Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Everybody, this is Kevin Bacon. Welcome to The Graham Norton Show! | 0:00:00 | 0:00:03 | |
CHEERING AND APPLAUSE | 0:00:03 | 0:00:06 | |
This programme contains some strong language. | 0:00:08 | 0:00:12 | |
Oh! Oh! | 0:00:20 | 0:00:23 | |
Oh, hello! | 0:00:24 | 0:00:26 | |
Hello! Hello! | 0:00:26 | 0:00:29 | |
Good evening, everybody. | 0:00:29 | 0:00:30 | |
Oh, too much now. That'll do. | 0:00:30 | 0:00:33 | |
No, no, no, you're just patronising me now, stop it! | 0:00:33 | 0:00:37 | |
Who enjoyed the long Bank Holiday weekend? Wasn't it lovely? | 0:00:37 | 0:00:41 | |
Mind you, it's always the same - | 0:00:41 | 0:00:42 | |
go out for a few drinks and before you know it, | 0:00:42 | 0:00:44 | |
you're at the kebab shop, embarrassing yourself! | 0:00:44 | 0:00:47 | |
"I've always loved you! | 0:00:50 | 0:00:52 | |
"You're so strong and stable!" | 0:00:52 | 0:00:54 | |
Yeah. | 0:00:54 | 0:00:56 | |
Hey, great show tonight, ladies and gentlemen. | 0:00:56 | 0:00:58 | |
The legendary Diane Keaton will be here! Yes! | 0:00:58 | 0:01:01 | |
CHEERING | 0:01:01 | 0:01:02 | |
Diane Keaton along with... | 0:01:02 | 0:01:04 | |
Along with Hollywood stars, | 0:01:04 | 0:01:06 | |
Jessica Chastain, Kevin Bacon and Michael Fassbender! | 0:01:06 | 0:01:09 | |
CHEERING | 0:01:09 | 0:01:10 | |
It's good, right? That's good. | 0:01:10 | 0:01:13 | |
That... That, I'm here to tell you, is a lot of stars. | 0:01:13 | 0:01:18 | |
A lot of stars. I mean, | 0:01:18 | 0:01:19 | |
how am I going to get all those guests onto one sofa? | 0:01:19 | 0:01:22 | |
If only I had a mathematical genius to help me work it out. | 0:01:22 | 0:01:24 | |
Ah! | 0:01:24 | 0:01:26 | |
Diane Abbott. | 0:01:28 | 0:01:30 | |
The Carol Vorderman of politics(!) | 0:01:30 | 0:01:31 | |
Did you hear that interview on the radio? Ooh, bad! | 0:01:33 | 0:01:36 | |
Meanwhile, on the election campaign trail, | 0:01:36 | 0:01:38 | |
Jeremy Corbyn was unfairly, I feel, caught out by photographers. | 0:01:38 | 0:01:41 | |
Poor Jeremy. Mind you, sometimes a sign in the background can sum up | 0:01:44 | 0:01:48 | |
what people are really thinking. | 0:01:48 | 0:01:50 | |
All right, Tim? In other election news, Theresa May went to Cornwall. | 0:01:54 | 0:01:58 | |
Now... HE LAUGHS | 0:01:58 | 0:02:01 | |
Do you think she's ever bought chips before? | 0:02:01 | 0:02:04 | |
Do you think she's ever SEEN a chip before? | 0:02:04 | 0:02:07 | |
I mean, I say "bought." | 0:02:07 | 0:02:09 | |
She took them, then insisted she didn't owe a penny | 0:02:09 | 0:02:11 | |
and wasn't going to be bullied into paying. | 0:02:11 | 0:02:14 | |
LAUGHTER AND APPLAUSE | 0:02:14 | 0:02:16 | |
Yeah. Take that, May. | 0:02:16 | 0:02:18 | |
Yeah. Chip satire. | 0:02:18 | 0:02:20 | |
Mrs May said this week she was going to be a bloody difficult woman | 0:02:22 | 0:02:26 | |
in her negotiations with the EU and made it plain that this country | 0:02:26 | 0:02:30 | |
will never be ruled by an unelected German. | 0:02:30 | 0:02:32 | |
She then went to meet the Queen. | 0:02:34 | 0:02:35 | |
And can we just say, a huge congratulations to Prince Philip? | 0:02:38 | 0:02:41 | |
I mean, he's earned it | 0:02:41 | 0:02:42 | |
but he's announced he's standing down from Royal duties. | 0:02:42 | 0:02:45 | |
Some people have questioned the timing. | 0:02:45 | 0:02:47 | |
I mean, it's almost like he's trying to avoid something. | 0:02:47 | 0:02:50 | |
Let's get some guests on! | 0:02:53 | 0:02:55 | |
APPLAUSE AND CHEERING | 0:02:55 | 0:02:56 | |
Later, we'll be joined by Alien star and Hollywood heart-throb | 0:02:56 | 0:02:59 | |
Michael Fassbender. Oh, yeah. | 0:02:59 | 0:03:00 | |
Plus, we'll have the great new single from Gorillaz, everybody. | 0:03:02 | 0:03:06 | |
Yeah! | 0:03:06 | 0:03:07 | |
But first, he starred in hits like Footloose, Mystic River, | 0:03:08 | 0:03:12 | |
A Few Good Men and Apollo 13. | 0:03:12 | 0:03:13 | |
Now you can see him in the hilarious new TV show, | 0:03:13 | 0:03:16 | |
I Love Dick. | 0:03:16 | 0:03:17 | |
It's a warm welcome back to Kevin Bacon! | 0:03:17 | 0:03:20 | |
CHEERING AND APPLAUSE | 0:03:20 | 0:03:23 | |
-Happy to be here. -I'll come in here, I'll shake the hand. | 0:03:23 | 0:03:26 | |
Oh, we'll embrace. We'll embrace. | 0:03:26 | 0:03:27 | |
Kevin Bacon! | 0:03:27 | 0:03:28 | |
She is the Oscar-nominated star of Zero Dark Thirty, | 0:03:31 | 0:03:34 | |
The Help and The Martian. | 0:03:34 | 0:03:36 | |
Now she's taking the lead in political thriller Miss Sloane. | 0:03:36 | 0:03:40 | |
It is the fabulous Jessica Chastain! | 0:03:40 | 0:03:42 | |
CHEERING | 0:03:42 | 0:03:46 | |
-Hello! -Hi. | 0:03:46 | 0:03:47 | |
-Hi. Lovely to see you. I see you so often. -So often! | 0:03:47 | 0:03:50 | |
Come in. Sit down, sit down. | 0:03:50 | 0:03:52 | |
And just listen to these films - | 0:03:53 | 0:03:55 | |
The Godfather, Annie Hall, Reds, First Wives Club, | 0:03:55 | 0:03:58 | |
Something's Gotta Give. | 0:03:58 | 0:03:59 | |
She's a true style icon and a Hollywood legend. | 0:03:59 | 0:04:03 | |
Welcome, for the first time, the great Diane Keaton, everybody! | 0:04:03 | 0:04:07 | |
APPLAUSE AND CHEERING | 0:04:07 | 0:04:08 | |
Yes! Are you good? | 0:04:08 | 0:04:10 | |
Argh! I can't get on! | 0:04:10 | 0:04:12 | |
You're up! You're on! | 0:04:12 | 0:04:14 | |
That's the hardest bit! That's the hardest bit. | 0:04:14 | 0:04:17 | |
Come in and sit down. | 0:04:19 | 0:04:20 | |
Welcome all. Very nice to see you all. | 0:04:27 | 0:04:29 | |
-Cheers! -Cheers! -Cheers! | 0:04:29 | 0:04:32 | |
See, that's a good bit, too. | 0:04:32 | 0:04:33 | |
-Now, you have the red wine with the ice? -That is correct. | 0:04:33 | 0:04:36 | |
This is your signature drink? | 0:04:36 | 0:04:37 | |
That's my drink. | 0:04:37 | 0:04:38 | |
It's called a Keaton, isn't it? | 0:04:38 | 0:04:40 | |
-That's correct, too. -Yeah. -You're good, you're very good! | 0:04:40 | 0:04:42 | |
Oh, I've genned up, yeah. Yeah. | 0:04:42 | 0:04:45 | |
This is your people, | 0:04:45 | 0:04:47 | |
these are the people that are in the audience. | 0:04:47 | 0:04:50 | |
CHEERING | 0:04:50 | 0:04:52 | |
And they're very happy to see you. | 0:04:55 | 0:04:57 | |
Really? I doubt it. | 0:04:57 | 0:04:59 | |
GRAHAM SCOFFS | 0:04:59 | 0:05:00 | |
But they're very charming looking. | 0:05:02 | 0:05:04 | |
Yes! Don't lie, Diane, but they... | 0:05:04 | 0:05:07 | |
-Now, Kevin... -I'm going to have a drink. | 0:05:08 | 0:05:10 | |
Please, please. Down it in one. Chug it! | 0:05:10 | 0:05:12 | |
-Kevin, are you going to drink? -I'm going to drink. No, I'm drinking. | 0:05:12 | 0:05:15 | |
-You are going to have a drink? -Cheers. -Here's to you. | 0:05:15 | 0:05:17 | |
-Here's to you! -She's lovely. -Oh, my God! -I think she's great. | 0:05:17 | 0:05:19 | |
-Well, you like her. -I'm obsessed with her and she just said, | 0:05:19 | 0:05:22 | |
"Here's to you." We cheersed. Here, again. | 0:05:22 | 0:05:24 | |
-Twice! -Aww. | 0:05:24 | 0:05:26 | |
-You know, I think Kevin's very attractive. -Yes! | 0:05:26 | 0:05:29 | |
-Thank you. -He looks great. -Right back at you. | 0:05:29 | 0:05:32 | |
I haven't seen... When was the last time I saw you? | 0:05:32 | 0:05:34 | |
-Never! -I don't know, maybe never. | 0:05:34 | 0:05:36 | |
-Yeah, I know, but look how great! -Yeah. | 0:05:36 | 0:05:38 | |
-It's a good couch. -Likewise. | 0:05:38 | 0:05:40 | |
-Yeah. -Likewise. -She's very attractive, you know. | 0:05:40 | 0:05:43 | |
-You, on the other hand... -I know! I know... | 0:05:43 | 0:05:46 | |
LAUGHTER | 0:05:46 | 0:05:47 | |
-You... -I live here, we let ourselves go here. | 0:05:47 | 0:05:51 | |
And here's the thing, this is extraordinary - | 0:05:53 | 0:05:56 | |
last weekend, it was... | 0:05:56 | 0:05:58 | |
This may... | 0:05:58 | 0:05:59 | |
..the 45th anniversary of The Godfather. | 0:05:59 | 0:06:02 | |
-Wow. -That's right. -45 this week. | 0:06:02 | 0:06:04 | |
And you all gathered... APPLAUSE | 0:06:04 | 0:06:06 | |
There you are, all gathered together. | 0:06:08 | 0:06:11 | |
I mean, that must be extraordinary. Because you were... | 0:06:12 | 0:06:15 | |
