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Telly, that magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds, | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:10 | |
In this series, I'm going to journey through the fantastic world of TV | 0:00:10 | 0:00:14 | |
with some of our favourite celebrities. | 0:00:14 | 0:00:16 | |
They have chosen the precious TV moments that shed light... | 0:00:16 | 0:00:20 | |
-Love this! -She has beaten the panel. | 0:00:20 | 0:00:23 | |
Look at that! | 0:00:23 | 0:00:24 | |
..on the stories of their lives. | 0:00:24 | 0:00:26 | |
Go on, Champion, go on, Champion. | 0:00:26 | 0:00:29 | |
Like, oh, ugh, ew. | 0:00:29 | 0:00:30 | |
Some are funny. | 0:00:30 | 0:00:31 | |
Oh, quite amazing. Unbelievable. | 0:00:31 | 0:00:34 | |
No, no, no, Christina. | 0:00:34 | 0:00:36 | |
'Some...' Yes! Yes! | 0:00:36 | 0:00:37 | |
..are surprising. | 0:00:37 | 0:00:38 | |
Paddington Bear. | 0:00:38 | 0:00:40 | |
Some are inspiring. | 0:00:40 | 0:00:41 | |
That is what kids should be doing now. | 0:00:41 | 0:00:43 | |
Ten pence piece on a table with a bit of sticky tape. | 0:00:43 | 0:00:46 | |
Look at that, stonking. | 0:00:46 | 0:00:48 | |
And many... | 0:00:48 | 0:00:49 | |
Some turtles capsize... | 0:00:49 | 0:00:51 | |
..are deeply moving. | 0:00:51 | 0:00:53 | |
I knew that we were in the presence of history. | 0:00:53 | 0:00:57 | |
I am crying, I'm actually... I broke down in tears after that. | 0:00:57 | 0:01:01 | |
So, come watch with us as we hand-pick the vintage telly that | 0:01:01 | 0:01:05 | |
helped turn our much-loved stars into the people they are today. | 0:01:05 | 0:01:09 | |
Welcome to The TV That Made Me. | 0:01:09 | 0:01:11 | |
My guest today is one of the loveliest actors I know. | 0:01:20 | 0:01:24 | |
A star of stage and screen, | 0:01:24 | 0:01:26 | |
Lesley Joseph is best known | 0:01:26 | 0:01:28 | |
as one of Britain's most enduring sitcom characters - | 0:01:28 | 0:01:32 | |
the endearing man-eater-next-door, Dorien Green in Birds Of A Feather. | 0:01:32 | 0:01:36 | |
The TV shows that have shaped her range from Dickensian drama... | 0:01:39 | 0:01:43 | |
Don't stand there staring, boy. What's the matter? | 0:01:43 | 0:01:45 | |
Where is Mama, Peggotty? | 0:01:45 | 0:01:47 | |
..to a sassy sitcom... | 0:01:47 | 0:01:48 | |
-Look at that, look at that. -Oh, I am not doubting your strength, darling. | 0:01:48 | 0:01:52 | |
..and a presidential assassination. | 0:01:52 | 0:01:54 | |
Well, it can only be the one and only, | 0:01:54 | 0:01:56 | |
the beautiful, the hugely talented... | 0:01:56 | 0:01:59 | |
-SHE LAUGHS -Lesley Joseph. | 0:01:59 | 0:02:00 | |
Here she is, ladies and gentlemen. | 0:02:00 | 0:02:02 | |
-What is television in your life? -Do you know... | 0:02:02 | 0:02:05 | |
Television is quite an important part | 0:02:05 | 0:02:07 | |
because it is my life, to a certain extent. | 0:02:07 | 0:02:09 | |
Lesley was born in North London in 1945. | 0:02:09 | 0:02:13 | |
At the end of the Second World War, the youngest of two, | 0:02:13 | 0:02:16 | |
she grew up in Kingsthorpe in Northampton with her brother Robin, | 0:02:16 | 0:02:19 | |
mum Vicky and dad Jack. | 0:02:19 | 0:02:22 | |
Lesley's passion for performing developed at a young age | 0:02:22 | 0:02:25 | |
and her dad's love of cine film meant that she was already | 0:02:25 | 0:02:28 | |
learning to perform for the camera. | 0:02:28 | 0:02:30 | |
What was it like, being brought up in Northampton? | 0:02:31 | 0:02:35 | |
Well, you have to remember that it was just after the war so we | 0:02:35 | 0:02:38 | |
played with ration books. | 0:02:38 | 0:02:39 | |
I mean, literally. | 0:02:39 | 0:02:40 | |
We did not have any money, really. We used to play in cardboard boxes. | 0:02:40 | 0:02:43 | |
I was a little tomboy. We didn't have anything. | 0:02:43 | 0:02:47 | |
But we used to try to dig to Australia in the garden... | 0:02:47 | 0:02:50 | |
HE CHUCKLES It was... | 0:02:50 | 0:02:51 | |
So I am assuming you didn't have a telly? | 0:02:51 | 0:02:54 | |
Well, we did, because I remember watching the Coronation in 1953. | 0:02:54 | 0:02:58 | |
And we were the only person in the street to have a television. | 0:02:58 | 0:03:01 | |
So it was wonderful, it was the most social thing. | 0:03:01 | 0:03:04 | |
And so about 4:30, people would come home from school | 0:03:04 | 0:03:07 | |
and you would get, knock-knock-knock. | 0:03:07 | 0:03:09 | |
