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Help me, Obi-Wan Kenobi. You are my only hope. Please be my final guest | :00:13. | :00:23. | |
:00:23. | :00:24. | ||
of the series. Why have you got two Danish pastries on your head? | :00:24. | :00:34. | |
:00:34. | :00:36. | ||
They are my hair. CHEERING AND APPLAUSE | :00:36. | :00:45. | |
Hello. Hello. Hello everybody. Good evening. | :00:45. | :00:51. | |
Welcome to the show. The last show. The last show. I'm going on my | :00:51. | :00:55. | |
holidays next week, yes off to Greece. I'm looking forward to | :00:55. | :00:59. | |
strolling among the ruins. Ah, there they are making more! Greece | :00:59. | :01:05. | |
is not in a good way. Not in a good way. 2,000 years ago they had the | :01:05. | :01:09. | |
Acropolis. Now all they are giving is this. | :01:09. | :01:12. | |
LAUGHTER . It is our last show of the series | :01:12. | :01:21. | |
and we have got a lads night for you. Train spotting star and Jedhi | :01:21. | :01:28. | |
knight, Ewan McGregor is here. Chris ODowd is here. | :01:28. | :01:36. | |
CHEERING AND APPLAUSE And later we will be hearing the | :01:36. | :01:38. | |
number one song from Chample, ladies and gentlemen. | :01:38. | :01:41. | |
-- Example, ladies and gentlemen. There he is. And he will be be | :01:41. | :01:51. | |
:01:51. | :01:51. | ||
Apology for the loss of subtitles for 118 seconds | :01:51. | :03:49. | |
chatting to us. I am very excited How are you doing? I'm very well. | :03:49. | :03:59. | |
:03:59. | :04:13. | ||
It is Ewan McGregor. CHEERING AND APPLAUSE | :04:13. | :04:16. | |
I haven't heard this since Justin Bieber was on the show. Settle | :04:16. | :04:19. | |
yourself, ladies. You look smart, but Chris you just | :04:19. | :04:25. | |
came back from Glastonbury? Yeah, I did Glasto this weekend. | :04:25. | :04:31. | |
Did you do it properly? We tented up by the toilets thinking well | :04:31. | :04:36. | |
that's easy access to the toilets! And you realised your tent is | :04:36. | :04:40. | |
everybody else's toilet, but it was a lot of fun. We had a great time. | :04:40. | :04:46. | |
Beyonce who is or is not backstage right now! | :04:46. | :04:55. | |
Is not being the operative word. LAUGHTER | :04:55. | :05:03. | |
Also Pope Benedict may or may not. That's a cruel game! | :05:03. | :05:06. | |
LAUGHTER Have you done festivals? I haven't | :05:06. | :05:10. | |
done festivals for a long time. Now and again, I think I'll go when I'm | :05:10. | :05:19. | |
50. You see them, don't you? The crowd. The divorcees, you know. "I | :05:19. | :05:26. | |
haven't been to Glastonbury, but I'm going now." Ah, shit. | :05:26. | :05:32. | |
Now you you spilt your tea tea? Yes, I will be there drinking my tea | :05:32. | :05:36. | |
when I'm 50. I thought I was going to have a | :05:36. | :05:42. | |
real celebrity moment. I went to watch Plan B and I went backstage | :05:42. | :05:46. | |
and I saw him before he went on and we had that eye contact thing and | :05:46. | :05:56. | |
:05:56. | :05:56. | ||
Apology for the loss of subtitles for 118 seconds | :05:56. | :07:55. | |
He was fully alive and happy. It is the telling of that. It is a | :07:55. | :07:58. | |
fantastic premise for a film. I'm going to go and see that. | :07:58. | :08:03. | |
And the way it is made, is really interesting. It is beautiful. There | :08:03. | :08:07. | |
is two stories, a father and son father me and Christopher plumber | :08:07. | :08:16. | |
and there is a love story, my character meets a French actress. | :08:16. | :08:23. | |
Listen, we have got a clip this is Christopher Plummer as the dad. | :08:23. | :08:33. | |
:08:33. | :08:35. | ||
Oliver, I'm not sorry I woke you. went to Ackbar. They had | :08:35. | :08:40. | |
wonderfully loud music. What kind of music is that? | :08:40. | :08:50. | |
:08:50. | :08:51. | ||
Probably house music. House music? OK. House... | :08:51. | :08:58. | |
CHEERING AND APPLAUSE He really is fantastic, Plummer. He | :08:58. | :09:02. | |
tells stories about acting, actors stories from Hollywood in the 60s | :09:02. | :09:07. | |
