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Tonight: We have one of the stars of EastEnders. Really? Which one? | :00:10. | :00:19. | |
don't know! AUDIENCE MEMBER PLAYS A DRUM Let's start the show! How good | :00:19. | :00:29. | |
:00:29. | :00:40. | ||
CHEERING AND APPLAUSE Hello! Thank you very much. Thank | :00:40. | :00:45. | |
you. Well done, Simon, very good. Hello, everybody and welcome! | :00:45. | :00:52. | |
CHEERING Oh. So everyone enjoying Wimbledon? | :00:52. | :00:57. | |
AUDIENCE: Yes! All right. This could be our year, couldn't it? It | :00:58. | :01:02. | |
could be our year. Come on, Andy! Or if you are watching the Monday | :01:02. | :01:08. | |
repeat, bad luck, Andy. LAUGHTER Lots of celebritys in the crowd | :01:08. | :01:15. | |
this week including the Duchess of Cornwall. Yes, she was there. The | :01:15. | :01:23. | |
ball disappeared, I don't know where it went! LAUGHTER What is she | :01:23. | :01:31. | |
doing? That's a real picture. What is she doing? A gorgeous sofa for | :01:31. | :01:35. | |
you this week, the beautiful Kim Cattrall is here. Yes. The | :01:35. | :01:40. | |
beautiful Jessie Wallace is here. APPLAUSE And Lee Mack is here. | :01:41. | :01:47. | |
APPLAUSE And we will also be having music from The Saturdays. | :01:47. | :01:55. | |
CHEERING Hello! I think welcome back to Jessie Wallace. Jessie | :01:55. | :02:00. | |
plays Kat Moon in EastEnders. I love Kat Moon's fake tan. They have | :02:00. | :02:09. | |
a special make-up artist who puts it on, they do. LAUGHTER It's weird. | :02:09. | :02:19. | |
:02:19. | :02:21. | ||
If you Google "Kat" and "Moon" you get this. APPLAUSE Kim Cattrall is | :02:21. | :02:29. | |
here. Really excited. We all loved her in Sex and the City. | :02:29. | :02:33. | |
CHEERING Four sophisticated metropolitan women. We have a | :02:33. | :02:40. | |
similar show here. LAUGHTER More Against The Wall Behind ASDA! | :02:40. | :02:50. | |
:02:50. | :02:50. | ||
APPLAUSE Kim's fabulous in Sex and the City. How many men did she get | :02:50. | :02:55. | |
through? Kim's in a new film where she plays an ex-porn star who | :02:55. | :03:03. | |
becomes a stripper. In America, that's very sexy. In Britain, not | :03:03. | :03:07. | |
so much! Let's get some guests on, ladies and gentlemen. Later, we | :03:07. | :03:11. | |
will have music from The Saturdays. CHEERING First, just what you need | :03:11. | :03:16. | |
for Wimbledon week, a mac, it's Lee Mack. | :03:16. | :03:25. | |
CHEERING Look at you all smart. I'm over the moon she's here, it is | :03:25. | :03:33. | |
Jessie Wallace. CHEERING Hi. Look at you! There she | :03:33. | :03:41. | |
is. Take a seat. And she's the sexiest woman in any city, it is | :03:41. | :03:51. | |
:03:51. | :03:54. | ||
Kim Cattrall! CHEERING AND APPLAUSE Sit yourself down. Oh. What a sexy | :03:54. | :04:01. | |
couch. You are patronising me by saying that but thank you. Jessie, | :04:01. | :04:05. | |
are you going to be able to get through a whole show without crying | :04:05. | :04:11. | |
or punching someone? I'll try. Seriously. Men and women. Do you | :04:11. | :04:15. | |
watch EastEnders? No, I don't. it true you said somewhere that you | :04:15. | :04:19. | |
would like to be in Coronation Street? Being born in Liverpool I | :04:19. | :04:23. | |
felt that was an easy extension, wouldn't you think? Lee, you are | :04:23. | :04:31. | |
from up north. Is it the law... What was that? Up north! Up north? | :04:31. | :04:39. | |
Why don't I put on my wellies and do some Riverdance?! Being back in | :04:39. | :04:43. | |
EastEnders - there is a sweet story about the first time when the | :04:43. | :04:48. | |
Slaters - you got a tour? They showed us around the lot, around | :04:48. | :04:51. | |
the Square and they showed us the Tube station and I remember | :04:52. | :04:57. | |
standing there thinking, "Oh my God, a train that comes into work." | :04:57. | :05:07. | |
:05:07. | :05:10. | ||
LAUGHTER I didn't tell anyone for years and one day I told Shane | :05:10. | :05:14. | |
while we were working and he burst out laughing, about to go for a | :05:14. | :05:18. | |
take and he grabbed the boom and pulled it down and he told | :05:18. | :05:23. | |
everybody. What line did you think it was on? I don't know. A train | :05:23. | :05:28. | |
station to work... And it was so quiet! LAUGHTER Now, Kim, you | :05:29. | :05:32. | |
haven't been in EastEnders, but you have been in a long-running | :05:32. | :05:36. | |
television institution. I saw you at Wimbledon on the telly. Very | :05:36. | :05:41. | |
exciting. It is my second year. The first year I saw the men's finals | :05:41. | :05:50. | |
