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Welcome to The Rob Brydon Show! Tonight, comedy from Celia Pacquola! | 0:00:01 | 0:00:05 | |
Music from the brilliant Beverley Knight! | 0:00:07 | 0:00:10 | |
And what do you get if you cross a rock god, a monkey and a Trekkie? | 0:00:11 | 0:00:15 | |
Bill Bailey! | 0:00:15 | 0:00:17 | |
Good evening and welcome to the show! Ho-ho-ho! | 0:00:33 | 0:00:38 | |
Hiya! Welcome! | 0:00:38 | 0:00:39 | |
Thank you! Welcome to the show! | 0:00:39 | 0:00:41 | |
What an audience! | 0:00:41 | 0:00:43 | |
Look at this! This is, I mean, look! Look! | 0:00:43 | 0:00:47 | |
Beautiful people! | 0:00:47 | 0:00:49 | |
With a few exceptions. No! | 0:00:49 | 0:00:51 | |
Look, ooh, there's a smart business-looking lady, caught my eye already. | 0:00:51 | 0:00:56 | |
Waistcoat. Sort of working girl - not working girl! | 0:00:56 | 0:00:59 | |
What is your name, my love? | 0:00:59 | 0:01:02 | |
-Joanne. -And what do you do, Joanne? -I'm a beauty therapist. -Beauty therapist? -Yes. | 0:01:02 | 0:01:07 | |
-You've got a look of someone about you. -I've been told, yes. | 0:01:07 | 0:01:10 | |
-Who? -Victoria Beckham. | 0:01:10 | 0:01:13 | |
No, no, not her! No. | 0:01:13 | 0:01:15 | |
-Victoria Beckham. -Yes. -Yes, I suppose you have a bit. | 0:01:15 | 0:01:18 | |
And do you act upon this? | 0:01:18 | 0:01:20 | |
-Yeah, I joined a lookalike agency. -Have you? Wow! | 0:01:20 | 0:01:24 | |
Can you go as a duo and be husband... Not really, no. | 0:01:24 | 0:01:28 | |
-Can you do the voice? -No. | 0:01:31 | 0:01:32 | |
I know for a fact we have someone in the audience tonight | 0:01:32 | 0:01:36 | |
who does something with their voice. I think it's Richard. | 0:01:36 | 0:01:39 | |
Ooh, look at you, Richard! | 0:01:39 | 0:01:41 | |
Did you lose the jacket? | 0:01:41 | 0:01:42 | |
POSH VOICE: It's rather hot in here, so I've dressed down. | 0:01:42 | 0:01:46 | |
Oh, I say! | 0:01:46 | 0:01:48 | |
All of a sudden it's My Fair Lady! | 0:01:48 | 0:01:51 | |
-What is your vocal claim to fame? -When I was a kid, | 0:01:52 | 0:01:55 | |
my voice was recorded for a kids' "Learn to read and spell" scheme. | 0:01:55 | 0:01:59 | |
Really? Just for children who lived in manor houses, surely? | 0:01:59 | 0:02:03 | |
-Talk us through how it worked. -You've got a card | 0:02:05 | 0:02:08 | |
with a word on it like dog or cat or grass | 0:02:08 | 0:02:11 | |
and you swipe it through the machine and my 11-year-old voice would say, "Dog." "Cat." "Grass." | 0:02:11 | 0:02:16 | |
-In my recollection, those machines are normally American. -Often, yes. | 0:02:16 | 0:02:21 | |
I'd like to see a Welsh one. | 0:02:21 | 0:02:22 | |
-"Spell..." -SAYS DIFFICULT WELSH WORD | 0:02:22 | 0:02:25 | |
F... R... | 0:02:26 | 0:02:30 | |
"Bloody wrong!" | 0:02:30 | 0:02:32 | |
Now, we've got people here celebrating a wedding anniversary. | 0:02:32 | 0:02:36 | |
How many years? | 0:02:36 | 0:02:38 | |
-21. -What's your name? -Gaby. | 0:02:38 | 0:02:40 | |
Gaby. 12 years married, ladies and gentlemen. | 0:02:40 | 0:02:43 | |
Gaby, who's your husband? What's his name? | 0:02:46 | 0:02:48 | |
-Alan. -Hello, Alan. Well done. Gaby, I've got something for you. Come and get it. | 0:02:48 | 0:02:53 | |
Whoa! Don't bum-rush the stage, love! | 0:02:57 | 0:03:00 | |
That's hip hop talk, for any older viewers. | 0:03:01 | 0:03:04 | |
There we are. Biscuits. | 0:03:04 | 0:03:06 | |
Congratulations, yeah? | 0:03:06 | 0:03:07 | |
Aren't you going to offer them round, love? | 0:03:19 | 0:03:21 | |
Don't just hog the biscuits! Share them around! | 0:03:21 | 0:03:25 | |
No wonder they've been married so long. They're so into each other! | 0:03:25 | 0:03:29 | |
