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Hi, I'm Harry Styles and welcome to The Graham Norton Show. | 0:00:02 | 0:00:04 | |
This programme contains some strong language | 0:00:08 | 0:00:12 | |
Oh! Oh! Oh! | 0:00:19 | 0:00:22 | |
Oh, yes! Yes! Yes! | 0:00:22 | 0:00:26 | |
Oh-ho-ho-ho! This is it! We're doing a show! We are! | 0:00:26 | 0:00:32 | |
Hello! Good evening! | 0:00:32 | 0:00:34 | |
Welcome, everyone. Yes, Harry Styles is here. | 0:00:34 | 0:00:38 | |
CHEERING Yep. | 0:00:38 | 0:00:40 | |
Oh! I'm with you, I am so excited! I am. | 0:00:40 | 0:00:45 | |
I'm like Kim Jong-un on fireworks night. | 0:00:45 | 0:00:48 | |
Plus, Mrs Brown is here and one of the stars of Line Of Duty. | 0:00:49 | 0:00:53 | |
Are you watching Line Of Duty? | 0:00:53 | 0:00:55 | |
Oh! Thrilling, isn't it? | 0:00:55 | 0:00:56 | |
Never knowing who you can trust from a cast of increasingly | 0:00:56 | 0:00:59 | |
dubious characters. | 0:00:59 | 0:01:00 | |
Ooh, that reminds me, we're having an election. | 0:01:00 | 0:01:04 | |
Everybody excited about that? AUDIENCE GROANS | 0:01:04 | 0:01:07 | |
LAUGHTER | 0:01:07 | 0:01:08 | |
I wonder if the politicians are as excited as we are? | 0:01:08 | 0:01:11 | |
Yep, they are. | 0:01:11 | 0:01:14 | |
Theresa May wants the country to go to the polls. | 0:01:14 | 0:01:17 | |
Theresa, there aren't any Poles left, | 0:01:17 | 0:01:19 | |
they all went home after Brexit. | 0:01:19 | 0:01:21 | |
Of course, while Theresa was secretly planning her | 0:01:23 | 0:01:25 | |
election strategy, Jeremy Corbyn was visiting a school | 0:01:25 | 0:01:29 | |
where he took part in a cookery class. | 0:01:29 | 0:01:30 | |
Aw! Look, he's found something he can beat. | 0:01:30 | 0:01:34 | |
LAUGHTER | 0:01:34 | 0:01:37 | |
I know. Jeremy Corbyn has admitted it's going to be hard for him to | 0:01:37 | 0:01:41 | |
win the election. He has. | 0:01:41 | 0:01:43 | |
In other news, this man announced he was a Catholic | 0:01:43 | 0:01:47 | |
and this creature had a shit in the woods. | 0:01:47 | 0:01:51 | |
APPLAUSE | 0:01:51 | 0:01:54 | |
In American news, the White House has its annual Easter event. | 0:01:54 | 0:01:58 | |
Ooh! | 0:01:58 | 0:01:59 | |
-AUDIENCE: -Ooh! | 0:01:59 | 0:02:01 | |
Can everyone see that rabbit? Yeah, it's not just me. Yeah. | 0:02:01 | 0:02:05 | |
"Look, everyone, it's fun standing next to a dumb cartoon animal," | 0:02:05 | 0:02:08 | |
the rabbit's saying. | 0:02:08 | 0:02:11 | |
During the week, North Korea let off a test rocket called a Nodong. | 0:02:11 | 0:02:14 | |
That's what it's called, a Nodong. | 0:02:14 | 0:02:16 | |
But Kim Jong-un was left embarrassed after his | 0:02:16 | 0:02:19 | |
Nodong exploded after just four seconds. | 0:02:19 | 0:02:23 | |
Don't worry, Kim, just have a cuddle and try again later. Yeah, relax. | 0:02:23 | 0:02:28 | |
And then finally, congratulations to Victoria Beckham. | 0:02:28 | 0:02:31 | |
-AUDIENCE MEMBER: -Yay! -Yeah! Yeah! Yeah! | 0:02:31 | 0:02:35 | |
Who went to Buckingham Palace this week to receive her OBE | 0:02:35 | 0:02:38 | |
from Prince William. Aww! | 0:02:38 | 0:02:40 | |
"Hello, I'm posh," they're saying to each other. | 0:02:40 | 0:02:42 | |
Victoria said it was like a Spice Girls reunion. | 0:02:44 | 0:02:48 | |
Yeah, because while she was there, she bumped into Ginger and Scary. | 0:02:48 | 0:02:52 | |
Let's get some guests on! | 0:02:53 | 0:02:56 | |
Later we will have an exclusive performance of the new | 0:02:56 | 0:03:00 | |
solo single by Harry Styles. | 0:03:00 | 0:03:02 | |
CHEERING Yeah. | 0:03:02 | 0:03:04 | |
But first, from Gavin & Stacey to Would I Lie To You, | 0:03:04 | 0:03:08 | |
this man is a comedy favourite. | 0:03:08 | 0:03:09 | |
Now he's back on the road in the new series of The Trip To Spain, | 0:03:09 | 0:03:13 | |
it's Rob Brydon, everybody! | 0:03:13 | 0:03:15 | |
CHEERING AND APPLAUSE Whoo! | 0:03:15 | 0:03:18 | |
-Hello. -You look so dapper. Hugging, hugging! Better at hugging! | 0:03:18 | 0:03:21 | |
-Dapper, dapper, dapper. -Good to see you. Good to see you. | 0:03:21 | 0:03:23 | |
All right. Sit down. | 0:03:25 | 0:03:27 | |
This BAFTA-winning actress rose to fame in This Is England and | 0:03:28 | 0:03:31 | |
has won rave reviews for her roles in The Replacement and | 0:03:31 | 0:03:34 | |
Line Of Duty, which is currently thrilling the nation. | 0:03:34 | 0:03:36 | |
It's Vicky McClure, everybody! | 0:03:36 | 0:03:39 | |
CHEERING AND APPLAUSE Whoo! Hello! | 0:03:39 | 0:03:41 | |
-Hello! Lovely to see you! Rob Brydon, Vicky McClure. -Rob! | 0:03:41 | 0:03:47 | |
And this award-winning Irish comedian | 0:03:47 | 0:03:49 | |
has created one of the UK's most successful sitcoms. | 0:03:49 | 0:03:52 | |
Please welcome Mrs Brown herself, it's Brendan O'Carroll! | 0:03:52 | 0:03:56 | |
CHEERING AND APPLAUSE Hey! | 0:03:56 | 0:03:58 | |
Hello! Hi! Lovely to see you. | 0:03:58 | 0:04:01 | |
There you go. Sit down. | 0:04:03 | 0:04:05 | |
Very good. You're very welcome. | 0:04:07 | 0:04:09 | |
-Vicky McClure has got some shoes. -I know. | 0:04:09 | 0:04:12 | |
But I've only got to sit down, so it's fine. | 0:04:12 | 0:04:14 | |
I'd never usually wear these, but all I've got to do is sit, | 0:04:14 | 0:04:17 | |
-so it's fine. -They're impressive, they are. | 0:04:17 | 0:04:20 | |
Now, there's been a lot of screaming already. | 0:04:20 | 0:04:23 | |
Are you all looking forward to seeing Harry Styles? | 0:04:23 | 0:04:25 | |
The answer is yes. | 0:04:25 | 0:04:26 | |
-Yes. -I'm looking forward to it, Graham, yes. | 0:04:26 | 0:04:29 | |
-Have you met Harry? You must have met... -I've met Harry Styles. -Yeah? | 0:04:29 | 0:04:34 | |
-I've met Harry Styles. -Have you met Harry Styles? | 0:04:34 | 0:04:36 | |
I've never met Harry, but I have seen him on TV and... | 0:04:36 | 0:04:39 | |
I think he's... He's very small. He was only this size on TV. | 0:04:39 | 0:04:44 | |
And actually, I live in the States and I saw him doing Jimmy Fallon. | 0:04:44 | 0:04:48 | |
-Ooh, right. -And I mean that in the nicest possible way. | 0:04:48 | 0:04:51 | |
LAUGHTER | 0:04:51 | 0:04:55 | |
You've got the expensive cable. | 0:04:55 | 0:04:57 | |
But he was excellent on Jimmy Fallon. | 0:04:57 | 0:04:59 | |
They did some sketch stuff and some comedy stuff. | 0:04:59 | 0:05:01 | |
He does comedy really, really well. | 0:05:01 | 0:05:02 | |
Now, here's the thing, | 0:05:02 | 0:05:04 | |
because we know that you know Harry Styles, Vicky McClure, | 0:05:04 | 0:05:07 | |
because, please explain this, Harry Styles tweeted Vicky McClure. | 0:05:07 | 0:05:12 | |
Now, might have been, like, "Hiya, nice to see you." | 0:05:12 | 0:05:15 | |
-No, he tweeted Vicky McClure, "Bargain bucket?" -Yeah. | 0:05:15 | 0:05:20 | |
-What's that about? -The picture's missing and I don't know why, | 0:05:20 | 0:05:24 | |
but basically we went to an event and we were sat at the same table | 0:05:24 | 0:05:28 | |
and, you know, it was a really nice place in London, | 0:05:28 | 0:05:31 | |
so the food should be quite posh, but it looked like shit. | 0:05:31 | 0:05:35 | |
I was, like, "I'd prefer to go and get some chicken," | 0:05:35 | 0:05:38 | |
so he tweeted me and then, all of a sudden, | 0:05:38 | 0:05:41 | |
I gained about 20 million followers, people going, "Tell Harry, please!" | 0:05:41 | 0:05:45 | |
And I'm, like, "Oh, my God! What am I meant to do? Shut it down?" | 0:05:45 | 0:05:49 | |
So I unfollowed him because I just thought... | 0:05:49 | 0:05:52 | |
-Get a bargain bucket. -Yeah! | 0:05:52 | 0:05:53 | |
