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Good evening, everyone. My name is Nicole Kidman, | 0:00:02 | 0:00:04 | |
and welcome to The Graham Norton Show! | 0:00:04 | 0:00:05 | |
This programme contains some strong language | 0:00:09 | 0:00:17 | |
CHEERING AND APPLAUSE Oh! | 0:00:20 | 0:00:23 | |
Oh! Yes! | 0:00:23 | 0:00:25 | |
Yes! | 0:00:26 | 0:00:28 | |
Hello. Hello. Oh! | 0:00:28 | 0:00:31 | |
Good evening. Thank... Oh, thank you. Thank you. Oh, thank you. | 0:00:32 | 0:00:37 | |
No, thank you. You're very welcome. | 0:00:37 | 0:00:40 | |
Hey, a great show tonight, | 0:00:40 | 0:00:42 | |
so you can kick back and relax after a whirlwind week of election fever. | 0:00:42 | 0:00:48 | |
Three weeks to go! | 0:00:48 | 0:00:50 | |
This week, one of my favourite parts of the campaign every time - | 0:00:51 | 0:00:54 | |
yeah, the unveiling of the battle buses. | 0:00:54 | 0:00:57 | |
I know. Exciting, yeah! | 0:00:57 | 0:00:59 | |
Here's the Tory one. Oh - beautiful! | 0:00:59 | 0:01:02 | |
"Theresa May for Britain." | 0:01:02 | 0:01:04 | |
As for Theresa, probably the first time she's ever been on a bus. | 0:01:04 | 0:01:07 | |
"What's that? It's a lorry with a door on the side." | 0:01:10 | 0:01:15 | |
It's funny, though. On the side, no mention of the Conservative Party - | 0:01:15 | 0:01:18 | |
just Theresa May. | 0:01:18 | 0:01:20 | |
Meanwhile, here's Jeremy Corbyn's bus. | 0:01:20 | 0:01:23 | |
No mention of Jeremy. | 0:01:23 | 0:01:25 | |
It's as if they're hoping we'll just forget about him. | 0:01:27 | 0:01:32 | |
Poor Jeremy. He can't catch a break. Here he is at this week's Labour manifesto launch. | 0:01:32 | 0:01:37 | |
What are the chances? | 0:01:37 | 0:01:39 | |
"I'll just sit here - what could go wrong?" | 0:01:41 | 0:01:44 | |
No! | 0:01:44 | 0:01:45 | |
Jeremy, though... Jeremy's had a great week. He's been chasing the youth vote, hasn't he? | 0:01:45 | 0:01:49 | |
And he had brunch with a grime artist, JME. | 0:01:49 | 0:01:53 | |
Mm-hm. Here they are. | 0:01:53 | 0:01:55 | |
That looks fun, doesn't it? | 0:01:56 | 0:01:58 | |
"What's that repetitive droning noise?" | 0:01:59 | 0:02:01 | |
said the grime artist. | 0:02:01 | 0:02:03 | |
Meanwhile, the Prime Minster aimed a little older and met some ladies | 0:02:07 | 0:02:11 | |
from the Women's Institute. | 0:02:11 | 0:02:13 | |
There was a slightly awkward moment when she said "I'm Mrs May," | 0:02:13 | 0:02:17 | |
because they were working on plans for next year's nude calendar. | 0:02:17 | 0:02:21 | |
On Wednesday, the Lib Dems' manifesto came out. | 0:02:24 | 0:02:27 | |
It would have come out sooner, but Tim Farron couldn't decide if it was a sin or not. | 0:02:27 | 0:02:30 | |
I... I don't... | 0:02:31 | 0:02:33 | |
APPLAUSE Leave it! Leave it! | 0:02:33 | 0:02:36 | |
It was a long time ago. | 0:02:36 | 0:02:37 | |
Now, I don't know what my audience will think of this policy, | 0:02:37 | 0:02:41 | |
but the Lib Dems want to legalise cannabis. | 0:02:41 | 0:02:44 | |
CHEERING | 0:02:44 | 0:02:47 | |
It's not going to work, Tim. | 0:02:47 | 0:02:49 | |
Farron has said that he thinks the Lib Dems will win enough seats to be | 0:02:50 | 0:02:54 | |
the official opposition. | 0:02:54 | 0:02:55 | |
So not just legalising cannabis - he's also been smoking it. | 0:02:55 | 0:02:58 | |
Let's get some guests on! CHEERING AND APPLAUSE | 0:03:01 | 0:03:04 | |
We've got a special bumper night of music - | 0:03:04 | 0:03:06 | |
not only will we be having music and chat from the mighty Keith Urban, | 0:03:06 | 0:03:10 | |
we'll also have the brand-new single from the sensational Sheryl Crow, everybody. | 0:03:10 | 0:03:15 | |
But first, it's a rare treat to welcome this man back. | 0:03:17 | 0:03:20 | |
He's a star of stage and screen whose credits include The Good Wife, | 0:03:20 | 0:03:23 | |
GoldenEye, X-Men, and a Tony Award-winning turn in Cabaret. | 0:03:23 | 0:03:26 | |
Great Scot, it's Alan Cumming, everybody! | 0:03:26 | 0:03:29 | |
CHEERING AND APPLAUSE | 0:03:29 | 0:03:31 | |
There he is. Oh, beautiful in green. How lovely to see you. | 0:03:31 | 0:03:34 | |
-You too. -Alan Cumming! | 0:03:34 | 0:03:36 | |
And joining Alan, she's the Oscar-winning star of Moulin Rouge, | 0:03:38 | 0:03:41 | |
The Hours and this year's TV hit Big Little Lies. | 0:03:41 | 0:03:44 | |
It's always a pleasure to welcome back one of my favourites, | 0:03:44 | 0:03:47 | |
the beautiful and talented Nicole Kidman. | 0:03:47 | 0:03:49 | |
CHEERING AND APPLAUSE | 0:03:49 | 0:03:51 | |
Wow! | 0:03:51 | 0:03:53 | |
-Wow! Hello! -Hi! | 0:03:53 | 0:03:56 | |
Hi! Come in, sit down. Oh! | 0:03:56 | 0:03:59 | |
APPLAUSE DROWNS SPEECH | 0:04:01 | 0:04:04 | |
I was chatting to you backstage - | 0:04:04 | 0:04:06 | |
I was just focused on this bit of you. | 0:04:06 | 0:04:08 | |
I hadn't noticed the lovely... | 0:04:08 | 0:04:10 | |
-The split... -The split! -..which I have now covered. | 0:04:10 | 0:04:12 | |
-You look great! -Give us a look, Nicole! | 0:04:13 | 0:04:15 | |
Welcome, both. It's a lovely night - lots of music. | 0:04:17 | 0:04:20 | |
Are you a fan of any of the acts we're having on, Nicole? | 0:04:20 | 0:04:23 | |
One in particular. Actually, both, because I have to say... | 0:04:25 | 0:04:29 | |
But you're not married to Sheryl Crow. | 0:04:29 | 0:04:31 | |
-Er... -That is true. | 0:04:32 | 0:04:35 | |
So, yeah... So, I'm a fan of both of them. | 0:04:35 | 0:04:38 | |
Excellent. And very nice of Nicole Kidman to be here, | 0:04:38 | 0:04:41 | |
-because presumably you're dashing off to Cannes. -I'm going to Cannes, yeah. | 0:04:41 | 0:04:44 | |
Have you guys bumped into each other at Cannes? | 0:04:44 | 0:04:46 | |
-You've hosted events at Cannes, haven't you? -Have you, Alan? | 0:04:46 | 0:04:49 | |
Yes, I hosted the Cinema Against Aids gala, the Amfar thing. | 0:04:49 | 0:04:52 | |
-I'm doing that this year. -You are? -Yes. -Oh! | 0:04:52 | 0:04:54 | |
Well, Alan's got some tips... | 0:04:54 | 0:04:56 | |
..as in, "Back out." | 0:04:58 | 0:05:00 | |
When I did it, they have these auction nights - | 0:05:00 | 0:05:02 | |
-it's like a big fundraiser thing. -Yes, that's... | 0:05:02 | 0:05:04 | |
This is really sad. | 0:05:04 | 0:05:06 | |
You know Ryan Gosling? | 0:05:06 | 0:05:07 | |
-Yes. -He... | 0:05:07 | 0:05:09 | |
So, he came on, and I didn't have to introduce this, thank goodness. | 0:05:09 | 0:05:12 | |
I just had to go on after him. | 0:05:12 | 0:05:15 | |
They said, "What we're going to do is, Ryan Gosling will make out | 0:05:15 | 0:05:19 | |
"with anyone in the audience, man or woman." | 0:05:19 | 0:05:23 | |
-He offered that? -He offered that. -I will not be offering that. | 0:05:23 | 0:05:27 | |
-Well... -Guess what, though. -How much money? | 0:05:30 | 0:05:33 | |
This is what happened. | 0:05:33 | 0:05:35 | |
This is what was terrible. The bidding started at 40,000, | 0:05:35 | 0:05:39 | |
or 40,000 euros or something. | 0:05:39 | 0:05:41 | |
And there was, like, crickets. | 0:05:41 | 0:05:44 | |
And Ryan Gosling's standing there licking his lips, getting ready. | 0:05:45 | 0:05:49 | |
And nobody bidded. Nobody bidded | 0:05:49 | 0:05:52 | |
and poor Ryan Gosling had to walk off. | 0:05:52 | 0:05:55 | |
I was like, "Take the... Start at 500." | 0:05:57 | 0:06:00 | |
It was just too much money, I don't know, or everyone was just too... | 0:06:01 | 0:06:04 | |
-Couldn't be bothered. -That's awful. -Mortification. I just thought, | 0:06:04 | 0:06:08 | |
