Lesley Joseph The TV That Made Me


Lesley Joseph

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Telly, that magic box in the corner.

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It gives us access to a million different worlds,

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all from the comfort of our sofa.

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In this series, I'm going to journey through the fantastic world of TV

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with some of our favourite celebrities.

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They have chosen the precious TV moments that shed light...

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-Love this!

-She has beaten the panel.

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Look at that!

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..on the stories of their lives.

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Go on, Champion, go on, Champion.

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Like, oh, ugh, ew.

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Some are funny.

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Oh, quite amazing. Unbelievable.

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No, no, no, Christina.

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'Some...' Yes! Yes!

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..are surprising.

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Paddington Bear.

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Some are inspiring.

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That is what kids should be doing now.

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Ten pence piece on a table with a bit of sticky tape.

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Look at that, stonking.

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And many...

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Some turtles capsize...

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..are deeply moving.

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I knew that we were in the presence of history.

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I am crying, I'm actually... I broke down in tears after that.

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So, come watch with us as we hand-pick the vintage telly that

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helped turn our much-loved stars into the people they are today.

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Welcome to The TV That Made Me.

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My guest today is one of the loveliest actors I know.

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A star of stage and screen,

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Lesley Joseph is best known

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as one of Britain's most enduring sitcom characters -

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the endearing man-eater-next-door, Dorien Green in Birds Of A Feather.

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The TV shows that have shaped her range from Dickensian drama...

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Don't stand there staring, boy. What's the matter?

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Where is Mama, Peggotty?

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..to a sassy sitcom...

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-Look at that, look at that.

-Oh, I am not doubting your strength, darling.

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..and a presidential assassination.

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Well, it can only be the one and only,

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the beautiful, the hugely talented...

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-SHE LAUGHS

-Lesley Joseph.

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Here she is, ladies and gentlemen.

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-What is television in your life?

-Do you know...

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Television is quite an important part

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because it is my life, to a certain extent.

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Lesley was born in North London in 1945.

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At the end of the Second World War, the youngest of two,

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she grew up in Kingsthorpe in Northampton with her brother Robin,

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mum Vicky and dad Jack.

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Lesley's passion for performing developed at a young age

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and her dad's love of cine film meant that she was already

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learning to perform for the camera.

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What was it like, being brought up in Northampton?

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Well, you have to remember that it was just after the war so we

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played with ration books.

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I mean, literally.

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We did not have any money, really. We used to play in cardboard boxes.

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I was a little tomboy. We didn't have anything.

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But we used to try to dig to Australia in the garden...

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HE CHUCKLES It was...

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So I am assuming you didn't have a telly?

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Well, we did, because I remember watching the Coronation in 1953.

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And we were the only person in the street to have a television.

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So it was wonderful, it was the most social thing.

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And so about 4:30, people would come home from school

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and you would get, knock-knock-knock.

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"Can I watch the television, please?" "Yeah, course you can. Come on in." So any one night,

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there would be about 20 kids in my mother's sitting room,

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which was tiny, anyway! Little end-of-terrace house,

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and we would all be watching the television.

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Lesley's love affair with performing began at the age of seven

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when she joined the Masked Theatre Company

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and she got the star roles from the start.

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Her first paid acting job was as an understudy in a review

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at the Yvonne Arnaud Theatre in Guildford at the age of 21.

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But Lesley's desire to act had a very surprising source.

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# Champion The Wonder Horse! #

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Let's see if you have got it in the right key. Here we go, Champion The Wonder Horse.

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# Champion The Wonder Horse!

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# Champion The Wonder Horse!

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NEIGHS

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# Like a streak of lightning flashing across the sky... #

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# Like the swiftest arrow whizzing from a bow

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# Like a mighty cannonball, they seem to fly

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# I hear about it everywhere you go... #

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Oh, yeah.

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Let me go!

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This high drama children's Western series was renowned

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for its suspenseful soundtracks and action-packed storylines.

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The use of music through scenes like these was the key to keeping us

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on the edge of our seats.

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12-year-old Ricky North, played by Barry Curtis,

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was the human star, but the acting gong goes to Champion,

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whose dramatic timing was surely Oscar-worthy.

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You let me go!

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I will, soon as I get to ride that stallion.

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The Wonder Horse used to rescue them out of all terrible situations.

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Look at it, the horse comes galloping in.

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Get the saddle off that pinto.

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Champ, you had better do what they tell you.

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It's a bit like Tonto And The Lone Ranger, do you remember them?

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It sort of reminds me of the same thing.

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It's drama and the horse is the goodie

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and the horse went to the rescue.

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NEIGHS

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-Look at that acting, look at that acting!

-I know.

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And that is a real horse.

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Maybe this is what made me want to become an actor,

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because I wanted to be rescued by Champion!

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Watching Champion The Wonder Horse made you into the actress you are today.

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I wanted to be an actress since the age of four.

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So I will have been watching all of this

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when I was on my path to becoming an actress.

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-So, you obviously like your serious drama.

-Yes.

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-But you've got some comedy heroes as well.

-Yeah.

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I'm going to take you back now to 1979.

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TERRY AND JUNE THEME TUNE

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Ah! Terry And June.

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Ah... See, June Whitfield, one of my comedy heroines.

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What is it about June that just makes you love her so much?

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She's such a great comedic actress.

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She IS a great comedic actress, but also you've got to love her

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because she's still here. She's still relevant. She's still working.

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Ab Fab, she was right there and she's still brilliantly funny.

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I think sometimes now we take for granted the sort of people

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that have the work record that she does.

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Ooh! Ah!

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Eh!

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Ah!

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Nng! Aaah!

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I TOLD you I was too heavy!

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Light! Light as a feather!

