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Telly, that magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds, | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:10 | |
In this series, I'm going to journey through | 0:00:10 | 0:00:12 | |
the fantastic world of TV with some of our favourite celebrities. | 0:00:12 | 0:00:16 | |
They've chosen the precious TV moments that shed light... | 0:00:16 | 0:00:21 | |
I loved this. | 0:00:21 | 0:00:22 | |
-BOTH: -Crackerjack! | 0:00:22 | 0:00:24 | |
..on the stories of their lives. | 0:00:24 | 0:00:25 | |
Listen, this looks smashing. | 0:00:25 | 0:00:28 | |
-BOTH: -# Right on time... # | 0:00:28 | 0:00:29 | |
Some are funny... | 0:00:29 | 0:00:30 | |
THEY LAUGH | 0:00:30 | 0:00:32 | |
HIGH PITCHED: # ..became of the people... # | 0:00:32 | 0:00:34 | |
-Some... -Just like that. | 0:00:34 | 0:00:36 | |
..are surprising. | 0:00:36 | 0:00:38 | |
I'll let you into a secret I've never told anyone before. | 0:00:38 | 0:00:40 | |
Some are inspiring... | 0:00:40 | 0:00:41 | |
I wanted to be a Miss something. | 0:00:41 | 0:00:44 | |
The best TV transports you. | 0:00:44 | 0:00:47 | |
-And many... -Did George Orwell get his predictions right? | 0:00:47 | 0:00:50 | |
It's all so dramatic. | 0:00:50 | 0:00:51 | |
-..are deeply moving. -Oh! | 0:00:51 | 0:00:53 | |
'The death of John F Kennedy...' | 0:00:53 | 0:00:54 | |
This takes me back. | 0:00:54 | 0:00:56 | |
-It makes me want to cry. -Oh, you can have a cry if you want. | 0:00:56 | 0:01:00 | |
So come watch with us as we hand-pick the vintage telly | 0:01:00 | 0:01:03 | |
that helped turn our much-loved stars | 0:01:03 | 0:01:06 | |
into the people they are today. | 0:01:06 | 0:01:08 | |
Welcome to The TV That Made Me. | 0:01:09 | 0:01:11 | |
My guest today is an international sports champion | 0:01:20 | 0:01:24 | |
who's had a swimming pool, a pub and a train named after her. | 0:01:24 | 0:01:28 | |
She even managed to withstand the horrors of the | 0:01:28 | 0:01:31 | |
I'm A Celebrity jungle. | 0:01:31 | 0:01:33 | |
Yes, she's Britain's most decorated female Olympian, | 0:01:33 | 0:01:37 | |
Rebecca Adlington, and the TV that made her includes | 0:01:37 | 0:01:40 | |
the TV legend who brought us a lorra, lorra love. | 0:01:40 | 0:01:44 | |
And Carmelo from Manchester. | 0:01:44 | 0:01:47 | |
And the cooking show that offered us a little bit of afternoon delight. | 0:01:47 | 0:01:51 | |
It's up to you now to decide who's going to be the winner. | 0:01:51 | 0:01:53 | |
Green peppers or red tomatoes? Would you please vote now? | 0:01:53 | 0:01:56 | |
It can only be the one and only Rebecca Adlington is here | 0:01:56 | 0:02:00 | |
with a pillow. | 0:02:00 | 0:02:01 | |
LAUGHING: Yeah. I haven't stuffed my dress, don't worry. | 0:02:01 | 0:02:05 | |
-So, do you get much time to watch TV? -Yeah. I love TV. | 0:02:05 | 0:02:10 | |
-Yeah? -TV... Especially, like, when I was an athlete, it's how you | 0:02:10 | 0:02:13 | |
switch off, it's how you relax, how you unwind. | 0:02:13 | 0:02:15 | |
So, I'm such a TV girl. | 0:02:15 | 0:02:17 | |
Today is a celebration. | 0:02:17 | 0:02:19 | |
What we've done, we've picked some TV highlights, | 0:02:19 | 0:02:21 | |
well, you've picked some TV highlights that probably made you | 0:02:21 | 0:02:24 | |
into the person you are today. | 0:02:24 | 0:02:25 | |
But first up, we're going to have a look at a very young Rebecca. | 0:02:25 | 0:02:29 | |
In 1989, Rebecca Adlington entered the world. | 0:02:30 | 0:02:34 | |
Or to be more exact, the town of Mansfield in Nottinghamshire. | 0:02:34 | 0:02:38 | |
And just three years later, her parents enrolled her for | 0:02:38 | 0:02:40 | |
swimming lessons, a decision that will ultimately lead Rebecca to win | 0:02:40 | 0:02:44 | |
a staggering 17 international medals - including seven golds - | 0:02:44 | 0:02:50 | |
making her one of our most successful athletes, | 0:02:50 | 0:02:53 | |
something she says she could never have achieved without her mum, | 0:02:53 | 0:02:56 | |
dad and two older sisters. | 0:02:56 | 0:02:59 | |
It must absolutely engulf your world, your life. | 0:02:59 | 0:03:02 | |
It does your whole family. It was a case of Mum | 0:03:02 | 0:03:04 | |
was getting up at 4.30 in the morning with me. | 0:03:04 | 0:03:07 | |
She'd take me to the pool. I'd swim two hours before school. | 0:03:07 | 0:03:10 | |
She'd then take me straight to school. | 0:03:10 | 0:03:12 | |
I'd go straight from school back to the pool in the evening | 0:03:12 | 0:03:15 | |
and wouldn't get home till about 8.00 at night. | 0:03:15 | 0:03:17 | |
And it was a whole family effort, | 0:03:17 | 0:03:19 | |
it was something that we just joined together | 0:03:19 | 0:03:21 | |
and really worked as a team, | 0:03:21 | 0:03:23 | |
just enabled me to live out my dream. | 0:03:23 | 0:03:26 | |
So, Rebecca, TV - your first, your earliest TV memories? | 0:03:31 | 0:03:36 | |
I think, cos I've got two older sisters, | 0:03:36 | 0:03:39 | |
it was kind of like one of those things that I kind of dipped | 0:03:39 | 0:03:42 | |
