50 | 0:10:53 | |
but Howard Hughes has always struck me as kind of a funny guy. | 0:10:53 | 0:10:56 | |
Not a bad guy, but...amusing, | 0:10:56 | 0:11:00 | |
and a good obstacle | 0:11:00 | 0:11:02 | |
to a love affair between these two, I think, spectacular kids | 0:11:02 | 0:11:07 | |
that I was lucky enough to get to do this movie. | 0:11:07 | 0:11:09 | |
Well, listen, we'll talk about it some more, | 0:11:09 | 0:11:11 | |
but here's a taste of the movie from the trailer. | 0:11:11 | 0:11:14 | |
I behaved like a cheap floozy, | 0:11:14 | 0:11:15 | |
and I'm not some tease of a virgin... | 0:11:15 | 0:11:17 | |
You've done nothing wrong. | 0:11:17 | 0:11:18 | |
-..trying to steal another woman's husband... -Need help? | 0:11:18 | 0:11:20 | |
Mr Hughes wants to see you... | 0:11:20 | 0:11:22 | |
Well, hello! | 0:11:26 | 0:11:27 | |
That's Marla Mabrey. What the hell is she doing here? | 0:11:27 | 0:11:30 | |
You said you wanted the girl with the two Ms. | 0:11:30 | 0:11:32 | |
Yes! Marilyn Monroe. | 0:11:32 | 0:11:33 | |
Ah! | 0:11:33 | 0:11:34 | |
Have you heard from people that I'm crazy? | 0:11:34 | 0:11:36 | |
All right, come on... | 0:11:36 | 0:11:38 | |
If what you are is crazy, then give me some more crazy! | 0:11:38 | 0:11:40 | |
You make an old guy courageous, Marla. | 0:11:41 | 0:11:44 | |
Did somebody give that to you? | 0:11:44 | 0:11:46 | |
She hit the jackpot! | 0:11:46 | 0:11:48 | |
You ain't seen nothin' yet. | 0:11:53 | 0:11:55 | |
Thank you. | 0:11:59 | 0:12:02 | |
And that cast is, when you see it - like, boom-boom-boom, like that - | 0:12:06 | 0:12:09 | |
-that's an incredible cast. -Yeah. | 0:12:09 | 0:12:11 | |
Makes me want to get a tattoo. | 0:12:11 | 0:12:13 | |
LAUGHTER | 0:12:13 | 0:12:14 | |
No, all sorts of people - | 0:12:14 | 0:12:17 | |
Annette Bening, who's been on the show... | 0:12:17 | 0:12:19 | |
She's my superior half, Annette Bening. | 0:12:19 | 0:12:21 | |
-Good booking. Very good booking. -Thank you. | 0:12:21 | 0:12:23 | |
And how did you say it, Alden...? | 0:12:23 | 0:12:25 | |
-Ehrenreich. -Ehrenreich. -Alden Ehrenreich, yeah. | 0:12:25 | 0:12:28 | |
-Alden Ehrenreich. And you were saying he's the new Han Solo. -He's the new Han Solo. | 0:12:28 | 0:12:32 | |
Cos back in the '70s, it seemed like everyone | 0:12:32 | 0:12:34 | |
was up for Han Solo - Harrison Ford did it... | 0:12:34 | 0:12:36 | |
Were you ever offered Han Solo? | 0:12:36 | 0:12:38 | |
No. | 0:12:38 | 0:12:40 | |
LAUGHTER | 0:12:40 | 0:12:41 | |
But didn't you turn down Superman? | 0:12:41 | 0:12:43 | |
That's...that's an interesting story. | 0:12:43 | 0:12:45 | |
LAUGHTER | 0:12:45 | 0:12:46 | |
I was offered Superman - | 0:12:46 | 0:12:48 | |
I'm told that I was the first person that was offered Superman, | 0:12:48 | 0:12:52 | |
and I, erm... | 0:12:52 | 0:12:55 | |
..I didn't think it was a very good idea | 0:12:56 | 0:12:58 | |
to put a comic strip into a movie. | 0:12:58 | 0:13:01 | |
LAUGHTER | 0:13:01 | 0:13:03 | |
And I said "I'm really not interested in that," | 0:13:03 | 0:13:05 | |
and the person who had called me about it | 0:13:05 | 0:13:09 | |
said, "No, you really should take it seriously. | 0:13:09 | 0:13:11 | |
"They may spend some money on this." | 0:13:11 | 0:13:14 | |
And I said, "Well, I don't want to do a comic strip in a movie." | 0:13:14 | 0:13:20 | |
"Well, think about it, please think about it." | 0:13:20 | 0:13:22 | |
I said, "OK, I'll think about it." | 0:13:22 | 0:13:24 | |
"And call me back, because they really want you to do this, | 0:13:24 | 0:13:27 | |
!and I think it can be a big deal." | 0:13:27 | 0:13:29 | |
So I called my assistant and I said, | 0:13:29 | 0:13:32 | |
"Go out, please, and get me some long underwear." | 0:13:32 | 0:13:34 | |
"Long underwear - why? What are you talking about? | 0:13:35 | 0:13:38 | |
"You don't wear long..." | 0:13:38 | 0:13:39 | |
I said, "Just get me the long underwear, please. | 0:13:39 | 0:13:41 | |
So she brought back the long underwear, | 0:13:41 | 0:13:44 | |
and I took my pants off | 0:13:44 | 0:13:46 | |
and I put the long underwear on | 0:13:46 | 0:13:48 | |
I opened up the full-length mirror, | 0:13:48 | 0:13:50 | |
and I looked at myself, | 0:13:50 | 0:13:52 | |
and I went to the telephone and I said, "Just forget it!" | 0:13:52 | 0:13:54 | |
LAUGHTER | 0:13:54 | 0:13:56 | |
APPLAUSE | 0:13:58 | 0:13:59 | |
Warren, so many things have been written about you, | 0:14:05 | 0:14:07 | |
so many "facts"... | 0:14:07 | 0:14:09 | |
Interesting facts, that we don't examine, | 0:14:09 | 0:14:11 | |
-have been thrown out. -Mm-hm. | 0:14:11 | 0:14:12 | |
I know you don't like talking about this, | 0:14:12 | 0:14:15 | |
so I'm just going to read them out, | 0:14:15 | 0:14:17 | |
and we'll just try and read your expression... | 0:14:17 | 0:14:19 | |
-Uh-huh. -..to see if you're confirming or denying them. | 0:14:19 | 0:14:22 | |
LAUGHTER | 0:14:22 | 0:14:23 | |
-MIRANDA: -This is a fun game! | 0:14:23 | 0:14:25 | |
LAUGHTER | 0:14:25 | 0:14:26 | |
It's sort of a Psychic Sal. | 0:14:26 | 0:14:28 | |
-I mean, feel free, if you want to... -Feel free. -..confirm or deny them. | 0:14:28 | 0:14:32 | |
-Yeah. -OK, here we go. | 0:14:32 | 0:14:35 | |
You used to wash your hair every day | 0:14:35 | 0:14:37 | |
with a six-pack of beer. | 0:14:37 | 0:14:38 | |
-LAUGHTER Any truth...? -No. -Oh, he's denying that. OK. | 0:14:39 | 0:14:42 | |
That was my one! | 0:14:42 | 0:14:43 | |
LAUGHTER | 0:14:43 | 0:14:45 | |
-Yes? -Yeah, I did that all the time. | 0:14:45 | 0:14:47 | |
-Uh-huh? -That was cider. | 0:14:47 | 0:14:48 | |
No-one has that much hair - one can would do you. | 0:14:48 | 0:14:51 | |
-A six-pack seems excessive. -I would think, yeah. | 0:14:51 | 0:14:54 | |
You and Jack Nicholson had your own secret passageway | 0:14:54 | 0:14:56 | |
into the Playboy Mansion. | 0:14:56 | 0:14:58 | |
Is that true? | 0:15:04 | 0:15:05 | |
Well, I think the story was printed | 0:15:05 | 0:15:07 | |
that there was a tunnel going from Jack's house, | 0:15:07 | 0:15:10 | |
which is near my house, all the way over to Hefner's house, | 0:15:10 | 0:15:15 | |
