Browse content similar to Duncan Bannatyne. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Telly, that magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds, | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:10 | |
In this series, I'm going to journey through | 0:00:10 | 0:00:12 | |
the fantastic world of TV with some of our favourite celebrities. | 0:00:12 | 0:00:16 | |
They have chosen the precious TV moments that shed light... | 0:00:16 | 0:00:20 | |
-The wind almost blew my BLANK off. -You're nearly in the telly here. | 0:00:20 | 0:00:24 | |
'..on the stories of their lives.' | 0:00:24 | 0:00:25 | |
You are so blinking clever, you look after him. | 0:00:25 | 0:00:28 | |
-This takes me back completely. -Come on. | 0:00:28 | 0:00:30 | |
Some are funny... | 0:00:30 | 0:00:32 | |
HIGH PITCHED: # And when they were down they were down... # | 0:00:32 | 0:00:34 | |
-Some... -Thank you! | 0:00:34 | 0:00:36 | |
..are surprising. | 0:00:36 | 0:00:38 | |
Terrifies the life out of me. | 0:00:38 | 0:00:39 | |
Some are inspiring... | 0:00:39 | 0:00:41 | |
I wanted to be on the telly. | 0:00:41 | 0:00:43 | |
That's it from me, back to you two. | 0:00:43 | 0:00:45 | |
And many... | 0:00:45 | 0:00:46 | |
This rather futuristic TV... | 0:00:46 | 0:00:49 | |
..are deeply moving. | 0:00:49 | 0:00:51 | |
-And it was heartbreaking. I wept. It was heartbreaking. -It's not real. | 0:00:51 | 0:00:55 | |
So come watch with us as we hand-pick the vintage telly | 0:00:55 | 0:00:58 | |
that helped turn our much-loved stars | 0:00:58 | 0:01:01 | |
into the people they are today. | 0:01:01 | 0:01:03 | |
Welcome to The TV That Made Me. | 0:01:04 | 0:01:06 | |
My guest today has gone from a wee Scottish paperboy to | 0:01:15 | 0:01:19 | |
a multimillionaire by way of selling ice creams, | 0:01:19 | 0:01:23 | |
servicing tractors and sailing with the Royal Navy. | 0:01:23 | 0:01:26 | |
He is now an entrepreneur, a philanthropist, author | 0:01:26 | 0:01:30 | |
and most famous for being one of the original fire-breathing | 0:01:30 | 0:01:34 | |
millionaires who inhabited the Dragons' Den. | 0:01:34 | 0:01:37 | |
It's Duncan Bannatyne. | 0:01:37 | 0:01:39 | |
When you run out of money, give me a ring. | 0:01:39 | 0:01:42 | |
The TV that made him includes the classic | 0:01:42 | 0:01:45 | |
Fall And Rise Of Reggie Perrin's personal fortunes. | 0:01:45 | 0:01:48 | |
We will be selling our usual full range of utterly useless rubbish. | 0:01:48 | 0:01:51 | |
The epic spectacle of the Edinburgh Tattoo. | 0:01:51 | 0:01:55 | |
And dramatic events from the cobbles of Coronation Street. | 0:01:58 | 0:02:02 | |
You ought to watch her, she's a bad 'un. | 0:02:02 | 0:02:04 | |
It can only be the one and only Duncan Bannatyne. Sir, really. | 0:02:04 | 0:02:08 | |
-It should be sir. -Oh, thank you. -First things first. | 0:02:08 | 0:02:11 | |
Now, I've got a new show where celebrities come on | 0:02:11 | 0:02:14 | |
-and talk about their TV memories, are you in or are you out? -I'm in. | 0:02:14 | 0:02:18 | |
Yeah? I'm glad you're in. | 0:02:18 | 0:02:19 | |
-Are you excited? -I'm very excited. This is my excited face. | 0:02:19 | 0:02:22 | |
THEY LAUGH | 0:02:22 | 0:02:24 | |
So this today is a celebration, | 0:02:24 | 0:02:26 | |
a selection of TV shows that possibly made you who you are. | 0:02:26 | 0:02:30 | |
And we're going to go back to the beginning | 0:02:30 | 0:02:32 | |
and have a little look at the young Duncan. | 0:02:32 | 0:02:36 | |
Duncan Walker Bannatyne was born in 1949. | 0:02:38 | 0:02:42 | |
He was the second eldest of seven children who grew up | 0:02:43 | 0:02:47 | |
in an austere post-war Scotland. | 0:02:47 | 0:02:50 | |
Duncan and his family lived in the famously tough shipbuilding | 0:02:52 | 0:02:56 | |
area of Clydebank, which was a major target of German bombing | 0:02:56 | 0:03:00 | |
raids during the Second World War. | 0:03:00 | 0:03:02 | |
So, how devastating was the Blitz to Clydebank? | 0:03:06 | 0:03:10 | |
-You know, did it pretty much flatten it? -Yeah, it was pretty bad. | 0:03:10 | 0:03:13 | |
Yeah, Clydebank took some really big hits. | 0:03:13 | 0:03:15 | |
Because it was shipbuilding, so they tried to destroy the ships. | 0:03:15 | 0:03:19 | |
I believe that you started your life in a requisitioned house. | 0:03:22 | 0:03:26 | |
That's right. It was called Springfield House. | 0:03:26 | 0:03:28 | |
But what does that mean when it's a requisition? | 0:03:28 | 0:03:30 | |
Well, after the war, the Government requisitioned some houses, | 0:03:30 | 0:03:33 | |
took them off the owners, really, cos they were big houses. | 0:03:33 | 0:03:37 | |
And they had to accommodate families. | 0:03:37 | 0:03:39 | |
So we... There was three families lived in this house. | 0:03:39 | 0:03:42 | |
With an outside toilet. | 0:03:42 | 0:03:44 | |
-And you got a room each. -One outside toilet? -One outside toilet, yeah. | 0:03:44 | 0:03:48 | |