-"Poor boy." -Just the sound of his footsteps going... | 0:06:08 | 0:06:12 | |
At least he's bounced back. He hasn't let it dog him. | 0:06:12 | 0:06:15 | |
That's a good tip, cos offer it at, like, 100. | 0:06:15 | 0:06:18 | |
-Offer it low and then start up. -100. -50 pence! | 0:06:18 | 0:06:22 | |
Go low. Go low. | 0:06:22 | 0:06:24 | |
50 pence for a snog. | 0:06:24 | 0:06:25 | |
You go to Cannes a lot, Nicole. | 0:06:25 | 0:06:29 | |
-Yeah. -And you've got about four things at Cannes this year. | 0:06:29 | 0:06:32 | |
-I do. -So, how does that... -But I'm small roles in some of them, and... | 0:06:32 | 0:06:36 | |
There's no small roles, only small actors, Nicole. | 0:06:36 | 0:06:39 | |
-"It's about me." -I had a really good... | 0:06:43 | 0:06:46 | |
Pivotal, pivotal roles. | 0:06:46 | 0:06:48 | |
Kind of pivotal in some of them, and sometimes just supporting a friend, | 0:06:48 | 0:06:52 | |
where I've done something for a director friend of mine. | 0:06:52 | 0:06:55 | |
-You would have done that, right? -Yeah, sure. | 0:06:55 | 0:06:57 | |
Yeah, and then I've got... | 0:06:57 | 0:07:00 | |
-Small role. -Get me out of this! | 0:07:00 | 0:07:02 | |
Is that how you pick films? | 0:07:02 | 0:07:04 | |
More to do with the director than anything else? | 0:07:04 | 0:07:07 | |
No. I think... I'm so spontaneous. | 0:07:07 | 0:07:09 | |
Sometimes I'll choose things because of a script | 0:07:09 | 0:07:12 | |
and I'll hope the director that finds its way to the piece is good. | 0:07:12 | 0:07:17 | |
But, yeah, I am very drawn to auteurs - | 0:07:17 | 0:07:21 | |
an auteur is someone that basically has the vision for the project | 0:07:21 | 0:07:25 | |
and crafts it. | 0:07:25 | 0:07:26 | |
Is it because of James Wan? Is a friend of yours, James Wan? | 0:07:26 | 0:07:30 | |
Oh, you... Yes. | 0:07:30 | 0:07:31 | |
I was surprised to read, but you're going to be in Aquaman. | 0:07:31 | 0:07:35 | |
You are not Aquaman, but you're in it. | 0:07:35 | 0:07:37 | |
I'd love to be Aquaman. | 0:07:37 | 0:07:39 | |
I'm... I am the Queen Atlanna. | 0:07:41 | 0:07:45 | |
-Of course you are. -Yeah! | 0:07:45 | 0:07:47 | |
I was like... My daughters were like, "Do you get to wear a crown?" | 0:07:49 | 0:07:53 | |
And I'm like, "Yes." "Do you get to have a tail?" | 0:07:53 | 0:07:56 | |
I said, "Hmm, I can't answer that." | 0:07:56 | 0:07:58 | |
But anyway... And then I said, | 0:07:58 | 0:08:01 | |
"I get to wear mother-of-pearl all over my body." | 0:08:01 | 0:08:04 | |
-Oh! -And they were like, "Oh, do it, Mummy!" | 0:08:04 | 0:08:07 | |
So I get to wear a crown. | 0:08:08 | 0:08:10 | |
Do you get a shell bra? | 0:08:10 | 0:08:12 | |
-You'll have to wait and see. -It's exciting, isn't it? -I'll come back and talk about it. | 0:08:12 | 0:08:16 | |
There's a good action toy in your future. | 0:08:17 | 0:08:20 | |
But I wanted to have some fun, you know. | 0:08:20 | 0:08:22 | |
But now, talking of directors, | 0:08:22 | 0:08:23 | |
Sofia Coppola - obviously, she is one of the auteurs | 0:08:23 | 0:08:26 | |
-you were talking about. -She is. -And she's directed your latest film, | 0:08:26 | 0:08:29 | |
The Beguiled. It's out later in summer. | 0:08:29 | 0:08:31 | |
-It actually opens here on the 14th of July. -Mm-hm. | 0:08:31 | 0:08:34 | |
So, it's set in the civil war | 0:08:34 | 0:08:36 | |
and it's a very female-led story - am I right? | 0:08:36 | 0:08:40 | |
Yes, and the great thing about The Beguiled, also, | 0:08:40 | 0:08:42 | |
is that it's a female director. I mean, there's five... | 0:08:42 | 0:08:44 | |
There's young children in it, young girls, | 0:08:44 | 0:08:47 | |
and then there's Kirsten Dunst, myself and Elle Fanning. | 0:08:47 | 0:08:51 | |
I play the woman who runs the... | 0:08:51 | 0:08:54 | |
Well, it's an orphanage, but it's more... | 0:08:54 | 0:08:56 | |
Because it's the civil war, you're not sure, but it's a school. | 0:08:56 | 0:09:00 | |
And then the things that happen, | 0:09:00 | 0:09:03 | |
and then Kirsten plays a governess at the school with me, | 0:09:03 | 0:09:06 | |
and we run the school and have the young girls who live there. | 0:09:06 | 0:09:09 | |
-And then there's one man, Colin Farrell. -Wow! | 0:09:09 | 0:09:14 | |
Yeah, he's a darling. | 0:09:14 | 0:09:15 | |
Popular choice. | 0:09:15 | 0:09:16 | |
We've got a clip from The Beguiled. | 0:09:17 | 0:09:19 | |
-This is you, as the... How...? Headmistress? -Yeah. | 0:09:19 | 0:09:23 | |
Yeah, there we go - headmistress. | 0:09:23 | 0:09:26 | |
Yeah, explaining the house rules to a very sleepy Colin Farrell. | 0:09:26 | 0:09:30 | |
-Is your leg paining you? -Some. | 0:09:30 | 0:09:32 | |
-Well, I hear numbness would be more grave. -Indeed. | 0:09:34 | 0:09:38 | |
There's some brandy if you wish. | 0:09:38 | 0:09:40 | |
Now, that would be a pleasure. | 0:09:41 | 0:09:42 | |
It's not being offered for your pleasure - only for your comfort. | 0:09:42 | 0:09:45 | |
-Yes, ma'am. -I must remind you, | 0:09:47 | 0:09:49 | |
you are not a guest here. You are a most unwelcome visitor | 0:09:49 | 0:09:52 | |
and we do not propose to entertain you. | 0:09:52 | 0:09:54 | |
I wouldn't expect it, ma'am. | 0:09:54 | 0:09:57 | |
Although you'll find I'm easily amused. | 0:09:57 | 0:09:59 | |
-I see trouble ahead. -Yes! | 0:10:05 | 0:10:08 | |
Colin Farrell is such good casting for that character. | 0:10:10 | 0:10:12 | |
The weirdest thing is, Colin and I are in two films together. | 0:10:12 | 0:10:16 | |
We did two films back-to-back. We did The Killing Of A Sacred Deer, | 0:10:16 | 0:10:19 | |
a nice, light... Another light affair. | 0:10:19 | 0:10:23 | |
-That's at Cannes, as well. -That's the same guy who directed | 0:10:23 | 0:10:26 | |
-The Lobster. -The Lobster. -Did anyone see The Lobster? | 0:10:26 | 0:10:28 | |
-Oh, that was great. -I love that film. -Yes. | 0:10:28 | 0:10:30 | |
Is it like The Lobster? | 0:10:30 | 0:10:32 | |
Er, it's weird. | 0:10:32 | 0:10:34 | |
-Good. We like weird. -Yeah, it's really weird. | 0:10:36 | 0:10:38 | |
-I love weird. -But, now, you worked with Colin Farrell in this film, | 0:10:38 | 0:10:42 | |
like...a lot. I mean, there was one scene - | 0:10:42 | 0:10:46 | |
you filmed it more than I felt necessary. | 0:10:46 | 0:10:49 | |
-What? -Are you talking about the sponge bath, Graham? | 0:10:51 | 0:10:53 | |
-Yes, Nicole, I am. -Of course he is. | 0:10:53 | 0:10:57 | |
Yes. So, the chance... How long did you film the sponge bath for? | 0:10:57 | 0:11:01 | |
About a day. | 0:11:01 | 0:11:02 | |
-I had to give him a sponge bath for a day. -OK. -Yeah. | 0:11:05 | 0:11:09 | |
My husband's on this show - can we move off this now? | 0:11:09 | 0:11:11 | |
That isn't awkward, is it? | 0:11:15 | 0:11:17 | |
I guess it's always a bit awkward. | 0:11:17 | 0:11:19 | |
-Well, considering what we did in Sacred Deer, that was nothing. -OK. | 0:11:19 | 0:11:23 | |
-Maybe we SHOULD move on. -Let's move off the whole thing. | 0:11:25 | 0:11:28 | |
Alan, what is the thing you do... | 0:11:28 | 0:11:30 | |
You google people before you act with them? | 0:11:30 | 0:11:32 | |
I google people naked. | 0:11:33 | 0:11:36 | |
-No! -I do. | 0:11:36 | 0:11:38 | |
I just... I feel like, you know, all that information's out there. | 0:11:38 | 0:11:42 | |
You're going to meet a new person and you're going to... | 0:11:42 | 0:11:45 | |
If you don't know them, I think, "Google them and see..." | 0:11:45 | 0:11:48 | |
And then I also do Google images | 0:11:48 | 0:11:51 | |