Thank you very much for coming along. A round of applause. | 0:03:29 | 0:03:33 | |
Now, then, coming up, | 0:03:35 | 0:03:36 | |
I will be talking to the super-talented Beverley Knight. | 0:03:36 | 0:03:40 | |
But now, time to welcome my first guest. | 0:03:40 | 0:03:42 | |
He's fantastic. He sells out arenas, | 0:03:42 | 0:03:44 | |
he's played the Royal Albert Hall with a full orchestra and he's passed his Grade 6 clarinet! | 0:03:44 | 0:03:49 | |
Please welcome Bill Bailey! | 0:03:49 | 0:03:51 | |
All those things I said in the intro were musical, weren't they? | 0:04:10 | 0:04:14 | |
-Yes. -I didn't know you're as much a rock star as you are a comedian. | 0:04:14 | 0:04:19 | |
-That's very kind of you to say. -But you are. | 0:04:19 | 0:04:21 | |
You've been playing massive gigs. | 0:04:21 | 0:04:24 | |
It does feel like a rock gig sometimes. | 0:04:24 | 0:04:26 | |
You're standing there with a foot on the monitor, in a huge arena. | 0:04:26 | 0:04:30 | |
-Is that what you wanted to do first? -It was. My first love was music. | 0:04:30 | 0:04:35 | |
I always thought I'd be in a band of some kind. | 0:04:35 | 0:04:38 | |
I had a very specific aim that I would be the keyboard player in Talking Heads. | 0:04:38 | 0:04:43 | |
I didn't really make any effort to get in to Talking Heads at all. | 0:04:43 | 0:04:48 | |
I didn't contact them in any way. | 0:04:48 | 0:04:50 | |
-I just played the piano with the window open, in the West Country of England. -Hoping. | 0:04:50 | 0:04:55 | |
Hoping that Talking Heads might drive past. "What's that? That guy's great!" | 0:04:55 | 0:05:01 | |
But the music thing, it was going to be... You were thinking of it as a career. | 0:05:01 | 0:05:06 | |
-Did you do any musical jobs? -I did. I got a job as crematorium organist. | 0:05:06 | 0:05:11 | |
-Seriously? -There were various organists. Some of them were so bad. Just dreadful. | 0:05:11 | 0:05:18 | |
It seemed to be a bit undignified. The coffin coming in | 0:05:18 | 0:05:22 | |
and this sort of, # Da-da-da-da buh-buh-buh # | 0:05:22 | 0:05:25 | |
-Terrible. -What were they playing? -Wrong notes... | 0:05:25 | 0:05:28 | |
# Da-da da-da da-da-da-da! # | 0:05:28 | 0:05:31 | |
A march! SINGS THE MONTY PYTHON THEME TUNE | 0:05:33 | 0:05:37 | |
And I would play the jazz. | 0:05:37 | 0:05:38 | |
# Da-da-da-da-da da! # | 0:05:38 | 0:05:41 | |
But just to kind of take the edge off it. | 0:05:41 | 0:05:43 | |
-I've had all kinds of jobs. -Now, then, | 0:05:43 | 0:05:45 | |
I know that you're a punk at heart | 0:05:45 | 0:05:47 | |
and that comes through. You had a punk band. | 0:05:47 | 0:05:49 | |
-Yes. -What were you called? -We were a punk band called Beer Gut One Hundred. | 0:05:49 | 0:05:54 | |
-A clever play on words with... -Yes. -..Haircut One Hundred. -Yes. | 0:05:58 | 0:06:02 | |
-Me and a bunch of guys would play punk cover versions. -Yeah. | 0:06:02 | 0:06:07 | |
For laughs. | 0:06:07 | 0:06:09 | |
-Proper gigs? -Proper gigs, yeah. -Really? What sort of songs? | 0:06:09 | 0:06:13 | |
We'd do the classic punk oeuvre. | 0:06:13 | 0:06:16 | |
We'd do songs by The Stranglers and Sex Pistols and all that. | 0:06:16 | 0:06:20 | |
But we'd also try and do songs that you wouldn't imagine hearing in the punk idiom. | 0:06:20 | 0:06:26 | |
I've got my punk guitar here. | 0:06:26 | 0:06:28 | |
I'll demonstrate. You can actually play a show tune | 0:06:28 | 0:06:33 | |
in a punk style and it actually sounds great. | 0:06:33 | 0:06:36 | |
There's the lyrics. Try it. | 0:06:36 | 0:06:38 | |
This is from Annie! | 0:06:38 | 0:06:40 | |
-You know the song? -The Sun Will Come Out Tomorrow. | 0:06:42 | 0:06:44 | |
So sing it in the punk idiom. | 0:06:44 | 0:06:47 | |