which would probably have cost in the neighbourhood of 1 billion. | 0:15:15 | 0:15:19 | |
-So, no, that is not true. -OK. | 0:15:20 | 0:15:23 | |
Was it worth it? | 0:15:23 | 0:15:25 | |
You've lost the Oscar you won for Best Director for Reds. | 0:15:27 | 0:15:30 | |
-That is a lie. -OK, you know where it is. -Yeah. | 0:15:30 | 0:15:33 | |
I'm not asking, I'm just pointing that out. OK. | 0:15:33 | 0:15:36 | |
You photo-shopped the Heaven Can Wait poster | 0:15:36 | 0:15:38 | |
to make your crotch look larger. | 0:15:38 | 0:15:40 | |
LAUGHTER | 0:15:40 | 0:15:43 | |
No. | 0:15:43 | 0:15:44 | |
Just asking. Just asking! | 0:15:44 | 0:15:47 | |
Did you mean the crotch? | 0:15:47 | 0:15:49 | |
-The crotch? -The crotch, that bit. | 0:15:49 | 0:15:52 | |
That's... You mean the hips? What are you talking about? | 0:15:53 | 0:15:56 | |
I would say that area. | 0:15:56 | 0:15:58 | |
Sort of in-between that hip and that hip, | 0:16:00 | 0:16:03 | |
below your belly button | 0:16:03 | 0:16:04 | |
and before the space between your legs. | 0:16:04 | 0:16:06 | |
LAUGHTER AND APPLAUSE | 0:16:06 | 0:16:08 | |
-You didn't? -No. | 0:16:08 | 0:16:09 | |
I like how specific you were. | 0:16:12 | 0:16:14 | |
I thought you were speaking about what is in the crotch. | 0:16:14 | 0:16:17 | |
Oh, no, no, no. | 0:16:17 | 0:16:18 | |
Well, I don't know, did you do THAT? | 0:16:18 | 0:16:20 | |
-No. -You never touched your crotch. | 0:16:20 | 0:16:22 | |
I never touched the crotch. | 0:16:22 | 0:16:24 | |
Now, this is the famous one. | 0:16:24 | 0:16:26 | |
Carly Simon wrote the song You're So Vain about you. | 0:16:26 | 0:16:30 | |
-How would I know? -Didn't she...? | 0:16:30 | 0:16:32 | |
Has she said? | 0:16:32 | 0:16:34 | |
I don't know. | 0:16:34 | 0:16:36 | |
-OK. -I don't know, I don't know. -OK. | 0:16:36 | 0:16:39 | |
And the famous one, | 0:16:39 | 0:16:41 | |
I don't know who did this. | 0:16:41 | 0:16:43 | |
I like that someone studied maths | 0:16:43 | 0:16:46 | |
and this is what they used their mathematics degree for - | 0:16:46 | 0:16:50 | |
they calculated that you've bedded 13,000 women. | 0:16:50 | 0:16:53 | |
Oh, he's just leaving that one! | 0:16:55 | 0:16:57 | |
LAUGHTER AND APPLAUSE | 0:16:57 | 0:16:59 | |
No. That... | 0:17:01 | 0:17:02 | |
That was a very busy month. | 0:17:02 | 0:17:05 | |
You would have to live a long time | 0:17:09 | 0:17:11 | |
to be able to do that, and there's... | 0:17:11 | 0:17:13 | |
Well, hello! | 0:17:13 | 0:17:15 | |
And nobody twice. | 0:17:17 | 0:17:19 | |
And quite a number of people every day. | 0:17:21 | 0:17:23 | |
But these numbers... | 0:17:23 | 0:17:26 | |
The answer to your question is no. | 0:17:26 | 0:17:28 | |
I like that you've thought it through - | 0:17:28 | 0:17:30 | |
"Is that possible? No, it's not." | 0:17:30 | 0:17:33 | |
I've been around for so long | 0:17:33 | 0:17:34 | |
and I've had so many things invented about me that I... | 0:17:34 | 0:17:39 | |
I...I sort of think sympathetically about... | 0:17:39 | 0:17:44 | |
How much stuff have you had that has been...? | 0:17:44 | 0:17:48 | |
I can only imagine. | 0:17:48 | 0:17:49 | |
Miranda, you had a weird one. | 0:17:49 | 0:17:52 | |
Yeah, it was sort of so un-showbizzy and kind of strange. | 0:17:52 | 0:17:56 | |
It was that Heather Small had given me a dog, | 0:17:56 | 0:18:00 | |
a Scotty dog called Gary. | 0:18:00 | 0:18:02 | |
Not true? | 0:18:06 | 0:18:07 | |
Not true. | 0:18:07 | 0:18:08 | |
Gary played my love interest in the sitcom that I wrote. | 0:18:08 | 0:18:11 | |
I rather wanted more sort of glamorous... | 0:18:11 | 0:18:16 | |
You are 25-1 to be the next Doctor Who. | 0:18:16 | 0:18:19 | |
-Oh, really? -Yes. -Oh, well, there you go. | 0:18:19 | 0:18:22 | |
Peter. | 0:18:22 | 0:18:23 | |
Move away. | 0:18:25 | 0:18:27 | |
-I didn't know that. -You'd be a great Doctor Who. | 0:18:28 | 0:18:30 | |
-Do you think?! -Yeah! | 0:18:30 | 0:18:32 | |
I went very high with nerves - "D'you think?!" | 0:18:32 | 0:18:35 | |
HIGH-PITCHED: "Yes, I will do it!" | 0:18:35 | 0:18:37 | |
Do you think I'd morph into...? | 0:18:37 | 0:18:39 | |
Have you done the morph yet? | 0:18:39 | 0:18:41 | |
Is this a double bluff? | 0:18:43 | 0:18:45 | |
I've done, erm...I've done... | 0:18:45 | 0:18:48 | |
I've done my... My death, if you like. | 0:18:48 | 0:18:50 | |
-Doesn't the other person have to be there? -Not necessarily. | 0:18:50 | 0:18:53 | |
-Doctor Who... -So, he's about to finish being Doctor Who, | 0:18:53 | 0:18:55 | |
and then he finishes, but Doctor Who lives on... | 0:18:55 | 0:18:59 | |
A new actor comes and plays the part, you see. | 0:18:59 | 0:19:01 | |
-Or act-RESS. -Or actress. -Oh, yes. | 0:19:01 | 0:19:05 | |
Or highly trained dog. | 0:19:05 | 0:19:07 | |
We don't know. We just don't know. | 0:19:08 | 0:19:10 | |
Now, Miranda Hart. | 0:19:10 | 0:19:11 | |
Miranda Hart's latest venture is the musical theatre, | 0:19:11 | 0:19:14 | |
in London's glittering West End, in Annie. | 0:19:14 | 0:19:17 | |
Now, you're not playing Annie, we should hasten to add! | 0:19:17 | 0:19:21 | |
-A reworking. -Really strange! | 0:19:21 | 0:19:24 | |
She's taller than the other girls! | 0:19:24 | 0:19:27 | |
She's had a growing spurt! | 0:19:27 | 0:19:29 | |
She appears to be very menopausal! | 0:19:29 | 0:19:31 | |
-You're playing Miss Hannigan. -I'm playing Miss Hannigan. | 0:19:33 | 0:19:37 | |
Previews begin 23rd May. | 0:19:37 | 0:19:38 | |
I know people say this, | 0:19:38 | 0:19:40 | |
but this genuinely is your dream has come true. | 0:19:40 | 0:19:44 | |
Yes, and it's one of those...erm, | 0:19:44 | 0:19:46 | |
"be careful what you wish for" things! | 0:19:46 | 0:19:49 | |
Because, yeah, when I was seven, I think, six or seven, | 0:19:49 | 0:19:54 | |
I saw Eric Morecambe on telly | 0:19:54 | 0:19:55 | |
and thought, "I want to be a comedian", | 0:19:55 | 0:19:57 | |
and then that sort of grew into just being an actress generally. | 0:19:57 | 0:20:00 | |
And I used to sing all the parts of Annie from an LP | 0:20:00 | 0:20:04 | |