-For three families? -Three families, yeah. Yeah. | 0:03:48 | 0:03:51 | |
So, Duncan, I want to ask, was TV a big part of your life? | 0:03:56 | 0:04:00 | |
It was when we eventually got one. | 0:04:00 | 0:04:01 | |
I didn't have a television until, I think, I was about | 0:04:01 | 0:04:04 | |
eight or nine years old when the first television came to our house. | 0:04:04 | 0:04:06 | |
So what did you do before you had a telly? | 0:04:06 | 0:04:08 | |
-Did you ever see any television? -No. We... | 0:04:08 | 0:04:11 | |
Well, for about six months, I think, before we got ours, | 0:04:11 | 0:04:14 | |
there were some friends who had a television, so we'd all go to theirs. | 0:04:14 | 0:04:17 | |
I mean, five families go around... | 0:04:17 | 0:04:19 | |
-Imagine if you're... You're probably watching a screen that big. -Yeah. | 0:04:19 | 0:04:23 | |
-In a box like this. -That's right, yeah. -Built like a bungalow. | 0:04:23 | 0:04:28 | |
Do you remember what it was like getting your first telly? | 0:04:28 | 0:04:31 | |
Yeah, absolutely, yeah. | 0:04:31 | 0:04:33 | |
You know, my parents told me we were going to get a television. | 0:04:33 | 0:04:36 | |
And I think it was a Friday night, we came home from school... | 0:04:36 | 0:04:39 | |
Well, we ran home from school, excited, because the television | 0:04:39 | 0:04:42 | |
was going to be there. And my dad, who worked shifts, | 0:04:42 | 0:04:44 | |
he was sitting, watching cricket. | 0:04:44 | 0:04:46 | |
I distinctly remember walking in and seeing that television, | 0:04:46 | 0:04:49 | |
and we had to sit down. | 0:04:49 | 0:04:50 | |
"It's only cricket, can we watch something else?" | 0:04:50 | 0:04:52 | |
No, he was just watching the cricket, and that was it. | 0:04:52 | 0:04:54 | |
-Here is a bit of cricket. -A bit of cricket, yeah. | 0:04:54 | 0:04:58 | |
-That's the same... That is exactly the same cricket match. -No! | 0:04:58 | 0:05:02 | |
-THEY LAUGH -Are we that good? | 0:05:02 | 0:05:04 | |
Of all the amazing things that could've been on, | 0:05:04 | 0:05:07 | |
-it was the cricket. -That was it, yeah. | 0:05:07 | 0:05:09 | |
So the first thing Duncan Bannatyne ever saw on his own TV | 0:05:09 | 0:05:13 | |
in one of the tougher parts of the west of Scotland was a game | 0:05:13 | 0:05:17 | |
mostly played by Englishmen on southern village greens. | 0:05:17 | 0:05:22 | |
So your first TV moment, you have chosen a show - Take Your Pick. | 0:05:22 | 0:05:28 | |
Take Your Pick, yeah. Great programme. Yeah, loved it. | 0:05:28 | 0:05:30 | |
-Shall we have a little look? -Absolutely, yeah. -All right, Duncan. | 0:05:30 | 0:05:33 | |
Here we go. Have a little look at Take Your Pick. | 0:05:33 | 0:05:35 | |
'It's time to meet this evening's competitors as they come...' | 0:05:35 | 0:05:38 | |
Take Your Pick. Does it take you back? | 0:05:38 | 0:05:40 | |
-It certainly does! -Yeah. -Yeah. | 0:05:40 | 0:05:43 | |
So let's meet our first contestant. | 0:05:43 | 0:05:45 | |
Take your pick was one of the first shows | 0:05:45 | 0:05:48 | |
screened by ITV when it launched in 1955. | 0:05:48 | 0:05:52 | |
Its addictive combination of quick fire yes/no game and thrilling | 0:05:53 | 0:05:58 | |
mystery box round set the template for many game shows to follow. | 0:05:58 | 0:06:03 | |
And it became an immediate ratings hit. | 0:06:03 | 0:06:06 | |
Keep your face up a wee bit, dear. | 0:06:06 | 0:06:08 | |
So she's not allowed to say yes or no. | 0:06:08 | 0:06:10 | |
That's right. If she does, she doesn't get to play the game, | 0:06:10 | 0:06:13 | |
so she can't win a prize. | 0:06:13 | 0:06:14 | |
I mean, it's such a simple concept. | 0:06:14 | 0:06:17 | |
-Yeah. -But, you know, so effective, isn't it? | 0:06:17 | 0:06:20 | |
Tell me this, whereabouts do you come from? | 0:06:20 | 0:06:22 | |
What's your favourite colour? | 0:06:22 | 0:06:24 | |
Red, blue, borstal. | 0:06:24 | 0:06:25 | |
Borstal? Where did borstal come in? "Red, blue, borstal." | 0:06:25 | 0:06:31 | |
-Your husband is in borstal? -He is... No. | 0:06:31 | 0:06:33 | |
GONG | 0:06:33 | 0:06:35 | |
THEY LAUGH | 0:06:35 | 0:06:39 | |
That is good. | 0:06:39 | 0:06:40 | |
Who's the guy with the gong? Do know who he is? | 0:06:40 | 0:06:42 | |
Nobody knows his name. | 0:06:42 | 0:06:43 | |
-Just this mystery man who just turned up. -Just Mr Gonger. | 0:06:43 | 0:06:48 | |
And the next one. A nice welcome, please. | 0:06:48 | 0:06:50 | |
But I think it was interesting, Michael Miles, no-nonsense | 0:06:50 | 0:06:53 | |
in his presenting. Here she comes, she is going to be good, | 0:06:53 | 0:06:55 | |
this one. | 0:06:55 | 0:06:57 | |
-You were looking a bit cagey when you came in there, weren't you? -Yes. | 0:06:58 | 0:07:01 | |
GONG | 0:07:01 | 0:07:03 | |
THEY LAUGH | 0:07:03 | 0:07:05 | |
They should bring it back! | 0:07:05 | 0:07:07 | |
I mean, it's so simple, but it is difficult. | 0:07:07 | 0:07:10 | |
It's amazing how difficult it is not to say yes or no. | 0:07:10 | 0:07:12 | |