That was extraordinary. | 0:06:15 | 0:06:16 | |
Because you were such different people 45 years ago. | 0:06:16 | 0:06:18 | |
I was pretty much the same. | 0:06:18 | 0:06:21 | |
But everybody else was different | 0:06:21 | 0:06:22 | |
because they're fantastic actors | 0:06:22 | 0:06:24 | |
and, of course, Francis was so articulate. | 0:06:24 | 0:06:26 | |
I wish he could have been here and tell the stories | 0:06:26 | 0:06:29 | |
about what he went through to make that movie. | 0:06:29 | 0:06:31 | |
And every single choice that he made | 0:06:31 | 0:06:34 | |
was just like a genius choice and he had to fight for everything. | 0:06:34 | 0:06:37 | |
I remember he was talking about how they wanted to fire Pacino. | 0:06:37 | 0:06:41 | |
And they wanted him out. | 0:06:41 | 0:06:42 | |
And he had shot.... Francis had shot the early scenes, | 0:06:42 | 0:06:46 | |
where we're just young and he's kind of insecure | 0:06:46 | 0:06:50 | |
and they kept hating him, the studio. | 0:06:50 | 0:06:52 | |
And so what happened was that Francis, being a genius, | 0:06:52 | 0:06:56 | |
he said, "OK, I'm going to shoot this one scene," | 0:06:56 | 0:06:58 | |
and he shot the scene so that they wouldn't fire Pacino, | 0:06:58 | 0:07:01 | |
of where Pacino kills the cop. | 0:07:01 | 0:07:03 | |
-Do you know? -Yeah. -Where Pacino... Oh, my God! | 0:07:03 | 0:07:05 | |
In that scene... Al Pacino is so great in that scene. | 0:07:05 | 0:07:09 | |
It's so moving. | 0:07:09 | 0:07:10 | |
And, you know, I hadn't seen the movie in 30 years | 0:07:10 | 0:07:13 | |
so I figured, well, I'm going to be there, | 0:07:13 | 0:07:15 | |
so I took my computer out and I watched it on the computer | 0:07:15 | 0:07:19 | |
-and I have to tell you, the movie is genius. -Yeah. | 0:07:19 | 0:07:24 | |
I mean, I can't believe it. | 0:07:24 | 0:07:25 | |
And it's all that damned Francis Ford! | 0:07:25 | 0:07:28 | |
CHEERING AND APPLAUSE | 0:07:28 | 0:07:29 | |
And then you, too. And you, too. | 0:07:29 | 0:07:31 | |
You are so important in that film. | 0:07:31 | 0:07:34 | |
Oh, my God. | 0:07:34 | 0:07:35 | |
It was great to be there. | 0:07:35 | 0:07:37 | |
-It was. -Huge kudos to you. | 0:07:37 | 0:07:39 | |
But it's not interesting to hear about. | 0:07:39 | 0:07:41 | |
-Sure it is. -Yeah, it is! -Yes, it is. | 0:07:41 | 0:07:43 | |
You think? It's so boring. | 0:07:43 | 0:07:45 | |
I like the audience more. | 0:07:45 | 0:07:47 | |
-GRAHAM LAUGHS -I mean, why don't we talk to them? | 0:07:47 | 0:07:51 | |
I wonder what they think? | 0:07:51 | 0:07:52 | |
I've tried that. Really... | 0:07:52 | 0:07:53 | |
-Oh, it didn't work out? -I... | 0:07:53 | 0:07:56 | |
-Trust me. -I mean, you're good on your own. | 0:07:56 | 0:07:59 | |
I've been sat in this chair for nearly 20 years. | 0:07:59 | 0:08:01 | |
I've talked to them. | 0:08:01 | 0:08:02 | |
Hey, guess what we're going to do now? | 0:08:03 | 0:08:05 | |
-Uh-oh. -We're going to talk about your film. | 0:08:05 | 0:08:07 | |
-Mine? -It's all about you now. | 0:08:07 | 0:08:09 | |
That's evil. That's an evil gesture. | 0:08:09 | 0:08:13 | |
No, new film, it's Hampstead. | 0:08:13 | 0:08:14 | |
And it's out on the 23rd of June. | 0:08:14 | 0:08:17 | |
This... It's a British film. | 0:08:17 | 0:08:19 | |
-Yes. -And it's totally British. | 0:08:19 | 0:08:20 | |
A great cast. And it's based on a true story, but you're the fiction? | 0:08:20 | 0:08:25 | |
Yeah, I'm the fiction, for sure. | 0:08:25 | 0:08:28 | |
I'm the fiction. Yes. | 0:08:28 | 0:08:29 | |
Do you want me to say something about it? | 0:08:29 | 0:08:31 | |
-It's best. -Yes, I think so. | 0:08:31 | 0:08:32 | |
Well, it's really a very dear picture. | 0:08:34 | 0:08:36 | |
Obviously, it's about older people. Do you know? That are... | 0:08:36 | 0:08:39 | |
Oh, God. I'm the person talking about it? | 0:08:39 | 0:08:41 | |
-Yeah, it's you. -It has to be me? OK. | 0:08:41 | 0:08:43 | |
-No-one else is here. -All right, OK. | 0:08:43 | 0:08:44 | |
-I mean, I've seen it, I can say a bit. -You saw it? -Yeah, of course | 0:08:44 | 0:08:47 | |
-I did. Yeah. -Well, what did you think? -I really liked it. | 0:08:47 | 0:08:49 | |
-You did? -I did! -He's sweet. But anyway, blah... | 0:08:49 | 0:08:52 | |
I have to say that these two people are at a point in their life | 0:08:52 | 0:08:56 | |
where they're completely stuck | 0:08:56 | 0:08:58 | |
and they don't know what life is going to bring for them | 0:08:58 | 0:09:01 | |
and it's a very sweet picture. | 0:09:01 | 0:09:04 | |
I'm really proud of it. | 0:09:04 | 0:09:05 | |
I feel happy to be a part of it. | 0:09:05 | 0:09:07 | |
And the man you see, he was the real part. | 0:09:07 | 0:09:10 | |
It's Brendan Gleeson, do you all know him? | 0:09:10 | 0:09:12 | |
Yes! WHOOPS FROM AUDIENCE | 0:09:12 | 0:09:14 | |
-He's good. -He's fabulous, I love Brendan Gleeson. | 0:09:14 | 0:09:17 | |
He's really a great actor. And that was odd for me because, | 0:09:17 | 0:09:20 | |
you know, he's REALLY an actor and then there's me. | 0:09:20 | 0:09:22 | |
As opposed to all those other schlubs you've worked with(!) | 0:09:22 | 0:09:24 | |
-Exactly! -LAUGHTER | 0:09:24 | 0:09:27 | |
"What did she say?" | 0:09:27 | 0:09:28 | |
Whatever! | 0:09:30 | 0:09:32 | |
There's a bunch of guys in New York going, "Hey, wait a second!" | 0:09:32 | 0:09:35 | |
Brendan, he plays a character called Donald, | 0:09:36 | 0:09:39 | |
-who's based on a real person called Harry? -Mm-hm. | 0:09:39 | 0:09:43 | |
Harry Hampstead, is he called? | 0:09:43 | 0:09:45 | |
And do you remember this story? I didn't remember it. | 0:09:45 | 0:09:47 | |
He squatted on a bit of Hampstead Heath and ended up owning it. | 0:09:47 | 0:09:52 | |
Which is sort of an amazing story. | 0:09:52 | 0:09:54 | |
It's an amazing story, yes. | 0:09:54 | 0:09:56 | |
-But he died a few years ago, the real guy? -He did die. | 0:09:56 | 0:09:59 | |
-I know. -I tell you what... Er... | 0:09:59 | 0:10:02 | |
Do we all have to die? Can we get into that? | 0:10:02 | 0:10:04 | |
-Let's not. -No, OK. | 0:10:04 | 0:10:06 | |
-We're all having a nice time. -Yeah, yeah. I'm enjoying it, yeah. | 0:10:06 | 0:10:09 | |
There's more red wine on ice. | 0:10:09 | 0:10:11 | |
-Yeah, you got to shut me up! -Let's live a little longer! | 0:10:11 | 0:10:14 | |
I tell you what, let's have a taste of the film. | 0:10:14 | 0:10:16 | |
Oh, let's have a taste? You mean a clip? | 0:10:16 | 0:10:18 | |
Well, actually, it's kind of the trailer. | 0:10:18 | 0:10:20 | |
-Oh, fine, even better. -You see? You're happy. | 0:10:20 | 0:10:22 | |
Yeah, I don't know what it is. | 0:10:22 | 0:10:23 | |
-It's in colour, you talk, it's great! -It's in colour?! | 0:10:23 | 0:10:25 | |
-OK! -You're going to love this. Here it is. | 0:10:25 | 0:10:27 | |
-Hello? -What?! | 0:10:28 | 0:10:31 | |
I hope I'm not disturbing you. | 0:10:31 | 0:10:33 | |
Too late for that. | 0:10:33 | 0:10:34 | |
This is an eviction notice. | 0:10:34 | 0:10:36 | |
You're living on land worth millions. | 0:10:36 | 0:10:38 | |
They really don't want you here. | 0:10:38 | 0:10:40 | |
It's a shame. If only they got to know me. | 0:10:40 | 0:10:42 | |
Now, now. | 0:10:42 | 0:10:43 | |
So am I different to what you expected? | 0:10:43 | 0:10:45 | |
-You seem... -Go on. | 0:10:45 | 0:10:46 | |
..cleaner. | 0:10:46 | 0:10:48 | |
It never stops, does it? | 0:10:48 | 0:10:49 | |
The whole world wants me to change and now you, too. | 0:10:49 | 0:10:52 | |
You really want to stay here? | 0:10:52 | 0:10:53 | |
You're going to have to fight for it. | 0:10:53 | 0:10:55 | |
The way I live might seem different to a lot of people. | 0:10:57 | 0:10:59 | |
All I care about is my home | 0:10:59 | 0:11:01 | |
and, in that regard, I'm no different to any of you. | 0:11:01 | 0:11:04 | |
-OK... -This is my, um... | 0:11:06 | 0:11:08 | |
Handyman. | 0:11:08 | 0:11:09 | |
LAUGHTER AND APPLAUSE | 0:11:09 | 0:11:12 | |
-See, that was all right! -Yeah! -You survived that. -Yeah. | 0:11:12 | 0:11:16 | |
Thank you. | 0:11:17 | 0:11:19 | |
And your character in the film, she dresses quite like, um... | 0:11:19 | 0:11:23 | |
-Me? -Yes! Yes. | 0:11:23 | 0:11:24 | |