and I met Colin Firth. Ooh! A good day. Yesterday, you looked on the | :05:50. | :05:54. | |
dge of your seat watching that match. -- the edge of your seat | :05:54. | :06:00. | |
watching that match. You are going to do this! I had an itch and I was | :06:00. | :06:04. | |
scratching it. I love how bored everybody looks. Everybody is | :06:04. | :06:10. | |
looking in different directions. I like that little lady there. She | :06:10. | :06:14. | |
looks like she is having a nice time. Did you meet everybody? | :06:14. | :06:21. | |
really, no. It is about the match. In-and-out. Yes. Lee, tennis fan, | :06:21. | :06:28. | |
no? Why would you assume no? don't know. The subtext of, not you, | :06:28. | :06:37. | |
you scumbag. I find it a bit... Boring? Arousing. British men never | :06:37. | :06:47. | |
:06:47. | :06:48. | ||
cease to amaze me. You won't be amazed. I'm not amazed. Jessie, do | :06:48. | :06:53. | |
you like tennis? No. I think it is raemly boring. I like the sound of | :06:53. | :06:57. | |
it -- really boring. I like the sound of it in the background but I | :06:57. | :07:05. | |
don't like watching it. You know it is going well and some applause, | :07:05. | :07:11. | |
that was good! LAUGHTER Grand formal occasions Jessie doesn't | :07:11. | :07:16. | |
have a lot of luck. She was nominated for a BAFTA. | :07:16. | :07:22. | |
Congratulations. Thank you. still... I lost my ticket! Jessie | :07:22. | :07:27. | |
is, like, one of the leads in the biggest soap opera in the country | :07:27. | :07:32. | |
showinging up at the television awards ceremony and -- showing up | :07:32. | :07:38. | |
at the television awards ceremony and... They wouldn't let you in? | :07:38. | :07:47. | |
They wouldn't. We had to walk two streets... But I'm a nominee! | :07:47. | :07:54. | |
nominee! LAUGHTER That's terrible. Then you lost? I did, thanks for | :07:54. | :08:03. | |
reminding me. APPLAUSE I know what it is like, I have been nominated | :08:03. | :08:11. | |
for five Emmys, oh friggin'hell! didn't say that. Did you put on a | :08:11. | :08:16. | |
good face? I did. Let's see it. Someone made me laugh so that was a | :08:16. | :08:24. | |
good thing. As soon as the camera went I was like... Who beat you? | :08:24. | :08:33. | |
Another actress. I can't remember her name! Misfits! She's great! She | :08:33. | :08:42. | |
is really great. Her acting is BAFTA-winning! Now, welcome back, | :08:42. | :08:46. | |
Kim Cattrall. You spend loads of time here now? I do. I like being | :08:46. | :08:53. | |
here very much. We like you being here. You forged this, you made | :08:53. | :08:57. | |
really smart choices. Thank you. is a hard thing to walk away from | :08:57. | :09:02. | |
something like that. It is. People think you are that character. It | :09:02. | :09:07. | |
follows you. Jessie Wallace, a big fan? I am a huge fan. Thank you. | :09:07. | :09:13. | |
You watch it with your daughter... No, I don't watch it... In the | :09:13. | :09:18. | |
background with the tennis. I'm a huge fan. I have it on quite a lot. | :09:18. | :09:22. | |
I don't want her to watch the rude bits. When they come on and if she | :09:22. | :09:29. | |
is in the room, I have to jump in front of the telly going la-la, you | :09:29. | :09:35. | |
know, doing the... Not me, Samantha. People always say, we have seen you | :09:35. | :09:40. | |
nude, no, no, you have seen Samantha nude. I'm like this nude. | :09:40. | :09:44. | |
But she is like this. It is a great thing you are in a huge big hit, | :09:44. | :09:47. | |
which is a fabulous thing. There must be a moment when you like to | :09:47. | :09:53. | |
turn that off? A little bit. I feel sorry for Lee, people come up to us | :09:53. | :09:59. | |
thinking they know us... together, they don't come up to us | :09:59. | :10:09. | |
:10:09. | :10:10. | ||
and go, "I never knew you..." I'm Arthur, he's Martha! APPLAUSE I | :10:10. | :10:18. | |
love the way Lee thought that through(!) It worked out. I'm a | :10:18. | :10:22. | |
very giving person. That's beautiful. What is nice is, if | :10:22. | :10:29. | |
people come and talk to us, they do sort of know us. Yes. They don't | :10:29. | :10:33. | |
know you. No. Which must be doubly difficult? It can be very | :10:33. | :10:38. | |
challenging in some ways, yes. they call you by your fictional | :10:38. | :10:46. | |
name? They call me Sam. A lot of people say, "Kat, where's Alfie?" | :10:46. | :10:54. | |
And I turn round and go, "I have no idea. I'm a nominee!" You could get | :10:54. | :11:00. | |
a BAFTA because of this, you know. Are people lovely to you, Jessie? | :11:00. | :11:04. | |
People are really lovely. A little while ago I was at a funfair and I | :11:04. | :11:10. | |
