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Telly. That magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds, | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:10 | |
'In this series, I'm going to journey through the fantastic world of TV, | 0:00:10 | 0:00:14 | |
'with some of our favourite celebrities. | 0:00:14 | 0:00:16 | |
'They've chosen the precious TV moments that shed light...' | 0:00:16 | 0:00:20 | |
Proper. | 0:00:20 | 0:00:21 | |
She seems like a nice girl! | 0:00:21 | 0:00:22 | |
-Look at that! -'..on the stories of their lives.' | 0:00:22 | 0:00:25 | |
Pugh, Pugh, Barney McGrew... | 0:00:25 | 0:00:28 | |
..Cuthbert, Dibble, Grubb! | 0:00:28 | 0:00:29 | |
'Some are funny...' | 0:00:29 | 0:00:31 | |
Could you do the chanting? | 0:00:31 | 0:00:32 | |
I could do "Nuh-nuh-nuh-nuh"... | 0:00:32 | 0:00:34 | |
-'..some...' -Amazing! -'..are surprising.' | 0:00:34 | 0:00:38 | |
I was mortified. | 0:00:38 | 0:00:39 | |
'Some are inspiring...' | 0:00:39 | 0:00:42 | |
"I am not a number. I am a free man!" | 0:00:42 | 0:00:45 | |
-'And many...' -Did George Orwell get his predictions right? | 0:00:45 | 0:00:48 | |
-It's all so dramatic! -'..are deeply moving.' | 0:00:48 | 0:00:51 | |
Oh, no. | 0:00:51 | 0:00:52 | |
..heads down the beach to almost certain death. | 0:00:52 | 0:00:54 | |
All of us, weeping... | 0:00:54 | 0:00:56 | |
'So, come watch with us, | 0:00:56 | 0:00:58 | |
'as we hand-pick the vintage telly | 0:00:58 | 0:01:00 | |
'that helped turn our much-loved stars | 0:01:00 | 0:01:03 | |
into the people they are today.' | 0:01:03 | 0:01:05 | |
Welcome to The TV That Made Me. | 0:01:05 | 0:01:07 | |
My guest today has been a household name for over 20 years. | 0:01:15 | 0:01:19 | |
This Belfast boy shot to fame in 1993, as the first host of GMTV. | 0:01:19 | 0:01:24 | |
Good morning. A new day, a new year, a new television station. | 0:01:24 | 0:01:29 | |
Welcome to GMTV. | 0:01:29 | 0:01:31 | |
Eamonn Holmes is one of Britain's favourite morning TV news anchors, | 0:01:31 | 0:01:36 | |
bringing us some Irish charm and a smile with our breakfast. | 0:01:36 | 0:01:40 | |
The TV that shaped him includes | 0:01:40 | 0:01:44 | |
a world of talking animals... | 0:01:44 | 0:01:46 | |
"And I don't want you to make fun of my nose." | 0:01:46 | 0:01:49 | |
..a legendary comic impersonator... | 0:01:49 | 0:01:52 | |
Ronnie Corbett, small comedian, | 0:01:52 | 0:01:55 | |
part-time garden gnome... | 0:01:55 | 0:01:57 | |
I am in awe of the king of hosting, | 0:01:57 | 0:02:00 | |
-Eamonn Holmes! -Thank you. | 0:02:00 | 0:02:02 | |
-Thank you, Brian. Good to see you. -I want to get mod. | 0:02:02 | 0:02:04 | |
Let's get mod, let's get mod. | 0:02:04 | 0:02:07 | |
-So, are you excited about this today? -What's not to like? | 0:02:07 | 0:02:10 | |
You, me, we're going to have a chat and we're going to watch TV. Brilliant. | 0:02:10 | 0:02:13 | |
Well, today we've got a selection of TV highlights | 0:02:13 | 0:02:16 | |
that you have chosen | 0:02:16 | 0:02:17 | |
-that has possibly made you the man you are today. -Uh-huh. | 0:02:17 | 0:02:20 | |
But before we go any further, | 0:02:20 | 0:02:22 | |
you've interviewed many people over the years - | 0:02:22 | 0:02:25 | |
what are the tips to doing a good interview? | 0:02:25 | 0:02:29 | |
EAMONN LAUGHS | 0:02:29 | 0:02:31 | |
-Go on, mate. -Well, the best interview's if the guest talks. | 0:02:31 | 0:02:35 | |
-Guest... -Let them just... You know, let them speak, because... | 0:02:35 | 0:02:39 | |
Shut up, I'm writing this down. Next bit? | 0:02:39 | 0:02:42 | |
Be warm, be friendly. | 0:02:42 | 0:02:43 | |
Be interested. Be YOU! | 0:02:43 | 0:02:46 | |
Be you. | 0:02:46 | 0:02:48 | |
-Would it be good if I'd done some research? Would that help? -That would help. | 0:02:48 | 0:02:51 | |
Well, we HAVE done some research. | 0:02:51 | 0:02:53 | |
-We've done some research on what it was like to be a young Eamonn Holmes. -Oh... | 0:02:53 | 0:02:59 | |
Eamonn was born on the 3rd of December 1959 in Belfast, | 0:03:00 | 0:03:05 | |
the second of five sons to housewife mum Josie | 0:03:05 | 0:03:09 | |
and carpet-fitter dad Leonard. | 0:03:09 | 0:03:12 | |
He started life in a red brick house with an outside toilet, | 0:03:12 | 0:03:16 | |
sharing a bed with his younger brother Brian. | 0:03:16 | 0:03:19 | |
For Eamonn, the family telly wasn't just a source of entertainment. | 0:03:20 | 0:03:24 | |
As he sat glued to his favourite children's shows, | 0:03:24 | 0:03:27 | |
it also set him very firmly on the path towards his future career. | 0:03:27 | 0:03:31 | |
Do you think you were destined to be a television host? | 0:03:33 | 0:03:35 | |
Yes, well, you know... | 0:03:35 | 0:03:38 | |
A lot of people know early in life what they want to be | 0:03:38 | 0:03:42 | |