-SWEETLY: -# The sun'll come out tomorrow | 0:06:49 | 0:06:51 | |
# Bet your bottom dollar... # | 0:06:51 | 0:06:53 | |
No, no. You've got to sing it with a bit of aggression. | 0:06:53 | 0:06:56 | |
-PUNK STYLE: # The sun'll come out tomorrow -Betcha, betcha bottom dollar | 0:06:56 | 0:07:01 | |
-# That tomorrow -That's it. Pick the edges. | 0:07:01 | 0:07:04 | |
-# There'll be sun -Better! Better! | 0:07:04 | 0:07:07 | |
# When I'm stuck in a day that's grey and lonely | 0:07:07 | 0:07:10 | |
# I just stick out my chin and grin and say, "Oi! | 0:07:12 | 0:07:15 | |
# Tomorrow, tomorrow | 0:07:15 | 0:07:19 | |
# I love you, tomorrow | 0:07:19 | 0:07:21 | |
# You're only a day away | 0:07:21 | 0:07:26 | |
# Tomorrow | 0:07:26 | 0:07:28 | |
# Tomorrow | 0:07:28 | 0:07:29 | |
# I love you, tomorrow | 0:07:29 | 0:07:32 | |
# You're only a da-a-a-ay | 0:07:32 | 0:07:36 | |
# Aw-a-a-ay | 0:07:36 | 0:07:39 | |
# Aw-a-a-a-ay! # | 0:07:39 | 0:07:43 | |
-You're going on tour in the autumn. -I am. -Dandelion Mind. | 0:07:54 | 0:07:58 | |
-Yes. -And is this tour going to take in the heights of the Albert Hall? | 0:07:58 | 0:08:02 | |
-Because you've played the Albert Hall with a full orchestra. -That's right. | 0:08:02 | 0:08:07 | |
I was trying to recreate the moment when I first went to a classical concert. | 0:08:07 | 0:08:11 | |
The hairs on the back of the neck were going. | 0:08:11 | 0:08:13 | |
It'd be great to get my audience, a comedy audience or younger audience to come and experience that. | 0:08:13 | 0:08:19 | |
Perhaps in a way that they wouldn't expect. That was the aim of it. | 0:08:19 | 0:08:24 | |
And it was great. The Albert Hall is an amazing venue. | 0:08:24 | 0:08:29 | |
A fantastic place to play. They've all been there. | 0:08:29 | 0:08:32 | |
-Frank Sinatra played there. -I've played there. I hosted the insurance awards there one year! | 0:08:32 | 0:08:37 | |
-Now, I would like us to attempt something musical. So would you join me? -Yes, I would. | 0:08:37 | 0:08:44 | |
Over here. We've got something very special waiting for us. | 0:08:44 | 0:08:49 | |
-Um. -Yes. -What have we got here, Bill? -Well, | 0:08:49 | 0:08:52 | |
I'd like to present... This is the actual... | 0:08:52 | 0:08:56 | |
-These are real Swiss cow bells? -These are tuned Alpine cow bells. -Right. | 0:08:56 | 0:09:01 | |
AUDIENCE GASPS | 0:09:01 | 0:09:03 | |
It's like the Generation Game prizes. "Wooo!" | 0:09:04 | 0:09:07 | |
"What the hell have..." | 0:09:07 | 0:09:10 | |
We've got a guitarist with us, Chester. Thank you, Chester. | 0:09:10 | 0:09:13 | |
Bill, I thought it would be lovely - I'm a big Elvis fan. | 0:09:13 | 0:09:17 | |
I know what a muso you are. | 0:09:17 | 0:09:18 | |
It would lovely to sing an Elvis song. Now, I'm not sure this is the perfect instrument to accompany it! | 0:09:18 | 0:09:25 | |
I'll just embellish your vocal styles. | 0:09:25 | 0:09:28 | |
# Maybe I didn't love you | 0:09:34 | 0:09:37 | |
# Quite as good as I should have | 0:09:39 | 0:09:43 | |
COW BELL TINKLES | 0:09:44 | 0:09:45 | |
# Maybe I didn't hold you | 0:09:45 | 0:09:48 | |
# Quite as often as I could have | 0:09:49 | 0:09:53 | |
TINKLING | 0:09:53 | 0:09:54 | |
# Little things I should have said and done | 0:09:54 | 0:09:59 | |
TINKLE | 0:09:59 | 0:10:00 | |
# I just never took the time | 0:10:00 | 0:10:03 | |
# You were always on my mind | 0:10:05 | 0:10:09 | |
# You were always on my mind | 0:10:11 | 0:10:14 | |
PLAYS EXACT TUNE WITH BELLS | 0:10:17 | 0:10:21 | |
# Little things I should have said and done | 0:10:33 | 0:10:38 | |
-# I just never took the time -ECHOES MELODY | 0:10:38 | 0:10:42 | |
You were always on my mind | 0:10:44 | 0:10:48 | |