"Can I watch the television, please?" "Yeah, course you can. Come on in." So any one night, | 0:03:09 | 0:03:14 | |
there would be about 20 kids in my mother's sitting room, | 0:03:14 | 0:03:17 | |
which was tiny, anyway! Little end-of-terrace house, | 0:03:17 | 0:03:20 | |
and we would all be watching the television. | 0:03:20 | 0:03:23 | |
Lesley's love affair with performing began at the age of seven | 0:03:23 | 0:03:26 | |
when she joined the Masked Theatre Company | 0:03:26 | 0:03:29 | |
and she got the star roles from the start. | 0:03:29 | 0:03:32 | |
Her first paid acting job was as an understudy in a review | 0:03:32 | 0:03:35 | |
at the Yvonne Arnaud Theatre in Guildford at the age of 21. | 0:03:35 | 0:03:40 | |
But Lesley's desire to act had a very surprising source. | 0:03:40 | 0:03:44 | |
# Champion The Wonder Horse! # | 0:03:48 | 0:03:52 | |
Let's see if you have got it in the right key. Here we go, Champion The Wonder Horse. | 0:03:52 | 0:03:57 | |
# Champion The Wonder Horse! | 0:03:57 | 0:04:01 | |
# Champion The Wonder Horse! | 0:04:01 | 0:04:04 | |
NEIGHS | 0:04:04 | 0:04:06 | |
# Like a streak of lightning flashing across the sky... # | 0:04:06 | 0:04:09 | |
# Like the swiftest arrow whizzing from a bow | 0:04:09 | 0:04:12 | |
# Like a mighty cannonball, they seem to fly | 0:04:12 | 0:04:16 | |
# I hear about it everywhere you go... # | 0:04:16 | 0:04:18 | |
Oh, yeah. | 0:04:18 | 0:04:19 | |
Let me go! | 0:04:21 | 0:04:22 | |
This high drama children's Western series was renowned | 0:04:22 | 0:04:26 | |
for its suspenseful soundtracks and action-packed storylines. | 0:04:26 | 0:04:30 | |
The use of music through scenes like these was the key to keeping us | 0:04:30 | 0:04:34 | |
on the edge of our seats. | 0:04:34 | 0:04:36 | |
12-year-old Ricky North, played by Barry Curtis, | 0:04:36 | 0:04:39 | |
was the human star, but the acting gong goes to Champion, | 0:04:39 | 0:04:42 | |
whose dramatic timing was surely Oscar-worthy. | 0:04:42 | 0:04:46 | |
You let me go! | 0:04:46 | 0:04:47 | |
I will, soon as I get to ride that stallion. | 0:04:47 | 0:04:49 | |
The Wonder Horse used to rescue them out of all terrible situations. | 0:04:49 | 0:04:53 | |
Look at it, the horse comes galloping in. | 0:04:53 | 0:04:57 | |
Get the saddle off that pinto. | 0:04:57 | 0:04:58 | |
Champ, you had better do what they tell you. | 0:05:00 | 0:05:04 | |
It's a bit like Tonto And The Lone Ranger, do you remember them? | 0:05:04 | 0:05:07 | |
It sort of reminds me of the same thing. | 0:05:07 | 0:05:10 | |
It's drama and the horse is the goodie | 0:05:10 | 0:05:12 | |
and the horse went to the rescue. | 0:05:12 | 0:05:15 | |
NEIGHS | 0:05:15 | 0:05:16 | |
-Look at that acting, look at that acting! -I know. | 0:05:22 | 0:05:25 | |
And that is a real horse. | 0:05:25 | 0:05:26 | |
Maybe this is what made me want to become an actor, | 0:05:26 | 0:05:29 | |
because I wanted to be rescued by Champion! | 0:05:29 | 0:05:31 | |
Watching Champion The Wonder Horse made you into the actress you are today. | 0:05:31 | 0:05:36 | |
I wanted to be an actress since the age of four. | 0:05:36 | 0:05:39 | |
So I will have been watching all of this | 0:05:39 | 0:05:42 | |
when I was on my path to becoming an actress. | 0:05:42 | 0:05:45 | |
-So, you obviously like your serious drama. -Yes. | 0:05:49 | 0:05:52 | |
-But you've got some comedy heroes as well. -Yeah. | 0:05:52 | 0:05:55 | |
I'm going to take you back now to 1979. | 0:05:55 | 0:06:00 | |
TERRY AND JUNE THEME TUNE | 0:06:01 | 0:06:05 | |
Ah! Terry And June. | 0:06:07 | 0:06:10 | |
Ah... See, June Whitfield, one of my comedy heroines. | 0:06:18 | 0:06:22 | |
What is it about June that just makes you love her so much? | 0:06:22 | 0:06:26 | |
She's such a great comedic actress. | 0:06:27 | 0:06:30 | |
She IS a great comedic actress, but also you've got to love her | 0:06:30 | 0:06:33 | |
because she's still here. She's still relevant. She's still working. | 0:06:33 | 0:06:37 | |
Ab Fab, she was right there and she's still brilliantly funny. | 0:06:37 | 0:06:41 | |
I think sometimes now we take for granted the sort of people | 0:06:41 | 0:06:46 | |
that have the work record that she does. | 0:06:46 | 0:06:49 | |
Ooh! Ah! | 0:06:49 | 0:06:50 | |
Eh! | 0:06:50 | 0:06:52 | |
Ah! | 0:06:52 | 0:06:53 | |
Nng! Aaah! | 0:06:53 | 0:06:55 | |
I TOLD you I was too heavy! | 0:06:55 | 0:06:56 | |
Light! Light as a feather! | 0:06:56 | 0:06:59 | |