whenever I got home from school, from the age of about seven, | 0:20:04 | 0:20:08 | |
and it sort of carried on all my life. | 0:20:08 | 0:20:09 | |
Then when I saw the film with Carol Burnett, who was just... | 0:20:09 | 0:20:12 | |
-Oh, my goodness, do you know Carol Burnett? -Mm. | 0:20:12 | 0:20:14 | |
Oh! | 0:20:14 | 0:20:15 | |
-I mean, I love you, but she... -Who do you love more? | 0:20:17 | 0:20:20 | |
Well, I love you more, because you're here now. | 0:20:20 | 0:20:22 | |
LAUGHTER | 0:20:22 | 0:20:25 | |
APPLAUSE | 0:20:25 | 0:20:27 | |
13,001! | 0:20:28 | 0:20:29 | |
LAUGHTER | 0:20:29 | 0:20:31 | |
Is it all because...? | 0:20:35 | 0:20:37 | |
Because Miss Hannigan's the baddie, | 0:20:37 | 0:20:39 | |
and we don't see you as the baddie. | 0:20:39 | 0:20:41 | |
That's the other reason that I was really excited | 0:20:41 | 0:20:43 | |
to have the chance to play it, | 0:20:43 | 0:20:45 | |
because, yeah, she's also brash and grotesque, | 0:20:45 | 0:20:48 | |
and she's drunk and she's the baddie, | 0:20:48 | 0:20:49 | |
and I'm normally playing parts that are sort of like this, | 0:20:49 | 0:20:52 | |
and vulnerable, and I apologise for existing. | 0:20:52 | 0:20:55 | |
It's quite a challenge as well | 0:20:55 | 0:20:57 | |
to sort of put my shoulders back and do the tits-and-teeth thing, | 0:20:57 | 0:21:01 | |
be brash and, like, " ... you, world"!" | 0:21:01 | 0:21:05 | |
In fact, look at the way I'm sitting, | 0:21:05 | 0:21:06 | |
I'm sort of taking the couch on a bit. | 0:21:06 | 0:21:08 | |
I have got a bit more personally confident because of her. | 0:21:08 | 0:21:10 | |
-It's quite fun. -You brought it home. -Yeah. | 0:21:10 | 0:21:13 | |
Fuck you! | 0:21:13 | 0:21:14 | |
-Children in Annie! Children in Annie. -Children. | 0:21:19 | 0:21:22 | |
-There's children in Annie. -Please bring your families along. | 0:21:22 | 0:21:25 | |
Please do. | 0:21:25 | 0:21:27 | |
Here's Hannigan, "Yeah, yeah...!" | 0:21:27 | 0:21:29 | |
Learning the American accent's really interesting, | 0:21:29 | 0:21:31 | |
because one of the first things I was told is that, American, | 0:21:31 | 0:21:35 | |
you just sort of keep speaking to the end of the sentence | 0:21:35 | 0:21:37 | |
and you will just keep talking, culturally, until someone butts in, | 0:21:37 | 0:21:40 | |
because you've got a bit more confidence and you're excited | 0:21:40 | 0:21:43 | |
and you're optimistic and you'll just keep talking, like that. | 0:21:43 | 0:21:45 | |
Whereas we sort of go, "Oh, hello, it's very nice to see you." | 0:21:45 | 0:21:48 | |
And we kind of apologise. | 0:21:48 | 0:21:50 | |
"Does anyone else want to speak now?" | 0:21:50 | 0:21:52 | |
-It's that confidence, it's amazing. -It's great. -It's great. | 0:21:52 | 0:21:55 | |
I worked with an American who said... | 0:21:55 | 0:21:56 | |
He came in in the morning and he was tired and he was yawning, | 0:21:56 | 0:21:59 | |
and I said, "How did you sleep?" | 0:21:59 | 0:22:00 | |
He said, "Well, well, well." | 0:22:00 | 0:22:02 | |
I said, "How well?" He said, "I slept like a champ." | 0:22:02 | 0:22:06 | |
We'd say, "Oh, we slept like a log," an inanimate object, | 0:22:06 | 0:22:10 | |
but to him, he already had a success story going already. | 0:22:10 | 0:22:13 | |
He was a champ, and that's how he slept, after a big fight. | 0:22:13 | 0:22:17 | |
It's also like, "I live in a massive house and I earn masses of money," | 0:22:17 | 0:22:20 | |
and we're like, "I'm so sorry, I'm in the tax bracket." | 0:22:20 | 0:22:23 | |
Mustn't admit any sort of success, can we? | 0:22:25 | 0:22:28 | |
In terms of bringing work home, | 0:22:28 | 0:22:30 | |
-when you work with your wife, Annette Bening... -Yes. | 0:22:30 | 0:22:34 | |
..do you have rules? | 0:22:34 | 0:22:36 | |
-Yes. -Do you go, "we don't talk about it", or "we do"? | 0:22:36 | 0:22:38 | |
-I do as I'm told. -OK. -Yes. | 0:22:38 | 0:22:41 | |
But do you discuss the scenes at home or is that all on set? | 0:22:41 | 0:22:46 | |
We don't discuss it at home. | 0:22:46 | 0:22:48 | |
I feel that's a full and frank answer. | 0:22:51 | 0:22:53 | |
-Cos, Keeley Hawes, you're married to Matthew Macfadyen, an actor. -I am indeed. | 0:22:55 | 0:22:59 | |
What do you do? Do you discuss...? Because you have filmed together. | 0:22:59 | 0:23:02 | |
-Yes, we have. But we don't discuss it at home either. No. -Thank you. | 0:23:02 | 0:23:06 | |
-I'm not that odd. -There you are. -No! No-one said that. | 0:23:06 | 0:23:10 | |
And we don't discuss it when we're... | 0:23:10 | 0:23:13 | |
-When we're at home either. -Yes. No. | 0:23:13 | 0:23:15 | |
None of us will speak of this show afterwards. | 0:23:15 | 0:23:19 | |
It won't even be on the iPlayer. | 0:23:19 | 0:23:21 | |
We sort of say, "Oh, how was the day?" | 0:23:21 | 0:23:23 | |
I'm surprised you don't talk about it. | 0:23:23 | 0:23:25 | |
We don't sit and sort of | 0:23:25 | 0:23:27 | |
talk about the scenes or talk about acting. | 0:23:27 | 0:23:30 | |
It would be really boring and a bit weird, I think, maybe. | 0:23:30 | 0:23:35 | |
-Each to their own. -It's for different people. -Exactly. | 0:23:35 | 0:23:38 | |
We've got children to talk about, dinners to cook and things. | 0:23:38 | 0:23:40 | |
-How many do you have? -Three. -Oh, we have four. | 0:23:40 | 0:23:43 | |
LAUGHTER | 0:23:43 | 0:23:45 | |
Wow. So competitive! | 0:23:45 | 0:23:47 | |
Now, Keeley Hawes, she is returning to our TV screens | 0:23:51 | 0:23:53 | |
next Sunday at eight o'clock on ITV | 0:23:53 | 0:23:55 | |
with the second series of The Durrells. | 0:23:55 | 0:23:58 | |
And congratulations, because the first series, big hit. | 0:23:58 | 0:24:01 | |
-Yes, very nice too, thank you. -Yes. | 0:24:01 | 0:24:03 | |
No, because it was the biggest new drama ITV had, I think. | 0:24:03 | 0:24:06 | |
-Something like that, yes. -There are statistics. | 0:24:06 | 0:24:09 | |
-There are, there are statistics... -You should know them. | 0:24:09 | 0:24:11 | |
..which I have forgotten. | 0:24:11 | 0:24:13 | |
But, yes, it was, it was a big hit. People really seemed to love it. | 0:24:13 | 0:24:18 | |
