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Tonight, we have comedy from Josh Widdicombe! | 0:00:02 | 0:00:05 | |
From the biggest comedy hit of the year, the star of Bridesmaids: | 0:00:05 | 0:00:09 | |
And we have Jesse Wood, Glen Matlock, Ian McLagan, | 0:00:10 | 0:00:13 | |
Kenney Jones, Ronnie Wood and Mick Hucknall - The Faces! | 0:00:13 | 0:00:17 | |
Stay with me. | 0:00:19 | 0:00:21 | |
-APPLAUSE -Good evening! | 0:00:27 | 0:00:29 | |
Ho! | 0:00:29 | 0:00:32 | |
Good evening, everybody. Welcome. Thank you. Welcome to the show. | 0:00:34 | 0:00:38 | |
Look at this - a man wearing a vest indoors. | 0:00:38 | 0:00:41 | |
That's always nice. It's not even an ITV2 documentary. | 0:00:41 | 0:00:45 | |
Look at you and your... What's your name, sir? | 0:00:45 | 0:00:48 | |
STAMMERS A Carl. Carl. | 0:00:48 | 0:00:50 | |
Hi, I'm "A" Rob. | 0:00:50 | 0:00:52 | |
Good to meet you, Rob. | 0:00:52 | 0:00:53 | |
Ooh, is that a Welsh accent? | 0:00:53 | 0:00:55 | |
-It is. -Where to are you from? | 0:00:55 | 0:00:57 | |
-Merthyr Tydfil. -Merthyr Tydfil! | 0:00:57 | 0:00:59 | |
-And are you with your partner? -This is Joanne, my fiancee. | 0:00:59 | 0:01:03 | |
Let her speak, eh? | 0:01:03 | 0:01:05 | |
-Hello, Joanne. -Hello. -Is it the ink that attracted you? | 0:01:07 | 0:01:11 | |
That's the first thing I saw. I thought, "That man's got ink." | 0:01:11 | 0:01:14 | |
That's what we say in tattooing circles. | 0:01:14 | 0:01:17 | |
-I've not got ink. -Ahh! -No ink on me. -Really? -No. | 0:01:17 | 0:01:21 | |
I've not even got a cheeky little one hidden away! I'm not inked. | 0:01:21 | 0:01:26 | |
-Do you want one? -No, I don't want one, no. | 0:01:26 | 0:01:30 | |
You look like a younger version of me. | 0:01:30 | 0:01:33 | |
Shut up! What is it that you do? | 0:01:33 | 0:01:36 | |
I'm... Now you're asking! Erm... | 0:01:36 | 0:01:39 | |
-I do a few bits and pieces. -A few bits and pieces. | 0:01:39 | 0:01:42 | |
Are you claiming benefits and working at the same time? | 0:01:42 | 0:01:47 | |
APPLAUSE | 0:01:47 | 0:01:49 | |
Very shifty! | 0:01:50 | 0:01:52 | |
I'm also a part-time professional wrestler. | 0:01:52 | 0:01:55 | |
Seriously? | 0:01:55 | 0:01:58 | |
-Genuinely. -A professional wrestler? | 0:01:58 | 0:02:00 | |
-Do you have a name as a wrestler? -I do. I'm known as Caiman. | 0:02:00 | 0:02:05 | |
The Crocodile? | 0:02:05 | 0:02:06 | |
Caiman "the Crocodilian Psycho" is my sub-name. | 0:02:06 | 0:02:10 | |
-Caiman the Crocodilian Psycho. -LAUGHTER | 0:02:10 | 0:02:14 | |
What was it that attracted you to Caiman the Crocodilian Psycho? | 0:02:14 | 0:02:19 | |
I spotted you with your tattoos. I know we've got someone here who is into tattoos. | 0:02:19 | 0:02:24 | |
They're training to be a tattooist. Is it you, sir? | 0:02:24 | 0:02:28 | |
-Hello. What's your name? -Lee. | 0:02:28 | 0:02:30 | |
Hello, Lee. A trainee tattooist. | 0:02:30 | 0:02:34 | |
When are you going to make the leap and become a tattooist? | 0:02:34 | 0:02:38 | |
Whoever's willing to lend me some skin. | 0:02:38 | 0:02:42 | |
Well, I don't know if you've ever met Caiman the Crocodile Psycho! | 0:02:42 | 0:02:48 | |
-How long have you been studying it? -Studying quite a while, | 0:02:48 | 0:02:51 | |
but actually tattooing about three weeks. | 0:02:51 | 0:02:54 | |
-LAUGHTER -I'll be honest with you, I wouldn't. | 0:02:54 | 0:02:58 | |
I'd wait until he's got a bit more air miles under his belt. | 0:02:58 | 0:03:03 | |
Thanks for coming on tonight. | 0:03:03 | 0:03:06 | |
Later on, I will be chatting to Ronnie Wood and Mick Hucknall. They'll be here with The Faces. | 0:03:06 | 0:03:11 | |
But first, he is the star of this year's biggest comedy film, | 0:03:11 | 0:03:15 | |
and one of the country's favourite sitcoms. | 0:03:15 | 0:03:17 | |