Well, now you've carried me over the threshold, | 0:06:59 | 0:07:01 | |
could you put me down, please? | 0:07:01 | 0:07:03 | |
-Yeah. Well, if I lean here, could you get yourself down? -Yes. | 0:07:03 | 0:07:06 | |
We've got a whole weekend of work ahead of us | 0:07:07 | 0:07:10 | |
-and you're exhausted already. -I feel terrific, never...never felt better. | 0:07:10 | 0:07:13 | |
She's a true star, in the old-fashioned sense of the word | 0:07:13 | 0:07:17 | |
and she's a grafter. A real pro. | 0:07:17 | 0:07:20 | |
Because it was always Terry that took the limelight, | 0:07:20 | 0:07:24 | |
but it takes two to tango. | 0:07:24 | 0:07:26 | |
Yeah, it does. | 0:07:26 | 0:07:28 | |
June's illustrious career has spanned seven decades | 0:07:28 | 0:07:31 | |
and an array of fantastic roles, starting in the 1950s with | 0:07:31 | 0:07:35 | |
various shows including the immensely popular Tony Hancock Show. | 0:07:35 | 0:07:40 | |
A decade later, June took centre stage in her first starring role | 0:07:41 | 0:07:45 | |
in Beggar My Neighbour. | 0:07:45 | 0:07:47 | |
In the 1970s, Happy Ever After cemented a television marriage | 0:07:47 | 0:07:52 | |
between June and Terry Scott that would last 13 years | 0:07:52 | 0:07:55 | |
and span two different series as they went on to the popular | 0:07:55 | 0:07:59 | |
sitcom Terry And June in 1979. | 0:07:59 | 0:08:03 | |
The '90s brought us June as the hilariously unfazed | 0:08:03 | 0:08:06 | |
mother of Jennifer Saunders | 0:08:06 | 0:08:08 | |
in Absolutely Fabulous | 0:08:08 | 0:08:09 | |
and most recently in 2014, | 0:08:09 | 0:08:12 | |
she starred in the BBC comedy Boomers. | 0:08:12 | 0:08:15 | |
The word "national treasure" I think is used very lightly now | 0:08:15 | 0:08:19 | |
and it shouldn't be. | 0:08:19 | 0:08:21 | |
I think if you're looking at a TRUE national treasure, | 0:08:21 | 0:08:23 | |
that's June Whitfield and she's kept in with what's happening now | 0:08:23 | 0:08:28 | |
and that's wonderful because she knows how the business works. | 0:08:28 | 0:08:33 | |
But YOU know how the business works. | 0:08:33 | 0:08:35 | |
-I hope so. -Because you've sustained it. | 0:08:35 | 0:08:37 | |
I mean, what you're saying about June could very much be you. | 0:08:37 | 0:08:41 | |
I think with myself, I realised that I had a certain ability to do comedy | 0:08:41 | 0:08:46 | |
and that sort of took over, and musical theatre - I do half musicals. | 0:08:46 | 0:08:50 | |
I LOVE theatre. | 0:08:50 | 0:08:52 | |
I also love television and I think to give yourself longevity, | 0:08:52 | 0:08:56 | |
you have to be prepared to do everything. | 0:08:56 | 0:08:58 | |
Well, I would like to give you a challenge, now. | 0:08:58 | 0:09:03 | |
Because I have in my pouf here | 0:09:03 | 0:09:06 | |
a couple of scripts of some classic... | 0:09:06 | 0:09:08 | |
Actually famously announced that these were the funniest jokes | 0:09:08 | 0:09:14 | |
in history... | 0:09:14 | 0:09:16 | |
And if you could deliver them to me... | 0:09:16 | 0:09:19 | |
..in a very, very dramatic way. | 0:09:20 | 0:09:24 | |
Can we have a bit of music for this? Hold on. | 0:09:24 | 0:09:27 | |
-SUSPENSEFUL MUSIC -That's good. | 0:09:27 | 0:09:29 | |
That's good music. We like that. OK. | 0:09:29 | 0:09:31 | |
Go for it - cue Lesley. | 0:09:31 | 0:09:33 | |
Two peanuts were walking down the street... | 0:09:33 | 0:09:37 | |
..and one was assaulted. | 0:09:39 | 0:09:41 | |
SHE SOBS | 0:09:44 | 0:09:45 | |
My dog's got no nose. | 0:09:46 | 0:09:48 | |
How does he smell? | 0:09:49 | 0:09:51 | |
Awful! | 0:09:53 | 0:09:54 | |
HE SOBS | 0:09:54 | 0:09:56 | |
My wife's gone to the West Indies. | 0:09:57 | 0:09:59 | |
Say it again, I missed that one! | 0:09:59 | 0:10:01 | |
-My wife's gone to the West Indies. -Jamaica? | 0:10:01 | 0:10:04 | |
-No, she went of her own accord. -That wasn't... Let's do that better. | 0:10:04 | 0:10:08 | |
All right. My husband's gone to the West Indies. | 0:10:08 | 0:10:11 | |
No, that doesn't work, does it, it's her! | 0:10:12 | 0:10:15 | |
THEY LAUGH | 0:10:15 | 0:10:17 | |
My wife's gone to the West Indies! | 0:10:19 | 0:10:22 | |
-Jamaica? -No! | 0:10:22 | 0:10:23 | |
-She went of her own accord. -Oh, my God! | 0:10:25 | 0:10:28 | |
You know, this could be the end of my career. | 0:10:29 | 0:10:31 | |
I know, shall we put them away while we're winning? Um... | 0:10:31 | 0:10:35 | |
Lesley Joseph, TV brought acting into your life, | 0:10:40 | 0:10:42 | |