# You were always on | 0:10:49 | 0:10:52 | |
# My mind. # | 0:10:52 | 0:10:56 | |
PLAYS PERFECT OUTRO TO SONG | 0:10:56 | 0:11:00 | |
APPLAUSE AND CHEERING | 0:11:08 | 0:11:10 | |
Thank you, Chester. | 0:11:18 | 0:11:19 | |
Bill Bailey! | 0:11:21 | 0:11:22 | |
Time now for some music. She's had 13 Top 40 singles, | 0:11:25 | 0:11:30 | |
she's an MBE, and best of all, she's been on Loose Women six times! Please welcome Beverley Knight! | 0:11:30 | 0:11:36 | |
-Beverley! -Hey, Rob! -How are you? | 0:11:46 | 0:11:48 | |
-Good. How are you? -Lovely. Mr Bill Bailey. | 0:11:48 | 0:11:52 | |
-How are you? -I'm very good. | 0:11:52 | 0:11:55 | |
-Please have a seat. -Thank you. | 0:11:55 | 0:11:57 | |
MBE? | 0:11:57 | 0:11:59 | |
-I know! -That's quite something. Have you got an MBE, Bill? -No, not on me. | 0:11:59 | 0:12:04 | |
-When you got this honour, this decoration, was it the Queen? -It was! | 0:12:06 | 0:12:10 | |
-It's not always the Queen. -No. No. | 0:12:10 | 0:12:12 | |
-I had her, but sometimes you get stuck with Prince Charles. -Prince Charles. -Whoever. | 0:12:12 | 0:12:17 | |
-I don't really fancy that. -So she's a little lady. | 0:12:17 | 0:12:20 | |
She's little, dead cute. She's like a little granny going to bingo. | 0:12:20 | 0:12:24 | |
-She had a little... -Well, Beverley, she's not really, is she? | 0:12:24 | 0:12:29 | |
She's not like a little granny going to bingo. Maybe like a little granny, | 0:12:29 | 0:12:32 | |
but I doubt she's ever gone, "House! I've got all the bloody numbers!" | 0:12:32 | 0:12:37 | |
Soul is what you're known for and what you're celebrated for. | 0:12:38 | 0:12:42 | |
And you've got a new album of soul covers, yeah? | 0:12:42 | 0:12:46 | |
-Yes, but with a twist. -What's the twist? | 0:12:46 | 0:12:49 | |
It's British soul and only British soul. | 0:12:49 | 0:12:53 | |
-Who counts as British soul? Who are the favourites? -For me, | 0:12:53 | 0:12:56 | |
people like Omar. | 0:12:56 | 0:12:58 | |
-And George Michael. You might think, "Uh?" -Really? | 0:12:58 | 0:13:02 | |
-But that voice is soulful. -Got George in there? -That is a soulful singer. | 0:13:02 | 0:13:06 | |
-So I thought I'd shine the spotlight on some British soul artists. -Is it underrated, British soul? | 0:13:06 | 0:13:13 | |
When you say soul, you think of Americans, Luther Vandross, you know. | 0:13:14 | 0:13:18 | |
Of course. And that's right. | 0:13:18 | 0:13:21 | |
But we were busy building a little soul empire of our own over here. | 0:13:21 | 0:13:27 | |
I can't believe when you think of soul you think of Luther Vandross! | 0:13:27 | 0:13:31 | |
-What do you think of him? -You could have had Aretha Franklin, you know! | 0:13:31 | 0:13:35 | |
-Yes. -You could have had King Curtis, or... -Hang on a second. | 0:13:35 | 0:13:39 | |
-Hang on a second. -Sorry. | 0:13:39 | 0:13:40 | |
I suppose when you think of soul, you think of people like... | 0:13:40 | 0:13:44 | |
I was trying desperately hard and the only one that came to mind was Luther Vandross! | 0:13:48 | 0:13:53 | |
Luther Vandross! | 0:13:53 | 0:13:55 | |
-I was aware... -Soul singers like James Blunt, and you know... | 0:13:55 | 0:14:00 | |
-The Krankies! -We're moving on, we're moving on. | 0:14:00 | 0:14:03 | |
-So, you're a big Prince fan? -A big Prince fan. -You've not just worked with him, you're quite pally? | 0:14:03 | 0:14:09 | |
Sorta kinda kinda sorta! | 0:14:09 | 0:14:11 | |
How did you come to work with him? You've sung with him many times. | 0:14:11 | 0:14:15 | |
I was asked to open for him when he did his shows at the O2. | 0:14:15 | 0:14:18 | |
I did my performance and came off the stage | 0:14:18 | 0:14:24 | |
and got an applause from his band who were watching - I didn't know they were watching. | 0:14:24 | 0:14:29 | |
