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-Good evening, I'm Goldie Hawn! -And I'm Amy Schumer! | 0:00:01 | 0:00:03 | |
-BOTH: -Welcome to The Graham Norton Show! | 0:00:03 | 0:00:06 | |
CHEERING AND APPLAUSE | 0:00:06 | 0:00:08 | |
APPLAUSE Oh! | 0:00:23 | 0:00:24 | |
Oh... Yes! | 0:00:24 | 0:00:26 | |
WHISTLING Oh, yeah! | 0:00:26 | 0:00:28 | |
Yes! | 0:00:29 | 0:00:31 | |
Oh! | 0:00:31 | 0:00:32 | |
Thank you very much. Thank you. | 0:00:32 | 0:00:34 | |
Thank you very much. Hello, good evening, you're very welcome. | 0:00:34 | 0:00:38 | |
Great show tonight. | 0:00:38 | 0:00:39 | |
Yes, Amy Schumer and Goldie Hawn are going to be on that sofa! | 0:00:39 | 0:00:42 | |
CHEERING AND APPLAUSE Woohoo! | 0:00:42 | 0:00:44 | |
Excellent. Sitting alongside them, | 0:00:44 | 0:00:46 | |
we've got pirate of the Caribbean Orlando Bloom... | 0:00:46 | 0:00:48 | |
APPLAUSE | 0:00:48 | 0:00:50 | |
And from Star Wars, it's only John Boyega, ladies and gentlemen. | 0:00:50 | 0:00:53 | |
CHEERING | 0:00:53 | 0:00:54 | |
Good, right? Yeah. | 0:00:54 | 0:00:56 | |
Woohoo! They're excited now. Hey! | 0:00:56 | 0:00:59 | |
Only six weeks to go till the election. Can you believe it? | 0:00:59 | 0:01:03 | |
It's really flying by, isn't it? | 0:01:03 | 0:01:05 | |
LAUGHTER | 0:01:05 | 0:01:07 | |
On Wednesday, Theresa May held her last Prime Minister's Questions. | 0:01:07 | 0:01:10 | |
Well, for the time being. | 0:01:10 | 0:01:12 | |
Er... Theresa said she was a strong and stable leader of | 0:01:12 | 0:01:16 | |
a strong and stable party, who would fight a strong and stable... | 0:01:16 | 0:01:19 | |
We get it, "strong and stable". There's a new drinking game, | 0:01:19 | 0:01:22 | |
every time she says "strong and stable", | 0:01:22 | 0:01:24 | |
you take a sip of your drink. | 0:01:24 | 0:01:25 | |
Here's someone after Prime Minister's Questions. | 0:01:25 | 0:01:28 | |
LAUGHTER | 0:01:28 | 0:01:31 | |
Good game, good game. | 0:01:31 | 0:01:33 | |
Meanwhile, Lib Dem leader Tim Farron is very happy with how things | 0:01:33 | 0:01:36 | |
have been going lately. | 0:01:36 | 0:01:38 | |
LAUGHTER | 0:01:38 | 0:01:39 | |
That is Tim Farron, just in case. Er... | 0:01:39 | 0:01:42 | |
Do you know what? He could do well in the election because, | 0:01:42 | 0:01:46 | |
you know, he's got those film star looks, hasn't he? | 0:01:46 | 0:01:49 | |
LAUGHTER AND APPLAUSE | 0:01:49 | 0:01:51 | |
Backing policies on gay sex, Tim. Er... | 0:01:51 | 0:01:54 | |
Yes, for seven days, Tim refused to answer the question, | 0:01:55 | 0:01:58 | |
is gay sex a sin? Mm-hm. | 0:01:58 | 0:02:00 | |
According to his spokesman, | 0:02:00 | 0:02:02 | |
it took Tim a week to find a position he was comfortable with. | 0:02:02 | 0:02:05 | |
LAUGHTER | 0:02:05 | 0:02:07 | |
We've all been there, Tim. We've all been there. | 0:02:07 | 0:02:11 | |
Hey! Mon Dieu! | 0:02:11 | 0:02:13 | |
Election fever has hit France, as well. Yeah. | 0:02:13 | 0:02:17 | |
We're into our election, I was talking about the French one. | 0:02:17 | 0:02:20 | |
The French elections, come on, they've got everything, | 0:02:20 | 0:02:22 | |
excitement, forbidden love affairs, good-looking people. | 0:02:22 | 0:02:25 | |
Oh, and Marine Le Pen's in it, as well. | 0:02:25 | 0:02:28 | |
Marine Le Pen. | 0:02:28 | 0:02:30 | |
That's a woman, not one of those biros that writes underwater. | 0:02:30 | 0:02:33 | |
LAUGHTER | 0:02:33 | 0:02:35 | |
Marine Le Pen! | 0:02:38 | 0:02:40 | |
Write it down, it's yours. LAUGHTER | 0:02:40 | 0:02:43 | |
The favourite to win, ladies and gentlemen, is Emmanuel Macron. | 0:02:43 | 0:02:46 | |
He's 39, his wife Brigitte is 64 | 0:02:46 | 0:02:49 | |
and used to be his high school teacher. | 0:02:49 | 0:02:52 | |
I mean, it couldn't be more French, could it? | 0:02:52 | 0:02:54 | |
The whole thing smells of cheese. LAUGHTER | 0:02:54 | 0:02:56 | |
It's fantastic he's with an older woman. | 0:02:56 | 0:02:59 | |
Could you imagine Donald Trump doing that? | 0:02:59 | 0:03:01 | |
He's never even met a woman in her 60s. | 0:03:01 | 0:03:03 | |
No, I'm lying, ladies and gentlemen. | 0:03:03 | 0:03:05 | |
He has met one - and he absolutely loved it. | 0:03:05 | 0:03:08 | |
Oh... LAUGHTER | 0:03:08 | 0:03:11 | |
So comfortable. | 0:03:11 | 0:03:13 | |
"I can't look at you, you're too old." | 0:03:13 | 0:03:16 | |
LAUGHTER | 0:03:16 | 0:03:18 | |
And by the way, congratulations to Donald | 0:03:18 | 0:03:20 | |
on reaching his first 100 days in power. | 0:03:20 | 0:03:23 | |
I wonder how many of those policies for making America great | 0:03:23 | 0:03:26 | |
he's actually achieved. | 0:03:26 | 0:03:27 | |
LAUGHTER Yeah, that's right. | 0:03:27 | 0:03:29 | |
Let's get some guests on! | 0:03:29 | 0:03:31 | |
CHEERING AND APPLAUSE | 0:03:31 | 0:03:33 | |
Later, there'll be some flag-waving as we hear the UK's entry | 0:03:33 | 0:03:37 | |
for this year's Eurovision Song Contest. Lucie Jones, everybody. | 0:03:37 | 0:03:40 | |
WHOOPING Yeah. Cheer her. | 0:03:40 | 0:03:42 | |
But first, he's the Peckham boy, became a global superstar | 0:03:42 | 0:03:46 | |
as Finn in Star Wars: The Force Awakens. | 0:03:46 | 0:03:48 | |
Now he takes to the stage in Woyzeck at the Old Vic. | 0:03:48 | 0:03:51 | |
It's John Boyega! | 0:03:51 | 0:03:53 | |
CHEERING AND APPLAUSE Whoo! | 0:03:53 | 0:03:55 | |
Hello! Yeah... | 0:03:55 | 0:03:57 | |
-This way... -Good to see you again. -Really good to see you. | 0:03:57 | 0:04:00 | |
-Thank you. -That's John Boyega. | 0:04:00 | 0:04:02 | |
He's in Star Wars! Yeah! | 0:04:02 | 0:04:05 | |
He's thrilled us as Legolas in Lord of the Rings | 0:04:05 | 0:04:08 | |
and Will Turner in Pirates of the Caribbean. | 0:04:08 | 0:04:10 | |
Now he's starring in action movie Unlocked. | 0:04:10 | 0:04:13 | |
Please welcome Orlando Bloom! | 0:04:13 | 0:04:15 | |
CHEERING AND APPLAUSE | 0:04:15 | 0:04:16 | |
Oh! | 0:04:16 | 0:04:18 | |
So good to see you. | 0:04:18 | 0:04:19 | |
Have a seat, do! | 0:04:19 | 0:04:21 | |
-Good to see you. -Whoo! | 0:04:21 | 0:04:23 | |
Now, these two women represent the very best of comedy. | 0:04:24 | 0:04:27 | |
One is the breakout star of Trainwreck, | 0:04:27 | 0:04:30 | |
the other is the Oscar-winning star of Private Benjamin | 0:04:30 | 0:04:32 | |
and The First Wives Club - and a true Hollywood trailblazer. | 0:04:32 | 0:04:35 | |
Now they're together in the new comedy Snatched. | 0:04:35 | 0:04:37 | |
Please welcome Amy Schumer and Goldie Hawn! | 0:04:37 | 0:04:40 | |
CHEERING AND APPLAUSE Oh! | 0:04:40 | 0:04:43 | |
Whoo! | 0:04:43 | 0:04:44 | |
Beautifully done! Beautifully done! | 0:04:44 | 0:04:46 | |
Hello! | 0:04:46 | 0:04:48 | |
Lovely to see you. Hello, darling. | 0:04:48 | 0:04:50 | |
-Mwah, mwah! -Kiss the others, kiss the others. | 0:04:50 | 0:04:53 | |
Kiss him, kiss him. | 0:04:53 | 0:04:55 | |
-Good to see you. Mwah. Mwah. -Lovely. | 0:04:55 | 0:04:58 | |
Aw... | 0:04:58 | 0:05:00 | |
LAUGHTER AND WHISTLING | 0:05:00 | 0:05:02 | |
-All right. -Oh, sorry. OK. -Oh, yeah. More. Mwah... -Oh, it's so... | 0:05:02 | 0:05:06 | |
-Oh, it's so fun! -Isn't this fun? | 0:05:06 | 0:05:09 | |
-I'm being rude, I'm being rude. -Oh, look. | 0:05:09 | 0:05:11 | |
-We get to drink everything. -THEY TALK OVER EACH OTHER | 0:05:11 | 0:05:13 | |
-Cheers, to you, the audience. -Cheers. -Cheers. | 0:05:13 | 0:05:16 | |
-Cheers, all. -Cheers. -Cheers. -Cheers. | 0:05:16 | 0:05:17 | |
Whoo! Whoo! | 0:05:17 | 0:05:19 | |
-Graham... -Oh, I'm wined. | 0:05:19 | 0:05:21 | |
-Are you wined, darling? -Yeah, yeah. | 0:05:21 | 0:05:24 | |
-This wine is so good, by the way, thank you. -Thank you very much. | 0:05:24 | 0:05:27 | |
-Mmm. -Is it...white? -Yeah. -Oh... -LAUGHTER | 0:05:27 | 0:05:30 | |
This is, er... | 0:05:32 | 0:05:34 | |
-White. -That's... -That's also white. -Yeah. | 0:05:34 | 0:05:37 | |
-Can we just thank you? -That's a dark white. | 0:05:37 | 0:05:39 | |
We're having so much fun in London and I just like... | 0:05:39 | 0:05:42 | |
-I just love the people here. -Yeah. -And we went, we went to... | 0:05:42 | 0:05:46 | |
You can go to where they filmed the Harry Potter movies, | 0:05:46 | 0:05:49 | |
-like you can see the sets. -Yeah. | 0:05:49 | 0:05:50 | |
And did you know for just an extra 100, they let you... | 0:05:50 | 0:05:54 | |