and I knew, from 11, that I wanted to be a TV reporter. | 0:03:42 | 0:03:47 | |
And I wanted to report, because I was influenced so much | 0:03:47 | 0:03:50 | |
by the Troubles in Northern Ireland. | 0:03:50 | 0:03:52 | |
The Troubles, I suppose, formed me in many ways. | 0:03:52 | 0:03:55 | |
They robbed me of my teenage years, | 0:03:55 | 0:03:57 | |
but they led to me sitting in front of a television | 0:03:57 | 0:04:01 | |
and learning about the world | 0:04:01 | 0:04:02 | |
and about the conflict that was going on in Northern Ireland. | 0:04:02 | 0:04:05 | |
And I just, sort of, felt that, from 11, | 0:04:05 | 0:04:07 | |
this is what I wanted to do. | 0:04:07 | 0:04:08 | |
Eamonn, your first choice is a presenter | 0:04:14 | 0:04:16 | |
-that your mum loved very much. -Yeah. | 0:04:16 | 0:04:18 | |
-So much so... -That she named me after him, | 0:04:18 | 0:04:22 | |
complete with one M and two Ns in Eamonn. Eamonn Andrews. | 0:04:22 | 0:04:25 | |
-Eamonn Andrews. -Yeah. -And here he is. | 0:04:25 | 0:04:28 | |
THEY SING THIS IS YOUR LIFE THEME MUSIC | 0:04:28 | 0:04:33 | |
This Is Your Life. | 0:04:34 | 0:04:36 | |
Tonight, I've joined the BEA ground staff | 0:04:36 | 0:04:38 | |
here at London's international airport. I'm here to meet a plane | 0:04:38 | 0:04:42 | |
that's carrying our globetrotting guest from her home in Switzerland. | 0:04:42 | 0:04:46 | |
Hold it one second, I have a very special message... | 0:04:47 | 0:04:49 | |
Oh! No! Eamonn, don't do this to me. | 0:04:49 | 0:04:53 | |
-Come here. -Oh! | 0:04:53 | 0:04:55 | |
My God! | 0:04:55 | 0:04:56 | |
An invitation to Thames Television, | 0:04:56 | 0:04:59 | |
-because international singing star Shirley Bassey... -Oh, no! | 0:04:59 | 0:05:05 | |
..this is your life! And what fun it's going to be. | 0:05:05 | 0:05:09 | |
Oh, you did this to me... | 0:05:09 | 0:05:11 | |
For This Is Your Life to really work | 0:05:11 | 0:05:13 | |
people had to recognise the host, and in Eamonn Andrews | 0:05:13 | 0:05:16 | |
they could do that, because he was sort of multifaceted - | 0:05:16 | 0:05:20 | |
he was an entertainment host. He did kids' programmes, like Crackerjack. | 0:05:20 | 0:05:24 | |
-Well-known as a sports person... -What's My Line? -What's My Line? Yeah, panel host. | 0:05:24 | 0:05:28 | |
He knew his boxing inside out. | 0:05:28 | 0:05:31 | |
And he was... Mum named me after him and, I suppose, it's quite | 0:05:31 | 0:05:37 | |
prophetic that I ended up being a sort of general host, the way he is. | 0:05:37 | 0:05:43 | |
Born in the docklands of Tiger Bay, Cardiff, | 0:05:44 | 0:05:46 | |
you were raised here | 0:05:46 | 0:05:48 | |
at 132 Portmanmoor Road. | 0:05:48 | 0:05:51 | |
Your father died when you were only a baby of two. | 0:05:51 | 0:05:54 | |
This is in the days before Hello! magazine and OK! magazine | 0:05:54 | 0:05:59 | |
and this is the only chance you're going to get to see Shirley's family | 0:05:59 | 0:06:02 | |
and you're going to think, | 0:06:02 | 0:06:03 | |
"Oh, the people who brought her up, what did THEY look like, | 0:06:03 | 0:06:06 | |
"what was her house like, where's she from? | 0:06:06 | 0:06:08 | |
-"She's a big international star, but it wasn't always like that." -Mm. | 0:06:08 | 0:06:11 | |
I think YOU would have been a perfect host. Did they ever get you on a This Is Your Life? | 0:06:11 | 0:06:15 | |
I have to say, I really did think... | 0:06:15 | 0:06:17 | |
Sometimes, cos you live and breathe television, | 0:06:17 | 0:06:19 | |
you think executives live and breathe it as well. | 0:06:19 | 0:06:21 | |
And when Michael Aspel stood down, I thought, "It's going to be me. | 0:06:21 | 0:06:26 | |
"It has to be me, everybody must know the story that I'm named after him. It has to be me." | 0:06:26 | 0:06:30 | |
-Mm-hm. -And they gave it to Trevor McDonald. | 0:06:30 | 0:06:32 | |
And it was like losing the FA Cup Final to me. | 0:06:32 | 0:06:35 | |
I kept thinking, "Why has HE got it? Why did they give it to him?" | 0:06:35 | 0:06:38 | |
So did you used to watch this show with your mum? | 0:06:38 | 0:06:42 | |
This Is Your Life was one of the ones that would bring the family together. | 0:06:42 | 0:06:46 | |
My dad would have just finished work, he'd have come in, | 0:06:46 | 0:06:49 | |
we'd have had our dinner, or tea, whatever you want to call it, | 0:06:49 | 0:06:52 | |
and that would have featured at seven o'clock or so in the evening. | 0:06:52 | 0:06:55 | |
It would have given Mum a chance to sit down, | 0:06:55 | 0:06:58 | |
maybe for the first time in the day, | 0:06:58 | 0:07:00 | |
and suddenly, you found yourself gathered round there. | 0:07:00 | 0:07:02 | |
Maybe for me and my brothers, it was an excuse | 0:07:02 | 0:07:05 | |
to just delay your homework a little bit longer. | 0:07:05 | 0:07:08 | |