And then somebody grabbed me by the arm, spun me round and it was him! | 0:14:29 | 0:14:33 | |
-And he said, "I want you to come sing at my after show. You gotta do it." -Wow! | 0:14:33 | 0:14:39 | |
-And I was like, "OK!" -Wow! But you grew up as a fan, so to work with him was beyond your wildest dreams. | 0:14:39 | 0:14:45 | |
I cannot begin to explain. | 0:14:45 | 0:14:48 | |
I'm a big fan. He's in my repertoire. See if you know this. | 0:14:48 | 0:14:51 | |
# I was working part time at a five and dine | 0:14:51 | 0:14:56 | |
-# My boss was... # -Hang on, love, it's not a duet! | 0:14:56 | 0:14:59 | |
Are you sure he asked you to do songs, or did you just force your way on to the stage? | 0:15:02 | 0:15:07 | |
Would you like to do a number with me? | 0:15:08 | 0:15:11 | |
-Go on, then. -Would you? -Yeah, go on! | 0:15:11 | 0:15:14 | |
I'm talking specifically now, Bill, to Bev, not to you! | 0:15:14 | 0:15:17 | |
-No, it's your thing, you know. -Thank you. | 0:15:17 | 0:15:20 | |
Do you know "You Got The Look"? | 0:15:20 | 0:15:22 | |
-Well. -Oh, you know it well! Sorry! | 0:15:22 | 0:15:25 | |
You're starting on another paragraph. OK. | 0:15:25 | 0:15:28 | |
In that case, Beverley Knight, walk this way! | 0:15:28 | 0:15:31 | |
# You walked in, I woke up | 0:15:47 | 0:15:50 | |
# I never seen a pretty girl look so tough | 0:15:51 | 0:15:55 | |
# Baby | 0:15:55 | 0:15:56 | |
# Ow! You got that look | 0:15:57 | 0:16:00 | |
# Colour you peach and black | 0:16:03 | 0:16:05 | |
# Colour me takin' aback | 0:16:05 | 0:16:07 | |
# Crucial | 0:16:07 | 0:16:09 | |
# I think I want you | 0:16:09 | 0:16:11 | |
-# You've got the look -I know! | 0:16:11 | 0:16:14 | |
-# You've got the hook -Huh! | 0:16:14 | 0:16:16 | |
# Sure enough do be cooking in my book | 0:16:16 | 0:16:18 | |
-# Sing it to me -Your face is jammin' | 0:16:18 | 0:16:21 | |
-What does that mean? -# Your body is heck-a-slammin' | 0:16:21 | 0:16:24 | |
# If love is good, let's get to rammin' | 0:16:24 | 0:16:27 | |
# You got the look You got the look, yeah | 0:16:27 | 0:16:33 | |
# You got the look... # | 0:16:34 | 0:16:36 | |
HEAVY METAL JAMMING | 0:16:36 | 0:16:39 | |
So sorry. I'm so sorry! | 0:16:47 | 0:16:50 | |
-You had to ruin it, didn't you? -Well, it needed something! | 0:17:00 | 0:17:04 | |
Ladies and gentlemen, Beverley will be singing for us again later. | 0:17:08 | 0:17:13 | |
Now it's time to welcome a comedian who's destined for great things. | 0:17:14 | 0:17:18 | |
Please give a big welcome to the fantastic Celia Pacquola! | 0:17:18 | 0:17:22 | |
Gosh! | 0:17:31 | 0:17:32 | |
Hello! | 0:17:32 | 0:17:34 | |
I would actually like to start with a safety announcement. | 0:17:34 | 0:17:38 | |
Just in case any of you are going out later and having a big night. | 0:17:38 | 0:17:42 | |
Just please be aware of drink spiking. | 0:17:42 | 0:17:44 | |
I'd like to tell everyone because I've had my drink spiked at a club. | 0:17:44 | 0:17:49 | |
It wasn't very nice. To make things worse, | 0:17:49 | 0:17:52 | |
this guy was a real cheapskate and used Berocca. | 0:17:52 | 0:17:57 | |
He was like, "How are you feeling?" "Better! | 0:18:02 | 0:18:05 | |
"Pretty good. Cheers!" | 0:18:06 | 0:18:09 | |
And then I jogged home! Idiot! Couldn't even catch me. That's what we call a rookie mistake. | 0:18:09 | 0:18:15 | |
That's what that is. Good! Hello, I know we've started, | 0:18:15 | 0:18:18 | |
but I'm sorry, I'm quite aware that I'm sounding quite Australian. | 0:18:18 | 0:18:22 | |
Can you hear that? It's annoying! Can you hear "Hallo!" | 0:18:22 | 0:18:25 | |
Can we do anything? No, we can't do anything about that. | 0:18:25 | 0:18:28 | |