Send it to me, I'll deliver it to Harry, don't worry. | 0:05:53 | 0:05:56 | |
-And do Harry Style's fans like Line Of Duty? -I don't think... | 0:05:56 | 0:06:01 | |
I don't know, I haven't noticed. | 0:06:01 | 0:06:02 | |
All I've noticed since being on this and tagging us all in, | 0:06:02 | 0:06:05 | |
-I'm, like, "I don't think they're really bothered I'm coming." -I was. | 0:06:05 | 0:06:11 | |
-Aww, thanks, Brandon. -And so was I, Vicky. -Thanks, Rob. | 0:06:11 | 0:06:14 | |
-And I. -Thank you. | 0:06:14 | 0:06:15 | |
-CHEERING AND APPLAUSE -And I backed it up. | 0:06:15 | 0:06:19 | |
I was looking forward to seeing Vicky more than you were. | 0:06:19 | 0:06:21 | |
-Well, I don't know. -LAUGHTER | 0:06:21 | 0:06:25 | |
Listen, let's quickly get on with things, | 0:06:25 | 0:06:27 | |
because we've got lots to talk about. | 0:06:27 | 0:06:28 | |
Brendan O'Carroll, Mrs Brown back on Saturday nights, | 0:06:28 | 0:06:31 | |
All Round To Mrs Brown's. | 0:06:31 | 0:06:32 | |
It's on Saturday nights, BBC One, tomorrow night it's 9.20 and | 0:06:32 | 0:06:36 | |
it's one of those shows, it looks like a hoot and a holler to make. | 0:06:36 | 0:06:40 | |
-It is, yeah. -Is it fun to make? -Yeah, no, it literally is... | 0:06:40 | 0:06:45 | |
mayhem and then they edit it together and make a show out of it. | 0:06:45 | 0:06:49 | |
LAUGHTER | 0:06:49 | 0:06:50 | |
From the very first time we did the pilot, | 0:06:50 | 0:06:52 | |
the only thing I was sure of, | 0:06:52 | 0:06:54 | |
I wanted one of the guests to bring their mother on, so that would | 0:06:54 | 0:06:58 | |
kind of validate, Cathy Brown doing a talk show, | 0:06:58 | 0:07:01 | |
it would validate, | 0:07:01 | 0:07:02 | |
they have their mother with them and then the mothers | 0:07:02 | 0:07:04 | |
can go away and chat, but other than that we had | 0:07:04 | 0:07:06 | |
a very loose framework and music-wise at the end, | 0:07:06 | 0:07:11 | |
I didn't want it to be... I'm sure Harry's going to be amazing tonight, | 0:07:11 | 0:07:14 | |
but you're going to say, "Ladies and gentlemen, Harry Styles," | 0:07:14 | 0:07:17 | |
and he's going to sing and I didn't want it to be like that. | 0:07:17 | 0:07:19 | |
No, no, let's get him in first and chat to him. | 0:07:19 | 0:07:23 | |
So what I did was, I decided any guest that's coming on | 0:07:23 | 0:07:26 | |
to sing musically has to sing one of Mrs Brown's favourite songs. | 0:07:26 | 0:07:29 | |
So, you know, it has to be a Tony Bennett or Frank Sinatra | 0:07:29 | 0:07:33 | |
and they've got to do a bit of that. | 0:07:33 | 0:07:35 | |
So James Blunt was the first one to come in and | 0:07:35 | 0:07:37 | |
he was great! And he started singing, I think it was Moon River. | 0:07:37 | 0:07:41 | |
# Moon River, wider than a mile... # | 0:07:41 | 0:07:45 | |
And of course that would turn Mrs Brown on, her nipples were... Pop! | 0:07:45 | 0:07:49 | |
You're so method. | 0:07:49 | 0:07:51 | |
I'm so method. | 0:07:51 | 0:07:52 | |
So as he's singing, I leaned into him like that. | 0:07:52 | 0:07:57 | |
And he kissed me. | 0:07:57 | 0:08:00 | |
And I mean, he put his tongue down my throat. | 0:08:00 | 0:08:03 | |
And genuinely, my wife, who plays my daughter, is there going, | 0:08:03 | 0:08:08 | |
"Oh, my God!" | 0:08:08 | 0:08:09 | |
And she said, "You must've been really embarrassed." | 0:08:09 | 0:08:12 | |
I said, "Actually, it was really nice." | 0:08:12 | 0:08:15 | |
I'm going to get James to teach her some tricks. | 0:08:15 | 0:08:18 | |
-He's a lovely kisser, James Blunt. -Listen, we've got a clip. | 0:08:18 | 0:08:22 | |
This is from tomorrow night's show and this... | 0:08:22 | 0:08:26 | |
Well, we'll talk about it afterwards. | 0:08:26 | 0:08:28 | |
This is you with Peter Andre. | 0:08:28 | 0:08:29 | |
Oh, right. Lovely boy. | 0:08:29 | 0:08:31 | |
-Beautiful voice. -Yes, agreed. | 0:08:31 | 0:08:33 | |
-Beautiful. -Go for it. | 0:08:33 | 0:08:36 | |
-I'm sorry. -He came over and abused me! | 0:08:44 | 0:08:47 | |
He just... He abused me! | 0:08:47 | 0:08:51 | |
If I wasn't posh, I'd be saying, "I'm arriving! I'm arriving!" | 0:08:51 | 0:08:54 | |
If you'd died doing it, you'd come and go at the same time. | 0:08:56 | 0:08:59 | |
LAUGHTER | 0:08:59 | 0:09:02 | |
Very good. Now... | 0:09:02 | 0:09:04 | |
Had Peter Andre forgotten | 0:09:08 | 0:09:10 | |
that Brendan O'Carroll was in the cardigan? | 0:09:10 | 0:09:12 | |
-Yes. -Yes?! -They all do. | 0:09:12 | 0:09:15 | |
The Kaiser Chiefs was the same, Ricky and the Kaiser Chiefs. | 0:09:15 | 0:09:18 | |
I don't think it would've made it OK, though, | 0:09:18 | 0:09:20 | |
if Mrs Brown was a woman. | 0:09:20 | 0:09:22 | |
I don't think that would've justified what he did. | 0:09:22 | 0:09:26 | |
-Good point well made. -I think it's was what he was doing | 0:09:26 | 0:09:29 | |
rather than the fact it was Brendan, surely? | 0:09:29 | 0:09:31 | |
Having said that, my thoughts on it would be, | 0:09:31 | 0:09:33 | |
if that was a woman who was of that age and of that ilk | 0:09:33 | 0:09:36 | |
and was a widow for 35 years, | 0:09:36 | 0:09:38 | |
she might have enjoyed a little bit of frottage. | 0:09:38 | 0:09:41 | |
With Peter. | 0:09:41 | 0:09:43 | |
-A little bit of Peter. -A little bit of Peter. -Nibble on Peter. | 0:09:43 | 0:09:46 | |
And the transformation into Mrs Brown, so... | 0:09:46 | 0:09:50 | |
-Because it's not a huge... make-up job. -Nope. No. | 0:09:50 | 0:09:54 | |
Thanks very much! | 0:09:54 | 0:09:55 | |
LAUGHTER | 0:09:55 | 0:09:57 | |
-You are kind of, you know, recognisable-ish. -Yeah. | 0:09:57 | 0:09:59 | |
Because normally when you're Brendan, you've got a beard, | 0:09:59 | 0:10:01 | |
but I guess you're touring so much, you can't. | 0:10:01 | 0:10:03 | |
No, I have to shave it off, otherwise I'd look like me mother. | 0:10:03 | 0:10:06 | |
LAUGHTER | 0:10:06 | 0:10:07 | |
We have a picture here. | 0:10:10 | 0:10:11 | |
But physically, is it easy to get into it? | 0:10:13 | 0:10:17 | |
-Many actors - and, Rob, Rob, you'll be the same. -Mm. | 0:10:17 | 0:10:19 | |
Obviously, it's something - when you're doing character, | 0:10:19 | 0:10:23 | |
there's something in the character | 0:10:23 | 0:10:24 | |
-that you go for that's a hook. -Yeah, yeah. | 0:10:24 | 0:10:26 | |
And a lot of people, sometimes, it's the way they move their arms | 0:10:26 | 0:10:29 | |
or move their head, or whatever - for me, it's a walk. | 0:10:29 | 0:10:32 | |
If I can get the walk of the character, | 0:10:32 | 0:10:34 | |
I can usually get the rest of the character, | 0:10:34 | 0:10:36 | |
and Mrs Brown's walk is, to me, it's the key to it. | 0:10:36 | 0:10:39 | |
She has this walk like she's on a waiting list for a hip operation. | 0:10:39 | 0:10:44 | |
It could happen any minute, but it's not happening. | 0:10:46 | 0:10:48 | |
So, she has that walk. | 0:10:48 | 0:10:50 | |
And there's a little bit of Norman Wisdom in there, as well, | 0:10:50 | 0:10:52 | |
-the Norman Wisdom walk. Can I show you? -Yeah, please do. | 0:10:52 | 0:10:55 | |
-She kind of... Where, up here? Where do you...? -Yeah... Yes. | 0:10:55 | 0:10:57 | |
-There's a step there, be careful. -OK! | 0:10:57 | 0:11:00 | |
So, she would walk - | 0:11:00 | 0:11:01 | |
she just drags that leg a little bit, kind of... | 0:11:01 | 0:11:03 | |
Oh, that is! | 0:11:03 | 0:11:05 | |
And as well as that, she also has a little shake in her head | 0:11:05 | 0:11:07 | |
about halfway through her walk, so, she's going to answer the door, | 0:11:07 | 0:11:10 | |