but it also brought real-life drama. | 0:10:42 | 0:10:44 | |
I'm going to take you to November 22, 1963. | 0:10:44 | 0:10:49 | |
Latest news and pictures from America, over to the newsroom. | 0:10:50 | 0:10:54 | |
The death of John F Kennedy happened in Dallas at 25 past 12. | 0:10:54 | 0:10:59 | |
In our time, 25 past 6 this evening. | 0:10:59 | 0:11:02 | |
35 minutes later, President Kennedy was dead. | 0:11:02 | 0:11:05 | |
Half an hour later still, the United States had a new president - | 0:11:05 | 0:11:08 | |
the newly sworn-in Vice President Lyndon Johnson. | 0:11:08 | 0:11:11 | |
The diary of disaster began with a barely-credible agency message | 0:11:12 | 0:11:16 | |
that President Kennedy had been shot. | 0:11:16 | 0:11:18 | |
Time, 6:42. | 0:11:18 | 0:11:20 | |
-I find that quite difficult to watch, even now. -Yeah. -It's so... | 0:11:20 | 0:11:24 | |
extraordinary. I was at a piano lesson. | 0:11:24 | 0:11:28 | |
I was with my piano teacher, called Miss Herveway | 0:11:28 | 0:11:32 | |
and, I think I had just about... Either just left school | 0:11:32 | 0:11:35 | |
or still at school | 0:11:35 | 0:11:37 | |
and I was in her house and we were in the little front room | 0:11:37 | 0:11:41 | |
and I don't know how she knew, maybe she had watched it on the television. | 0:11:41 | 0:11:45 | |
-Mm-hm. -And she came in and she said President Kennedy has been shot. | 0:11:45 | 0:11:48 | |
And of course, the piano lesson ended there and then. | 0:11:48 | 0:11:52 | |
-But, yeah, I always remember that. -Does it all come flooding back to you? | 0:11:52 | 0:11:55 | |
-Does it feel really immediate? -I can feel... | 0:11:55 | 0:11:57 | |
I can see myself back in the room, taking the piano lesson. | 0:11:57 | 0:12:02 | |
I can see her going out of the room, | 0:12:02 | 0:12:03 | |
I can see her coming in and I remember... | 0:12:03 | 0:12:06 | |
-Because then I was towards my late teens, so things like that... -Yeah. | 0:12:06 | 0:12:11 | |
You take it all on board. It is not like you are a young child any more. | 0:12:11 | 0:12:15 | |
You realise the implications of what has just happened. | 0:12:15 | 0:12:19 | |
And that was a huge day, | 0:12:19 | 0:12:21 | |
and I suppose huge that that was then repeated on the BBC news. | 0:12:21 | 0:12:26 | |
When you look at it now, and again you hear the voice, | 0:12:26 | 0:12:30 | |
this amazingly wonderful, beautiful voice, | 0:12:30 | 0:12:33 | |
you know, saying such devastating news... | 0:12:33 | 0:12:36 | |
And, um, I can see myself back then. | 0:12:36 | 0:12:39 | |
And now, I still find, watching it, quite an emotional response to it. | 0:12:39 | 0:12:42 | |
When word of the assassination first reached the UK, | 0:12:42 | 0:12:45 | |
the BBC News team was completely unprepared. | 0:12:45 | 0:12:49 | |
All of the key news broadcasters such as Richard Baker, | 0:12:49 | 0:12:53 | |
BBC's first-ever TV newsreader, | 0:12:53 | 0:12:55 | |
Robert Dougall and Kenneth Kendall | 0:12:55 | 0:12:57 | |
were all attending a black-tie event in London. | 0:12:57 | 0:13:01 | |
Even the BBC's chief Washington | 0:13:01 | 0:13:03 | |
correspondent, Douglas Stuart, | 0:13:03 | 0:13:05 | |
was - would you believe - stuck down a coal mine in Illinois. | 0:13:05 | 0:13:09 | |
And so the job of announcing one of the biggest events in history | 0:13:09 | 0:13:13 | |
rested on the shoulders of John Roberts, | 0:13:13 | 0:13:16 | |
a junior member of the news team | 0:13:16 | 0:13:18 | |
who had never presented a news bulletin in his life. | 0:13:18 | 0:13:22 | |
At 7:26pm, after John's announcement that | 0:13:22 | 0:13:25 | |
John F Kennedy had died, the BBC were thrown into a panic. | 0:13:25 | 0:13:29 | |
The channel ran a rotating globe for 19 minutes, interrupting this | 0:13:29 | 0:13:33 | |
with updates from John Roberts while they decided what to do. | 0:13:33 | 0:13:37 | |
Normal programming eventually resumed and the following evening, | 0:13:37 | 0:13:41 | |
the BBC unveiled their brand-new sci-fi drama, Doctor Who, | 0:13:41 | 0:13:45 | |
in the hope that it might be a welcome distraction. | 0:13:45 | 0:13:48 | |
He was this wonderful, good-looking, | 0:13:50 | 0:13:52 | |
charismatic leader that everybody thought was going to bring | 0:13:52 | 0:13:56 | |
fresh hope to the world and, you know, | 0:13:56 | 0:13:58 | |
try and put an end to war and, um... | 0:13:58 | 0:14:01 | |