And congratulations, | 0:24:18 | 0:24:19 | |
because you've got a BAFTA nomination for Best Drama. | 0:24:19 | 0:24:22 | |
Yes, very nice, thank you. | 0:24:22 | 0:24:24 | |
And, no offence to actors, | 0:24:24 | 0:24:25 | |
but actors do often make their jobs sound slightly harder than they are. | 0:24:25 | 0:24:29 | |
But you... You are very frank about this. | 0:24:29 | 0:24:33 | |
You basically said it's like a holiday. | 0:24:33 | 0:24:35 | |
You go to Corfu and have a lovely time. | 0:24:35 | 0:24:37 | |
It's gorgeous and the people are so lovely | 0:24:37 | 0:24:41 | |
and I'm so lucky with the wonderful cast, you know. | 0:24:41 | 0:24:45 | |
And often you say that and slightly might not mean it, but... | 0:24:45 | 0:24:50 | |
But hand on my heart, you know, all of the kids... | 0:24:50 | 0:24:54 | |
And they're such great actors. | 0:24:54 | 0:24:55 | |
People always say, "What's it like, working with so many kids?" | 0:24:55 | 0:24:58 | |
Three of them are in their 20s - | 0:24:58 | 0:24:59 | |
they're not kids, they just do such a great job. | 0:24:59 | 0:25:02 | |
So, yes, it's very exciting. | 0:25:02 | 0:25:04 | |
Well, we've got a clip. | 0:25:04 | 0:25:05 | |
This is you and your children on Corfu from, I think, | 0:25:05 | 0:25:09 | |
this Sunday's episode, | 0:25:09 | 0:25:10 | |
where you're trying to think of ways to make money. | 0:25:10 | 0:25:13 | |
-Obviously very practical. -Yes. | 0:25:13 | 0:25:15 | |
Urgently need money. | 0:25:15 | 0:25:16 | |
Come on, everyone, ideas. | 0:25:16 | 0:25:18 | |
We form a family music band and go on tour. | 0:25:20 | 0:25:22 | |
Having learned to play instruments. | 0:25:25 | 0:25:27 | |
I wouldn't normally say this, | 0:25:27 | 0:25:28 | |
but you two girls need to marry well, quickly. | 0:25:28 | 0:25:31 | |
I may once have agreed with you, but now I find that offensive. | 0:25:31 | 0:25:34 | |
Well done, Margo. | 0:25:34 | 0:25:35 | |
Unless he's really gorgeous. | 0:25:35 | 0:25:37 | |
Let's kill Aunt Hermione for the inheritance. | 0:25:37 | 0:25:39 | |
All right, I'll hold her down. | 0:25:39 | 0:25:42 | |
Oh, my God, you're not joking. | 0:25:42 | 0:25:44 | |
Right, thank you, everyone, for your superb ideas. | 0:25:44 | 0:25:47 | |
Today, at the market, | 0:25:47 | 0:25:48 | |
a provocative Englishman made fun of our produce | 0:25:48 | 0:25:52 | |
and he was quite right. | 0:25:52 | 0:25:54 | |
Let's do it properly. | 0:25:54 | 0:25:56 | |
Let's sell our vegetables and grow more. | 0:25:56 | 0:26:00 | |
Let's make goat's cheese and honey, | 0:26:00 | 0:26:03 | |
and let's cook proper English food that nobody here has ever heard of. | 0:26:03 | 0:26:07 | |
APPLAUSE Beautiful. | 0:26:07 | 0:26:10 | |
-They have upped the number of animals in this one. -They have. | 0:26:16 | 0:26:19 | |
-I'd say they doubled it. -OK. -Yes. | 0:26:19 | 0:26:22 | |
-And apparently a lot of birds in this one. -So many birds. | 0:26:22 | 0:26:25 | |
-But do you train a bird? -You can. | 0:26:25 | 0:26:29 | |
We have a seagull called Steven SeaGULL, obviously. | 0:26:29 | 0:26:33 | |
-Of course. -And he is very good. He's quite angry. | 0:26:33 | 0:26:37 | |
I think seagulls generally are quite angry. | 0:26:37 | 0:26:40 | |
But I have a scene with him in this series. | 0:26:40 | 0:26:43 | |
We have a conversation and he was very good. | 0:26:44 | 0:26:46 | |
But you have to act with chickens. Now, you cannot train a chicken. | 0:26:47 | 0:26:51 | |
Chickens, no, no, but it helps... | 0:26:51 | 0:26:52 | |
If the chicken loves you, like our chicken loves me... | 0:26:52 | 0:26:56 | |
I'm really proud of that. | 0:26:56 | 0:26:57 | |
I don't know why, it's quite an odd thing, but it just loves me. | 0:26:57 | 0:27:01 | |
And, yeah, that helps, because it wants to be near me. | 0:27:01 | 0:27:05 | |
So, in scenes, does it kind of edge into your close-up? | 0:27:07 | 0:27:10 | |
Yes, yes! | 0:27:10 | 0:27:13 | |
We had a very long scene, I was sitting at the kitchen table, | 0:27:13 | 0:27:16 | |
and this chicken sort of... | 0:27:16 | 0:27:17 | |
For some reason or other, | 0:27:17 | 0:27:19 | |
the chicken had to be thrown onto the table. | 0:27:19 | 0:27:21 | |
And we really look after our animals - | 0:27:21 | 0:27:23 | |
-it wasn't thrown hard or anything... -LAUGHTER | 0:27:23 | 0:27:26 | |
It was kicked with a soft shoe. | 0:27:26 | 0:27:29 | |
And it sort of walked along and, | 0:27:29 | 0:27:32 | |
I'm not sure how they've edited it, | 0:27:32 | 0:27:34 | |
but it walked along and... | 0:27:34 | 0:27:37 | |
It does a lot of this. | 0:27:37 | 0:27:39 | |
And then did a bit of this, | 0:27:39 | 0:27:41 | |
and then sort of just stood like this. | 0:27:41 | 0:27:43 | |
And it wouldn't go away. | 0:27:43 | 0:27:45 | |
So then I just sort of sit like that with the chicken, you know... | 0:27:45 | 0:27:49 | |
Can you stroke a chicken? Can you cuddle a chicken? | 0:27:49 | 0:27:51 | |
-Oh, yeah, you can really cuddle a chicken. Well, this one. -Yes. | 0:27:51 | 0:27:55 | |
And you can roast them. | 0:27:55 | 0:27:56 | |
LAUGHTER | 0:27:56 | 0:27:58 | |
Happy Easter, everyone! | 0:27:59 | 0:28:01 | |
APPLAUSE | 0:28:03 | 0:28:05 | |
Obviously, filming can be hard work, but what you do, Warren, | 0:28:07 | 0:28:11 | |
is this idea of writing it, directing it, | 0:28:11 | 0:28:13 | |
producing it, starring in the film. | 0:28:13 | 0:28:15 | |
I just wondered, as a young actor... | 0:28:15 | 0:28:17 | |
I thought he was going to ask me about affairs with animals. | 0:28:17 | 0:28:21 | |
Yes, yes. So, in addition to the 13,000 women, | 0:28:21 | 0:28:25 | |
let's move into the animal kingdom. | 0:28:25 | 0:28:26 | |
Because you were a successful actor, and presumably, there is | 0:28:28 | 0:28:32 | |
the temptation to have a lovely life being a successful actor. | 0:28:32 | 0:28:37 | |
How did you get the confidence? Do you look back and kind of think, | 0:28:37 | 0:28:40 | |
"How was I confident enough to say, 'I will produce this film, I will be in charge'?" | 0:28:40 | 0:28:44 | |
I don't think you ever have confidence. | 0:28:44 | 0:28:47 | |