-Yeah. -Yeah. -Do you fancy your chances? Go on, then. | 0:07:12 | 0:07:17 | |
-Really? -Yeah. -All right. -If I must. | 0:07:17 | 0:07:19 | |
Duncan Bannatyne to the test, ladies and gentlemen, | 0:07:19 | 0:07:22 | |
with our very own version of the yes/no game | 0:07:22 | 0:07:26 | |
from Take Your Pick. | 0:07:26 | 0:07:27 | |
We're going to put 30 seconds on the clock. | 0:07:27 | 0:07:29 | |
You've got 30 seconds. Time starts now. Are you from Glasgow? | 0:07:29 | 0:07:33 | |
I am, yes. GONG | 0:07:33 | 0:07:35 | |
THEY LAUGH | 0:07:35 | 0:07:40 | |
-Can we do that again? -I'll do it again. | 0:07:45 | 0:07:47 | |
We're going to put another 30 seconds on the clock, | 0:07:47 | 0:07:50 | |
ladies and gentlemen. | 0:07:50 | 0:07:51 | |
Duncan's second go. | 0:07:51 | 0:07:53 | |
-So, Duncan, are you from Glasgow? -I am from Glasgow. -OK. | 0:07:53 | 0:07:57 | |
If you make it to 30 seconds, will you buy me a drink? | 0:07:57 | 0:08:01 | |
-I will buy you a drink if I make it. -God bless you. | 0:08:01 | 0:08:03 | |
What letter comes after R? | 0:08:03 | 0:08:05 | |
What letter comes after R? I think it's an S. | 0:08:05 | 0:08:08 | |
-Did you say yes? -No, I said... GONG | 0:08:08 | 0:08:11 | |
Yeah! | 0:08:11 | 0:08:12 | |
That was... You were so rubbish. | 0:08:18 | 0:08:21 | |
I'm terrible! | 0:08:21 | 0:08:22 | |
Duncan, I want to talk about your dad's choice now, you know, | 0:08:29 | 0:08:32 | |
something he used to love. | 0:08:32 | 0:08:33 | |
I mean, he loved the cricket. | 0:08:33 | 0:08:35 | |
Yeah. One thing he really enjoyed... | 0:08:35 | 0:08:39 | |
Because he was in the Army, the Scottish Highlanders, | 0:08:39 | 0:08:44 | |
-and they were based in Edinburgh Castle. -Yeah. | 0:08:44 | 0:08:46 | |
So every year, you had the Edinburgh Tattoo. | 0:08:46 | 0:08:48 | |
-I don't know if you remember that, do you? -Oh, no, I do! | 0:08:48 | 0:08:51 | |
And I'll tell you why, my dad used to work for the BBC | 0:08:51 | 0:08:53 | |
and he used to be a rigger's supervisor. So he would go... | 0:08:53 | 0:08:57 | |
I, even at a young age, went up there and saw it. | 0:08:57 | 0:08:59 | |
-I mean, it was a huge thing for Edinburgh as well. -Yeah. | 0:08:59 | 0:09:03 | |
-Shall we have a little look? -Yeah. | 0:09:03 | 0:09:05 | |
Here we go, let's have a little look. Here it is. | 0:09:05 | 0:09:07 | |
The Edinburgh Military Tattoo of 1962. | 0:09:07 | 0:09:11 | |
CROWD CHEERS | 0:09:11 | 0:09:14 | |
The Military Tattoo | 0:09:21 | 0:09:22 | |
has been an annual event since 1952, | 0:09:22 | 0:09:25 | |
and it remains a poignant reminder and a rousing | 0:09:25 | 0:09:28 | |
celebration of the achievements of the Commonwealth's armed forces. | 0:09:28 | 0:09:33 | |
Today, it's estimated that 100 million watch it on telly | 0:09:33 | 0:09:37 | |
in the dozens of countries that screen it around the world. | 0:09:37 | 0:09:42 | |
These military bandsmen, 200 altogether, | 0:09:42 | 0:09:45 | |
are drawn from the Royal Marines and Parachute Regiment. | 0:09:45 | 0:09:48 | |
Would you remember watching this on the telly with your dad? | 0:09:48 | 0:09:52 | |
Yeah, I did. We'd sit and watch it with him. | 0:09:52 | 0:09:54 | |
I mean, we'd get bored by the end of the programme | 0:09:54 | 0:09:56 | |
because it was quite a long programme, I think, | 0:09:56 | 0:09:59 | |
and there was a lot of this in it. | 0:09:59 | 0:10:01 | |
So your father, I mean, this was a big thing for him. | 0:10:07 | 0:10:10 | |
Big thing for him, yeah. | 0:10:10 | 0:10:12 | |
Because he was part of that, you know, | 0:10:12 | 0:10:13 | |
when he was in the war, before the war. | 0:10:13 | 0:10:16 | |
So he was in the war, your dad? | 0:10:16 | 0:10:18 | |
Do you know, he never actually got to the war. | 0:10:18 | 0:10:20 | |
No, he got on a ship, and the ship was sunk. | 0:10:20 | 0:10:24 | |
-And he was taken prisoner to a Far East prisoner of war camp. -Right. | 0:10:24 | 0:10:28 | |
And he spent five years as a prisoner of war. | 0:10:28 | 0:10:31 | |
Of course, at the end of the war, he was one of the... | 0:10:31 | 0:10:33 | |
The Americans opened the prison camps and the prisoners in there | 0:10:33 | 0:10:38 | |
were like five or six stone, the walking dead, he was one of them. | 0:10:38 | 0:10:41 | |
-Really? -Yeah. | 0:10:41 | 0:10:42 | |
So did he talk about his experiences being in a prisoner of war camp? | 0:10:42 | 0:10:48 | |
Very, very seldom. Normally, he wouldn't. | 0:10:48 | 0:10:51 | |
But there was a couple of things... We were having a drink together | 0:10:51 | 0:10:54 | |
and he talked about them then. | 0:10:54 | 0:10:56 | |
So when he came out, what he decided in his head was, | 0:10:56 | 0:11:01 | |
he was going to get fit and he was going to find a woman, | 0:11:01 | 0:11:04 | |
he was going to fall in love, he was going to get married | 0:11:04 | 0:11:06 | |
and he was going to have a family. | 0:11:06 | 0:11:08 | |