Then when you see that and you realise that they had | 0:14:01 | 0:14:04 | |
something that was bulletproof but they'd not had it up on that day... | 0:14:04 | 0:14:08 | |
And why was it not on that day? | 0:14:08 | 0:14:10 | |
You know, history would have been changed. | 0:14:10 | 0:14:13 | |
Have a little look. | 0:14:18 | 0:14:19 | |
-Come on, Peggotty. -Don't be impatient! | 0:14:21 | 0:14:25 | |
David! | 0:14:25 | 0:14:26 | |
Here, take hold of this. | 0:14:28 | 0:14:31 | |
Why isn't Mama out to greet me? | 0:14:31 | 0:14:33 | |
Oh... | 0:14:33 | 0:14:34 | |
-You gave out a little sigh then, Lesley. -You see, I'm crying now! -Oh! | 0:14:36 | 0:14:40 | |
Hold my hand, darling - why? Why? | 0:14:40 | 0:14:43 | |
Why are you upset? | 0:14:46 | 0:14:47 | |
I'm not upset, because this takes me back... | 0:14:47 | 0:14:51 | |
I don't know when this was made, but this is going back to stuff | 0:14:51 | 0:14:54 | |
I used to watch - David Copperfield I used to love... | 0:14:54 | 0:14:57 | |
-Yeah? -Dickens I used to love... | 0:14:57 | 0:15:00 | |
Your mother has something to tell you, David. | 0:15:01 | 0:15:04 | |
What is it? | 0:15:04 | 0:15:05 | |
David, dear... | 0:15:09 | 0:15:11 | |
David, Mr Murdstone and I have got married. | 0:15:13 | 0:15:15 | |
He's your new father! | 0:15:17 | 0:15:19 | |
-I don't want him for my father! -David? | 0:15:21 | 0:15:24 | |
So where do we go, there? | 0:15:24 | 0:15:26 | |
Why are you so moved by that? | 0:15:26 | 0:15:28 | |
I think because I'm looking back on my childhood | 0:15:28 | 0:15:32 | |
and my father was alive then - he died about 19 years ago. | 0:15:32 | 0:15:35 | |
He used to take cine films of us all | 0:15:35 | 0:15:37 | |
and, you know, it's all enmeshed in your childhood, | 0:15:37 | 0:15:40 | |
watching stuff like this. | 0:15:40 | 0:15:42 | |
The family was all still living together | 0:15:42 | 0:15:44 | |
and it's all very evocative of what your life | 0:15:44 | 0:15:47 | |
was like then as a child | 0:15:47 | 0:15:49 | |
and with television coming in when I was reasonably young, | 0:15:49 | 0:15:54 | |
how the sort of television you would watch | 0:15:54 | 0:15:57 | |
would come at various times in your life. | 0:15:57 | 0:15:59 | |
Charles Dickens' eighth novel David Copperfield has been adapted into | 0:15:59 | 0:16:03 | |
a television series nine times | 0:16:03 | 0:16:05 | |
since it was first published in 1850. | 0:16:05 | 0:16:09 | |
The first adaptation in 1956 starred a young Robert Hardy in the role of | 0:16:09 | 0:16:14 | |
David, who went on to play Siegfried Farnon, | 0:16:14 | 0:16:18 | |
the eccentric animal doctor in All Creatures Great And Small. | 0:16:18 | 0:16:21 | |
The David Copperfield TV adaptation | 0:16:22 | 0:16:24 | |
which appeared on our screens in 1999 | 0:16:24 | 0:16:27 | |
starred Harry Potter's Daniel Radcliffe as a young David, | 0:16:27 | 0:16:31 | |
along with a wealth of other TV talent including | 0:16:31 | 0:16:34 | |
Dame Maggie Smith and Lesley's Birds Of A Feather bosom buddy, | 0:16:34 | 0:16:38 | |
Pauline Quirke, as David's Nanny, Peggotty. | 0:16:38 | 0:16:41 | |
Davey! Oh, Davey, Davey - my own darling, darling Davey! | 0:16:42 | 0:16:48 | |
I love it. You see, I think | 0:16:48 | 0:16:50 | |
television has always had a great reputation for doing Dickens, | 0:16:50 | 0:16:54 | |
for doing the dramas, David Copperfield, this was my sort of... | 0:16:54 | 0:16:58 | |
Not my... I suppose my youth. | 0:16:58 | 0:16:59 | |
I'm not sure what year this was made, but this was a drama | 0:16:59 | 0:17:03 | |
and maybe in my head one day I thought I might be in that. | 0:17:03 | 0:17:07 | |
I must have seriously wanted to be a serious actress. | 0:17:07 | 0:17:11 | |
-Mm-hm(!) -Don't laugh! | 0:17:11 | 0:17:13 | |
I'm sitting here getting emotional, watching David Copperfield! | 0:17:13 | 0:17:17 | |
Can I press pause?! | 0:17:17 | 0:17:18 | |
Um... | 0:17:18 | 0:17:20 | |
We've gone from the President's assassination, | 0:17:20 | 0:17:23 | |
which I thought you took quite well... | 0:17:23 | 0:17:26 | |
To David Copperfield, and I'm in bits! | 0:17:26 | 0:17:29 | |
-That boy wants manners. -Davey?! | 0:17:32 | 0:17:35 | |
Control yourself, Clara. | 0:17:36 | 0:17:37 | |
What sort of things do you watch, I mean, with your mum? | 0:17:37 | 0:17:40 | |
I don't know if we reminded everyone that your mum is | 0:17:40 | 0:17:42 | |
actually 102 - isn't that amazing? | 0:17:42 | 0:17:44 | |