You just think, "Well, let's try it." | 0:28:47 | 0:28:50 | |
But I would say that from the beginning, | 0:28:52 | 0:28:55 | |
I had an inclination to be a control freak, | 0:28:55 | 0:28:58 | |
if that's what you mean. | 0:28:58 | 0:29:00 | |
I wanted to, you know, put the thing together. | 0:29:00 | 0:29:03 | |
But really, from the beginning. | 0:29:03 | 0:29:06 | |
Wow. And also, I suppose, the thing is it worked. | 0:29:06 | 0:29:09 | |
If it hadn't worked then we wouldn't even be talking about this. | 0:29:09 | 0:29:12 | |
No, it would be limited. | 0:29:12 | 0:29:13 | |
Because this is extraordinary, | 0:29:14 | 0:29:16 | |
and no-one else has done this - two films, Heaven Can Wait and Reds, | 0:29:16 | 0:29:20 | |
you were Oscar-nominated four times for each film. | 0:29:20 | 0:29:25 | |
Oscar-nominated as the producer, the director, | 0:29:25 | 0:29:27 | |
the writer and the star. | 0:29:27 | 0:29:28 | |
No-one else has done that, have they? | 0:29:28 | 0:29:30 | |
Orson Welles did it once. | 0:29:30 | 0:29:32 | |
But you did it twice. | 0:29:32 | 0:29:33 | |
Yeah! Take that, Orson! | 0:29:33 | 0:29:36 | |
-Yeah. -Yeah! | 0:29:36 | 0:29:37 | |
You're not done, you could do it a third time. | 0:29:37 | 0:29:39 | |
APPLAUSE | 0:29:39 | 0:29:41 | |
Because you've stayed in Hollywood, | 0:29:44 | 0:29:46 | |
you've stayed making movies in Hollywood, | 0:29:46 | 0:29:48 | |
so you are always dealing, I guess, | 0:29:48 | 0:29:50 | |
-with somebody from a studio or somebody. -Yeah. | 0:29:50 | 0:29:54 | |
What are the biggest fights about? | 0:29:54 | 0:29:55 | |
What's the biggest fight you've had, making a movie? | 0:29:55 | 0:29:57 | |
Has it been about casting, has it been script, budget? | 0:29:57 | 0:30:00 | |
What have been the big... drawing a line in the sand? | 0:30:00 | 0:30:04 | |
I think of them as discussions. | 0:30:04 | 0:30:06 | |
Jack Warner got very mad at me when we were doing Bonnie And Clyde. | 0:30:07 | 0:30:12 | |
He wanted things changed and that's become somewhat of a... | 0:30:12 | 0:30:16 | |
But our voices rose and I was a kid and he was not | 0:30:16 | 0:30:21 | |
and finally, he said, "Look..." | 0:30:21 | 0:30:24 | |
And I won't use the language, | 0:30:24 | 0:30:26 | |
because I feel it would be inappropriate at this time... | 0:30:26 | 0:30:29 | |
Yeah, Miranda. | 0:30:29 | 0:30:31 | |
Yo! | 0:30:31 | 0:30:33 | |
LAUGHTER | 0:30:33 | 0:30:35 | |
OK. Then he said, | 0:30:35 | 0:30:36 | |
"It's my fucking name on the water tower." | 0:30:36 | 0:30:39 | |
And I took a deep breath, | 0:30:39 | 0:30:42 | |
he had said it was his name on the water tower, | 0:30:42 | 0:30:44 | |
I walked to the window and I looked out and I said, | 0:30:44 | 0:30:49 | |
"Uh-huh - no, it's my initials." | 0:30:49 | 0:30:51 | |
-Oh! -Oh, hello! | 0:30:53 | 0:30:55 | |
He said, "All right, do whatever you want." | 0:30:55 | 0:30:57 | |
APPLAUSE | 0:30:58 | 0:31:00 | |
And in terms of dealing with Hollywood, Peter, | 0:31:02 | 0:31:05 | |
Peter Capaldi, Oscar winner - he shares an Oscar with you. | 0:31:05 | 0:31:08 | |
But you... No, you did win an Oscar. | 0:31:08 | 0:31:11 | |
-Don't look like that. -Yes, yes, get on with it. | 0:31:11 | 0:31:13 | |
But the story I want, and it's such a kind of... | 0:31:13 | 0:31:16 | |
It's how brutal Hollywood can be. Peter has such a... | 0:31:16 | 0:31:20 | |
Anyway, tell your story. | 0:31:20 | 0:31:21 | |
It was...I won an Oscar for directing a short film. | 0:31:21 | 0:31:25 | |
I didn't know you could win Oscars for short films, | 0:31:25 | 0:31:27 | |
but there you are, it happened. | 0:31:27 | 0:31:28 | |
Very exciting, went to Hollywood. Marvellous, wonderful. | 0:31:28 | 0:31:31 | |
And I sold a script to a company called Miramax, | 0:31:31 | 0:31:35 | |
who were very famous. | 0:31:35 | 0:31:36 | |
And they let me... | 0:31:36 | 0:31:38 | |
I came back home to Britain and I worked on this script | 0:31:38 | 0:31:41 | |
and they were paying me and it was lovely. | 0:31:41 | 0:31:42 | |
I bought my house and all that stuff. | 0:31:42 | 0:31:44 | |
And we did it over the phone and stuff like that and they said, | 0:31:44 | 0:31:47 | |
"OK, we're going to make this movie." | 0:31:47 | 0:31:50 | |
So they booked me on a flight to New York and I was going to | 0:31:50 | 0:31:53 | |
fly over and start discussions about it. | 0:31:53 | 0:31:56 | |
I got on the flight, got to the hotel, | 0:31:56 | 0:31:59 | |
a big dream car outside, | 0:31:59 | 0:32:00 | |
got into the car and the driver was a lovely guy. | 0:32:00 | 0:32:04 | |
He was called Ralph and he said, "What are you doing here?" | 0:32:04 | 0:32:07 | |
I said, "Well, I'm just going down to begin work on my movie. | 0:32:07 | 0:32:10 | |
"We're going to start talking about casting, probably, | 0:32:10 | 0:32:14 | |
"and preproduction." He said, "Great," | 0:32:14 | 0:32:15 | |
and he said, "I have to take you down to the office." | 0:32:15 | 0:32:18 | |
I said, "Yeah," and he said, "Then I have to wait for you." | 0:32:18 | 0:32:21 | |
And I said, "No, you probably don't have to wait because | 0:32:21 | 0:32:24 | |
"we're probably going to go for a meal and have some champagne." | 0:32:24 | 0:32:27 | |
He said, "No, I've been told to wait." | 0:32:27 | 0:32:29 | |
Oh... | 0:32:29 | 0:32:30 | |
"All right, OK." | 0:32:30 | 0:32:32 | |
But I still think I'm a big shot by this time, so I gave him a big tip. | 0:32:32 | 0:32:35 | |
I said, "You have that, Ralph. Thanks very much. | 0:32:35 | 0:32:38 | |
"You can wait if you like, but we're going to be a while, probably." | 0:32:38 | 0:32:41 | |
And I go into the offices and meet the guy who is in charge, | 0:32:41 | 0:32:45 | |
Bob, who basically says, | 0:32:45 | 0:32:48 | |
"We ain't going to do this. It's over." | 0:32:48 | 0:32:51 | |
And that was it. | 0:32:51 | 0:32:52 | |
We weren't going to do anything else, | 0:32:52 | 0:32:54 | |
we weren't going to talk about production, | 0:32:54 | 0:32:56 | |
we weren't going to talk about other projects. | 0:32:56 | 0:33:00 | |
It was just over, there was the door... | 0:33:00 | 0:33:02 | |