Then, it was often followed by something like Benny Hill. | 0:07:08 | 0:07:10 | |
And my mother could NOT have Benny Hill on in the house. | 0:07:10 | 0:07:15 | |
She banned it? | 0:07:15 | 0:07:16 | |
She, basically, banned it. | 0:07:16 | 0:07:18 | |
"Naked women!" | 0:07:18 | 0:07:20 | |
Cos there was lots of girls in bikinis running about | 0:07:20 | 0:07:22 | |
and you've got to remember this was Catholic Ireland, very religious, | 0:07:22 | 0:07:27 | |
and we just couldn't understand - well, SHE couldn't understand - | 0:07:27 | 0:07:30 | |
why these half-naked women were running about at eight o'clock in the evening on ITV. | 0:07:30 | 0:07:36 | |
So, how would she get rid of you? | 0:07:36 | 0:07:39 | |
She had this peculiar way of threatening us. | 0:07:39 | 0:07:41 | |
She said, "I wish I had a curtain in front of that television, | 0:07:41 | 0:07:44 | |
"I could just pull it across like that." And she would say, "Oh..." - | 0:07:44 | 0:07:47 | |
and remember I've four other brothers... | 0:07:47 | 0:07:49 | |
So, suddenly the girls are all jiggling about and whatever | 0:07:49 | 0:07:51 | |
and Mum would come in and say, "Have you done your homework?!" | 0:07:51 | 0:07:55 | |
"Oh... Naked woman, is that what you want? | 0:07:55 | 0:07:57 | |
"Do you want to see a naked woman, | 0:07:57 | 0:07:58 | |
"is that what yous want to see?" "No, no...!" | 0:07:58 | 0:08:02 | |
That would clear the room. That would do it. | 0:08:02 | 0:08:05 | |
-Do you remember your first telly? -Yeah. -Was it a huge event...? | 0:08:10 | 0:08:14 | |
The first one would have looked a bit like that | 0:08:14 | 0:08:17 | |
but much, much smaller, and what I can remember watching on it was | 0:08:17 | 0:08:21 | |
Tales Of The Riverbank very well. | 0:08:21 | 0:08:23 | |
Which was like Hammy Hamster | 0:08:23 | 0:08:25 | |
and there was something else... | 0:08:25 | 0:08:27 | |
-There was a rat - Roly Rat or something. -Uh-huh. | 0:08:27 | 0:08:30 | |
But I was fascinated with Tales Of The Riverbank. | 0:08:30 | 0:08:34 | |
Johnny Morris... And he did all the voices. | 0:08:34 | 0:08:36 | |
And you would just escape and think, "Gosh, these animals really talk." | 0:08:36 | 0:08:40 | |
-They were the meerkats... -Yeah. -..of their day. | 0:08:40 | 0:08:43 | |
Did you enjoy Animal Magic? You just spoke about Johnny Morris. | 0:08:43 | 0:08:45 | |
# Buh-buh-buh... # Funny how we remember the theme music to all these programmes. | 0:08:45 | 0:08:49 | |
Johnny Morris, I think, was an amazing man. | 0:08:49 | 0:08:52 | |
-I just assumed he was a zookeeper. -Yeah. -I don't think he was! | 0:08:52 | 0:08:59 | |
-I'm sure he wasn't. -I did. -I just assumed he was a zookeeper. | 0:08:59 | 0:09:03 | |
Because he got so up close and personal with those animals, | 0:09:03 | 0:09:06 | |
and he then did the voices that we expected. | 0:09:06 | 0:09:08 | |
And he gave, I think, people who would have lived | 0:09:08 | 0:09:13 | |
in an inner city like myself, | 0:09:13 | 0:09:15 | |
an understanding as to animals, | 0:09:15 | 0:09:19 | |
how they behaved, how it was important to treat them well... | 0:09:19 | 0:09:23 | |
-Shall we have a little look? -Yeah. | 0:09:23 | 0:09:25 | |
-There we are, Eamonn. -Come here. You do all of this. -All right, then. | 0:09:25 | 0:09:29 | |
ANIMAL MAGIC THEME MUSIC | 0:09:29 | 0:09:31 | |
THEY SING ALONG | 0:09:37 | 0:09:42 | |
# Buh-buh buh-buh... # | 0:09:42 | 0:09:45 | |
Hey! | 0:09:47 | 0:09:49 | |
There it is, it's a hippopotamus. | 0:09:50 | 0:09:52 | |
No, it's a rhinoceros, aren't you? | 0:09:52 | 0:09:55 | |
"Yeah. And I don't want you | 0:09:55 | 0:09:57 | |
"to make fun of my nose." | 0:09:57 | 0:10:00 | |
I wouldn't dream of it. "Well, I'm very glad to hear it." | 0:10:00 | 0:10:03 | |
But I thought you were thick-skinned? "No. I'm not. | 0:10:04 | 0:10:07 | |
"I'm very sensitive, really." | 0:10:07 | 0:10:09 | |
Oh. Are you? | 0:10:09 | 0:10:11 | |
"Yes, I am." | 0:10:11 | 0:10:12 | |
Well, look, I've brought you some evergreen oak. | 0:10:12 | 0:10:14 | |
"Ohhh... Evergreen oak. Oh..." | 0:10:14 | 0:10:19 | |
RHINO HUMS TO HIMSELF | 0:10:19 | 0:10:22 | |
He got the voices so right. I mean, when you look at that rhino, | 0:10:22 | 0:10:26 | |
you're saying, "Yeah - a rhino sounds like that." | 0:10:26 | 0:10:28 | |
-It would speak like that. -Yeah, yeah, yeah. | 0:10:28 | 0:10:30 | |
Bit nasally. | 0:10:30 | 0:10:31 | |
But you see, as a presenter... You and me wouldn't go and do that. | 0:10:33 | 0:10:37 | |
-And that's why I thought he was a zookeeper. -Yeah. | 0:10:37 | 0:10:40 | |
Now, stand still - and I'll give you a nice wash down. | 0:10:40 | 0:10:44 | |
No, I'VE got to have the hose, Christina, you mustn't... | 0:10:44 | 0:10:49 | |
Let me have the hose, the boss said I'VE got to have the hose! | 0:10:49 | 0:10:53 | |