And he did over the next few years. You know, very successfully. | 0:11:08 | 0:11:11 | |
-Are you very proud of your dad? -Oh, yes, absolutely, yeah. Yeah. | 0:11:11 | 0:11:15 | |
I think I got my father's determination. | 0:11:15 | 0:11:17 | |
He was determined to build a family up and do that after... | 0:11:17 | 0:11:21 | |
after the war. And so I think I've always been determined | 0:11:21 | 0:11:24 | |
when I focus and when I'm going to do something, I'm going to do it. | 0:11:24 | 0:11:27 | |
Now, we haven't spoken about your mum much, but we are going to. | 0:11:33 | 0:11:35 | |
-Your mum's choice now, what do you think that is? -Coronation Street. | 0:11:35 | 0:11:38 | |
-It's got to be. -Yeah. | 0:11:38 | 0:11:39 | |
Now, has she bestowed this love of Corrie onto her son? | 0:11:39 | 0:11:45 | |
I watch it a bit, but I was with my mother | 0:11:45 | 0:11:49 | |
when we watched the very first episode. | 0:11:49 | 0:11:51 | |
We've got that. This is the very first episode of Coronation Street. | 0:11:51 | 0:11:56 | |
You wouldn't say that if you saw the residential part. | 0:11:56 | 0:11:59 | |
It's the last word! And another thing, the property is... | 0:11:59 | 0:12:02 | |
Broadcast in December 1960, | 0:12:02 | 0:12:05 | |
the first episode of Corrie | 0:12:05 | 0:12:06 | |
was about the new owners of a corner shop - | 0:12:06 | 0:12:09 | |
a lady called Elsie Tanner, | 0:12:09 | 0:12:11 | |
who is thinking money has gone missing from her purse, and a | 0:12:11 | 0:12:15 | |
boy called Ken Barlow, who secretly dreams of going to university. | 0:12:15 | 0:12:19 | |
The rest, as they say, is TV history. | 0:12:19 | 0:12:23 | |
Now go and put the kettle on. You'll be all right on your own. | 0:12:23 | 0:12:26 | |
They won't eat you, you know. | 0:12:26 | 0:12:27 | |
So why do you think your mum enjoyed it so much? | 0:12:27 | 0:12:30 | |
I think it was just sort of true life, wasn't it? You know. | 0:12:30 | 0:12:35 | |
-Ena Sharples comes in and... -Oh, Ena Sharples! | 0:12:35 | 0:12:38 | |
-Yeah, she was a great character. -Yeah, yeah. Oh, here she comes. | 0:12:38 | 0:12:42 | |
You remember! You haven't seen this for... But you remembered | 0:12:42 | 0:12:45 | |
-Ena Sharples was coming in. -She comes in, yeah. | 0:12:45 | 0:12:48 | |
-I'm Mrs Sharples. -I'm very pleased to meet you. -I'm a neighbour. | 0:12:48 | 0:12:51 | |
-IMITATES HER: -I'm a neighbour. | 0:12:51 | 0:12:52 | |
Esmeralda Street, eh? Very bay window down there, aren't they? | 0:12:52 | 0:12:55 | |
THEY IMITATE HER | 0:12:55 | 0:12:58 | |
-You come across a Mrs Tanner yet? -I can't say I have. -You will. | 0:12:58 | 0:13:02 | |
You ought to watch her, she's a bad 'un. | 0:13:02 | 0:13:04 | |
Oh, while I think on, you owe me an egg. | 0:13:04 | 0:13:06 | |
Do you think if I put you to the test now, you could maybe answer | 0:13:06 | 0:13:09 | |
some questions about characters on Coronation Street? | 0:13:09 | 0:13:12 | |
I've got a terrible, terrible, terrible memory | 0:13:12 | 0:13:15 | |
-so probably not, but I'll have a go. -Well, tough! | 0:13:15 | 0:13:17 | |
Hard luck, we're going to have a go. | 0:13:17 | 0:13:19 | |
Can we just play yes or no again? | 0:13:19 | 0:13:21 | |
Don't give me this about a bad memory, | 0:13:21 | 0:13:23 | |
you remembered that Elsie Tanner was going to walk through | 0:13:23 | 0:13:26 | |
the door, and you haven't seen it for 50 years. | 0:13:26 | 0:13:28 | |
Well, there's short memory and long memory. It's two different things. | 0:13:28 | 0:13:31 | |
So, Duncan, let's test your love of vintage Coronation Street | 0:13:31 | 0:13:35 | |
characters with a little game we like to call Who Am I, Chuck? | 0:13:35 | 0:13:39 | |
Can we test out your buzzer, please? | 0:13:39 | 0:13:41 | |
Can you give me a buzzer? | 0:13:41 | 0:13:43 | |
-You want me to buzz? -Yeah. | 0:13:43 | 0:13:44 | |
-Buzz! -Good, I'm happy with that. | 0:13:44 | 0:13:46 | |
We couldn't afford a buzzer, | 0:13:46 | 0:13:48 | |
but buzz in whenever you know the answer. | 0:13:48 | 0:13:51 | |
Here it is. Here's the first one. Who am I, Chuck? | 0:13:51 | 0:13:54 | |
"I was born in Weatherfield in 1899 with the maiden name of Schofield." | 0:13:54 | 0:13:59 | |
Phillip Schofield. No. | 0:14:01 | 0:14:04 | |
-Duncan... -Oh, buzz! | 0:14:04 | 0:14:06 | |
No, you didn't buzz in. | 0:14:06 | 0:14:08 | |
Remember, Coronation Street character. | 0:14:08 | 0:14:11 | |
"I was once fined 40 shillings for stealing from a supermarket." | 0:14:11 | 0:14:16 | |
-Oh, my goodness. -"My favourite tipple was milk stout." | 0:14:16 | 0:14:20 | |
-Here's your next one... -Buzz! | 0:14:20 | 0:14:22 | |
-Ena Sharples? -Ena Sharples, absolutely correct. | 0:14:22 | 0:14:25 | |
She was fined for stealing? | 0:14:25 | 0:14:27 | |
-Yeah, 40 shillings. -Oh, I didn't know that. | 0:14:27 | 0:14:29 | |
-A lot of money in those days. -Wow. -"My maiden name is Grimshaw. | 0:14:29 | 0:14:34 | |