I'm going to live here. I've moved here. I think I'm the first Australian to do that. | 0:18:28 | 0:18:34 | |
Pretty pleased, proud of myself. | 0:18:34 | 0:18:36 | |
I've been here a little while, about seven months now. | 0:18:36 | 0:18:40 | |
The weird thing is, I'm getting patriotic about odd things. | 0:18:40 | 0:18:44 | |
-Are there any Australians in the room? -Woo! -So enthusiastic. | 0:18:44 | 0:18:47 | |
One of the reasons I love being Australian is that when I'm feeling out of form online | 0:18:47 | 0:18:52 | |
that my country is right near the top of the drop-down menu. | 0:18:52 | 0:18:56 | |
I love it. What country? Australia. Bang. 0.1 second. Get on with my day. | 0:18:56 | 0:19:01 | |
What's that? I'm early? Great. Yes! | 0:19:01 | 0:19:04 | |
Yeah! Suck it, Yemen! Yeah! | 0:19:04 | 0:19:07 | |
I have a boyfriend at the moment. Whatever. Stop bringing it up! | 0:19:09 | 0:19:14 | |
I'm just a normal person. | 0:19:14 | 0:19:16 | |
I'm doing a long-distance thing. It's a long-distance relationship. | 0:19:16 | 0:19:20 | |
I don't mind telling you that because it sounds better than restraining order! | 0:19:20 | 0:19:24 | |
No, it's consensual. Totally consensual. | 0:19:26 | 0:19:28 | |
He knows all about it. | 0:19:28 | 0:19:30 | |
He came to visit me recently and we wanted to do something special | 0:19:30 | 0:19:34 | |
so we went to Paris. | 0:19:34 | 0:19:36 | |
We didn't want to do anything touristy so we went to the Eiffel Tower. | 0:19:36 | 0:19:40 | |
-Cheer if you've been to the Eiffel Tower. AUDIENCE: -Yeah! | 0:19:40 | 0:19:43 | |
It's packed, OK? It was rammed full of couples | 0:19:43 | 0:19:48 | |
trying to out-in-love each other. | 0:19:48 | 0:19:52 | |
Everyone wants to go to Paris and go, "Oh, remember when we went to Paris? | 0:19:52 | 0:19:57 | |
"We were so in love." | 0:19:57 | 0:19:59 | |
No-one goes, "Remember Paris? Where my passive aggression met your muted hostility? | 0:19:59 | 0:20:05 | |
"And neither of us could admit that the entire trip | 0:20:05 | 0:20:08 | |
"was just a Band-aid over the widening chasm of loathing and hatred between us? | 0:20:08 | 0:20:12 | |
"Wonderful cheese." Right? | 0:20:12 | 0:20:16 | |
And I noticed it cos I just went to casually hold my boyfriend's hand | 0:20:16 | 0:20:21 | |
and I saw a couple see that and like standing spoon, grab each other and go, "Ooh!" | 0:20:21 | 0:20:25 | |
And another couple see them. "I see your standing spoon and I raise you a dip kiss." | 0:20:25 | 0:20:30 | |
It's amazing. "Oh, it's like the first day we met. | 0:20:30 | 0:20:34 | |
"You're so funny. They were going to make a film of our love | 0:20:34 | 0:20:38 | |
"but they couldn't because there were no sad bits." | 0:20:38 | 0:20:41 | |
Amongst all these people putting on shows and ridiculous blah-de-blah, | 0:20:41 | 0:20:46 | |
my boyfriend, Toby, and I got engaged. | 0:20:46 | 0:20:48 | |
We didn't want to, but it was really competitive. | 0:20:55 | 0:20:58 | |
Yeah. I don't think any woman in the history of the world has said, "Of course I'll marry you", | 0:21:01 | 0:21:07 | |
immediately followed by "Suck it!" | 0:21:07 | 0:21:10 | |
Did you see that? In your face, dip kiss! | 0:21:10 | 0:21:14 | |
Winners! | 0:21:14 | 0:21:16 | |
If I could have spontaneously had a baby, I would have, just... | 0:21:16 | 0:21:20 | |
Thank you very much, I'm Celia Pacquola! | 0:21:21 | 0:21:23 | |
Ladies and gentlemen, Celia Pacquola! | 0:21:25 | 0:21:29 | |
Right, Bill, | 0:21:29 | 0:21:31 | |
we have questions from the audience. We also put the word out on Twitter. | 0:21:31 | 0:21:36 | |
So we've got some Tweeted questions. Ian from Kent. Where are you, Ian? | 0:21:36 | 0:21:40 | |
-Yep! -What?! | 0:21:40 | 0:21:42 | |