she goes, "Who the hell is that, for God's sake?" | 0:11:10 | 0:11:12 | |
-It's, er... It reminds me of all the old dears I knew... -Yeah, yeah. | 0:11:14 | 0:11:18 | |
That lumbago walk. | 0:11:18 | 0:11:19 | |
Presumably, if you are doing impersonations of people, | 0:11:20 | 0:11:24 | |
it's the voice - do you... I mean, is the rest of it...? | 0:11:24 | 0:11:27 | |
I... First of all, the people I impersonate | 0:11:27 | 0:11:29 | |
tend to be people I like, | 0:11:29 | 0:11:30 | |
so, for me, it's almost a form of affection, in a way. | 0:11:30 | 0:11:33 | |
You know, if I'm doing somebody's voice - and you hear... | 0:11:33 | 0:11:36 | |
I'll just hear something that I go, | 0:11:36 | 0:11:40 | |
"Oh, yeah, that's on my sort of..." | 0:11:40 | 0:11:42 | |
It's like a musicality, you just hear it, | 0:11:42 | 0:11:44 | |
so, I don't know, Hugh Grant, I can just sort of... | 0:11:44 | 0:11:47 | |
-AS HUGH GRANT: -"Ah, you sort of hear that sort of thing, | 0:11:47 | 0:11:49 | |
"sort of going on in the voice, | 0:11:49 | 0:11:52 | |
"and the sort of patterns that he has, and rhythms, you know? | 0:11:52 | 0:11:55 | |
"Gosh, gosh, crikey, crikey, excellent, gosh." | 0:11:55 | 0:11:58 | |
And you just hear it. | 0:11:58 | 0:12:00 | |
CHEERING AND APPLAUSE | 0:12:00 | 0:12:03 | |
Cos the really interesting thing about all three of you | 0:12:05 | 0:12:08 | |
is that success did not come calling immediately, | 0:12:08 | 0:12:12 | |
or that early, for any of you. | 0:12:12 | 0:12:14 | |
Certainly not, no! | 0:12:14 | 0:12:15 | |
Now, Vicky McClure, you're so sweet, | 0:12:15 | 0:12:17 | |
because actually you did get a big break early on, | 0:12:17 | 0:12:20 | |
but it seems like, reading about you, | 0:12:20 | 0:12:21 | |
every time you got a job, you thought, "This is it!" | 0:12:21 | 0:12:24 | |
-"This is it!" Yeah. -"I've made it!" -Yeah. -And, er, no. | 0:12:24 | 0:12:27 | |
No! | 0:12:27 | 0:12:29 | |
No - until about six years ago. | 0:12:29 | 0:12:30 | |
It still frightens me - "Why am I on the Graham Norton show?!" | 0:12:30 | 0:12:34 | |
It's just, you know, it's bizarre - but, yeah, it started off, | 0:12:34 | 0:12:36 | |
I did a film with Shane Meadows called A Room For Romeo Brass, | 0:12:36 | 0:12:39 | |
-that I thought, that was it. -Oh, fantastic. | 0:12:39 | 0:12:41 | |
-So, how old were you then? 17? -15. -15, were you?! | 0:12:41 | 0:12:43 | |
Yeah, I was at school, so I thought I was it, | 0:12:43 | 0:12:45 | |
and then I found out it was at six cinemas across the country, | 0:12:45 | 0:12:47 | |
I was like, "what?!" | 0:12:47 | 0:12:49 | |
Tell them about what you did - I think this is... | 0:12:49 | 0:12:51 | |
because presumably you got a bit of cash for doing that. | 0:12:51 | 0:12:53 | |
Oh, yeah, I got a bit of cash, so... | 0:12:53 | 0:12:55 | |
I thought, "Right, I'm going to share the love," | 0:12:55 | 0:12:58 | |
so I wrapped up 500 quid in different sized boxes for my sister, | 0:12:58 | 0:13:02 | |
and went, "Piss it up the wall!" Yes! | 0:13:02 | 0:13:05 | |
I just love it, giftwrapping money... | 0:13:05 | 0:13:08 | |
It was just... You're never going to get a chance to do that, | 0:13:08 | 0:13:11 | |
and you think to yourself, "That's never going to happen again," so... | 0:13:11 | 0:13:14 | |
-Yeah. -I was on the dole, and... | 0:13:14 | 0:13:16 | |
-And... -See, I've never been on the dole. | 0:13:16 | 0:13:19 | |
Ooh! | 0:13:19 | 0:13:20 | |
LAUGHTER | 0:13:20 | 0:13:22 | |
I can't believe I just did that! | 0:13:24 | 0:13:26 | |
I can't believe that you said that. | 0:13:28 | 0:13:30 | |
Bitch. | 0:13:30 | 0:13:32 | |
Um, yeah, I was on the dole when I started, | 0:13:32 | 0:13:36 | |
and, of course, you go in and they say, "Have you worked this week?" | 0:13:36 | 0:13:39 | |
"No. | 0:13:39 | 0:13:42 | |
"No." | 0:13:42 | 0:13:43 | |
And I would have done a few gigs, | 0:13:43 | 0:13:45 | |
because at the time was only getting a bit of cash in, | 0:13:45 | 0:13:48 | |
that nobody knew about, and... | 0:13:48 | 0:13:51 | |
-Brendan, we're on the television. -Yeah! | 0:13:51 | 0:13:54 | |
Rob, he does a lot for charity. He does a lot for charity. | 0:13:54 | 0:13:56 | |
And also, I found out, seven years is the...is the limit. | 0:13:56 | 0:13:59 | |
-Is that the limit?! -Yeah. | 0:13:59 | 0:14:00 | |
-It's OK, it's OK. -All right. | 0:14:00 | 0:14:02 | |
But I'm on the dole queue, and, I mean, the dole queue, | 0:14:02 | 0:14:04 | |
it was like what you'd see in The Full Monty, | 0:14:04 | 0:14:07 | |
-it was that kind of dole queue, you know? -Yeah. | 0:14:07 | 0:14:09 | |
So, I get up to the window and she said, | 0:14:09 | 0:14:11 | |
"Have you worked at all this week?" | 0:14:11 | 0:14:13 | |
And as I looked up at her, | 0:14:13 | 0:14:15 | |
behind her was a notice on the notice board, | 0:14:15 | 0:14:18 | |
was, "Staff Christmas party, add your name here if you're coming." | 0:14:18 | 0:14:22 | |
On a poster of me going... | 0:14:23 | 0:14:24 | |
And I... | 0:14:28 | 0:14:29 | |
She looked up at me, and said, "Have you worked this week?" | 0:14:29 | 0:14:32 | |
LAUGHTER | 0:14:34 | 0:14:36 | |
And she went, "OK." Boom, boom, boom. "There you go." | 0:14:36 | 0:14:39 | |
APPLAUSE | 0:14:39 | 0:14:41 | |
That business has gone rather well. | 0:14:41 | 0:14:42 | |
Cos Rob, sort of similarly, you had work, you are doing radio work... | 0:14:42 | 0:14:48 | |
Yeah, I went to drama school in Cardiff, | 0:14:48 | 0:14:51 | |
and while I was there - I left early, | 0:14:51 | 0:14:53 | |
because I got spotted by Radio Wales, BBC Wales, | 0:14:53 | 0:14:56 | |
and they gave me my own radio show, | 0:14:56 | 0:14:59 | |
so I left the college a year early, I was a disc jockey, | 0:14:59 | 0:15:03 | |
I mean, to me it seemed like I was earning a fortune. | 0:15:03 | 0:15:06 | |
You know, I bought a little house - | 0:15:06 | 0:15:08 | |
to me, it was like Graceland, you know? | 0:15:08 | 0:15:10 | |
I thought it was amazing - but then, the work all dried up, | 0:15:10 | 0:15:15 | |
so I went from having some money | 0:15:15 | 0:15:17 | |
-to actually selling our furniture... -Been there. -..to pay the bills. | 0:15:17 | 0:15:21 | |
We defaulted on the mortgage and we were having to advertise | 0:15:21 | 0:15:24 | |
the sofa and a table in the paper | 0:15:24 | 0:15:27 | |
because I just could not get arrested, you know? | 0:15:27 | 0:15:30 | |
It's that horrible thing, especially when I was working in the office, | 0:15:30 | 0:15:33 | |
you'd go, "I've got a big audition, it's massive, I have to go. | 0:15:33 | 0:15:35 | |
"I have to go and do this audition." | 0:15:35 | 0:15:37 | |
And then the next day, it's like, "Oh, did you get the audition?" | 0:15:37 | 0:15:39 | |
"Don't know yet." | 0:15:39 | 0:15:40 | |
Weeks later, "Did you get...?" "No!" | 0:15:40 | 0:15:43 | |
And then that's it, for eight years. | 0:15:43 | 0:15:46 | |
Constantly going, "No, I didn't." | 0:15:46 | 0:15:48 | |
Like you were saying, Vicky, you'd get a job and you'd sort of think, | 0:15:48 | 0:15:52 | |
-"Right, here we go." -Yeah. Yeah. | 0:15:52 | 0:15:54 | |
Because you had this image that if you could get a part in something, | 0:15:54 | 0:15:57 | |
it would lead... But what's really hard to get is any momentum, | 0:15:57 | 0:16:00 | |
to get any traction, and get anybody talking about you. | 0:16:00 | 0:16:03 | |
I was very lucky, because - because I was stand-up, | 0:16:03 | 0:16:05 | |
-I was generating my own work. -Yes. | 0:16:05 | 0:16:06 | |
So, I was going round knocking on... I had one guy worked for me - | 0:16:06 | 0:16:09 | |