The boss said I've got to have the hose. | 0:10:53 | 0:10:54 | |
Christina, let it go. You're not supposed to have it! | 0:10:54 | 0:10:57 | |
Do you know, somehow I think they wouldn't allow that today. | 0:10:57 | 0:11:01 | |
-Health and safety... -Yeah. Cruelty to animals? | 0:11:01 | 0:11:05 | |
-I mean, he's soaked, bless him, look at him. -EAMONN LAUGHS | 0:11:05 | 0:11:08 | |
But they're loving it. | 0:11:08 | 0:11:10 | |
That sort of thing obviously went out of fashion at some stage, | 0:11:10 | 0:11:15 | |
it wasn't regarded as PC. | 0:11:15 | 0:11:17 | |
But then you get all these adverts today | 0:11:17 | 0:11:19 | |
which have got animals featured in. | 0:11:19 | 0:11:22 | |
But this was the innovator, this was the man that created it all. | 0:11:22 | 0:11:25 | |
The incomparable Johnny Morris provided the animals' voices | 0:11:25 | 0:11:29 | |
and was the show's main presenter. | 0:11:29 | 0:11:32 | |
His first television break | 0:11:32 | 0:11:34 | |
came after he was discovered by a BBC producer in the pub - | 0:11:34 | 0:11:38 | |
telling tales to an eager and, most likely, inebriated audience. | 0:11:38 | 0:11:44 | |
In 1953, he was given a short slot on the BBC | 0:11:45 | 0:11:48 | |
playing the Hot Chestnut Man, | 0:11:48 | 0:11:50 | |
roasting chestnuts and telling yarns to the viewers | 0:11:50 | 0:11:54 | |
in a West Country accent. | 0:11:54 | 0:11:56 | |
Johnny's best-known series, Animal Magic, | 0:11:57 | 0:11:59 | |
ran for an amazing 440 30-minute episodes. | 0:11:59 | 0:12:04 | |
When you had one television, five boys, | 0:12:10 | 0:12:13 | |
and everybody with a different opinion about what they wanted to see - no remote control... | 0:12:13 | 0:12:17 | |
So, there was a lot of hostilities over what to see on television. | 0:12:17 | 0:12:21 | |
When you eventually got your choice to watch TV, what did you choose? | 0:12:21 | 0:12:27 | |
Well, this worked out quite well because I would have watched this | 0:12:27 | 0:12:30 | |
and my older brother Leonard would have watched... | 0:12:30 | 0:12:32 | |
And he was four years older, so, therefore, basically, | 0:12:32 | 0:12:35 | |
if you got him onside, you were all right, | 0:12:35 | 0:12:37 | |
there was going to be no argument. Eight o'clock on Monday night... | 0:12:37 | 0:12:40 | |
HE SINGS A THEME TUNE | 0:12:40 | 0:12:44 | |
"Space... | 0:12:44 | 0:12:45 | |
BOTH: "..the final frontier." | 0:12:45 | 0:12:47 | |
What is it, Mr Spock? Is it, er... | 0:12:49 | 0:12:52 | |
-a hand? -Negative, Captain. Not living tissue. | 0:12:52 | 0:12:58 | |
A trick, then, a projection? | 0:12:58 | 0:12:59 | |
Not a projection, sir. A field of energy. | 0:12:59 | 0:13:02 | |
When I see this... | 0:13:03 | 0:13:05 | |
it's not just the picture, it's not just that colour. | 0:13:05 | 0:13:08 | |
It is the sound. The sound effects - the beeps, the pings, | 0:13:08 | 0:13:12 | |
-the depth, the music... -Mm-hm. | 0:13:12 | 0:13:14 | |
The whole drama - | 0:13:14 | 0:13:16 | |
the idea of the bridge and strategy and colour. Look at the colour. | 0:13:16 | 0:13:21 | |
Star Trek first beamed onto our UK screens | 0:13:21 | 0:13:25 | |
on 21 June, 1969. | 0:13:25 | 0:13:29 | |
Even though it was popular over here, | 0:13:29 | 0:13:31 | |
poor audience figures in the States | 0:13:31 | 0:13:33 | |
meant it was cancelled after two series. | 0:13:33 | 0:13:36 | |
After a concerted campaign by loyal fans, | 0:13:36 | 0:13:39 | |
the show was picked up again and the rest is history. | 0:13:39 | 0:13:42 | |
It's earned Paramount close to 5 billion | 0:13:42 | 0:13:46 | |
over the last half-century. | 0:13:46 | 0:13:48 | |
This scene is typical of the intricate storylines | 0:13:48 | 0:13:51 | |
the series offered, with the crew battling to escape an alien planet. | 0:13:51 | 0:13:56 | |
There's dramatic acting, a rather flimsy set, | 0:13:56 | 0:13:59 | |
and there's always impressive special effects. | 0:13:59 | 0:14:02 | |
Well, impressive for 1967. | 0:14:02 | 0:14:05 | |
This was just the most amazing thing, indeed. | 0:14:05 | 0:14:08 | |
When we eventually got a video recorder, | 0:14:08 | 0:14:12 | |
the first programme I taped was Star Trek. | 0:14:12 | 0:14:15 | |
Even now, you're an avid fan? | 0:14:15 | 0:14:17 | |
Oh, even now, that man is my hero. That man, Kirk, is my hero in life. | 0:14:17 | 0:14:21 | |
You know, people may laugh and say, "Oh, he's a Trekkie," or whatever. | 0:14:21 | 0:14:25 | |
I'm not a Trekkie, but I hugely admire the character of Kirk. | 0:14:25 | 0:14:30 | |
The way he could think, the way he could think out of the box, | 0:14:30 | 0:14:33 | |
and the way that, if you actually watched what he did - | 0:14:33 | 0:14:35 | |
great leader, great defender of those around him, | 0:14:35 | 0:14:39 | |
great strategist, tactician. There was a very human side to him. | 0:14:39 | 0:14:43 | |