into the really early stuff like Postman Pat and things like that. | 0:03:42 | 0:03:45 | |
But then I was kind of like forced to watch the older programmes. | 0:03:45 | 0:03:49 | |
So I never really went through the whole, kind of, | 0:03:49 | 0:03:52 | |
Peppa Pig that's nowadays and all the Teletubbies and that sort of stage. | 0:03:52 | 0:03:56 | |
Me and my sisters used to love programmes kind of like | 0:03:56 | 0:03:58 | |
Art Attack and things like that. | 0:03:58 | 0:04:00 | |
But they were just dead arty and they're dead creative | 0:04:00 | 0:04:02 | |
whereas I was just sat there going, | 0:04:02 | 0:04:04 | |
"Really? I'm too young for this." I wanted something like Scooby-Doo on | 0:04:04 | 0:04:07 | |
and things like that, I absolutely loved. | 0:04:07 | 0:04:09 | |
So, this is it, Rebecca. Bit of Art Attack. | 0:04:09 | 0:04:13 | |
Now, to make a funky frame, | 0:04:13 | 0:04:15 | |
you need a large round tray or plate | 0:04:15 | 0:04:17 | |
and just place part of it... | 0:04:17 | 0:04:19 | |
Is this something you would have made? | 0:04:19 | 0:04:21 | |
It's something I'd tried to have made. | 0:04:21 | 0:04:23 | |
Now, to make it even more funky, | 0:04:23 | 0:04:24 | |
you need to glam it up in | 0:04:24 | 0:04:26 | |
a really garish, groovy way. So... | 0:04:26 | 0:04:28 | |
While Art Attack was hardly big budget telly, | 0:04:28 | 0:04:31 | |
the ideas were genius | 0:04:31 | 0:04:33 | |
and the series proved that any child could be good at arts and crafts. | 0:04:33 | 0:04:37 | |
Couple of wobbly lines down there like that. | 0:04:37 | 0:04:40 | |
Well, almost any child. | 0:04:40 | 0:04:42 | |
-I'm not creative or arty at all. -Really? | 0:04:43 | 0:04:45 | |
I still draw stick people, even now. | 0:04:45 | 0:04:47 | |
My sisters were dead good and theirs would look exactly like Neil's | 0:04:47 | 0:04:50 | |
and mine would just be this pile of mush that was just rubbish. | 0:04:50 | 0:04:54 | |
But they absolutely loved it, and I think being the baby of a family, | 0:04:54 | 0:04:57 | |
-you just, you have to go with it. -You're young. Yeah. | 0:04:57 | 0:05:00 | |
-You just get told what to do. -They're much older than you, | 0:05:00 | 0:05:02 | |
-so they're bound to create something probably a little bit better. -Yeah. | 0:05:02 | 0:05:05 | |
Paint it using real crazy colours. | 0:05:05 | 0:05:07 | |
Use poster or acrylic paint but make sure you use nice bright colours. | 0:05:07 | 0:05:12 | |
And, of course, for the sake of entertainment, | 0:05:12 | 0:05:14 | |
even Art Attack was guilty of taking the occasional television short cut. | 0:05:14 | 0:05:19 | |
They used to come out with "Here's one I made earlier." | 0:05:19 | 0:05:21 | |
-Did they ever do that? -Oh, yeah, of course. | 0:05:21 | 0:05:24 | |
-"This just dried earlier." Oh, OK then. -Yeah. | 0:05:24 | 0:05:27 | |
And when you've painted the whole of your frame, | 0:05:27 | 0:05:30 | |
you'll end up with something that looks like that. | 0:05:30 | 0:05:34 | |
-Oh, see, here you go. -There you go. | 0:05:34 | 0:05:36 | |
-BOTH: -One I made earlier. | 0:05:36 | 0:05:37 | |
One that someone else made earlier maybe if you were more honest, | 0:05:37 | 0:05:40 | |
-but let's not go there. -SHE LAUGHS | 0:05:40 | 0:05:43 | |
On she goes. | 0:05:43 | 0:05:45 | |
My pin-up, don't tell anyone. | 0:05:45 | 0:05:47 | |
And there you have a fantastic funky frame. | 0:05:47 | 0:05:52 | |
Would your frame turn out like that? | 0:05:52 | 0:05:54 | |
LAUGHING: No! Mine just came out like a blob. | 0:05:54 | 0:05:57 | |
-I loved it, though. -Yeah? | 0:05:57 | 0:05:58 | |
Your sisters, who are older than you, | 0:06:03 | 0:06:05 | |
-did you go to bed at the same time as them? -No. | 0:06:05 | 0:06:07 | |
-HE GASPS No. -Did it upset you? | 0:06:07 | 0:06:10 | |
-Yeah. -Does it still upset you? | 0:06:10 | 0:06:12 | |
I always had to go to bed first and it was just... | 0:06:12 | 0:06:14 | |
So, they'd be watching the telly, be watching a programme. | 0:06:14 | 0:06:17 | |
Yeah, yeah, all the time. | 0:06:17 | 0:06:19 | |
It was always things like on a Saturday night and it was just | 0:06:19 | 0:06:22 | |
kind of like, it was a case of I was allowed to watch some | 0:06:22 | 0:06:25 | |
things like Gladiators or a few of them shows. | 0:06:25 | 0:06:28 | |
But then as soon as it started getting a little bit older TV - | 0:06:28 | 0:06:31 | |
Man O Man, Blind Date, all them sorts of shows - it was kind of like, | 0:06:31 | 0:06:36 | |
"Rebecca, it's your bedtime now." | 0:06:36 | 0:06:38 | |
And I'd be like, "No, Mum, just ten more minutes!" | 0:06:38 | 0:06:41 | |
And just was dying to stay up and watch it. | 0:06:41 | 0:06:43 | |
Back in the early '90s, when Rebecca was being sent to | 0:06:44 | 0:06:47 | |
bed, some of the most popular Saturday night shows included | 0:06:47 | 0:06:51 | |
a reboot of The Generation Game, allowing Bruce Forsyth and | 0:06:51 | 0:06:55 | |
his new sidekick, Rosemarie Ford, to give away even more cuddly toys. | 0:06:55 | 0:07:01 | |
In Big Break, hosted by comedian Jim Davidson, | 0:07:01 | 0:07:04 | |