-Because you are very recognisable. -Why? | 0:11:24 | 0:11:27 | |
Because you have a look, you have a kind of iconic look. | 0:11:27 | 0:11:30 | |
Jessica's nodding, it's not just me. | 0:11:30 | 0:11:32 | |
-Yeah, iconic look. -Yeah. | 0:11:32 | 0:11:34 | |
I know that many times I've done a movie | 0:11:34 | 0:11:36 | |
and I've said, "Can I have the Annie Hall look, please?" | 0:11:36 | 0:11:39 | |
Me too! | 0:11:39 | 0:11:40 | |
Was Annie Hall the first time you were given free rein | 0:11:42 | 0:11:47 | |
-to put together your own look? -It was. Yeah, there it is. | 0:11:47 | 0:11:50 | |
WHOOPING AND APPLAUSE | 0:11:50 | 0:11:53 | |
It's amazing. | 0:11:55 | 0:11:56 | |
It is amazing, and timeless. | 0:11:56 | 0:11:58 | |
It's timeless? | 0:11:58 | 0:11:59 | |
Well, cos it was never IN fashion. | 0:11:59 | 0:12:01 | |
I'm looking at me and I'm thinking, wow... | 0:12:01 | 0:12:03 | |
That's right, it never was in fashion! | 0:12:03 | 0:12:04 | |
-You're right. There you go. -It's your look. | 0:12:04 | 0:12:06 | |
-You know, ploughed your own furrow. -I own it. | 0:12:06 | 0:12:08 | |
I don't know what to say. | 0:12:08 | 0:12:09 | |
I don't see anybody in the audience that has it. | 0:12:09 | 0:12:11 | |
No! | 0:12:11 | 0:12:12 | |
-I think they rejected it. -No, you're owning it. | 0:12:12 | 0:12:16 | |
A fashion icon. A true fashion icon. | 0:12:16 | 0:12:17 | |
Do you ever have days when you think, "You know what, | 0:12:17 | 0:12:21 | |
"I'm not going to be Diane Keaton today, | 0:12:21 | 0:12:23 | |
"I'm going to wear something...? I'm going to break the mould, | 0:12:23 | 0:12:26 | |
"I'm not going to look like Diane Keaton." | 0:12:26 | 0:12:28 | |
I wouldn't know how to do that since I am Diane Keaton, aren't I? | 0:12:28 | 0:12:31 | |
-Yes! -I don't want to do that. | 0:12:31 | 0:12:33 | |
I just want to be what I want to be, right? | 0:12:33 | 0:12:35 | |
-I'm going to wear what I like. -Yes. -You think I'm going to break it? | 0:12:35 | 0:12:38 | |
-Well... -Are you suggesting I should change? | 0:12:38 | 0:12:40 | |
-No! -I think you are! | 0:12:40 | 0:12:42 | |
I'm just saying, one day you might like no-one to know who you were. | 0:12:42 | 0:12:46 | |
They don't know who I am. I live in California. | 0:12:46 | 0:12:48 | |
You know, all I do is, I get my car and I do what | 0:12:48 | 0:12:51 | |
everybody else is doing and nobody cares cos, you know... | 0:12:51 | 0:12:53 | |
You know, they've seen enough of us. | 0:12:53 | 0:12:55 | |
Really, it's so simple. | 0:12:56 | 0:12:58 | |
But being recognised can sometimes be to your advantage. | 0:12:58 | 0:13:01 | |
Jessica Chastain, now, had you broken the law? | 0:13:01 | 0:13:05 | |
It wasn't me! | 0:13:05 | 0:13:06 | |
LAUGHTER | 0:13:06 | 0:13:08 | |
I was in a car and someone else was driving and I kept saying, | 0:13:08 | 0:13:10 | |
"Please, slow down, slow down," | 0:13:10 | 0:13:12 | |
and, of course, they didn't and then we got pulled over | 0:13:12 | 0:13:14 | |
and the cop went around to the side | 0:13:14 | 0:13:15 | |
and the person driving was from another country and I was like, | 0:13:15 | 0:13:18 | |
"Oh, this is just going to be a disaster." | 0:13:18 | 0:13:21 | |
And the cop looked at me and said, "Are you an actor?" | 0:13:21 | 0:13:25 | |
And I said, "Yeah." | 0:13:25 | 0:13:26 | |
And he goes, "What films have you been in?" | 0:13:26 | 0:13:28 | |
-And I knew that was my moment... -LAUGHTER | 0:13:28 | 0:13:31 | |
..to get out of the ticket. | 0:13:31 | 0:13:33 | |
-And I'd better say the right film. -Yeah, yeah. | 0:13:33 | 0:13:37 | |
So I looked him up and down. I thought, | 0:13:37 | 0:13:39 | |
"What... You know? The Help? No, probably not." | 0:13:39 | 0:13:42 | |
And I said Zero Dark Thirty. | 0:13:42 | 0:13:44 | |
And then he goes, "OK, can I have your picture?" | 0:13:44 | 0:13:47 | |
And he let me go. | 0:13:47 | 0:13:49 | |
Wow! | 0:13:49 | 0:13:50 | |
Kevin Bacon, you did try to do the thing I was talking to Diane about, | 0:13:50 | 0:13:54 | |
about trying to go out incognito, to not be Kevin Bacon? | 0:13:54 | 0:13:57 | |
I had a disguise built by a special effects make-up artist. | 0:13:57 | 0:14:01 | |
-What?! -Is that true? -Yeah. | 0:14:01 | 0:14:03 | |
-Was it, like, a fake nose? -I don't want to say. -Glasses? | 0:14:03 | 0:14:05 | |
-I can't say. -Are you wearing it now? -I'm wearing it now! | 0:14:05 | 0:14:08 | |
I'm not actually Kevin Bacon! | 0:14:08 | 0:14:10 | |
"I'm Michael Fassbender!" | 0:14:11 | 0:14:13 | |
-He's so versatile! -I wish! | 0:14:14 | 0:14:16 | |
Did you like people not recognising you? | 0:14:16 | 0:14:18 | |
Well, I tell you, you know, people don't talk about the fact | 0:14:18 | 0:14:22 | |
that being recognisable is 99.9% good. | 0:14:22 | 0:14:28 | |
Because people are nice to you all day long for absolutely no reason. | 0:14:28 | 0:14:32 | |
People stop me in the street and say, "Kevin, I love you." | 0:14:32 | 0:14:34 | |
I mean, who doesn't want to be loved? Right? | 0:14:34 | 0:14:36 | |
Who doesn't want to have somebody say, | 0:14:36 | 0:14:39 | |
"I love you. Jessica, Diane, I love you"? | 0:14:39 | 0:14:43 | |
I mean, that's a great feeling. | 0:14:43 | 0:14:46 | |
And you can get out of tickets. | 0:14:46 | 0:14:47 | |
And, you know, they'll give you free sneakers and shit like that. | 0:14:47 | 0:14:52 | |
But anyway, it's mostly good. Is my point. | 0:14:52 | 0:14:55 | |
Once in a while you think to yourself, like, | 0:14:55 | 0:14:58 | |
"What would it be like to just walk through the world anonymously?" | 0:14:58 | 0:15:03 | |
So I decided to experiment with that. And it worked. | 0:15:03 | 0:15:07 | |
I mean, obviously, I had it done by professionals | 0:15:07 | 0:15:10 | |
and applied by professionals, | 0:15:10 | 0:15:12 | |
and you definitely didn't know it was me. | 0:15:12 | 0:15:14 | |
And I went to... There's an outdoor shopping mall in California | 0:15:14 | 0:15:18 | |
-called The Grove which is sort of like the worst place... -Oh, my God! | 0:15:18 | 0:15:21 | |
It's the worst place you want to walk around in | 0:15:21 | 0:15:23 | |
-if you're a celebrity. -Yeah. | 0:15:23 | 0:15:25 | |
That's a guaranteed place you're going to be taking some selfies. | 0:15:25 | 0:15:29 | |
And, um... I walked straight through The Grove | 0:15:29 | 0:15:32 | |
and nobody recognised me. | 0:15:32 | 0:15:34 | |
And it was awful! | 0:15:34 | 0:15:36 | |
LAUGHTER | 0:15:36 | 0:15:38 | |
I was like, "This sucks, man! I'm going back to Kevin Bacon ASAP!" | 0:15:38 | 0:15:45 | |
APPLAUSE | 0:15:45 | 0:15:48 | |
Now, Jessica Chastain, you give a knockout performance | 0:15:48 | 0:15:51 | |
in your new movie, Miss Sloane. | 0:15:51 | 0:15:53 | |
-It's out next Friday... -Oh, my God! -..the 12th of May. -Look at that! | 0:15:53 | 0:15:56 | |
-I know! Strong, right? -That's a great one sheet. | 0:15:56 | 0:16:00 | |
-Strong. -Look at her. -Intimidating. | 0:16:00 | 0:16:03 | |
Your performance is a real tour de force. | 0:16:03 | 0:16:05 | |
It's almost like a kind of forensic look | 0:16:05 | 0:16:08 | |
at how the lobbying groups work in Washington. | 0:16:08 | 0:16:12 | |
I'm sure we have lobbyists here but it's not the same as Washington, | 0:16:12 | 0:16:16 | |
where it's big, big business, isn't it? | 0:16:16 | 0:16:18 | |
Yeah, it's a huge business | 0:16:18 | 0:16:20 | |
and I didn't really understand it until I took the role. | 0:16:20 | 0:16:23 | |
I read Jack Abramoff's book, I don't know if you guys know of him? | 0:16:23 | 0:16:25 | |
He's an American lobbyist who ended up in jail. | 0:16:25 | 0:16:28 | |
-That's right, yeah. -Yeah. | 0:16:28 | 0:16:29 | |
And so I thought, this is a really interesting place to start. | 0:16:29 | 0:16:32 | |
And then I went to DC and met with about a dozen female lobbyists. | 0:16:32 | 0:16:35 | |
Cos there aren't that many women who do it, is that right? | 0:16:35 | 0:16:37 | |
No. It's about 10%. I mean... | 0:16:37 | 0:16:39 | |
First of all, women in American politics is already... | 0:16:39 | 0:16:42 | |
-It's a tough field for women. -So we hear! -Yeah. | 0:16:42 | 0:16:47 | |
So, yeah, it's a little less than 10%. | 0:16:47 | 0:16:50 | |