Please welcome Chris O'Dowd! | 0:03:17 | 0:03:20 | |
-How are you? -Are you all right? | 0:03:27 | 0:03:30 | |
-Chris O'Dowd, everybody. -CHEERING | 0:03:30 | 0:03:32 | |
Now, straight away, | 0:03:33 | 0:03:36 | |
-who's seen Bridesmaids? -THEY CHEER | 0:03:36 | 0:03:38 | |
Virtually everybody in the audience. | 0:03:38 | 0:03:42 | |
First of all, it's a brilliant film, but you play the romantic lead, don't you? | 0:03:42 | 0:03:47 | |
Very, er... | 0:03:47 | 0:03:50 | |
That's very true! | 0:03:50 | 0:03:52 | |
You know, I think it is a very, very funny film. | 0:03:52 | 0:03:55 | |
We improvised a lot, so it seems very natural | 0:03:55 | 0:03:58 | |
and very, erm, fluid and flowing. | 0:03:58 | 0:04:01 | |
Everybody else was so funny in it | 0:04:01 | 0:04:03 | |
that I didn't feel like I needed to be funny, | 0:04:03 | 0:04:06 | |
and that made it very easy to just be normal. | 0:04:06 | 0:04:09 | |
The film's gone down just a treat. I know you're spending a lot of time in Los Angeles. | 0:04:09 | 0:04:13 | |
"LA" I call it... Er... | 0:04:13 | 0:04:17 | |
It's a good time to be British in Hollywood, isn't it? | 0:04:19 | 0:04:22 | |
-Yes. -Who do you hang out - -And Irish. | 0:04:22 | 0:04:25 | |
Yes. Oh! | 0:04:25 | 0:04:26 | |
-AUDIENCE GASP -It's become very political! Ohh! | 0:04:26 | 0:04:31 | |
Awkward moment for the edit! | 0:04:31 | 0:04:34 | |
It's a good time to be Irish in Hollywood, isn't it? | 0:04:34 | 0:04:37 | |
It is helpful that there are so many British comedy guys doing great. | 0:04:37 | 0:04:42 | |
-Do you hang out together? -They don't know who I am. It's a different... | 0:04:42 | 0:04:47 | |
Ricky and Russell would know you. | 0:04:47 | 0:04:49 | |
Ricky looked at me twice and both times said, | 0:04:49 | 0:04:52 | |
"Oh, the Big Bang guy!" | 0:04:52 | 0:04:55 | |
-The sitcom? You're not in that, are you? -I'm not! | 0:04:55 | 0:04:58 | |
And more embarrassingly, both times I said, "Yes!" | 0:04:59 | 0:05:04 | |
-Just go with it. Just go with it. -"Sure I am, yes." | 0:05:04 | 0:05:07 | |
So you've got English guys out there, you as an Irish guy... | 0:05:07 | 0:05:10 | |
Is there room for a Welshman? | 0:05:11 | 0:05:15 | |
It's been great talking to you, Chris. Er... | 0:05:18 | 0:05:21 | |
Well, you know, I mean, er, I could... | 0:05:21 | 0:05:26 | |
No, I could see it! | 0:05:26 | 0:05:28 | |
If they went for... Don't sound so exasperated! | 0:05:28 | 0:05:31 | |
-I mean, Dudley Moore. -Yes. -You know? | 0:05:31 | 0:05:35 | |
Well, he was short. | 0:05:35 | 0:05:37 | |
You've got a lot more against you than that! | 0:05:37 | 0:05:41 | |
No! No, no! | 0:05:41 | 0:05:44 | |
Hang on. | 0:05:47 | 0:05:48 | |
I'm going to have a word with a friend of mine, | 0:05:48 | 0:05:50 | |
he's the Caiman Crocodilian Psychopath. | 0:05:50 | 0:05:53 | |
Yo, Carl. Erm... | 0:05:53 | 0:05:56 | |
Officer O'Dowd here, I want you to take him down. | 0:05:56 | 0:05:59 | |
After the show. | 0:05:59 | 0:06:01 | |
-All right! -I'll make a few phone calls. | 0:06:01 | 0:06:04 | |
No, I want you to hit him. | 0:06:04 | 0:06:07 | |
Don't try and book him a holiday. | 0:06:07 | 0:06:10 | |
APPLAUSE | 0:06:10 | 0:06:13 | |
Have we lost you to Hollywood? Is it going to change you? Are you going to buff up? | 0:06:13 | 0:06:18 | |
-Ricky Gervais is looking... -Yes, he is. | 0:06:18 | 0:06:21 | |
Might you? You haven't yet. | 0:06:21 | 0:06:24 | |
I like American breakfast too much, is the answer. | 0:06:24 | 0:06:28 | |
Look at you, you're stick thin. You're in great shape. | 0:06:28 | 0:06:32 | |
-There's a lot of stuff going on down here. -Which we don't want to know about! | 0:06:32 | 0:06:36 | |
In Bridesmaids, there's a little kind of, | 0:06:36 | 0:06:38 | |