And for me, the ultimate hero. | 0:14:43 | 0:14:46 | |
Mr Spock, fire those phasers. | 0:14:46 | 0:14:48 | |
-Captain, you're too close. -Fire those phasers! | 0:14:48 | 0:14:51 | |
That's an order, Mr Spock. | 0:14:51 | 0:14:53 | |
I ask myself - I stop when I'm in a difficult situation, | 0:14:53 | 0:14:55 | |
and I think, "What would Kirk do?" | 0:14:55 | 0:14:57 | |
Kirk would have thought out of the box. There is a solution. | 0:14:57 | 0:15:00 | |
-I'm very pleased you've said that. -Mm? | 0:15:00 | 0:15:02 | |
Because we've got a little game that we like to call What Would Kirk Do? | 0:15:02 | 0:15:06 | |
EAMONN LAUGHS Go on. Go on. | 0:15:06 | 0:15:08 | |
-Are you happy to play? -Very happy. -OK. | 0:15:08 | 0:15:11 | |
You have been invited to yet another awards ceremony, | 0:15:11 | 0:15:15 | |
but Man United is playing just when the awards are about to start. | 0:15:15 | 0:15:19 | |
What would Captain James Kirk do? | 0:15:19 | 0:15:22 | |
Kirk would realise he had a dilemma here. | 0:15:24 | 0:15:26 | |
-He should be seen at one, but he wants to do the other. -Mm-hm. | 0:15:26 | 0:15:29 | |
Mm. He would have the advantage of a transporter, | 0:15:29 | 0:15:32 | |
which he could have got very quickly between one thing and the other. | 0:15:32 | 0:15:35 | |
-So, he could do both. -He probably could do both, yeah. -Well done. | 0:15:35 | 0:15:39 | |
Unlike me - I would just lie and watch the football. | 0:15:39 | 0:15:42 | |
Gino D'Acampo has made a lovely home-cooked lasagne on This Morning, | 0:15:42 | 0:15:46 | |
but you have seen your favourite dish of bangers and mash | 0:15:46 | 0:15:49 | |
being cooked in the staff canteen. | 0:15:49 | 0:15:52 | |
-What would Captain Kirk do? -Mmm. -Mm-hm. | 0:15:52 | 0:15:55 | |
He... EAMONN LAUGHS | 0:15:55 | 0:15:57 | |
He would... He would save himself for his sausage and mash. | 0:15:57 | 0:16:00 | |
-Yeah? -He would. He would definitely. | 0:16:00 | 0:16:02 | |
So maybe a bit of, "Gino, it smells delicious, | 0:16:02 | 0:16:05 | |
"but we've got to take a break, | 0:16:05 | 0:16:06 | |
"and we're going to be right back after this." So maybe that. BRIAN LAUGHS | 0:16:06 | 0:16:10 | |
The Starship Enterprise is listing dangerously on the starboard bow. | 0:16:10 | 0:16:14 | |
The Klingons are about to attack and the ship's force-field is down. | 0:16:14 | 0:16:18 | |
-Oh. -What would Captain Eamonn Holmes do? | 0:16:18 | 0:16:21 | |
He'd have to think out of the box. He would sort of undo something, | 0:16:21 | 0:16:23 | |
do something no-one had ever thought about before. | 0:16:23 | 0:16:26 | |
Can we actually link up the transporter | 0:16:26 | 0:16:29 | |
with the negative energy field, bank, whatever, | 0:16:29 | 0:16:32 | |
and Scotty'll say... | 0:16:32 | 0:16:34 | |
-SCOTTISH ACCENT: "In theory, Captain. It's never been done before." -Aye. | 0:16:34 | 0:16:37 | |
"But Scott, could it? Could it?" And Spock will say, | 0:16:37 | 0:16:40 | |
"Hm, Captain, yes, in theory." "Do it!" | 0:16:40 | 0:16:43 | |
And that's what he'd do. He'd just do it. He was brave. | 0:16:43 | 0:16:46 | |
Brave, brave, brave, brave. | 0:16:46 | 0:16:47 | |
-Always took the brave decision, never accepted defeat. -Mm. | 0:16:47 | 0:16:50 | |
Like a good presenter. | 0:16:50 | 0:16:52 | |
EAMONN LAUGHS I've been defeated many times! | 0:16:52 | 0:16:55 | |
-When in doubt, lie. -Lie, that's it. | 0:16:55 | 0:16:58 | |
We found a little bit out there, didn't we? | 0:16:58 | 0:17:00 | |
I want to ask, who was your comedy hero? | 0:17:04 | 0:17:07 | |
Well, Dave Allen would have been in there, | 0:17:07 | 0:17:09 | |
but Mum didn't allow us to watch him too often. | 0:17:09 | 0:17:12 | |
There was a man called Mike Yarwood, | 0:17:12 | 0:17:14 | |
who was a great impersonator in the '70s and early '80s. | 0:17:14 | 0:17:18 | |
And if you liked Mike Yarwood, then you liked Tommy Cooper, | 0:17:18 | 0:17:22 | |
you liked Eric Morecambe, you liked Larry Grayson - he did everything. | 0:17:22 | 0:17:25 | |
So I think if I chose Mike Yarwood as a top-notch impersonator, | 0:17:25 | 0:17:30 | |
I'm getting all that rolled into one. | 0:17:30 | 0:17:32 | |
And I want to remind everyone that he was, without a doubt - | 0:17:32 | 0:17:35 | |
no-one had ever seen anyone with this amount of talent. | 0:17:35 | 0:17:38 | |
I mean, he really was a truly magnificent impersonator, wasn't he? | 0:17:38 | 0:17:42 | |
Good evening and welcome to another edition of Celebrity Challenge, | 0:17:44 | 0:17:47 | |
the clever dicks version of Mastermind. | 0:17:47 | 0:17:49 | |
Tonight we're going to be meeting | 0:17:49 | 0:17:50 | |
some of the finest brains in Britain, | 0:17:50 | 0:17:52 | |
but that's enough about me. | 0:17:52 | 0:17:54 | |
But first, let's meet the first of our two teams. | 0:17:54 | 0:17:57 | |