got surrounded by these girls that looked like they were out of My Big | :11:10. | :11:14. | |
Fat Gypsy Wedding. I hear you. I know what you are saying. This girl | :11:14. | :11:24. | |
went, "Where's your make-up, you look better with your make-up on?" | :11:24. | :11:29. | |
APPLAUSE Ouch! I want to go home. Why would you say that to somebody? | :11:29. | :11:35. | |
I know. I was scared. Listen, I must talk about your movie. Meeting | :11:35. | :11:40. | |
Monica Velour. It's such a lovely movie. It is out to buy from 4th | :11:40. | :11:45. | |
July. First of all, it is at the Edinburgh Film Festival. It's been | :11:45. | :11:51. | |
really getting a lot of good buzz and they have added screenings, so | :11:51. | :11:57. | |
you can come to see it if you are going up north! It is bittersweet. | :11:57. | :12:03. | |
It is a love story between a 17- year-old boy and a 50-something | :12:03. | :12:08. | |
year-old woman. There is a lot to learn in those years. She was a | :12:08. | :12:12. | |
film star, a big porn star in the late '70s and it is 30 years later | :12:12. | :12:17. | |
and he goes across the country to meet her. She's stripping in this | :12:17. | :12:19. | |
club and they form this relationship which changes their | :12:19. | :12:23. | |
lives. It is very funny and sweet and endearing. It was quite a | :12:23. | :12:29. | |
stretch for me because I had to gain 20 pounds, literally a stretch, | :12:29. | :12:38. | |
to play this character. Ooh! It was fantastic! I have been on a diet | :12:38. | :12:43. | |
since 1974! This was time for me to eat! Boy, do you like to eat? | :12:43. | :12:49. | |
yes, can't you tell?! Chips and crisps and puddings and oh it was | :12:49. | :12:52. | |
amazing. It is a real transformation, the voice, the look, | :12:52. | :12:59. | |
everything. Here is a clip. I don't think you should do it. I couldn't | :12:59. | :13:05. | |
help you. Look, I don't need another guide trying to run my life. | :13:05. | :13:08. | |
You are not my boyfriend. You are some kid I took home because I felt | :13:08. | :13:14. | |
sorry for and you are 17. All you know about is like book reports and | :13:14. | :13:20. | |
dances at the gym and some stupid movies I did 30 years ago. That is | :13:20. | :13:25. | |
fantasy. This is reality. That is something you don't know nothing | :13:25. | :13:32. | |
about. Me and every other woman in the world, we have minds of our own. | :13:32. | :13:42. | |
:13:42. | :13:50. | ||
APPLAUSE Is it true you didn't watch it, you never watch rushes? | :13:50. | :13:54. | |
No, it was fantastic because I have known so much for looking one way, | :13:54. | :13:59. | |
you know, that Barbie doll perfection that Sex and the City | :13:59. | :14:02. | |
promotes and a lot of television shows and movies do. It was | :14:02. | :14:06. | |
fantastic for me to get to play a person. Was it hard for you to sit | :14:06. | :14:12. | |
and watch it? Impossible, when I first saw it it was like... My | :14:12. | :14:15. | |
eldest sister saw it recently and I said, "What do you think?" She said, | :14:15. | :14:22. | |
"I don't know." I said, "Tell me, this means a lot to me." She said, | :14:22. | :14:28. | |
"I have never saw you, for a moment I never saw my sister, or any of | :14:28. | :14:33. | |
the characters you play." That is what you want. Definitely. It is a | :14:33. | :14:37. | |
great opportunity and I'm so glad I did it. Terrifying but good to do. | :14:37. | :14:42. | |
Also, I love in the movie where they did the re-creations of... | :14:43. | :14:51. | |
the porn films from t' 70s. It made me nos -- From the '70s. It made me | :14:51. | :14:55. | |
nostalgic. The storylines? characters. Ugly people with | :14:55. | :14:59. | |
speaking parts! With hair on their chest. They can't have hair on | :14:59. | :15:04. | |
their chest any more. Also, when you watch them back... Did you | :15:04. | :15:11. | |
watch a lot of porn? What storyline... I'm partial to a bit | :15:11. | :15:21. | |
:15:21. | :15:23. | ||
of porn, I love it! APPLAUSE I'm a nominee, you know! I'm a nominee! I | :15:23. | :15:32. | |
love porn! Some jobs just always come up, don't they, in porn? | :15:32. | :15:37. | |
a nurse and a doctor. Nurses were one of the few professions you get. | :15:37. | :15:42. | |
Normally, it is pizza, or pool guy... I'm a big fan of DIY. When | :15:42. | :15:47. | |
the plumber comes in, I'm always interested in his toolbox and it is | :15:47. | :15:52. | |
when he starts getting undressed that I turn it off. I'm more | :15:52. | :15:57. | |
interested in the taps. Can you fix my taps? Please fix the taps, it | :15:57. | :16:04. | |