sort of sexiness, it's not too raunchy, with you and Kristen. | 0:06:38 | 0:06:42 | |
-How was that? -Sex stuff is weird because nobody wants to be doing it. | 0:06:42 | 0:06:47 | |
The actors don't want to do it, the director finds it embarrassing, | 0:06:47 | 0:06:50 | |
all of the crew are on their best behaviour. | 0:06:50 | 0:06:54 | |
But I find it, without being, er, self-important about it, | 0:06:54 | 0:06:59 | |
I think it... it does matter that | 0:06:59 | 0:07:04 | |
the audience see non-sculpted figures more than they do, | 0:07:04 | 0:07:08 | |
so that's why I try not to... | 0:07:08 | 0:07:11 | |
..that's the only reason I don't have a six pack! | 0:07:11 | 0:07:14 | |
I think it's important that we see proper human forms | 0:07:14 | 0:07:18 | |
rather than these masquerading, | 0:07:18 | 0:07:21 | |
nonsensical, bronzed statues. | 0:07:21 | 0:07:24 | |
-And those scenes are usually very choreographed, aren't they? -Yes. | 0:07:24 | 0:07:29 | |
"Put your hand here, turn your neck here." | 0:07:29 | 0:07:32 | |
It's all about the bloody camera. | 0:07:32 | 0:07:34 | |
I mean, luckily, that's how I usually do it. | 0:07:34 | 0:07:38 | |
It's a natural progression from how it is at home! | 0:07:38 | 0:07:43 | |
Dawn's here and she'll know that we spend... It's a lot of takes. | 0:07:43 | 0:07:47 | |
-Where is Dawn? -In the audience. She's up there. | 0:07:48 | 0:07:51 | |
-Hiya, Dawn! -Hi! -This is Dawn Porter, of course. | 0:07:51 | 0:07:54 | |
Has he changed since Hollywood success has come along? | 0:07:54 | 0:07:57 | |
I want to say something funny, but I'll be genuine and say no. His feet are firmly on the ground. | 0:07:57 | 0:08:02 | |
Aww, isn't that nice? | 0:08:02 | 0:08:05 | |
Who was that? | 0:08:05 | 0:08:08 | |
Tell me about some of the big names you've worked with. Jon Hamm in Bridesmaids | 0:08:09 | 0:08:15 | |
and Kristen Wiig, who's huge, from Saturday Night Live... | 0:08:15 | 0:08:18 | |
Is it different when you work with somebody you've watched? | 0:08:18 | 0:08:21 | |
You've worked with Jack Black. Give me some of the other names. | 0:08:21 | 0:08:25 | |
-Who have we had? -Steve Carell! -Yes. -Dinner for Schmucks. -That's right. | 0:08:25 | 0:08:29 | |
And Paul Rudd and Jason Segel and... A few of them. | 0:08:29 | 0:08:33 | |
It's different, but a lot of them, particularly in that clan, | 0:08:33 | 0:08:36 | |
the Judd Apatow kind of people, they're very similar to our sensibilities. | 0:08:36 | 0:08:40 | |
-And you worked with Kerry Katona. -I did! | 0:08:40 | 0:08:44 | |
What a wonderful end to that list! | 0:08:44 | 0:08:47 | |
We did a show called Showbands, where I played... | 0:08:49 | 0:08:53 | |
-Do you know what showbands are? -Like cabaret bands? -Kind of. | 0:08:53 | 0:08:57 | |
They were these big bands in the '50s and '60s in Ireland | 0:08:57 | 0:09:00 | |
that would tour around and, essentially, just do covers. | 0:09:00 | 0:09:03 | |
Weird kind of music. | 0:09:03 | 0:09:06 | |
Anyway, she played a singer in a band and I came back, almost as an Irish Dean Martin. | 0:09:06 | 0:09:11 | |
You sang, didn't you? And you've got a lovely voice. | 0:09:11 | 0:09:15 | |
-You've never seen it. -I've seen the clip. I haven't watched the whole thing! | 0:09:15 | 0:09:19 | |
I saw the clip and, seriously, you've got a lovely voice. | 0:09:19 | 0:09:23 | |
-I don't know about that. -You sang Danny Boy, didn't you? | 0:09:23 | 0:09:26 | |
-I did. -Yes. -I don't like where this is going! | 0:09:26 | 0:09:30 | |
You're clearing your throat as if you're about to sing! | 0:09:32 | 0:09:35 | |
Would you give us...? We've got The Faces, Ronnie Wood, Mick Hucknall coming on soon. | 0:09:35 | 0:09:41 | |
They may spot you and offer you something big. | 0:09:41 | 0:09:46 | |