we found out what happens when you combine snooker with a game show. | 0:07:04 | 0:07:09 | |
And Noel's House Party gave us a superstar like no other - | 0:07:09 | 0:07:13 | |
the one and only Mr Blobby. | 0:07:13 | 0:07:16 | |
But there was one show | 0:07:16 | 0:07:18 | |
and one entertainer Rebecca was desperate to see, our Cilla. | 0:07:18 | 0:07:23 | |
Well, I'm sorry you were sent to bed, | 0:07:23 | 0:07:25 | |
-so we've got a little clip from Blind Date. -Oh! | 0:07:25 | 0:07:29 | |
Thank you, thank you. Hello and welcome to Blind Date. | 0:07:29 | 0:07:33 | |
Go on, Cilla! | 0:07:33 | 0:07:35 | |
-MIMICS CILLA: -Yes! Yes, indeed. | 0:07:35 | 0:07:38 | |
Look at the shoulder pads! | 0:07:38 | 0:07:39 | |
But look at the legs, she's... Oh, good set of pins on her, Cilla. | 0:07:39 | 0:07:42 | |
-Look at that. -Yeah, she does. | 0:07:42 | 0:07:44 | |
We have Jason from London, | 0:07:44 | 0:07:46 | |
Matt from Wiltshire | 0:07:46 | 0:07:48 | |
and Carmelo from Manchester. | 0:07:48 | 0:07:51 | |
Like its host, Blind Date is legendary. | 0:07:52 | 0:07:55 | |
It ran for 18 years | 0:07:55 | 0:07:57 | |
and attracted audiences of up to 17 million. | 0:07:57 | 0:08:00 | |
-Did you ever want to be on the show? -No. God, no. | 0:08:00 | 0:08:03 | |
-Really? -No, I'd hate it. -Really, why? | 0:08:03 | 0:08:05 | |
All the cheesy... I don't know, I think it's different | 0:08:05 | 0:08:07 | |
if you were the one picking the guys or | 0:08:07 | 0:08:10 | |
if you were one of the three girls, that'd be hard. | 0:08:10 | 0:08:12 | |
I'd prefer to be the one that gets to pick the guys. | 0:08:12 | 0:08:15 | |
-Hi, Emma. -Hello. | 0:08:15 | 0:08:17 | |
Well, I could do an impression of an owl, you see, I'm very wise, | 0:08:17 | 0:08:20 | |
I can stay up all night | 0:08:20 | 0:08:22 | |
and you'd be a twit-to-woo not to pick me tonight. | 0:08:22 | 0:08:25 | |
LAUGHTER AND APPLAUSE | 0:08:25 | 0:08:27 | |
So, would you play this at home? | 0:08:27 | 0:08:29 | |
I was... We always used to guess which one they were going to pick. | 0:08:29 | 0:08:32 | |
-Yeah. -Or go "Oh, no, I would have picked that one" | 0:08:32 | 0:08:34 | |
or "I would have picked this person." | 0:08:34 | 0:08:36 | |
You can see her knickers through that. | 0:08:37 | 0:08:39 | |
-I know! -Not quite sure what she's wearing there. | 0:08:39 | 0:08:42 | |
This is the reaction, this is the pay off. | 0:08:42 | 0:08:44 | |
Stand by for the thrill of the evening cos you're going | 0:08:44 | 0:08:47 | |
away on your blind date with Carmelo from Manchester. | 0:08:47 | 0:08:51 | |
Come in, Carmelo. | 0:08:51 | 0:08:53 | |
CHEERING | 0:08:53 | 0:08:56 | |
So, Rebecca, if I was on Blind Date, | 0:08:59 | 0:09:01 | |
what sort of questions would you ask me? | 0:09:01 | 0:09:03 | |
-I'd have three, yeah? -Yeah. Anything. | 0:09:03 | 0:09:06 | |
So, I'd ask you what your perfect weekend would be. | 0:09:06 | 0:09:10 | |
My perfect weekend would be with you. | 0:09:10 | 0:09:13 | |
-LAUGHING -Because... -Oh, cheese! | 0:09:13 | 0:09:16 | |
Well, no, that's what they say though, isn't it, you know? | 0:09:16 | 0:09:18 | |
With some sort of rude connotation, sort of, in there. | 0:09:18 | 0:09:21 | |
I'd be an owl and I'd twit-to-woo, how, oh, dear. | 0:09:21 | 0:09:24 | |
-Involve food and you've got me. -Oh, right. Yeah. | 0:09:24 | 0:09:27 | |
My perfect would-be weekend would be with you, and pie and chips. | 0:09:27 | 0:09:33 | |
-I like that. Northern girl. -OK. Next one. | 0:09:33 | 0:09:36 | |
If you were an Olympic sport, what would you be and why? | 0:09:36 | 0:09:42 | |
If I was an Olympic sport, I would be the shot put. | 0:09:42 | 0:09:49 | |
LAUGHING: Why? | 0:09:49 | 0:09:51 | |
Because I would put it there... | 0:09:51 | 0:09:55 | |
THEY BOTH LAUGH | 0:09:55 | 0:09:58 | |
I'm not going any further. | 0:09:58 | 0:10:00 | |
Time out. Have you got another one? | 0:10:00 | 0:10:04 | |
-I don't think I'd pick you. -No. | 0:10:04 | 0:10:07 | |
THEY BOTH LAUGH | 0:10:07 | 0:10:09 | |
And if I was sad, how would you cheer me up? | 0:10:09 | 0:10:12 | |
I would cheer you up with my shot-putting, there you go. | 0:10:12 | 0:10:16 | |
God. I don't think I'd choose you. | 0:10:16 | 0:10:18 | |
No, I don't think you would. | 0:10:18 | 0:10:20 | |
I think I'm far too old for you as well. | 0:10:20 | 0:10:22 | |
-You would get... -You had me with the weekend. -Yeah, yeah. -But, no. | 0:10:22 | 0:10:25 | |
Your next choice is something they don't normally show on BBC, | 0:10:30 | 0:10:34 | |
it's a commercial break, and it's one of my all-time favourite ads. | 0:10:34 | 0:10:39 | |
I just think it's genius. | 0:10:39 | 0:10:40 | |
In 2007, this commercial premiered during the Big Brother | 0:10:47 | 0:10:50 | |
finale and it proved to be a game changer in the world of advertising. | 0:10:50 | 0:10:55 | |
For a start, viewers felt compelled to watch it. | 0:10:55 | 0:10:59 | |
-Amazing. -It's such a good advert, though, isn't it? | 0:10:59 | 0:11:02 | |