would be great. They have sex and they ruin it! You are such a | :16:04. | :16:12. | |
fascinating man! Thank you. Chemistry on this couch! It is all | :16:12. | :16:16. | |
- you never get someone going ding dong, "I manage a hedge fund!" | :16:16. | :16:21. | |
Maybe that is a good thing. probably is. Then they would stay | :16:21. | :16:25. | |
together. Yes. I wonder if the people in our audience who have | :16:26. | :16:31. | |
sexy jobs. So let's have a little look. This man looks like he could | :16:31. | :16:40. | |
be in a porn film. What is your name? Senil. Change that for porn! | :16:40. | :16:47. | |
What do you do? I'm a spiritualist. I think most men have lost an | :16:47. | :16:53. | |
erection by now. Ding dong, I'm Senil the spiritualist. I don't | :16:53. | :16:58. | |
think that - no, that is a different film. What is your name? | :16:58. | :17:05. | |
Mick. Mick, we have Mick. Good porn name. What do you do? Market | :17:05. | :17:10. | |
research. You have to go door-to- door. Yes! Yes! What sort of market | :17:10. | :17:15. | |
research do you do? I select the areas that people go to knock on | :17:15. | :17:20. | |
doors. OK. So you are Mick and you are in market research. That's | :17:20. | :17:25. | |
right. Do you want to have a go at being in a porn film with your job? | :17:25. | :17:34. | |
Come with me. Come on. Go through this door. OK? APPLAUSE Mick, so | :17:34. | :17:37. | |
just go through the door, ring the bell, come through the door and | :17:37. | :17:44. | |
tell us what you do, OK? All right. Hang on. Wait there. We will -ly go | :17:44. | :17:53. | |
for a porn effect and some music. MUSIC I wish someone was interested | :17:53. | :18:03. | |
in my opinions about what products to buy. DOORBELL Come in! Hi, I'm | :18:03. | :18:11. | |
Mick and I'm a market researcher. That was really bad! You have to | :18:11. | :18:16. | |
have a little line. Have I? have to have a little kind of, you | :18:16. | :18:22. | |
know, can I something your area? Can I investigate your needs or | :18:22. | :18:29. | |
something? Give us a sexy line. Go out again. So Mick, a market | :18:29. | :18:36. | |
researcher, can I... Da-da. Filter and music again. MUSIC I buy a lot | :18:36. | :18:44. | |
of washing powder, no-one seems to care what. DOORBELL Come in. | :18:44. | :18:49. | |
I'm Mick and I'm a market researcher. Could I service your | :18:49. | :18:53. | |
boiler?! That was good. Well done, Mick. Very good. APPLAUSE Have a | :18:53. | :19:03. | |
:19:03. | :19:04. | ||
seat. Shall we do one more? What is your name? Cornae! Are you an | :19:04. | :19:12. | |
actual porn star? No. What do you do? I work in IT. He works inIT. | :19:12. | :19:20. | |
What sort of things do you do? Hardware, software. Perfect! | :19:20. | :19:25. | |
Perfect. OK. So you must be able to think of a sexy line about what you | :19:25. | :19:32. | |
do? Come on, have a go. You look excited. OK. There you go. There | :19:32. | :19:36. | |
you go. You all right? Yes? OK. OK. So you know what to do, you ring | :19:37. | :19:43. | |
the door bell, you come in, you say your name, what you do, then a sexy | :19:43. | :19:52. | |
tag line. OK. So filter, bit of music. MUSIC My download speeds are | :19:52. | :20:01. | |
so slow. LAUGHTER DOORBELL oh, come in. Come in! I'm Cornae and I work | :20:01. | :20:06. | |
in IT, do you have a problem with your hard drive? Very good. | :20:06. | :20:16. | |
:20:16. | :20:21. | ||
APPLAUSE Sit yourself down. It is I thought Cornae's performance was | :20:21. | :20:28. | |
pitch perfect. BAFTA-award winner. You need to look at your security | :20:28. | :20:34. | |
at home if you are answering your door and they say, "Hello, I'm | :20:34. | :20:40. | |
doing market research, can I come in to service your boiler?" | :20:40. | :20:48. | |
friendly. I want to see three forms of ID. Yes. Or Yah! You do watch it, | :20:48. | :20:54. | |
don't you? Jessie Wallace, great to have you back on our screens in | :20:55. | :21:02. | |
EastEnders. You came back in such a whirlwind of controversy. What you | :21:02. | :21:07. | |
do? It wasn't me. There was a baby swap storyline, somebody lost a | :21:07. | :21:12. | |
baby and they stole your baby. Not your actual baby. Her | :21:12. | :21:16. | |
character's baby. These are the kind of sitcoms we have over here. | :21:16. | :21:21. | |
Very deep. Terrible things happen in EastEnders all the time. Why did | :21:21. | :21:25. | |
this storyline... It had more complaints than anything else? | :21:25. | :21:31. | |
There were about 12,000. Out of 12 million viewers, it is not that bad. | :21:31. | :21:36. | |
Still, you had domestic violence, you have had murders, all sorts of | :21:36. | :21:40. | |