First, representing the Funny Men, we have... | 0:17:57 | 0:17:59 | |
Ronnie Corbett, small comedian, | 0:17:59 | 0:18:01 | |
part-time garden gnome... | 0:18:01 | 0:18:03 | |
..and lover of tall women. | 0:18:05 | 0:18:07 | |
Will bring own trampoline. | 0:18:07 | 0:18:09 | |
You see, you look at this and you think... | 0:18:11 | 0:18:14 | |
we take that for granted in 2015, | 0:18:14 | 0:18:16 | |
but technically, that would have been so hard to do, | 0:18:16 | 0:18:21 | |
whenever that was recorded, which is probably late '70s. | 0:18:21 | 0:18:24 | |
Oh, it's going to take days. | 0:18:24 | 0:18:26 | |
But the other nice thing about that is that all of these people | 0:18:26 | 0:18:29 | |
are household names, and what they do... | 0:18:29 | 0:18:32 | |
Things have changed today. | 0:18:32 | 0:18:33 | |
There's a nastiness in humour today that just isn't there. | 0:18:33 | 0:18:38 | |
So it must be a difficult profession. A very, very difficult profession. | 0:18:38 | 0:18:41 | |
You good at impressions? | 0:18:41 | 0:18:43 | |
Ho-ho-ho-ho. | 0:18:43 | 0:18:45 | |
-Alfie. -EAMONN LAUGHS | 0:18:45 | 0:18:47 | |
-That's funny. Go on, do it again. -Nice to see you, to see you, nice! | 0:18:47 | 0:18:51 | |
It's very... Eamonn, I've got to be honest! | 0:18:51 | 0:18:53 | |
-Frank Spencer? -Yeah. | 0:18:53 | 0:18:55 | |
Got a bit of trouble, yes. | 0:18:55 | 0:18:57 | |
-Norman Wisdom? -Mr Grimsdale! | 0:18:57 | 0:19:00 | |
That sounds like Frankie Howerd. | 0:19:00 | 0:19:02 | |
Oh, titter ye not! | 0:19:02 | 0:19:03 | |
-No, don't! -No! -Oh, missus, please! -EAMONN LAUGHS | 0:19:03 | 0:19:07 | |
Yeah. But do you know what? | 0:19:07 | 0:19:09 | |
Anybody I can probably do | 0:19:09 | 0:19:10 | |
probably emanates from watching Mike Yarwood. | 0:19:10 | 0:19:13 | |
Yeah, so you're not actually doing them, | 0:19:13 | 0:19:15 | |
-you're actually doing Mike Yarwood's impression of them. -That's exactly what you're doing, yeah. | 0:19:15 | 0:19:19 | |
That'll do for me. Well done. | 0:19:19 | 0:19:21 | |
We haven't even been drinking. | 0:19:21 | 0:19:23 | |
If only we had Mike here to complete the threesome. | 0:19:23 | 0:19:26 | |
Eamonn, for your next choice, I know it was something | 0:19:32 | 0:19:34 | |
you would never watch without a treat, so... | 0:19:34 | 0:19:37 | |
-this is a special moment for me. -Oh, thought you'd never ask. | 0:19:37 | 0:19:39 | |
Well, I am hoping, Eamonn - I'm just going into the kitchen - | 0:19:39 | 0:19:42 | |
-I'm hoping this will appeal... -Is anything cooking? No? | 0:19:42 | 0:19:45 | |
-No. -Oooh! Oh, lovely. -This will appeal to your sweet tooth. | 0:19:45 | 0:19:49 | |
-Aw! -We've got the oysters. | 0:19:49 | 0:19:51 | |
Oh, look at... Oh! | 0:19:51 | 0:19:53 | |
-Oh! Wafers! -Mm-hm. | 0:19:53 | 0:19:55 | |
Oh, yes, yes, yes. Sliders, we used to call those. | 0:19:55 | 0:19:58 | |
So we've got an array of... A bit of a pick and mix going on here. | 0:19:58 | 0:20:01 | |
-Well, this is bringing me back. -Yeah? -Now, this is brilliant. | 0:20:01 | 0:20:04 | |
So here you have an oyster shell with marshmallow. | 0:20:04 | 0:20:08 | |
Ladies and gentlemen, Eamonn Holmes showing us how to... | 0:20:08 | 0:20:11 | |
-Have you got a name for this particular snack? -Well, it's just... | 0:20:11 | 0:20:14 | |
When I watched the telly on a Sunday, and Thunderbirds would be on, | 0:20:14 | 0:20:19 | |
or the movie would be on, or the big match, | 0:20:19 | 0:20:21 | |
then the ice cream man would come down the street, | 0:20:21 | 0:20:24 | |
and one of the delicacies that he would tempt you with is this - | 0:20:24 | 0:20:28 | |
an oyster, which is wafer shell, marshmallow, | 0:20:28 | 0:20:32 | |
chocolate and coconut on top. | 0:20:32 | 0:20:34 | |
So I believe there used to be a programme that you used to watch | 0:20:34 | 0:20:37 | |
-when you had a treat, which was Jack Hargreaves. -Yes, yes! | 0:20:37 | 0:20:41 | |
-Out Of Town. -He had this programme on a Sunday | 0:20:41 | 0:20:44 | |
where... Don't ask me why it was so hypnotic or so addictive, | 0:20:44 | 0:20:48 | |
but it was called Out Of Town, | 0:20:48 | 0:20:50 | |
and he would just talk about lovely, lovely things. | 0:20:50 | 0:20:54 | |
How to make bows and arrows, | 0:20:54 | 0:20:57 | |
how to make a plough, | 0:20:57 | 0:20:59 | |
how ferrets were caught, | 0:20:59 | 0:21:01 | |
how he kept rabbits, whatever, whatever. | 0:21:01 | 0:21:04 | |
-And it had the most lovely, relaxed music introducing it. -Yeah. | 0:21:04 | 0:21:09 | |
Well, have a little look at this while you have a munch. | 0:21:09 | 0:21:13 | |
Every year as it comes up to about 15 March, | 0:21:16 | 0:21:19 | |
the coarse fisherman of England | 0:21:19 | 0:21:21 | |
realise that their sport is going to close down for three months. | 0:21:21 | 0:21:25 | |