-Yes. -Would you give us a little bit of Danny Boy? | 0:09:46 | 0:09:49 | |
Yes, let's do it. | 0:09:49 | 0:09:51 | |
# Oh, Danny Boy | 0:09:51 | 0:09:54 | |
# The pipes, the pipes are calling | 0:09:54 | 0:09:59 | |
# From glen to glen | 0:09:59 | 0:10:02 | |
# And down the mountainside | 0:10:02 | 0:10:07 | |
# The summer's gone | 0:10:07 | 0:10:11 | |
# And all the flowers are dying | 0:10:11 | 0:10:16 | |
# It's you, it's you | 0:10:16 | 0:10:19 | |
# Must go and I must bide | 0:10:19 | 0:10:24 | |
# But come the spring | 0:10:24 | 0:10:28 | |
BOTH: # When summer's in the meadow | 0:10:28 | 0:10:34 | |
# And all the hills | 0:10:34 | 0:10:36 | |
-# Are plush and white with snow -ROB HARMONISES | 0:10:36 | 0:10:42 | |
# 'Tis you, 'tis you | 0:10:42 | 0:10:47 | |
# In sunshine or in shadow | 0:10:47 | 0:10:53 | |
# Oh, Danny Boy | 0:10:53 | 0:10:56 | |
# Oh, Danny Boy | 0:10:56 | 0:11:01 | |
-# I love you -ROB HARMONISES | 0:11:01 | 0:11:06 | |
# So... # | 0:11:06 | 0:11:09 | |
APPLAUSE | 0:11:09 | 0:11:11 | |
Chris will be answering your questions later on. | 0:11:21 | 0:11:25 | |
But now it's time to meet two music legends, and I mean that. | 0:11:25 | 0:11:29 | |
Please welcome Ronnie Wood and Mick Hucknall. | 0:11:29 | 0:11:33 | |
APPLAUSE DROWNS OUT SPEECH | 0:11:36 | 0:11:38 | |
Mick, lead singer with The Faces! How did that come about? | 0:11:42 | 0:11:47 | |
-Incredible. -It's fantastic. -It's a thrill. | 0:11:47 | 0:11:50 | |
You're kind of the same age as me, you must've been a fan as you grew up. | 0:11:50 | 0:11:54 | |
Well, yes. I'd bought my first - sorry about this, Ron - | 0:11:54 | 0:11:58 | |
I bought my first single when I was 13 in 1973, | 0:11:58 | 0:12:02 | |
and I had a poster of him and Rod on my wall, and Kenney and Mac, | 0:12:02 | 0:12:05 | |
so the notion that I would be in a band called The Faces is completely surreal. | 0:12:05 | 0:12:11 | |
-With someone just one year older than you! -Yes, exactly! | 0:12:11 | 0:12:14 | |
You're here tonight with The Faces, Ron, you're a Rolling Stone of course, | 0:12:16 | 0:12:19 | |
so I'm assuming you've met everybody. | 0:12:19 | 0:12:22 | |
Can I throw names at you and if it rings a bell, | 0:12:22 | 0:12:26 | |
you can tell me the circumstances of the meeting. | 0:12:26 | 0:12:29 | |
It might drop a clanger as well as ringing a bell! | 0:12:29 | 0:12:32 | |
That's the excitement of it! | 0:12:32 | 0:12:34 | |
-Johnny Cash? -The Man in Black. I only met him backstage | 0:12:34 | 0:12:38 | |
at Bob Dylan's 40th anniversary at Madison Square Garden. | 0:12:38 | 0:12:41 | |
-He came in with a whole team of other people dressed in black. -Really? | 0:12:41 | 0:12:45 | |
Very tall, very, er, dominating kind of person. | 0:12:45 | 0:12:49 | |
He said hello. But I was kind of shell-shocked | 0:12:49 | 0:12:53 | |
because I realised I was sharing a dressing room with Stevie Wonder, as well, | 0:12:53 | 0:12:57 | |
and he was practicing, not thinking anyone else was in the room. | 0:12:57 | 0:13:02 | |
-And it blew my mind, you know? It was lovely. -Wow. | 0:13:02 | 0:13:06 | |
Did you sneak up behind him? | 0:13:06 | 0:13:08 | |
You could never catch him by surprise. He knew where everyone was in the room. | 0:13:08 | 0:13:13 | |
One last name. Elvis Presley. | 0:13:13 | 0:13:16 | |
-No. I never met him. -You didn't? I'd heard that you had. | 0:13:16 | 0:13:20 | |
-I went to the hospital in Memphis where he was - -The hospital? -Yes. When he was on his way out. | 0:13:20 | 0:13:26 | |
-Oh, lovely. -He was on his way out a few times, | 0:13:26 | 0:13:28 | |
because of the drugs the so-called doctors that were hanging out with him were giving him. | 0:13:28 | 0:13:34 | |
I went into reception and I chickened out. | 0:13:34 | 0:13:37 | |