troubles? People weren't expecting it. People found it very disturbing | :21:40. | :21:45. | |
so they complained. Yes. Listen, you left five years ago. When you | :21:45. | :21:51. | |
left, did you think to yourself, "I am never going back"? No, I wanted | :21:51. | :21:55. | |
to do other stuff, which I did. I did a bit of theatre. I have done a | :21:55. | :22:03. | |
few TV dramas. When they said... BAFTA-nominated! LAUGHTER You were. | :22:03. | :22:06. | |
I thought, yeah... Didn't win! Working with Shane... The BAFTA | :22:06. | :22:16. | |
didn't go to her. Will you SHUT UP?! | :22:16. | :22:22. | |
CHEERING That was BAFTA-award- winning. I hope she gets through | :22:22. | :22:28. | |
the show without punching someone! I provoked her. Jessie, you stuck | :22:28. | :22:34. | |
with EastEnders, you have. Some jobs you really have... How long | :22:34. | :22:41. | |
did you work in Beneton for? Half an hour. Why didn't you stay? | :22:41. | :22:46. | |
folding up jumpers and people were getting them out and chucking them | :22:46. | :22:51. | |
so I thought sod this! How long did you work in a kilt factory for? | :22:51. | :22:59. | |
God, not that long. That was packing skirts in boxes. A lot of | :22:59. | :23:02. | |
packing! A kilt factory? Are they made on a production line? How many | :23:02. | :23:06. | |
people are buying kilts that you need to make them on a production | :23:06. | :23:13. | |
line? This was a long time ago. 1642?! LAUGHTER You walked out of | :23:13. | :23:17. | |
there as well? I did. I was chatting to this girl, I said, "How | :23:17. | :23:26. | |
long have you been here?" 12 years. I thought, I'm going! There is no | :23:26. | :23:32. | |
future here. I will be in EastEnders! It is - it must be | :23:32. | :23:35. | |
fantastic when you get that call that you are going to be in | :23:35. | :23:38. | |
EastEnders? Definitely. I walked out of drama school. I did a tiny | :23:38. | :23:43. | |
part in The Bill. I got the phone call to say I was going to be in | :23:43. | :23:47. | |
EastEnders. It was great. Also to have it take off like that? | :23:47. | :23:51. | |
Definitely. It is such a great character to play. I love her. I | :23:51. | :23:57. | |
love her, I do. You get odd fan letters? I have got, someone sent | :23:57. | :24:01. | |
me a packet of pork scratchings the other day with a letter saying they | :24:01. | :24:10. | |
would like me to eat the pork scratchings whilst reading a book | :24:10. | :24:14. | |
whilst listening to a record of my choice. He knows which one it is. | :24:14. | :24:20. | |
How does he know that? I don't know. I ate the pork scratchings. | :24:20. | :24:27. | |
you? No. I would. A pork scratching crumb. They were delicious. | :24:27. | :24:34. | |
comes in dressed as a pig with an axe. You have eaten part of me! | :24:35. | :24:40. | |
LAUGHTER You get the fans with the autographs? The only ones I have | :24:40. | :24:43. | |
had, the usual weird things of signing bits of my body. I was | :24:43. | :24:48. | |
mortified that I did this, somebody said, "Can you sign my breasts?" I | :24:48. | :24:57. | |
told them... You can't tell people that! Why? I just got that! It was | :24:58. | :25:07. | |
:25:08. | :25:08. | ||
a woman who said it? You never know, it was up north! LAUGHTER Manboobs. | :25:08. | :25:15. | |
Moobs! I got my pen out, this is genuine - she gave me the pen to | :25:15. | :25:20. | |
sign the boobs... It was a she dwarf. She gives me the pen to sign | :25:20. | :25:24. | |
the boobs and she does that with the shirt, with the blouse, she has | :25:24. | :25:30. | |
a bra on, she is keeping some dignity. I go to sign the boob, | :25:30. | :25:33. | |
right? And it's not working, the pen, I can't get the pen to work. | :25:33. | :25:43. | |
:25:43. | :25:45. | ||
Without thinking, I went to the other boob and I went... LAUGHTER | :25:45. | :25:53. | |
I'm sorry. Listen, before we do another thing, I have to check that | :25:54. | :25:57. | |
our music act tonight is ready. So I think I can go to the dressing | :25:58. | :26:04. | |
room. There they are, The Saturdays. Hello. You look very ready. We are! | :26:04. | :26:08. | |
We are ready. You look lovely. Is there anything to amuse you in the | :26:08. | :26:14. | |
dressing room at all? Not really. Just ourselves! Is there Wi-Fi at | :26:14. | :26:19. | |
all in the dressing room? We tried to get on the Wi-Fi but it is not | :26:19. | :26:25. | |
working. Oh no. Did you have computers with you? We do. We can't | :26:25. | :26:34. | |
get online. It would be good if somebody could help them. DOORBELL | :26:34. | :26:43. | |