"In my time living on Coronation Street, I was a shop assistant, | 0:14:34 | 0:14:38 | |
"factory supervisor, cafe manager and a barmaid. | 0:14:38 | 0:14:42 | |
-"I was known..." -Buzz! Elsie Tanner. | 0:14:42 | 0:14:44 | |
Absolutely. Good. Very good. Spot on there, well done. | 0:14:44 | 0:14:48 | |
Here's your final one. | 0:14:48 | 0:14:50 | |
-See, you did watch Coronation Street. -Yeah. | 0:14:50 | 0:14:52 | |
"My maiden name was Hunt. | 0:14:52 | 0:14:55 | |
"I arrived on Coronation Street as a flirty receptionist | 0:14:55 | 0:14:59 | |
"and became a local government official. | 0:14:59 | 0:15:01 | |
-"I have been married four times to three different men..." -Buzz! | 0:15:01 | 0:15:04 | |
God, what's her name, with the big glasses. Buzz! Deirdre Barlow. | 0:15:04 | 0:15:08 | |
Three out of three, well done! | 0:15:08 | 0:15:10 | |
Well done indeed. | 0:15:10 | 0:15:13 | |
-The late great Anne Kirkbride, do you remember? -Yeah. | 0:15:13 | 0:15:16 | |
-Absolutely, yeah. Fantastic actress. -I think, Duncan, | 0:15:16 | 0:15:20 | |
-we have outed you as a secret Coronation Street viewer. -Yeah. | 0:15:20 | 0:15:25 | |
So which of our favourite female soap stars | 0:15:25 | 0:15:27 | |
pulled in the most viewers? | 0:15:27 | 0:15:29 | |
At four, from the much missed Brookside, | 0:15:31 | 0:15:33 | |
it's Anna Friel's Beth, | 0:15:33 | 0:15:35 | |
whose lesbian kiss got the show its highest ever audience | 0:15:35 | 0:15:39 | |
of seven million in 1995. | 0:15:39 | 0:15:42 | |
At three, the return of Claire King's character, Kim Tate, | 0:15:43 | 0:15:47 | |
gave her on-screen husband, Frank, | 0:15:47 | 0:15:50 | |
a fatal heart attack as the ratings | 0:15:50 | 0:15:52 | |
rushed to 13 million for Emmerdale. | 0:15:52 | 0:15:55 | |
At two, when Jean Alexander's Hilda Ogden bowed out of Corrie, | 0:15:58 | 0:16:03 | |
28.5 million people tuned in | 0:16:03 | 0:16:07 | |
to wish her their best. | 0:16:07 | 0:16:09 | |
But at one, Hilda's pipped to the post by Angie Watts. | 0:16:12 | 0:16:16 | |
When Anita Dobson's character was served divorce papers | 0:16:16 | 0:16:19 | |
by that no good husband Den on Christmas Day, 1986, | 0:16:19 | 0:16:25 | |
an audience of 30 million tuned in. | 0:16:25 | 0:16:29 | |
So, what did you think that tough upbringing gave to you? | 0:16:29 | 0:16:34 | |
It gave me just the feeling that I wanted to do things different, | 0:16:34 | 0:16:38 | |
I wanted to get out of that. | 0:16:38 | 0:16:39 | |
I wanted to see the world, that's why I joined the Royal Navy. | 0:16:39 | 0:16:42 | |
I wanted to do lots of different things. | 0:16:42 | 0:16:44 | |
-Yeah? So you were in the Navy for how long? -Five years. | 0:16:44 | 0:16:47 | |
-I was 15 when I joined, 20 when I came out. -You were 15! | 0:16:47 | 0:16:50 | |
You could join at that...? | 0:16:50 | 0:16:51 | |
-It was the last year that you could leave school at 15. -Oh, right. | 0:16:51 | 0:16:54 | |
So what did you see? What parts of the world did you see? | 0:16:54 | 0:16:58 | |
We circumnavigated the world, we went round it. | 0:16:58 | 0:17:01 | |
We were in the Keys in Florida, | 0:17:01 | 0:17:04 | |
we went round South Africa, Singapore, Australia... | 0:17:04 | 0:17:08 | |
Do you feel that you grew up in that time, those five years? | 0:17:08 | 0:17:11 | |
-Yeah, I did, yeah. It was amazing, yeah. I saw a lot of things. -Yeah. | 0:17:11 | 0:17:15 | |
-Saw different worlds. -So why did you leave the Navy? | 0:17:15 | 0:17:19 | |
HE CACKLES | 0:17:19 | 0:17:21 | |
-What? -Well, I was court-martialled. -Oh, really? | 0:17:21 | 0:17:24 | |
-Dishonourably discharged. -Oh, really? | 0:17:24 | 0:17:26 | |
And sentenced to nine months' detention | 0:17:26 | 0:17:28 | |
-at Colchester Detention Barracks. -Really, what for? | 0:17:28 | 0:17:31 | |
Showing violence to a superior officer. | 0:17:31 | 0:17:33 | |
Showing violence to a superior officer. | 0:17:33 | 0:17:35 | |
I lifted him off the gangway and tried to throw him | 0:17:35 | 0:17:37 | |
-off the side of an aircraft carrier. -Where do you move from there? | 0:17:37 | 0:17:40 | |
Well, I moved back into my parents' house | 0:17:40 | 0:17:43 | |
when I was 20 and I had to go and sign on as unemployed. | 0:17:43 | 0:17:46 | |
I had no qualifications, no education, really, | 0:17:46 | 0:17:49 | |
and no references. | 0:17:49 | 0:17:50 | |
A lot of people would give up, but it's obvious you didn't. | 0:17:53 | 0:17:55 | |
Yeah, well, I went one day to sign | 0:17:55 | 0:17:57 | |
and get my unemployment benefit and they said there's a new | 0:17:57 | 0:18:00 | |
initiative the Government had started where you can retrain. | 0:18:00 | 0:18:04 | |
And I looked at the options and I thought, "Wow, this is great. | 0:18:04 | 0:18:07 | |
-"Repairing typewriters." -No! -Yeah! | 0:18:07 | 0:18:11 | |
I wanted to be a typewriter repairman cos I thought | 0:18:11 | 0:18:14 | |