I didn't want to say, "I'm Ronnie Wood. Let me up to Elvis's room." | 0:13:37 | 0:13:41 | |
And later on I found out he had Jimmy Page and Robert Plant up there in his room. | 0:13:41 | 0:13:48 | |
-From Led Zeppelin. -They were exchanging rings. | 0:13:48 | 0:13:51 | |
And he was giving away big gifts, Cadillacs and stuff. | 0:13:51 | 0:13:55 | |
What were Led Zeppelin doing in his hospital room? | 0:13:55 | 0:13:57 | |
-That's what I thought. -If it had been proper doctors, maybe he'd still be alive today! | 0:13:57 | 0:14:03 | |
Look, I wondered... Let me just put this big boy there. | 0:14:03 | 0:14:09 | |
I wondered if we could do a Faces track, | 0:14:09 | 0:14:13 | |
because I've been desperately trying to learn this. | 0:14:13 | 0:14:16 | |
I won't tell you what it is. I'm going to surprise you. | 0:14:16 | 0:14:20 | |
-AUDIENCE GIGGLE -O ye of little faith! | 0:14:20 | 0:14:25 | |
I'm not a guitarist. I'm a man who owns a guitar. | 0:14:25 | 0:14:28 | |
-There is a difference. -He's lovely, isn't he? Ahh! | 0:14:28 | 0:14:32 | |
Ready? See if you know what it is. | 0:14:32 | 0:14:34 | |
Not yet. | 0:14:34 | 0:14:37 | |
HE WHISTLES "Ooh La La" by The Faces | 0:14:37 | 0:14:41 | |
-Home On The Range! -Don't look as though you don't know what it is! -You mean... | 0:14:45 | 0:14:49 | |
Ahh, OK. | 0:14:52 | 0:14:54 | |
AUDIENCE CLAP RHYMICALLY | 0:14:55 | 0:14:57 | |
# Poor old Granddad | 0:15:01 | 0:15:04 | |
# I laughed at all his words... Go on, Mick. | 0:15:04 | 0:15:07 | |
# I thought he was a bitter man | 0:15:07 | 0:15:10 | |
# He spoke of women's ways | 0:15:10 | 0:15:13 | |
# They trap you and they use you | 0:15:13 | 0:15:17 | |
# Before you even know | 0:15:17 | 0:15:20 | |
# But love is blind | 0:15:20 | 0:15:22 | |
# And you're far too kind Don't ever let it show | 0:15:22 | 0:15:26 | |
ALL: # I wish that | 0:15:26 | 0:15:28 | |
# I knew what I know now | 0:15:28 | 0:15:32 | |
# When I was younger | 0:15:32 | 0:15:33 | |
# I wish that | 0:15:33 | 0:15:35 | |
# I knew what I know now | 0:15:35 | 0:15:38 | |
# When I was stronger # | 0:15:38 | 0:15:41 | |
-The can-can's such a pretty show! -ROB WHISTLES | 0:15:41 | 0:15:44 | |
CHEERING | 0:15:55 | 0:15:57 | |
-Thank you so much. -Thank you! | 0:15:59 | 0:16:02 | |
The whole band are going to play later on. | 0:16:03 | 0:16:06 | |
But now, in just a few years, this next guy has become one of the best stand-ups on the circuit. | 0:16:06 | 0:16:11 | |
Please put your hands together for Josh Widdicombe. | 0:16:11 | 0:16:15 | |
APPLAUSE | 0:16:15 | 0:16:17 | |
Hello! | 0:16:21 | 0:16:23 | |
It's very nice. It's very nice. | 0:16:24 | 0:16:27 | |
It's nicer than my house. | 0:16:27 | 0:16:30 | |
I don't live in a particularly nice area. I got burgled recently. | 0:16:30 | 0:16:34 | |
When you get burgled, everyone says the same thing to you. | 0:16:34 | 0:16:37 | |
"Do you know what the worst thing about being burgled is? | 0:16:37 | 0:16:40 | |
"Knowing a stranger has been through your things." | 0:16:40 | 0:16:43 | |
And you go, "No. | 0:16:43 | 0:16:46 | |
"The worst thing about being burgled is knowing a stranger HAS my things." | 0:16:46 | 0:16:50 | |
If they had just been browsing, I wouldn't have given a shit! | 0:16:50 | 0:16:54 | |
If you offered me two options, one, my laptop is gone | 0:16:54 | 0:16:57 | |
or, two, find a stranger in my room going, "I like this T-shirt, | 0:16:57 | 0:17:02 | |
"but, er, have you got it in a large?" | 0:17:02 | 0:17:05 | |
My mum said, "You know why you've been burgled and we haven't? We're in the Neighbourhood Watch." | 0:17:05 | 0:17:10 | |
I said, "It's because you live in Devon, in a small village, | 0:17:10 | 0:17:13 | |