-Hello! -What are you dressed as? | 0:21:42 | 0:21:46 | |
I'm dressed as a Klingon! | 0:21:46 | 0:21:47 | |
All right. There we are. | 0:21:49 | 0:21:51 | |
-What's your question, Ian? -Why do you like sci-fi so much? | 0:21:51 | 0:21:56 | |
I've always liked it since I was a kid. I love the fantasy genre. | 0:21:56 | 0:22:00 | |
And when I was a kid, you were made to feel you were weird, a geek or nerdy. | 0:22:00 | 0:22:07 | |
But now it's mainstream entertainment. | 0:22:07 | 0:22:10 | |
-Star Wars and Harry Potter. -It wasn't then, was it? -No, it wasn't. | 0:22:10 | 0:22:13 | |
-Lord of the Rings, that was a bit esoteric. -You loved Star Trek. | 0:22:13 | 0:22:18 | |
-Tell us about your son and what you did with Star Trek. -Oh, you see, | 0:22:18 | 0:22:23 | |
-you've been reading the book of Wikipedia lies! -It's not true? | 0:22:23 | 0:22:27 | |
-Well, OK... -So it is true? | 0:22:27 | 0:22:30 | |
It is true. But... | 0:22:30 | 0:22:32 | |
My son is called Dax. | 0:22:32 | 0:22:35 | |
Dax is a name that we heard someone else had a kid called Dax and we thought, "That's a cool name." | 0:22:35 | 0:22:41 | |
But it is also the name of a symbiont, a parasitic slug, | 0:22:41 | 0:22:47 | |
in Deep Space Nine. | 0:22:47 | 0:22:49 | |
So I can convince no-one that that was not the reason why | 0:22:49 | 0:22:54 | |
I called him Dax! | 0:22:54 | 0:22:56 | |
We were having a conversation about it and he says, "Daddy, this family, we're 73% normal." | 0:22:56 | 0:23:03 | |
I go, "What do you mean by that?" And he goes, "We're a bit weird. | 0:23:04 | 0:23:08 | |
"You're the weirdest." | 0:23:08 | 0:23:10 | |
But he thought it was quite cool. He's got an idea that I go on the stage and all that. | 0:23:10 | 0:23:17 | |
He said to a friend of his in the back of the car, | 0:23:17 | 0:23:20 | |
he said, "Have you heard of Bill Bailey?" | 0:23:20 | 0:23:23 | |
And the kid's five. "I don't know." | 0:23:23 | 0:23:26 | |
And he goes, "Oh, you should check him out." | 0:23:26 | 0:23:29 | |
Sophie Kingsnorth is here. Sophie? | 0:23:32 | 0:23:35 | |
-Hiya! -What's your question for Bill? -You love animals. Which animal would you be and why? | 0:23:35 | 0:23:40 | |
I'd have to say baboon. You're half way there! | 0:23:40 | 0:23:45 | |
-Oh, don't look hurt. -Sorry. | 0:23:46 | 0:23:48 | |
I suppose baboons are amazing creatures. | 0:23:49 | 0:23:53 | |
They're very intelligent. They can open car doors and start cars and even drive off. | 0:23:53 | 0:23:59 | |
And they live people's lives for them. | 0:23:59 | 0:24:02 | |
-Some of that was true, wasn't it? -Yeah! | 0:24:02 | 0:24:04 | |
I think it would have to be something like an eagle, probably. | 0:24:04 | 0:24:09 | |
Like a sea eagle or something. Something big and impressive. | 0:24:09 | 0:24:13 | |
With a massive beak! | 0:24:13 | 0:24:15 | |
We've got time for one more question. Frances Jones, where are you? | 0:24:15 | 0:24:19 | |
There's Frances. What's your question? | 0:24:19 | 0:24:21 | |
We know you're a master of musical instruments, so we've brought one for you to play. | 0:24:21 | 0:24:26 | |
Oh, hello? | 0:24:26 | 0:24:27 | |
-Oh, my God! Oh, my God! -What are we going to do? | 0:24:27 | 0:24:31 | |
Oh, look at that, they're passing the French horn. That's nice. | 0:24:31 | 0:24:35 | |
-It's an old Alpine tradition. -Do you want to grab it, Bill? | 0:24:35 | 0:24:38 | |
The passing of the horn. | 0:24:38 | 0:24:40 | |
That's probably worth a lot of money, so be careful. | 0:24:40 | 0:24:43 | |
-Wow! -I'll grip the end. -Look at that! | 0:24:43 | 0:24:45 | |
-OK. Do you want to sit down? -No, I'll have to stand, I think. -OK. | 0:24:45 | 0:24:50 | |
Hang on. Whoa! It reminds me of a bong I had once! | 0:24:50 | 0:24:53 | |