and the people he was knocking about then. He is incredibly modern. | :09:07. | :09:11. | |
When you are acting with him, he is a contemporary actor. He really | :09:11. | :09:15. | |
lives the scenes with you. He is about ten years older than | :09:15. | :09:20. | |
the character he plays? He is about 80, Christopher. | :09:20. | :09:27. | |
It is an amazing story, a little bit true. You have got Christopher | :09:27. | :09:31. | |
Plummer there playing 70 odd, but 80 something. In the film, comes | :09:32. | :09:39. | |
out, his first boyfriend is the doctor from ER. That's not true! | :09:39. | :09:49. | |
:09:49. | :09:50. | ||
That's not going to happen. He does say that young men or young gay men | :09:50. | :09:58. | |
aren't interested in young gay men. That's true. He is at the other end | :09:58. | :10:04. | |
of the bar. But the love story you talked about | :10:04. | :10:08. | |
there, you had to bond with her as well. Yes. The first thing he did, | :10:08. | :10:12. | |
we met each other at Mike's house and the first, I never met Melanie, | :10:12. | :10:22. | |
I loved her in that film. We were about to embark on this love story | :10:22. | :10:28. | |
together and we sit down and I said, "I would like to you split up with | :10:28. | :10:32. | |
each other. You have been in a relationship for a long time and I | :10:32. | :10:37. | |
would like you to improvise through a breakdown. Ewan, I want you to | :10:37. | :10:44. | |
leave Melanie." He Said, "Melanie, you don't want him to leave." The | :10:44. | :10:49. | |
thing about improvisation, you think the other person is going to | :10:49. | :10:55. | |
think this is how I would do it. It is like a master bation scene in a | :10:55. | :10:58. | |
film. It is difficult to pull it off without everybody knowing | :10:58. | :11:08. | |
:11:08. | :11:16. | ||
that's just how you do it. Do you someone. It reminds you that the | :11:16. | :11:26. | |
:11:26. | :11:52. | ||
Like would you rather have a nipple on the end of your nose or a tooth | :11:52. | :11:57. | |
growing out the end of your cheek? Or would you rather have to eat a | :11:58. | :12:03. | |
bathful of poo or have a small bird poo in your mouth every morning for | :12:03. | :12:08. | |
the rest of your life. That's easy. Which would you go | :12:08. | :12:12. | |
for? The bird, wouldn't you? have to do it every day for the | :12:12. | :12:16. | |
rest of your life. But you would get used to it. | :12:16. | :12:21. | |
The bird would become your friend. It would be nace to wake up -- nice | :12:21. | :12:29. | |
to wake-up, here comes the bird. suppose the bird poo is only wee. | :12:29. | :12:35. | |
You could go for a little bird. No, no,, no, you don't get to | :12:35. | :12:39. | |
choose. You said a small bird. | :12:39. | :12:43. | |
So when you are at Glastonbury and you are backstage and there is | :12:43. | :12:45. | |
Beyonce who is waiting for you back here. | :12:45. | :12:49. | |
My friend, yeah. When you are speaking to her, would | :12:49. | :12:54. | |
you rather sneeze and have both barrels blow snot all down your | :12:55. | :13:03. | |
face or cough and shit yourself? LAUGHTER | :13:03. | :13:07. | |
That is a very good one. Both of them are a nightmare. | :13:07. | :13:13. | |
I'm going to have to go with shit. Because you can leave quickly and | :13:13. | :13:16. | |
hope she didn't notice. She wouldn't know. | :13:16. | :13:22. | |
The thing about Glastonbury, the smell wouldn't affect you. | :13:22. | :13:28. | |
would just have to back off. It is a weird example because | :13:28. | :13:33. | |
Beyonce and I are so close! I don't mean any offence. | :13:33. | :13:38. | |
We hang out a lot. We just like to dance together more than anything. | :13:38. | :13:43. | |
She loves to cook. I love to cook. We are just close. Yes. | :13:43. | :13:48. | |
I don't want to talk about it. LAUGHTER | :13:48. | :13:51. | |
I just plucked it as an example. I didn't mean any offence by it. | :13:51. | :13:55. | |
We're just really, really close. Listen, Ewan, you have got | :13:55. | :13:58. | |
interesting choices the films you have made over the years, | :13:58. | :14:03. | |