"in the middle of mile upon mile of moorland. | 0:17:13 | 0:17:16 | |
"No-one's going to burgle you because whatever they took wouldn't cover their petrol money." | 0:17:16 | 0:17:21 | |
I don't understand Neighbourhood Watch. It's a club that you join, | 0:17:21 | 0:17:25 | |
then if you see a crime being committed, you report it to the police. | 0:17:25 | 0:17:30 | |
What were these people doing before they joined? | 0:17:31 | 0:17:35 | |
"Oh, the Joneses are being burgled. If only there was something I could do about it! | 0:17:35 | 0:17:40 | |
"I imagine there's a number I can phone, but I wouldn't know, I'm not in a club." | 0:17:40 | 0:17:45 | |
From what I can tell, the only proactive thing they do is, once a month, have a meeting. | 0:17:45 | 0:17:50 | |
All that does, it tells burglars, for one night out of every 30, | 0:17:50 | 0:17:54 | |
all houses are empty and unwatched. | 0:17:54 | 0:17:56 | |
There's this paranoia about crime back in Devon. | 0:17:58 | 0:18:01 | |
I went back recently, I went into the local Co-op | 0:18:01 | 0:18:04 | |
and there was a sign on the desk and the sign said, | 0:18:04 | 0:18:07 | |
"Did you know we now do legal advice?" | 0:18:07 | 0:18:12 | |
Obviously my first reaction was, | 0:18:12 | 0:18:14 | |
"No. | 0:18:14 | 0:18:16 | |
"To be honest, I was pleasantly surprised you did Sugar Puffs." | 0:18:16 | 0:18:20 | |
Why has the Co-op started doing legal advice? | 0:18:21 | 0:18:24 | |
Is there too many people coming in going, "I'll have 10 Silk Cut, a Viennetta, | 0:18:24 | 0:18:30 | |
"and I've killed a man!" | 0:18:30 | 0:18:33 | |
APPLAUSE | 0:18:34 | 0:18:36 | |
I'm in my 20s now. It's difficult in your 20s. | 0:18:39 | 0:18:43 | |
I keep getting invited to parties where my friends are trying to recapture their youth. | 0:18:43 | 0:18:48 | |
They'll go, "I don't know if you want to come out tonight. | 0:18:48 | 0:18:51 | |
"It's my birthday, we're all going to Laser Quest." | 0:18:51 | 0:18:54 | |
"No, I don't. I can legally drink. I don't do that any more." | 0:18:54 | 0:18:58 | |
Laser Quest, ice skating, bowling! | 0:18:58 | 0:19:01 | |
It's my birthday in two weeks. | 0:19:01 | 0:19:03 | |
"Good news. I've rented a sports hall and, er, | 0:19:03 | 0:19:07 | |
"we're resitting our SATs. | 0:19:07 | 0:19:10 | |
"Do bring a see-through pencil case, otherwise you will not get in!" | 0:19:12 | 0:19:16 | |
I've not been to Laser Quest in years. We went and the first thing the guy said to us, | 0:19:17 | 0:19:22 | |
"Guys, this is Laser Quest. This is the future of warfare." | 0:19:22 | 0:19:26 | |
No, it isn't, mate. | 0:19:26 | 0:19:28 | |
I won't turn on the TV in ten years and go, "More fighting in Basra. | 0:19:28 | 0:19:32 | |
"Are they in a warehouse next to a bowling alley? | 0:19:32 | 0:19:35 | |
"Is that dry ice? Are they listening to 2 Unlimited? | 0:19:35 | 0:19:38 | |
"It's exactly like Laser Quest! He was right!" | 0:19:38 | 0:19:41 | |
I struggle with being an adult because I can't do any of those things. Like, I can't mend a plug. | 0:19:41 | 0:19:46 | |
I get lost a lot. I'm meant to have a sense of direction. | 0:19:46 | 0:19:49 | |
When you're young you're told, "If you lose one of the senses | 0:19:49 | 0:19:52 | |
"one of the others will improve to compensate." That's not true. | 0:19:52 | 0:19:57 | |
I can't stand here and go, "I haven't got a sense of direction, but I tell you what, | 0:19:57 | 0:20:01 | |
"my sense of occasion is awesome!" | 0:20:01 | 0:20:04 | |
I don't know what that means. Presumably, I can turn up at a gathering and know what it is. | 0:20:04 | 0:20:09 | |
"Is this a joint 37th birthday party? | 0:20:09 | 0:20:12 | |
"How do I know? I've got an amazing sense of occasion actually. | 0:20:12 | 0:20:16 | |