Hello? Come in. Hi. Hi, girls. I work in IT. Do you have a problem | :26:43. | :26:47. | |
with your hard drive? We do. We do. Oh no! | :26:48. | :26:53. | |
CHEERING We will leave it there. Thank you very much, Cornae. That | :26:53. | :27:02. | |
was too good! That was too good! Unsolicited. We didn't drag The | :27:02. | :27:04. | |
Saturdays in to molest them, they will be performing in a minute. Lee | :27:04. | :27:10. | |
Mack, congratulations, Mr Saturday Night. Thank you. Doesn't mean I'm | :27:10. | :27:15. | |
sleeping with The Saturdays! It is a different meaning. Lee Mack's All | :27:15. | :27:19. | |
Star Cast, Saturday nights 9.40pm on BBC One. The second one tomorrow. | :27:19. | :27:27. | |
It did really well? Yeah. We got some friends. It is a hard thing to | :27:27. | :27:31. | |
get right so congratulations. you. It is Saturday night TV. | :27:31. | :27:34. | |
People are obsessed with it. Everyone's going, Saturday night, | :27:34. | :27:38. | |
you OK? You are Saturday night. I don't see the difference between | :27:38. | :27:43. | |
that and Thursday at 3.00 in the morning. The sitcom is coming back | :27:43. | :27:48. | |
as well. Yes, next year, series five. That is a hard thing to get | :27:48. | :27:52. | |
right, a sitcom? It is. We were cancelled and then brought back. We | :27:52. | :27:56. | |
thought it had gone and then we brought it back. On the same | :27:56. | :27:59. | |
network? On the same network, BBC One, we call it BBC One. They | :27:59. | :28:06. | |
changed their minds about it? I held them hostage. LAUGHTER | :28:06. | :28:16. | |
sent them some pork scratchings. I always do that to people I like! | :28:16. | :28:23. | |
APPLAUSE It is a nice thing to do. I know your favourite record! It | :28:23. | :28:27. | |
goes something like this # Dum-dum... # | :28:27. | :28:33. | |
This is a weird story. You are accident-prone. Yes. You have been | :28:33. | :28:40. | |
hurt a lot is this I have. I have been hit by a car twice. That was | :28:40. | :28:46. | |
different incidents. He didn't reverse! LAUGHTER I missed him! The | :28:46. | :28:52. | |
worst one was, I have had a split, what's this one called? I have no | :28:52. | :29:02. | |
:29:02. | :29:06. | ||
idea. What do you call it? Cleavage. You saying I've got manboobs. | :29:06. | :29:11. | |
Myster numb. What happened? I was 21 and on my birthday I was doing | :29:12. | :29:15. | |
my travelling DJing and I was playing the records and the music | :29:15. | :29:22. | |
was blasting and someone said, quut it's the DJ's 21st birthday today." | :29:22. | :29:25. | |
All these drunken idiots gave me the bumps, instead of throwing me | :29:25. | :29:29. | |
in the air they didn't let go, so they had hold of my arms and legs | :29:29. | :29:34. | |
and went and the music was playing and every time I got to the top it | :29:34. | :29:41. | |
was cies fiing me. I was trying to get them to stop and going... | :29:41. | :29:49. | |
# I should be so lucky... # Stop! Stop! That's hideous. That | :29:49. | :29:59. | |
:29:59. | :30:02. | ||
explains so much about you. LAUGHTER Remember you rolled over | :30:02. | :30:07. | |
in bed last night and you said ow! It's the pork scratchings! They | :30:07. | :30:14. | |
work a treat. In fact, he is happily married, a father of two. | :30:14. | :30:18. | |
How old are your babies now, children? Four and six. Four and | :30:18. | :30:25. | |
six. We have a picture of - who is this? That's me, you know me! | :30:25. | :30:31. | |
You in the glasses. I turned up on the set of EastEnders there and saw | :30:31. | :30:37. | |
this baby... APPLAUSE No-one here so I might as well have him! I saw | :30:37. | :30:42. | |
this actress crying in the street. We have been getting on fine ever | :30:42. | :30:51. | |
since! Who is that? That's Arlo. I don't know why my wife dresses him | :30:51. | :31:01. | |
as a Bulgarian midget! It's the rave! He likes it. I don't know if | :31:01. | :31:11. | |
:31:11. | :31:11. | ||
you have come across this website. It's called Manbabies.com. People | :31:11. | :31:17. | |
put in photographs of dads and the babies, right, and it sounds stupid, | :31:17. | :31:21. | |
it is! They swap the heads and they keep them in proportion. Have you | :31:21. | :31:31. | |
:31:31. | :31:34. | ||
seen this? I have. This is a classic. There you go. Brilliant. I | :31:34. | :31:38. | |
could watch this all day. Sometimes it is not that obvious that heads | :31:38. | :31:47. | |
have been swapped. Give you that one. That is wrong. LAUGHTER This | :31:47. | :31:56. | |
one is just, this one is so creepy. What is going on there? Oh! Isn't | :31:56. | :32:00. | |
that terrible? That is terrible. This could be a science-fiction | :32:00. | :32:10. | |