and put "naked" at the end of their name | 0:11:51 | 0:11:53 | |
and just see if there's anything out there, | 0:11:53 | 0:11:55 | |
cos if you're going to do sex scenes with them, you want to get a little heads up. | 0:11:55 | 0:11:58 | |
It's so different than looking for directors. | 0:12:05 | 0:12:07 | |
-You're just going to google them naked. -Google my director naked! | 0:12:08 | 0:12:11 | |
If it's out there, if it's on the interweb and it's there, | 0:12:11 | 0:12:16 | |
-you might as well have a look. -Yeah. | 0:12:16 | 0:12:18 | |
Now, it's time for our first musical performance of the evening. | 0:12:20 | 0:12:24 | |
Now, is this...? This is the intro I was planning. | 0:12:24 | 0:12:28 | |
Can you... That's all accurate, isn't it? | 0:12:28 | 0:12:30 | |
-Maybe more than that. -More than that? | 0:12:30 | 0:12:33 | |
-Oh, no. OK. -No, I'll go with more. -Yeah. | 0:12:33 | 0:12:36 | |
-OK, OK. -I think it was way more than four. -OK. | 0:12:36 | 0:12:39 | |
He's won much more than four Grammy Awards... | 0:12:40 | 0:12:43 | |
LAUGHTER | 0:12:43 | 0:12:45 | |
..and is one of... No, the MOST successful American musician. | 0:12:45 | 0:12:49 | |
He's not an American, but in America. | 0:12:49 | 0:12:52 | |
Here performing a special version of The Fighter | 0:12:52 | 0:12:55 | |
with our very own Melanie C, it is Mr Keith Urban! | 0:12:55 | 0:12:58 | |
CHEERING | 0:12:58 | 0:13:01 | |
# I know he hurt you | 0:13:17 | 0:13:19 | |
# Made you scared of love | 0:13:19 | 0:13:21 | |
# Too scared to love | 0:13:21 | 0:13:23 | |
# He didn't deserve you | 0:13:24 | 0:13:27 | |
# Cos your precious heart | 0:13:27 | 0:13:29 | |
# Is a precious heart | 0:13:29 | 0:13:31 | |
# He didn't know what he had | 0:13:31 | 0:13:33 | |
# And I thank God | 0:13:33 | 0:13:35 | |
# Oh, oh, oh, oh | 0:13:35 | 0:13:36 | |
# And it's gonna take just a little time | 0:13:38 | 0:13:41 | |
# But you're gonna see that I was born to love you | 0:13:41 | 0:13:44 | |
# What if I fall? | 0:13:44 | 0:13:46 | |
# I won't let you fall | 0:13:46 | 0:13:48 | |
# What if I cry? | 0:13:48 | 0:13:50 | |
# I'll never make you cry | 0:13:50 | 0:13:52 | |
# And if I get scared? | 0:13:52 | 0:13:54 | |
# I'll hold you tighter | 0:13:54 | 0:13:55 | |
# When they're tryin' to get to you | 0:13:55 | 0:13:57 | |
# Baby, I'll be the fighter | 0:13:57 | 0:13:59 | |
# What if I fall? | 0:13:59 | 0:14:01 | |
# I won't let you fall | 0:14:01 | 0:14:03 | |
# What if I cry? | 0:14:03 | 0:14:04 | |
# I promise I'll never make you cry | 0:14:04 | 0:14:06 | |
# And if I get scared? | 0:14:06 | 0:14:08 | |
# I'll hold you tighter | 0:14:08 | 0:14:10 | |
# When they're tryin' to get to you | 0:14:10 | 0:14:11 | |
# Baby, I'll be the fighter | 0:14:11 | 0:14:13 | |
# Look in the mirror | 0:14:15 | 0:14:17 | |
# Cos you're beautiful So beautiful... # | 0:14:17 | 0:14:20 | |
You're so beautiful, Mel! | 0:14:20 | 0:14:22 | |
# I'm here to remind you | 0:14:22 | 0:14:24 | |
# You're my only one | 0:14:24 | 0:14:26 | |
# Let me be the one | 0:14:26 | 0:14:29 | |
# To heal all the pain that he put you through | 0:14:29 | 0:14:31 | |
# With love like you never knew | 0:14:31 | 0:14:33 | |
# Just let me show you | 0:14:33 | 0:14:35 | |
# What if I fall? | 0:14:35 | 0:14:37 | |
# I won't let you fall | 0:14:37 | 0:14:39 | |
# What if I cry? | 0:14:39 | 0:14:41 | |
# I'll never make you cry | 0:14:41 | 0:14:43 | |
# And if I get scared? | 0:14:43 | 0:14:44 | |
# I'll hold you tighter | 0:14:44 | 0:14:46 | |
# When they're tryin' to get to you | 0:14:46 | 0:14:48 | |
# Baby, I'll be the fighter | 0:14:48 | 0:14:50 | |
# What if I fall? | 0:14:50 | 0:14:52 | |
# I won't let you fall | 0:14:52 | 0:14:54 | |
# What if I cry? | 0:14:54 | 0:14:55 | |
# I promise I'll never make you cry | 0:14:55 | 0:14:57 | |
# And if I get scared? | 0:14:57 | 0:14:59 | |
# I'll hold you tighter | 0:14:59 | 0:15:01 | |
# When they're tryin' to get to you | 0:15:01 | 0:15:02 | |
# Baby, I'll be the fighter | 0:15:02 | 0:15:04 | |
# Wanna believe that you got me, baby | 0:15:05 | 0:15:09 | |
# I swear, I do from now into the next life | 0:15:09 | 0:15:13 | |
# I wanna love, wanna give you all my heart | 0:15:13 | 0:15:19 | |
# What if I fall? | 0:15:19 | 0:15:21 | |
# I won't let you fall | 0:15:21 | 0:15:23 | |
# What if I cry? | 0:15:23 | 0:15:24 | |
# I promise I'll never make you cry | 0:15:24 | 0:15:26 | |
# And if I get scared? | 0:15:26 | 0:15:28 | |
# I'll hold you tighter | 0:15:28 | 0:15:30 | |
# When they're tryin' to get to you | 0:15:30 | 0:15:31 | |
# Baby, I'll be the fighter | 0:15:31 | 0:15:34 | |
# What if I fall? | 0:15:34 | 0:15:35 | |
# I won't let you fall | 0:15:35 | 0:15:37 | |
# What if I cry? | 0:15:37 | 0:15:39 | |
# I promise I'll never make you cry, Melanie | 0:15:39 | 0:15:41 | |
# And if I get scared? | 0:15:41 | 0:15:43 | |
# I'll hold you tighter | 0:15:43 | 0:15:44 | |
# When they're tryin' to get to you | 0:15:44 | 0:15:46 | |
# Baby, I'll be the fighter | 0:15:46 | 0:15:48 | |
# What if I fall? | 0:15:48 | 0:15:51 | |
# What if I cry? | 0:15:52 | 0:15:54 | |
# And if I get scared? | 0:15:55 | 0:15:57 | |
# I'll hold you tighter | 0:15:57 | 0:15:59 | |
# When they're trying to get to you | 0:15:59 | 0:16:01 | |
# Baby, I'll be the fighter | 0:16:01 | 0:16:03 | |
# Oh, ho. # | 0:16:05 | 0:16:06 | |
CHEERING AND APPLAUSE | 0:16:10 | 0:16:13 | |
Mel C! | 0:16:16 | 0:16:17 | |
Keith Urban and Melanie C! Beautiful! Come on over, Keith. | 0:16:18 | 0:16:22 | |
-Great job, sir. -Thank you. -Great job! Keith Urban! | 0:16:22 | 0:16:27 | |
This is Alan, and I believe you know Nicole Kidman. | 0:16:27 | 0:16:29 | |
How are you, man? Good to meet you. | 0:16:29 | 0:16:31 | |
Pop yourself in there beside your lady wife. Very good. | 0:16:31 | 0:16:35 | |
And a big thank you to Melanie C, as well. | 0:16:36 | 0:16:38 | |
Thank you very much, Melanie C. Beautiful. | 0:16:38 | 0:16:41 | |
CHEERING AND APPLAUSE Lovely! | 0:16:41 | 0:16:43 | |
-Thank you very, very much for doing that. -Thank you. | 0:16:46 | 0:16:48 | |
That was very good. | 0:16:48 | 0:16:50 | |
What did you think, Nicole? | 0:16:50 | 0:16:52 | |
-Fantastic! -Was that the best you've heard him sing it? | 0:16:52 | 0:16:55 | |
-Yes! -It was good, wasn't it? | 0:16:55 | 0:16:57 | |
Now, that is the current single off your album Ripcord, | 0:16:59 | 0:17:02 | |
-which is out now. -Yes. -CHEERING | 0:17:02 | 0:17:04 | |
-Do your fans have a name? -Such a lively bunch! | 0:17:06 | 0:17:08 | |
Are they Urbanites, or...? | 0:17:08 | 0:17:10 | |
AUDIENCE MEMBERS SHOUT OUT | 0:17:10 | 0:17:12 | |
What? They have their own names. | 0:17:12 | 0:17:13 | |
-Sorry, what are you? -Urban Army. | 0:17:15 | 0:17:18 | |
-Urban Army! -The Urban Army. | 0:17:18 | 0:17:20 | |
-Very aggressive! -It does sound... | 0:17:20 | 0:17:23 | |
It sounds quite intimidating. | 0:17:23 | 0:17:25 | |
Be very careful - the Urban Army are in. | 0:17:25 | 0:17:27 | |
-They're very nice fans. Very good fans. -Thank you. | 0:17:29 | 0:17:32 | |
Yes, lovely. And, er... Now, I've heard you talk in interviews | 0:17:32 | 0:17:35 | |
about how your manager influenced your music and everything | 0:17:35 | 0:17:38 | |
but that song in particular sort of references Nicole, doesn't it? | 0:17:38 | 0:17:42 | |
Well, it... Yeah. The theme of the song | 0:17:42 | 0:17:45 | |
was really early in our relationship, | 0:17:45 | 0:17:49 | |