# And I can feel it coming in the air tonight... # | 0:11:02 | 0:11:07 | |
The novel idea of a gorilla playing the drums teamed with | 0:11:07 | 0:11:10 | |
the perfect choice of music absolutely fascinated the public, | 0:11:10 | 0:11:14 | |
making it one of the first ads to go viral. | 0:11:14 | 0:11:17 | |
It attracted half a million YouTube hits within a week of its launch. | 0:11:17 | 0:11:22 | |
# I can feel it coming in... # | 0:11:22 | 0:11:24 | |
Do you think it's the music? It's just everything about it, isn't it? | 0:11:24 | 0:11:27 | |
It's just everything, isn't it? | 0:11:27 | 0:11:29 | |
It's just something that's totally not related at all to chocolate, | 0:11:29 | 0:11:34 | |
for starters, it's just the music, | 0:11:34 | 0:11:36 | |
it's the fact that they've used a gorilla, which is really random. | 0:11:36 | 0:11:40 | |
-I know. -Just the whole thing. | 0:11:40 | 0:11:42 | |
But normally, especially nowadays, I don't know about anyone else, | 0:11:42 | 0:11:45 | |
I kind of skip adverts. I flick to a different channel or | 0:11:45 | 0:11:48 | |
I fast-forward or whatever. Whereas this, you just sit | 0:11:48 | 0:11:51 | |
and watch the whole way through, you just absolutely loved it. | 0:11:51 | 0:11:54 | |
# ..all my life... # | 0:11:54 | 0:11:55 | |
The incredibly realistic costume took three months to make | 0:11:55 | 0:11:59 | |
and the convincing performance is courtesy of an actor who | 0:11:59 | 0:12:02 | |
previously worked on Planet Of The Apes. | 0:12:02 | 0:12:04 | |
His performance and the high production values made this | 0:12:04 | 0:12:07 | |
campaign a huge success, boosting sales | 0:12:07 | 0:12:10 | |
and improving public perception of the company itself. | 0:12:10 | 0:12:13 | |
But what really makes this ad | 0:12:13 | 0:12:15 | |
so effective is the almost unbearable build-up. | 0:12:15 | 0:12:20 | |
HE MIMICS DRUMMING | 0:12:20 | 0:12:23 | |
# Oh, Lord | 0:12:23 | 0:12:24 | |
# And I can feel it coming in the air tonight | 0:12:27 | 0:12:33 | |
# Oh, Lord... # | 0:12:33 | 0:12:35 | |
The energy. And I think, when you're at home, you just cannot help | 0:12:35 | 0:12:39 | |
-but go... -HE MIMICS DRUMMING | 0:12:39 | 0:12:41 | |
-I think as well... -Or is that just me? -No. | 0:12:41 | 0:12:44 | |
That's...no, totally get that. The song was perfect and it was just, | 0:12:44 | 0:12:47 | |
it's something that everyone spoke about | 0:12:47 | 0:12:50 | |
and it was just like, "Have you seen that advert?" | 0:12:50 | 0:12:52 | |
And it's more about, like, the just remembering an advert | 0:12:52 | 0:12:55 | |
and that was what was so great about that | 0:12:55 | 0:12:57 | |
is that you instantly think of Cadbury's chocolate. | 0:12:57 | 0:12:59 | |
-Yeah. -And it's just something so random... -Yeah. | 0:12:59 | 0:13:02 | |
..but absolutely brilliant and it was, yeah, it was so clever. | 0:13:02 | 0:13:05 | |
-Oh, yeah. -So clever but it was just, yeah. -And simple. | 0:13:05 | 0:13:09 | |
-In some way, it's just that... -It is. | 0:13:09 | 0:13:11 | |
..that silence, that cos as a viewer we know that big drum | 0:13:11 | 0:13:14 | |
break's coming in but the way he's just, just preparing himself for it. | 0:13:14 | 0:13:19 | |
-Simple but effective. -Mmm. -Very, very effective. | 0:13:19 | 0:13:23 | |
Rebecca, your next choice is TV fear. | 0:13:28 | 0:13:32 | |
Now, this is something you used to hide behind the sofa, | 0:13:32 | 0:13:35 | |
but we don't want to stress you out too much. | 0:13:35 | 0:13:37 | |
We've got a pillow if you want to hide behind this. | 0:13:37 | 0:13:39 | |
-OK. Thank you. -Do you know what I'm on about? | 0:13:39 | 0:13:42 | |
-Do you know the show I'm talking about? -Midsomer Murders. | 0:13:42 | 0:13:44 | |
-Yeah. -It used to terrify... -Why? -..the life out of me. -Why? | 0:13:44 | 0:13:49 | |
I just don't like anything like horror. | 0:13:49 | 0:13:51 | |
I haven't really seen any horror films or like anything scary. | 0:13:51 | 0:13:55 | |
So, you assume that Midsomer Murders is like a horror film? | 0:13:55 | 0:13:59 | |
Well, it was like the anticipation, the tense, and it | 0:13:59 | 0:14:03 | |
was only cos when I was really young I should have gone to bed, | 0:14:03 | 0:14:06 | |
my parents were constantly telling me to go to bed. | 0:14:06 | 0:14:08 | |
But the one episode that I watched was that the person died | 0:14:08 | 0:14:13 | |
from somebody hiding in their bedroom. | 0:14:13 | 0:14:16 | |
Well, that terrified the life out of me. I then was not able to go | 0:14:16 | 0:14:20 | |
upstairs and I dragged my mum upstairs with me to check my bedroom | 0:14:20 | 0:14:23 | |
was all clear and that there wasn't someone hiding in the wardrobe. | 0:14:23 | 0:14:26 | |
Did you end up sleeping in that bedroom or did you go | 0:14:26 | 0:14:28 | |
and sleep with your mum and dad? | 0:14:28 | 0:14:29 | |
-Well, I shared a room with my sisters. -Oh, right. | 0:14:29 | 0:14:31 | |
But because I had to go to bed first, it was always the case | 0:14:31 | 0:14:35 | |
they had to then, for literally probably about a good year, | 0:14:35 | 0:14:38 | |