"worked for me", he managed me for a while - Joe. | 0:16:09 | 0:16:12 | |
We trained together in the hotel business. | 0:16:12 | 0:16:15 | |
He became a barman and I became a waiter, and he was quite a genius, | 0:16:15 | 0:16:19 | |
he's a great guy, but he worked for me - | 0:16:19 | 0:16:22 | |
he said, "I'll get you gigs. I'll get you gigs." | 0:16:22 | 0:16:24 | |
So, we used to go into pubs with this cassette tape | 0:16:24 | 0:16:27 | |
and he'd say, he'd say to the owner, "Listen, you've got a guy, | 0:16:27 | 0:16:29 | |
"this guy is magnificent, he's hilarious, | 0:16:29 | 0:16:31 | |
"he's going to pack this place," blah, blah, blah, | 0:16:31 | 0:16:33 | |
"he's going to do it," and he'd put the tape on... | 0:16:33 | 0:16:36 | |
and say, "Listen to this," and then we'd all listen, | 0:16:36 | 0:16:38 | |
and you'd hear - clunk, clunk, cha-ching, | 0:16:38 | 0:16:40 | |
clunk, clunk, cha-ching, ching-ching, | 0:16:40 | 0:16:41 | |
and he'd go, "What's that?" | 0:16:41 | 0:16:44 | |
He said, "That's your fucking till the night he's here." | 0:16:44 | 0:16:46 | |
LAUGHTER | 0:16:46 | 0:16:49 | |
-APPLAUSE -And it worked! It worked! | 0:16:49 | 0:16:51 | |
That's brilliant! | 0:16:51 | 0:16:53 | |
Now, show business, ladies and gentlemen, | 0:16:55 | 0:16:57 | |
brings with it many, many honours. | 0:16:57 | 0:16:59 | |
Brendan, you had a statue in Dublin, didn't you? | 0:16:59 | 0:17:02 | |
Mrs Brown did. | 0:17:02 | 0:17:04 | |
-Yes - sorry, yes - Mrs Brown. You didn't. -Oh, wow! | 0:17:04 | 0:17:07 | |
That's brilliant! | 0:17:08 | 0:17:09 | |
Those women look like they think it's actually you. | 0:17:09 | 0:17:13 | |
They seem so delighted by a statue. | 0:17:13 | 0:17:15 | |
It's women like that who come up to me and go to me, | 0:17:15 | 0:17:17 | |
"Here, I know a woman just like Mrs Brown." | 0:17:17 | 0:17:20 | |
And I go, "Obviously you have a mirror." | 0:17:20 | 0:17:23 | |
And, Rob, you have a sort of statue in Wales. | 0:17:23 | 0:17:26 | |
Yeah, I do...! Yes. | 0:17:26 | 0:17:28 | |
We have a picture of it, here we are. | 0:17:28 | 0:17:30 | |
-Now... -Yeah! | 0:17:30 | 0:17:31 | |
-What's that made out of? -I think it's made out of iron, or... | 0:17:31 | 0:17:35 | |
some sort of... it corrodes, it becomes... | 0:17:35 | 0:17:38 | |
-I don't know the word. It's ferrous, so it's aged since then. -Rusts. | 0:17:38 | 0:17:41 | |
-Much like me... -It rusts. -It rusts, much like me. | 0:17:41 | 0:17:43 | |
But there's three of them - that's just above Port Talbot, | 0:17:43 | 0:17:46 | |
in the hills behind Port Talbot. | 0:17:46 | 0:17:48 | |
-It's beautiful. -It is rather lovely. | 0:17:48 | 0:17:50 | |
No, it is! | 0:17:50 | 0:17:51 | |
Even if I say so myself! | 0:17:51 | 0:17:52 | |
Well, I didn't make it! I didn't do it! | 0:17:52 | 0:17:55 | |
I'm allowed to compliment it, I didn't build the bloody thing. | 0:17:55 | 0:17:58 | |
Who's the artist? | 0:18:00 | 0:18:02 | |
Oh... Thanks, Brendan(!) | 0:18:02 | 0:18:03 | |
You did make it yourself! | 0:18:05 | 0:18:07 | |
-Whoever it is, they're fantastic. -They're brilliant. | 0:18:07 | 0:18:09 | |
Ladies and gentlemen, Vicky McClure, | 0:18:09 | 0:18:12 | |
tell the people the extraordinary honour | 0:18:12 | 0:18:14 | |
the City of Nottingham has bestowed upon you. | 0:18:14 | 0:18:17 | |
-They've named a tram after me. -Woohoo! | 0:18:17 | 0:18:20 | |
Wow. | 0:18:20 | 0:18:21 | |
Here is Vicky McClure with Vicky McClure the tram. | 0:18:21 | 0:18:24 | |
APPLAUSE | 0:18:24 | 0:18:25 | |
Now, is it a temporary thing, | 0:18:25 | 0:18:26 | |
-or is it - that's it now? -I hope not! | 0:18:26 | 0:18:28 | |
So, that tram, as long as it's running, is Vicky McClure. | 0:18:28 | 0:18:30 | |
-Yeah, hopefully. -No jokes, Brendan. No jokes. | 0:18:30 | 0:18:34 | |
The best thing is, in Nottingham... | 0:18:34 | 0:18:36 | |
I'd get to say, - if I go there, I get to say, | 0:18:36 | 0:18:38 | |
-"I had a great night last night, I had a few drinks..." -Yeah! | 0:18:38 | 0:18:41 | |
"..and then I rode home on Vicky McClure." | 0:18:41 | 0:18:43 | |
That's what my dad said. He went, "Oh, that's brilliant. | 0:18:43 | 0:18:46 | |
"All my mates are going to be like, 'Yeah, I just rode Vicky McClure.' " | 0:18:46 | 0:18:49 | |
"Oh, God, yeah, that's a point." | 0:18:49 | 0:18:50 | |
-It's pretty cool, though. -Yeah. | 0:18:50 | 0:18:52 | |
-It's very cool. It's very cool. -Yeah. | 0:18:52 | 0:18:54 | |
-Did you, like, break champagne on it, or anything? -No, just sort of... | 0:18:54 | 0:18:59 | |
you know, unveiled my name and then got on a tram with my mum, | 0:18:59 | 0:19:01 | |
because we were doing Christmas shopping, | 0:19:01 | 0:19:03 | |
and they'd said, "Oh, we'll give you free ride," you know what I mean? | 0:19:03 | 0:19:06 | |
-One free ride? -One free ride. | 0:19:06 | 0:19:08 | |
Cut to... | 0:19:08 | 0:19:10 | |
We're pulling in to our spot, and I can see the ticket man | 0:19:10 | 0:19:13 | |
coming towards us, and he's like, "Can I get your tickets?" | 0:19:13 | 0:19:16 | |
"Well... The thing is... | 0:19:16 | 0:19:18 | |
"I've actually just been given my own tram." | 0:19:18 | 0:19:21 | |
Presenting plaque, "224 belongs to..." | 0:19:21 | 0:19:24 | |
"Get off the tram." | 0:19:24 | 0:19:26 | |
-I was like, "Oh, my God! -Seriously? -Get out of here! | 0:19:26 | 0:19:28 | |
"You're throwing me off the tram for tram evasion?!" | 0:19:28 | 0:19:30 | |
-I was mortified! -It's not tram evasion, is it, really? | 0:19:30 | 0:19:33 | |
-Sorry, no, it's... -That would be evading the tram. | 0:19:33 | 0:19:36 | |
Which is a good thing to do. | 0:19:36 | 0:19:38 | |
-You're very presence would have been your defence on that charge. -Right. | 0:19:38 | 0:19:41 | |
-Right... -Fare evasion. -Fare evasion. -Fare evasion. -Fare evasion, yeah. | 0:19:41 | 0:19:45 | |
Cos I've evaded trams for years. | 0:19:45 | 0:19:47 | |
Right, Vicky McClure, the latest Line Of Duty is... | 0:19:49 | 0:19:53 | |
Oh, it's... Well, you know, it's such a good show. | 0:19:53 | 0:19:56 | |
It's a great, great, great show. | 0:19:56 | 0:19:59 | |
Four in, two to go, Sundays, nine o'clock. | 0:19:59 | 0:20:02 | |
So, anything...? | 0:20:02 | 0:20:04 | |
-Like, we've got two hours of it left... -No, I know. | 0:20:04 | 0:20:06 | |
..but anything can happen. | 0:20:06 | 0:20:08 | |
So much happens as well. Cos I actually... | 0:20:08 | 0:20:11 | |
I obviously know what happens, but I watched them the other day, | 0:20:11 | 0:20:14 | |
because you never know what they're going to do in the edit. | 0:20:14 | 0:20:16 | |
And, yeah, it's great. | 0:20:16 | 0:20:18 | |
Because even, like, this last one, the... | 0:20:18 | 0:20:21 | |
-Are we allowed to talk about it? -Spoilers! | 0:20:21 | 0:20:24 | |
-Are people still watching it on thingy? -Yeah... -iPlayer? | 0:20:24 | 0:20:26 | |
They must have seen it. | 0:20:26 | 0:20:27 | |
I mean, there were pictures of Martin being resurrected on... | 0:20:27 | 0:20:30 | |
LAUGHTER | 0:20:30 | 0:20:32 | |
..on Sunday, because everybody was worried about him. | 0:20:32 | 0:20:34 | |
-And it was Easter. -Oh, what a nice Easter touch. | 0:20:34 | 0:20:38 | |
It was! | 0:20:38 | 0:20:39 | |
And how much... Because you don't get the whole series, do you? | 0:20:41 | 0:20:44 | |
No, we get the first three eps, we shoot it in two blocks. | 0:20:44 | 0:20:47 | |
And, you know, to be fair, if they gave me all six, | 0:20:47 | 0:20:50 | |
I think I'd be a bit overwhelmed. | 0:20:50 | 0:20:52 | |