I'd be in an air-conditioned office all the time, | 0:18:14 | 0:18:17 | |
surrounded by secretaries. | 0:18:17 | 0:18:18 | |
-What's wrong with that? -Sounds good. | 0:18:18 | 0:18:21 | |
You had to tick a second one | 0:18:21 | 0:18:24 | |
so I ticked agricultural vehicle fitter and welder, for some reason. | 0:18:24 | 0:18:28 | |
I ticked that and I went back to the dole office and they said, | 0:18:28 | 0:18:31 | |
"There's no typewriter repairman vacancies any more, so you're going | 0:18:31 | 0:18:35 | |
"to train as an agricultural vehicle fitter and welder." | 0:18:35 | 0:18:37 | |
That's a mouthful. | 0:18:37 | 0:18:39 | |
You need an O-level just to say that. | 0:18:39 | 0:18:42 | |
Yeah, but I passed as an agricultural vehicle fitter and welder. | 0:18:42 | 0:18:45 | |
And I've still got that to fall back on if things go wrong. | 0:18:45 | 0:18:47 | |
-You know what I mean? Yeah. -So what did you learn as an agri... | 0:18:47 | 0:18:50 | |
HE MUMBLES | 0:18:50 | 0:18:52 | |
Well, I learned how to say "agricultural vehicle fitter and welder"! | 0:18:54 | 0:18:57 | |
Comedy hero? | 0:19:04 | 0:19:05 | |
-Leonard Rossiter. -Yeah. | 0:19:05 | 0:19:07 | |
So let's have a little look, shall we? | 0:19:07 | 0:19:09 | |
This is what makes Duncan laugh. | 0:19:09 | 0:19:11 | |
Leonard Rossiter's performance | 0:19:11 | 0:19:13 | |
is so good that we almost forget that Reginald Iolanthe Perrin | 0:19:13 | 0:19:18 | |
is a man who has had a complete nervous breakdown | 0:19:18 | 0:19:22 | |
and faked his own death. | 0:19:22 | 0:19:24 | |
But it's this tragic basis | 0:19:24 | 0:19:25 | |
of the story that allows Rossiter to deliver such a classic act. | 0:19:25 | 0:19:29 | |
..We will be selling our usual full range of utterly useless rubbish - | 0:19:29 | 0:19:32 | |
square hoops, square footballs, | 0:19:32 | 0:19:34 | |
cruet sets with no holes, | 0:19:34 | 0:19:36 | |
blank books, fattening foods... | 0:19:36 | 0:19:39 | |
Got to get a round of applause for this... | 0:19:39 | 0:19:42 | |
..We will be introducing three new silent LPs - | 0:19:42 | 0:19:44 | |
We Aren't The Champions, You'll Always Walk Alone | 0:19:44 | 0:19:47 | |
and Songs From A Trappist Monastery. | 0:19:47 | 0:19:49 | |
-That is amazing. He's such a funny guy. -Yeah. | 0:19:49 | 0:19:52 | |
People thought he was actually based on John Stonehouse. | 0:19:52 | 0:19:54 | |
-Yeah. -You know, the MP. -That's right. -Do you believe that theory? | 0:19:54 | 0:19:59 | |
Yes, I think so, yeah. There was a bit of it. | 0:19:59 | 0:20:02 | |
Cos what was the story? | 0:20:02 | 0:20:04 | |
Well, John Stonehouse had done something similar, he'd, er... | 0:20:04 | 0:20:07 | |
I think he was an MP, and he took his clothes off on a beach | 0:20:07 | 0:20:10 | |
and disappeared. And he actually appeared somewhere else. | 0:20:10 | 0:20:14 | |
-So he tried to fake his own death? -Yeah. | 0:20:14 | 0:20:17 | |
There will also be an exciting new range of useless car stickers, | 0:20:17 | 0:20:20 | |
like "We've been to the shop that sells car stickers", | 0:20:20 | 0:20:22 | |
"We haven't been anywhere" and "This sticker doesn't stick". | 0:20:22 | 0:20:26 | |
And you don't want to hear me waffling away all day... | 0:20:26 | 0:20:28 | |
Did you like it because he was a businessman? | 0:20:28 | 0:20:31 | |
There was a bit of that, yeah, but it was just, the whole thing was funny, everything he did was funny. | 0:20:31 | 0:20:36 | |
You know, I mean, he opens the shop and says, | 0:20:36 | 0:20:38 | |
"We're selling complete and utter rubbish." You know? The whole scenario. | 0:20:38 | 0:20:42 | |
-The scriptwriters must have been so great as well in those days. -Yeah. | 0:20:42 | 0:20:45 | |
I mean, scripts like that | 0:20:45 | 0:20:48 | |
and other really iconic programmes, | 0:20:48 | 0:20:51 | |
like Only Fools And Horses, they had such fantastic writers all the time. | 0:20:51 | 0:20:55 | |
Mm-hm. | 0:20:55 | 0:20:56 | |
I want to move on to what you consider your, | 0:20:56 | 0:20:59 | |
you know, pivotal moment, | 0:20:59 | 0:21:02 | |
your epiphany, your moment where you went, | 0:21:02 | 0:21:05 | |
"Actually...this is what I can do." | 0:21:05 | 0:21:08 | |
Or "This is where I can make my millions." | 0:21:08 | 0:21:10 | |
Yeah. Well, I ended up when I was 25 living in the Channel Islands, in Jersey, | 0:21:10 | 0:21:16 | |
and I used to rent out deckchairs - which is great, you're meeting people all the time - | 0:21:16 | 0:21:20 | |
-and sold a bit of ice cream so I was a bit of a beach bum, really. -Mm-hm. | 0:21:20 | 0:21:26 | |
And I was 29, I met my first wife, | 0:21:26 | 0:21:28 | |
and we decided we were going to | 0:21:28 | 0:21:31 | |
start a life together, have children, so we needed money, | 0:21:31 | 0:21:34 | |
a decent job and things. So we came back to England. | 0:21:34 | 0:21:37 | |
29 years old, I opened my first bank account when I was 29, | 0:21:37 | 0:21:40 | |