-BLEEP -..Daniel Radcliffe? | 0:05:54 | 0:05:56 | |
LAUGHTER AND APPLAUSE | 0:05:56 | 0:05:59 | |
-Wow. -Can you believe it? | 0:06:01 | 0:06:03 | |
-He's... -Oh, my God... | 0:06:03 | 0:06:05 | |
He's so dedicated. | 0:06:05 | 0:06:07 | |
He so, like wants to give you the experience, yeah. | 0:06:07 | 0:06:09 | |
LAUGHTER | 0:06:09 | 0:06:11 | |
Who knew? Who knew? | 0:06:11 | 0:06:13 | |
One day that could be you, John, in Star Wars World. | 0:06:13 | 0:06:15 | |
LAUGHTER | 0:06:15 | 0:06:17 | |
But now, when we research guests - you know, | 0:06:18 | 0:06:21 | |
I get briefing notes on the guests - I nearly fell off my chair | 0:06:21 | 0:06:24 | |
when I read that John Boyega recently spent time in Orlando. | 0:06:24 | 0:06:30 | |
LAUGHTER | 0:06:30 | 0:06:33 | |
We had a great time. | 0:06:33 | 0:06:34 | |
LAUGHTER DROWNS SPEECH | 0:06:37 | 0:06:40 | |
How long were you there, John? | 0:06:40 | 0:06:41 | |
Er, for about a second. | 0:06:41 | 0:06:44 | |
Erm... No, it was great, I went out to Orlando | 0:06:44 | 0:06:47 | |
for Star Wars Celebration. | 0:06:47 | 0:06:49 | |
If you haven't heard about Star Wars, it's a film... Forget it. | 0:06:49 | 0:06:52 | |
I went out there just to meet some fans and just to have a great | 0:06:52 | 0:06:55 | |
time and I was just doing some photobombing, just to show myself. | 0:06:55 | 0:06:59 | |
You say that like, you know, "I'm in Star Wars", | 0:06:59 | 0:07:01 | |
is it still like the coolest thing in the world...? | 0:07:01 | 0:07:03 | |
That's the only way I introduce myself. | 0:07:03 | 0:07:05 | |
"Hi, I'm John Boyega, I'm in Star Wars." | 0:07:05 | 0:07:06 | |
Just get straight to the point. | 0:07:06 | 0:07:08 | |
You do have amazing things happen to you, | 0:07:08 | 0:07:10 | |
like those pictures that were released of the set of Star Wars... | 0:07:10 | 0:07:12 | |
-Oh, yes. -..where William and Harry came, there they all are. | 0:07:12 | 0:07:16 | |
That's Harry and William there. | 0:07:16 | 0:07:17 | |
-Yes. -And we've got a picture of you chatting to.. | 0:07:17 | 0:07:21 | |
I think you're chatting to... | 0:07:21 | 0:07:22 | |
What are you telling him? You look really animated. | 0:07:22 | 0:07:25 | |
LAUGHTER | 0:07:25 | 0:07:26 | |
Yeah, he's really tall, man. Bloody hell. | 0:07:26 | 0:07:29 | |
He's like one of the people from your movies. | 0:07:29 | 0:07:31 | |
-What are they? Orcs or something? -Yeah, exactly. | 0:07:31 | 0:07:33 | |
You are really telling him something. | 0:07:33 | 0:07:35 | |
-Yeah, I don't know what I was telling him... -I like, I like in the background, | 0:07:35 | 0:07:38 | |
Harry and Chewbacca swapping ginger hair care... | 0:07:38 | 0:07:40 | |
LAUGHTER ..ginger hair care tips. | 0:07:40 | 0:07:43 | |
"Is yours really dry?" "Yeah, mine's very dry." | 0:07:43 | 0:07:46 | |
LAUGHTER | 0:07:46 | 0:07:47 | |
APPLAUSE | 0:07:47 | 0:07:49 | |
Oh... | 0:07:49 | 0:07:51 | |
Now, movies, movies, movies. | 0:07:51 | 0:07:53 | |
Goldie and Amy, congratulations. | 0:07:53 | 0:07:55 | |
You have made a funny film. I was saying this to you backstage, | 0:07:55 | 0:07:58 | |
they're not easy to make - and you've made one. | 0:07:58 | 0:08:01 | |
-It's really, really funny. -They're not that easy to make, actually. | 0:08:01 | 0:08:04 | |
-No. -Yeah, so... -Otherwise, there'd be way more funny films. | 0:08:04 | 0:08:07 | |
LAUGHTER | 0:08:07 | 0:08:09 | |
I don't need an insult to get a compliment, but I'll take it. | 0:08:09 | 0:08:11 | |
LAUGHTER | 0:08:11 | 0:08:13 | |
No, you've made two, they're both very funny. May the 19th, it opens. | 0:08:13 | 0:08:17 | |
It's called Snatched and it's, I suppose... | 0:08:17 | 0:08:21 | |
-We hate that picture. -It's the worst picture. | 0:08:21 | 0:08:24 | |
Yeah, we don't like that picture. | 0:08:24 | 0:08:26 | |
-We took so many, many better pictures than that. -So many. | 0:08:26 | 0:08:29 | |
What does that picture say? | 0:08:29 | 0:08:31 | |
I mean, we were just voted People Magazine's runners up, | 0:08:31 | 0:08:34 | |
-very far from the most beautiful people, but still... -Right... | 0:08:34 | 0:08:38 | |
LAUGHTER | 0:08:38 | 0:08:40 | |
And that picture doesn't represent us. | 0:08:40 | 0:08:41 | |
LAUGHTER | 0:08:41 | 0:08:44 | |
Have you heard of People Magazine Most Beautiful Person? | 0:08:44 | 0:08:47 | |
-You must have been? -Were you? -Somewhere in there... | 0:08:47 | 0:08:50 | |
-ORLANDO: -Me? No. -You weren't? -Oh. -ORLANDO: -Yes. | 0:08:50 | 0:08:52 | |
No, voting on the... You'd be on the list. LAUGHTER | 0:08:52 | 0:08:55 | |
-You've both been on the list. -Yeah, I think so, yeah. | 0:08:55 | 0:08:58 | |
-Oh, my gosh. -You definitely were. -Can you put a word in for us? | 0:08:58 | 0:09:02 | |
I think, didn't he...? Last time you were on or something? | 0:09:02 | 0:09:05 | |
-Yeah, I was... -And you've been on Peoples everywhere. -No... | 0:09:05 | 0:09:08 | |
He doesn't even remember... | 0:09:08 | 0:09:10 | |
LAUGHTER | 0:09:10 | 0:09:11 | |
Back to the film, Amy. | 0:09:11 | 0:09:13 | |
-The film, I'm sorry. -Yes, your funny film that you did make. | 0:09:13 | 0:09:16 | |
-Funny film. -So you play mother and daughter, tell us more about it. | 0:09:16 | 0:09:18 | |
-I play the daughter. -I play the mother. | 0:09:18 | 0:09:21 | |
LAUGHTER | 0:09:21 | 0:09:23 | |
And no other spoilers... No. | 0:09:23 | 0:09:25 | |
I suck at promoting movies, but, um... Yeah, we go on a... | 0:09:25 | 0:09:31 | |
I've an exotic vacation plan with my boyfriend, he dumps me and no-one | 0:09:31 | 0:09:35 | |
else will go with me, so I beg my mum to come, | 0:09:35 | 0:09:36 | |
and she's afraid of everything, | 0:09:36 | 0:09:38 | |
and everything happens that she's afraid of, basically. | 0:09:38 | 0:09:41 | |
Yes, cos you travel to... South America. | 0:09:41 | 0:09:43 | |
-You go to Ecuador, originally. -Yeah. -Yeah. -Ecuador. | 0:09:43 | 0:09:45 | |
It's not going to do much for tourism in Ecuador, is it? | 0:09:45 | 0:09:48 | |
No. No, and we're hoping to avoid that backlash. | 0:09:48 | 0:09:52 | |
LAUGHTER | 0:09:52 | 0:09:54 | |
Yeah, this is just... I mean, really, it's a movie where we vilify ourselves. | 0:09:54 | 0:09:57 | |
It really shows the ugly Americans who have | 0:09:57 | 0:10:00 | |
no other cultural knowledge. | 0:10:00 | 0:10:01 | |
Yeah, we make fun of ourselves. | 0:10:01 | 0:10:03 | |
Well, listen, we've got a clip. | 0:10:03 | 0:10:05 | |
This is when you've been in a spot of bother, you've got out of | 0:10:05 | 0:10:09 | |
a spot of bother and then you're trying to avoid a spot of bother. | 0:10:09 | 0:10:12 | |
-Yeah, that is exactly it. -Yeah, this is it, this is it. | 0:10:12 | 0:10:15 | |
This is it. | 0:10:15 | 0:10:16 | |
-Hi. -Hi. When does the next bus leave? -Un autobus? | 0:10:18 | 0:10:24 | |
-Bus doesn't leave for about 36 hours. -Oh, my God. | 0:10:24 | 0:10:27 | |
But I know a man who can take care of you. | 0:10:27 | 0:10:30 | |
Oh, yeah, no, I'm sure he could. Mm-hm, yeah. | 0:10:30 | 0:10:32 | |
-This is how sex slavery starts, honey. -I'm so sorry. | 0:10:32 | 0:10:36 | |
Listen, no, you don't have to worry about them. | 0:10:36 | 0:10:38 | |
Those types of people want young, beautiful females. You're safe. | 0:10:38 | 0:10:41 | |
Well, yeah. | 0:10:41 | 0:10:42 | |
-That's good. -OK, how dare you? Like, that is so rude. | 0:10:42 | 0:10:46 | |
-That's crazy. -Well, honey... -No, like, how dare you? | 0:10:46 | 0:10:49 | |
-That's my mother. -Honey, have a peanut. -OK, fine. | 0:10:49 | 0:10:51 | |
But if you think it would be safer for me to kind of like | 0:10:51 | 0:10:54 | |
go hide and then she meets your friend, who knows how to... | 0:10:54 | 0:10:57 | |
-No, I don't want you to do that. -No, you're both safe. | 0:10:57 | 0:10:59 | |
-Really? -Your goofy face will protect you. | 0:10:59 | 0:11:03 | |
LAUGHTER AND APPLAUSE | 0:11:03 | 0:11:05 | |
Who wrote that? | 0:11:10 | 0:11:12 | |
Katie Dippold wrote the movie and then my sister and I rewrote it. | 0:11:12 | 0:11:15 | |
-Oh, nice. -Goldie and I, yeah. | 0:11:15 | 0:11:17 | |
Did you guys improvise a bit on set? | 0:11:17 | 0:11:18 | |
That's honestly none of your business... | 0:11:18 | 0:11:20 | |
LAUGHTER | 0:11:20 | 0:11:22 | |
I feel pretty uncomfortable. Yeah, we knew we were doing... | 0:11:22 | 0:11:25 | |