:32:10. | :32:13. | ||
film. It really could. Look at this family. That baby is plotting. | :32:13. | :32:21. | |
LAUGHTER That is disturbing. Finally, Lee, we sent you to be | :32:21. | :32:31. | |
:32:31. | :32:33. | ||
done and very sweet it is, here is Lee. LAUGHTER Marvellous. You have | :32:33. | :32:39. | |
to get a copy. That was great. Music time now. Now, Kim, what is | :32:39. | :32:45. | |
your favourite day of the week? Friday. Try again. LAUGHTER What is | :32:45. | :32:51. | |
your favourite day of the week? Thursday? I know what you mean - | :32:51. | :33:00. | |
pancake Tuesday! One more day, Kim? Can't be Monday? No! Tuesday? | :33:00. | :33:09. | |
Not many left. Wednesday. Sunday? Saturday? Yes! Well, you are in | :33:09. | :33:19. | |
:33:19. | :33:23. | ||
luck. Singing their new single # I'm an outlaw; I'm the big boss | :33:23. | :33:27. | |
# I'm a gangster on the dance floor # Floor, floor (floor, floor) | :33:27. | :33:31. | |
# I'm an outlaw; I'm the big boss # I'm a gangster on the dance floor | :33:31. | :33:41. | |
:33:41. | :33:51. | ||
CHEERING AND APPLAUSE # Don't hold back | :33:51. | :33:55. | |
# It's nice to see somebody make an effort | :33:55. | :33:58. | |
# You know I like it in the streetlights | :33:58. | :34:02. | |
# Like I like the spotlight # Do you like me | :34:02. | :34:08. | |
# I la-la-love this track # So if you wanna come with me you | :34:08. | :34:12. | |
should know # I'm like, I'm like, I'm like this | :34:12. | :34:16. | |
beat, yes # Crazy and infectious | :34:16. | :34:20. | |
# I'll make you my business # But boy my resume says I'm a bad | :34:20. | :34:24. | |
girl # Oh oh oh | :34:24. | :34:27. | |
# Ohhhh # Closer baby look in my eyes | :34:27. | :34:32. | |
# Do you recognise me? # Oh oh oh | :34:32. | :34:34. | |
# Ohhhh # I been a bad girl | :34:34. | :34:39. | |
# I'm a bad girl, I'm notorious # I'm an outlaw; I'm the big boss | :34:39. | :34:45. | |
# I'm a gangster on the dance floor # (No, no, notorious) | :34:45. | :34:51. | |
# I'm an outlaw; I'm the big boss # I'm a gangster on the dance floor | :34:51. | :34:55. | |
# Boy beware # I got a record and I'm known for | :34:55. | :35:00. | |
my style # And everybody knows my name here | :35:00. | :35:06. | |
# I'm the head of game here # Pleasure and the pain yeah | :35:06. | :35:08. | |
# Because my resume says I'm a bad girl | :35:08. | :35:11. | |
# Oh oh oh # Ohhhh | :35:11. | :35:19. | |
# Closer baby look in my eyes # Do you recognise me? | :35:19. | :35:20. | |
# Oh oh oh # Ohhhh | :35:20. | :35:24. | |
# I been a bad girl, I'm a bad girl # I'm notorious | :35:24. | :35:31. | |
# (Notorious, notorious) # (No, no, notorious) | :35:31. | :35:35. | |
# I'm notorious # I'm an outlaw; I'm the big boss | :35:35. | :35:41. | |
# I'm a gangster on the dance floor # Floor the dance floor, | :35:41. | :35:47. | |
# Oh Oh Oh # So baby tell me can you | :35:47. | :35:50. | |
# Get it from my energy # Oh Oh | :35:50. | :35:54. | |
# Oh # Oh I been a bad girl, I'm a bad | :35:54. | :35:55. | |
girl # I'm notorious | :35:55. | :36:01. | |
# I'm an outlaw; I'm the big boss # I'm a gangster on the dance floor | :36:01. | :36:06. | |
# Dance floor # I'm an outlaw; I'm the big boss | :36:06. | :36:11. | |
# I'm a gangster on the dance floor # The dance floor | :36:11. | :36:14. | |
# I'm an outlaw # (Oh, oh, oh, Ohhhh) | :36:14. | :36:17. | |
# I'm the big boss, I'm a gangster on the dance floor | :36:17. | :36:20. | |
# Closer baby look in my eyes # Do you recognise me | :36:20. | :36:25. | |
# (Oh oh oh Ohhhh) # I'm an outlaw; I'm the big boss | :36:25. | :36:29. | |
# I'm a gangster on the dance floor # I've been a bad girl, I'm a bad | :36:29. | :36:38. | |
girl CHEERING AND APPLAUSE | :36:38. | :36:43. | |
The Saturdays, ladies and gentlemen. Come and join me, ladies. Come on. | :36:43. | :36:50. | |
Here you go. Well done. Pile on. I don't know if you have got a seat. | :36:50. | :36:58. | |
Pile in. Hi. Sit yourself down. You are in economy, I apologise. That | :36:58. | :37:05. | |
is the new single. I think I have it - look at that. There it is. | :37:05. | :37:09. | |
Notorious. Unbelievably, that is off the forthcoming third album. | :37:09. | :37:13. | |
know. How have you done three albums already? This is our fourth | :37:13. | :37:20. | |
album. Is it? Yes. Stop! You will be exhausted. They have done | :37:20. | :37:27. | |
another one on the way from there. You are doing the V Festival? | :37:27. | :37:33. | |
are doing V, T in the Park, Oxygen and then we have our own tour in | :37:33. | :37:38. | |
December. You will have to come down. Only one person is going! | :37:38. | :37:46. | |