Because it's Lines And Lines Of Duty. | 0:20:52 | 0:20:56 | |
To have all those six out in front of you is a bit daunting. | 0:20:56 | 0:20:58 | |
And things change, so.... | 0:20:58 | 0:21:00 | |
You've been joined this time by Thandie Newton, | 0:21:00 | 0:21:03 | |
who's so good in this. | 0:21:03 | 0:21:04 | |
-So good, and such a great laugh. -Is she fun? | 0:21:04 | 0:21:07 | |
Honestly, she's really naughty. | 0:21:07 | 0:21:09 | |
You know, like, I thought, "Oh, God, Thandie Newton, that's brilliant. | 0:21:09 | 0:21:13 | |
"But, oh, God, the dramas and the potential diva things that might..." | 0:21:13 | 0:21:19 | |
And it just wasn't like that at all. | 0:21:19 | 0:21:21 | |
That's interesting, is that a worry? Because the rest of you, | 0:21:21 | 0:21:25 | |
this is your fourth series. It's your show. | 0:21:25 | 0:21:27 | |
And then, in she waltzes and has this great big part. | 0:21:27 | 0:21:30 | |
Is that annoying? | 0:21:30 | 0:21:31 | |
We love it, because we've always had really great people. | 0:21:31 | 0:21:34 | |
Lennie James kicked it off incredibly. And Keeley Hawes... | 0:21:34 | 0:21:38 | |
We've always had really strong actors. And Thandie's great. | 0:21:38 | 0:21:41 | |
So when a big actress like that comes in, it doesn't bother you? | 0:21:41 | 0:21:44 | |
-It's just a bit nervous, do you know what I mean? -You're such a liar! | 0:21:44 | 0:21:46 | |
LAUGHTER | 0:21:46 | 0:21:48 | |
No, honestly, honest to God, if it was somebody I wasn't that | 0:21:48 | 0:21:51 | |
sure of, I just wouldn't talk about them that much. | 0:21:51 | 0:21:54 | |
Listen, we've got a clip for Sunday night's episode. | 0:21:54 | 0:21:57 | |
And this is Buckells being accused - look away, Rob - | 0:21:57 | 0:22:01 | |
this is Buckells being accused of dobbing you in it. | 0:22:01 | 0:22:04 | |
Oh, no! | 0:22:04 | 0:22:05 | |
Remain at attention. | 0:22:05 | 0:22:07 | |
DS Fleming here, someone blew her cover. | 0:22:09 | 0:22:11 | |
Thanks to whoever that was, | 0:22:11 | 0:22:13 | |
Huntley's entrapped me into discrediting the investigation. | 0:22:13 | 0:22:15 | |
Now, I told you, fella, if ever there was a leak, | 0:22:15 | 0:22:17 | |
we'd know it was you. | 0:22:17 | 0:22:19 | |
Do you have any evidence? | 0:22:21 | 0:22:23 | |
You've got a bloody nerve. | 0:22:23 | 0:22:24 | |
See, undercover officers have a lifespan. | 0:22:26 | 0:22:28 | |
There comes a time when they've been deployed once too often. | 0:22:28 | 0:22:31 | |
They get recognised or they lose their touch. | 0:22:31 | 0:22:33 | |
She knows stuff about my personal life. She got that from someone. | 0:22:33 | 0:22:36 | |
How the hell would I know anything about your personal life? | 0:22:36 | 0:22:39 | |
It wasn't me, sir. | 0:22:39 | 0:22:41 | |
Get out! Get out of me sight, go on. | 0:22:41 | 0:22:44 | |
You lot treat everyone like mugs. | 0:22:48 | 0:22:50 | |
-Who's the mug now? -Get out! | 0:22:50 | 0:22:52 | |
It's worse than I thought, sir. | 0:22:59 | 0:23:01 | |
How? | 0:23:01 | 0:23:03 | |
They're not scared of us any more. | 0:23:03 | 0:23:04 | |
APPLAUSE | 0:23:04 | 0:23:07 | |
-But now, Buckells... -Yeah. | 0:23:09 | 0:23:12 | |
..despite his hair and suit, has a good point. | 0:23:12 | 0:23:16 | |
No, he does! | 0:23:16 | 0:23:17 | |
Because you can only be undercover so many times, | 0:23:17 | 0:23:21 | |
particularly in the police force. | 0:23:21 | 0:23:24 | |
It's like I'm the worst undercover cop ever, | 0:23:24 | 0:23:26 | |
because I get caught every series! | 0:23:26 | 0:23:27 | |
Now, the other thing, of course, | 0:23:30 | 0:23:31 | |
that comes with being in shows is publicity photo shoots. | 0:23:31 | 0:23:36 | |
I know you don't like them, Rob, do you? | 0:23:36 | 0:23:39 | |
Only because the only thing I can ever do in a photograph is smile. | 0:23:39 | 0:23:43 | |
-In fact, I'd love to look, you know, moody and... -But you look very... | 0:23:43 | 0:23:47 | |
Every time I've seen a photograph of you, you look very James Bond-ish. | 0:23:47 | 0:23:51 | |
Yeah, right. | 0:23:51 | 0:23:52 | |
I don't know where you're going with that, Brendan, but I don't want to. | 0:23:54 | 0:23:57 | |
You actually do, you've got a great face... | 0:23:57 | 0:23:59 | |
Well, all I can ever do is, I can show you, | 0:23:59 | 0:24:01 | |
if there's camera, that one there? | 0:24:01 | 0:24:03 | |
-Yeah, yeah. -I have to go like this. | 0:24:03 | 0:24:05 | |
HE CHUCKLES | 0:24:05 | 0:24:07 | |
And I make the noise as well. | 0:24:07 | 0:24:09 | |
Because if I try to be moody, watch this. | 0:24:09 | 0:24:12 | |
-LAUGHTER -I just look confused. | 0:24:15 | 0:24:17 | |
So every picture, I'm going... | 0:24:22 | 0:24:24 | |
We were looking at the Line Of Duty still there. | 0:24:25 | 0:24:27 | |
There you are. Now, that's good, moody drama. | 0:24:27 | 0:24:30 | |
Very good, moody drama. And do you enjoy doing these, Vicky? | 0:24:30 | 0:24:33 | |
The photo shoots, not so much, no. | 0:24:33 | 0:24:36 | |
Because in showbiz, you can do jazz hands, | 0:24:36 | 0:24:39 | |
you could be holding a chicken... | 0:24:39 | 0:24:40 | |
But in drama, presumably there are only so many poses available? | 0:24:40 | 0:24:44 | |
Yeah, and Martin always bags the pockets first. | 0:24:44 | 0:24:48 | |
So you get on the shoot, and then you go to go in your pockets, | 0:24:48 | 0:24:51 | |
-and he's already done it. -Because we noticed you folded your arms here. | 0:24:51 | 0:24:55 | |
And then, as you say, another Line Of Duty, you must have got | 0:24:55 | 0:24:58 | |
into the photo shoot, and look at these bastards. | 0:24:58 | 0:25:00 | |
Pockets, pockets. You can't do pockets. | 0:25:00 | 0:25:04 | |
-So you're stuck with the arm folding again. -I know! | 0:25:04 | 0:25:07 | |
Then, come into another room, look at this, Adrian Dunbar, | 0:25:07 | 0:25:11 | |
he literally sees a bar, he's on it! | 0:25:11 | 0:25:14 | |
Martin in the corner, poor Vicky, still folding her arms. | 0:25:15 | 0:25:20 | |
There's nothing else available to her! | 0:25:20 | 0:25:23 | |
Then, they go, OK, tell you what, let's break it up. | 0:25:23 | 0:25:26 | |
Let's do one sitting at a table. | 0:25:26 | 0:25:29 | |
Folding her arms! | 0:25:29 | 0:25:30 | |
You could've been plugging in the tape recorder, anything! | 0:25:32 | 0:25:35 | |
No, folding her arms. | 0:25:35 | 0:25:37 | |
-Then we get to The Replacement. -Oh, shut up... | 0:25:37 | 0:25:40 | |
It's a whole new, fresh thing. | 0:25:40 | 0:25:41 | |
-A fresh start for Vicky. -Oh, no! | 0:25:41 | 0:25:43 | |
Fresh start. Look, the co-starring bitch, | 0:25:43 | 0:25:46 | |
hands in pockets! | 0:25:46 | 0:25:49 | |
Poor old Vicky, still folding. | 0:25:50 | 0:25:52 | |
APPLAUSE | 0:25:52 | 0:25:54 | |
Oh, my gosh. | 0:25:54 | 0:25:55 | |
Then, in a weird twist of fate, ladies and gentlemen, | 0:25:55 | 0:25:58 | |
they take another picture. | 0:25:58 | 0:25:59 | |
It's catching! | 0:25:59 | 0:26:01 | |
They've both folded their hands! But now... | 0:26:01 | 0:26:03 | |
now it's exciting because she...she goes for a break. Now it's solo. | 0:26:03 | 0:26:08 | |
It's just Vicky McClure by herself, ladies and gentlemen. | 0:26:08 | 0:26:12 | |
She could pose any way she wants. | 0:26:12 | 0:26:15 | |
Oh, my God, no! | 0:26:15 | 0:26:18 | |
Mortifying! | 0:26:20 | 0:26:21 | |
But now... Wait, though! | 0:26:21 | 0:26:22 | |
Now there's a huge cast, a huge cast of Broadchurch, right? Broadchurch. | 0:26:22 | 0:26:27 | |
They're doing a big group shot, all on the beach. Here they all are. | 0:26:27 | 0:26:30 | |