But we knew who we were, so we could play around, yeah. | 0:11:25 | 0:11:28 | |
Did you improvise a lot on Star Wars? | 0:11:28 | 0:11:30 | |
No, no, no. | 0:11:30 | 0:11:31 | |
-I think that was your Bible, right? -Yeah, yeah. | 0:11:31 | 0:11:34 | |
-Can't move off of that. -Can't move off of that. | 0:11:34 | 0:11:37 | |
In the movie, you play mother and daughter and obviously | 0:11:37 | 0:11:39 | |
you get on, but do you get on in a kind of fun mum-daughter way, | 0:11:39 | 0:11:42 | |
or you're more like just regular friends? | 0:11:42 | 0:11:44 | |
-In the movie? -No, in life. -In life? Yeah, we talked about that. | 0:11:44 | 0:11:48 | |
I don't think it's... | 0:11:48 | 0:11:50 | |
-I don't feel age difference. -Yeah. -But I do feel, | 0:11:50 | 0:11:53 | |
many times I can feel like maternal, you know, which is normal. | 0:11:53 | 0:11:57 | |
-Yeah. -And I think, I look at Amy and I watch her, | 0:11:57 | 0:12:01 | |
she could've been my daughter. | 0:12:01 | 0:12:04 | |
-Aw! -From your lips. | 0:12:04 | 0:12:05 | |
LAUGHTER | 0:12:05 | 0:12:07 | |
-Could have been my daughter! -Yeah, the love is real. | 0:12:07 | 0:12:09 | |
Would have been a troubled daughter, | 0:12:09 | 0:12:11 | |
it would have been someone I'd have had to deal with.. | 0:12:11 | 0:12:13 | |
LAUGHTER DROWNS OUT SPEECH | 0:12:13 | 0:12:16 | |
-You could have made the grade, baby! -That is true. | 0:12:16 | 0:12:18 | |
I would have loved to have come out of you. Can I say that? | 0:12:19 | 0:12:22 | |
-Is that OK? -That is really good, yeah. | 0:12:24 | 0:12:26 | |
-That's a lovely thing to say. -Yes! | 0:12:26 | 0:12:28 | |
-I am all rosy for that one. -It would have been great. | 0:12:28 | 0:12:33 | |
It would have been like... | 0:12:33 | 0:12:35 | |
"There she is!" | 0:12:35 | 0:12:36 | |
-That is the sequel! -Oh, my God! | 0:12:36 | 0:12:39 | |
"It's a...it's a..." | 0:12:39 | 0:12:41 | |
-"It is a Schumer!" -"It's a...girl!" | 0:12:41 | 0:12:44 | |
Thank you, thank you. | 0:12:44 | 0:12:46 | |
Oh, my God. | 0:12:49 | 0:12:51 | |
-But you have hung out with Goldie's family, haven't you? -Yeah. | 0:12:51 | 0:12:55 | |
Yeah. I have to tell you the other night about Kurt. | 0:12:55 | 0:12:58 | |
So I go over to their house the other night for dinner, | 0:12:58 | 0:13:00 | |
and Kurt answered the door and he was so sweet. | 0:13:00 | 0:13:03 | |
He just gave me the warmest hello. | 0:13:03 | 0:13:05 | |
He was like, "It is so great to finally meet you, I love you, | 0:13:05 | 0:13:09 | |
"Goldie loves you, I love you." It was so warm. | 0:13:09 | 0:13:12 | |
I was like, "Oh, my gosh, thank you, Kurt. | 0:13:12 | 0:13:14 | |
"We sat next to each other at the Golden Globes." | 0:13:14 | 0:13:17 | |
Um... He had no... | 0:13:17 | 0:13:19 | |
"I went to the Golden Globes?!" | 0:13:19 | 0:13:21 | |
I was like, "Oh, my God..." | 0:13:21 | 0:13:23 | |
No-one in this family remembers meeting me. | 0:13:23 | 0:13:27 | |
"You were in it, too, you know? You were part of it." | 0:13:27 | 0:13:30 | |
He was a part of the show, yeah. | 0:13:30 | 0:13:32 | |
But I love her family so much. | 0:13:32 | 0:13:34 | |
And they let me sneak in and hang out. | 0:13:34 | 0:13:37 | |
And we must congratulate you, Goldie, | 0:13:37 | 0:13:38 | |
because recently you marked your 34 years with Kurt. | 0:13:38 | 0:13:43 | |
-Kurt Russell and you, 34 years together. -I did. Yeah. | 0:13:43 | 0:13:45 | |
-Oh, the audience... No! Too late! -APPLAUSE | 0:13:45 | 0:13:48 | |
We're British. | 0:13:48 | 0:13:50 | |
I have to say, it's good it's lasted, because | 0:13:52 | 0:13:55 | |
one of the stories you have is you're not very good with break-ups. | 0:13:55 | 0:13:58 | |
Was it your first-ever break-up? | 0:13:58 | 0:14:00 | |
Yes, I was in love for the first time, and I was about 18. | 0:14:00 | 0:14:04 | |
And he said to me, "I don't want to put a gate around you. | 0:14:05 | 0:14:10 | |
"You have a big life." And I said... | 0:14:10 | 0:14:14 | |
-CRYING: -"You're just a horse's ass. | 0:14:14 | 0:14:17 | |
"How could you do this to me?" | 0:14:17 | 0:14:18 | |
And he said, "You'll thank me." | 0:14:18 | 0:14:20 | |
And I hung up the phone. And I decided to sculpt his head. | 0:14:20 | 0:14:25 | |
LAUGHTER | 0:14:25 | 0:14:28 | |
So I took my clay and a picture of him | 0:14:28 | 0:14:31 | |
and I sculpted his head. | 0:14:31 | 0:14:33 | |
And it looked just like him. | 0:14:33 | 0:14:36 | |
I mean, honestly, I thought I might go to sculpting school. | 0:14:36 | 0:14:40 | |
-Every cloud... -I had it on my mum's breadboard. | 0:14:41 | 0:14:45 | |
And I carried it around with me in my car. | 0:14:45 | 0:14:49 | |
And I sat there, and I had a little Volkswagen Bug. | 0:14:49 | 0:14:51 | |
I had to be careful, you know, | 0:14:51 | 0:14:53 | |
-when I was shifting to make sure it didn't fall over. -Yes! | 0:14:53 | 0:14:57 | |
And basically, that was it. I used to carry him around with me. | 0:14:57 | 0:15:01 | |
-That's fine! -And I showed him off. | 0:15:01 | 0:15:03 | |
-You dealt with the break-up in your own way. -I did, I did. | 0:15:04 | 0:15:08 | |
Eventually his nose melted, | 0:15:08 | 0:15:10 | |
and I thought he wasn't that good-looking anyway, | 0:15:10 | 0:15:12 | |
so I just decided I was just going to move on, you know? | 0:15:12 | 0:15:16 | |
Go to New York, dance, who cares? | 0:15:16 | 0:15:19 | |
It's like the old saying - | 0:15:19 | 0:15:21 | |
there are other fish in the clay head you sculpt. | 0:15:21 | 0:15:24 | |
That's right, that's right. | 0:15:24 | 0:15:26 | |
-Oldest saying in the book, you know? -It really is. | 0:15:26 | 0:15:30 | |
John, I don't know where you told this story, about you, | 0:15:31 | 0:15:33 | |
you went on a date... Was it in New York you went on this date? | 0:15:33 | 0:15:36 | |
Yeah, I went on a date in New York. | 0:15:36 | 0:15:38 | |
Now, bizarrely... | 0:15:38 | 0:15:39 | |
LAUGHTER | 0:15:39 | 0:15:42 | |
-Let me just drink this apple juice one second. -You are so funny. | 0:15:42 | 0:15:46 | |
But this woman didn't know who you were? | 0:15:46 | 0:15:49 | |
Yes, and it was perfect because, you know, basically, I know Orlando, | 0:15:49 | 0:15:52 | |
and he gave me some advice before Star Wars 7 came out. | 0:15:52 | 0:15:55 | |
And his advice was, you know, try and secure, right? | 0:15:55 | 0:15:58 | |
Try and secure the love of your life before this stuff happens. | 0:15:58 | 0:16:00 | |
And I did and I'd done the whole process, | 0:16:00 | 0:16:04 | |
she didn't know what I did until we were driving through Times Square. | 0:16:04 | 0:16:07 | |
She goes, "What do you do for a living?" | 0:16:07 | 0:16:09 | |
Looked up, and I said, "That." | 0:16:09 | 0:16:11 | |
There was me with a saber... | 0:16:11 | 0:16:13 | |
LAUGHTER | 0:16:13 | 0:16:15 | |
-Yeah. -Oh, my God. -How surreal for that girl. | 0:16:15 | 0:16:19 | |
Yeah. I blocked her on my phone. | 0:16:19 | 0:16:21 | |
LAUGHTER | 0:16:21 | 0:16:23 | |
Was that the end of that? | 0:16:23 | 0:16:25 | |
Yeah, I mean, that picture in itself just affected | 0:16:25 | 0:16:27 | |
her kind of stance in the... | 0:16:27 | 0:16:29 | |
Once you see a guy with a huge saber, the thing is... | 0:16:29 | 0:16:33 | |
To get over it...what do you do? | 0:16:33 | 0:16:35 | |
-That's a power saw... -Yeah. | 0:16:36 | 0:16:38 | |
Because, Orlando, that idea of people knowing who you were, | 0:16:40 | 0:16:45 | |
was it in a supermarket when you had the...? | 0:16:45 | 0:16:47 | |
Yeah, I was in a supermarket. | 0:16:47 | 0:16:50 | |
The first time that happened to me, where I was recognised by somebody, | 0:16:50 | 0:16:53 | |
yeah, it was before Lord Of The Rings had come out, | 0:16:53 | 0:16:56 | |
and I was like 23, or 22, or something. | 0:16:56 | 0:17:00 | |
But I was walking through a supermarket buying pasta. | 0:17:00 | 0:17:03 | |
And I'd done some press and stuff... | 0:17:03 | 0:17:05 | |
No, the first movie had come out - I correct myself. | 0:17:05 | 0:17:07 | |
This woman came up behind me - and it had only just released - | 0:17:07 | 0:17:10 | |
and she whispered into my ear, "Are you my elf?" | 0:17:10 | 0:17:13 | |
And I was like... | 0:17:14 | 0:17:16 | |
"No, I'm your garden gnome... | 0:17:16 | 0:17:18 | |
"Just buying some pasta." | 0:17:18 | 0:17:20 | |