Trainspotting, Big Fish, the anomaly, the one that seems out of | :14:03. | :14:10. | |
kilter is thaw decided to do Star Wars. Yes. Were you a big fan of | :14:10. | :14:15. | |
Star Wars, was it so much money, what was it? It wasn't so much. I | :14:15. | :14:19. | |
know that. At the time I thought it was a lot of money. No, no, I was a | :14:19. | :14:24. | |
big fan of them. When I was seven when the first one came out. My | :14:24. | :14:33. | |
uncle was in the original three. He played a character called Wedge, he | :14:33. | :14:41. | |
said, "I think I'm getting close to getting this part in Star Wars." He | :14:41. | :14:49. | |
said don't do it. He managed to survive all three, he was an ex- | :14:49. | :14:56. | |
ring pilot. He said if you want to have a career after your your 30s | :14:56. | :15:01. | |
don't do it. I didn't listen to him. Presumably that stage in your | :15:01. | :15:04. | |
career you thought you were famous? Yeah. | :15:04. | :15:08. | |
But then you did Star Wars and it must have moved into a different | :15:08. | :15:11. | |
realm? I don't know. I don't know because I thought I was really, | :15:11. | :15:18. | |
really famous so so it didn't really make much difference to me. | :15:18. | :15:25. | |
I was walking around just being famous. Zblu know You know who I | :15:25. | :15:32. | |
am! I suppose it did change things, but the film itself was the star. | :15:32. | :15:40. | |
Star Wars was the star of our ones. The characters became, you know, | :15:40. | :15:46. | |
more iconic in a way and because he had so much access to technology | :15:46. | :15:51. | |
that became the star of Star Wars was the affects and the effect nolg. | :15:51. | :15:55. | |
I have been left not that bothered by them. | :15:55. | :16:00. | |
Didn't you visit a Star Wars set in Tunisia when you were on one of the | :16:00. | :16:06. | |
bike rides? That was one of my less famous moments. You know uncle | :16:06. | :16:11. | |
Owen's place in the original Star Wars film, they live in this hole | :16:11. | :16:17. | |
in the ground. Yeah. That still exists. It is a tourist | :16:17. | :16:26. | |
attraction for serious Star Wars fans who go to Tunisia to find this | :16:26. | :16:32. | |
hole and look at the old props. It is a bit sad, not them, but the | :16:32. | :16:37. | |
place itself. The people. We went on our motorcycle. We were | :16:37. | :16:41. | |
going past it so we stopped and we said we should go in, it would be | :16:41. | :16:47. | |
funny. So we went down there and I didn't get recognised by anybody! | :16:47. | :16:53. | |
Not one person. I was wearing a Long Way Down T-shirt with McGregor | :16:53. | :16:57. | |
written across my shoulders and not one person recognised me. I found a | :16:57. | :17:03. | |
poster of myself which I stood next to for about 20 minutes. | :17:03. | :17:08. | |
LAUGHTER Nothing. Nothing. Not one person. | :17:08. | :17:10. | |
LAUGHTER I was disappointed. Is it true or | :17:10. | :17:20. | |
:17:20. | :17:22. | ||
not that you kept a light Sabre? officially don't own a light Sabre. | :17:22. | :17:24. | |
LAUGHTER The props guy gave me one. No, he | :17:24. | :17:29. | |
didn't! You bought some light Sabres. Oh, | :17:29. | :17:34. | |
that one is on already. Hang on... You have to know what you are doing | :17:34. | :17:38. | |
with these. You do. Which one would you like? | :17:38. | :17:46. | |
The one in the middle is the one I use. That's Alec Guinness's one. | :17:46. | :17:51. | |
These are really nice. If you bang them against each other, | :17:51. | :17:56. | |
will they break? No. You make the sound effects yourself, don't you? | :17:56. | :18:01. | |
Do you want one? Not at all. Go. Go. Go. | :18:01. | :18:05. | |
Oh, look at that. That's fantastic. Can you make the | :18:05. | :18:14. | |
noises? Is it true that you did this thing like in Rocky as well | :18:14. | :18:18. | |
where they had to, you would make the sound effect yourselves so they | :18:18. | :18:26. | |
had to go back and like sound was a nightmare because it was a bunch of | :18:27. | :18:32. | |
people going whoom. It was Difficult not to make the | :18:32. | :18:39. | |