just wanting to reassure her that I'm a safe place to be - | 0:17:49 | 0:17:53 | |
I'll take care of her, you know? That's really what the song's about. | 0:17:53 | 0:17:55 | |
-Aw! -Oh, come on! | 0:17:55 | 0:17:57 | |
Turned into a Hallmark crowd like that! | 0:17:57 | 0:18:01 | |
Look - happy people! | 0:18:01 | 0:18:03 | |
Where did you meet? | 0:18:05 | 0:18:07 | |
In Los Angeles at this event called G'day LA. | 0:18:07 | 0:18:11 | |
I'm not making this up! These are true names. | 0:18:12 | 0:18:15 | |
I think we might have a picture of you meeting. | 0:18:15 | 0:18:18 | |
This is the day you met. There you are. | 0:18:18 | 0:18:21 | |
And was it kind of... Was it, like, "G'day, LA"? | 0:18:21 | 0:18:24 | |
Was it sort of... Was it pa-ping? | 0:18:24 | 0:18:27 | |
Well, we have discrepancies over that. | 0:18:27 | 0:18:31 | |
That's funny! | 0:18:31 | 0:18:32 | |
It's going to become The Newlyweds here in a minute. | 0:18:34 | 0:18:37 | |
He brought it up. I didn't... | 0:18:37 | 0:18:39 | |
And, yeah, well, we didn't sort of... | 0:18:39 | 0:18:42 | |
I was about to say "hook up", but that was the wrong... | 0:18:42 | 0:18:45 | |
He didn't call me for about three, four months. | 0:18:45 | 0:18:49 | |
Four months, I say. He says different, but anyway... | 0:18:49 | 0:18:52 | |
-I was scared. -Aw! | 0:18:52 | 0:18:54 | |
I was, because.. No, seriously, someone gives me Nic's number... | 0:18:54 | 0:18:58 | |
You didn't get it from her? | 0:18:58 | 0:19:00 | |
-No! -Who got...? Your publicist or something? -Alan! | 0:19:00 | 0:19:02 | |
LAUGHTER DROWNS SPEECH | 0:19:05 | 0:19:07 | |
-Someone passed it to you in a dark alley? -Anyway... | 0:19:07 | 0:19:10 | |
He paid good money for that number. | 0:19:12 | 0:19:14 | |
-12 years later, two babies later... -Yay! | 0:19:15 | 0:19:18 | |
CHEERING AND APPLAUSE | 0:19:18 | 0:19:21 | |
Now, the last time you were here, Nicole, we enjoyed some of | 0:19:25 | 0:19:29 | |
your early modelling work on the late, lamented Dolly Magazine. | 0:19:29 | 0:19:32 | |
Thank you, Graham. | 0:19:32 | 0:19:34 | |
No, beautiful, finely judged work. Er... | 0:19:34 | 0:19:37 | |
I was shocked that you found them. | 0:19:39 | 0:19:41 | |
-Don't worry - we're not showing them again. -Oh, good. | 0:19:41 | 0:19:43 | |
There is others. | 0:19:43 | 0:19:44 | |
-There are some lovely pictures of Keith, as an... -Oh! | 0:19:44 | 0:19:48 | |
..emerging bright star on the Australian music scene. | 0:19:48 | 0:19:53 | |
Here you are in Tamworth. | 0:19:53 | 0:19:55 | |
-Oh! -That's cute! | 0:19:57 | 0:20:00 | |
-That is adorable. -You know what's really criminal about that? | 0:20:00 | 0:20:03 | |
Actually, that was last Tuesday! | 0:20:03 | 0:20:04 | |
-What's criminal is how tight your jeans are. -I know. | 0:20:06 | 0:20:09 | |
Yeah, the population of Tamworth's growing. | 0:20:13 | 0:20:15 | |
-That's not all. -The elevation! | 0:20:16 | 0:20:19 | |
I wouldn't recognise you in that picture, but then there's another picture. | 0:20:21 | 0:20:25 | |
I only know this is you because it says it's you. | 0:20:25 | 0:20:27 | |
This is Keith Urban. | 0:20:27 | 0:20:29 | |
I mean, check that out. | 0:20:29 | 0:20:30 | |
-That's unbelievable. -Yeah, yeah. | 0:20:31 | 0:20:35 | |
My love! | 0:20:35 | 0:20:36 | |
In his yearbook it would have said, | 0:20:38 | 0:20:40 | |
"Boy least likely to marry Nicole Kidman." | 0:20:40 | 0:20:42 | |
Not until you see MY yearbook. | 0:20:45 | 0:20:47 | |
-We need yours. -Huh? | 0:20:47 | 0:20:49 | |
We need Nic's picture next. | 0:20:49 | 0:20:51 | |
No, we've had Nicole in all her glory. | 0:20:51 | 0:20:54 | |
No more. Come on. Alan, Alan! We need Alan. | 0:20:54 | 0:20:57 | |
-OK, well, Alan. -Uh-oh! -No, it's in your book. | 0:20:57 | 0:21:00 | |
There has to be a story or an explanation to this. | 0:21:00 | 0:21:04 | |
Around the same time as Keith was wearing very tight jeans... | 0:21:04 | 0:21:07 | |
-Uh-oh. What was I wearing? -..you were on a school trip to Germany... | 0:21:07 | 0:21:10 | |
-Ugh! -..without jeans. | 0:21:10 | 0:21:12 | |
-The thing is... -Was that just the look? | 0:21:19 | 0:21:23 | |
-We were all doing it in the '70s. -What I love about this is, | 0:21:23 | 0:21:27 | |
-he's still a fan of a tidy sock. -Good legs! | 0:21:27 | 0:21:29 | |
The thing is, a girl who was at school, was on that school trip, | 0:21:30 | 0:21:35 | |
sent it to me via Twitter and I was like, "Ah-ha-ha." | 0:21:35 | 0:21:38 | |
And then I thought, "Why DID I have no trousers on?" | 0:21:38 | 0:21:40 | |
I must have taken them off for a bet. I don't know. | 0:21:42 | 0:21:44 | |
But it's a good look. | 0:21:44 | 0:21:46 | |
You do seem very calm about it. | 0:21:46 | 0:21:48 | |
Kind of, "Yeah, I'm rocking a short jumper dress." | 0:21:48 | 0:21:51 | |
"I've got no trousers on. Deal with it". | 0:21:51 | 0:21:53 | |
I have this theory - most men have excellent legs. | 0:21:53 | 0:21:56 | |
-People say that. -Yeah, right? -It's not... I think... | 0:21:56 | 0:22:00 | |
What I think is interesting is that a lot of men have body parts... | 0:22:00 | 0:22:04 | |
Not body parts, but bits of their bodies that women desire. | 0:22:04 | 0:22:06 | |
Like slim hips, long eyelashes. | 0:22:06 | 0:22:10 | |
So I think women think that all men have better things | 0:22:10 | 0:22:14 | |
that they want than them. It's not true. | 0:22:14 | 0:22:17 | |
I've seen a lot of naked men - I know. | 0:22:17 | 0:22:19 | |
Thank you. | 0:22:22 | 0:22:23 | |
Now, talking about the Urban Army, your fans. | 0:22:25 | 0:22:27 | |
Well, Sunday, Faith and... | 0:22:27 | 0:22:30 | |
-We're in that army, too. -No. -Yeah, yeah. | 0:22:30 | 0:22:33 | |
So, they come to your concerts and they demonstrate | 0:22:33 | 0:22:37 | |
their love in different ways. | 0:22:37 | 0:22:39 | |
And there was a woman who wanted you to sign HER. | 0:22:39 | 0:22:42 | |
Oh! No. | 0:22:42 | 0:22:43 | |
It was years ago - I was doing a concert in this big venue, | 0:22:43 | 0:22:48 | |
and somebody in the crowd yelled out, "Will you sign my leg?" | 0:22:48 | 0:22:52 | |
And I thought, "This will be a good moment," you know. | 0:22:52 | 0:22:55 | |
So I'm like, "Yeah, come on up here," you know, cos I thought, "This'll be great." | 0:22:55 | 0:22:59 | |
This was years before I met Nic, and I thought this would make | 0:22:59 | 0:23:01 | |
a great moment on stage. | 0:23:01 | 0:23:03 | |
And so she disappeared for a minute. | 0:23:03 | 0:23:05 | |
I couldn't see her head. | 0:23:05 | 0:23:06 | |
Next minute, she reappeared and then lobbed this | 0:23:06 | 0:23:08 | |
prosthetic leg onto the stage, which landed with a thud. | 0:23:08 | 0:23:13 | |
So I... | 0:23:13 | 0:23:15 | |
I picked it up and signed it and then I thought, | 0:23:15 | 0:23:18 | |
"What's the correct prosthetic-leg-returning etiquette?" | 0:23:18 | 0:23:21 | |
Do you just...? Do you crowd-surf it? | 0:23:21 | 0:23:24 | |
Do you say, "Hop up here"? I mean... | 0:23:24 | 0:23:27 | |
-Insane. -They crowd-surfed it back and she attached it | 0:23:28 | 0:23:32 | |
-and was like, "Yeah!" -Yay! -Unbelievable! | 0:23:32 | 0:23:36 | |
Oddly, the title of your book, Alan, which is out now, | 0:23:36 | 0:23:40 | |
My Life Stories And Pictures, You've Gotta Get Bigger Dreams. | 0:23:40 | 0:23:43 | |
This comes from a sort of fan story? | 0:23:43 | 0:23:46 | |
Well, sort of. Well, it's like someone... It's our friend - | 0:23:46 | 0:23:48 | |
our mutual friend, very dear old friend, Eddie - | 0:23:48 | 0:23:51 | |