and we started saving up to buy a house. | 0:21:40 | 0:21:43 | |
And then I was working at a bakery, working shifts, | 0:21:43 | 0:21:46 | |
and I decided to buy an ice cream van and start selling ice cream. | 0:21:46 | 0:21:51 | |
So at the weekend I went and sold ice cream, | 0:21:51 | 0:21:54 | |
and I did so well, I went to work and gave a week's notice. | 0:21:54 | 0:21:57 | |
Within about a year I had about four or five ice cream vans, | 0:21:57 | 0:21:59 | |
and that was it, five years I spent just selling ice cream. | 0:21:59 | 0:22:01 | |
I realised then that I loved business, I loved the concept of business. | 0:22:01 | 0:22:05 | |
-Yeah. -And adding up the percentages | 0:22:05 | 0:22:07 | |
-and where you could buy the best stock and sell the best stock and things like that. -Yeah. | 0:22:07 | 0:22:11 | |
-And that's how I really became involved in business. -Yeah. | 0:22:11 | 0:22:14 | |
From the ice cream business, I went into the nursing home business, looking after elderly, | 0:22:14 | 0:22:19 | |
and I sold that business and I didn't know what I was going to do. | 0:22:19 | 0:22:22 | |
But I went skiing, and I snapped the ligaments in my leg here, | 0:22:22 | 0:22:25 | |
so the leg goes like that, goes all floppy. | 0:22:25 | 0:22:28 | |
And so by the time they flew me back, did the operation, | 0:22:28 | 0:22:32 | |
it was about six months' recovery period on my leg - | 0:22:32 | 0:22:34 | |
I had to go and find a gym | 0:22:34 | 0:22:36 | |
with a machine where you could put your leg in it, and you build up your leg like that to strengthen it. | 0:22:36 | 0:22:42 | |
And I was sitting in the gym doing that, | 0:22:42 | 0:22:44 | |
and as I was sitting there I'm counting the tiles on the ceiling | 0:22:44 | 0:22:47 | |
so I knew how big this place was, | 0:22:47 | 0:22:49 | |
-so I knew what it would cost to build it. -Yeah. | 0:22:49 | 0:22:51 | |
I knew what the fees were, cos I was paying them... | 0:22:51 | 0:22:53 | |
I knew how many members they had cos they were telling me so I'm calculating, | 0:22:53 | 0:22:57 | |
"God, you could get about a 35% return on this." | 0:22:57 | 0:23:01 | |
-Well, you're there with your leg... -Yeah! | 0:23:01 | 0:23:03 | |
"35% return on this..." | 0:23:03 | 0:23:07 | |
-That's exactly it, yeah! -Yeah. | 0:23:07 | 0:23:09 | |
-And so you moved into that. -Yeah. | 0:23:09 | 0:23:12 | |
-That was it. -You've certainly come a long way from that, though. My God. It just snowballed. -Yeah. | 0:23:12 | 0:23:17 | |
I don't know how it happened! | 0:23:17 | 0:23:18 | |
-Because you haven't got a stop button, surely. -Yeah. | 0:23:18 | 0:23:21 | |
Well, I enjoy it, because... | 0:23:21 | 0:23:23 | |
I always say to people who want to go into business, | 0:23:23 | 0:23:26 | |
if you don't enjoy it, don't do it. | 0:23:26 | 0:23:27 | |
-Yeah. -You've got to really enjoy it and live it. | 0:23:27 | 0:23:30 | |
So, I want to look at the moment when we first saw | 0:23:36 | 0:23:40 | |
the young - well, YOUNGER, let's say - | 0:23:40 | 0:23:43 | |
Duncan Bannatyne... | 0:23:43 | 0:23:45 | |
..on Dragons' Den. | 0:23:45 | 0:23:47 | |
Looking for £150,000. | 0:23:47 | 0:23:49 | |
This is the first series. | 0:23:49 | 0:23:50 | |
When we first started out with the venture, the business... | 0:23:50 | 0:23:53 | |
I can't do it. I'm going to start again. I'm going to compose myself. | 0:23:55 | 0:23:58 | |
We're today here looking for £150,000. | 0:23:58 | 0:24:01 | |
We'll be selling out the business in three to five years. | 0:24:01 | 0:24:04 | |
-What kind of price? -It's going to be in the order of about 600 million. | 0:24:04 | 0:24:08 | |
Oooh, you don't look happy, Duncan! | 0:24:09 | 0:24:11 | |
That would be nice, if it was possible. I don't think it is. That's a bit... | 0:24:11 | 0:24:14 | |
DUNCAN LAUGHS | 0:24:14 | 0:24:16 | |
That's what our figures are showing us. | 0:24:16 | 0:24:18 | |
That's based on unit sales of five million in the world market. | 0:24:18 | 0:24:22 | |
I'd be willing to invest 50,000 for 5%. | 0:24:22 | 0:24:24 | |
-I remember that. Saying that. -Do you? | 0:24:24 | 0:24:26 | |
Can we confer quietly? | 0:24:26 | 0:24:27 | |
Confer quietly or loudly, whatever you like. | 0:24:27 | 0:24:30 | |
They start arguing with each other now. | 0:24:30 | 0:24:32 | |
No, we might as well carry on going down the road we're going. | 0:24:32 | 0:24:35 | |
-Sorry, but I mean... -OK, then. | 0:24:35 | 0:24:37 | |
We have had the examiners' reports saying it IS possible. | 0:24:37 | 0:24:40 | |
When you run out of money, give me a ring. | 0:24:40 | 0:24:42 | |
So, how did you get the job on Dragons' Den? How did that come about? | 0:24:42 | 0:24:46 | |
What they decided with Dragons' Den... | 0:24:46 | 0:24:48 | |
There was a lot of big people like Richard Branson, | 0:24:48 | 0:24:52 | |
and the guy who owns easyJet, things like that, they couldn't do it. | 0:24:52 | 0:24:55 | |