LAUGHTER She is very excited about it. Yes! It is an arena tour? | :37:46. | :37:52. | |
Our first arena tour. Posh! There is room for you all. And all your | :37:52. | :37:56. | |
friends. Listen, before we go, let's have some stories in the Red | :37:56. | :38:04. | |
Chair. Who is up first? You are like, yeah, let's! Hello. Hello. Hi, | :38:04. | :38:09. | |
love. This will be brilliant or terrible! What is your name? Jenny. | :38:10. | :38:17. | |
Where do you live? Kent. All right. What's wrong with that? What do you | :38:17. | :38:27. | |
:38:27. | :38:35. | ||
do in Kent? I'm retired. What did you used to do? Nothing! APPLAUSE | :38:35. | :38:41. | |
All right. Jenny, I feel you have lived quite a life. This is your | :38:41. | :38:45. | |
best story, Jenny. Off you go. went into a Post Office and there's | :38:45. | :38:52. | |
a Post Office and they sell sweets and the lady said to me, "What do | :38:52. | :38:58. | |
you want?" I went back to the sweet man, I said, "That lady needs to | :38:58. | :39:08. | |
get a new set of teeth." He said, I'll tell my mum." Oh. CHEERING AND | :39:08. | :39:18. | |
:39:18. | :39:24. | ||
APPLAUSE Her whole life... A woman with no teeth in a Post Office was | :39:24. | :39:30. | |
the highlight?! She said she didn't do much before. That is true. I | :39:30. | :39:37. | |
guess. Oh. Let's have another. Hello. Hi. This is something in | :39:37. | :39:45. | |
your hair? Oh. LAUGHTER What is your name? Katy. Katy. I recognise | :39:45. | :39:52. | |
her from The Borrowers. She does make the chair look very big. | :39:52. | :39:57. | |
Ronnie Corbett's wife. What do you do? I have finished college. What | :39:57. | :40:05. | |
were you studying? Theatre studies. Good luck with that. LAUGHTER And | :40:05. | :40:13. | |
did I ever ask you your name? What was it? Katy. LAUGHTER It's | :40:13. | :40:18. | |
been a long night! Katy, this is it, someone can see you tonight on that | :40:19. | :40:23. | |
chair and the rest of your life will be made! It is unlikely, but | :40:23. | :40:29. | |
that could happen. Off you go with your story. I was on holiday in | :40:29. | :40:34. | |
Club Med, I wanted to impress this guy, so I was like water-skiing and | :40:34. | :40:40. | |
I had tie-up bikini bottoms on and I felt like a breeze and also a | :40:40. | :40:44. | |
flash in my face and I looked down and I realised all my underwear was | :40:44. | :40:49. | |
on my skis and then in the morning, there was like a big poster of | :40:49. | :40:54. | |
photos of like everyone and my photos of me with no bikini was on | :40:54. | :41:04. | |
:41:04. | :41:06. | ||
there. He noticed me! Did he ask you out? Not exactly. Yeah... | :41:06. | :41:13. | |
LAUGHTER Now, I'm going to let that lady walk. APPLAUSE There you go. | :41:13. | :41:23. | |
:41:23. | :41:23. | ||
Oh. She hasn't learnt her lesson has she?! LAUGHTER When she said he | :41:23. | :41:30. | |
noticed me it was sweet. Yes, in a kind of creepy way. Do we have time | :41:30. | :41:34. | |
for one more? AUDIENCE: Yes. Hi. Hi. They are | :41:34. | :41:40. | |
loving you. What is your name? Jonah. He is quite posh. What do | :41:40. | :41:46. | |
you do? I'm on a gap-year so I start university in September. | :41:46. | :41:55. | |
LAUGHTER OK, what will you be studying? Philosophy and economics. | :41:55. | :42:00. | |
Seriously! The Saturdays are the only thing keeping you sitting | :42:00. | :42:04. | |
upright. All right, off you go? Basically, back in the day I used | :42:04. | :42:09. | |
to be a plus-size and I was on the toilet and I got a knock on the | :42:09. | :42:13. | |
door and they were like quick the ice-cream van is here, so I went | :42:13. | :42:17. | |
running, following the van and I forgot to do my buttons up and they | :42:17. | :42:27. | |
:42:27. | :42:28. | ||
came down and tripped me and I fell flat on my face and I broke my nose. | :42:28. | :42:34. | |
LAUGHTER One more. This is it. One more. Hi. Hello. What is your name? | :42:34. | :42:40. | |
Sarah. This is Sarah. What do you do? I'm an architect student and I | :42:40. | :42:49. | |
have started a new job in London. LAUGHTER A job in London? Anyone | :42:49. | :42:59. | |
:42:59. | :43:00. | ||
else? Not so special now! Off you go with your story. OK. I was in | :43:00. | :43:06. | |
bud pest with my uni friends and we were in this restaurant and me and | :43:06. | :43:12. | |
my girlfriend... Just do it! never know! Me and my girlfriend | :43:12. | :43:22. | |
:43:22. | :43:23. | ||
went to the toilet... Kill her! Well done, everybody. You can | :43:23. | :43:28. | |
contact us via our website if you want to be in our Red Chair. Thank | :43:28. | :43:35. |