"But your driver's waiting." | 0:33:02 | 0:33:03 | |
And I got into the car and I was sort of in shock. | 0:33:05 | 0:33:08 | |
I didn't know what to do because I had no money. | 0:33:08 | 0:33:12 | |
I spent all my money, I had no career as an actor | 0:33:12 | 0:33:14 | |
because that was over cos I decided to be a director, | 0:33:14 | 0:33:17 | |
and I was laughing. | 0:33:17 | 0:33:18 | |
I said, "It's over." | 0:33:18 | 0:33:20 | |
Ralph was saying, "But what's happened to you?" | 0:33:20 | 0:33:22 | |
I said, "I was going to make a movie | 0:33:22 | 0:33:25 | |
"and now I'm not going to make a movie, and I've got no money, | 0:33:25 | 0:33:28 | |
"I've got no career, I've got nothing." | 0:33:28 | 0:33:30 | |
And we got out of the car and he gave me my tip back. | 0:33:30 | 0:33:33 | |
Oh! | 0:33:33 | 0:33:35 | |
APPLAUSE | 0:33:35 | 0:33:37 | |
That's New York! | 0:33:40 | 0:33:41 | |
Does that happen, though? Is it cut-throat? | 0:33:43 | 0:33:45 | |
Twice a week, twice a week. | 0:33:45 | 0:33:47 | |
-Not to Warren. -No. | 0:33:47 | 0:33:49 | |
Well, listen, it's all ended happily, | 0:33:51 | 0:33:53 | |
because Peter Capaldi now is back where he belongs | 0:33:53 | 0:33:56 | |
for one final season with Doctor Who. | 0:33:56 | 0:33:58 | |
Tomorrow night, 7.20, BBC One. So, this is bye-bye? | 0:33:58 | 0:34:01 | |
This is bye-bye, yeah. | 0:34:01 | 0:34:03 | |
Have you finished, finished, finished? | 0:34:03 | 0:34:04 | |
I've still got the Christmas special to do. | 0:34:04 | 0:34:07 | |
-So we finished on Friday, we've been filming for ten months. -OK. | 0:34:07 | 0:34:11 | |
It was shoot day 205, was last Friday, | 0:34:11 | 0:34:13 | |
so we're all pretty exhausted. | 0:34:13 | 0:34:16 | |
But if you've done the... | 0:34:16 | 0:34:18 | |
Ah, well, you've got to watch it and see. | 0:34:18 | 0:34:20 | |
I have done the death of my character. | 0:34:20 | 0:34:25 | |
OK, so... | 0:34:25 | 0:34:26 | |
Wait a minute, are you the 13th Doctor as well? | 0:34:26 | 0:34:29 | |
-Do you just come back as yourself? -Well, that's the surprise! -Surprise! | 0:34:29 | 0:34:33 | |
No, I can't tell you what's going to happen, | 0:34:33 | 0:34:36 | |
but it's going to be very interesting. | 0:34:36 | 0:34:38 | |
And not to pry, but is there any particular reason | 0:34:38 | 0:34:41 | |
why you say bye-bye now? | 0:34:41 | 0:34:43 | |
I think I've always... | 0:34:43 | 0:34:45 | |
You know, Doctor Who is a great job | 0:34:45 | 0:34:49 | |
but it's a bit of a television factory, you know? | 0:34:49 | 0:34:54 | |
You do 12 episodes a year, and I just worry | 0:34:54 | 0:34:59 | |
that I wouldn't be able to do... | 0:34:59 | 0:35:01 | |
I wouldn't be able to continue doing my best work because, | 0:35:01 | 0:35:05 | |
you know, I like to be able to learn the lines and do some preparation | 0:35:05 | 0:35:08 | |
and come in and give it the vigour and fun. | 0:35:08 | 0:35:11 | |
-And not hate it. -And not hate it, yes. | 0:35:11 | 0:35:14 | |
So I just thought, you know, "While you're enjoying it, leave." | 0:35:14 | 0:35:18 | |
But in terms of doing press and things, obviously Doctor Who | 0:35:18 | 0:35:20 | |
is all over the world, so you have to do press everywhere. | 0:35:20 | 0:35:24 | |
-But was it in Germany you had an awkward...? -Oh, I went to Berlin. | 0:35:24 | 0:35:28 | |
I love Berlin but, you know, being British, of course, | 0:35:28 | 0:35:32 | |
you still are a little bit uptight there, | 0:35:32 | 0:35:34 | |
and people do say to you, "Don't mention the war." | 0:35:34 | 0:35:38 | |
So you try... If you remember, the war I mean is the last one, | 0:35:38 | 0:35:42 | |
the Second World War. | 0:35:42 | 0:35:43 | |
So I went there, and we'd never gone to Berlin to publicise | 0:35:43 | 0:35:47 | |
Doctor Who before, so I was very nice and thinking, | 0:35:47 | 0:35:50 | |
"I'll not mention the war." | 0:35:50 | 0:35:52 | |
And the very first journalist I met, he said to me, | 0:35:52 | 0:35:55 | |
"Is it true that the Daleks are based on the Nazis?" | 0:35:55 | 0:36:00 | |
LAUGHTER | 0:36:00 | 0:36:02 | |
And I thought, "What do I say? | 0:36:04 | 0:36:06 | |
"Will I offend the Nazis if I say yes? | 0:36:06 | 0:36:09 | |
"Oh, to hell with them. | 0:36:09 | 0:36:10 | |
"Yes, of course they were based on the Nazis." | 0:36:10 | 0:36:13 | |
-Are they based on the Nazis? -Yeah! -Oh! | 0:36:13 | 0:36:16 | |
Is that why they do that? | 0:36:18 | 0:36:19 | |
They walk around like that and say, | 0:36:19 | 0:36:21 | |
"Exterminate, exterminate, exterminate." | 0:36:21 | 0:36:23 | |
They're Cockney Nazis. | 0:36:23 | 0:36:24 | |
There are a few of those. | 0:36:26 | 0:36:28 | |
Let's enjoy a moment from tomorrow's opening episode. | 0:36:28 | 0:36:31 | |
-This is you and your new companion. -Yeah. -Two new companions. | 0:36:31 | 0:36:35 | |
Yes, that's right. We've got the wonderful Pearl Mackie, | 0:36:35 | 0:36:37 | |
who is playing the character of Bill Potts, | 0:36:37 | 0:36:39 | |
who's wonderful, and also, Matt Lucas is joining us as well, | 0:36:39 | 0:36:42 | |
-so there's a whole new team in the TARDIS. -Woo-hoo! | 0:36:42 | 0:36:45 | |
Well, this is you and Pearl Mackie, playing Bill Potts, | 0:36:45 | 0:36:48 | |
entering the TARDIS. | 0:36:48 | 0:36:49 | |
-I'll tell you what, let's just pop into my box. -Your box? | 0:36:51 | 0:36:55 | |
What good is getting in your box going to do? | 0:36:55 | 0:36:57 | |
What an extraordinarily long and involved answer this is going to be. | 0:36:57 | 0:37:00 | |
How is nothing getting in? We're trapped in here! | 0:37:03 | 0:37:05 | |
-Nothing gets through these doors. -But they're made of wood. | 0:37:05 | 0:37:09 | |
They've got windows! | 0:37:09 | 0:37:10 | |
Look, this is all mad, I know, but that's the guy I told you about. | 0:37:16 | 0:37:21 | |
Heather? Only I don't think it's really her. | 0:37:21 | 0:37:25 | |
I know this is hard to believe. | 0:37:27 | 0:37:29 | |
I know you're not exactly a sci-fi person... | 0:37:29 | 0:37:31 | |
Time and relative dimension in space. | 0:37:35 | 0:37:37 | |