And so I met with female lobbyists there | 0:16:50 | 0:16:52 | |
and I was shocked by the amount of money that lobbyists make. | 0:16:52 | 0:16:55 | |
And also, I was really shocked by the way they presented themselves. | 0:16:55 | 0:16:59 | |
-How much money do they make? -Well... -I'm interested! | 0:16:59 | 0:17:03 | |
-They can make... -LAUGHTER | 0:17:03 | 0:17:04 | |
-Are you thinking of a change of career? -You think I got a shot? | 0:17:04 | 0:17:07 | |
Yes, you could do anything you want, but I think you're doing fine! | 0:17:07 | 0:17:11 | |
How much do they make? | 0:17:11 | 0:17:13 | |
-They can make millions. -Seriously? -Yeah, it's like... | 0:17:13 | 0:17:16 | |
You know, a big corporation... You know, Coca-Cola has lobbyists. | 0:17:16 | 0:17:20 | |
You can hire lobbyists to defeat a bill or try to pass a bill. | 0:17:20 | 0:17:25 | |
Basically, the term "lobbyist" was coined | 0:17:25 | 0:17:28 | |
-by the people waiting in the lobby to plead their cases. -Yeah, yeah. | 0:17:28 | 0:17:31 | |
Yeah, they can make a tonne of money, | 0:17:31 | 0:17:34 | |
-depending on who's hiring them. -Listen, we've got a clip. | 0:17:34 | 0:17:36 | |
This is you explaining to your team, because you've basically... | 0:17:36 | 0:17:40 | |
Sorry, we should have explained that bit... | 0:17:40 | 0:17:42 | |
So you are lobbyist and you change sides? | 0:17:42 | 0:17:45 | |
Yes, so basically, the gun lobby tries to hire her | 0:17:45 | 0:17:48 | |
to get women into guns and she says, "Screw this, | 0:17:48 | 0:17:51 | |
"I'm going to actually go work for the other side." | 0:17:51 | 0:17:54 | |
So I think in this clip she's working with | 0:17:54 | 0:17:56 | |
a bipartisan lobbying agency | 0:17:56 | 0:17:58 | |
that's fighting to pass the bill for stricter gun regulation. | 0:17:58 | 0:18:01 | |
True. JESSICA GIGGLES | 0:18:01 | 0:18:04 | |
-What's the best indicator of voter intention? -Money! -Dollars. | 0:18:04 | 0:18:06 | |
That's our first prong. | 0:18:06 | 0:18:08 | |
Grassroots action aimed squarely at soliciting donations. | 0:18:08 | 0:18:11 | |
Not names on a petition, not clicks in cyberspace. | 0:18:11 | 0:18:13 | |
Will they know how much we're raising? | 0:18:13 | 0:18:15 | |
Non-profits have to report on their finances. | 0:18:15 | 0:18:17 | |
And every Congressional staffer watches filing day like a hawk. | 0:18:17 | 0:18:20 | |
While you're out there hustling, I'll be working influential senators | 0:18:20 | 0:18:23 | |
who can deliver their colleagues' votes. That's our second prong. | 0:18:23 | 0:18:25 | |
Our third is to identify who holds sway in target states. | 0:18:25 | 0:18:29 | |
Employers, workers' groups. | 0:18:29 | 0:18:31 | |
Don't just waltz into a Senator's office and make your case. | 0:18:31 | 0:18:35 | |
Find out who they trust, who they can't afford to piss off. | 0:18:35 | 0:18:39 | |
Convince that person to make your case. | 0:18:39 | 0:18:43 | |
THAT is how we win. | 0:18:43 | 0:18:45 | |
APPLAUSE Ooh! | 0:18:45 | 0:18:47 | |
Yeah. | 0:18:49 | 0:18:51 | |
-Tough. -She's tough. | 0:18:51 | 0:18:52 | |
-I mean, she's tough beyond belief, this... -Super tough. | 0:18:57 | 0:19:00 | |
-She's also beautiful. -Yes, hello! | 0:19:00 | 0:19:02 | |
That worked out. The nose is great, don't you think? | 0:19:02 | 0:19:05 | |
Yeah, I think it's all worked out, yeah! | 0:19:05 | 0:19:07 | |
-You've got a great nose. -I used to get picked on for my nose. | 0:19:07 | 0:19:09 | |
-No way, man. That's cool! -Yeah? Well, thanks. | 0:19:09 | 0:19:12 | |
I had a director once tell me, when I said, | 0:19:12 | 0:19:14 | |
"Why do you think I'm right for this part?" | 0:19:14 | 0:19:16 | |
-And he said to me, he goes, "I want to film your nose." -See! | 0:19:16 | 0:19:19 | |
-LAUGHTER -He was right! | 0:19:19 | 0:19:21 | |
-So it got me a part. -It's just the beginning. | 0:19:21 | 0:19:24 | |
-It's gorgeous, it's a great nose. -Oh, thanks! -That's good. | 0:19:24 | 0:19:27 | |
-OK. -You use it really well. | 0:19:27 | 0:19:29 | |
LAUGHTER | 0:19:29 | 0:19:31 | |
Now, when you have been on the show before, | 0:19:31 | 0:19:33 | |
-you've talked to us about your grandmother. -Yes. | 0:19:33 | 0:19:36 | |
Now, she's quite, um... I was going to say sexually active. | 0:19:36 | 0:19:39 | |
-She's not sexually active, well, maybe she is, I don't know... -What?! | 0:19:39 | 0:19:42 | |
I don't think those words have ever, um, come out of me, | 0:19:42 | 0:19:45 | |
-that my grandmother was sexually active! -She likes... She likes men. | 0:19:45 | 0:19:50 | |
-Yes! -She likes men? -Yes. | 0:19:50 | 0:19:51 | |
-Yes, OK. -And your grandmother has this picture. -Yes? | 0:19:51 | 0:19:55 | |
-OK, I know this. -So this is on her bedside table. | 0:19:55 | 0:19:58 | |
This is her and Al Pacino. You introduced them? | 0:19:58 | 0:20:01 | |
Yes, but she's not sexually active with Al Pacino. | 0:20:01 | 0:20:04 | |
I just want to put that out there! | 0:20:04 | 0:20:06 | |
-They make a lovely couple! -She wishes! | 0:20:06 | 0:20:09 | |
No, I was doing a play with Al. | 0:20:09 | 0:20:12 | |
It was my first thing, it was in LA, Salome. | 0:20:12 | 0:20:14 | |
And my grandmother was there and she's a huge fan. | 0:20:14 | 0:20:17 | |
She loves The Godfather. She'd be freaking out right now! | 0:20:17 | 0:20:21 | |
And so I said, "Al, I want you to meet my grandmother." | 0:20:21 | 0:20:24 | |
And he looked at her and he goes, | 0:20:24 | 0:20:26 | |
"That's your grandmother? Hubba-hubba!" | 0:20:26 | 0:20:29 | |
LAUGHTER | 0:20:29 | 0:20:34 | |
Which, of course, made her life! | 0:20:34 | 0:20:37 | |
And so I took a picture of the two of them and she framed it | 0:20:37 | 0:20:40 | |
-and put it on her bedside table. -That's nice. | 0:20:40 | 0:20:42 | |
But now, didn't you, when you got to LA, | 0:20:42 | 0:20:44 | |
make it your life's mission to get her a boyfriend? | 0:20:44 | 0:20:47 | |
Yes, which I still haven't done and it's very upsetting to me. | 0:20:47 | 0:20:49 | |
So if there are any handsome English men out there | 0:20:49 | 0:20:53 | |
who likes redheads and is not a pervert or anything weird... | 0:20:53 | 0:20:58 | |
-Yes! -Picky, picky, picky! | 0:20:58 | 0:21:00 | |
LAUGHTER | 0:21:00 | 0:21:03 | |
I made a Match.com account for my grandmother. | 0:21:03 | 0:21:07 | |
And I did a photo shoot for her. Like, I did her make-up. | 0:21:07 | 0:21:11 | |
-Tasteful, I'm sure. Tasteful? -Very tasteful. -Yeah. | 0:21:11 | 0:21:13 | |
And then when the men would call, she'd be like, | 0:21:13 | 0:21:15 | |
"It's someone from the website." I'd be like, "OK..." | 0:21:15 | 0:21:18 | |
And I would give her hints, like... | 0:21:18 | 0:21:19 | |
But the guys would call and they'd be like, | 0:21:19 | 0:21:21 | |
"What are you doing right now?" I'm like, "No, Grandma. Mm-mm!" | 0:21:21 | 0:21:25 | |
They got to call and make a date. | 0:21:25 | 0:21:27 | |
You can't just be willy-nilly going out there. | 0:21:27 | 0:21:31 | |
-So... -Yeah, well, hmm... | 0:21:32 | 0:21:35 | |
Tick-tock! | 0:21:35 | 0:21:37 | |
Oh, no! | 0:21:37 | 0:21:39 | |
You're terrible! | 0:21:39 | 0:21:41 | |
-How dare you?! -APPLAUSE | 0:21:42 | 0:21:44 | |
She's already let Al Pacino slip through her fingers! | 0:21:49 | 0:21:52 | |
But when it comes to on-screen romance, Diane Keaton, | 0:21:52 | 0:21:56 | |
-I think you like the on-screen romance, don't you? -It's the best. | 0:21:56 | 0:21:59 | |
I mean, quite frankly, it doesn't get better than on-screen romance. | 0:21:59 | 0:22:03 | |
Because, frankly, you know, | 0:22:03 | 0:22:04 | |
think of all the men that you get to kiss | 0:22:04 | 0:22:06 | |
and you don't pay the price. | 0:22:06 | 0:22:08 | |
You know, like, in other words, you don't actually have to have a... | 0:22:08 | 0:22:10 | |
You know, the relationship is perfect | 0:22:10 | 0:22:12 | |
because you're telling the story, you're in the midst of the story. | 0:22:12 | 0:22:15 | |
So, yeah, I've enjoyed it. I enjoy it. | 0:22:15 | 0:22:19 | |
And I also like the audience | 0:22:19 | 0:22:21 | |
-and if there are some men out there... -Whoa. | 0:22:21 | 0:22:24 | |
WHOOPS FROM AUDIENCE | 0:22:24 | 0:22:25 | |