So they decided to get five unknown people, and that's what they did. | 0:24:55 | 0:24:59 | |
So they approached me. | 0:24:59 | 0:25:00 | |
So I went down and met Peter Jones, | 0:25:00 | 0:25:03 | |
Doug Richard and the other two, | 0:25:03 | 0:25:06 | |
-and we sat there, we'd a little run through and it just felt pretty good. -Yeah. | 0:25:06 | 0:25:11 | |
So how much has Dragons' Den impacted YOUR life? | 0:25:11 | 0:25:16 | |
Well, I quit Dragons' Den last year because I've done 12 years. | 0:25:16 | 0:25:20 | |
It was a great 12 years, it was great fun, | 0:25:20 | 0:25:22 | |
but it was starting to define my life. | 0:25:22 | 0:25:24 | |
And I didn't want my life to be defined by Dragons' Den. | 0:25:24 | 0:25:27 | |
-Yeah. -And so I'm not doing it any more. | 0:25:27 | 0:25:29 | |
But, yeah, it's changed it quite substantially because, | 0:25:29 | 0:25:31 | |
you know, I meet people that I would never have met before. | 0:25:31 | 0:25:36 | |
So what's the worst pitch you have ever seen on there? | 0:25:36 | 0:25:39 | |
There was the cucumber cover. | 0:25:39 | 0:25:41 | |
Cucumbers get dried at the end, | 0:25:41 | 0:25:44 | |
so you put it in this, like, a condom | 0:25:44 | 0:25:46 | |
and it saves it going dry. | 0:25:46 | 0:25:48 | |
-Someone pitched that to you lot? -Yeah. | 0:25:48 | 0:25:51 | |
I mean, how did you keep a straight face? | 0:25:51 | 0:25:53 | |
I don't think we did. And then there was this other guy, | 0:25:53 | 0:25:56 | |
and he was a Scotsman as well, and it was a single glove. | 0:25:56 | 0:25:59 | |
-For people with one arm? -No! | 0:25:59 | 0:26:01 | |
He said... And I can understand this problem | 0:26:01 | 0:26:04 | |
cos I've been involved in it. | 0:26:04 | 0:26:06 | |
He said when he drove... He drove regular on the Continent. | 0:26:06 | 0:26:10 | |
So he drove over to the Continent, | 0:26:10 | 0:26:11 | |
and he forgot to drive on the right-hand side of the road, | 0:26:11 | 0:26:14 | |
so he had a car accident. A lot of people do. | 0:26:14 | 0:26:17 | |
So what he did is he had a glove, so he wore the glove to remind him | 0:26:17 | 0:26:20 | |
to drive on the right-hand side of the road. | 0:26:20 | 0:26:23 | |
-And I said, "Well..." -That's a glove! | 0:26:23 | 0:26:26 | |
"..when you come back, don't you forget to drive on the left-hand side?" | 0:26:26 | 0:26:31 | |
He said, "Yes, so I've put two gloves in - a left one and a right one." | 0:26:31 | 0:26:34 | |
He invented a pair of gloves! | 0:26:34 | 0:26:36 | |
And he's trying to sell them at car ferries. A single glove. | 0:26:36 | 0:26:40 | |
So what next for Duncan Bannatyne? | 0:26:40 | 0:26:42 | |
I don't know, really. I... | 0:26:42 | 0:26:46 | |
I'm recession-planning my company so that somebody can take it over when I'm gone. | 0:26:46 | 0:26:50 | |
For my kids. | 0:26:50 | 0:26:53 | |
And spending time with my six children and two grandchildren | 0:26:53 | 0:26:56 | |
and just really enjoying life as much as I can. | 0:26:56 | 0:26:59 | |
Have you enjoyed it today? | 0:27:04 | 0:27:06 | |
Today, yes, absolutely fantastic. | 0:27:06 | 0:27:08 | |
So what sort of stuff do you watch now? | 0:27:08 | 0:27:10 | |
You know, what relaxes you at home watching telly? | 0:27:10 | 0:27:13 | |
I love watching Coach Trip. | 0:27:13 | 0:27:15 | |
-Oh, really? -Sad as it is, yeah. | 0:27:15 | 0:27:18 | |
-Really? -Yeah. | 0:27:18 | 0:27:19 | |
That's amazing. I wouldn't put you down as a man who watches... | 0:27:19 | 0:27:23 | |
-Have you watched it? -Course I have. It's brilliant. | 0:27:23 | 0:27:26 | |
You see them all fighting at the end | 0:27:26 | 0:27:28 | |
-and stabbing each other in the back. -Yeah. | 0:27:28 | 0:27:29 | |
So you're a keen viewer of that. You watch the odd bit of Corrie... | 0:27:29 | 0:27:33 | |
-A bit of Corrie. -Duncan, I want to thank you. Have you enjoyed it? | 0:27:33 | 0:27:36 | |
I've loved it, yes. Thanks for having me. | 0:27:36 | 0:27:38 | |
Now, I give my guest | 0:27:38 | 0:27:40 | |
an opportunity to pick a theme tune now to go out with. | 0:27:40 | 0:27:42 | |
Is there any that you'd like to go out with? | 0:27:42 | 0:27:44 | |
Well, you know, one of the greatest theme tunes was a programme... | 0:27:44 | 0:27:47 | |
I don't watch it, I haven't watched it for ten years, but EastEnders. | 0:27:47 | 0:27:51 | |
-Ah. -Boom, boom, boom... | 0:27:51 | 0:27:52 | |
Now, I mean, famously in something like EastEnders, | 0:27:52 | 0:27:55 | |
they have the doof doof moment, the cliffhanger, the big moment. | 0:27:55 | 0:27:58 | |
In the style of Taggart, possibly, we need a cliffhanger. | 0:27:58 | 0:28:01 | |
I would like you in Camera 1 just to say, in your Taggart voice, | 0:28:01 | 0:28:06 | |
"There's been a murder." | 0:28:06 | 0:28:07 | |
IMITATES TAGGART: There's been a murder! | 0:28:07 | 0:28:09 | |
Hit us with those drums, Duncan! | 0:28:09 | 0:28:12 | |
DOOF DOOF | 0:28:12 | 0:28:13 | |
MUSIC: EastEnders Theme | 0:28:13 | 0:28:15 |