sound and because it makes that noise when it goes down. Yes. | :18:39. | :18:44. | |
In Rocky, in the first film particularly there is loads of | :18:44. | :18:53. | |
sound effects of Sylvester Stallone going... | :18:53. | :18:55. | |
LAUGHTER Let's have the lights sound. | :18:55. | :19:05. | |
:19:05. | :19:06. | ||
You have to start them up. Off. Off. How do you do that? | :19:06. | :19:08. | |
LAUGHTER There there. It is off off now. | :19:08. | :19:18. | |
:19:18. | :19:19. | ||
When you put it on, it has to make this noise. | :19:19. | :19:21. | |
LAUGHTER You are so good at it. I spent | :19:21. | :19:31. | |
:19:31. | :19:34. | ||
months doing T mine keeps going off when I twirl it. They are They are | :19:34. | :19:38. | |
They are 150 quid each. How much? 150 quid each. | :19:38. | :19:48. | |
They are good, aren't they? Do it over here. Who is who? There you go. | :19:48. | :19:52. | |
Can you throw a ball, Chris? Don't be like that. | :19:52. | :20:02. | |
:20:02. | :20:03. | ||
You go. You go. Let's baseball it instead. Yes! | :20:03. | :20:09. | |
Well done. Very good. APPLAUSE | :20:10. | :20:15. | |
Beautiful. What are you going to do with them? You can have them if you | :20:15. | :20:19. | |
want. Well, we can sign them and give them to charity. | :20:19. | :20:24. | |
That's a good idea. That's a very good idea. | :20:24. | :20:28. | |
I have got to sit here like this for the rest of the interview. | :20:28. | :20:37. | |
You look like a snooker player. Chris ODowd, huge congratulations, | :20:37. | :20:41. | |
Bridesmaids, it is properly, properly funny, isn't it? No, it is | :20:41. | :20:50. | |
a fun film. I'm really happy with LAUGHTER | :20:50. | :20:53. | |
It is brilliant because it is just like it has taken you to a whole | :20:53. | :20:56. | |
new level? I heard all about it. Because it is your first big hit | :20:56. | :21:02. | |
movie, have you been to see it loads? I go every night! | :21:03. | :21:04. | |
LAUGHTER I feel like, this doesn't come | :21:04. | :21:08. | |
along a lot. And it sounds silly, I have seen it 46 times! I have seen | :21:08. | :21:14. | |
it maybe three or four times during the premieres and whatever, I have | :21:14. | :21:17. | |
enjoyed it every time. Night I went the audience because | :21:17. | :21:22. | |
you know, it is mostly women in it and you are the one kind of man. | :21:22. | :21:25. | |
Sure. Every time you came on all the | :21:26. | :21:31. | |
women in the audience went, "Ah." At the end of every scene they were | :21:31. | :21:41. | |
:21:41. | :21:44. | ||
going ah. Women are dumb | :21:44. | :21:47. | |
LAUGHTER They are a bunch of bloody idiots. | :21:47. | :21:51. | |
He is a sweet character. You know the main character, it is hard to | :21:51. | :22:01. | |
:22:01. | :22:03. | ||
come back from that. She is so lovable, you know, everybody wants | :22:03. | :22:08. | |
her to be happy so much. It is more about, it is obvious that my | :22:08. | :22:13. | |
character can probably make her happy more than the other guy. | :22:13. | :22:17. | |
Do you get women coming up to you and hugging you in the street? And | :22:17. | :22:23. | |
things like that? More than that. There has been a lot of that kind | :22:23. | :22:29. | |
of stuff and I'm in a very happy relationship. I'm just so happy | :22:29. | :22:39. | |
:22:39. | :22:44. | ||
that she has been so open to me being so sexual. | :22:44. | :22:46. | |
LAUGHTER No, there has been a lot, he is the | :22:46. | :22:49. | |
kind of character, it is not even women - they want me to be the god | :22:49. | :22:51. | |
godfather to their children rather than get down and naughty. | :22:52. | :22:54. | |
For your girlfriend it must be really annoying that now all these | :22:54. | :22:56. | |
women think you are so lovely. think she likes it. | :22:56. | :22:59. | |
Does she? She likes the idea of anybody finding me attractive as a | :22:59. | :23:05. | |
human being. LAUGHTER | :23:05. | :23:09. | |
In some way it justifies her own decision. | :23:09. | :23:10. | |
LAUGHTER She doesn't feel so alone. When we | :23:10. | :23:15. | |