..that I can kiss. Just because it's a friendly gesture. | 0:22:25 | 0:22:29 | |
There's nothing wrong with that. | 0:22:29 | 0:22:31 | |
First of all, it's just the greatest. | 0:22:31 | 0:22:33 | |
I mean, there's nothing better than kissing a man in a movie. | 0:22:33 | 0:22:37 | |
And people say that's difficult, but they're wrong. | 0:22:37 | 0:22:40 | |
-They're dead wrong. -It depends on the man. | 0:22:40 | 0:22:43 | |
-Like... You and me kiss now. -OK. -Oh, I'm going to kiss him! | 0:22:43 | 0:22:48 | |
This is exciting! | 0:22:48 | 0:22:49 | |
No, no... This is, like... I cannot tell you, | 0:22:49 | 0:22:52 | |
this is so exciting for me. This is so exciting for me. | 0:22:52 | 0:22:54 | |
First of all, I hit them! Because if you don't hit them... | 0:22:54 | 0:22:57 | |
-Look, he needs punishment. -OK. -I take his face and say... | 0:22:57 | 0:23:00 | |
And then you go like this, you say, "You big idiot!" Mwah! | 0:23:00 | 0:23:03 | |
-Oh! -I'm going to do it again, you big idiot. Mwah! | 0:23:03 | 0:23:06 | |
Oh, I love that! | 0:23:06 | 0:23:08 | |
That's made my life! That has made my life. | 0:23:08 | 0:23:11 | |
-Now I'm going to kiss Kevin! -OK... -Can I kiss Kevin? | 0:23:11 | 0:23:15 | |
-If Kevin's willing? -Are you ready, Kevin? -Am I willing(?) | 0:23:15 | 0:23:18 | |
LAUGHTER | 0:23:18 | 0:23:20 | |
-Whoo! -Whoo! -Whoohoo! | 0:23:20 | 0:23:22 | |
Oh, Kevin! | 0:23:22 | 0:23:24 | |
See, he's so good! | 0:23:24 | 0:23:26 | |
That was so good. | 0:23:26 | 0:23:28 | |
APPLAUSE | 0:23:28 | 0:23:29 | |
-Go on! -Yeah, I want to kiss Jessica, too. | 0:23:29 | 0:23:32 | |
Yeah, you have to. | 0:23:32 | 0:23:34 | |
Even though, you know, she's not a man... | 0:23:34 | 0:23:36 | |
Look at that girl. | 0:23:36 | 0:23:38 | |
First of all, the nose is great, OK? | 0:23:38 | 0:23:40 | |
What I'm going to do is I'm going to touch that sweet nose, right? | 0:23:40 | 0:23:44 | |
And then a big kiss, like she's my dear daughter. | 0:23:44 | 0:23:47 | |
You little baby, you've been bad. | 0:23:47 | 0:23:49 | |
-You've been a bad girl. -Oh, my God! What is happening? | 0:23:49 | 0:23:52 | |
I don't know. I don't know about you, but you better be better! | 0:23:52 | 0:23:55 | |
Mwah! | 0:23:55 | 0:23:56 | |
What?! | 0:23:56 | 0:23:57 | |
Fabulous. | 0:23:59 | 0:24:00 | |
I feel better. | 0:24:00 | 0:24:02 | |
-It's good. -It's OK. | 0:24:03 | 0:24:05 | |
I mean, you know, I could try it out on the audience, though, | 0:24:05 | 0:24:08 | |
it would be much better! | 0:24:08 | 0:24:10 | |
CHEERING AND WHOOPING | 0:24:10 | 0:24:13 | |
What a long show that turned into! | 0:24:13 | 0:24:15 | |
Can I just say... | 0:24:17 | 0:24:18 | |
-bucket list! -Yeah, amen! | 0:24:18 | 0:24:21 | |
APPLAUSE | 0:24:21 | 0:24:23 | |
Amen! | 0:24:23 | 0:24:25 | |
That was amazing. That was amazing. | 0:24:25 | 0:24:27 | |
Er, now, ladies and gentlemen, er... | 0:24:27 | 0:24:30 | |
Miss Sloane is a great name for a film, it's a really good name. | 0:24:30 | 0:24:34 | |
Hampstead - a good, solid title. | 0:24:34 | 0:24:37 | |
OK, first of all, Hampstead... | 0:24:37 | 0:24:39 | |
-First of all... -Oh? -..I love London. | 0:24:39 | 0:24:42 | |
And London, to me, is the most... | 0:24:42 | 0:24:45 | |
-Oh, I shouldn't talk about it? -Now you want to talk about it! | 0:24:45 | 0:24:47 | |
LAUGHTER | 0:24:47 | 0:24:51 | |
Yeah, I shouldn't drink. | 0:24:51 | 0:24:53 | |
You know, but I do love London because... | 0:24:53 | 0:24:56 | |
GRAHAM LAUGHS | 0:24:56 | 0:25:00 | |
I should be dismissed. | 0:25:00 | 0:25:01 | |
-Keep going. -London is so fabulous | 0:25:04 | 0:25:06 | |
because it's just a beautiful city. | 0:25:06 | 0:25:08 | |
And if you're lucky enough to be in the centre, | 0:25:08 | 0:25:11 | |
then you can just walk around | 0:25:11 | 0:25:12 | |
and it's just the greatest walking place ever, don't you think? | 0:25:12 | 0:25:15 | |
Absolutely, I'm with you, yes. | 0:25:15 | 0:25:17 | |
CHEERING AND APPLAUSE | 0:25:17 | 0:25:19 | |
-London. -London. | 0:25:19 | 0:25:21 | |
Number one, number one. | 0:25:21 | 0:25:23 | |
-Hey, Diane. -What? Uh-oh. | 0:25:23 | 0:25:25 | |
-I Love Dick. -We're not going to kiss again? | 0:25:25 | 0:25:27 | |
-I Love Dick... -You love Dick? | 0:25:27 | 0:25:28 | |
..is the name of Kevin Bacon's new show. | 0:25:28 | 0:25:30 | |
I Love Dick? Are you kidding? | 0:25:30 | 0:25:33 | |
That's the best, but why? | 0:25:33 | 0:25:35 | |
He's just about to tell us. | 0:25:35 | 0:25:37 | |
I Love Dick. It's available to watch... | 0:25:37 | 0:25:39 | |
It's a comedy. | 0:25:39 | 0:25:41 | |
Yeah, it HAS to be a comedy! | 0:25:41 | 0:25:43 | |
It's available to watch on Amazon Prime from the 12th May. | 0:25:43 | 0:25:47 | |
Did you just say yes because it was called I Love Dick? | 0:25:47 | 0:25:49 | |
Yes. | 0:25:49 | 0:25:51 | |
Because it is a great title. | 0:25:51 | 0:25:52 | |
Yeah. I mean, I said yes | 0:25:52 | 0:25:54 | |
because I knew that after we finished the show, | 0:25:54 | 0:25:57 | |
I would be doing press and I would constantly be hearing | 0:25:57 | 0:26:01 | |
interviewers say, "I Love Dick, I Love Dick. | 0:26:01 | 0:26:03 | |
"I Love Dick. | 0:26:03 | 0:26:05 | |
"Tell us about...I Love Dick". | 0:26:05 | 0:26:08 | |
Well, do tell us about... | 0:26:10 | 0:26:11 | |
-You play Dick, obviously. -I play Dick, yeah. | 0:26:11 | 0:26:14 | |
I Love Dick is a show from Jill Soloway, | 0:26:14 | 0:26:18 | |
who created Transparent, and its her next show after that. | 0:26:18 | 0:26:22 | |
And it's a lot about the female gaze. | 0:26:22 | 0:26:27 | |
It's about female desire. | 0:26:27 | 0:26:29 | |
It's about... It's an all-female writers' room. | 0:26:29 | 0:26:36 | |
And it's about a couple that comes to a small town in Texas, | 0:26:36 | 0:26:40 | |
played by Kathryn Hahn, who's incredible, | 0:26:40 | 0:26:44 | |
and Griffin Dunne, who's also fantastic. | 0:26:44 | 0:26:47 | |
-Griffin Dunne? -Yeah. -That's interesting. | 0:26:47 | 0:26:49 | |
They are a couple and they have sort of lost a bit of the fire | 0:26:49 | 0:26:55 | |
in their relationship, | 0:26:55 | 0:26:56 | |
and they get obsessed with this kind of mythical artist, | 0:26:56 | 0:27:03 | |
cowboy, teacher dude named Dick. | 0:27:03 | 0:27:07 | |
And their mutual obsession with him reignites their sexual relationship. | 0:27:07 | 0:27:12 | |
So it's a very kind of bizarre love triangle, | 0:27:12 | 0:27:16 | |
but it's very funny and it's sexy, | 0:27:16 | 0:27:19 | |
and it's kind of interesting | 0:27:19 | 0:27:22 | |
because it is about, truly about female desire | 0:27:22 | 0:27:26 | |
and about... | 0:27:26 | 0:27:28 | |
I-I am the object. | 0:27:28 | 0:27:30 | |
You know, I'm objectified. | 0:27:30 | 0:27:32 | |
-I'm liking this. -Yeah. | 0:27:32 | 0:27:34 | |
This is a clip. This is where the character, Chris, | 0:27:34 | 0:27:37 | |
is meeting the object of her obsession, Dick, for the first time. | 0:27:37 | 0:27:41 | |
Is it possible that I saw you on a horse yesterday? | 0:27:41 | 0:27:44 | |
Yeah, I have a ranch just outside of town. | 0:27:44 | 0:27:46 | |
Oh. How big? Curious... | 0:27:46 | 0:27:49 | |
You want to know how big... | 0:27:49 | 0:27:50 | |
..my ranch is? | 0:27:52 | 0:27:53 | |
No more polite to ask a rancher the size of his acreage | 0:27:55 | 0:27:58 | |
than to ask a lady her age. | 0:27:58 | 0:28:00 | |
Duly noted. | 0:28:00 | 0:28:01 | |
I'm just... | 0:28:03 | 0:28:04 | |
For the record I'm on the dividing line. | 0:28:04 | 0:28:07 | |
I'm straddling 40-ish. | 0:28:07 | 0:28:11 | |
Straddling? | 0:28:11 | 0:28:12 | |
Er... | 0:28:14 | 0:28:15 | |
Wow! | 0:28:15 | 0:28:17 | |
CHEERING AND APPLAUSE | 0:28:17 | 0:28:19 | |
Very good. | 0:28:20 | 0:28:21 | |
Very quickly, I just want to ask you, do you know, | 0:28:22 | 0:28:26 | |
and if you do can you explain what BFCUKB means? | 0:28:26 | 0:28:33 | |
-You came up with this. -Oh, BFCUKB? -Yeah. | 0:28:34 | 0:28:36 | |
Oh, OK, yeah, I know what that is. Um... | 0:28:36 | 0:28:40 | |
We were doing a movie called Apollo 13. | 0:28:41 | 0:28:46 | |
Not called, that sounds like... | 0:28:46 | 0:28:48 | |