We'll just pan along here now. So, there they all are. | 0:26:30 | 0:26:32 | |
There's one family. Oh, look, she's got the one hand in. | 0:26:32 | 0:26:35 | |
Hands down, hands down. | 0:26:35 | 0:26:37 | |
Person standing in a tent. | 0:26:37 | 0:26:39 | |
Other family, other family, what have we got? Holding a hand, nice. | 0:26:39 | 0:26:43 | |
There she is! | 0:26:43 | 0:26:45 | |
-Do you know what, though? I've got pockets tonight. -Oh, look at you! | 0:26:48 | 0:26:52 | |
Beautiful! | 0:26:52 | 0:26:53 | |
-I predict we will never see you... -You won't now! | 0:26:55 | 0:26:57 | |
We will never see you do that again. | 0:26:57 | 0:26:59 | |
Yeah, I'm now absolutely buggered because what am I going to do? | 0:26:59 | 0:27:03 | |
Oh, dear. Now, ladies and gentlemen, | 0:27:04 | 0:27:06 | |
-Rob Brydon back with Steve Coogan in The Trip, this time to Spain. -Spain. | 0:27:06 | 0:27:10 | |
It's Thursdays, 10pm on Sky Atlantic. Also on Now TV. | 0:27:10 | 0:27:14 | |
And is this one of these no-brainer things where they come to you, | 0:27:14 | 0:27:18 | |
and they go, "Would you like...?" "Yes. I would like to do that." | 0:27:18 | 0:27:21 | |
It is now but the first time, Michael Winterbottom, | 0:27:21 | 0:27:24 | |
who created it, directed it, comes up with the stories, | 0:27:24 | 0:27:27 | |
and we improvise most of the dialogue, but he came up to us, | 0:27:27 | 0:27:30 | |
we'd done a film with him and he said, "Look, I've got this idea. | 0:27:30 | 0:27:32 | |
"Six half hours, the two of you in restaurants, and you just talk." | 0:27:32 | 0:27:36 | |
And we said, "What?" I said to him, "You may get enough good stuff | 0:27:36 | 0:27:42 | |
"for one half hour." I said, "But six?" | 0:27:42 | 0:27:45 | |
But it's interesting because Steve and I have a chemistry, and we... | 0:27:45 | 0:27:50 | |
We have a sort of simpatico with timing and we're quite | 0:27:50 | 0:27:56 | |
different in many ways but we've got lots of areas where we overlap, | 0:27:56 | 0:28:00 | |
and we're actually very similar. And it...it's become a lovely thing. | 0:28:00 | 0:28:05 | |
And how... I mean, I know everyone must ask you this, | 0:28:05 | 0:28:08 | |
but, you, you know... | 0:28:08 | 0:28:10 | |
He's Steve Coogan, you're Rob Brydon. | 0:28:10 | 0:28:12 | |
You are versions of yourself? | 0:28:12 | 0:28:14 | |
Yeah, a lot of it is very truthful. It is how we would be. | 0:28:14 | 0:28:19 | |
It's a real mix of totally, yeah, that's totally how we are. | 0:28:19 | 0:28:23 | |
But then there's a lot of stuff... | 0:28:23 | 0:28:25 | |
I mean, we would never sit over lunch and do the impressions | 0:28:25 | 0:28:29 | |
-back and forth. We would never be... -No-one believes you. | 0:28:29 | 0:28:32 | |
-No-one believes you. -Not for a moment! | 0:28:32 | 0:28:36 | |
If you sat in on our real meals, the meals we have in the evening, | 0:28:36 | 0:28:38 | |
we ended up in tears one night, | 0:28:38 | 0:28:40 | |
talking about getting older, and family, and relationships. | 0:28:40 | 0:28:44 | |
-But that's in! -No, I don't think... | 0:28:44 | 0:28:46 | |
Episode one, episode one, you do do a thing about age, and marriage, | 0:28:46 | 0:28:50 | |
-and all that stuff. -No, but in the real meal, it was hugs and tears. | 0:28:50 | 0:28:54 | |
It was full-on. | 0:28:55 | 0:28:56 | |
But it's one of the things that people find interesting | 0:28:56 | 0:29:00 | |
about it, you know, is it real or is it not? | 0:29:00 | 0:29:02 | |
Let's have a taste. | 0:29:02 | 0:29:03 | |
This is the two of you, well, walking around Spain. | 0:29:03 | 0:29:07 | |
Lindsay Kemp was the guy in The Wicker Man who invited | 0:29:07 | 0:29:10 | |
Edward Woodward into the pub | 0:29:10 | 0:29:12 | |
and he's also the guy who taught David Bowie mime. | 0:29:12 | 0:29:15 | |
That's where I know him from. | 0:29:15 | 0:29:16 | |
-He's teaching Dancing In The Street with Mick Jagger. -Doubtful. | 0:29:16 | 0:29:20 | |
That's very... No, he was much more refined than that. | 0:29:20 | 0:29:22 | |
-AS JAGGER: -Had a great time, remember, David? Do you remember? | 0:29:22 | 0:29:25 | |
Yeah, I do remember. It was... | 0:29:25 | 0:29:26 | |
You wore a really long coat, do you remember? | 0:29:26 | 0:29:28 | |
-Yes, I do, it was very much improvised on the day. -That's right. | 0:29:28 | 0:29:31 | |
-Low-budget. -It was for Comic Relief so we just... | 0:29:31 | 0:29:33 | |
-Very long coat, remember, David? -Yeah, I do. Are you all right, Mick? | 0:29:33 | 0:29:36 | |
You seem to be talking in a rather exaggerated way. | 0:29:36 | 0:29:38 | |
No! I'm just remembering a good time. | 0:29:38 | 0:29:40 | |
-Do you remember, David, really long coat? -Have you dropped some speed? | 0:29:40 | 0:29:43 | |
-What? -You sound like you've done some speed. | 0:29:43 | 0:29:45 | |
I'm Mick Jagger, you know. | 0:29:45 | 0:29:47 | |
LAUGHTER AND APPLAUSE | 0:29:47 | 0:29:50 | |
-I think, is it in episode one you talk about Mick Jagger? -Oh, yeah. | 0:29:53 | 0:29:58 | |
-Is that a true story? -Now, that's true. | 0:29:58 | 0:30:00 | |
Again, some of the stories are true. | 0:30:00 | 0:30:02 | |
Now this is a true story that I was... | 0:30:02 | 0:30:04 | |
This was about a Christmas and a bit ago. | 0:30:04 | 0:30:06 | |
I was at a party in a house, and he was there. | 0:30:06 | 0:30:09 | |
And I'd met him before at something, so he came over, and he's chatting. | 0:30:09 | 0:30:13 | |
And he's a remarkable man. | 0:30:13 | 0:30:15 | |
He's 73, but... I think I'm right in saying that. | 0:30:15 | 0:30:19 | |
He's as thin and wirey as anything. But he's got energy. | 0:30:19 | 0:30:24 | |
It's like in Cocoon, you know when that light goes "Psh!" | 0:30:24 | 0:30:27 | |
He has energy emanating from him. It's remarkable! | 0:30:27 | 0:30:31 | |
And we talked, and it was all nice. | 0:30:31 | 0:30:33 | |
And my wife and I were leaving, | 0:30:33 | 0:30:35 | |
went down the stairs from the first floor. | 0:30:35 | 0:30:37 | |
As we were heading towards the door, I heard, "Rob! Rob!" | 0:30:37 | 0:30:41 | |
And I looked around, "What, what?" | 0:30:42 | 0:30:44 | |
And he was on the landing, and he went, | 0:30:44 | 0:30:46 | |
"Don't throw those bloody spears at me." | 0:30:46 | 0:30:48 | |
And I looked and I thought, "What?" And I said, "What?" | 0:30:53 | 0:30:56 | |
He went, "Don't throw those bloody spears at me. Aah!" | 0:30:56 | 0:30:59 | |
And I had no idea. I was thinking, "What is going on? | 0:31:01 | 0:31:05 | |
"Is he having a stroke?" He's in the age range, you know. | 0:31:05 | 0:31:09 | |
And then I realised, "Oh, he's doing Michael Caine in Zulu." | 0:31:10 | 0:31:15 | |
He's doing me from The Trip doing... So I realised, so I went, | 0:31:17 | 0:31:21 | |
-AS MICHAEL CAINE: -"I've told you before. | 0:31:21 | 0:31:23 | |
"If you're not going to sing, I don't want to bloody know. | 0:31:23 | 0:31:26 | |
"Now get back in the other room!" | 0:31:26 | 0:31:27 | |
And he went, "A-a-a-h!" | 0:31:27 | 0:31:29 | |
And he was gone. It's true. | 0:31:34 | 0:31:36 | |
And what's the David Bowie story? | 0:31:38 | 0:31:40 | |
Well, that's another true one that's in the show. | 0:31:40 | 0:31:43 | |
Some years ago, I was in my kitchen at home. I'd never met David Bowie. | 0:31:43 | 0:31:47 | |
And he was on the radio being interviewed. | 0:31:47 | 0:31:49 | |
And the interviewer said, "What you do when you're on the tour, | 0:31:49 | 0:31:52 | |
"on the bus? Do you watch stuff?" | 0:31:52 | 0:31:54 | |
And he said... I can't really do David Bowie. He goes, | 0:31:54 | 0:31:57 | |