got together at the start a lot of people were like, "Really?" This | :23:15. | :23:19. | |
has helped. We have got a clip of you in the | :23:19. | :23:25. | |
movie and it's you and Chrisian Wigg and the wedding planning isn't | :23:26. | :23:28. | |
going well and you are the cop trying to cheer her up. | :23:28. | :23:33. | |
Yes, that sounds rough. It is going to get better, right? | :23:33. | :23:39. | |
wouldn't have thought so. My sister was maid of honour at our cousin's | :23:39. | :23:42. | |
wedding and she found it so stressful that her hair started | :23:42. | :23:45. | |
falling out. That's terrible. | :23:45. | :23:50. | |
It grew back, but it was gross. If I ever had a wedding, I would want | :23:50. | :23:54. | |
everybody to be stress-free, you know. I would like it to be like a | :23:54. | :24:03. | |
carnival. Like people win prizes for guessing the bride's weight. | :24:03. | :24:06. | |
You could have elephants and the bride and groom could walk on a | :24:06. | :24:09. | |
tight rope. What you are talking about there is | :24:09. | :24:19. | |
:24:19. | :24:25. | ||
a circus wedding. APPLAUSE | :24:25. | :24:27. | |
That's one scene in the film, but we shouldn't misrepresent it | :24:27. | :24:29. | |
because it has incredible knock about, physical? It has full on set | :24:29. | :24:35. | |
pieces where a lot of, I want to say a lot of s hit goes down, but a | :24:35. | :24:42. | |
lot of shit goes down. There are sequences of high hilarity as well | :24:42. | :24:44. | |
as being dispersed with real and beautiful moments. | :24:44. | :24:48. | |
I am sure a lot of people would like to know, how does this happen. | :24:48. | :24:53. | |
Chris ODowd in, you know, a successful Channel 4 sitcom, the IT | :24:53. | :24:57. | |
Crowd, how do you go from that to being in the number one film in the | :24:58. | :25:03. | |
planet? I just went and auditioned for it to be honest. And luckily | :25:03. | :25:07. | |
the director of the show or the director of the film was a fan of | :25:07. | :25:13. | |
the IT Crowd because he is a big British comedy person. I went and | :25:13. | :25:20. | |
auditioned and I did like an hour long with Christian who is | :25:20. | :25:24. | |
fantastic and it is probably one of my stronger areas rather than | :25:25. | :25:28. | |
scripted stuff. I kind of it, it went really well and it just kind | :25:28. | :25:31. | |
of happened. Back in the start of your career | :25:31. | :25:41. | |
:25:41. | :25:41. | ||
when you were going for parts, it wasn't so easy, was it? | :25:41. | :25:43. | |
LAUGHTER No, like I am a big dude now, but | :25:43. | :25:47. | |
back then I was like three stone heavier. I wasn't a very natural | :25:47. | :25:56. | |
casting for anything. LAUGHTER | :25:56. | :25:59. | |
I come out of drama school and the problem with coming at the same | :25:59. | :26:01. | |
time, everybody comes out of drama school around the same time. London | :26:01. | :26:04. | |
is suddenly kind of scattered with these thousands of actors that are | :26:04. | :26:07. | |
coming out of drama school. I asked a guy who had just come out and | :26:07. | :26:10. | |
started doing a little bit and bits and pieces and asked him for advice. | :26:10. | :26:14. | |
He said, "You are going to go in loads of general meetings with | :26:14. | :26:18. | |
costume directors and all these just to say hi. Make sure they | :26:18. | :26:22. | |
remember you because they are going to remember, there is loads of | :26:22. | :26:28. | |
people." I went away from that and I thought "OK." Got it. | :26:28. | :26:36. | |
So I decided from there on, I was going to go into every meeting with | :26:36. | :26:43. | |
a casting director and pretend I had been bitten by a dog. So I | :26:43. | :26:53. | |
:26:53. | :26:56. | ||
would go in. I would be at the door and I would kind of just ah hey, | :26:56. | :27:05. | |
I'm Chris. And they were like "how is it going" I just got. Did you | :27:05. | :27:10. | |
see the cocker spaniel. I would pretend I had been bitten and the | :27:10. | :27:14. | |
stories would get more and more complicated. And he was hold ago | :27:14. | :27:22. | |