Amy, have you noticed, are men... Have you noticed... | 0:17:21 | 0:17:24 | |
Can you remember, is there a difference | 0:17:24 | 0:17:26 | |
-how men are around you now and before? -Yes! Isn't there, Amy? | 0:17:26 | 0:17:29 | |
No! | 0:17:29 | 0:17:31 | |
Honestly, like, comedy does not lead to dick - trust me. | 0:17:31 | 0:17:34 | |
That dress does, though. | 0:17:36 | 0:17:37 | |
Oh, my God, thank you so much. So nice. | 0:17:37 | 0:17:41 | |
I will live off that compliment for a year. | 0:17:41 | 0:17:43 | |
But honestly, for women, I don't think it really helps. | 0:17:43 | 0:17:45 | |
And guys are like, "I love a funny girl!" | 0:17:45 | 0:17:48 | |
And they are lying. | 0:17:48 | 0:17:49 | |
They love to hang with a funny girl, | 0:17:49 | 0:17:50 | |
but they're not like, "Oh, I can't wait to hit that." | 0:17:50 | 0:17:53 | |
-But, no... -Goldie is different! | 0:17:54 | 0:17:57 | |
She's a supermodel and danced her whole life. | 0:17:57 | 0:17:59 | |
You can't compare that. | 0:17:59 | 0:18:01 | |
Well, I mean, really, you know, it's not exactly that way. | 0:18:01 | 0:18:06 | |
I never felt like I was like that - ever! | 0:18:06 | 0:18:07 | |
Really? My dad had a creepy obsession with her. | 0:18:07 | 0:18:10 | |
I was small breasted, I had skinny ankles, | 0:18:10 | 0:18:12 | |
my mouth was too big. | 0:18:12 | 0:18:14 | |
There were a lot of things that were wrong with me. | 0:18:14 | 0:18:16 | |
And my eyes didn't... Like, they were so far apart. | 0:18:16 | 0:18:19 | |
Even the most gorgeous women have these insecurities. | 0:18:19 | 0:18:21 | |
"Who sculpted this?!" | 0:18:21 | 0:18:23 | |
Exactly! I mean, like that, you know. | 0:18:24 | 0:18:27 | |
First dates, wow... | 0:18:27 | 0:18:29 | |
It's a crazy thing we were talking about. | 0:18:29 | 0:18:31 | |
What is the worst thing that happened on your date? | 0:18:31 | 0:18:34 | |
We talked about that. | 0:18:34 | 0:18:35 | |
And I forgot, but I threw up. | 0:18:35 | 0:18:39 | |
He tried to kiss me and it made me sick. | 0:18:40 | 0:18:43 | |
And I literally rolled down the window and I threw up. | 0:18:45 | 0:18:49 | |
I said, "I'm so sorry... but you made me sick." | 0:18:49 | 0:18:54 | |
LAUGHTER AND APPLAUSE | 0:18:54 | 0:18:57 | |
It was a bad moment. | 0:18:57 | 0:18:58 | |
Right, Orlando Bloom, your movie is Unlocked, | 0:19:02 | 0:19:05 | |
and it opens next Friday. | 0:19:05 | 0:19:06 | |
And it is one of those great espionage films | 0:19:06 | 0:19:09 | |
where you don't know who's good, | 0:19:09 | 0:19:10 | |
you don't know who's bad, | 0:19:10 | 0:19:12 | |
-and it goes at a real, kind of, lick, doesn't it? -Yeah. | 0:19:12 | 0:19:15 | |
Tell us who you play and something about the film. | 0:19:15 | 0:19:17 | |
I play a guy called Jack. | 0:19:17 | 0:19:19 | |
It was written as a sort of straitlaced, MI5 guy, | 0:19:19 | 0:19:22 | |
but Michael Apted, who directed it, | 0:19:22 | 0:19:24 | |
was gracious enough to let me sort of play with the idea, | 0:19:24 | 0:19:27 | |
and I kind of created a bit more of | 0:19:27 | 0:19:29 | |
a ne'er-do-well, kind of wild card, mercurial character. | 0:19:29 | 0:19:32 | |
So he's sort of somebody who probably did some military service | 0:19:32 | 0:19:35 | |
and then probably did some time inside prison | 0:19:35 | 0:19:38 | |
and then comes out and is like a hired gun. | 0:19:38 | 0:19:41 | |
And I'm sort of there to seduce Noomi. | 0:19:41 | 0:19:43 | |
It's really a female Bond... Bourne, rather. | 0:19:43 | 0:19:46 | |
And Noomi Rapace plays that character. | 0:19:46 | 0:19:48 | |
She's amazing in the film. | 0:19:48 | 0:19:49 | |
And I kind of come in to sort of seduce her | 0:19:49 | 0:19:52 | |
and then try and get information from her. | 0:19:52 | 0:19:55 | |
Like, how? | 0:19:55 | 0:19:57 | |
Just sort of... Kind of like... | 0:19:59 | 0:20:02 | |
If you whisper, like, "I'm your elf." | 0:20:02 | 0:20:04 | |
Yeah, exactly! | 0:20:04 | 0:20:07 | |
I am your garden gnome. | 0:20:07 | 0:20:09 | |
So, Noomi is in it, you're in it, but it's one of those movies... | 0:20:11 | 0:20:14 | |
Michael Douglas. John Malkovich. Toni Collette. | 0:20:14 | 0:20:18 | |
-It's an amazing cast. -It's a really good cast. | 0:20:18 | 0:20:20 | |
We shot it two years ago, but they actually... | 0:20:20 | 0:20:22 | |
The script was fantastic, but it needed some reworking at the end, | 0:20:22 | 0:20:25 | |
and when they came to editing, they realised they had to shoot it. | 0:20:25 | 0:20:28 | |
And getting Michael and Noomi's schedules together was tricky. | 0:20:28 | 0:20:30 | |
But it's actually coming out at a great time because | 0:20:30 | 0:20:32 | |
it's more relevant today than ever, actually. It's a little scary. | 0:20:32 | 0:20:35 | |
It's about a potential terror attack on London. | 0:20:35 | 0:20:38 | |
But it's been handled very sensitively, I'd say. | 0:20:38 | 0:20:41 | |
This clip is you and Noomi Rapace literally in action. | 0:20:41 | 0:20:44 | |
-Here you go. -Ooh! | 0:20:44 | 0:20:46 | |
HE CHUCKLES | 0:21:03 | 0:21:05 | |
-Can I help you? -Yeah, I'm looking for the gents. | 0:21:05 | 0:21:08 | |
-Behind you. -Silly me. I'm a head-banger. | 0:21:08 | 0:21:11 | |
HE GROANS | 0:21:11 | 0:21:13 | |
Now...behave yourselves, all right? Both of you. | 0:21:19 | 0:21:23 | |
TRANSLATION: | 0:21:24 | 0:21:26 | |
TRANSLATION: | 0:21:32 | 0:21:34 | |
..CIA. | 0:21:35 | 0:21:37 | |
APPLAUSE DROWNS OUT SPEECH | 0:21:41 | 0:21:44 | |
-That's how I seduce women now. -OK, I'll take it! | 0:21:44 | 0:21:47 | |
Tray. Smash them over the head. Straight up against the wall. | 0:21:47 | 0:21:50 | |
You had me when I saw the man bun. | 0:21:50 | 0:21:52 | |
-Right? -I liked that. | 0:21:53 | 0:21:55 | |
That fighting, is that nice to not be kind of swashbuckling, | 0:21:55 | 0:22:00 | |
swords, bows and arrows, actual just fisticuffs? | 0:22:00 | 0:22:03 | |
Fisticuffs is a bit of fun, actually. Yeah. | 0:22:03 | 0:22:05 | |
-Have you ever done that fighting before? -Yeah, a couple of times. | 0:22:05 | 0:22:08 | |
"Oh, actually, yes, I have. Yeah, yeah..." | 0:22:08 | 0:22:12 | |
There was this guy out in the street outside the studio. | 0:22:12 | 0:22:15 | |
He was roughing up a grandma. | 0:22:15 | 0:22:17 | |
So I jumped him. No. | 0:22:17 | 0:22:19 | |
I have a couple of times, yeah, but, no, it was fun. | 0:22:19 | 0:22:22 | |
It's nice to get a bit muscular and dynamic. | 0:22:22 | 0:22:26 | |
But then... So there's fighting people, | 0:22:26 | 0:22:28 | |
-but you have got a very scary stunt in this film. -Yeah, there was. | 0:22:28 | 0:22:31 | |
Actually, it was the scariest thing I've ever done, | 0:22:31 | 0:22:33 | |
and I've done a few scary stunts, but they had a 150 lb Rottweiler. | 0:22:33 | 0:22:37 | |
So, at the end of this... | 0:22:37 | 0:22:38 | |
Well, it doesn't ruin it, really, but I get attacked by a dog. | 0:22:38 | 0:22:41 | |
We were shooting it in Prague in a car park. | 0:22:41 | 0:22:44 | |
And they had this... | 0:22:44 | 0:22:45 | |
The animal handler sort of spoke OK English, but not great. | 0:22:45 | 0:22:49 | |
And I love dogs, love them. | 0:22:50 | 0:22:52 | |
But this dog turned up with a muzzle on it, | 0:22:52 | 0:22:54 | |
-like, frothing through the mouth. -HE IMPERSONATES DOG | 0:22:54 | 0:22:57 | |
And I said, "So, how does this work?" | 0:22:57 | 0:22:59 | |
So I have a piece of cardboard under my jacket, or cardboard-like stuff, | 0:22:59 | 0:23:02 | |
and he was sort of like, "Yeah, | 0:23:02 | 0:23:04 | |
"and you're just going to present your arm, and the dog will clamp | 0:23:04 | 0:23:06 | |
"cos it has been taught to clamp to this part." | 0:23:06 | 0:23:08 | |
I was like, "Great." | 0:23:08 | 0:23:10 | |
So I started to do this, and he goes, "No, no, hand inside." | 0:23:10 | 0:23:13 | |
I was like, "What?!" I had to get my hand up inside. | 0:23:13 | 0:23:17 | |
And I'm just thinking... | 0:23:17 | 0:23:19 | |
You know, that was actually really terrifying, | 0:23:19 | 0:23:21 | |
to have 130 lb coming at you, just sheer muscle. | 0:23:21 | 0:23:23 | |
You just go, well, what do they say about working with kids and animals? | 0:23:23 | 0:23:27 | |
-Do it whenever you can! -Always! | 0:23:27 | 0:23:29 | |
We were talking about animal handlers today on sets, | 0:23:29 | 0:23:32 | |