walk me to bed and walk upstairs with me. | 0:14:38 | 0:14:41 | |
And why did I watch that one of all things? | 0:14:41 | 0:14:43 | |
-Well, you can hide behind your pillow. -OK. Thank you. | 0:14:43 | 0:14:46 | |
I'm a bit worried about showing you this episode. | 0:14:46 | 0:14:48 | |
-But here we have a little moment. -OK. -Brace yourself. | 0:14:48 | 0:14:50 | |
Midsomer Murders. | 0:14:50 | 0:14:52 | |
OWL HOOTS | 0:14:53 | 0:14:57 | |
REBECCA LAUGHS | 0:14:57 | 0:14:59 | |
See, even that's a bit creepy. | 0:14:59 | 0:15:00 | |
HE CACKLES | 0:15:00 | 0:15:02 | |
SHE LAUGHS | 0:15:02 | 0:15:04 | |
With a homicide rate that would make it the murder capital of the UK, | 0:15:07 | 0:15:11 | |
this fictional county is a precarious place for its residents. | 0:15:11 | 0:15:15 | |
Why is everywhere dark? You'd have streetlights. | 0:15:15 | 0:15:17 | |
Well, to add to the suspense. | 0:15:17 | 0:15:18 | |
Yeah, but it's just someone would have a light on. | 0:15:18 | 0:15:21 | |
Turn a light on! Yeah. Get a bigger torch, get a spotlight. | 0:15:21 | 0:15:24 | |
-Exactly. -Don't go... They're always on their own, | 0:15:24 | 0:15:26 | |
they're always wandering into woods on their own. | 0:15:26 | 0:15:29 | |
-Get a group of people. -Yeah. | 0:15:29 | 0:15:30 | |
Why was that guy out in the woods anyway? What was he doing? | 0:15:30 | 0:15:33 | |
I'm a bit suspicious of him. And finding him. | 0:15:33 | 0:15:36 | |
SUSPENSEFUL MUSIC | 0:15:36 | 0:15:40 | |
-You're getting anxious, aren't you? -I know. | 0:15:48 | 0:15:50 | |
Oh! Oh! | 0:15:52 | 0:15:53 | |
Seriously, my husband's going to have to walk me to bed | 0:15:55 | 0:15:58 | |
every night for like a year now. | 0:15:58 | 0:16:00 | |
-I still can't watch it. -Oh, really? | 0:16:00 | 0:16:03 | |
-I still can't watch it. -Oh, come on, I've got to press pause. | 0:16:03 | 0:16:06 | |
So, you're telling me, Rebecca Adlington, | 0:16:06 | 0:16:08 | |
a lady in her mid-20s, still cannot watch Midsomer Murders? | 0:16:08 | 0:16:12 | |
No. Terrifies the life out of me. | 0:16:12 | 0:16:15 | |
Anything like that I just stay away from. | 0:16:15 | 0:16:17 | |
I mean, with Midsomer Murders, it's all set in the West Country. | 0:16:17 | 0:16:20 | |
-I mean, do you...do you get anxious? -Don't go there. -No? | 0:16:20 | 0:16:22 | |
Don't go there. | 0:16:22 | 0:16:24 | |
LAUGHING: I do. But, yeah. | 0:16:24 | 0:16:26 | |
Oh, let's put you on edge just a little bit more. Here we go. | 0:16:26 | 0:16:28 | |
And while it's a dangerous place to buy a character cottage, | 0:16:31 | 0:16:34 | |
if you do meet a grisly end, it will at least be interesting. | 0:16:34 | 0:16:38 | |
One week, it's a man tied to a tree, | 0:16:38 | 0:16:40 | |
smothered in expensive truffle oil and left to be eaten | 0:16:40 | 0:16:44 | |
alive by a wild boar, and the next... | 0:16:44 | 0:16:47 | |
-What have we got here? -Dead for five or six hours. | 0:16:47 | 0:16:50 | |
Cause of death - head separated from the body. | 0:16:50 | 0:16:52 | |
Now, that's where we benefit from having an expert on the job. | 0:16:52 | 0:16:55 | |
That's enough from you. | 0:16:55 | 0:16:57 | |
Head separated from the body? | 0:16:57 | 0:16:58 | |
-I don't want to go to bed dreaming about this. -No. | 0:17:00 | 0:17:02 | |
But would it worry you, I mean, because, you know, this village, | 0:17:02 | 0:17:05 | |
there were so many murders? | 0:17:05 | 0:17:07 | |
Yeah. Move. | 0:17:07 | 0:17:09 | |
I would not be living there, if that was...that was me. | 0:17:09 | 0:17:13 | |
It always happens in these tiny villages and you're just like, | 0:17:13 | 0:17:16 | |
"Really?" It is a bit unrealistic | 0:17:16 | 0:17:18 | |
but, at the same time, still a bit scary. | 0:17:18 | 0:17:21 | |
So, a realistic crime show it's not | 0:17:21 | 0:17:24 | |
but what this much-loved series does do is put an enjoyable spin | 0:17:24 | 0:17:28 | |
on the rules of the great British murder mystery. | 0:17:28 | 0:17:31 | |
Seriously, I'm going to have nightmares for like a week now. | 0:17:32 | 0:17:35 | |
It's going to make me go into labour. | 0:17:35 | 0:17:37 | |
Can I take that cushion away from you to reveal that one? OK. | 0:17:37 | 0:17:41 | |
Rebecca, we're moving on to your guilty pleasure. | 0:17:46 | 0:17:49 | |
You shouldn't like it, | 0:17:49 | 0:17:51 | |
but somewhere deep in there, you just can't help yourself. | 0:17:51 | 0:17:54 | |
-This, for you, is Ready Steady Cook. -Ahh. | 0:17:54 | 0:17:57 | |
Whoa, we've got big flames over here. 45 seconds. | 0:17:58 | 0:18:01 | |
45 seconds. | 0:18:01 | 0:18:03 | |
For 16 years and more than 1,700 episodes, | 0:18:03 | 0:18:06 | |
Ready Steady Cook challenged two celebrity chefs to whip up | 0:18:06 | 0:18:09 | |
something fabulous out of five quid's worth of random ingredients. | 0:18:09 | 0:18:14 | |
30 seconds. | 0:18:14 | 0:18:15 | |
Are you a keen cook then? | 0:18:17 | 0:18:18 | |
I love, I love food. I'm such a foodie. | 0:18:18 | 0:18:21 | |
But, yeah, I think, cos I didn't cook much growing up, | 0:18:21 | 0:18:25 | |