baby's rattle and I tried to pull it out. | :27:22. | :27:24. | |
LAUGHTER He looked so friendly. He bit. They | :27:24. | :27:28. | |
would offer me plasters and stuff and I did this for four months and | :27:28. | :27:32. | |
every meeting I went into until I went into a meeting and I did the | :27:32. | :27:38. | |
same, ah, Jesus Christ I just got bitten and they were like, that's | :27:38. | :27:42. | |
so so weird. I know because the last time you were here you had | :27:42. | :27:52. | |
:27:52. | :28:02. | ||
been bitten! LAUGHTER | :28:02. | :28:04. | |
I don't know if I thought the meeting was going to end and | :28:04. | :28:07. | |
everybody in the room was going to "I really liked that guy that was | :28:07. | :28:09. | |
bitten by a dog." I didn't work for another year after that. | :28:09. | :28:11. | |
You don't have to audition? Occasionally. Not so much now. | :28:12. | :28:15. | |
Meetings? Yeah, meetings. But in terms of ice breaking you | :28:15. | :28:20. | |
seem gung ho about filming, particularly sex scenes, you just | :28:20. | :28:27. | |
get on with it? Yes. Is that fair? That is fair. They | :28:27. | :28:32. | |
are tricky. I don't know, I don't like them very much. The the sex | :28:32. | :28:38. | |
scenes are awkward. No, it is not funny! | :28:38. | :28:40. | |
LAUGHTER They are serious things. It is | :28:40. | :28:43. | |
awkward and it is because it is a very strange and bizarre thing to | :28:43. | :28:50. | |
be doing. It is not a normal situation going, "Hello I am Ewan." | :28:50. | :28:55. | |
You have to and also, I'm I'm 40 and the actresses get younger and | :28:55. | :28:59. | |
younger and I get worried that they think you might be taking advantage | :28:59. | :29:03. | |
of that. It is an awkward thing. I don't really like it and I find | :29:03. | :29:08. | |
they are not useful unless I made made films like Young Adam where | :29:08. | :29:12. | |
they are more about sex and the sex scenes are more about character and | :29:12. | :29:20. | |
story and that's fine. That's good. But gra sex scenes are embarrassing | :29:20. | :29:24. | |
to watch and do. The Christian Bale sex scene | :29:24. | :29:30. | |
sounds... Yeah, that was fun. Was it? Yes. | :29:30. | :29:36. | |
No, no, I did have a sex scene with Christian Bale which I did to the | :29:36. | :29:41. | |
best of my ability. Zblurp on a roof -- you were on a | :29:41. | :29:46. | |
roof or something? We were on a roof. I was play ago rockstar and | :29:46. | :29:51. | |
we would have a shag on top of a rooftop in King's Cross, but they | :29:52. | :29:56. | |
wanted to shoot it from another rooftop, a wide shot. We did close- | :29:56. | :30:04. | |
up stuff, but this was a wide shot. The director, we heard the kind of | :30:04. | :30:12. | |
of "action." We started slowly. Slowly with and the film crew are | :30:12. | :30:19. | |
on the other side and it went on and on. It was really going now. | :30:19. | :30:29. | |
:30:29. | :30:29. | ||
That's it. LAUGHTER | :30:29. | :30:32. | |
And then I just thought - there he is. And then I thought I would have | :30:32. | :30:38. | |
come by now. So I went round to the other side of his ear on the non | :30:38. | :30:44. | |
camera side and I said, "I think I would have come by now." I looked | :30:44. | :30:54. | |
:30:54. | :30:59. | ||
over and they were packing up the camera. | :30:59. | :31:00. | |
LAUGHTER They must have gone cut really | :31:00. | :31:04. | |
quietly, you know. LAUGHTER | :31:04. | :31:08. | |
Did anyone ever talk about it ever wards? They thought it was a | :31:08. | :31:12. | |
sensitive thing and should just leave us to it. | :31:12. | :31:17. | |
There is nothing wrong with "cut" nothing wrong with that. | :31:17. | :31:22. | |
The moment. It is nearly time for music. But before that, let's look | :31:22. | :31:25. | |
at our last website of the series. We like to look at websites. It is | :31:25. | :31:32. | |
our final one. The end of our series. The end of a series. It is | :31:32. | :31:38. | |
called perfect timed photos.com -- perfectlytimedphotos.com. It is | :31:39. | :31:45. | |