cos they are always so crazy. | 0:23:32 | 0:23:34 | |
It's just someone off to the side going, like, "Trixie! Trixie! Sit!" | 0:23:34 | 0:23:39 | |
And you're just like, "Oh, OK..." | 0:23:39 | 0:23:40 | |
On Overboard, we had, "Buster! Buster! Buster!" | 0:23:40 | 0:23:43 | |
And I was lying there, and Buster was, like, mauling me. | 0:23:43 | 0:23:46 | |
And he was trying to get Buster off of me. | 0:23:46 | 0:23:48 | |
But there were four dogs on me - not just Buster. | 0:23:48 | 0:23:52 | |
So Buster got, like, top billing. | 0:23:52 | 0:23:55 | |
Oh, my God. If it was unbelievable. | 0:23:56 | 0:23:58 | |
Can't believe you did that stunt yourself. That's crazy. | 0:23:58 | 0:24:01 | |
-It was scary. -Why did you do it yourself, though? | 0:24:01 | 0:24:03 | |
Cos I kind of love doing that stuff. | 0:24:03 | 0:24:05 | |
It was a massive adrenaline rush. | 0:24:05 | 0:24:07 | |
By the way, Bird On A Wire, I did so many stunts with that, with Mel. | 0:24:07 | 0:24:11 | |
It scared the hell out of me. | 0:24:11 | 0:24:13 | |
And we were on buildings, | 0:24:13 | 0:24:15 | |
we were scaling these little things up on a high building | 0:24:15 | 0:24:18 | |
with a little rope, a little rope, | 0:24:18 | 0:24:21 | |
tied around the little thing. | 0:24:21 | 0:24:23 | |
And he's saying to me... | 0:24:23 | 0:24:25 | |
-AS MEL GIBSON: -"It's all right, Goldie, you can do it. | 0:24:25 | 0:24:27 | |
"Come on, let's do it." | 0:24:27 | 0:24:28 | |
At the end of this, cos we did a lot of other stunts on that picture, | 0:24:28 | 0:24:31 | |
I did get my stuntman's jacket. | 0:24:31 | 0:24:33 | |
-ORLANDO: -Did you? -GOLDIE: -I did! | 0:24:33 | 0:24:35 | |
And I tell you, I have that and the Academy Award. | 0:24:35 | 0:24:37 | |
It's all sitting next to each other. | 0:24:37 | 0:24:39 | |
Stuntman, Academy Award... | 0:24:39 | 0:24:41 | |
One kind of falls like that... | 0:24:41 | 0:24:44 | |
-On the Academy Award. -I could put it on the...! | 0:24:44 | 0:24:47 | |
I got a stuntman's jacket, but in a different way. | 0:24:47 | 0:24:50 | |
LAUGHTER | 0:24:50 | 0:24:52 | |
John, did you get a stuntman's jacket? | 0:24:54 | 0:24:57 | |
I got a cap. | 0:24:57 | 0:24:58 | |
I do all my own stunts - I got a cap. It's fantastic. | 0:24:59 | 0:25:04 | |
These two get a jacket. These hot blondes. | 0:25:04 | 0:25:07 | |
John, you must say yes to all the stunts, | 0:25:07 | 0:25:09 | |
because, you know, it's all... | 0:25:09 | 0:25:11 | |
The movie I just done, I did all of them. | 0:25:11 | 0:25:14 | |
-I'm 25, I can do that. -Oh! -Yeah. | 0:25:14 | 0:25:18 | |
-LAUGHTER AND APPLAUSE -Yes! | 0:25:18 | 0:25:21 | |
-You and me! -You and me! -Right here! | 0:25:23 | 0:25:25 | |
"When you're 25..." | 0:25:25 | 0:25:27 | |
I'm just trying to do it while I can. | 0:25:27 | 0:25:30 | |
I don't think I'd do it for ever, though. | 0:25:30 | 0:25:33 | |
Honestly, that's why I pulled my tit out in this movie. | 0:25:33 | 0:25:37 | |
You do, you get real tit in the movie. | 0:25:37 | 0:25:41 | |
Before, they were on the floor. I thought, "Let's bring 'em out." | 0:25:41 | 0:25:43 | |
Lovely. Something you can look back on. It'll be nice. | 0:25:45 | 0:25:49 | |
Or look down on. | 0:25:49 | 0:25:51 | |
And very quickly, we must also mention - this is exciting - | 0:25:52 | 0:25:56 | |
you are returning to Pirates Of The Caribbean, as Will Turner. | 0:25:56 | 0:26:00 | |
It's Pirates of the Caribbean: Salazar's Revenge. | 0:26:00 | 0:26:03 | |
CHEERING AND APPLAUSE | 0:26:03 | 0:26:06 | |
It's out on 26th May. | 0:26:06 | 0:26:09 | |
Here's the thing, you're clapping now, you think, "Oh, that's great." | 0:26:09 | 0:26:12 | |
I'm about to depress you. | 0:26:12 | 0:26:13 | |
It's been ten years since you were in Pirates Of The Caribbean. | 0:26:13 | 0:26:16 | |
-It's crazy, isn't it? Ten years. -That is nuts. | 0:26:16 | 0:26:18 | |
-You'd never believe it, would you? -No! -No! Really wouldn't! | 0:26:18 | 0:26:22 | |
..to be away from your passion project that long? | 0:26:22 | 0:26:25 | |
I have missed it so much. | 0:26:25 | 0:26:26 | |
The good news is, my six-year-old is desperate to see me in it, | 0:26:26 | 0:26:29 | |
-even if... -Well, that's why. | 0:26:29 | 0:26:31 | |
Yeah, it's not overly done with special effects. | 0:26:31 | 0:26:33 | |
The things you see, you get to see | 0:26:33 | 0:26:36 | |
in Johnny being his fantastic, funny self. | 0:26:36 | 0:26:39 | |
And is this the end of it, | 0:26:39 | 0:26:40 | |
or is it going to go on, are there more after this? | 0:26:40 | 0:26:42 | |
-Are you kidding me?! -There's more. -Do people have more money? | 0:26:42 | 0:26:46 | |
I think they're doing a lot of them now, you know? Aren't they? | 0:26:47 | 0:26:50 | |
I don't know. We'll see. I think there might be room for one more. | 0:26:50 | 0:26:53 | |
I don't know. This is five. | 0:26:53 | 0:26:55 | |
How many have they done of the Fast And Furious? I don't know. | 0:26:55 | 0:26:57 | |
-I think this... -It's going to hit the billion-dollar mark soon. | 0:26:57 | 0:27:00 | |
-So is ours, Goldie! -Unbelievable. -Yeah! | 0:27:00 | 0:27:04 | |
-Snatched Again. -Snatched! | 0:27:04 | 0:27:07 | |
-Snatch Me Up! -Yes. | 0:27:07 | 0:27:09 | |
-Snatch Us Both. -Yeah! | 0:27:09 | 0:27:12 | |
That's good, that's good. | 0:27:12 | 0:27:13 | |
I love how different all the things are on the show tonight. | 0:27:13 | 0:27:17 | |
John Boyega, your new job couldn't be further from Star Wars. | 0:27:17 | 0:27:22 | |
You are starring in Woyzeck at the Old Vic, just round the corner here. | 0:27:22 | 0:27:26 | |
It opens on the 15th May, till the 25th of June. | 0:27:26 | 0:27:28 | |
Now, I have to say, I've heard of this play. | 0:27:28 | 0:27:30 | |
I think they did it when I was in college. | 0:27:30 | 0:27:32 | |
So tell us about it. | 0:27:32 | 0:27:33 | |
Oh, it's a crazy play based on a soldier going through | 0:27:33 | 0:27:38 | |
post-traumatic stress and basically you're just watching the play | 0:27:38 | 0:27:41 | |
following the disintegration of his mental health while he's trying to | 0:27:41 | 0:27:45 | |
take care of his girlfriend, with a two-month-old baby and living | 0:27:45 | 0:27:48 | |
on top of a kind of abattoir, and he's hot and broken. | 0:27:48 | 0:27:53 | |
Yeah, it's a deep, | 0:27:53 | 0:27:55 | |
dark play that I just decided to do after all this colourful Star Wars | 0:27:55 | 0:27:58 | |
stuff and just to find a way of interacting with an intimate | 0:27:58 | 0:28:02 | |
-audience every night... -Yeah. -..and going back to the craft, you know, | 0:28:02 | 0:28:05 | |
cos I started in a theatre so it's time to continue. | 0:28:05 | 0:28:07 | |
But you've started in a theatre, but you never played... | 0:28:07 | 0:28:09 | |
You know, you were never Woyzeck in Woyzeck before. | 0:28:09 | 0:28:12 | |
-I mean, it's a big difference. -Yeah, no, no. | 0:28:12 | 0:28:14 | |
Yeah, the last time I was on stage I was just basically | 0:28:14 | 0:28:17 | |
a glorified extra. I was, you know, taking props off | 0:28:17 | 0:28:20 | |
and bringing them on. | 0:28:20 | 0:28:21 | |
They never gave me my chance. | 0:28:21 | 0:28:23 | |
-LAUGHTER -What play? What play was it? | 0:28:23 | 0:28:26 | |
-And you didn't give up showbusiness? -I was in three plays at the | 0:28:26 | 0:28:28 | |
Tricycle Theatre and it was three | 0:28:28 | 0:28:30 | |
plays that ran the same time and, yeah, it was great but I was | 0:28:30 | 0:28:34 | |
-never the lead of it, so this is a big challenge. -Look at you now. | 0:28:34 | 0:28:37 | |
-LAUGHTER -Wow. -Yeah. | 0:28:37 | 0:28:39 | |
-APPLAUSE AND CHEERING -Yeah! | 0:28:39 | 0:28:42 | |
-But of course... -Boy done good. | 0:28:43 | 0:28:45 | |
We should also... I suppose we should be clear that, you know, | 0:28:45 | 0:28:49 | |
-younger fans... -Mmm. -..of Star Wars probably shouldn't see this play. | 0:28:49 | 0:28:52 | |
It's quite a violent play. | 0:28:52 | 0:28:53 | |
-No, all you should come. -OK! | 0:28:53 | 0:28:55 | |
LAUGHTER OK, John said! | 0:28:55 | 0:28:57 | |
-It is dark, though. -I do think it's an important play. -Yes. | 0:28:57 | 0:29:00 | |
I think it's very important because it is something that's very real. | 0:29:00 | 0:29:03 | |