There are some people who argue against the coarse season | 0:21:25 | 0:21:27 | |
and say that it could be abolished, | 0:21:27 | 0:21:30 | |
but don't take any notice of them. | 0:21:30 | 0:21:32 | |
This is the commercial interests that are involved in fishing | 0:21:32 | 0:21:35 | |
would argue for it, but it's not just a question of fish spawning. | 0:21:35 | 0:21:39 | |
It's also a question of the fact that the otters have to breed | 0:21:39 | 0:21:42 | |
and the riverside birds want to nest, and the riverside flowers | 0:21:42 | 0:21:45 | |
want a chance to put up their young growth... | 0:21:45 | 0:21:47 | |
Does this feel like Sunday afternoon in the Holmes household, | 0:21:47 | 0:21:50 | |
with a bit of ice cream, Jack? | 0:21:50 | 0:21:52 | |
But what a little bore I must have been. | 0:21:52 | 0:21:55 | |
Listen to this. | 0:21:55 | 0:21:56 | |
I didn't fish! | 0:21:56 | 0:21:58 | |
But I would listen to him talking about fishing. | 0:21:58 | 0:22:02 | |
We would all sit and lick ice cream | 0:22:02 | 0:22:04 | |
and listen to old Jack give his tales. | 0:22:04 | 0:22:07 | |
-Otters. -I'll tell you what, mate, this is lovely. | 0:22:07 | 0:22:11 | |
And it looked as if... | 0:22:11 | 0:22:13 | |
He would sit in the set | 0:22:13 | 0:22:14 | |
that looked like his garden shed, and you know, | 0:22:14 | 0:22:18 | |
there he is, out observing salmon fishermen. | 0:22:18 | 0:22:23 | |
I've packed up the float and I've gone over to a swim feeder. | 0:22:24 | 0:22:27 | |
A little weighted, perforated canister | 0:22:27 | 0:22:30 | |
that lies on the bottom and feeds the bait out. | 0:22:30 | 0:22:32 | |
Now, I lived in a city. I didn't know anything about the countryside. | 0:22:34 | 0:22:38 | |
But look, listen to him. | 0:22:38 | 0:22:40 | |
How's that for a fishing fly, then? | 0:22:41 | 0:22:43 | |
Monstrous great thing, even bigger than a salmon fly. | 0:22:43 | 0:22:46 | |
And yet beautifully tied and professionally tied with marabou, | 0:22:46 | 0:22:50 | |
and when that goes in the water and the current pulls it, | 0:22:50 | 0:22:53 | |
it'll go out and wobble, and look absolutely as if it's alive. | 0:22:53 | 0:22:57 | |
The best TV transports you. It takes you places. | 0:22:57 | 0:23:02 | |
Whether it's Star Trek in space, | 0:23:02 | 0:23:04 | |
-whether it's Jack Hargreaves' Out Of Town... -Colditz. -Colditz. | 0:23:04 | 0:23:08 | |
You sit in your armchair, you sit on your sofa, | 0:23:08 | 0:23:11 | |
and it brings you somewhere. | 0:23:11 | 0:23:13 | |
In the early '90s, Eamonn's big break was handed to him | 0:23:19 | 0:23:22 | |
by TV's illustrious sporting personality Des Lynam. | 0:23:22 | 0:23:27 | |
Des was offered a presenting job | 0:23:27 | 0:23:29 | |
on GMTV alongside Anne Davis. | 0:23:29 | 0:23:32 | |
He wasn't interested, | 0:23:32 | 0:23:34 | |
but he had a fair idea of who might be. | 0:23:34 | 0:23:37 | |
Des reached a stage in his career | 0:23:38 | 0:23:40 | |
where he didn't have to do everything that came along. | 0:23:40 | 0:23:44 | |
I mean, he was Mr BBC Sport. | 0:23:44 | 0:23:46 | |
And any jobs that he didn't want, he often recommended me for. | 0:23:46 | 0:23:51 | |
He recommended me for the Holiday programme, for instance, | 0:23:51 | 0:23:54 | |
when he stepped down from that, and I got that. | 0:23:54 | 0:23:56 | |
He recommended me for GMTV - they offered him that, | 0:23:56 | 0:23:59 | |
and they said to him, | 0:23:59 | 0:24:01 | |
"Des, we want you to host this new breakfast station on ITV," | 0:24:01 | 0:24:05 | |
and he said, "Believe me, you don't have enough money to offer me | 0:24:05 | 0:24:08 | |
"to make me get up at three o'clock in the morning." | 0:24:08 | 0:24:11 | |
And they said, "No, no, we will," and he said, "No, believe me, you don't." | 0:24:11 | 0:24:14 | |
The whole GMTV - that was a career-defining moment... | 0:24:14 | 0:24:18 | |
In my career, and in my life, the rest is history, | 0:24:18 | 0:24:22 | |
because that was the big break for me | 0:24:22 | 0:24:25 | |
on 1 January 1993. | 0:24:25 | 0:24:28 | |
Good morning. A new day, a new year, | 0:24:28 | 0:24:31 | |
a new television station. Welcome to GMTV, | 0:24:31 | 0:24:34 | |
Britain's brightest start. It's Friday, 1 January 1993. | 0:24:34 | 0:24:38 | |
It's just after six o'clock, and I'm Eamonn Holmes. | 0:24:38 | 0:24:41 | |
How nervous were you? | 0:24:41 | 0:24:43 | |
Yeah, looking at that, it makes me nervous. | 0:24:43 | 0:24:45 | |
This was a new station. This wasn't a programme, this was a station. | 0:24:45 | 0:24:49 | |
They took the franchise from TV-am. | 0:24:49 | 0:24:51 | |
First two, with the latest from the world of entertainment, | 0:24:51 | 0:24:54 | |
we'll be talking to your favourite stars... | 0:24:54 | 0:24:56 | |