"I don't know any of you. Why am I here? I'm lost!" | 0:20:16 | 0:20:20 | |
Better that than the other way, having an amazing sense of direction but no sense of occasion. | 0:20:22 | 0:20:27 | |
You find your way to the funeral, but you'll dress for paintballing. No-one wants that. | 0:20:27 | 0:20:32 | |
You have been lovely. Thanks for your time. My name is Josh Widdicombe. Cheers! | 0:20:32 | 0:20:37 | |
CHEERING | 0:20:37 | 0:20:39 | |
Josh Widdicombe, ladies and gentlemen. Fantastic. | 0:20:42 | 0:20:44 | |
Now it's time for the audience to ask questions of you, sir. | 0:20:46 | 0:20:51 | |
Where's Jamie Evans? | 0:20:51 | 0:20:53 | |
What was the worst job you ever had before you made it big? | 0:20:53 | 0:20:57 | |
Oh, God, I did a bunch of bad stuff. | 0:20:57 | 0:21:01 | |
But, er... | 0:21:01 | 0:21:03 | |
I was a Bob Geldof impersonator. | 0:21:03 | 0:21:07 | |
-Really? -I think we should probably open with that. | 0:21:07 | 0:21:11 | |
-In what capacity? -Do you know the Lord Mayor's parade? -Yes. | 0:21:11 | 0:21:14 | |
I used to work for an events company | 0:21:14 | 0:21:17 | |
and sometimes I'd be a waiter or do something else. I was the Easter Bunny one time. | 0:21:17 | 0:21:23 | |
At the Lord Mayor's parade, they have all those floats and people are on the streets, | 0:21:23 | 0:21:29 | |
and this one company, which was a scaffolding company, decided to have a float. | 0:21:29 | 0:21:34 | |
Their theme was "Great Britons". | 0:21:34 | 0:21:37 | |
And, erm, their three Great Britons were Churchill, fair enough, fine, | 0:21:37 | 0:21:43 | |
Robin Hood, OK. | 0:21:43 | 0:21:47 | |
Bob Geldof. | 0:21:47 | 0:21:50 | |
Not even British. That's OK. Great guy. | 0:21:50 | 0:21:53 | |
And I got the gig because I was Irish. | 0:21:53 | 0:21:57 | |
Our job was to just kind of march behind these drummers | 0:21:57 | 0:22:02 | |
and kind of wave and do the "Give us your money" kind of thing. | 0:22:02 | 0:22:06 | |
And the costume that they'd given me was jeans, | 0:22:06 | 0:22:10 | |
Live Aid T-shirt, fair enough, and a wig. | 0:22:10 | 0:22:13 | |
But they had got it late, so the wig that they gave me | 0:22:13 | 0:22:17 | |
was like a peroxide blond wig. | 0:22:17 | 0:22:21 | |
Everybody on our thing thought that... | 0:22:21 | 0:22:25 | |
..that I was Rick Parfitt... | 0:22:25 | 0:22:28 | |
..from Status Quo. | 0:22:29 | 0:22:32 | |
People were doing "Rocking all over the world" | 0:22:32 | 0:22:35 | |
and for the first mile I was like, "No! Give us your money!" | 0:22:35 | 0:22:38 | |
And then after that, I just went for it! | 0:22:38 | 0:22:41 | |
I was like, "And I like it! I like it!" Why not?! | 0:22:41 | 0:22:45 | |
So that was a weird job. | 0:22:45 | 0:22:47 | |
James Bullock is here. Hiya, James. What's your question? | 0:22:47 | 0:22:51 | |
I work in IT and a few of us in the office have been wondering, | 0:22:51 | 0:22:54 | |
are we going to see another season of The IT Crowd? | 0:22:54 | 0:22:57 | |
I hope we're going to do another one. | 0:22:57 | 0:23:00 | |
I don't know when, but hopefully early in the New Year. | 0:23:00 | 0:23:04 | |
James was worried that we might lose you to movies. | 0:23:04 | 0:23:08 | |
I'm assuming you've shot some more since Bridesmaids. | 0:23:08 | 0:23:11 | |
What have you got in the can, as we international actors say! | 0:23:11 | 0:23:16 | |
I laughed too hard! Erm... LAUGHTER | 0:23:16 | 0:23:20 | |
No, I've done another couple since. | 0:23:20 | 0:23:23 | |
I've got a film called Friends With Kids, | 0:23:23 | 0:23:26 | |
which is with a bunch of the same people, Kristen Wiig and Jon Hamm and Maya Rudolph. | 0:23:26 | 0:23:31 | |
Maya and I are married in it, Jon and Kristen are married. | 0:23:31 | 0:23:34 | |