-Yeah. -And there are ways and means that you can help this but it's | 0:29:03 | 0:29:07 | |
a terrible dysfunction that's happened here. | 0:29:07 | 0:29:09 | |
It was written, like, 200 years ago. | 0:29:09 | 0:29:10 | |
So the writer died while he was writing it, at 23. | 0:29:10 | 0:29:14 | |
-So it's open to interpretation and we have... -Uh-huh. | 0:29:14 | 0:29:17 | |
..Jack Thorne writing, | 0:29:17 | 0:29:18 | |
who done Harry Potter And The Cursed Child, | 0:29:18 | 0:29:20 | |
we have the amazing Joe Murphy directing, so it's... | 0:29:20 | 0:29:24 | |
And it's the Old Vic, so it's a chance to kind of... Yeah. | 0:29:24 | 0:29:26 | |
Daniel Radcliffe is on stage at the Old Vic and Kevin Spacey's | 0:29:26 | 0:29:29 | |
-been on, so I just wanted to be part of... -You're in good company. -Yeah. | 0:29:29 | 0:29:32 | |
-You feel good about it. -We're leaving Saturday, is it rude...? | 0:29:32 | 0:29:34 | |
Would you mind doing it right now? | 0:29:34 | 0:29:36 | |
-LAUGHTER -Is that rude? | 0:29:36 | 0:29:38 | |
-Is that rude? -Get up. | 0:29:38 | 0:29:40 | |
Yeah, and John can pass on your best to Daniel Radcliffe backstage. | 0:29:40 | 0:29:43 | |
-Yes. That's right. -LAUGHTER | 0:29:43 | 0:29:45 | |
-Is he in it? -Yeah, he's in the play that's on there now. | 0:29:45 | 0:29:47 | |
What do you get for 100 bucks? | 0:29:47 | 0:29:49 | |
LAUGHTER | 0:29:49 | 0:29:52 | |
-A meet and greet. -Oh, OK, great. Great. | 0:29:52 | 0:29:54 | |
Er. Er, John. John. John. | 0:29:54 | 0:29:55 | |
Sorry, mate, we were just... | 0:29:55 | 0:29:56 | |
Yeah, I know it's a chat show but there's a sort of structure to it. | 0:29:56 | 0:29:59 | |
Er... LAUGHTER | 0:29:59 | 0:30:01 | |
Chat in this direction. | 0:30:03 | 0:30:05 | |
-Yeah. -That's true. | 0:30:05 | 0:30:07 | |
But no, the thing about the Old Vic is that... | 0:30:07 | 0:30:10 | |
I read when you used to be on the bus, you would look at the Old Vic. | 0:30:10 | 0:30:13 | |
Yeah, yeah, I mean, I love going to the theatre. | 0:30:13 | 0:30:15 | |
I always went to the National, the Almeida, and I loved going, | 0:30:15 | 0:30:19 | |
but the old Vic I just never related to because I was one of those | 0:30:19 | 0:30:22 | |
people who would go to the building and look at the picture to | 0:30:22 | 0:30:25 | |
see what I could be involved in, to see what I could see, | 0:30:25 | 0:30:27 | |
and it'd always be people like this, | 0:30:27 | 0:30:29 | |
-talking all the time. -LAUGHTER | 0:30:29 | 0:30:31 | |
And for me, I just wanted to see something that's more real, | 0:30:31 | 0:30:34 | |
something that's more gritty and something that just expands | 0:30:34 | 0:30:36 | |
their audience, and the Old Vic is doing that right now, | 0:30:36 | 0:30:39 | |
they're trying to bring in more people from different | 0:30:39 | 0:30:42 | |
backgrounds and trying to pump in diversity, and I'm all about that. | 0:30:42 | 0:30:46 | |
And obviously with all your friends and things, | 0:30:46 | 0:30:48 | |
-it's easy to get them on board with something like Star Wars. -Yeah. | 0:30:48 | 0:30:51 | |
"We'll do that." Are they going to come and see you in this? | 0:30:51 | 0:30:54 | |
-No. -LAUGHTER | 0:30:54 | 0:30:57 | |
It's a crazy one. | 0:30:57 | 0:30:58 | |
There will be bum-cheeks involved, there will be a lot of... | 0:30:58 | 0:31:01 | |
Your bum-cheeks? | 0:31:01 | 0:31:02 | |
-Well... -LAUGHTER | 0:31:02 | 0:31:05 | |
-INAUDIBLE SPEECH -Yeah, I mean, there will... | 0:31:05 | 0:31:07 | |
It'd sell those tickets! Yeah. LAUGHTER | 0:31:07 | 0:31:08 | |
Right. But it's... | 0:31:08 | 0:31:10 | |
Going into Woyzeck's mind, and it has like an avant-garde, | 0:31:10 | 0:31:14 | |
contemporary, twisted feel to it, | 0:31:14 | 0:31:16 | |
like, there's a moment that I can share that I am kind of | 0:31:16 | 0:31:20 | |
breast-fed by my mother. | 0:31:20 | 0:31:22 | |
And... Yeah. | 0:31:22 | 0:31:23 | |
Like, how? | 0:31:23 | 0:31:24 | |
LAUGHTER | 0:31:24 | 0:31:27 | |
I think we should stretch on. | 0:31:27 | 0:31:29 | |
What I do is... | 0:31:29 | 0:31:32 | |
-Come on. -You asked! CHEERING | 0:31:32 | 0:31:36 | |
I'm getting that Star Wars money. | 0:31:36 | 0:31:37 | |
Oh, my God! | 0:31:38 | 0:31:40 | |
Very consensual. Very consensual. | 0:31:43 | 0:31:46 | |
-LAUGHTER -No holding back here! | 0:31:46 | 0:31:48 | |
Yeah, yeah, yeah. | 0:31:48 | 0:31:49 | |
I like that, you asked and it happened. | 0:31:49 | 0:31:51 | |
-LAUGHTER -Consent. Consent. | 0:31:51 | 0:31:53 | |
And we talked about your friends, that aren't going to see | 0:31:55 | 0:31:58 | |
this play, I think... | 0:31:58 | 0:31:59 | |
How have they coped with what's happened to you, | 0:31:59 | 0:32:01 | |
that you are now John Boyega from Star Wars? | 0:32:01 | 0:32:04 | |
I mean, I live with my boy Stefan and we kind of live a peaceful life. | 0:32:04 | 0:32:08 | |
I'm 25, but to be honest, inside, I feel 73. | 0:32:08 | 0:32:11 | |
Like, I just like being inside. | 0:32:11 | 0:32:13 | |
I like going for walks, you know, I like looking at the sky and | 0:32:13 | 0:32:16 | |
bringing up unnecessary facts about life. | 0:32:16 | 0:32:19 | |
LAUGHTER | 0:32:19 | 0:32:21 | |
You sound like a riot. | 0:32:21 | 0:32:22 | |
And Goldie, you know, | 0:32:26 | 0:32:27 | |
the whole thing that John's going through, this kind of sudden | 0:32:27 | 0:32:30 | |
-wow, you know, you're on billboards in Times Square. -Yeah. | 0:32:30 | 0:32:33 | |
I mean, that happened to you, cos when it hit, it hit fast. | 0:32:33 | 0:32:36 | |
-Yeah, it hit very fast. -Rowan And Martin's Laugh-In, | 0:32:36 | 0:32:38 | |
-biggest show in the world. -Exactly. | 0:32:38 | 0:32:40 | |
-Oscar for your first movie, Cactus Flower. -Right. -I mean, it's... | 0:32:40 | 0:32:43 | |
Was anyone guiding you through it? | 0:32:43 | 0:32:46 | |
Was anyone manoeuvring you through all the perils of that? | 0:32:46 | 0:32:48 | |
You know, that's a really good question. | 0:32:48 | 0:32:50 | |
I think what happened to me was that I got anxious. | 0:32:50 | 0:32:53 | |
And I became anxious in many ways | 0:32:53 | 0:32:57 | |
and I didn't understand it so I started seeing a psychologist. | 0:32:57 | 0:33:00 | |
Because I wanted to know why I was feeling anxious about all of this. | 0:33:00 | 0:33:04 | |
A - it wasn't a life plan, | 0:33:04 | 0:33:05 | |
B - I wanted to go home and marry a dentist and open a dancing school. | 0:33:05 | 0:33:09 | |
I had a really fabulous life plan. | 0:33:09 | 0:33:11 | |
And this turned out to be different, | 0:33:11 | 0:33:13 | |
so I really was tutorialled through having a psychologist. | 0:33:13 | 0:33:16 | |
And the other thing I like about sort of when suddenly careers | 0:33:16 | 0:33:19 | |
take off like this, suddenly big cheques arrive. Where there was | 0:33:19 | 0:33:24 | |
no cash, suddenly there's cash. | 0:33:24 | 0:33:27 | |
So, do you remember, what was the kind of stupidest thing you | 0:33:27 | 0:33:30 | |
bought when cheques started landing on the mat? | 0:33:30 | 0:33:31 | |
You know, I've been thinking about this question and I've bought | 0:33:31 | 0:33:34 | |
-a lot of stupid things. -LAUGHTER | 0:33:34 | 0:33:37 | |
But I remember when I was going down to Laugh-In, to the studio. | 0:33:37 | 0:33:40 | |
I stopped by - cos I love flowers - | 0:33:40 | 0:33:42 | |
and I didn't have any vases and I bought | 0:33:42 | 0:33:45 | |
a vase and it was almost too big for my house that I was living in. | 0:33:45 | 0:33:49 | |
-LAUGHTER -It had little, like, white roses | 0:33:49 | 0:33:52 | |
embossed on it and I've kept it for all these years | 0:33:52 | 0:33:55 | |
because it said something to me about this one stupid thing | 0:33:55 | 0:34:00 | |
I bought that I, through all the moves and the houses and the life, | 0:34:00 | 0:34:03 | |
I never wanted to get rid of. | 0:34:03 | 0:34:05 | |
So it said something, you know, | 0:34:05 | 0:34:07 | |
it was a stupid vase and it was this... | 0:34:07 | 0:34:09 | |
-LAUGHTER -Carrying it through... | 0:34:09 | 0:34:11 | |
-Do you have it? -..my little apartment. Yeah. | 0:34:11 | 0:34:13 | |
-Aw! -Yeah. I still have it. | 0:34:13 | 0:34:15 | |
-Can I have it? -LAUGHTER | 0:34:15 | 0:34:17 | |
-I'll mail it to you. -Thank you. | 0:34:17 | 0:34:19 | |
What have you wasted the most money on? | 0:34:19 | 0:34:22 | |