that thing where you know with shutter speeds you have just taken | :31:45. | :31:55. | |
:31:55. | :32:00. | ||
a I can a picture at the right moment. This is a dog doing an | :32:00. | :32:08. | |
impersonation of a kang a kangaroo. It looks like someone has thrown a | :32:08. | :32:18. | |
:32:18. | :32:19. | ||
tennis ball at its nuts! tennis ball at its nuts! | :32:19. | :32:23. | |
This is so clever. It is like two dachshunds and they are in a rush | :32:23. | :32:33. | |
:32:33. | :32:36. | ||
down a lane. "We're Coming." LAUGHTER | :32:37. | :32:42. | |
They are so cute. Finally, there is a few of people | :32:42. | :32:48. | |
with animals. It kind of looks worse than it is. Is this it? This | :32:48. | :32:57. | |
is a lady playing frisbee. Oh god. LAUGHTER | :32:57. | :33:04. | |
Oh my god. LAUGHTER | :33:04. | :33:08. | |
You think that's bad. Look at the smile on her face. She is smiling | :33:08. | :33:14. | |
now. That's why it is perfectly timed photos. Wait until you see | :33:14. | :33:24. | |
:33:24. | :33:37. | ||
the next one. Everyone is fine. No one got hurt, but check that out. | :33:37. | :33:39. | |
LAUGHTER It looks like the girl has just | :33:39. | :33:49. | |
:33:49. | :33:57. | ||
told a joke and the dog is going... LAUGHTER | :33:57. | :34:00. | |
"cat you say." It is like the dog is going, "Wait, I need to sneeze." | :34:00. | :34:01. | |
LAUGHTER Oh my god. | :34:01. | :34:03. | |
This is a brilliant encounter of someone being taken by surprise by | :34:03. | :34:13. | |
:34:13. | :34:15. | ||
an animal. There we go. | :34:15. | :34:23. | |
LAUGHTER Very good. | :34:23. | :34:31. | |
Right, it's time for music. Singing his number one song, Change The Way | :34:31. | :34:41. | |
:34:41. | :35:01. | ||
Everybody point to the sky. Here we go. | :35:01. | :35:04. | |
# I've never been afraid of the highest heights | :35:04. | :35:09. | |
# Or afraid of flying now # I've never been afraid of the | :35:10. | :35:15. | |
wildest fights # Not afraid of dying | :35:15. | :35:19. | |
# But now I want off this ride cause your scaring me and I don't | :35:19. | :35:27. | |
like where we're going # I need a new fun fair cause your | :35:27. | :35:34. | |
scaring me and I don't like where were going | :35:34. | :35:38. | |
# And now you're gonna miss me # I know you're gonna miss me | :35:38. | :35:48. | |
:35:48. | :35:56. | ||
# I guarantee you'll miss me cause you changed the way you kiss me | :35:56. | :36:01. | |
# Cause you changed the way you kiss me | :36:01. | :36:05. | |
# We used to be so so soulful # Al Green on the background vocals | :36:05. | :36:10. | |
# T total were on the next high # We get by with a so called soul | :36:10. | :36:14. | |
mate made for each other chit chat # But that dried up wise up to the | :36:14. | :36:20. | |
cutting edge facts # Now I'm chilling on my jack Jones | :36:20. | :36:23. | |
# Looking for a way back home but I can't get back | :36:23. | :36:25. | |
# Our love feels wrong please wind it back | :36:25. | :36:27. | |
# Our love feels wrong can't hide the cracks | :36:27. | :36:37. | |
:36:37. | :36:40. | ||
# I guarantee you'll miss me cause you changed the way you kiss me | :36:40. | :36:44. | |
# I've never been afraid of the highest heights | :36:44. | :36:49. | |
# Or afraid of flying now # I've never been afraid of the | :36:49. | :36:59. | |
wildest fights # Not afraid of dying | :36:59. | :37:03. | |
# I need a new fun fair cause your scaring me and I don't like where | :37:03. | :37:05. | |
we're going # I guarantee you'll miss me cause | :37:05. | :37:15. | |
:37:15. | :37:30. | ||
you changed the way you kiss me # Because you changed the way you | :37:30. | :37:33. | |
kissed me # # Our love feels wrong please | :37:33. | :37:35. | |
wind it back # Our love feels wrong can't hide | :37:35. | :37:40. | |
the cracks # I guarantee you'll miss me cause | :37:40. | :37:45. | |
you changed the way you kiss me # I guarantee you'll miss me cause | :37:45. | :37:55. | |
:37:55. | :37:56. | ||
you changed the way you kiss me # I guarantee you'll miss me | :37:56. | :38:06. | |