She's 102 now, yes, she is. | 0:17:44 | 0:17:46 | |
-Does she watch a bit of telly? -My mum was always too busy doing things. | 0:17:46 | 0:17:49 | |
My mother never, ever sat down. | 0:17:49 | 0:17:53 | |
She never did, she used to be the most amazing baker. | 0:17:53 | 0:17:56 | |
If it was your birthday, she'd suddenly do this amazing doll | 0:17:56 | 0:17:58 | |
in a crinoline, all made out of edible things - | 0:17:58 | 0:18:01 | |
I always remember that. Or she'd do the most wonderful castle or | 0:18:01 | 0:18:05 | |
a little thatched cottage with roses round the door. | 0:18:05 | 0:18:07 | |
She was always making. | 0:18:07 | 0:18:09 | |
She made amazing chicken soup with lokshen, | 0:18:09 | 0:18:12 | |
she did amazing roast chicken, she was always baking, | 0:18:12 | 0:18:15 | |
so she wasn't somebody that could ever sit down and say, "Right, | 0:18:15 | 0:18:18 | |
"what are we going to watch?" | 0:18:18 | 0:18:20 | |
I don't remember ever watching anything with her. | 0:18:20 | 0:18:22 | |
You know, my brother and I would sit and watch, but she was a doer, | 0:18:22 | 0:18:27 | |
she used to make all our clothes because just after the war, | 0:18:27 | 0:18:32 | |
you didn't have anything. | 0:18:32 | 0:18:33 | |
So it was practically... Nice curtains? | 0:18:33 | 0:18:36 | |
Right, let's take those down - there's your dress, Lesley. | 0:18:36 | 0:18:39 | |
She had a sewing machine, so she was always doing. | 0:18:39 | 0:18:42 | |
She never really sat and watched, | 0:18:42 | 0:18:45 | |
so I don't remember watching anything with her. | 0:18:45 | 0:18:48 | |
Now, you like your telly short and sweet. I'll tell you what I mean. | 0:18:53 | 0:18:57 | |
That was a little clue. This is it. | 0:18:57 | 0:19:00 | |
This telly advert, | 0:19:00 | 0:19:01 | |
Lesley's favourite, | 0:19:01 | 0:19:03 | |
was part of a £6 million global campaign in 2010 | 0:19:03 | 0:19:06 | |
inviting viewers to associate a sense of James Bond-esque decadence | 0:19:06 | 0:19:11 | |
with a commercial airline. | 0:19:11 | 0:19:13 | |
-I mean, the production values... -Amazing. -Phenomenal, isn't it? | 0:19:15 | 0:19:19 | |
# Feeling good... # | 0:19:19 | 0:19:21 | |
Da-dum, da-dum! | 0:19:21 | 0:19:24 | |
-This is a lovely visual, watch. -Oh, it's amazing. | 0:19:26 | 0:19:29 | |
Here we go - are you ready? | 0:19:29 | 0:19:30 | |
# Drifting on by, you know how I feel | 0:19:30 | 0:19:34 | |
# It's a new dawn, it's a new day... # | 0:19:34 | 0:19:36 | |
There's something wrong with that! | 0:19:36 | 0:19:39 | |
It's very Dorien! | 0:19:39 | 0:19:40 | |
It's just an incredible advert. | 0:19:40 | 0:19:43 | |
The sassy soundtrack and slick and sexy choreography | 0:19:43 | 0:19:47 | |
entice us to fly into a glamorous, | 0:19:47 | 0:19:50 | |
aspirational world, but the ad neatly brings us back to earth | 0:19:50 | 0:19:55 | |
with the ability to laugh at the indulgence of it all. | 0:19:55 | 0:19:58 | |
-Is that Linda? -No, she's in Miami. -Ah, of course she is. | 0:19:58 | 0:20:01 | |
What's interesting about commercials is they're either comedy | 0:20:01 | 0:20:05 | |
and you remember them for the comedy, sometimes they're | 0:20:05 | 0:20:08 | |
so amazingly, brilliantly produced | 0:20:08 | 0:20:11 | |
you remember the commercial | 0:20:11 | 0:20:12 | |
but you don't know what it's advertising. | 0:20:12 | 0:20:14 | |
So that works for me because the red and the Virgin | 0:20:14 | 0:20:17 | |
and the whole thing, it's all very enmeshed together, so there's | 0:20:17 | 0:20:21 | |
no way you get to the end of that | 0:20:21 | 0:20:23 | |
and think, "What was that selling, a car?" | 0:20:23 | 0:20:25 | |
What about a good comedy ad? | 0:20:25 | 0:20:27 | |
I think if an ad's clever, it doesn't matter if it's comedic, | 0:20:27 | 0:20:30 | |
beautiful to look at - look at the Guinness adverts. | 0:20:30 | 0:20:33 | |
They're amazingly well produced, they're all about a minute long and | 0:20:33 | 0:20:37 | |
you get that wonderful shot at the end with the froth on the Guinness. | 0:20:37 | 0:20:39 | |
The Hovis adverts with the little boy trundling up the cobbled stones. | 0:20:39 | 0:20:45 | |
It doesn't matter - one isn't better than another, | 0:20:45 | 0:20:47 | |
it's how you choose to sell that product. | 0:20:47 | 0:20:50 | |
I remember when I came out of drama school we had to fill in things | 0:20:50 | 0:20:53 | |
and it said, "Would you do a commercial?" Absolutely not! | 0:20:53 | 0:20:56 | |