My siblings? | 0:34:23 | 0:34:24 | |
-Erm... -LAUGHTER | 0:34:24 | 0:34:26 | |
Yeah, you know what? I was like... | 0:34:26 | 0:34:29 | |
-I know I seem like a drunk whore or whatever, but... Erm. -LAUGHTER | 0:34:29 | 0:34:33 | |
But what's fun about getting money is that you can, you know, | 0:34:33 | 0:34:37 | |
give it to your family and friends. I give a lot | 0:34:37 | 0:34:38 | |
to my family and friends. And I did a movie about PTSD, | 0:34:38 | 0:34:41 | |
called Thank You For Your Service, which is coming out in October, | 0:34:41 | 0:34:44 | |
and I donated my whole salary to | 0:34:44 | 0:34:46 | |
-people who are suffering from post-traumatic stress. -Wow. -APPLAUSE | 0:34:46 | 0:34:49 | |
What are you doing with your salary? | 0:34:49 | 0:34:51 | |
But honestly. You know. | 0:34:53 | 0:34:55 | |
Getting to give... | 0:34:55 | 0:34:56 | |
Cos, yeah, I'm afraid, I watch all those NBA real-life | 0:34:56 | 0:34:59 | |
documentaries, I don't want to go out like that, | 0:34:59 | 0:35:01 | |
so I hang onto it or I, you know, | 0:35:01 | 0:35:03 | |
give it to charity and friends and family. | 0:35:03 | 0:35:05 | |
-Oh. -I bought a gold-plated private jet. | 0:35:05 | 0:35:07 | |
LAUGHTER | 0:35:07 | 0:35:08 | |
He does more charity work than anybody. | 0:35:08 | 0:35:11 | |
-I know that about you. -No, but you do... -Oh. | 0:35:11 | 0:35:13 | |
You do go shopping, though. You do go shopping. | 0:35:13 | 0:35:15 | |
-Shop till I drop. -Yeah. | 0:35:15 | 0:35:17 | |
-You wouldn't know. -No. | 0:35:17 | 0:35:19 | |
-Motorbikes are your thing. -Motorbikes are my thing, yeah. -Yeah. | 0:35:19 | 0:35:21 | |
-So do you have loads? -Cos my mum said I could never have a motorbike | 0:35:21 | 0:35:24 | |
when I was a kid and all I wanted was a motorbike. | 0:35:24 | 0:35:26 | |
If I'd had a motorbike when I was 12, I probably would've got it out | 0:35:26 | 0:35:28 | |
-my system. -So it's her fault. -LAUGHTER | 0:35:28 | 0:35:31 | |
Yeah, my mum's fault. Yeah, exactly! | 0:35:31 | 0:35:33 | |
-That's why I've got 20 in my garage now. -That's her. -Yeah. | 0:35:33 | 0:35:36 | |
But now, John Boyega, you... | 0:35:36 | 0:35:39 | |
Man, why you always say my name like that? | 0:35:39 | 0:35:41 | |
-LAUGHTER -Like, "What have I done now?" | 0:35:41 | 0:35:43 | |
No, this is good. | 0:35:43 | 0:35:44 | |
No, John... John got his Star Wars cash and he... | 0:35:44 | 0:35:48 | |
I don't know where you hit, but you hit a shop, a wonderful shop... | 0:35:48 | 0:35:52 | |
-Yep. -And you have bought some stuff. | 0:35:52 | 0:35:55 | |
So you very kindly brought some pictures of some of the things | 0:35:55 | 0:35:58 | |
-you bought. -Yeah, I did, I did. -Your bed... | 0:35:58 | 0:36:00 | |
At the bottom of your bed, what have you got? | 0:36:00 | 0:36:02 | |
I've got some lions, sculptures of lions. Yeah. | 0:36:02 | 0:36:05 | |
-So, his bed is guarded... -Oh! What?! -LAUGHTER | 0:36:05 | 0:36:08 | |
Those are like trinkets compared to what else you've got. You bought... | 0:36:08 | 0:36:12 | |
But the reason why I bought that is because I feel | 0:36:12 | 0:36:15 | |
-like my spirit animal is a lion. I just feel that. -Mmm. | 0:36:15 | 0:36:18 | |
You know, I am African, I am... | 0:36:18 | 0:36:22 | |
-Yes! -..everything. -LAUGHTER | 0:36:22 | 0:36:25 | |
-Alive! -So that's why you bought the lions. | 0:36:25 | 0:36:28 | |
-Yes. -Why did you buy the saxophone lamp? | 0:36:28 | 0:36:30 | |
-LAUGHTER -Erm... | 0:36:30 | 0:36:32 | |
To be honest with you, there's no reason for that, man. | 0:36:32 | 0:36:34 | |
That was glorified nonsense. | 0:36:34 | 0:36:35 | |
I can't lie to you. | 0:36:35 | 0:36:37 | |
-Yeah. -That is hilarious. | 0:36:37 | 0:36:38 | |
Now, I don't mean to criticise it. | 0:36:38 | 0:36:40 | |
I mean, I mean...I was in Australia and this dude just told | 0:36:40 | 0:36:43 | |
me that there's a saxophone with a light bulb with it. | 0:36:43 | 0:36:46 | |
-LAUGHTER -Yeah. -And something in my brain said to me, "Buy." | 0:36:46 | 0:36:50 | |
-LAUGHTER Yes. -But you need that. | 0:36:50 | 0:36:53 | |
-You need that. -By the way, I made a lamp out of my father's clarinet. | 0:36:53 | 0:36:56 | |
-Oh, yeah. -Oh! -Right? -Cool. So you know how that was made. I had no | 0:36:56 | 0:36:59 | |
-idea how to put it together. -Well, there's a... We have a thing. | 0:36:59 | 0:37:01 | |
It has something to do with something that we share. | 0:37:01 | 0:37:04 | |
You're like a lion. | 0:37:04 | 0:37:05 | |
I like... I'm like a lion... | 0:37:05 | 0:37:07 | |
Kind of. Yeah, I could do that. | 0:37:07 | 0:37:08 | |
-LAUGHTER -But how about that? | 0:37:08 | 0:37:10 | |
-You have a saxophone lamp and I have a clarinet lamp. -Yeah. | 0:37:10 | 0:37:13 | |
Goldie, can I just ask you, | 0:37:13 | 0:37:14 | |
do you have a more attractive bulb in yours? | 0:37:14 | 0:37:17 | |
LAUGHTER | 0:37:17 | 0:37:19 | |
-Well... -That is an ugly ass bulb, John. | 0:37:19 | 0:37:22 | |
LAUGHTER | 0:37:22 | 0:37:24 | |
That is an economy light-saving one. | 0:37:24 | 0:37:26 | |
It's environmentally friendly. | 0:37:26 | 0:37:27 | |
-It's environmentally friendly. -Yeah, yeah. | 0:37:27 | 0:37:29 | |
I would find a little clip-on shade, maybe or something that just... | 0:37:29 | 0:37:33 | |
Then, you've... | 0:37:33 | 0:37:34 | |
We've been in the bedroom. We've now... | 0:37:34 | 0:37:37 | |
I don't know where that is but we've walked past that. | 0:37:37 | 0:37:39 | |
-That's my living room. -And where do we find this? | 0:37:39 | 0:37:42 | |
That's in the corridor. | 0:37:42 | 0:37:44 | |
OK. | 0:37:44 | 0:37:45 | |
Is it an antique? | 0:37:45 | 0:37:46 | |
Erm, no, I just got it off Gumtree or something, | 0:37:46 | 0:37:49 | |
-do you know what I mean? -OK. | 0:37:49 | 0:37:51 | |
It's just a replica of a Spartan helmet. | 0:37:51 | 0:37:55 | |
Did it come with the plinth or did you buy that separately? | 0:37:55 | 0:37:57 | |
No, I bought that separately. | 0:37:57 | 0:37:59 | |
-OK. -Yeah, yeah, yeah. -Putting it together. | 0:37:59 | 0:38:01 | |
-Yeah, I put it together. -But now... -Put it together. | 0:38:01 | 0:38:03 | |
Is there a light inside? | 0:38:03 | 0:38:05 | |
No, no, there isn't. | 0:38:05 | 0:38:07 | |
I'm just a big fan of weird things. I told you, I'm 73, deep down. | 0:38:07 | 0:38:10 | |
ORLANDO BLOOM: Have you ever put it on? | 0:38:10 | 0:38:13 | |
Wait. When... You're in John's house and you want to go to the loo, so, | 0:38:13 | 0:38:16 | |
you've seen the lions, you're excited, | 0:38:16 | 0:38:17 | |
the saxophone lamp is brilliant, you really enjoyed that helmet | 0:38:17 | 0:38:20 | |
-on your way to the toilet... -Give it to them. | 0:38:20 | 0:38:22 | |
You get into the loo... | 0:38:22 | 0:38:24 | |
-OK. -..you sit down... | 0:38:24 | 0:38:25 | |
-Uh-huh. -..you do your business, | 0:38:25 | 0:38:27 | |
you need a little bit of toilet paper. In John's house, this is who gives it to you. | 0:38:27 | 0:38:31 | |
Boom. | 0:38:31 | 0:38:32 | |
LAUGHTER AND APPLAUSE | 0:38:32 | 0:38:36 | |
That is amazing. | 0:38:36 | 0:38:38 | |
I love that. | 0:38:40 | 0:38:42 | |
You're jealous, aren't you? | 0:38:42 | 0:38:44 | |
-You're all jealous. -I'm so jealous. | 0:38:44 | 0:38:46 | |
I'm imagining going over there, as a girl, you know, | 0:38:46 | 0:38:49 | |
and you get to the bathroom, and you're like, "That's a red flag." | 0:38:49 | 0:38:52 | |
LAUGHTER | 0:38:52 | 0:38:53 | |
APPLAUSE | 0:38:53 | 0:38:55 | |
OK. Erm... | 0:38:57 | 0:38:59 | |
It's, er... | 0:38:59 | 0:39:00 | |
It's time for music. Now, I don't know... | 0:39:00 | 0:39:02 | |
Goldie Hawn, have you ever seen the Eurovision Song Contest? | 0:39:02 | 0:39:04 | |
-No. -Eurovision Song Contest? | 0:39:04 | 0:39:06 | |
Oh, yeah. | 0:39:06 | 0:39:08 | |
LAUGHTER Well, anyway, on the 13th May, | 0:39:08 | 0:39:11 | |
I hope you'll be watching, and waving flags | 0:39:11 | 0:39:13 | |
because on the 13th May, the nation will be pinning its hopes | 0:39:13 | 0:39:17 | |
on this young lady at the Eurovision Song Contest in Kiev. | 0:39:17 | 0:39:20 | |
Performing Never Give Up On You, it is Lucie Jones. | 0:39:20 | 0:39:24 | |
CHEERING AND APPLAUSE | 0:39:24 | 0:39:28 | |