it was always like my sisters helping out my mum, so I kind of | 0:18:25 | 0:18:29 | |
didn't really get into cooking until about 19, 20, where I tried | 0:18:29 | 0:18:32 | |
everything. But I've actually been on Ready Steady Cook with my mum. | 0:18:32 | 0:18:35 | |
Oh, right. | 0:18:35 | 0:18:37 | |
And when we went on - and I am nowhere near as good | 0:18:37 | 0:18:40 | |
as a chef as my mum, without a doubt - | 0:18:40 | 0:18:42 | |
but I took my medals with me and | 0:18:42 | 0:18:43 | |
I showed it round the audience and then they all voted for me, so I won. | 0:18:43 | 0:18:47 | |
I was like, "Yes!" It was a brilliant result, | 0:18:47 | 0:18:49 | |
and my mum was like, "What?!" My mum was outraged because she just, | 0:18:49 | 0:18:53 | |
she is obviously the family cook, she's the one that makes | 0:18:53 | 0:18:56 | |
everything and, to be fair, I love my mum's cooking. | 0:18:56 | 0:18:59 | |
It's my favourite food. | 0:18:59 | 0:19:00 | |
If I had to pick one meal I could have, I would have me mum's cooking. | 0:19:00 | 0:19:03 | |
Ten. | 0:19:03 | 0:19:05 | |
And while even this show couldn't interrupt Rebecca's | 0:19:05 | 0:19:07 | |
winning streak, | 0:19:07 | 0:19:09 | |
it's another demonstration of how her family are always there for her. | 0:19:09 | 0:19:14 | |
-GONG CHIMES -Stop cooking! | 0:19:14 | 0:19:16 | |
Your parents have to be your nutritionist, | 0:19:16 | 0:19:18 | |
they have to be your physios, they literally have to be everything, | 0:19:18 | 0:19:21 | |
and it was a case of my mum just... | 0:19:21 | 0:19:23 | |
I kind of always enjoyed cooking and so did my sisters, | 0:19:23 | 0:19:26 | |
it was always a case of I never really had time to cook. | 0:19:26 | 0:19:28 | |
And even by the time I was 18, 19, living on my own, | 0:19:28 | 0:19:32 | |
it would have to be quick. | 0:19:32 | 0:19:33 | |
I was cooking things that you could eat within 20 minutes | 0:19:33 | 0:19:36 | |
cos you were starving after training. | 0:19:36 | 0:19:38 | |
So, it's just like posh chicken and chips really. | 0:19:38 | 0:19:40 | |
And the best thing about Ready Steady Cook, | 0:19:40 | 0:19:42 | |
not only were the contestants well-fed, | 0:19:42 | 0:19:45 | |
they also stood to win a life-changing 100 quid. | 0:19:45 | 0:19:48 | |
Oh, I'd like to take you home with... Sorry. | 0:19:48 | 0:19:51 | |
LAUGHTER | 0:19:51 | 0:19:52 | |
If my wife wasn't here, I'd like to take you home with me. | 0:19:52 | 0:19:55 | |
-This is wonderful. It really is wonderful. -Yeah? Good. | 0:19:55 | 0:19:57 | |
It's up to you now to decide who's going to be the winner. | 0:19:57 | 0:20:00 | |
Green peppers or red tomatoes? Would you please vote now? | 0:20:00 | 0:20:02 | |
Any cookery show just makes you absolutely starving. | 0:20:02 | 0:20:05 | |
You just watch it and you're like, "I need food now!" | 0:20:05 | 0:20:07 | |
You weren't hungry before you watched it, then you go into the kitchen | 0:20:07 | 0:20:10 | |
and make something dead plain and boring and you're like, | 0:20:10 | 0:20:12 | |
"Oh, great(!) I get this for my tea now." Just watched something amazing, | 0:20:12 | 0:20:16 | |
-but it never turns out the way they do. Well, mine doesn't anyway. -No. | 0:20:16 | 0:20:20 | |
When did it suddenly dawn on you that you were | 0:20:25 | 0:20:27 | |
good in the swimming pool, exceptionally good? | 0:20:27 | 0:20:29 | |
Not till I was about 13, not till I was a little bit older. | 0:20:29 | 0:20:32 | |
I'd kind of joined a club around eight and started competing | 0:20:32 | 0:20:36 | |
around nine or ten, but it wasn't until I got into my teenage years | 0:20:36 | 0:20:40 | |
that I took it seriously. It was just a hobby before and it, | 0:20:40 | 0:20:43 | |
kind of, I still saw it as a hobby, it just became a more intense hobby | 0:20:43 | 0:20:47 | |
that I did. And I just constantly wanted to be at the swimming pool. | 0:20:47 | 0:20:50 | |
My mum tried me with other things, I just wanted to be at the pool | 0:20:50 | 0:20:54 | |
all the time, just felt at home being in water. | 0:20:54 | 0:20:57 | |
Rebecca's big break came at the age of 19 | 0:20:58 | 0:21:01 | |
at the 2008 Olympics in Beijing, | 0:21:01 | 0:21:04 | |
where she won two gold medals, set a new world record | 0:21:04 | 0:21:07 | |
and made her mum and dad the proudest parents on the planet. | 0:21:07 | 0:21:12 | |
In 2010, Rebecca went on to win a gold | 0:21:12 | 0:21:15 | |
and a bronze at the European Championships. | 0:21:15 | 0:21:18 | |
Then, just a few months later, came her next triumph - | 0:21:18 | 0:21:21 | |
the Commonwealth Games in Delhi, where she added another four medals, | 0:21:21 | 0:21:25 | |
including two golds, to her collection. | 0:21:25 | 0:21:28 | |
'Now she's Commonwealth champion of the women's | 0:21:29 | 0:21:31 | |
'800 metres freestyle, Becky Adlington of England.' | 0:21:31 | 0:21:35 | |
I always get asked, "What does it feel like to win a gold medal?" | 0:21:35 | 0:21:37 | |
It's so hard to put into words cos it's so personal. | 0:21:37 | 0:21:40 | |
It's like your life, like, you flash back to everything, to the | 0:21:40 | 0:21:44 | |