-is a massive fan of Oprah. -Not that old, we should say! | 0:23:51 | 0:23:54 | |
-Well... -He will be watching. | 0:23:54 | 0:23:56 | |
He will. Sorry, Eddie. | 0:23:56 | 0:23:57 | |
But he's a massive fan of Oprah, as we all know. | 0:23:57 | 0:24:01 | |
Well, you don't know, but he is. | 0:24:01 | 0:24:02 | |
And really a mega fan. | 0:24:02 | 0:24:06 | |
So the... So the book's called that because a story in the book | 0:24:06 | 0:24:09 | |
is the title of that. | 0:24:09 | 0:24:11 | |
So what happened was, I was invited to this big event | 0:24:11 | 0:24:15 | |
where Oprah was getting honoured, getting an award. | 0:24:15 | 0:24:18 | |
So I thought, "I've got to take Eddie as my date," | 0:24:18 | 0:24:20 | |
so I did, and we got there and he was just, like, frenzied. | 0:24:20 | 0:24:22 | |
"I want to get a photo with Oprah, I want to get a photo with Oprah." | 0:24:22 | 0:24:25 | |
I was like, "That might not happen, Eddie, and I'm not going to guarantee it. | 0:24:25 | 0:24:28 | |
"And I'm not going to be..." Cos I thought, if that does happen, | 0:24:28 | 0:24:31 | |
I'd have to go and say, "Oprah, my friend Eddie wants..." | 0:24:31 | 0:24:33 | |
But I'm not going to do that, you know. | 0:24:33 | 0:24:35 | |
"It might happen but just..." Anyway, I said, | 0:24:35 | 0:24:38 | |
"You know how when people come up to me in bars and we're having dinner | 0:24:38 | 0:24:42 | |
"and they ask for a photo and how pissed off you get | 0:24:42 | 0:24:44 | |
"about that on my behalf?" | 0:24:44 | 0:24:46 | |
He went, "I see your point. | 0:24:46 | 0:24:47 | |
"I still want a photograph." | 0:24:47 | 0:24:50 | |
So we're at this thing and there's a big dinner | 0:24:50 | 0:24:53 | |
and it was, like, crazy. | 0:24:53 | 0:24:55 | |
Oprah was at this central big table | 0:24:55 | 0:24:57 | |
with, like, Stephen Spielberg and... | 0:24:57 | 0:24:59 | |
Jesus and everybody. And we... | 0:24:59 | 0:25:00 | |
We were all at these tables going around. | 0:25:02 | 0:25:04 | |
We were like satellites going around Oprah. | 0:25:04 | 0:25:08 | |
And Barbara Walters was hosting the thing. | 0:25:08 | 0:25:10 | |
And she went, "And here's Itzhak Perlman." He's... | 0:25:10 | 0:25:14 | |
"And here's Jessye Norman." She's singing away. | 0:25:14 | 0:25:16 | |
And it's just, like, full on. | 0:25:16 | 0:25:18 | |
And then at one point she goes, "And now we're going to have a break. | 0:25:18 | 0:25:21 | |
"And after the break, Oprah." | 0:25:21 | 0:25:24 | |
And we're like, "Oh, my God." | 0:25:24 | 0:25:26 | |
And so Gayle, Oprah's friend, came over to say hello to us. | 0:25:26 | 0:25:29 | |
And we were at this kind of Siberia-like table. | 0:25:29 | 0:25:34 | |
We were kind of near the loos and I could see Eddie a bit like... | 0:25:34 | 0:25:37 | |
Gayle came over, so that was like the nearness of Gayle, | 0:25:37 | 0:25:41 | |
cos she's Oprah's best friend. | 0:25:41 | 0:25:42 | |
And then she turned round to talk to someone and Eddie said... | 0:25:42 | 0:25:45 | |
Her bum was right there and Eddie said, | 0:25:45 | 0:25:46 | |
"Take a picture, take a picture." | 0:25:46 | 0:25:48 | |
So I took a picture of Gayle's bum and Eddie's head. | 0:25:50 | 0:25:53 | |
And then we saw Oprah way over there. | 0:25:53 | 0:25:56 | |
He said, "Take a picture of Oprah far away and me in a thing." | 0:25:56 | 0:25:59 | |
So I had this camera and I was trying to zoom it in. | 0:25:59 | 0:26:01 | |
It wasn't my camera. It was my husband Grant's, | 0:26:01 | 0:26:03 | |
so I was a little unused to it. I was trying to zoom. | 0:26:03 | 0:26:05 | |
And I got her in focus and then suddenly she stood up. | 0:26:05 | 0:26:08 | |
I was like, "Fuck you, Oprah." | 0:26:08 | 0:26:09 | |
She stood up and started... And I was like, "Oh, Christ!" | 0:26:11 | 0:26:13 | |
And then I realised she was coming towards us | 0:26:13 | 0:26:15 | |
because she was going to the loo. | 0:26:15 | 0:26:17 | |
And I said, "Eddie, she's coming. She's going to come right by here. | 0:26:17 | 0:26:21 | |
"She's going to totally come. "This moment could happen." | 0:26:21 | 0:26:23 | |
And so I'm trying to unzoom the thing to get it back. | 0:26:23 | 0:26:25 | |
And he's freaking out. I can feel his energy - | 0:26:25 | 0:26:27 | |
he's like a tingly little thing. | 0:26:27 | 0:26:29 | |
And as Eddie stands up and he blocks her path, | 0:26:29 | 0:26:32 | |
and I'm trying to fiddle the thing. | 0:26:32 | 0:26:34 | |
And I hear him, in this little choirboy voice going, | 0:26:34 | 0:26:37 | |
"Oprah, may I have a photo with you? | 0:26:37 | 0:26:40 | |
"It would be my dream." | 0:26:41 | 0:26:43 | |
Oprah went, "You gotta get bigger dreams." | 0:26:44 | 0:26:47 | |
So, then I... | 0:26:52 | 0:26:54 | |
I snapped the picture. | 0:26:54 | 0:26:56 | |
I snapped the picture, | 0:26:56 | 0:26:57 | |
and it is one of the worst pictures I've ever taken. | 0:26:57 | 0:27:00 | |
-I'm sure you have it for us all to see. -We do. | 0:27:00 | 0:27:02 | |
This is the picture that Eddie dreamed of getting. | 0:27:02 | 0:27:06 | |
But I actually think it's... I actually think it's perfect, | 0:27:12 | 0:27:15 | |
because it's absolutely what that moment was like. | 0:27:15 | 0:27:18 | |
Oprah is a goddess and she can only be half present. | 0:27:18 | 0:27:23 | |
Eddie was a bloody mess. | 0:27:23 | 0:27:24 | |
Oh, dear! But it's a great book. | 0:27:26 | 0:27:28 | |
Lots of really good stories and lots of... | 0:27:28 | 0:27:30 | |
-And you took all the photographs? -It's a book of photos and stories - I took them all, yeah. | 0:27:30 | 0:27:34 | |
And there's some really eccentric pictures. | 0:27:34 | 0:27:36 | |
This is a woman in the Ritz Carlton. | 0:27:36 | 0:27:39 | |
She was a lady I met in a bar in Boston in a hotel. | 0:27:39 | 0:27:41 | |
Remember when you were little and you used to make puppets with your | 0:27:41 | 0:27:45 | |
mum's tights and you stuffed them with newspapers? | 0:27:45 | 0:27:47 | |
That was what I think her legs looked like. | 0:27:47 | 0:27:49 | |
Did you ask permission? "Can I take a picture of your funny legs?" | 0:27:51 | 0:27:54 | |
Yes, I did. She was drunk at the time, so it didn't matter. | 0:27:54 | 0:27:58 | |
And that's Honey, my dead dog. | 0:27:59 | 0:28:00 | |
-Aw! -Living in the picture, everyone, all right? | 0:28:00 | 0:28:04 | |
-Was he? -What? -Honey was alive then? Yeah. | 0:28:04 | 0:28:08 | |
This wasn't a beautiful parting gesture. | 0:28:08 | 0:28:11 | |
"I'll just take this one last thing. | 0:28:12 | 0:28:14 | |
"One last snap of her feet, Honey!" | 0:28:14 | 0:28:17 | |
And we must mention quickly, you've got a new television show. | 0:28:17 | 0:28:21 | |
-I do, yes. -Yes. -I'm going to be an action hero. | 0:28:21 | 0:28:25 | |
-Isn't it crazy? -It is! It's great, though. | 0:28:25 | 0:28:27 | |
It's proper big CBS. Will it be...? Presumably someone here will buy it. | 0:28:27 | 0:28:31 | |
I hope so, yeah, I'm sure. I don't think they're guaranteed, but... | 0:28:31 | 0:28:34 | |
-What is it? -It's called Instinct. | 0:28:34 | 0:28:36 | |
And I play... | 0:28:37 | 0:28:39 | |
LAUGHTER | 0:28:39 | 0:28:41 | |
He really is the star of it. | 0:28:41 | 0:28:43 | |
He's not just pivotal - it is about him. | 0:28:43 | 0:28:46 | |
I play this professor of behavioural analysis at Penn State University | 0:28:46 | 0:28:50 | |
and he has idiosyncratic teaching methods. | 0:28:50 | 0:28:53 | |
A little bit of an oddball. | 0:28:53 | 0:28:56 | |