..and dealing with the issues which matter to you and your family. | 0:24:56 | 0:25:00 | |
So welcome to Good Morning Television... | 0:25:00 | 0:25:02 | |
Look at the hair! | 0:25:02 | 0:25:04 | |
-Not just Anne's, mine, too! -Yeah. -EAMONN LAUGHS | 0:25:04 | 0:25:07 | |
So that was a real fire? | 0:25:07 | 0:25:09 | |
That was a real fire in the background there. | 0:25:09 | 0:25:13 | |
And there was so much... I mean, at least there was attention - | 0:25:13 | 0:25:16 | |
-there was so much debate over what we should wear and all that. -Really? | 0:25:16 | 0:25:20 | |
Yeah. And again, if Des was ever an influence on me... | 0:25:20 | 0:25:24 | |
I remember for both Anne and myself there, that was really nervous, | 0:25:24 | 0:25:27 | |
that day. And despite rehearsals and things, | 0:25:27 | 0:25:30 | |
-it was all last-minute. -Yeah. | 0:25:30 | 0:25:32 | |
And the whole idea is that you look calm. | 0:25:32 | 0:25:35 | |
So no matter what's going on in your ear, no matter what they have got, what they haven't got, | 0:25:35 | 0:25:39 | |
-whatever, that's what you do. -So when has Eamonn Holmes been stretched? | 0:25:39 | 0:25:42 | |
When has Eamonn Holmes not been calm? | 0:25:42 | 0:25:45 | |
-Oh, every day. Every day. -Really? | 0:25:45 | 0:25:47 | |
Live TV's what I do, right? So that's how I'm employed. | 0:25:47 | 0:25:51 | |
People don't really employ me to do anything else but live TV. | 0:25:51 | 0:25:54 | |
So every day on Sky News, every day on This Morning, | 0:25:54 | 0:25:57 | |
or anything else that I would do. | 0:25:57 | 0:25:59 | |
Ever since I've been 20 years of age, | 0:25:59 | 0:26:02 | |
I have done live television. | 0:26:02 | 0:26:04 | |
So it's live, live, live, live. | 0:26:04 | 0:26:06 | |
I'm only 27 years of age, | 0:26:06 | 0:26:07 | |
it's just the stress of the liveness that's done all that. | 0:26:07 | 0:26:10 | |
But you see, you watch the best, you forget the rest. | 0:26:10 | 0:26:13 | |
You watch the Lynams of this world and you say, | 0:26:13 | 0:26:15 | |
"How does he remain calm? What's the trick to doing that sort of thing?" | 0:26:15 | 0:26:18 | |
And what you have said today is preparation. | 0:26:18 | 0:26:22 | |
Yeah. And it was Gloria Hunniford who taught me that. | 0:26:22 | 0:26:24 | |
I remember I took over from Gloria Hunniford at Ulster television | 0:26:24 | 0:26:28 | |
in 1982 on the tea-time programme, | 0:26:28 | 0:26:31 | |
and I said, "Gloria, what's your advice?" | 0:26:31 | 0:26:35 | |
And she used to walk around like a barrister. | 0:26:35 | 0:26:37 | |
She just had notes everywhere she went. | 0:26:37 | 0:26:38 | |
And she just said, "Be prepared. Always have something to say. | 0:26:38 | 0:26:42 | |
"Always have something to go to. | 0:26:42 | 0:26:43 | |
"Don't expect everything is going to go right." | 0:26:43 | 0:26:46 | |
And she's absolutely right - | 0:26:46 | 0:26:47 | |
I am not paid, when I'm on television, | 0:26:47 | 0:26:50 | |
for things when they go right. | 0:26:50 | 0:26:51 | |
They pay me my money when it goes wrong, | 0:26:51 | 0:26:53 | |
cos that's what I'm there for, | 0:26:53 | 0:26:55 | |
and hopefully nobody knows the difference when it goes wrong. | 0:26:55 | 0:26:58 | |
Is there anything you get excited about now when you watch TV? | 0:27:03 | 0:27:06 | |
I love House Of Cards, but a lot of people won't see that, | 0:27:06 | 0:27:09 | |
and they'll say, "What channel's that on? | 0:27:09 | 0:27:11 | |
"It's not one of the big terrestrial ones." | 0:27:11 | 0:27:13 | |
I love one called The Following, | 0:27:13 | 0:27:15 | |
with Kevin Bacon and James Purefoy in it, | 0:27:15 | 0:27:17 | |
and that's about a weird cult. | 0:27:17 | 0:27:20 | |
So I tend to like a lot of those big American serials that go on there. | 0:27:20 | 0:27:26 | |
And then I like - I honestly will sit and watch | 0:27:26 | 0:27:29 | |
a show called Wheeler Dealers on Discovery. | 0:27:29 | 0:27:32 | |
-Oh, I love Wheeler Dealers. -And it's about restoring old cars. -Yeah. | 0:27:32 | 0:27:36 | |
-Well, you have been a pleasure to talk to today. -Thank you very much. | 0:27:36 | 0:27:39 | |
And I want you to know you are an inspiration. | 0:27:39 | 0:27:41 | |
Now, we let our guests choose a theme tune to go out with, | 0:27:41 | 0:27:45 | |
-so what's it going to be? -Do you know what? | 0:27:45 | 0:27:47 | |
After what you said there, and just sitting talking to you - | 0:27:47 | 0:27:51 | |
and it's been a great privilege, just talking about TV - | 0:27:51 | 0:27:55 | |
it's been magic. | 0:27:55 | 0:27:56 | |
So I think Johnny Morris, Animal Magic. | 0:27:56 | 0:28:00 | |
-What about that? -Animal Magic. My thanks to Eamonn, | 0:28:00 | 0:28:02 | |
and my thanks to you for watching The TV That Made Me. Bye-bye. | 0:28:02 | 0:28:06 | |
MUSIC: Animal Magic Theme | 0:28:06 | 0:28:10 |