times where you got out of the pool crying your eyes out | 0:21:44 | 0:21:47 | |
cos you're in so much pain, | 0:21:47 | 0:21:48 | |
where you can't even, like, walk down the stairs without | 0:21:48 | 0:21:51 | |
holding on to something cos your legs are burning. | 0:21:51 | 0:21:54 | |
Like, you've literally pushed yourself to the limit every | 0:21:54 | 0:21:56 | |
single day for about ten years, it's such a relief that it has been | 0:21:56 | 0:22:00 | |
worth it as well that literally you feel every single emotion | 0:22:00 | 0:22:03 | |
from happiness to overwhelmed to literally every emotion possible. | 0:22:03 | 0:22:09 | |
It is one of those incredible things that you'll never forget either. | 0:22:09 | 0:22:13 | |
-Yeah. -I'll never ever forget that. | 0:22:13 | 0:22:14 | |
It feels like it was yesterday, | 0:22:14 | 0:22:16 | |
that I can remember it that clearly in my head. | 0:22:16 | 0:22:19 | |
Two years on, she competed at the London 2012 Olympics | 0:22:19 | 0:22:23 | |
as one of our most decorated athletes, going into the | 0:22:23 | 0:22:26 | |
competition with a staggering 15 international medals to her name. | 0:22:26 | 0:22:30 | |
This time, she came away with two bronzes, | 0:22:30 | 0:22:33 | |
something she initially felt disappointed with. | 0:22:33 | 0:22:36 | |
There is this tiny 1% of you that is like... | 0:22:36 | 0:22:39 | |
SHE SIGHS | 0:22:39 | 0:22:41 | |
Cos you didn't get that gold medal that obviously | 0:22:41 | 0:22:43 | |
everyone wants to get. | 0:22:43 | 0:22:44 | |
-But then, at the same time, you give it 100%. -Oh, yeah. | 0:22:44 | 0:22:47 | |
-That's all you can ask for. -Yeah, exactly. | 0:22:47 | 0:22:49 | |
That you just, kind of, have to accept that on the day | 0:22:49 | 0:22:52 | |
it's not good enough, that your best isn't good enough. | 0:22:52 | 0:22:55 | |
-No. -And it was just that... -You don't now, though? | 0:22:55 | 0:22:57 | |
-No, no, no. -No. Good. Yeah. | 0:22:57 | 0:22:59 | |
But it was, kind of, that initial thing | 0:22:59 | 0:23:01 | |
and I just couldn't stop crying cos the first thing I said | 0:23:01 | 0:23:03 | |
to my coach, I had been with the same coach since I was about 12, 13, | 0:23:03 | 0:23:07 | |
it was Bill, and obviously, he had taken me through Beijing. | 0:23:07 | 0:23:11 | |
You have such a close connection with your coach and the first thing I said | 0:23:11 | 0:23:15 | |
to him was, "I'm sorry." And I just felt like I'd let him down. | 0:23:15 | 0:23:18 | |
And he just went, "Bec, don't ever say that to me again." | 0:23:18 | 0:23:21 | |
He was like, "You've got nothing to be sorry for, I'm so proud of you." | 0:23:21 | 0:23:24 | |
And it, kind of, all disappeared | 0:23:24 | 0:23:25 | |
once I realised I hadn't let anyone but myself down. | 0:23:25 | 0:23:28 | |
And actually, that was the major turning point. | 0:23:28 | 0:23:31 | |
You have not let yourself down. | 0:23:31 | 0:23:33 | |
And, I mean, you're talking about that moment, | 0:23:33 | 0:23:35 | |
-but you don't feel like that now? -No, definitely not. -No. | 0:23:35 | 0:23:37 | |
I look back now and I'm... | 0:23:37 | 0:23:39 | |
The one thing that a lot of people ask me about retirement is, | 0:23:39 | 0:23:42 | |
"Oh, do you miss it? Do you miss being in a pool?" | 0:23:42 | 0:23:44 | |
And I'm, "No, because I can honestly say I gave my career 100%." | 0:23:44 | 0:23:47 | |
Yeah. Oh, without a doubt. | 0:23:47 | 0:23:49 | |
There isn't a stone left unturned, | 0:23:49 | 0:23:50 | |
there isn't that "What if?" | 0:23:50 | 0:23:52 | |
-"Oh, what if I'd done that?" -Yeah. | 0:23:52 | 0:23:53 | |
There's nothing because I can honestly say I gave everything 100%. | 0:23:53 | 0:23:57 | |
So, how can I be disappointed with two bronze medals | 0:23:57 | 0:24:00 | |
where I gave it my all, it just...that was it. | 0:24:00 | 0:24:02 | |
-And two golds. -And two, yeah, exactly. | 0:24:02 | 0:24:04 | |
-Don't forget them. -No, exactly. | 0:24:04 | 0:24:06 | |
So, I gave everything the best shot I could. | 0:24:06 | 0:24:09 | |
And now you're commentating on the next generation of swimmers. | 0:24:09 | 0:24:12 | |
Yeah. It's nice to see the younger ones come through. | 0:24:12 | 0:24:15 | |
-Do you get nervous for them? -So nervous. -Really? | 0:24:15 | 0:24:18 | |
So nervous cos you just, you realise every little step | 0:24:18 | 0:24:21 | |
they're going through, it's relatable, you can relate to them | 0:24:21 | 0:24:24 | |
and how they're feeling and it's just such an amazing thing to be part of. | 0:24:24 | 0:24:29 | |
I think we've got a moment here. | 0:24:29 | 0:24:30 | |
We've had a few moments in this pool, | 0:24:30 | 0:24:32 | |
but that is the first one that's made Rebecca Adlington cry. | 0:24:32 | 0:24:35 | |
I'm so pleased for Adam. | 0:24:35 | 0:24:38 | |
Invited to be an ambassador for the Glasgow 2014 Commonwealth Games, | 0:24:38 | 0:24:42 | |
Rebecca's move into the world of punditry got emotional | 0:24:42 | 0:24:45 | |
when friend Adam Peaty won gold. | 0:24:45 | 0:24:48 | |