A commercial?! | 0:20:56 | 0:20:58 | |
No! I went into the business to be a serious actress, | 0:20:58 | 0:21:01 | |
I'm a serious actress! | 0:21:01 | 0:21:03 | |
I started off doing Chekhov and Shakespeare and I still do, | 0:21:03 | 0:21:06 | |
but the comedy world took over. | 0:21:06 | 0:21:09 | |
Birds Of A Feather. | 0:21:14 | 0:21:15 | |
Something that you're very famous for. | 0:21:15 | 0:21:18 | |
# What'll I do | 0:21:20 | 0:21:23 | |
# When you | 0:21:23 | 0:21:25 | |
# Are far away | 0:21:25 | 0:21:28 | |
# And I am blue? | 0:21:28 | 0:21:31 | |
# What'll I do? # | 0:21:32 | 0:21:35 | |
This is me. | 0:21:36 | 0:21:37 | |
Goodnight then, Dorien. | 0:21:41 | 0:21:42 | |
Oh, Roger, you have something on your lip. | 0:21:43 | 0:21:46 | |
-Really, what is it? -Me! | 0:21:46 | 0:21:48 | |
LAUGHTER | 0:21:48 | 0:21:50 | |
Until tomorrow night then, darling. | 0:21:59 | 0:22:01 | |
Listen, if the night gets long and... | 0:22:01 | 0:22:03 | |
..lonely...call me. | 0:22:04 | 0:22:06 | |
Do you think all great comediennes, | 0:22:11 | 0:22:14 | |
great comedians, are desperate to be taken seriously? | 0:22:14 | 0:22:17 | |
I think the grass always looks greener. | 0:22:17 | 0:22:19 | |
I think sometimes I could look at those who do wonderful, serious | 0:22:19 | 0:22:23 | |
work and think, "Oh, my goodness, | 0:22:23 | 0:22:25 | |
"I would love to do Shakespeare in the West End," or "I've never | 0:22:25 | 0:22:27 | |
"worked at the National, I'd love to work at the National." | 0:22:27 | 0:22:30 | |
On the other hand, if you said to me, | 0:22:30 | 0:22:33 | |
"You can go on the road with Annie," | 0:22:33 | 0:22:35 | |
I would say just to dance Easy Street, I will take that, | 0:22:35 | 0:22:39 | |
because dancing Easy Street brings me alive. | 0:22:39 | 0:22:42 | |
But you can dance. | 0:22:42 | 0:22:45 | |
That's how talented you are. | 0:22:45 | 0:22:46 | |
-Lesley Joseph... -Oh, no! -..dancing. | 0:22:46 | 0:22:49 | |
Oh, dear. | 0:22:49 | 0:22:51 | |
# I was sad and blue | 0:22:51 | 0:22:53 | |
# But you made me feel | 0:22:53 | 0:22:57 | |
# Yeah, you made me feel | 0:22:57 | 0:23:01 | |
# All shiny and new... # | 0:23:01 | 0:23:03 | |
Go on, Lesley! | 0:23:03 | 0:23:04 | |
# Like a virgin! | 0:23:04 | 0:23:07 | |
# Touched for the very first time! # | 0:23:08 | 0:23:09 | |
I've still got that dress. It's got a matching handbag. | 0:23:09 | 0:23:13 | |
Why would you keep that dress and matching handbag? | 0:23:14 | 0:23:17 | |
-Because it's iconic! -I see, OK! -It's ICONIC, Brian! | 0:23:17 | 0:23:20 | |
-So it's not something you'd wear out? -I've worn it since. | 0:23:20 | 0:23:22 | |
We filmed this at the Hammersmith Palais in front of about 400 extras | 0:23:22 | 0:23:27 | |
on the very first day of filming. | 0:23:27 | 0:23:30 | |
This was the most requested in a whole year of Points Of View. | 0:23:30 | 0:23:34 | |
It was the most requested clip and it's the one whenever anybody | 0:23:36 | 0:23:39 | |
talks about Birds, it was such a good episode. | 0:23:39 | 0:23:44 | |
I have to say, you are very brave. | 0:23:45 | 0:23:47 | |
I thought I was being brilliant, Brian, you don't understand - | 0:23:47 | 0:23:50 | |
I thought I was singing it brilliantly. | 0:23:50 | 0:23:53 | |
There's a bit that comes afterwards when the legs go apart, as well. | 0:23:53 | 0:23:56 | |
-His or yours? -Mine. -Oh! | 0:23:56 | 0:23:58 | |
And I loved it, it was such fun. | 0:23:58 | 0:24:01 | |
Oh, dear. | 0:24:01 | 0:24:02 | |
Birds Of A Feather, the comedy romp | 0:24:02 | 0:24:04 | |
which played out the misadventures of two sisters and their saucepot | 0:24:04 | 0:24:08 | |
neighbour, was a ratings smash around for nine series from 1989. | 0:24:08 | 0:24:13 | |
The series returned in 2014 | 0:24:13 | 0:24:15 | |
and its opening episode attracted 9.5 million viewers - | 0:24:15 | 0:24:20 | |
ITV's highest-rating comedy in over a decade. | 0:24:20 | 0:24:24 | |
I was very aware when Birds started | 0:24:24 | 0:24:26 | |
that Dorien was very much the third character, | 0:24:26 | 0:24:29 | |
so had she not been liked or had it not worked, they could have | 0:24:29 | 0:24:33 | |
moved or she would have moved, but I think you needed that third | 0:24:33 | 0:24:38 | |
character to come in, as Pauline always used to call me, | 0:24:38 | 0:24:40 | |
a wooden spoon. | 0:24:40 | 0:24:42 | |
She'd come in and stir the mix and set sister against sister | 0:24:42 | 0:24:45 | |