# Tell me your secrets | 0:39:28 | 0:39:30 | |
# I'll keep them safe | 0:39:30 | 0:39:32 | |
# No sign of weakness | 0:39:32 | 0:39:34 | |
# It's a sign of faith | 0:39:34 | 0:39:35 | |
# We'll stand tall | 0:39:35 | 0:39:39 | |
# So you don't fall | 0:39:39 | 0:39:43 | |
# You're not defeated | 0:39:43 | 0:39:45 | |
# You're in repair | 0:39:45 | 0:39:47 | |
# Don't have to call me | 0:39:47 | 0:39:49 | |
# I'll always be there | 0:39:49 | 0:39:50 | |
# We'll stand tall | 0:39:50 | 0:39:53 | |
# So you don't fall | 0:39:53 | 0:39:58 | |
# If you could see how far you've walked | 0:39:58 | 0:40:02 | |
# You would see that all's not lost | 0:40:02 | 0:40:06 | |
# I will never give up on you | 0:40:06 | 0:40:10 | |
# I don't care what I've got to lose | 0:40:10 | 0:40:14 | |
# Just give me your hand and hold on | 0:40:14 | 0:40:18 | |
# Together we'll dance through this storm | 0:40:18 | 0:40:21 | |
# I will never give up on you | 0:40:21 | 0:40:25 | |
# You're the one that I'm running to | 0:40:25 | 0:40:29 | |
# Just give me your hand and hold on | 0:40:29 | 0:40:33 | |
# Together we'll dance through this storm | 0:40:33 | 0:40:38 | |
# Under the surface I see you glow | 0:40:38 | 0:40:43 | |
# I'm right beside you, you're never alone | 0:40:43 | 0:40:46 | |
# Don't let go | 0:40:46 | 0:40:49 | |
# When you're so close | 0:40:49 | 0:40:53 | |
# If you could see how far you've walked | 0:40:53 | 0:40:57 | |
# You would see that all's not lost | 0:40:57 | 0:41:02 | |
# I will never give up on you | 0:41:02 | 0:41:06 | |
# I don't care what I've got to lose | 0:41:06 | 0:41:10 | |
# Just give me your hand and hold on | 0:41:10 | 0:41:14 | |
# Together we'll dance through this storm | 0:41:14 | 0:41:17 | |
# I will never give up on you | 0:41:17 | 0:41:21 | |
# You're the one that I'm running to | 0:41:21 | 0:41:25 | |
# Just give me your hand and hold on | 0:41:25 | 0:41:29 | |
# Together we're dancing through this madness | 0:41:29 | 0:41:34 | |
# We're running through this magic | 0:41:34 | 0:41:37 | |
# It's inside of you | 0:41:37 | 0:41:39 | |
# This madness | 0:41:39 | 0:41:41 | |
# This madness | 0:41:41 | 0:41:44 | |
# Now you can see how far you've walked | 0:41:46 | 0:41:49 | |
# The mountains climbed, the oceans cro-o-o-o-ossed | 0:41:49 | 0:41:58 | |
# I don't care what I've got to lose | 0:41:58 | 0:42:02 | |
# Just give me your hand and hold on | 0:42:02 | 0:42:06 | |
# Together we'll dance through this storm | 0:42:06 | 0:42:09 | |
# I will never give up on you | 0:42:09 | 0:42:13 | |
# You're the one that I'm running to | 0:42:13 | 0:42:17 | |
# Just give me your hand and hold on | 0:42:17 | 0:42:21 | |
# Together we'll dance through this storm. # | 0:42:21 | 0:42:26 | |
APPLAUSE AND CHEERING Lucie Jones, everybody! | 0:42:26 | 0:42:32 | |
Genius. | 0:42:32 | 0:42:33 | |
Come over here, dear. | 0:42:33 | 0:42:35 | |
Bare feet, bare feet. I said bare feet. | 0:42:35 | 0:42:38 | |
Hello, darling. Congratulations. | 0:42:38 | 0:42:40 | |
Come and meet everybody. What a great performance. | 0:42:40 | 0:42:43 | |
John, Orlando, Amy, Goldie, | 0:42:43 | 0:42:47 | |
that's who that is. | 0:42:47 | 0:42:48 | |
-Hi, how are you? -Well done, love. -Thank you very much. Hi. | 0:42:48 | 0:42:51 | |
-AMY: -Mwah! Mwah! -There you go. | 0:42:51 | 0:42:53 | |
Hi, Goldie Hawn. | 0:42:53 | 0:42:54 | |
Wow. LAUGHTER | 0:42:54 | 0:42:56 | |
-Have a seat. Well deserved. -Thank you. | 0:42:56 | 0:42:58 | |
Lucie Jones, that was fantastic. | 0:42:58 | 0:43:00 | |
If you do it that well on the night, we'll all be delighted. | 0:43:00 | 0:43:03 | |
Oh, thank you. I really hope I don't... | 0:43:03 | 0:43:05 | |
I'm not wearing any shoes. | 0:43:05 | 0:43:07 | |
-But I like that. -And that is for a real reason. | 0:43:07 | 0:43:09 | |
I just can't sing or stand or walk... | 0:43:09 | 0:43:12 | |
LAUGHTER | 0:43:12 | 0:43:13 | |
..anything like straight line wise, when I'm wearing any shoes. | 0:43:13 | 0:43:17 | |
Like, Converse is a struggle. | 0:43:17 | 0:43:19 | |
-So, this is why. -Were you brought up by wolves? What... | 0:43:19 | 0:43:21 | |
LAUGHTER | 0:43:21 | 0:43:23 | |
I grew up in Wales, so I was always on a hill. So, maybe that's why. | 0:43:24 | 0:43:28 | |
-That could be it. -Maybe. -Now, by the way... | 0:43:28 | 0:43:31 | |
has anyone here been to Kiev? | 0:43:31 | 0:43:33 | |
Not to Kiev. | 0:43:33 | 0:43:35 | |
Actually, I have relatives from there but they were born in | 0:43:35 | 0:43:38 | |
like 1780 or something. | 0:43:38 | 0:43:39 | |
But I definitely have Kiev in there, somewhere. | 0:43:39 | 0:43:43 | |
LAUGHTER | 0:43:43 | 0:43:46 | |
Where's Kiev? | 0:43:46 | 0:43:48 | |
Anywhere you like it. | 0:43:48 | 0:43:50 | |
I had chicken Kiev the other night. | 0:43:50 | 0:43:51 | |
LAUGHTER | 0:43:51 | 0:43:54 | |
Listen, we'll see you on the night. | 0:43:54 | 0:43:56 | |
I do think it's such a brave, big job you are doing for the UK. | 0:43:56 | 0:44:00 | |
Thank you. I'm going to give it a go. | 0:44:00 | 0:44:02 | |
-We really appreciate you doing it. -Thank you. | 0:44:02 | 0:44:04 | |
APPLAUSE | 0:44:04 | 0:44:06 | |
Good luck on the 13th. Lucie Jones, everybody! | 0:44:06 | 0:44:09 | |
APPLAUSE AND CHEERING | 0:44:09 | 0:44:11 | |
Right, that is nearly it. | 0:44:11 | 0:44:13 | |
Before we go, time for a visit to the big red chair. | 0:44:13 | 0:44:16 | |
Who dere? Hello. | 0:44:16 | 0:44:18 | |
-Hello. -Hi, what's your name? | 0:44:18 | 0:44:20 | |
-Orla. -Orla. Lovely. I'm guessing you're from Ireland. | 0:44:20 | 0:44:23 | |
-Yeah. -Do you live there or here? | 0:44:23 | 0:44:24 | |
-I live here but go back there all the time. -Oh, fair enough. | 0:44:24 | 0:44:28 | |
Erm... And what do you do here, Orla? | 0:44:28 | 0:44:31 | |
I'm a primary school teacher. | 0:44:31 | 0:44:32 | |
-A primary school teacher? -Yeah. | 0:44:32 | 0:44:34 | |
All the ages? Or some of them? | 0:44:34 | 0:44:36 | |
-Year one. -What age are they? | 0:44:36 | 0:44:38 | |
-Five and six. -Five and six. Does that not drive you insane, | 0:44:38 | 0:44:40 | |
talking to people who are five and six all day? | 0:44:40 | 0:44:42 | |
No, I love it so much. | 0:44:42 | 0:44:44 | |
OK, Orla. | 0:44:44 | 0:44:45 | |
LAUGHTER Off you go with your story. | 0:44:45 | 0:44:47 | |
Will it start with "Once upon a time," I wonder? | 0:44:47 | 0:44:49 | |
No. On you go with your story. | 0:44:49 | 0:44:51 | |
OK. So, a few years ago, | 0:44:51 | 0:44:52 | |
I was teaching in a class and we had the globes out and the children | 0:44:52 | 0:44:56 | |
were discovering the new countries they had never seen before. | 0:44:56 | 0:44:59 | |
And a little boy pointed to a country and said, | 0:44:59 | 0:45:01 | |
"What country is this?" And I said, "Oh, Papua New Guinea. | 0:45:01 | 0:45:05 | |
"Does anybody know why Papua New Guinea is really famous?" | 0:45:05 | 0:45:08 | |
Nobody knew. So, I said, "Well, they still eat humans there, | 0:45:08 | 0:45:11 | |
"it's really strange. | 0:45:11 | 0:45:13 | |
"Right. Does anybody know what that is, | 0:45:13 | 0:45:15 | |
"when another human eats another human?" | 0:45:15 | 0:45:17 | |
And this little boy stuck his hand up and said, "Yeah, I know. | 0:45:17 | 0:45:19 | |
"Lesbians." | 0:45:19 | 0:45:21 | |
LAUGHTER | 0:45:21 | 0:45:22 | |
APPLAUSE | 0:45:22 | 0:45:25 | |
Good story, Orla. | 0:45:25 | 0:45:27 | |
That's a really good story. | 0:45:28 | 0:45:30 | |
Very good. | 0:45:30 | 0:45:31 | |
And if you'd like to join us on the show | 0:45:31 | 0:45:33 | |
and have a go in that red chair, | 0:45:33 | 0:45:35 | |
contact us via our website at this very address. | 0:45:35 | 0:45:38 | |
Listen, that's it tonight. Please say thank you to all my guests. | 0:45:38 | 0:45:42 | |
Lucie Jones! Good luck, Lucie Jones. | 0:45:42 | 0:45:44 | |
Mr John Boyega! | 0:45:44 | 0:45:46 | |
APPLAUSE AND CHEERING | 0:45:46 | 0:45:48 | |
Orlando Bloom! | 0:45:48 | 0:45:51 | |
Amy Schumer! | 0:45:51 | 0:45:53 | |
And Goldie Hawn! APPLAUSE AND CHEERING | 0:45:53 | 0:45:57 | |
Join me next week with pop group Gorillaz, | 0:45:57 | 0:45:59 | |
and a great sofa of acting talent, Kevin Bacon, Jessica Chastain, | 0:45:59 | 0:46:02 | |
Michael Fassbender, and Hollywood legend Diane Keaton. | 0:46:02 | 0:46:05 | |
I'll see you then. Goodnight, everyone, bye. | 0:46:05 | 0:46:07 | |
APPLAUSE AND CHEERING | 0:46:07 | 0:46:10 |