"A little movie I like to call..." | 0:28:48 | 0:28:50 | |
I'm not that guy. Please. It popped out, I didn't mean to do that. | 0:28:50 | 0:28:53 | |
I'm so sorry, apologies. We'll erase that piece of it later. | 0:28:53 | 0:28:56 | |
Graham... | 0:28:56 | 0:28:58 | |
I was filming Apollo 13. | 0:29:01 | 0:29:03 | |
Oh, yes? | 0:29:03 | 0:29:05 | |
With, sadly, Bill Paxton, who passed this year | 0:29:05 | 0:29:11 | |
and Tom Hanks. | 0:29:11 | 0:29:14 | |
And we were shooting this scene | 0:29:14 | 0:29:16 | |
and I said to Ron Howard, | 0:29:16 | 0:29:20 | |
I said, "Hey, man, I think what you need here is a BFCUKB." | 0:29:20 | 0:29:25 | |
And he goes, "We need a what?" | 0:29:26 | 0:29:29 | |
I said, "I think it would really help, like, this moment | 0:29:29 | 0:29:32 | |
"for a BFCUKB." | 0:29:32 | 0:29:34 | |
And he goes, "OK, I give up, what's a BFC...?" | 0:29:34 | 0:29:38 | |
I said, "A big fucking close-up of Kevin Bacon." | 0:29:38 | 0:29:41 | |
APPLAUSE | 0:29:45 | 0:29:47 | |
Very good, very good. | 0:29:47 | 0:29:49 | |
Right, listen, we must meet our next guest. | 0:29:51 | 0:29:54 | |
From X-Men to Steve Jobs and Prometheus, | 0:29:54 | 0:29:57 | |
he's one of Hollywood's hottest stars. | 0:29:57 | 0:29:59 | |
Now he's back with the latest Alien movie. | 0:29:59 | 0:30:01 | |
Ladies and gentlemen, please welcome Michael Fassbender! | 0:30:01 | 0:30:04 | |
CHEERING AND APPLAUSE | 0:30:04 | 0:30:06 | |
Hey! | 0:30:06 | 0:30:08 | |
Hi! So good to see you. | 0:30:08 | 0:30:11 | |
That's Diane Keaton. | 0:30:13 | 0:30:15 | |
Jessica Chastain. | 0:30:18 | 0:30:20 | |
And Kevin Bacon. | 0:30:22 | 0:30:24 | |
Good to see you. | 0:30:24 | 0:30:26 | |
You're sitting there. | 0:30:26 | 0:30:28 | |
CHEERING AND APPLAUSE | 0:30:28 | 0:30:30 | |
Michael Fassbender has very kindly just left | 0:30:33 | 0:30:35 | |
the premiere of Alien: Covenant. | 0:30:35 | 0:30:37 | |
-Yeah. -How was that? | 0:30:37 | 0:30:39 | |
It looked like it was in good shape. | 0:30:39 | 0:30:41 | |
I sort of left before the film started. | 0:30:41 | 0:30:44 | |
You thought it was safe. | 0:30:44 | 0:30:46 | |
Yes, I thought it was the right time to leave. | 0:30:46 | 0:30:48 | |
Sorry, Diane, have you met Michael Fassbender? | 0:30:48 | 0:30:51 | |
-No... -Well, you have now. | 0:30:51 | 0:30:53 | |
We just said hi. | 0:30:53 | 0:30:55 | |
OK. Yeah, but you haven't met previously? | 0:30:55 | 0:30:58 | |
No, I've never seen you, have I? | 0:30:58 | 0:31:00 | |
-No, we've never met. -Have you kissed? | 0:31:00 | 0:31:03 | |
Yeah, we've kissed but we've never met. | 0:31:03 | 0:31:05 | |
Cos everybody else has! | 0:31:05 | 0:31:07 | |
Now I'm a freak, I understand that. | 0:31:07 | 0:31:09 | |
-Don't worry. -You might as well. | 0:31:09 | 0:31:11 | |
-You might as well, you kissed all of us. -Oh, my God! | 0:31:11 | 0:31:13 | |
-She just kissed everyone. -We all kissed her. | 0:31:13 | 0:31:16 | |
We've all kissed. We've all kissed. | 0:31:16 | 0:31:18 | |
You kissed me! | 0:31:18 | 0:31:20 | |
You started it! | 0:31:20 | 0:31:21 | |
-What now? -You get two. -Oh. | 0:31:21 | 0:31:23 | |
Congratulations. | 0:31:26 | 0:31:28 | |
APPLAUSE | 0:31:28 | 0:31:30 | |
Now can I go into the audience and start kissing? | 0:31:31 | 0:31:35 | |
No, not yet. | 0:31:35 | 0:31:36 | |
-Soon. -I'm ready. | 0:31:36 | 0:31:38 | |
Pucker up, everyone, she'll be with you shortly. | 0:31:38 | 0:31:40 | |
It'll be like a deli counter. | 0:31:40 | 0:31:42 | |
"Now kissing..." | 0:31:42 | 0:31:44 | |
I had this idea that Diane Keaton was going to go to bed tonight | 0:31:44 | 0:31:49 | |
thinking, "The last man I kissed was Kevin Bacon," but no! | 0:31:49 | 0:31:53 | |
She just clearly traded up. | 0:31:55 | 0:31:57 | |
The night is not over. | 0:31:57 | 0:31:58 | |
That is true. | 0:32:00 | 0:32:01 | |
There's a lot of audience members. | 0:32:01 | 0:32:03 | |
We must talk. Alien: Covenant, | 0:32:03 | 0:32:05 | |
it's out next Friday, May 12th. | 0:32:05 | 0:32:07 | |
So everyone's been waiting for this film, talking about this film, | 0:32:07 | 0:32:10 | |
guessing what's going on in this film. | 0:32:10 | 0:32:12 | |
What can you tell us about the film? | 0:32:12 | 0:32:15 | |
It basically goes back to the first Alien. | 0:32:15 | 0:32:18 | |
So the sort of DNA of that is there for sure, | 0:32:18 | 0:32:23 | |
in terms of the Xenomorph, which is the Alien, | 0:32:23 | 0:32:26 | |
is back, which people were disappointed they didn't see, | 0:32:26 | 0:32:30 | |
I guess, in Prometheus. | 0:32:30 | 0:32:31 | |
And also just the horror elements of that first film. | 0:32:31 | 0:32:34 | |
It's very much a thriller, horror film. | 0:32:34 | 0:32:37 | |
And then it's got a lot of the sort of philosophy from Prometheus, | 0:32:37 | 0:32:41 | |
in terms of like, where do we come from, who created us, | 0:32:41 | 0:32:44 | |
and the idea of creation as a whole, | 0:32:44 | 0:32:47 | |
and then, of course, AIs, you know, artificial intelligence | 0:32:47 | 0:32:50 | |
and where our future lies with that. | 0:32:50 | 0:32:54 | |
And so you play David. | 0:32:54 | 0:32:57 | |
I play David, yes. | 0:32:57 | 0:32:58 | |
-From Prometheus? -That's right. -That David. | 0:32:58 | 0:33:00 | |
And can you tell us any more? | 0:33:00 | 0:33:02 | |
No. | 0:33:02 | 0:33:03 | |
Oh, there's another robot! | 0:33:05 | 0:33:07 | |
Yeah, for sure, there's another robot. | 0:33:07 | 0:33:09 | |
There's a guy called Walter. | 0:33:09 | 0:33:11 | |
Who you play as well. | 0:33:11 | 0:33:12 | |
I play also Walter, yeah. | 0:33:12 | 0:33:14 | |
He plays Walter, too. | 0:33:14 | 0:33:16 | |
-I play Walter, yeah. -How's Walter doing? | 0:33:16 | 0:33:18 | |
Walter's OK. | 0:33:18 | 0:33:19 | |
He's, you know, he's kind of... He's more of a boring... | 0:33:19 | 0:33:24 | |
I mean, if you wanted to have a good time, | 0:33:24 | 0:33:26 | |
-I would go out with David. -Oh, David's better? | 0:33:26 | 0:33:29 | |
That says so much about you. | 0:33:29 | 0:33:30 | |
What do you mean? | 0:33:30 | 0:33:32 | |
-I would go out with Walter. -What do you mean?! | 0:33:32 | 0:33:34 | |
Walter's nice, relaxed, lovely. | 0:33:34 | 0:33:36 | |
Yes, he's nice, you know, but he's kind of neutral. | 0:33:36 | 0:33:39 | |
You're not getting an opinion off Walter. | 0:33:39 | 0:33:41 | |
I have a lot of opinions. | 0:33:41 | 0:33:42 | |
OK, that's good, you don't need any more. | 0:33:42 | 0:33:45 | |
Let's have a look at a clip. | 0:33:45 | 0:33:46 | |
This is you as Walter trying to help the crew to trap the Alien. | 0:33:46 | 0:33:51 | |
OK. | 0:33:51 | 0:33:52 | |
OK, Walter, where is it? | 0:33:57 | 0:33:58 | |
It's on B deck, starboard side, descending into C level. | 0:34:01 | 0:34:04 | |
K 13. | 0:34:05 | 0:34:06 | |
COC 61, open air lock 17. | 0:34:10 | 0:34:13 | |
We're going in. | 0:34:13 | 0:34:15 | |
K 20, secured. | 0:34:17 | 0:34:18 | |
FEEDBACK SQUEALS | 0:34:24 | 0:34:25 | |
APPLAUSE | 0:34:26 | 0:34:28 | |
That was good. | 0:34:29 | 0:34:31 | |
That was Walter. | 0:34:33 | 0:34:35 | |
Yeah. | 0:34:35 | 0:34:36 | |
I heard that in the first movie, Prometheus, there was a lot | 0:34:36 | 0:34:39 | |
of outtakes, a lot of David stuff that didn't get in. | 0:34:39 | 0:34:43 | |
Um, no. | 0:34:43 | 0:34:45 | |
Or was that in this film? | 0:34:45 | 0:34:46 | |
I mean there's probably lots of extra stuff. | 0:34:46 | 0:34:49 | |
I wanted to have David sort of dancing on sort of | 0:34:49 | 0:34:53 | |
the disco deck of the ship, | 0:34:53 | 0:34:55 | |
at the end, when the credits are rolling. | 0:34:55 | 0:34:58 | |
I thought it might be quite funny to do like a Napoleon Dynamite | 0:34:58 | 0:35:02 | |
sort of exit for the character. | 0:35:02 | 0:35:06 | |
But Ridley didn't go for it. | 0:35:06 | 0:35:08 | |
I still don't understand why. | 0:35:08 | 0:35:09 | |
But you learnt the dance, didn't you? | 0:35:09 | 0:35:11 | |
No. | 0:35:11 | 0:35:12 | |
I thought you did learn the dance. | 0:35:12 | 0:35:14 | |
No, I mean I've done the robot probably back in 1987, | 0:35:14 | 0:35:18 | |
when I was going through the breakdance phase. | 0:35:18 | 0:35:21 | |
I love that you went through a breakdance phase. | 0:35:21 | 0:35:23 | |