and they'd be against her or she'd be against Pauline | 0:24:45 | 0:24:48 | |
and it was always the three. And then gradually | 0:24:48 | 0:24:51 | |
she became sort of indispensable. | 0:24:51 | 0:24:54 | |
Oh, I think after you watch this scene, | 0:24:54 | 0:24:56 | |
it's obviously clear that you are indispensable. | 0:24:56 | 0:24:59 | |
George Hamilton! | 0:25:01 | 0:25:03 | |
-Please call me George. -Cheers, George! | 0:25:03 | 0:25:06 | |
Is your...friend OK? | 0:25:10 | 0:25:13 | |
I think she's a bit overcome. | 0:25:13 | 0:25:15 | |
She's been carrying a bit of a torch for you | 0:25:15 | 0:25:17 | |
ever since she was a young girl. | 0:25:17 | 0:25:18 | |
Well, no wonder she's exhausted! | 0:25:19 | 0:25:21 | |
Oh, that was funny. | 0:25:21 | 0:25:23 | |
I couldn't remember that. "No wonder she's exhausted!" | 0:25:23 | 0:25:26 | |
Of course, we went to LA. | 0:25:26 | 0:25:28 | |
When we did Birds, we went to LA, Berlin, Majorca | 0:25:28 | 0:25:32 | |
and we used to say whenever we had a Christmas special, "Please, | 0:25:32 | 0:25:36 | |
"where can you send us this year?" | 0:25:36 | 0:25:38 | |
Look how much hair I've got there! | 0:25:38 | 0:25:40 | |
You've come all the way from England to see me, | 0:25:40 | 0:25:42 | |
the least I can do for you is to invite you back to my mansion | 0:25:42 | 0:25:44 | |
for a little, um, champagne by the pool and some sunbathing, huh? | 0:25:44 | 0:25:50 | |
-What do you say? -You're kidding! | 0:25:50 | 0:25:52 | |
I never kid where sunbathing is concerned. | 0:25:52 | 0:25:55 | |
What are we waiting for?! | 0:25:56 | 0:25:58 | |
Er... | 0:26:00 | 0:26:02 | |
What about your friend? We can't just leave her here. | 0:26:02 | 0:26:05 | |
Don't worry. We'll tell the bellboy | 0:26:05 | 0:26:07 | |
to leave her with the rest of your old baggage till we get back. | 0:26:07 | 0:26:11 | |
It worked incredibly well because it was always the chemistry | 0:26:11 | 0:26:14 | |
between Pauline, Linda and I that made it work. | 0:26:14 | 0:26:17 | |
Let's bring it right up to date. | 0:26:22 | 0:26:23 | |
Well, we have, with Birds Of A Feather. | 0:26:23 | 0:26:25 | |
What sort of stuff do you watch? | 0:26:25 | 0:26:27 | |
We've already said that you don't have that much time, but... | 0:26:27 | 0:26:30 | |
Is there stuff? | 0:26:30 | 0:26:32 | |
I can't tell you how many box sets I've got that I've never even opened. | 0:26:32 | 0:26:36 | |
I think, "I must watch this," and "everybody's watching that," | 0:26:36 | 0:26:39 | |
and "I've got to watch that," and I buy the box set and it sits there. | 0:26:39 | 0:26:43 | |
Mainly because I'm not sure how to work the DVD player, but... | 0:26:43 | 0:26:46 | |
I know that when I watched The West Wing many moons ago, | 0:26:49 | 0:26:52 | |
I watched eight a day. | 0:26:52 | 0:26:54 | |
-It's obsessive. -Oh, really? | 0:26:54 | 0:26:56 | |
Yeah. Once I started watching it, it always had a cliffhanger at the end, | 0:26:56 | 0:27:00 | |
so I had to keep watching it and I think I'm frightened of getting | 0:27:00 | 0:27:03 | |
into something that I know is going to take the next six months | 0:27:03 | 0:27:06 | |
of my life, I'm going to be like this in front of this goggle box. | 0:27:06 | 0:27:09 | |
So I know I will get to watch everything that's in my box sets, | 0:27:09 | 0:27:13 | |
but just not yet. I sometimes catch up on my soaps. | 0:27:13 | 0:27:16 | |
EastEnders are fantastic | 0:27:16 | 0:27:18 | |
because the strong matriarchal women are fantastic in soaps. | 0:27:18 | 0:27:22 | |
So EastEnders is something you watch, anything else out there? | 0:27:22 | 0:27:26 | |
I watch Emmerdale, Corrie. | 0:27:26 | 0:27:27 | |
On this show, you get a chance to pick a theme tune, | 0:27:27 | 0:27:31 | |
a theme tune for us to go out on. So what's it going to be? | 0:27:31 | 0:27:34 | |
-Can I pick a theme tune from one of my clips? -Of course you can. | 0:27:34 | 0:27:37 | |
Then I'm going to have David Copperfield. | 0:27:37 | 0:27:39 | |
-You're not going to cry, are you? -Nope. | 0:27:39 | 0:27:41 | |
Ladies and gentlemen, we bid farewell to the lovely, | 0:27:41 | 0:27:44 | |
dear Lesley Joseph. | 0:27:44 | 0:27:46 | |
This is David Copperfield playing us out. | 0:27:46 | 0:27:49 | |
SHE SNIFFLES Oh, look! | 0:27:51 | 0:27:54 | |
DAVID COPPERFIELD THEME PLAYS | 0:27:55 | 0:27:57 | |
HE SOBS, SHE LAUGHS | 0:27:58 | 0:28:00 | |
I thought he was a magician! | 0:28:07 | 0:28:08 |