-AS BOWIE SINGING: -"Yes, I do." | 0:31:57 | 0:31:58 | |
Him singing, that's all I can do. | 0:31:59 | 0:32:02 | |
He said, "I watch this thing called Cruise Of The Gods." | 0:32:02 | 0:32:05 | |
Which is a show I was in with Steve, actually. | 0:32:05 | 0:32:07 | |
He said, and it was Mark Radcliffe, | 0:32:07 | 0:32:09 | |
and he said, "I don't know that one." | 0:32:09 | 0:32:10 | |
And Bowie said, "Oh, it's really good, you know, it's with that guy, | 0:32:10 | 0:32:14 | |
"what's his name?" I was going, "It's me!" | 0:32:14 | 0:32:17 | |
He said, "I don't know." | 0:32:17 | 0:32:18 | |
He said, "You know, the one from Marion And Geoff," | 0:32:18 | 0:32:22 | |
which is a show that I did. And he went, "I don't know." | 0:32:22 | 0:32:24 | |
I was going, "It's Rob Brydon! It's me!" | 0:32:24 | 0:32:27 | |
It was the most bizarre... | 0:32:29 | 0:32:30 | |
David Bowie is struggling to get your name. | 0:32:30 | 0:32:33 | |
I was shouting at the radio, "It's me!" | 0:32:33 | 0:32:37 | |
And Mark Radcliffe, I thought a producer's going to tell | 0:32:37 | 0:32:40 | |
Mark Radcliffe, he's going to say. And he didn't! | 0:32:40 | 0:32:42 | |
They just went on, that was it. But then... | 0:32:42 | 0:32:46 | |
And we say this in the show as well, when he died, and it was just | 0:32:46 | 0:32:50 | |
awful, I looked on Twitter, and he followed about 250 people. | 0:32:50 | 0:32:55 | |
-And I was one of the people he followed. -Oh, wow! -Wow! | 0:32:55 | 0:32:58 | |
And when I told Steve this, and we do it on camera as well, | 0:32:58 | 0:33:01 | |
he was so cheesed off. | 0:33:01 | 0:33:03 | |
He said, | 0:33:05 | 0:33:06 | |
-AS STEVE: -"I-I-I have to say, he's now slightly diminished in my eyes." | 0:33:06 | 0:33:10 | |
Very good. | 0:33:12 | 0:33:13 | |
Quickly, we must mention the tour because Good Mourning Mrs Brown, | 0:33:13 | 0:33:17 | |
you've done a big chunk of it, | 0:33:17 | 0:33:18 | |
but there's more to come in this country. | 0:33:18 | 0:33:21 | |
Yeah, we've got a middle section, | 0:33:21 | 0:33:22 | |
five weeks in the summer which finishes at the O2, and then | 0:33:22 | 0:33:26 | |
we've got the end section, which finishes in Dublin on 17th December. | 0:33:26 | 0:33:29 | |
-Then we open in Sydney on 15th January. -Wow. | 0:33:29 | 0:33:32 | |
And the fans who come to the show... | 0:33:32 | 0:33:34 | |
So, there's a bunch of Harry Styles fans here. | 0:33:34 | 0:33:37 | |
LOUD CHEERING | 0:33:37 | 0:33:38 | |
-Yes. You know, those sorts of fans... -We don't get that. | 0:33:38 | 0:33:42 | |
But you kind of do because where was this? | 0:33:43 | 0:33:45 | |
-Was this Manchester when you met this guy outside? -Oh, yeah. | 0:33:45 | 0:33:48 | |
-This guy... -What? | 0:33:48 | 0:33:49 | |
So, those are... They're not drawings, those are tattoos. | 0:33:49 | 0:33:52 | |
-They're real tattoos. -You've got pride of place, in fairness. | 0:33:52 | 0:33:56 | |
-So, he's got everybody. -All the characters. And... | 0:33:56 | 0:33:59 | |
You can see Gary Hollywood is the closest one to his arse. | 0:34:01 | 0:34:04 | |
Rory was a bit disappointed with that. But, no, he had all the faces. | 0:34:06 | 0:34:10 | |
Not only that, if you look at the picture, | 0:34:10 | 0:34:13 | |
-it looks like we've signed them. -Yes. -We haven't! We haven't. | 0:34:13 | 0:34:17 | |
He got our signatures. | 0:34:17 | 0:34:19 | |
They're all our signatures but he got our signatures on | 0:34:19 | 0:34:22 | |
something else and got them tattooed in heavy black. I mean, that is... | 0:34:22 | 0:34:25 | |
You know... If he's watching... | 0:34:25 | 0:34:28 | |
get a fucking life. | 0:34:28 | 0:34:30 | |
It is time for music. Yes. | 0:34:38 | 0:34:40 | |
All right. | 0:34:40 | 0:34:42 | |
Once a member of the biggest boyband in the world, | 0:34:42 | 0:34:44 | |
his debut solo single has just stormed to the top of the charts | 0:34:44 | 0:34:48 | |
in, get this, 84 countries. | 0:34:48 | 0:34:50 | |
Here, performing Sign Of The Times, is Mr Harry Styles! | 0:34:50 | 0:34:55 | |
LOUD CHEERING AND WHOOPING | 0:34:55 | 0:34:57 | |
# Just stop your crying It's a sign of the times | 0:35:12 | 0:35:16 | |
# Welcome to the final show | 0:35:18 | 0:35:21 | |
# Hope you're wearing your best clothes | 0:35:23 | 0:35:26 | |
# You can't bribe the door on your way to the sky | 0:35:28 | 0:35:32 | |
# You look pretty good down here | 0:35:34 | 0:35:38 | |
# But you ain't really good | 0:35:38 | 0:35:40 | |
# We never learn, we've been here before | 0:35:43 | 0:35:47 | |
# Why are we always stuck and running from | 0:35:48 | 0:35:51 | |
# The bullets | 0:35:51 | 0:35:53 | |
# The bullets | 0:35:55 | 0:35:57 | |
# We never learn, we've been here before | 0:35:59 | 0:36:03 | |
# Why are we always stuck and running from | 0:36:04 | 0:36:07 | |
# The bullets | 0:36:07 | 0:36:09 | |
# The bullets | 0:36:11 | 0:36:13 | |
# Just stop your crying It's a sign of the times | 0:36:16 | 0:36:21 | |
# We gotta get away from here | 0:36:22 | 0:36:25 | |
# We gotta get away from here | 0:36:27 | 0:36:30 | |
# Just stop your crying It'll be all right | 0:36:32 | 0:36:36 | |
# They told me that the end is near | 0:36:38 | 0:36:42 | |
# We gotta get away from here | 0:36:42 | 0:36:46 | |
# Just stop your crying Have the time of your life | 0:36:48 | 0:36:52 | |
# Breaking through the atmosphere | 0:36:54 | 0:36:58 | |
# And things are pretty good from here | 0:36:58 | 0:37:01 | |
# Remember, everything will be all right | 0:37:04 | 0:37:10 | |
# We can meet again somewhere | 0:37:11 | 0:37:14 | |
# Somewhere far away from here | 0:37:14 | 0:37:18 | |
# We never learn, we've been here before | 0:37:20 | 0:37:23 | |
# Why are we always stuck and running from | 0:37:23 | 0:37:27 | |
# The bullets | 0:37:27 | 0:37:29 | |
# The bullets | 0:37:31 | 0:37:33 | |
# We never learn, we've been here before | 0:37:36 | 0:37:39 | |
# Why are we always stuck and running from | 0:37:40 | 0:37:43 | |
# The bullets | 0:37:43 | 0:37:45 | |
# The bullets | 0:37:47 | 0:37:49 | |
# Just stop your crying It's a sign of the times | 0:37:52 | 0:37:56 | |
# We gotta get away from here | 0:37:58 | 0:38:02 | |
# We gotta get away from here | 0:38:03 | 0:38:06 | |
# Stop your crying Baby, it'll be all right | 0:38:08 | 0:38:12 | |
# They told me that the end is near | 0:38:15 | 0:38:18 | |
# We gotta get away from here | 0:38:18 | 0:38:22 | |
# We never learn, we've been here before | 0:38:24 | 0:38:27 | |
# Why are we always stuck and running from | 0:38:27 | 0:38:31 | |
# The bullets | 0:38:31 | 0:38:33 | |
# The bullets | 0:38:35 | 0:38:37 | |
# We never learn, we've been here before | 0:38:39 | 0:38:43 | |
# Why are we always stuck and running from | 0:38:44 | 0:38:47 | |
# The bullets | 0:38:47 | 0:38:49 | |
# The bullets | 0:38:51 | 0:38:53 | |
# We don't talk enough | 0:38:56 | 0:39:00 | |
# We should open up | 0:39:00 | 0:39:04 | |
# Before it's all too much | 0:39:04 | 0:39:08 | |
# Will we ever learn? | 0:39:12 | 0:39:16 | |
# We've been here before | 0:39:16 | 0:39:20 | |
# It's just what we know | 0:39:20 | 0:39:24 | |
# Oh, o-o-h | 0:39:24 | 0:39:26 | |
# Stop your crying, baby It's a sign of the times | 0:39:28 | 0:39:34 | |
# We gotta get away | 0:39:34 | 0:39:36 | |
# Oh, we got to get away | 0:39:38 | 0:39:43 | |
# We got to get away | 0:39:43 | 0:39:45 | |
# We got to get away | 0:39:46 | 0:39:49 | |
# We got to get away | 0:39:50 | 0:39:56 | |
# We gotta get away | 0:39:58 | 0:40:02 | |
# We gotta, we gotta get away | 0:40:02 | 0:40:06 | |
# We got to | 0:40:06 | 0:40:08 | |
# We gotta get away. # | 0:40:08 | 0:40:13 | |
APPLAUSE | 0:40:18 | 0:40:22 | |