-It's about a bunch of 30-somethings who start having children! -Right. | 0:23:34 | 0:23:37 | |
I went up at the end there because you've just had a child, | 0:23:37 | 0:23:41 | |
not because children make me excited. | 0:23:41 | 0:23:44 | |
And, er... LAUGHTER | 0:23:44 | 0:23:47 | |
That, hopefully, will come out in the autumn. | 0:23:49 | 0:23:52 | |
-Dominic Fraser. Hi, Dominic. -Hi there! -What's your question? | 0:23:52 | 0:23:56 | |
-Hi, Chris. -Hi, Dominic. -Nice easy question. | 0:23:56 | 0:23:58 | |
-You've got three older sisters? -I do. | 0:23:58 | 0:24:01 | |
There we go. | 0:24:01 | 0:24:02 | |
Have you kidnapped them? | 0:24:05 | 0:24:09 | |
The next question is, "Would you like to see them alive again?" | 0:24:09 | 0:24:13 | |
Did they used to play dressing-up with you? | 0:24:13 | 0:24:17 | |
There was some dress-up, yes. | 0:24:19 | 0:24:21 | |
Dominic?! | 0:24:24 | 0:24:27 | |
-What sort of dress-up are we talking about? -They would do this, erm... | 0:24:27 | 0:24:32 | |
When I was asleep! | 0:24:32 | 0:24:34 | |
They would wake me up really late for school, | 0:24:34 | 0:24:38 | |
so I didn't have time to have breakfast or shower or anything. | 0:24:38 | 0:24:42 | |
And then I would get to school, | 0:24:42 | 0:24:45 | |
presuming everything to be fine, apologise for being late and whatnot, | 0:24:45 | 0:24:49 | |
and I would find that people were laughing at me a little. | 0:24:49 | 0:24:52 | |
And I would then go into the bathroom | 0:24:52 | 0:24:56 | |
and see that they'd put makeup on me during the night. | 0:24:56 | 0:24:59 | |
-No! -And when they were being particularly cruel, | 0:24:59 | 0:25:04 | |
they would put on like, erm, like a smoky eye, | 0:25:04 | 0:25:09 | |
like, just little... very subtle, | 0:25:09 | 0:25:13 | |
so it looked like it was a choice I had made. | 0:25:13 | 0:25:17 | |
So it was nothing too tarty. Just some nice, light day makeup. | 0:25:17 | 0:25:23 | |
Just like I was going through a phase. | 0:25:23 | 0:25:26 | |
Ladies and gentlemen, please thank Chris O'Dowd. | 0:25:26 | 0:25:29 | |
I also want to say a big thank you to Josh Widdicombe. | 0:25:31 | 0:25:34 | |
But now, The Faces! | 0:25:34 | 0:25:37 | |
MUSIC: "Stay With Me" by The Faces | 0:25:39 | 0:25:42 | |
# In the morning | 0:26:22 | 0:26:25 | |
# Don't say you love me | 0:26:25 | 0:26:28 | |
# Cos I'll only kick you Out of the door | 0:26:28 | 0:26:31 | |
# I know your name is Rita Cos your perfume's smelling sweeter | 0:26:33 | 0:26:38 | |
# Since when I saw you there On the floor | 0:26:38 | 0:26:42 | |
ALL: # Stay with me | 0:26:43 | 0:26:46 | |
# Stay with me | 0:26:46 | 0:26:48 | |
# For tonight You're gonna stay with me | 0:26:48 | 0:26:53 | |
# Stay with me | 0:26:54 | 0:26:56 | |
# Stay with me | 0:26:56 | 0:26:58 | |
# For tonight You're gonna stay with me | 0:26:58 | 0:27:02 | |
# Won't need too much persuading | 0:27:04 | 0:27:06 | |
# I don't mean to sound degrading | 0:27:06 | 0:27:09 | |
# But with a face like that You got nothing to laugh about | 0:27:09 | 0:27:13 | |
# Red lips, hair and fingernails | 0:27:13 | 0:27:16 | |
# I hear you're a mean old Jezebel | 0:27:16 | 0:27:19 | |
# Let's go upstairs And read my tarot cards | 0:27:19 | 0:27:23 | |
# Come on | 0:27:23 | 0:27:24 | |
# Stay with me | 0:27:24 | 0:27:27 | |
# Stay with me | 0:27:27 | 0:27:29 | |
# For tonight You're gonna stay with me | 0:27:29 | 0:27:33 | |
# Stay with me | 0:27:34 | 0:27:37 | |
# Stay with me | 0:27:37 | 0:27:39 | |
# For tonight You're gonna stay with me | 0:27:39 | 0:27:43 | |
Yeah! | 0:27:55 | 0:27:56 | |
APPLAUSE | 0:28:51 | 0:28:53 | |
Yes! Fantastic. | 0:28:55 | 0:28:59 | |
Guys, brilliant. | 0:28:59 | 0:29:02 | |
The Faces! Good night, everybody! | 0:29:02 | 0:29:06 | |
E-mail [email protected] | 0:29:06 | 0:29:09 |