I'm just so pleased for him. | 0:24:48 | 0:24:49 | |
These are good tears, they're good tears. And it was... | 0:24:49 | 0:24:52 | |
It's going to make me cry again. | 0:24:52 | 0:24:54 | |
-You can't show this to a pregnant lady. -Oh, really? | 0:24:54 | 0:24:57 | |
He comes from a club. | 0:24:57 | 0:24:59 | |
Adam comes from a club, and I love that. | 0:24:59 | 0:25:01 | |
City of Derby, they're absolutely... | 0:25:01 | 0:25:03 | |
They will all be crying and bawling their eyes out. | 0:25:03 | 0:25:05 | |
I know how much this means to the whole club. | 0:25:05 | 0:25:07 | |
And actually, a really good reminder that... | 0:25:07 | 0:25:09 | |
Why did it get to you like that when it's not even you out there? | 0:25:09 | 0:25:12 | |
I think you just realise everything that goes into it, | 0:25:12 | 0:25:15 | |
you realise the dedication, | 0:25:15 | 0:25:17 | |
the amount of hours that he's trained for this one moment. | 0:25:17 | 0:25:20 | |
You just relate to everything they're going through and it's such | 0:25:20 | 0:25:24 | |
an honour to just pass on a little snippet of their life to people. | 0:25:24 | 0:25:27 | |
And that's what I love about the punditry is that you can just | 0:25:27 | 0:25:30 | |
give a little bit of an insight to what it is to be a swimmer. | 0:25:30 | 0:25:33 | |
So, it's nice to just pass on that knowledge to other people | 0:25:33 | 0:25:36 | |
-and just share what these guys have gone through. -Yeah. | 0:25:36 | 0:25:38 | |
Especially for Adam Peaty, he's just gone from strength to strength, | 0:25:38 | 0:25:42 | |
he's just broke the world record a couple of weeks ago | 0:25:42 | 0:25:44 | |
and he's just one definitely to watch for Rio. | 0:25:44 | 0:25:47 | |
Rebecca has successfully made the transition from sports | 0:25:48 | 0:25:51 | |
to telly and she is in fine company. | 0:25:51 | 0:25:54 | |
And here are a few other famous women who've succeeded | 0:25:54 | 0:25:57 | |
in doing the same thing. | 0:25:57 | 0:25:58 | |
Starting with Clare Balding, who before coming | 0:25:58 | 0:26:01 | |
one of our favourite presenters was once an amateur jockey. | 0:26:01 | 0:26:05 | |
Meanwhile swimmer Sharron Davies has been | 0:26:05 | 0:26:07 | |
presenting television since the '90s, appearing | 0:26:07 | 0:26:10 | |
on everything from Gladiators to Channel 4's Big Breakfast. | 0:26:10 | 0:26:15 | |
Then there's Denise Lewis, | 0:26:15 | 0:26:16 | |
who after winning a gold medal in the heptathlon, | 0:26:16 | 0:26:19 | |
has gone on to even greater success as a pundit in athletics. | 0:26:19 | 0:26:24 | |
And last but not least, tennis player Sue Barker, who, | 0:26:24 | 0:26:27 | |
after winning 11 WTA singles titles, moved into commentating and of | 0:26:27 | 0:26:32 | |
course has now spent the last 18 years hosting A Question Of Sport. | 0:26:32 | 0:26:37 | |
Rebecca Adlington, what are you watching now? | 0:26:43 | 0:26:46 | |
Loads of different things. I love the new Sherlock. | 0:26:46 | 0:26:50 | |
Absolutely love it. | 0:26:50 | 0:26:51 | |
I'm addicted, and that's only got three episodes. | 0:26:51 | 0:26:53 | |
I'm like, "No, make it longer!" | 0:26:53 | 0:26:55 | |
And you have to wait ages in between the series as well. | 0:26:55 | 0:26:58 | |
I love property shows, all that sort of stuff. | 0:26:58 | 0:27:02 | |
Like, your Grand Designs, The Restoration Man, | 0:27:02 | 0:27:05 | |
anything kind of property. | 0:27:05 | 0:27:06 | |
Food shows, again, I love, kind of, my cookery shows | 0:27:06 | 0:27:10 | |
and things in the day, so a real mixture. | 0:27:10 | 0:27:13 | |
And then the comedy stuff. | 0:27:13 | 0:27:15 | |
The same as well, like The Big Bang Theory, | 0:27:15 | 0:27:18 | |
stuff that you get boxsets to. | 0:27:18 | 0:27:20 | |
-Have you enjoyed today? -I've loved it. -Yeah. | 0:27:20 | 0:27:22 | |
No, it's been really nice remembering stuff, | 0:27:22 | 0:27:24 | |
maybe not the murder - Midsomer Murders. | 0:27:24 | 0:27:27 | |
-Midsomer Murders. Ah, I can't... -That's going to terrify me. | 0:27:27 | 0:27:30 | |
-You can't even say it. Maybe not the m-m-mur. -I know. | 0:27:30 | 0:27:32 | |
Well, I want to thank you. | 0:27:32 | 0:27:34 | |
So, hopefully we'll forget that one. | 0:27:34 | 0:27:36 | |
But the rest of them, no, it's been really nice. | 0:27:36 | 0:27:39 | |
So you won't play out with that theme tune. | 0:27:39 | 0:27:41 | |
You get a choice now - you can choose any theme tune, | 0:27:41 | 0:27:43 | |
any one you wish to play out on. | 0:27:43 | 0:27:45 | |
It'll have to be my favourite, Fawlty Towers. | 0:27:45 | 0:27:47 | |
-Fawlty Towers. -Absolutely love it. | 0:27:47 | 0:27:48 | |
You've been one of my favourites. Thank you so much. | 0:27:48 | 0:27:51 | |
-Aw, thank you. -Good luck with the baby. -Oh, thank you. | 0:27:51 | 0:27:53 | |
Ladies and gentlemen, my thanks to the lovely Rebecca Adlington | 0:27:53 | 0:27:56 | |
and my thanks to you for watching The TV That Made Me. | 0:27:56 | 0:27:58 | |
We'll see you next time, bye-bye. | 0:27:58 | 0:28:00 | |
MUSIC: Fawlty Towers Theme | 0:28:00 | 0:28:04 |