TARDIS for short. | 0:37:40 | 0:37:42 | |
APPLAUSE | 0:37:44 | 0:37:46 | |
OK! | 0:37:47 | 0:37:48 | |
It's time for music. | 0:37:50 | 0:37:53 | |
Now, this lady is a multi-platinum Oscar and Grammy-winning superstar. | 0:37:53 | 0:37:58 | |
Here performing her latest single, | 0:37:58 | 0:38:00 | |
Remember Me, please welcome Jennifer Hudson. | 0:38:00 | 0:38:03 | |
CHEERING AND APPLAUSE | 0:38:03 | 0:38:05 | |
# There you are | 0:38:14 | 0:38:15 | |
# Yeah, you found me | 0:38:16 | 0:38:18 | |
# Strong enough to break my sleep | 0:38:19 | 0:38:22 | |
# Say it hurt | 0:38:23 | 0:38:24 | |
# Say you're lonely | 0:38:25 | 0:38:27 | |
# Say I forgot to give you what you need | 0:38:27 | 0:38:30 | |
# Well, I promised you gold | 0:38:32 | 0:38:34 | |
# Yet I have it to hold | 0:38:34 | 0:38:36 | |
# I was bound to | 0:38:36 | 0:38:39 | |
# I was bound to | 0:38:39 | 0:38:41 | |
# I couldn't give any more | 0:38:41 | 0:38:43 | |
# Cos it's already yours | 0:38:43 | 0:38:46 | |
# Look around you | 0:38:46 | 0:38:48 | |
# Look around you | 0:38:48 | 0:38:51 | |
# So do you remember me | 0:38:59 | 0:39:02 | |
# Remember me | 0:39:02 | 0:39:04 | |
# In those moments just before you sleep? | 0:39:04 | 0:39:06 | |
# Before you sleep | 0:39:06 | 0:39:08 | |
# I know you remember me | 0:39:08 | 0:39:11 | |
# Remember me | 0:39:11 | 0:39:13 | |
# Swear to me the memory isn't seen | 0:39:13 | 0:39:15 | |
# It isn't seen | 0:39:15 | 0:39:17 | |
# Promise me | 0:39:17 | 0:39:20 | |
# That it doesn't make your heart beat | 0:39:21 | 0:39:24 | |
# Oh | 0:39:24 | 0:39:26 | |
# Doesn't make your heart beat | 0:39:26 | 0:39:28 | |
# Well, I know you | 0:39:29 | 0:39:31 | |
# You know me | 0:39:32 | 0:39:33 | |
# Oh, baby, we don't even gotta speak | 0:39:34 | 0:39:37 | |
# All you hear, same as you | 0:39:38 | 0:39:40 | |
# What you feel, feel it too | 0:39:40 | 0:39:43 | |
# All you gotta do is read, yeah | 0:39:43 | 0:39:47 | |
# But nothing you ever said | 0:39:47 | 0:39:50 | |
# That could drive me away | 0:39:50 | 0:39:52 | |
# I'm inside you | 0:39:52 | 0:39:54 | |
# I'm inside you | 0:39:54 | 0:39:56 | |
# So if you make a mistake | 0:39:56 | 0:39:59 | |
# Let me carry your weight | 0:39:59 | 0:40:00 | |
# I'm beside you | 0:40:00 | 0:40:03 | |
# I'm beside you | 0:40:03 | 0:40:07 | |
-# So do you -Remember me | 0:40:07 | 0:40:09 | |
-# Remember me -Remember me | 0:40:09 | 0:40:12 | |
# In those moments just before you sleep? | 0:40:12 | 0:40:15 | |
# Just before you sleep | 0:40:15 | 0:40:16 | |
-# I know you -Remember me | 0:40:16 | 0:40:18 | |
-# Remember me -Remember me | 0:40:18 | 0:40:21 | |
-# Swear to me the memory isn't seen -It isn't seen | 0:40:21 | 0:40:25 | |
# Promise me | 0:40:25 | 0:40:28 | |
# That it doesn't make your heart beat | 0:40:29 | 0:40:32 | |
# Oh | 0:40:32 | 0:40:34 | |
# Doesn't make your heart beat | 0:40:34 | 0:40:37 | |
# I'm here when you want me | 0:40:37 | 0:40:39 | |
# When you want me | 0:40:39 | 0:40:41 | |
# There's no place I'd rather be | 0:40:43 | 0:40:46 | |
# You may not know it | 0:40:46 | 0:40:48 | |
# May not know it | 0:40:48 | 0:40:50 | |
# But it doesn't end like this | 0:40:50 | 0:40:55 | |
# It doesn't end like this | 0:40:55 | 0:41:00 | |
# I know you | 0:41:01 | 0:41:04 | |
# Remember me | 0:41:04 | 0:41:06 | |
# In those moments just before you sleep | 0:41:06 | 0:41:09 | |
# Before you sleep | 0:41:09 | 0:41:10 | |
# I know you remember me | 0:41:10 | 0:41:15 | |
# Swear to me | 0:41:15 | 0:41:18 | |
# Swear to me | 0:41:18 | 0:41:20 | |
# Promise me | 0:41:20 | 0:41:24 | |
# That it doesn't make your heart beat | 0:41:24 | 0:41:28 | |
# No, it doesn't make your heart beat. # | 0:41:28 | 0:41:36 | |
CHEERING AND APPLAUSE | 0:41:36 | 0:41:40 | |
Woo! | 0:41:40 | 0:41:41 | |
Wow! | 0:41:43 | 0:41:44 | |
Jennifer Hudson, everybody! | 0:41:46 | 0:41:48 | |
How beautiful was that? Come on over, do! | 0:41:48 | 0:41:52 | |
And well done, the orchestra and everything, the singers. | 0:41:52 | 0:41:55 | |
Hello, darling. Jennifer Hudson! | 0:41:55 | 0:41:58 | |
Come and have a seat, do. | 0:41:58 | 0:42:00 | |
Peter Capaldi, Miranda Hart, | 0:42:00 | 0:42:02 | |
Keeley Hawes, Warren Beatty... | 0:42:02 | 0:42:04 | |
-Thank you so much. -..all here for you. | 0:42:04 | 0:42:06 | |
OK. | 0:42:08 | 0:42:10 | |
Love it, OK. | 0:42:10 | 0:42:11 | |
Now, yes, sit, sit, sit. | 0:42:12 | 0:42:14 | |
That was beautiful, thank you very, very, very much. It was gorgeous. | 0:42:14 | 0:42:18 | |
That of course is the new single. It's out now. It's terrific. | 0:42:18 | 0:42:22 | |
So, presumably part of an album. | 0:42:22 | 0:42:25 | |
Yes, that's in the works. | 0:42:25 | 0:42:27 | |
-That's in the works. -Yes. -Are you recording that now? -I am. | 0:42:27 | 0:42:30 | |
Thank you very much for that, | 0:42:30 | 0:42:31 | |
-because I know it was all live and everything. -Oh, yes. | 0:42:31 | 0:42:33 | |
-That's beautiful, really, really terrific. -Thank you. | 0:42:33 | 0:42:35 | |
And congratulations on The Voice. | 0:42:35 | 0:42:38 | |
-You won The Voice. -I won! Team J Hud! -Yes! | 0:42:38 | 0:42:41 | |
CHEERING AND APPLAUSE | 0:42:41 | 0:42:43 | |
It's my first season too. | 0:42:46 | 0:42:48 | |
First season, you were the first ever female judge winner. | 0:42:48 | 0:42:51 | |
To actually win, so, yeah. I still can't believe it. | 0:42:51 | 0:42:54 | |
-So, will you be back next year? -I want to be back next year. | 0:42:54 | 0:42:57 | |
-If you guys will have me back. -Oh, yeah! | 0:42:57 | 0:42:59 | |
-We love you. -Thank you, thank you. | 0:43:00 | 0:43:02 | |
Actually, no, before you came out, | 0:43:02 | 0:43:04 | |
-Peter Capaldi was saying he was a big fan of yours. -Oh, thank you! | 0:43:04 | 0:43:07 | |
Absolutely. And The Voice I absolutely love. | 0:43:07 | 0:43:09 | |
And you were so kind to people, and also, you're such a huge talent. | 0:43:09 | 0:43:12 | |
-Wow. -And also, to have those youngsters there who were | 0:43:12 | 0:43:17 | |
so gifted and to have a person like yourself teach them | 0:43:17 | 0:43:19 | |