Here we go! | 0:24:57 | 0:24:59 | |
PLAYS DEEP RESONANT NOTES | 0:24:59 | 0:25:02 | |
APPLAUSE | 0:25:06 | 0:25:08 | |
-Can I have a go? -Yeah! | 0:25:12 | 0:25:13 | |
Swap over. | 0:25:13 | 0:25:15 | |
This could be an Olympic sport! | 0:25:17 | 0:25:19 | |
-Do I have to connect with the... -Yeah. | 0:25:19 | 0:25:22 | |
NON-PRODUCTIVE BLOWS | 0:25:22 | 0:25:25 | |
RESONANT NOTE | 0:25:25 | 0:25:27 | |
APPLAUSE | 0:25:27 | 0:25:29 | |
Ladies and gentlemen, one more time for Bill Bailey! | 0:25:31 | 0:25:35 | |
I'd also like to thank Celia Pacquola | 0:25:42 | 0:25:44 | |
and now singing a song from her new album Soul UK, Beverley Knight and Cuddly Toy! | 0:25:44 | 0:25:49 | |
# Well, I know you heard so many people say | 0:26:05 | 0:26:08 | |
# I got a different boy in every town | 0:26:08 | 0:26:12 | |
# But there must be somebody telling lies | 0:26:12 | 0:26:16 | |
# Spreading rumours, rumours all around | 0:26:16 | 0:26:19 | |
# Oh, there's a cuddly toy | 0:26:19 | 0:26:22 | |
# That's my only joy | 0:26:22 | 0:26:23 | |
# Waiting for me | 0:26:23 | 0:26:25 | |
# When I get home, yeah, | 0:26:25 | 0:26:27 | |
# And what I need is a boy like you | 0:26:27 | 0:26:31 | |
# To call, call my very own | 0:26:31 | 0:26:34 | |
-# So you gotta feel for me, baby -Feel for me, baby | 0:26:34 | 0:26:38 | |
-# Yeah, you gotta feel for me, baby -Feel for me, baby | 0:26:38 | 0:26:42 | |
-# Oh, you gotta feel for me, baby -Feel for me, baby | 0:26:42 | 0:26:45 | |
# Oh, give me some love, yes | 0:26:45 | 0:26:48 | |
# Well I don't pour out my heart like this to everyone | 0:26:49 | 0:26:53 | |
# And anyone that I meet | 0:26:53 | 0:26:57 | |
# And I know it ain't the wine | 0:26:57 | 0:26:59 | |
# Cos I feel just fine | 0:26:59 | 0:27:01 | |
# Can't you see, baby, I'm still on my feet? | 0:27:01 | 0:27:04 | |
# Oh, a cuddly toy, that's my only joy | 0:27:04 | 0:27:08 | |
# Waiting for me | 0:27:08 | 0:27:09 | |
# When I get home, yes | 0:27:09 | 0:27:12 | |
# And what I need | 0:27:12 | 0:27:14 | |
# Is a boy like you | 0:27:14 | 0:27:15 | |
# To call, call my very own | 0:27:15 | 0:27:19 | |
-# So you gotta feel for me, baby -Feel for me, baby | 0:27:19 | 0:27:23 | |
-# Yeah, you gotta feel for me, baby -Feel for me, baby | 0:27:23 | 0:27:26 | |
-# Just feel for me -Feel for me baby | 0:27:26 | 0:27:30 | |
# Oh, give me some love, yeah | 0:27:30 | 0:27:33 | |
# Wa-ay-ay-ay-ay yeah | 0:27:33 | 0:27:35 | |
# Feel | 0:27:49 | 0:27:51 | |
# Feel for me, baby | 0:27:51 | 0:27:53 | |
# Come on, like I know you can | 0:27:53 | 0:27:57 | |
# Feel for me | 0:27:57 | 0:27:59 | |
# Feel for me, baby | 0:27:59 | 0:28:01 | |
# Come on, I know you understand | 0:28:01 | 0:28:04 | |
# Well, a cuddly toy is my only joy | 0:28:04 | 0:28:07 | |
# Waiting for me when I get home now | 0:28:07 | 0:28:11 | |
# And what I need is a boy like you | 0:28:11 | 0:28:15 | |
# To call, call my very own | 0:28:15 | 0:28:18 | |
-# So you gotta feel -Feel for me, baby | 0:28:18 | 0:28:22 | |
-# Oh, feel it, baby -Feel for me, baby | 0:28:22 | 0:28:26 | |
-# Yeah, you gotta feel it now -Feel for me, baby | 0:28:26 | 0:28:29 | |
# Oh, gimme some love | 0:28:29 | 0:28:33 | |
-# Yeah, feel for me -Feel for me, baby | 0:28:33 | 0:28:37 | |
# Oh, baby, baby | 0:28:37 | 0:28:39 | |
# Feel for me, baby | 0:28:39 | 0:28:41 | |
# Yeah, you gotta feel for me | 0:28:41 | 0:28:43 | |
# Feel for me, baby | 0:28:43 | 0:28:45 | |
# Oh, gimme some love, yeah | 0:28:45 | 0:28:47 | |
# Yeah. # | 0:28:47 | 0:28:49 | |
-That was brilliant! -Thank you! | 0:29:00 | 0:29:03 | |
How about that? Beverley Knight! | 0:29:04 | 0:29:06 | |
Subtitles by Red Bee Media Ltd | 0:29:08 | 0:29:11 |