Imagine! And then we discover that not only am I a professor, | 0:28:56 | 0:29:00 | |
-I used to be a CIA agent. -No! | 0:29:00 | 0:29:02 | |
-Naturally! -Get out of town! -Don't give it all away. | 0:29:02 | 0:29:05 | |
You find out in the first five minutes. | 0:29:05 | 0:29:08 | |
So I'm drawn back into the field and my CIA past obviously helps... | 0:29:09 | 0:29:15 | |
And also, I'm gay and I have a husband in it | 0:29:15 | 0:29:17 | |
and we're trying to adopt a child, and it's the first network drama | 0:29:17 | 0:29:20 | |
in America to have a gay character as the leading role. | 0:29:20 | 0:29:23 | |
-Oh, wow! Well done, you. -Finally! | 0:29:23 | 0:29:25 | |
Congratulations. Brilliant! | 0:29:25 | 0:29:28 | |
APPLAUSE DROWNS SPEECH | 0:29:28 | 0:29:30 | |
Now, Nicole, am I allowed to say that someone on the couch - you - | 0:29:30 | 0:29:34 | |
you've got one of those birthdays coming up. | 0:29:34 | 0:29:37 | |
-You are allowed, yes. -Next month? -Yeah. | 0:29:37 | 0:29:40 | |
-We're saying the number, aren't we? -Ha-ha! | 0:29:40 | 0:29:44 | |
If I looked like you, I'd be SCREAMING the number. | 0:29:44 | 0:29:47 | |
Yeah, no, no, I'm totally... I'm going to be 50, and I'm so excited. | 0:29:47 | 0:29:50 | |
CHEERING Wow. | 0:29:50 | 0:29:53 | |
We don't want to spoil any surprises, | 0:29:57 | 0:29:58 | |
but anything good planned? | 0:29:58 | 0:30:00 | |
Yes, absolutely. | 0:30:01 | 0:30:03 | |
I've got a lot of good stuff planned, but I can't mention it. | 0:30:03 | 0:30:05 | |
Are you not involved in it at all? | 0:30:05 | 0:30:07 | |
You're just trusting him? | 0:30:07 | 0:30:09 | |
I'm not a big birthday person. | 0:30:09 | 0:30:10 | |
She's not good with surprises at all. | 0:30:10 | 0:30:13 | |
No, I actually break out in a cold sore if I have a surprise. | 0:30:13 | 0:30:18 | |
And that plus birthday is really bad. | 0:30:18 | 0:30:21 | |
Since I was little, yeah, I get cold sores. | 0:30:21 | 0:30:25 | |
Gosh. I had... | 0:30:25 | 0:30:27 | |
But I did have a surprise party once when I was 30, | 0:30:27 | 0:30:30 | |
and it was so shocking to me because people had come from overseas and | 0:30:30 | 0:30:34 | |
they'd set it all up and I sort of walked in and I broke out | 0:30:34 | 0:30:37 | |
-in a cold sore. -Like, immediately, a cold sore comes out? | 0:30:37 | 0:30:40 | |
On the spot. Yeah. | 0:30:40 | 0:30:42 | |
It was so... | 0:30:42 | 0:30:44 | |
Like, my whole body couldn't understand. | 0:30:44 | 0:30:46 | |
Cos, actually, I'd been on the phone to my mother - here's why I did - | 0:30:46 | 0:30:50 | |
I said "Dad, can you get my mum?" | 0:30:50 | 0:30:52 | |
He was like, "Oh, no, she's in the garden." Right. | 0:30:52 | 0:30:55 | |
And then I walked into the room and my mum was there | 0:30:55 | 0:30:59 | |
and I'd called Australia, and this was in Montana and I'm like... | 0:30:59 | 0:31:03 | |
"Whoa!" | 0:31:03 | 0:31:04 | |
-Then I broke out in a cold sore. -Cold sore, of course! | 0:31:05 | 0:31:08 | |
The night was awful. | 0:31:08 | 0:31:10 | |
I was like "I've got to go! I feel revolting! I got to go home." | 0:31:10 | 0:31:14 | |
"No photographs!" | 0:31:14 | 0:31:17 | |
The other thing with a surprise party... I mean, | 0:31:17 | 0:31:19 | |
I'm sure some people love a surprise party. But, as a girl, | 0:31:19 | 0:31:23 | |
you kind of want to be dressed and ready for it. | 0:31:23 | 0:31:27 | |
You don't want to be in your sweat pants and a T-shirt | 0:31:27 | 0:31:30 | |
and everyone else is all dressed up and you've got a cold sore and... | 0:31:30 | 0:31:36 | |
-But, Keith, the 40th... -It just doesn't go well. | 0:31:36 | 0:31:38 | |
-I've got them right here. -Come in, everyone. | 0:31:38 | 0:31:42 | |
But the 40th - was that a surprise, what you did for the 40th? | 0:31:45 | 0:31:48 | |
That sounded so lovely. | 0:31:48 | 0:31:49 | |
Yeah. I lit off a tonne of fireworks. | 0:31:49 | 0:31:52 | |
-Well, -I -didn't do it, but... -You must have broken out in all sorts of | 0:31:52 | 0:31:55 | |
things if you didn't know those were coming. | 0:31:55 | 0:31:58 | |
..about this, and with the... | 0:31:58 | 0:32:00 | |
Yeah, he did fireworks on my 40th, | 0:32:00 | 0:32:02 | |
which was amazing. | 0:32:02 | 0:32:04 | |
-For just the two of you? -Yeah. -I think that's amazing. | 0:32:04 | 0:32:07 | |
There were two of you and you set fireworks off suddenly? | 0:32:07 | 0:32:10 | |
Yeah, I... Well, she was shooting a film - | 0:32:10 | 0:32:13 | |
Australia, the Baz Luhrmann film - | 0:32:13 | 0:32:15 | |
and we were in this very small town in Australia | 0:32:15 | 0:32:17 | |
and I miraculously found some company nearby that did fireworks | 0:32:17 | 0:32:21 | |
and said, "Bring everything you have. Just bring everything." | 0:32:21 | 0:32:24 | |
-And there was a little mountaintop or something. -Yeah. | 0:32:24 | 0:32:28 | |
And I had a couch taken up there, dropped off there, | 0:32:28 | 0:32:31 | |
and we drove up there and we got out of the car and I said, | 0:32:31 | 0:32:33 | |
"Look, there's a couch over here." She's like, "A couch?" | 0:32:33 | 0:32:36 | |
And we sat down and then all these fireworks started going off. | 0:32:36 | 0:32:40 | |
You win. You win. | 0:32:40 | 0:32:41 | |
-That's... -Yeah, that was... -..very good. | 0:32:43 | 0:32:46 | |
Nicole, you've got another great TV show returning to BBC Two | 0:32:48 | 0:32:51 | |
later this year, Jane Campion's Top Of The Lake. | 0:32:51 | 0:32:53 | |
This one is called China girl. | 0:32:53 | 0:32:55 | |
This is... I have a supporting role in this. | 0:32:55 | 0:32:57 | |
This is Lizzie Moss's series that she started with Jane. | 0:32:57 | 0:33:01 | |
And I don't know if anyone saw the first series - it was fantastic. | 0:33:01 | 0:33:05 | |
CHEERING AND APPLAUSE It's so good. And I've seen some of it - | 0:33:05 | 0:33:08 | |
you're really good in it. | 0:33:08 | 0:33:09 | |
-You're fantastic. -I'm very different in it. -You are, | 0:33:09 | 0:33:12 | |
-but really great. -But, as an actor, and I'm sure Alan's... | 0:33:12 | 0:33:15 | |
To be able to play so many different roles at this stage | 0:33:15 | 0:33:19 | |
in my life is fantastic. Something like Big Little Lies - | 0:33:19 | 0:33:22 | |
Reese and I... | 0:33:22 | 0:33:24 | |
APPLAUSE Yeah, people love that show. | 0:33:24 | 0:33:26 | |
That came out of frustration because we were like, | 0:33:27 | 0:33:31 | |
"We're not being offered complicated, interesting roles | 0:33:31 | 0:33:34 | |
"right now, so we need to go and do it ourselves." | 0:33:34 | 0:33:38 | |
And then we were able to offer our friends roles. | 0:33:38 | 0:33:41 | |
Laura Dern and Shailene Woodley and all of the women that are in it | 0:33:41 | 0:33:46 | |
are friends of ours. | 0:33:46 | 0:33:48 | |
So we were able to generate work not just for ourselves but for our | 0:33:48 | 0:33:51 | |
friends, and that felt really cool. | 0:33:51 | 0:33:53 | |
Because it's Jane Campion... | 0:33:53 | 0:33:55 | |
No, this was Big Little Lies. | 0:33:55 | 0:33:56 | |
-No, I know, but Top Of The Lake... -Sorry, right. | 0:33:56 | 0:33:58 | |
Top Of The Lake was Jane Campion. | 0:33:58 | 0:34:00 | |
It is always that embarrassing thing where you don't want to assume | 0:34:00 | 0:34:03 | |
-that Australian people know each other... -Right. -..just because | 0:34:03 | 0:34:06 | |
they're from Australia, but you have known her for donkey's years. | 0:34:06 | 0:34:10 | |
-Jane discovered me in a drama school when I was 14 years old. -Wow! | 0:34:10 | 0:34:15 | |