-and help them was wonderful. Wonderful to see. -Thank you. | 0:43:19 | 0:43:22 | |
And also because you went through that whole gruelling process | 0:43:22 | 0:43:25 | |
-because of, obviously, American Idol and everything. -Yeah. | 0:43:25 | 0:43:28 | |
So, what's the story about you entering a singing competition? | 0:43:28 | 0:43:33 | |
Well, see, first of all, I started out singing in contests, | 0:43:33 | 0:43:35 | |
so me and my assistant, who's still my assistant to this day, | 0:43:35 | 0:43:38 | |
as kids we would go and win all the talent shows | 0:43:38 | 0:43:40 | |
and we would split the money. | 0:43:40 | 0:43:42 | |
He would get 10%. So, not too long ago, | 0:43:42 | 0:43:44 | |
we decided to try our hand at it again. | 0:43:44 | 0:43:47 | |
We were in Florida and we went to this random bowling alley | 0:43:47 | 0:43:50 | |
and they so happened to have a karaoke contest. | 0:43:50 | 0:43:53 | |
And I was like, "Oh, I'll enter this contest and see if I can still win." | 0:43:53 | 0:43:57 | |
And I actually won and they were so excited. They were like... | 0:43:57 | 0:43:59 | |
They didn't know I was Jennifer Hudson, they was like, | 0:43:59 | 0:44:01 | |
"You just won 75." I was like, "I won 75?!" | 0:44:01 | 0:44:05 | |
And they said, "Come back next week, it'll be even more money." | 0:44:05 | 0:44:08 | |
I was like, "I will be back. I sure will." | 0:44:08 | 0:44:11 | |
I won! | 0:44:13 | 0:44:15 | |
And, Warren, you were saying, did you see...? | 0:44:15 | 0:44:17 | |
I go way back with Jennifer. I think she's just... | 0:44:17 | 0:44:22 | |
-HE EXHALES -Thank you so much. | 0:44:22 | 0:44:25 | |
-That's how I feel about you. -SHE EXHALES | 0:44:25 | 0:44:27 | |
-Thank you, thank you. -It's hard to put that on a poster. | 0:44:28 | 0:44:31 | |
Warren Beatty... HE EXHALES | 0:44:31 | 0:44:34 | |
Now, very quickly, are you going to tour? | 0:44:34 | 0:44:37 | |
I am! I'm going to come here and sing for you guys, | 0:44:37 | 0:44:40 | |
so come out and see me. | 0:44:40 | 0:44:41 | |
This fall, so I'm going to start... | 0:44:41 | 0:44:43 | |
I don't know what I'm going to call it. | 0:44:43 | 0:44:45 | |
I want it to be called Music And Me Tour. | 0:44:45 | 0:44:47 | |
So, um, which will start this fall, so look for me. | 0:44:47 | 0:44:50 | |
We will. And it will all be the new... | 0:44:50 | 0:44:52 | |
Because when is this album that you're working on going to be out? | 0:44:52 | 0:44:55 | |
Well, it better be done by the time the tour happens! | 0:44:55 | 0:44:57 | |
-Otherwise it's a bit of a wasted opportunity. -Exactly. | 0:44:57 | 0:45:00 | |
That is the goal. But, you know, I'll be covering, like, | 0:45:00 | 0:45:02 | |
just everything that I've done, because I'm also an actress as well | 0:45:02 | 0:45:05 | |
and I sing a lot as my characters in films. | 0:45:05 | 0:45:07 | |
And it's so many different outlets that people resonate with me, | 0:45:07 | 0:45:10 | |
so I want to be able to incorporate it all in the tour, | 0:45:10 | 0:45:13 | |
whether it's from Dreamgirls, American Idol, The Voice - | 0:45:13 | 0:45:16 | |
I don't care, I want to put it all in there. | 0:45:16 | 0:45:18 | |
-Have an evening with Jennifer Hudson, how about that? -Wow. | 0:45:18 | 0:45:20 | |
Well, if it's as good as that, we'll be flocking to it. | 0:45:20 | 0:45:22 | |
Jennifer Hudson, everybody. Thank you very much. | 0:45:22 | 0:45:25 | |
CHEERING AND APPLAUSE | 0:45:25 | 0:45:27 | |
Nearly done, here we go... | 0:45:28 | 0:45:31 | |
But before we go, of course, | 0:45:31 | 0:45:32 | |
we do have time for a very quick visit to the Big Red Chair. | 0:45:32 | 0:45:36 | |
Who's there? Hello! | 0:45:36 | 0:45:39 | |
-You, sir? -Yes. -Hello. | 0:45:39 | 0:45:42 | |
LAUGHTER | 0:45:42 | 0:45:44 | |
High hopes I don't have. | 0:45:44 | 0:45:46 | |
-What's your name, sir? -David. -David, lovely. | 0:45:49 | 0:45:51 | |
-And where are you from, David? -Australia. -You live here now? | 0:45:51 | 0:45:54 | |
Yes, I do, I live in Surrey. | 0:45:54 | 0:45:56 | |
You live in Surrey, lovely part of the world. | 0:45:56 | 0:45:58 | |
And what do you do in Surrey, David? | 0:45:58 | 0:46:00 | |
I design and build exhibitions, so I'm an exhibitionist, really. | 0:46:00 | 0:46:04 | |
LAUGHTER That was good. | 0:46:04 | 0:46:07 | |
-APPLAUSE No, it was nice. -Good. -Funny. | 0:46:07 | 0:46:10 | |
-All right, David, off you go with your story. -OK. | 0:46:10 | 0:46:13 | |
When I first came over to England, I had a couple of | 0:46:13 | 0:46:16 | |
interesting moments with the English accent. | 0:46:16 | 0:46:19 | |
And I had a blocked ear, | 0:46:19 | 0:46:20 | |
so I had to go to the walkabout centre to get it unblocked. | 0:46:20 | 0:46:25 | |
And after she'd flushed my ear out, the nurse said to me, | 0:46:26 | 0:46:31 | |
"Now I want you to oil your ear and your willy." | 0:46:31 | 0:46:34 | |
And I said to her, "And my willy?" | 0:46:35 | 0:46:38 | |
She said, "No, annually." | 0:46:38 | 0:46:41 | |
LAUGHTER That's good! | 0:46:42 | 0:46:45 | |
You can walk. You can walk! | 0:46:45 | 0:46:47 | |
Very good! | 0:46:50 | 0:46:51 | |
Well done, everyone. If you'd like to join us on the show | 0:46:51 | 0:46:54 | |
and have a go on the red chair, | 0:46:54 | 0:46:55 | |
you can contact us via website at this very address. | 0:46:55 | 0:46:57 | |
That is it for tonight, so please say | 0:46:57 | 0:46:59 | |
a big thank you to my guests, Jennifer Hudson, everybody... | 0:46:59 | 0:47:02 | |
CHEERING | 0:47:02 | 0:47:04 | |
It's Peter Capaldi... CHEERING | 0:47:04 | 0:47:07 | |
..Miranda Hart... CHEERING | 0:47:07 | 0:47:09 | |
..Keeley Hawes... CHEERING | 0:47:09 | 0:47:12 | |
..and Mr Warren Beatty. | 0:47:12 | 0:47:14 | |
CHEERING | 0:47:14 | 0:47:16 | |
Join me next week when guests include comedian Rob Brydon, | 0:47:16 | 0:47:19 | |
Line Of Duty's Vicky McClure, | 0:47:19 | 0:47:21 | |
Mrs Brown's alter ego Brendan O'Carroll | 0:47:21 | 0:47:24 | |
and pop superstar Harry Styles. | 0:47:24 | 0:47:25 | |
I'll see you then. Goodnight, everybody, goodbye. | 0:47:25 | 0:47:28 | |
APPLAUSE | 0:47:28 | 0:47:30 |