:38:06. | :38:06. | ||
# Because you changed the way you kiss me # | :38:06. | :38:11. | |
CHEERING AND APPLAUSE Thank you. | :38:12. | :38:18. | |
Example, ladies and gentlemen. That's fantastic. Thank you very | :38:18. | :38:26. | |
much. Have a seat. CHEERING AND APPLAUSE | :38:26. | :38:28. | |
Loving it. Loving it. Congratulations, sir. | :38:28. | :38:32. | |
Cheers. Example. You can call me Elliot | :38:32. | :38:36. | |
because it is a grown-up show. The name, I feel like a fool for | :38:36. | :38:41. | |
not understanding why you're called Example. | :38:41. | :38:51. | |
:38:51. | :38:51. | ||
Apology for the loss of subtitles for 118 seconds | :38:51. | :39:40. | |
I went to see you the other day. You were incredible. Was that by | :39:40. | :39:44. | |
accident or did you choose to come and see it? Sometimes people wonder | :39:44. | :39:47. | |
in and out of tents, oh, who's this guy. Go on. | :39:47. | :39:49. | |
LAUGHTER You were incredible. | :39:49. | :39:59. | |
:39:59. | :40:02. | ||
Listen, before we go, we have time for our final story of the series | :40:02. | :40:07. | |
in the red chair. Who's up first? Hello? Hello. What's your name? | :40:08. | :40:12. | |
Marion. What do you do? I'm an emergency planner. Oohh... | :40:12. | :40:19. | |
LAUGHTER What do you do? We make plans for | :40:19. | :40:24. | |
emergencies. APPLAUSE | :40:24. | :40:32. | |
Got it. Got to use your noggi any. I'm all | :40:32. | :40:38. | |
over it. An emergency planner, I get it, right. Off you go. When I | :40:38. | :40:43. | |
was young my mother used to take my brother and my family to see our | :40:43. | :40:47. | |
great granny in Slough. She had a big garden which was a treasure | :40:47. | :40:51. | |
trove for children. My brother was looking in the shed one day and | :40:51. | :40:58. | |
found a big rusty dirty dart board with darts in it. Rusty, dirty old. | :40:58. | :41:04. | |
Sorry darling, carry on, please. And he threw some darts at it. As | :41:04. | :41:10. | |
he was removing the darts, in my exuberance as a child I threw mine | :41:10. | :41:14. | |
and it stuck straight into the back of his head. | :41:14. | :41:20. | |
One more. Definitely. We're up for one more. | :41:20. | :41:26. | |
That was disappointing. We shouldn't end on that one. Stories | :41:26. | :41:32. | |
about people in sheds. Hello. What's your name? William. Where | :41:32. | :41:37. | |
are you from? Brighton, originally from France. Aahhh. I've heard of | :41:37. | :41:43. | |
that. And what do you do? I'm a school | :41:43. | :41:46. | |
teacher. Oh, right. A day off today? | :41:46. | :41:54. | |
LAUGHTER Using his time effectively. That | :41:54. | :42:01. | |
must have been a tough vote. I've got Graham Norton tickets, oh, | :42:01. | :42:07. | |
the strike ballot is coming up. Right, William. Off you go. It's a | :42:07. | :42:12. | |
dog story. When I was at university, I helped my Nan choose a Yorkshire | :42:12. | :42:18. | |
Terrier. She chose one called Jessie. I was servicing the car. I | :42:18. | :42:23. | |
finished, I reversed the car, and I heard a squeaking sound, soy | :42:23. | :42:28. | |
thought that must be the belt squeaking. I got out of the car and | :42:28. | :42:33. | |
to my horror I saw Jessie nrt wheel. I rushed it to the vet. My cousin | :42:33. | :42:38. | |
on the phone "You've killed the dog." The vet says she's got | :42:38. | :42:42. | |
fractured pelvis. We have to put her down. I said I would nurse her | :42:42. | :42:46. | |
and hopefully she might get better. 15-year-old dog, cataract, couldn't | :42:46. | :42:50. | |
hear a thing, death's door and she made it and she's still with us | :42:50. | :42:52. | |
today. APPLAUSE | :42:52. | :42:56. | |
Lovely story. You can walk. | :42:56. | :42:59. | |
Thank you. APPLAUSE | :42:59. | :43:09. | |
:43:09. | :43:11. | ||
You're still an idiot for driving over it. Well done everyone. By the | :43:11. | :43:16. | |
way if you'd like to join us on the show and have a go in the red chair, | :43:16. | :43:20. | |
contact us via the website. Huge thanks to my guests tonight | :43:20. | :43:30. | |
:43:30. | :43:31. |