Harry Styles, everybody! | 0:40:27 | 0:40:30 | |
Brilliant job. Come over. | 0:40:30 | 0:40:33 | |
And the band, let's hear it for the band. Well done, sir, well done. | 0:40:33 | 0:40:38 | |
Come and have a sit here. That's Rob Brydon. Vicky McClure. | 0:40:38 | 0:40:42 | |
Brendan O'Carroll, there they all are. Woo! | 0:40:42 | 0:40:46 | |
Very good. Sit, sit, sit. | 0:40:46 | 0:40:51 | |
Thank you so much for doing that. It was great. | 0:40:51 | 0:40:54 | |
-It was really, really good. -Thank you. -Epic. | 0:40:54 | 0:40:57 | |
-Do you know people on the couch? Do you know Brendan O'Carroll? -I do. | 0:40:57 | 0:41:00 | |
-Have you met? -I've met Vicky a few times. -That I know. | 0:41:00 | 0:41:02 | |
Old bargain bucket there. | 0:41:02 | 0:41:05 | |
-Of the... -Yes, she does that. | 0:41:05 | 0:41:08 | |
-You have met? -We have met before. | 0:41:08 | 0:41:12 | |
You've got the pyjamas I sent you, I'm pleased to see. | 0:41:12 | 0:41:15 | |
And they look better on you than they would on me. | 0:41:18 | 0:41:21 | |
We were talking about celebrities having honours. | 0:41:23 | 0:41:26 | |
There is a few statues and a beautiful tram - | 0:41:26 | 0:41:29 | |
but do buy a ticket! | 0:41:29 | 0:41:31 | |
But, Harry, I don't know if you are aware of this. | 0:41:31 | 0:41:35 | |
In LA there is a beautiful monument. | 0:41:35 | 0:41:37 | |
Are you familiar with the monument? | 0:41:37 | 0:41:40 | |
-Is it the puke thing? -It is. | 0:41:40 | 0:41:42 | |
There it is... | 0:41:42 | 0:41:46 | |
It was a few years ago. | 0:41:46 | 0:41:49 | |
But they're replacing it. If it ever rains, the fans replace it. | 0:41:49 | 0:41:53 | |
-Is it true? Did you throw up there? -I did throw up there, yeah. | 0:41:53 | 0:41:59 | |
I think my mum put that sign up. | 0:41:59 | 0:42:01 | |
-That is so odd. -It's interesting, for sure. | 0:42:04 | 0:42:09 | |
A little niche, maybe. | 0:42:09 | 0:42:11 | |
But, yeah, they're amazing. | 0:42:11 | 0:42:15 | |
-Yeah. -I don't know what to say! | 0:42:15 | 0:42:17 | |
There were these people on eBay selling your hair. | 0:42:17 | 0:42:21 | |
I didn't know what you were going to say! | 0:42:21 | 0:42:25 | |
Selling your vomit. It comes out of a bottle. | 0:42:25 | 0:42:28 | |
Harry Vomit. | 0:42:28 | 0:42:29 | |
What's that smell? What did you do with your pocket money? | 0:42:29 | 0:42:34 | |
AUDIENCE GROANS | 0:42:34 | 0:42:36 | |
-This solo thing is going quite well so far. -Thank you. | 0:42:38 | 0:42:42 | |
SCREAMING | 0:42:42 | 0:42:46 | |
That is now in 84 countries or 84 territories. | 0:42:46 | 0:42:49 | |
Are you now more excited for the album than nervous? | 0:42:49 | 0:42:55 | |
Erm, I am excited because I'm really proud of it. | 0:42:55 | 0:43:00 | |
And I have worked quite hard on it. | 0:43:00 | 0:43:03 | |
Aw! | 0:43:03 | 0:43:05 | |
He worked so hard...so hard! | 0:43:05 | 0:43:11 | |
-I am proud of it. There it is. -Jealous much? Look what I've got! | 0:43:12 | 0:43:17 | |
SCREAMING | 0:43:17 | 0:43:18 | |
Yeah, yeah. | 0:43:18 | 0:43:20 | |
-I actually don't have one of those. -I do. It's really good. | 0:43:20 | 0:43:23 | |
You worked really hard on it. | 0:43:23 | 0:43:25 | |
It's out on the 12th of May. That is the important thing. | 0:43:28 | 0:43:31 | |
-Here is the question. You are solo now. -Yes. | 0:43:35 | 0:43:38 | |
This is all new to you. | 0:43:38 | 0:43:41 | |
Is it just lovely being by yourself or is there a bit of, | 0:43:41 | 0:43:45 | |
"I kind of a tiny bit miss being in the band"? | 0:43:45 | 0:43:48 | |
There's a lot more room in dressing rooms. But I don't feel on my own. | 0:43:48 | 0:43:54 | |
I have an amazing band, who I feel very lucky to get to play with. | 0:43:54 | 0:43:58 | |
-They're amazing. -Yeah. | 0:43:58 | 0:43:59 | |
APPLAUSE | 0:43:59 | 0:44:02 | |
I know you love them. I don't doubt that. | 0:44:02 | 0:44:05 | |
But...when you are travelling with them, | 0:44:05 | 0:44:08 | |
do they stay in as nice a hotel as you? | 0:44:08 | 0:44:13 | |
Or are they in a slightly, slightly fewer stars after its name than you? | 0:44:13 | 0:44:18 | |
-Be honest. -Where are they? -They're gone now. | 0:44:18 | 0:44:22 | |
They're back in the Travelodge! | 0:44:22 | 0:44:23 | |
They're already stealing soap! | 0:44:27 | 0:44:29 | |
I know you love them and you feel a great kinship with them. | 0:44:32 | 0:44:36 | |
But do they stay in the same hotel as you? No, they don't. | 0:44:36 | 0:44:39 | |
APPLAUSE | 0:44:39 | 0:44:42 | |
Moving on! | 0:44:42 | 0:44:44 | |
Here's the thing - being a cultural icon, | 0:44:44 | 0:44:46 | |
all sorts of stories get printed about you. | 0:44:46 | 0:44:48 | |
So, last week, Warren Beatty was here and we did this thing with him | 0:44:48 | 0:44:51 | |
where we just read out some of the mad stories | 0:44:51 | 0:44:53 | |
that have been in papers about him over the years... | 0:44:53 | 0:44:56 | |
This could be fun. | 0:44:56 | 0:44:57 | |
..and we tried read your expression. | 0:44:57 | 0:45:00 | |
-There will be a camera very close on your face as I read these out. -OK. | 0:45:00 | 0:45:03 | |
We will try to gauge, from your face... | 0:45:04 | 0:45:08 | |
And you're young. Your face moves! | 0:45:08 | 0:45:10 | |
LAUGHTER | 0:45:10 | 0:45:13 | |
-Let's see. Are you ready? -No. | 0:45:13 | 0:45:15 | |
It's the Warren Beatty Deadpan Challenge. | 0:45:15 | 0:45:17 | |
You took a carrot cake to a Fleetwood Mac concert? | 0:45:19 | 0:45:22 | |
That's a yes. | 0:45:24 | 0:45:26 | |
-That is a yes. -I did. I like carrot cake. -And Fleetwood Mac, hopefully? | 0:45:26 | 0:45:31 | |
Love. | 0:45:31 | 0:45:33 | |
You and Liam got chlamydia from a koala bear? | 0:45:33 | 0:45:37 | |
-I'd like to confirm that's not true, by the way. -OK. | 0:45:42 | 0:45:46 | |
You were thinking of becoming an estate agent? | 0:45:46 | 0:45:50 | |
That's a no. | 0:45:53 | 0:45:55 | |
Set your face for this one. I really want to see this one. | 0:45:55 | 0:45:58 | |
-Hang on. -Here we go. | 0:45:58 | 0:46:00 | |
You had a sexual relationship with Barack Obama? | 0:46:02 | 0:46:06 | |
LAUGHTER | 0:46:06 | 0:46:09 | |
-You are wavering. -I'm legally not allowed to say. | 0:46:10 | 0:46:15 | |
-Do you want to see a picture of him? -Don't, it hurts! | 0:46:16 | 0:46:19 | |
You keep your skin in check with sheep placenta? | 0:46:22 | 0:46:24 | |
-That's not true. -OK, fair enough. | 0:46:24 | 0:46:26 | |
LAUGHTER | 0:46:26 | 0:46:28 | |
Finally, you auditioned to be the new Hans Solo? | 0:46:29 | 0:46:33 | |
-That might be a yes! -I think that's a yes. | 0:46:35 | 0:46:39 | |
THEY SHOUT | 0:46:39 | 0:46:42 | |
You just smile and everybody thinks, "He is! That's all true!" | 0:46:42 | 0:46:46 | |
-Well done. -Thanks. -Listen, good luck with the album. 12th of May! | 0:46:46 | 0:46:49 | |
APPLAUSE, SCREAMING | 0:46:49 | 0:46:52 | |
Right. No time for Red Chairs, I'm afraid. | 0:46:52 | 0:46:55 | |
So, please thank my lovely guests - Mr Harry Styles... | 0:46:55 | 0:46:59 | |
Rob Brydon... | 0:46:59 | 0:47:02 | |
Vicky McClure... | 0:47:02 | 0:47:05 | |
and Brendan O'Carroll! | 0:47:05 | 0:47:07 | |
Join me next week, with Eurovision hopeful Lucie Jones, | 0:47:07 | 0:47:11 | |
Star Wars' John Boyega, | 0:47:11 | 0:47:13 | |
Pirate of the Caribbean Orlando Bloom, | 0:47:13 | 0:47:15 | |
and a great comedy double act of Amy Schumer and Goldie Hawn. | 0:47:15 | 0:47:19 | |
I'll see you then! Goodnight and bye-bye! | 0:47:19 | 0:47:21 |