And she cast me in her student film at the time. | 0:34:15 | 0:34:19 | |
And we have a friendship, you know, and I'm now 50, | 0:34:19 | 0:34:23 | |
so, I mean, that many years. | 0:34:23 | 0:34:25 | |
And that, to me, is the great thing about this industry, | 0:34:25 | 0:34:28 | |
is when you can have that journey together. | 0:34:28 | 0:34:31 | |
You nearly didn't, because didn't you not do that student film? | 0:34:31 | 0:34:34 | |
I didn't do the student film, because... | 0:34:34 | 0:34:36 | |
I very much regret it. | 0:34:36 | 0:34:39 | |
But I didn't do it, cos she wanted me to wear a shower cap | 0:34:39 | 0:34:42 | |
and kiss a girl, and I was 14 at the time and I was like, | 0:34:42 | 0:34:45 | |
"No, no, I want to kiss a boy I want to have nice hair." | 0:34:45 | 0:34:48 | |
Which was worse - the shower cap, or kissing the girl? | 0:34:48 | 0:34:51 | |
-I'd say the shower cap. -The shower cap! | 0:34:52 | 0:34:54 | |
Now, I'd be like, "Yes, please! | 0:34:56 | 0:34:57 | |
"I'll kiss a girl, I'll wear a shower cap." | 0:34:57 | 0:35:00 | |
I'd be showing you clips of it now, so you're glad you didn't do it. | 0:35:00 | 0:35:03 | |
-It's a fantastic film. Are you kidding? -Oh, is it? | 0:35:03 | 0:35:05 | |
-Oh, I wish I was in it. -Do we know anyone who was in it? | 0:35:05 | 0:35:07 | |
-Who played you? -Er... -There you go, see? | 0:35:07 | 0:35:10 | |
Doesn't matter, Alan. | 0:35:10 | 0:35:13 | |
A really good Australian actress, who... | 0:35:13 | 0:35:18 | |
I don't know. | 0:35:18 | 0:35:19 | |
They're really good in Australia - they're excellent. | 0:35:21 | 0:35:24 | |
They won't be throwing things at the television right now. | 0:35:24 | 0:35:27 | |
-It's a really good actress. -We'll cut this bit out - don't worry. | 0:35:27 | 0:35:30 | |
We'll just dub in her name. | 0:35:33 | 0:35:36 | |
In my voice. | 0:35:36 | 0:35:38 | |
"Mary Smith." | 0:35:38 | 0:35:39 | |
Anyway, for any trivia, the film is called A Girl's Own Story, | 0:35:42 | 0:35:47 | |
and it's part of her film-school work that Jane had. | 0:35:47 | 0:35:50 | |
She made some amazing film-school films. | 0:35:50 | 0:35:53 | |
Let's have a clip of Top Of The Lake, | 0:35:53 | 0:35:56 | |
and this is you and Elisabeth Moss having a confrontation. So good! | 0:35:56 | 0:35:59 | |
Hi, there. | 0:36:00 | 0:36:01 | |
I'm just leaving. | 0:36:02 | 0:36:03 | |
I, er, got stood up by Mary at the Sushi Train. | 0:36:06 | 0:36:09 | |
You haven't heard from her, have you? | 0:36:09 | 0:36:11 | |
-Sorry, no. -Pike said that she stayed with you. | 0:36:11 | 0:36:15 | |
Thanks for that. It's little a bit awkward right now, | 0:36:15 | 0:36:18 | |
so all hands on deck, right? | 0:36:18 | 0:36:20 | |
She's my daughter, too. | 0:36:20 | 0:36:22 | |
You think that, do you? | 0:36:25 | 0:36:26 | |
Yes. | 0:36:27 | 0:36:28 | |
Before she was born, while she was unconscious... | 0:36:32 | 0:36:35 | |
-Julia! -What? Come on! | 0:36:35 | 0:36:37 | |
I'm grateful - of course I am - | 0:36:37 | 0:36:39 | |
but I'm the one who cared for her | 0:36:39 | 0:36:41 | |
every single day, every single night, | 0:36:41 | 0:36:43 | |
since she was a baby, so... | 0:36:43 | 0:36:45 | |
Her? Nine months. | 0:36:48 | 0:36:49 | |
-That's enough. -What? That's enough? | 0:36:49 | 0:36:52 | |
I am her mother. | 0:36:52 | 0:36:53 | |
Not two. | 0:36:57 | 0:36:58 | |
Ooh, so good! | 0:36:58 | 0:37:00 | |
Excellent. | 0:37:00 | 0:37:02 | |
Right, it's time to meet my final guest. | 0:37:04 | 0:37:07 | |
This lady is a nine-time Grammy Award winner - awkward! - | 0:37:07 | 0:37:11 | |
and has sold over 50 million albums worldwide. | 0:37:11 | 0:37:16 | |
Here performing... It's not a competition! | 0:37:16 | 0:37:18 | |
Here performing her new single, Be Myself, please welcome Sheryl Crow. | 0:37:18 | 0:37:22 | |
CHEERING AND APPLAUSE | 0:37:22 | 0:37:24 | |
# I saw my shrink today | 0:37:35 | 0:37:37 | |
# He said, "Girl, I can't help you | 0:37:37 | 0:37:40 | |
# "I've been seeing you so long | 0:37:42 | 0:37:46 | |
# "But nothing has changed | 0:37:46 | 0:37:48 | |
# "You tried Adderall and alcohol | 0:37:51 | 0:37:55 | |
# "Sadly the fact remains | 0:37:55 | 0:37:57 | |
# "You're terminally normal, I'm sorry to say" | 0:38:00 | 0:38:04 | |
# So I shaved my head and I changed my name | 0:38:07 | 0:38:12 | |
# And I gave my pills away | 0:38:12 | 0:38:17 | |
# If I can't be someone else | 0:38:18 | 0:38:22 | |
# If I can't be someone else | 0:38:22 | 0:38:26 | |
# Oh, if I can't be someone else | 0:38:26 | 0:38:30 | |
# I might as well be myself, myself | 0:38:31 | 0:38:35 | |
# Be myself | 0:38:38 | 0:38:39 | |
# Hanging with the hipsters is a lot of hard work | 0:38:43 | 0:38:47 | |
# How many selfies can you take before you look like a jerk? | 0:38:51 | 0:38:56 | |
# I took an Uber to a juice bar to hear a new indie band play | 0:38:59 | 0:39:04 | |
# They got 99 million followers in only one day | 0:39:07 | 0:39:12 | |
# Well, I snapped that pic and I made the slip | 0:39:15 | 0:39:19 | |
# I got into a stranger's car | 0:39:19 | 0:39:21 | |
# Well, the heels don't fit so I finally quit | 0:39:23 | 0:39:27 | |
# And headed back to my favourite bar | 0:39:27 | 0:39:32 | |
# If I can't be someone else | 0:39:33 | 0:39:38 | |
# If I can't be someone else | 0:39:38 | 0:39:41 | |
# Oh, if I can't be someone else | 0:39:41 | 0:39:46 | |
# I might as well be myself, myself | 0:39:47 | 0:39:51 | |
# Woo | 0:39:53 | 0:39:54 | |
# Don't you wanna be your own girl? | 0:39:58 | 0:40:01 | |
# Don't you wanna be your own girl? | 0:40:03 | 0:40:05 | |
# Don't you wanna be your own girl? | 0:40:07 | 0:40:10 | |
# Oh, oh | 0:40:11 | 0:40:14 | |
# If I can't be someone else | 0:40:14 | 0:40:18 | |
# If I can't be someone else | 0:40:18 | 0:40:22 | |
# Oh, if I can't be someone else | 0:40:22 | 0:40:27 | |
# Ow! | 0:40:29 | 0:40:31 | |
# If I can't be someone else | 0:40:31 | 0:40:35 | |
# If I can't be someone else | 0:40:35 | 0:40:38 | |
# Oh, if I can't be someone else | 0:40:38 | 0:40:43 | |
# I might as well Might as well be myself | 0:40:44 | 0:40:48 | |
# Ooh. # | 0:40:49 | 0:40:52 | |
CHEERING AND APPLAUSE | 0:41:00 | 0:41:04 | |
Sheryl Crow, everybody. | 0:41:05 | 0:41:07 | |
Come on over and join me. | 0:41:08 | 0:41:10 | |
Sheryl Crow! Beautiful job. Thank you so much. | 0:41:10 | 0:41:14 | |
Thank you. Lovely to see you. | 0:41:14 | 0:41:16 | |
Come and see the others. There's Alan, Keith, Nicole, Sheryl. | 0:41:16 | 0:41:21 | |
APPLAUSE DROWNS SPEECH | 0:41:21 | 0:41:23 | |
Hi, hi, hi. Have a seat, do. | 0:41:29 | 0:41:31 | |
-I think I'm... Am I here? -That's traditional. There you go. | 0:41:31 | 0:41:36 | |
Often when the musician comes over, I introduce the musician to the... | 0:41:36 | 0:41:41 | |
-But you know everyone. -We're like neighbours. | 0:41:41 | 0:41:44 | |
Genuinely, like, a few doors down. | 0:41:44 | 0:41:46 | |
-Like a mile away from each other. -Yeah. -Yeah. | 0:41:46 | 0:41:48 | |
-We just went on a girls' trip. -Yes, we did. | 0:41:48 | 0:41:51 | |
-Which was fantastic. -It was awesome. -I didn't want to leave. | 0:41:51 | 0:41:54 | |
There were seven of us, who are all friends, in Nashville, | 0:41:54 | 0:41:57 | |
all women, and we all went away, for just two nights. | 0:41:57 | 0:42:01 | |
Only two nights. None of us wanted to leave. | 0:42:01 | 0:42:03 | |
-It was like leaving camp. -"Oh, we can't make it." | 0:42:03 | 0:42:05 | |