Oh, yeah, I love the fact that breakdance made it to Fossa, | 0:35:23 | 0:35:26 | |
and there was a breakdance club. | 0:35:26 | 0:35:28 | |
In Kerry, there was a breakdance club in Kerry? | 0:35:28 | 0:35:30 | |
-For sure, yeah. -What is breakdance? | 0:35:30 | 0:35:32 | |
-Breakdance? -Oh... | 0:35:32 | 0:35:34 | |
I don't know, maybe you could show me because I don't know. | 0:35:34 | 0:35:38 | |
Do you guys know what breakdance is? | 0:35:38 | 0:35:41 | |
-AUDIENCE: -No! | 0:35:41 | 0:35:42 | |
I feel like if we all could try a breakdance move. | 0:35:42 | 0:35:45 | |
Kevin, you definitely know breakdancing. | 0:35:45 | 0:35:47 | |
-I have no idea how to break dance. -I'll learn, if you want to teach it. | 0:35:47 | 0:35:50 | |
CHEERING AND APPLAUSE | 0:35:50 | 0:35:51 | |
What can you teach us? What have you got? | 0:35:51 | 0:35:53 | |
Breakdance-wise? | 0:35:53 | 0:35:55 | |
No. Breakdance is a lot. | 0:35:55 | 0:35:57 | |
Could you do some robot? | 0:35:57 | 0:35:58 | |
I might rip something if I try... | 0:35:58 | 0:35:59 | |
I was going to try a flick swan dive. | 0:35:59 | 0:36:02 | |
Oh, do you want to do some? | 0:36:02 | 0:36:03 | |
No, no, that would be very dangerous. | 0:36:03 | 0:36:05 | |
Yes, please! I don't even know what that is. | 0:36:05 | 0:36:07 | |
-I haven't done it in years. -Let's try. | 0:36:07 | 0:36:09 | |
No, no, no, because he's not insured! | 0:36:09 | 0:36:11 | |
No, Jessica, this could be the end of the BBC. | 0:36:13 | 0:36:16 | |
If we break Michael Fassbender... | 0:36:16 | 0:36:19 | |
I could try a flick swan dive, I suppose. | 0:36:19 | 0:36:22 | |
-Yes! -OK, go on then. CHEERING AND APPLAUSE | 0:36:22 | 0:36:25 | |
If you do it back here, there's enough room here. | 0:36:25 | 0:36:27 | |
-Better take this off. -Clip this. | 0:36:27 | 0:36:30 | |
The microphone's already in the pocket. | 0:36:30 | 0:36:32 | |
You don't need to hear sound effects as I'm going down. | 0:36:32 | 0:36:35 | |
Because that's attached to here. | 0:36:35 | 0:36:37 | |
We'll take it out, we'll take it out | 0:36:37 | 0:36:38 | |
and we'll shove it in somewhere else. | 0:36:38 | 0:36:40 | |
Excuse me?! | 0:36:40 | 0:36:42 | |
-Hang on. Here we go. -I can't believe I'm going to do a flick swan. | 0:36:42 | 0:36:44 | |
I can't believe you're going to do it either. | 0:36:44 | 0:36:47 | |
For the record, it's her. It's her! | 0:36:47 | 0:36:49 | |
CHEERING AND APPLAUSE | 0:36:49 | 0:36:50 | |
Do you want some music? Do you want some music? | 0:36:50 | 0:36:54 | |
Sure. | 0:36:54 | 0:36:55 | |
Some music, I guess. Some music. | 0:36:55 | 0:36:57 | |
Yes! | 0:36:59 | 0:37:01 | |
CHEERING | 0:37:01 | 0:37:03 | |
OK. Do you want to wait for some music? | 0:37:03 | 0:37:05 | |
-Yeah, I'll wait. -OK, here's some music. | 0:37:05 | 0:37:08 | |
MUSIC: Are "Friends" Electric? by Tubeway Army | 0:37:08 | 0:37:11 | |
OK. | 0:37:11 | 0:37:13 | |
INAUDIBLE | 0:37:13 | 0:37:15 | |
Oh, OK. | 0:37:15 | 0:37:17 | |
We can't hear you now! | 0:37:17 | 0:37:18 | |
Where's your one? | 0:37:19 | 0:37:21 | |
Gary Numan, an influence for Walter the robot. | 0:37:21 | 0:37:24 | |
LAUGHTER AND APPLAUSE | 0:37:24 | 0:37:25 | |
Here we go! Turn it up, turn it up, crank it up! | 0:37:25 | 0:37:28 | |
CHEERING AND APPLAUSE | 0:37:28 | 0:37:30 | |
CHEERING AND APPLAUSE | 0:37:36 | 0:37:39 | |
Wow! | 0:37:41 | 0:37:43 | |
CHEERING AND APPLAUSE | 0:37:43 | 0:37:46 | |
Wow! | 0:37:49 | 0:37:51 | |
Now Diane, Diane. | 0:37:51 | 0:37:53 | |
Come on, Diane! | 0:37:53 | 0:37:54 | |
That was genius. | 0:37:56 | 0:37:58 | |
That was genius! Michael Fassbender, everybody! | 0:37:58 | 0:38:00 | |
Wow! | 0:38:00 | 0:38:02 | |
OK, we'll mic you up. | 0:38:02 | 0:38:04 | |
We'll mic you up. But right now, it's time for music. | 0:38:04 | 0:38:07 | |
This Grammy Award-winning band are back with a bang, | 0:38:07 | 0:38:10 | |
and they are here tonight performing their current single, | 0:38:10 | 0:38:13 | |
We Got The Power. It's Gorillaz, everybody! | 0:38:13 | 0:38:16 | |
CHEERING AND APPLAUSE | 0:38:16 | 0:38:20 | |
# We got the power to be loving each other | 0:38:51 | 0:38:54 | |
# No matter what happens | 0:38:54 | 0:38:57 | |
# We've got the power to do that | 0:38:58 | 0:39:00 | |
# En a le pouvoir de s'aimer, OK? | 0:39:01 | 0:39:04 | |
# We got the power to be ringing the great bell out there above us | 0:39:04 | 0:39:09 | |
# We got the power for that | 0:39:10 | 0:39:12 | |
# We got the power to do that | 0:39:14 | 0:39:16 | |
# And we dream of home, I dream of life out of here | 0:39:17 | 0:39:20 | |
# Their dreams are small, my dreams don't know fear | 0:39:20 | 0:39:24 | |
# I've got my heart full of hope, I will change everything | 0:39:24 | 0:39:27 | |
# No matter what I'm told | 0:39:27 | 0:39:28 | |
# How impossible it seems | 0:39:28 | 0:39:30 | |
# We did it before and we'll do it again | 0:39:30 | 0:39:33 | |
# We're indestructible even when we're tired | 0:39:33 | 0:39:36 | |
# And we've been here before, just you and I | 0:39:36 | 0:39:39 | |
# Don't try to rescue me, I don't need to be rescued | 0:39:39 | 0:39:43 | |
# We got the power to be loving each other | 0:39:43 | 0:39:45 | |
# No matter what happens | 0:39:45 | 0:39:48 | |
# We've got the power to do that | 0:39:49 | 0:39:52 | |
# En a le pouvoir de s'aimer, OK? | 0:39:52 | 0:39:55 | |
# We got the power to be ringing the great bell out there above us | 0:39:55 | 0:40:00 | |
# We got the power for that | 0:40:02 | 0:40:03 | |
# We got the power to do that | 0:40:05 | 0:40:07 | |
# Get yourself up to the silent altar and call me | 0:40:08 | 0:40:12 | |
# But don't forget the machines | 0:40:15 | 0:40:17 | |
# Cos if your choice is shipping it down on the M1 | 0:40:21 | 0:40:25 | |
# Then you'll wake up in the morning | 0:40:27 | 0:40:30 | |
# You'll be storming | 0:40:30 | 0:40:33 | |
# Oh, oh, oh | 0:40:33 | 0:40:34 | |
# We got the power to be loving each other | 0:40:34 | 0:40:37 | |
# No matter what happens | 0:40:37 | 0:40:39 | |
# We've got the power to do that | 0:40:40 | 0:40:42 | |
# En a le pouvoir de s'aimer, OK? | 0:40:43 | 0:40:46 | |
# We got the power to be ringing the great bell out there above us | 0:40:46 | 0:40:51 | |
# We got the power for that | 0:40:53 | 0:40:55 | |
# We got the power to do that | 0:40:56 | 0:40:58 | |
# We got the power | 0:40:59 | 0:41:02 | |
# We got the power | 0:41:06 | 0:41:07 | |
# We got the power | 0:41:12 | 0:41:14 | |
# We got the power | 0:41:18 | 0:41:21 | |
-# Power! -Power! -Power! -Power! | 0:41:21 | 0:41:23 | |
# Power! | 0:41:23 | 0:41:25 | |
# We got the power | 0:41:25 | 0:41:27 | |
# We got the power | 0:41:32 | 0:41:34 | |
# En a le pouvoir de s'aimer, OK? | 0:41:34 | 0:41:38 | |
# We got the power | 0:41:38 | 0:41:40 | |
# We got the power. # | 0:41:44 | 0:41:46 | |
APPLAUSE | 0:41:46 | 0:41:48 | |
Wow! Woo! | 0:41:48 | 0:41:50 | |
Gorillaz, that was stunning. | 0:41:51 | 0:41:53 | |
Come on over. Some Gorillaz are coming. | 0:41:53 | 0:41:55 | |
Come on over. | 0:41:56 | 0:41:58 | |
This is Jehnny. Hello, Jehnny. | 0:41:58 | 0:42:00 | |
Congratulations. That was gorgeous. | 0:42:00 | 0:42:02 | |
Hello, sir, really nice to see you. Thank you very much for doing that. | 0:42:02 | 0:42:06 | |
Come on in, meet everybody. | 0:42:06 | 0:42:08 | |
This is Kevin, Jessica, Diane, Michael. | 0:42:08 | 0:42:12 | |
-Hello. -That's Jehnny and Damon. | 0:42:12 | 0:42:16 | |
Sorry. | 0:42:16 | 0:42:18 | |
I've overbooked! | 0:42:18 | 0:42:19 | |
Hang on. There you go. | 0:42:19 | 0:42:22 | |
Very good. Now, that is off the new album, | 0:42:22 | 0:42:25 | |
which is, this is out now, isn't it, Damon? | 0:42:25 | 0:42:28 | |
-Yeah, it was out this week. -Yeah. -So, yeah, it's out. | 0:42:28 | 0:42:32 | |
LAUGHTER | 0:42:32 | 0:42:33 | |
Don't make my head hurt. | 0:42:33 | 0:42:34 | |
Yeah, it's out. Humanz, Humanz. | 0:42:34 | 0:42:36 | |
-Oh, that was yours. -That's my one. Mine's alcoholic. | 0:42:36 | 0:42:39 | |
-I just drank alcohol. -Oh, well. Is that the first time in a while? | 0:42:39 | 0:42:41 | |
Er, in three years. | 0:42:41 | 0:42:43 | |
-OK. -Oh, shit! -That's bad. | 0:42:43 | 0:42:45 | |