We all went and we just had the best time. | 0:42:05 | 0:42:08 | |
-Where did you go? -We went to the Bahamas. | 0:42:08 | 0:42:10 | |
-Yes. -For two nights? Oh, I guess you're nearer. | 0:42:10 | 0:42:14 | |
From here, that would be quite a long way. | 0:42:14 | 0:42:16 | |
My geography is not great. | 0:42:17 | 0:42:20 | |
We should mention, by the way, | 0:42:20 | 0:42:21 | |
that is from the album Be Myself, which is out now. | 0:42:21 | 0:42:24 | |
-Yes. -There it is. Product, product, product. | 0:42:24 | 0:42:28 | |
-I love that! -It's a great album. | 0:42:28 | 0:42:31 | |
-So, you're neighbours with them. -Yes. | 0:42:31 | 0:42:34 | |
And, Alan, you have an odd connection. | 0:42:34 | 0:42:36 | |
Yes. So... | 0:42:36 | 0:42:37 | |
Keep it clean, keep it clean. | 0:42:39 | 0:42:42 | |
Totally. | 0:42:42 | 0:42:44 | |
My manager, Jason... We were at a fundraising thing - | 0:42:44 | 0:42:49 | |
-you know Jason Weinberg? -Yeah. | 0:42:49 | 0:42:51 | |
And there was a prize you could win in the auction thing | 0:42:51 | 0:42:55 | |
that was to sing backing vocals at one of Sheryl's concerts. | 0:42:55 | 0:42:59 | |
I was with Jason. I can't... | 0:42:59 | 0:43:00 | |
But anyway, bought me the prize of being Sheryl's backup vocalist. | 0:43:00 | 0:43:06 | |
-Have you done it? -No. -No! | 0:43:06 | 0:43:08 | |
But I'm getting ready to play in New York City, so... | 0:43:08 | 0:43:11 | |
-Oh, you are? -Yes. -We keep trying but we never... | 0:43:11 | 0:43:13 | |
I have a fantastical outfit I want you to wear. | 0:43:13 | 0:43:15 | |
Actually, there's no pants, though, with it! | 0:43:15 | 0:43:18 | |
I'm there! I'm in! | 0:43:18 | 0:43:20 | |
-OK, yes. The Beacon. -The Beacon? -I'm going to get you the dates. | 0:43:20 | 0:43:23 | |
I don't know the dates, but it is in June. | 0:43:23 | 0:43:25 | |
-Will you do it? -Yes, I'm totally there. Well, actually... Late June? | 0:43:25 | 0:43:29 | |
Can we do this afterwards? | 0:43:29 | 0:43:30 | |
Tick-tock! | 0:43:32 | 0:43:33 | |
Getting diaries out. | 0:43:35 | 0:43:37 | |
"I'm not sure. Can you do dinner afterwards?" | 0:43:37 | 0:43:40 | |
"I could maybe make it between..." | 0:43:40 | 0:43:42 | |
Now, new album, presumably... Are you touring the new album? | 0:43:42 | 0:43:45 | |
We're trying. We want to do some summer festivals, | 0:43:45 | 0:43:47 | |
so anyone that's a promoter, knows a promoter, related to a promoter, | 0:43:47 | 0:43:50 | |
married to a promoter, divorced from a promoter, | 0:43:50 | 0:43:53 | |
Instagrams with promoters, let 'em know. | 0:43:53 | 0:43:56 | |
Urban Army are very keen to know... Are you touring here? | 0:43:56 | 0:44:00 | |
Not right now but I hope we get to do it... | 0:44:00 | 0:44:02 | |
-AUDIENCE MEMBER SHOUTS OUT -Yes, very soon. | 0:44:02 | 0:44:04 | |
I feel like I'm getting in trouble. | 0:44:04 | 0:44:06 | |
"No, I never intended to perform here again." | 0:44:06 | 0:44:10 | |
"That was my last performance." | 0:44:10 | 0:44:11 | |
-No, you will come back for the Urban Army. -Absolutely. | 0:44:11 | 0:44:14 | |
-Of course. -Urban Army! I like that. | 0:44:14 | 0:44:18 | |
They made it slightly menacing. | 0:44:18 | 0:44:20 | |
Sheryl Crows - what are they called? | 0:44:20 | 0:44:23 | |
-I don't have an army. -Aw! | 0:44:23 | 0:44:26 | |
-I know. -Crow's feet? -I feel kind of ripped off. | 0:44:26 | 0:44:28 | |
What was that? Crow's feet. | 0:44:28 | 0:44:30 | |
Yeah, the Crow's feet. Actually, most of my audience could qualify. | 0:44:30 | 0:44:36 | |
Thank you very much for that performance - Sheryl Crow. | 0:44:37 | 0:44:40 | |
CHEERING AND APPLAUSE | 0:44:40 | 0:44:42 | |
Nearly it but, before we go, we do have time for a visit | 0:44:44 | 0:44:47 | |
to the big red chair. Who is there? | 0:44:47 | 0:44:48 | |
-Oh, hello. Hi. What's your name? -Wendy. | 0:44:48 | 0:44:51 | |
Wendy. Lovely, Wendy. What do you do? | 0:44:51 | 0:44:53 | |
I'm a medical secretary for an orthopaedic surgeon. | 0:44:53 | 0:44:55 | |
-And where does that happen? -In Guildford. Just outside. | 0:44:55 | 0:44:58 | |
-In Milford? -Yes. -Milford. Milford. | 0:44:58 | 0:45:01 | |
-No, Guildford. -Hmm? -Guildford! | 0:45:01 | 0:45:04 | |
Guildford! Not Milford - Guildford. | 0:45:04 | 0:45:06 | |
-I say, Guildford! -Got it! | 0:45:07 | 0:45:10 | |
OK, Wendy, off you go with your story. | 0:45:10 | 0:45:12 | |
So, when I used to live in Cumbria, | 0:45:12 | 0:45:15 | |
there are loads of pubs - small market town - | 0:45:15 | 0:45:17 | |
and we used to go for drinks every Saturday night. Big pub crawl. | 0:45:17 | 0:45:21 | |
Raced from one pub to the other. Last one in had to buy the drinks. | 0:45:21 | 0:45:25 | |
So, usual - racing ahead. | 0:45:25 | 0:45:28 | |
I got to the pub first - really pleased. | 0:45:28 | 0:45:30 | |
Get to the bar to order the drink, knowing I'm not going to pay for it, | 0:45:30 | 0:45:33 | |
and I got to the bar and everybody was looking at me and the barman was | 0:45:33 | 0:45:37 | |
looking, my friends were looking at me and their mouths were agape. | 0:45:37 | 0:45:41 | |
I was like, "What's the problem?" | 0:45:41 | 0:45:43 | |
They were all looking down, open-mouthed. | 0:45:43 | 0:45:45 | |
I looked down and my boob tube had rolled completely down... | 0:45:45 | 0:45:49 | |
Needless to say, I did get served very quickly. | 0:45:52 | 0:45:54 | |
Oh, you want me to do it? OK! | 0:45:56 | 0:46:01 | |
There you go! Wahey! | 0:46:01 | 0:46:03 | |
-She wanted to be. She asked! -OK. I didn't hear. | 0:46:03 | 0:46:05 | |
She's fun, is Wendy, isn't she? | 0:46:05 | 0:46:08 | |
She's wasted as an orthopaedic surgeon's secretary. | 0:46:08 | 0:46:11 | |
-She needs to get out more. -I wonder if she wears a boob tube to work. | 0:46:11 | 0:46:14 | |
LAUGHTER DROWNS SPEECH | 0:46:14 | 0:46:16 | |
I guess running in a boob tube is never a... It's a mistake. | 0:46:16 | 0:46:21 | |
-One more. One more. Here we go. -Hey, Graham, if he gets pushed, can I push the thing? | 0:46:21 | 0:46:25 | |
-Yes, of course. -I've always wanted to do that. -Well, stand by. | 0:46:25 | 0:46:28 | |
-All right, OK. Here we go. What's your name, sir? -Marcel. | 0:46:28 | 0:46:32 | |
Marcel. How tall are you, Marcel? | 0:46:32 | 0:46:35 | |
-180. -What is that in measurements I might understand? | 0:46:35 | 0:46:39 | |
180 metres. How do you change it to your...? | 0:46:39 | 0:46:43 | |
I've lost interest, Marcel. | 0:46:43 | 0:46:44 | |
Oh! | 0:46:44 | 0:46:46 | |
I've wanted to do that for so long! | 0:46:49 | 0:46:52 | |
Thank you, Alan. Well done, everyone. If you'd like to join us | 0:46:52 | 0:46:55 | |
on the show and have a go in the red chair, | 0:46:55 | 0:46:58 | |
you can contact us via our website at this very address. | 0:46:58 | 0:47:00 | |
I'd say about seven feet. Seven feet tall. That is it for tonight. | 0:47:00 | 0:47:04 | |
Please, a huge thank you to my guests... | 0:47:04 | 0:47:06 | |
Sheryl Crow. CHEERING AND APPLAUSE | 0:47:06 | 0:47:08 | |
Alan Cumming. CHEERING AND APPLAUSE | 0:47:08 | 0:47:11 | |
Keith Urban. CHEERING AND APPLAUSE | 0:47:11 | 0:47:13 | |
And Nicole Kidman! CHEERING AND APPLAUSE | 0:47:13 | 0:47:16 | |
Join me next week with guests including | 0:47:16 | 0:47:19 | |
former One Directioner Liam Payne, | 0:47:19 | 0:47:21 | |
comedian and writer David Walliams | 0:47:21 | 0:47:22 | |
and the fabulous Salma Hayek. | 0:47:22 | 0:47:24 | |
I'll see you then. Good night, everybody. Bye-bye. | 0:47:24 | 0:47:26 |