I think I'm going to have a lot to say. | 0:42:47 | 0:42:50 | |
"Jehnny would not shut up"! | 0:42:51 | 0:42:53 | |
Sounded great, Jehnny. | 0:42:54 | 0:42:55 | |
So, Jehnny, how did you get involved in Gorillaz? | 0:42:55 | 0:42:58 | |
-Well, we met on Tinder. -Yeah. | 0:42:58 | 0:43:00 | |
LAUGHTER | 0:43:00 | 0:43:03 | |
Nice. | 0:43:03 | 0:43:04 | |
CHEERING AND APPLAUSE | 0:43:04 | 0:43:06 | |
Well, I'm glad it's worked out. That's great. | 0:43:08 | 0:43:11 | |
There's a tour. | 0:43:11 | 0:43:13 | |
Gorillaz are going on tour. Are you going on the tour? | 0:43:13 | 0:43:15 | |
Yeah, I'm going to do some of it. | 0:43:15 | 0:43:16 | |
Bits, bits. I mean, we've got a lot of people. | 0:43:16 | 0:43:19 | |
-Yeah. -But people come and go, you know what I mean? | 0:43:19 | 0:43:22 | |
No-one sort of comes for the whole tour. | 0:43:22 | 0:43:25 | |
But we have all of these amazing visuals, so you get the sense | 0:43:25 | 0:43:29 | |
that they're there anyway. | 0:43:29 | 0:43:31 | |
That's extraordinary. So is the one constant you? | 0:43:31 | 0:43:34 | |
If you want to call it a constant, yes. | 0:43:34 | 0:43:36 | |
So you put it all together and you invite the other people? | 0:43:38 | 0:43:40 | |
Because that was Noel Gallagher on stage with you, wasn't it? | 0:43:40 | 0:43:43 | |
Oh, there he is! | 0:43:43 | 0:43:44 | |
APPLAUSE | 0:43:44 | 0:43:47 | |
I'm glad that's right! | 0:43:47 | 0:43:48 | |
So will Noel be doing any of the tour? | 0:43:51 | 0:43:53 | |
I think you're doing some of it, aren't you? | 0:43:53 | 0:43:55 | |
-Some of it, yeah. -Bits. Bits. | 0:43:55 | 0:43:57 | |
-MICHAEL FASSBENDER: -So when did you guys make up? | 0:43:57 | 0:44:01 | |
Quite a long time ago. | 0:44:01 | 0:44:03 | |
HE MOUTHS | 0:44:03 | 0:44:05 | |
Yeah, it's happening now. | 0:44:05 | 0:44:07 | |
This is part of it. | 0:44:07 | 0:44:10 | |
And the tour is an enormous tour, isn't it? | 0:44:10 | 0:44:13 | |
It is quite extensive, yes. | 0:44:13 | 0:44:15 | |
A lot of it is already sold and done, | 0:44:15 | 0:44:18 | |
so it's just Europe and Britain. | 0:44:18 | 0:44:21 | |
Isn't something going on sale soon? | 0:44:21 | 0:44:23 | |
I think tomorrow, Europe and Britain. | 0:44:23 | 0:44:26 | |
Oh, OK, good, where we are. | 0:44:26 | 0:44:28 | |
Woo-hoo! This has worked out really well! | 0:44:29 | 0:44:33 | |
Well, thank you for bringing all of that, | 0:44:34 | 0:44:37 | |
and a special shout out for that bell. | 0:44:37 | 0:44:38 | |
Is that a special bell? | 0:44:38 | 0:44:40 | |
I had three of those bells made at the Bow Bell foundry. | 0:44:40 | 0:44:45 | |
I had three notes on the last Gorillaz record. | 0:44:45 | 0:44:48 | |
There was a song called On Melancholy Hill, | 0:44:48 | 0:44:51 | |
and it has three notes, D, A and C Sharp, | 0:44:51 | 0:44:54 | |
and I had those three notes made, | 0:44:54 | 0:44:56 | |
thinking I was going to play them on the song. | 0:44:56 | 0:45:00 | |
I never actually played them on the song | 0:45:00 | 0:45:02 | |
-and they cost, like, £8,000 each. -Wow. | 0:45:02 | 0:45:04 | |
-But they're the most beautiful bells you could ever imagine. -Yeah. | 0:45:06 | 0:45:09 | |
Can I ask you a question? | 0:45:09 | 0:45:10 | |
Yes, you can. | 0:45:10 | 0:45:12 | |
Is the price the same for the note, | 0:45:12 | 0:45:14 | |
or does it go up as the note goes up? | 0:45:14 | 0:45:17 | |
Well, actually, it goes up the lower it gets | 0:45:17 | 0:45:20 | |
because they have to get bigger. | 0:45:20 | 0:45:21 | |
I knew there was an answer to that. | 0:45:21 | 0:45:22 | |
A really high note is really cheap. | 0:45:22 | 0:45:24 | |
I'm going to sound really thick now | 0:45:24 | 0:45:26 | |
but what's the cracked bell in Philadelphia? | 0:45:26 | 0:45:29 | |
The Liberty Bell. | 0:45:29 | 0:45:30 | |
That's my hometown, baby. | 0:45:30 | 0:45:31 | |
That's from the same foundry, the Liberty Bell. | 0:45:31 | 0:45:33 | |
-Oh, it's the same foundry? -You're absolutely right. | 0:45:33 | 0:45:36 | |
-You knew that? -I knew that. | 0:45:36 | 0:45:37 | |
I didn't know and that's where I was born and raised so... | 0:45:37 | 0:45:40 | |
-Well, there you go! -How much is that thing worth? | 0:45:40 | 0:45:42 | |
So that was probably made with the same moulds | 0:45:42 | 0:45:46 | |
-that the Liberty Bell was made with. -No kidding. | 0:45:46 | 0:45:48 | |
Do you want to go and touch it? | 0:45:48 | 0:45:50 | |
I would love to. | 0:45:50 | 0:45:51 | |
I can? I can play? | 0:45:51 | 0:45:53 | |
I Love Dick. OK... | 0:45:53 | 0:45:55 | |
That's nearly it, but before we go, just time for a visit | 0:45:57 | 0:45:59 | |
to the big red chair. It's his show. | 0:45:59 | 0:46:02 | |
Who's there? Who's there? | 0:46:02 | 0:46:03 | |
-Hi. -Hello, what's your name? | 0:46:03 | 0:46:05 | |
-Jason. -Jason, lovely. Where are you from, Jason? | 0:46:05 | 0:46:07 | |
I'm from America. | 0:46:07 | 0:46:08 | |
OK, keeping that quite vague! | 0:46:08 | 0:46:10 | |
He's on the run from the police. | 0:46:11 | 0:46:13 | |
And do you live here, Jason? | 0:46:13 | 0:46:15 | |
Yeah, for about five months I'm living in London. | 0:46:15 | 0:46:18 | |
OK, what do you do here? | 0:46:18 | 0:46:19 | |
I'm dating a French girl. | 0:46:19 | 0:46:21 | |
Busy, busy, busy! | 0:46:22 | 0:46:24 | |
Busy, busy, busy. | 0:46:24 | 0:46:26 | |
All right, off you go with your story, Jason. | 0:46:26 | 0:46:28 | |
I want to apologise to her | 0:46:28 | 0:46:29 | |
because this story is about my ex-girlfriend. | 0:46:29 | 0:46:32 | |
What, not the French girl? | 0:46:32 | 0:46:34 | |
-Yeah, sorry. -OK, but you went out with someone else. | 0:46:34 | 0:46:36 | |
-We've all lived. -She's in the audience so, sorry... | 0:46:36 | 0:46:39 | |
-The French girl, or the ex? -The French girl. -Bonjour. | 0:46:39 | 0:46:42 | |
So my ex and I had this tradition where we would joke with each other, | 0:46:44 | 0:46:48 | |
where one of us would sneak up behind the other | 0:46:48 | 0:46:50 | |
and one of us would stick our hand between the other's legs | 0:46:50 | 0:46:54 | |
and swipe up really quick | 0:46:54 | 0:46:56 | |
and then yell, "Credit card accepted!" | 0:46:56 | 0:46:59 | |
LAUGHTER | 0:46:59 | 0:47:03 | |
Who's that girl in the beret leaving? | 0:47:03 | 0:47:06 | |
So one time, we were at the grocery store and I ran up behind her | 0:47:07 | 0:47:11 | |
and I stuck my hand between her legs and swiped up and I said, | 0:47:11 | 0:47:14 | |
"Credit card accepted!" | 0:47:14 | 0:47:15 | |
And she turned around and it wasn't my girlfriend. | 0:47:15 | 0:47:18 | |
And she started screaming, "What are you doing?" | 0:47:19 | 0:47:22 | |
And we had this back and forth before she stormed off. | 0:47:22 | 0:47:25 | |
And then my ex strolled over to me shaking her head and she said, | 0:47:25 | 0:47:27 | |
"Credit card denied." | 0:47:27 | 0:47:28 | |
That's not bad. | 0:47:30 | 0:47:31 | |
Shall we let him walk? | 0:47:31 | 0:47:32 | |
Michael says walk. You can walk, Jason. | 0:47:32 | 0:47:34 | |
Walk, walk, walk. Very good. APPLAUSE | 0:47:34 | 0:47:37 | |
Well done, everyone. | 0:47:37 | 0:47:39 | |
If you'd like to join us on the show and have a go on that red chair, | 0:47:39 | 0:47:41 | |
you can contact us via our website at this very address. | 0:47:41 | 0:47:44 | |
That is it for tonight. | 0:47:44 | 0:47:45 | |
Please say a huge thank you to my guests, Gorillaz, everybody! | 0:47:45 | 0:47:48 | |
CHEERING AND APPLAUSE | 0:47:48 | 0:47:50 | |
Kevin Bacon! | 0:47:50 | 0:47:51 | |
CHEERING AND APPLAUSE | 0:47:51 | 0:47:54 | |
Jessica Chastain! | 0:47:54 | 0:47:55 | |
CHEERING AND APPLAUSE | 0:47:55 | 0:47:57 | |
Michael Fassbender! | 0:47:57 | 0:47:59 | |
CHEERING AND APPLAUSE | 0:47:59 | 0:48:00 | |
And Diane Keaton! | 0:48:00 | 0:48:02 | |
CHEERING AND APPLAUSE | 0:48:02 | 0:48:04 | |
Join me next week with pop star Imelda May, | 0:48:04 | 0:48:07 | |
comedian Jason Manford, actors Billie Piper and Charlie Hannon, | 0:48:07 | 0:48:10 | |
and iconic British director Guy Ritchie. | 0:48:10 | 0:48:12 | |
I'll see you then. Good night, everybody. Bye-bye! | 0:48:12 | 0:48:15 | |
CHEERING AND APPLAUSE | 0:48:15 | 0:48:18 |