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Well, now you've carried me over the threshold,

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could you put me down, please?

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-Yeah. Well, if I lean here, could you get yourself down?

-Yes.

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We've got a whole weekend of work ahead of us

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-and you're exhausted already.

-I feel terrific, never...never felt better.

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She's a true star, in the old-fashioned sense of the word

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and she's a grafter. A real pro.

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Because it was always Terry that took the limelight,

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but it takes two to tango.

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Yeah, it does.

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June's illustrious career has spanned seven decades

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and an array of fantastic roles, starting in the 1950s with

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various shows including the immensely popular Tony Hancock Show.

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A decade later, June took centre stage in her first starring role

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in Beggar My Neighbour.

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In the 1970s, Happy Ever After cemented a television marriage

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between June and Terry Scott that would last 13 years

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and span two different series as they went on to the popular

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sitcom Terry And June in 1979.

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The '90s brought us June as the hilariously unfazed

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mother of Jennifer Saunders

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in Absolutely Fabulous

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and most recently in 2014,

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she starred in the BBC comedy Boomers.

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The word "national treasure" I think is used very lightly now

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and it shouldn't be.

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I think if you're looking at a TRUE national treasure,

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that's June Whitfield and she's kept in with what's happening now

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and that's wonderful because she knows how the business works.

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But YOU know how the business works.

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-I hope so.

-Because you've sustained it.

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I mean, what you're saying about June could very much be you.

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I think with myself, I realised that I had a certain ability to do comedy

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and that sort of took over, and musical theatre - I do half musicals.

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I LOVE theatre.

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I also love television and I think to give yourself longevity,

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you have to be prepared to do everything.

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Well, I would like to give you a challenge, now.

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Because I have in my pouf here

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a couple of scripts of some classic...

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Actually famously announced that these were the funniest jokes

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in history...

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And if you could deliver them to me...

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..in a very, very dramatic way.

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Can we have a bit of music for this? Hold on.

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-SUSPENSEFUL MUSIC

-That's good.

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That's good music. We like that. OK.

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Go for it - cue Lesley.

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Two peanuts were walking down the street...

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..and one was assaulted.

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SHE SOBS

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My dog's got no nose.

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How does he smell?

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Awful!

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HE SOBS

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My wife's gone to the West Indies.

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Say it again, I missed that one!

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-My wife's gone to the West Indies.

-Jamaica?

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-No, she went of her own accord.

-That wasn't... Let's do that better.

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All right. My husband's gone to the West Indies.

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No, that doesn't work, does it, it's her!

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THEY LAUGH

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My wife's gone to the West Indies!

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-Jamaica?

-No!

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-She went of her own accord.

-Oh, my God!

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You know, this could be the end of my career.

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I know, shall we put them away while we're winning? Um...

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Lesley Joseph, TV brought acting into your life,

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but it also brought real-life drama.

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I'm going to take you to November 22, 1963.

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Latest news and pictures from America, over to the newsroom.

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The death of John F Kennedy happened in Dallas at 25 past 12.

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In our time, 25 past 6 this evening.

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35 minutes later, President Kennedy was dead.

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Half an hour later still, the United States had a new president -

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the newly sworn-in Vice President Lyndon Johnson.

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The diary of disaster began with a barely-credible agency message

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that President Kennedy had been shot.

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Time, 6:42.

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-I find that quite difficult to watch, even now.

-Yeah.

-It's so...

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extraordinary. I was at a piano lesson.

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I was with my piano teacher, called Miss Herveway

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and, I think I had just about... Either just left school

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or still at school

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and I was in her house and we were in the little front room

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and I don't know how she knew, maybe she had watched it on the television.

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-Mm-hm.

-And she came in and she said President Kennedy has been shot.

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And of course, the piano lesson ended there and then.

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-But, yeah, I always remember that.

-Does it all come flooding back to you?

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-Does it feel really immediate?

-I can feel...

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I can see myself back in the room, taking the piano lesson.

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I can see her going out of the room,

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I can see her coming in and I remember...

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-Because then I was towards my late teens, so things like that...

-Yeah.

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You take it all on board. It is not like you are a young child any more.

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You realise the implications of what has just happened.

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And that was a huge day,

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and I suppose huge that that was then repeated on the BBC news.

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When you look at it now, and again you hear the voice,

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this amazingly wonderful, beautiful voice,

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you know, saying such devastating news...

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And, um, I can see myself back then.

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And now, I still find, watching it, quite an emotional response to it.

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When word of the assassination first reached the UK,

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the BBC News team was completely unprepared.

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All of the key news broadcasters such as Richard Baker,

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BBC's first-ever TV newsreader,

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Robert Dougall and Kenneth Kendall

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were all attending a black-tie event in London.

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Even the BBC's chief Washington

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correspondent, Douglas Stuart,

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was - would you believe - stuck down a coal mine in Illinois.

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And so the job of announcing one of the biggest events in history

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rested on the shoulders of John Roberts,

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a junior member of the news team

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who had never presented a news bulletin in his life.

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At 7:26pm, after John's announcement that

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John F Kennedy had died, the BBC were thrown into a panic.

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The channel ran a rotating globe for 19 minutes, interrupting this

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with updates from John Roberts while they decided what to do.

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Normal programming eventually resumed and the following evening,

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the BBC unveiled their brand-new sci-fi drama, Doctor Who,

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in the hope that it might be a welcome distraction.

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He was this wonderful, good-looking,

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charismatic leader that everybody thought was going to bring

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fresh hope to the world and, you know,

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try and put an end to war and, um...

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Then when you see that and you realise that they had

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something that was bulletproof but they'd not had it up on that day...

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And why was it not on that day?

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You know, history would have been changed.

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Have a little look.

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-Come on, Peggotty.

-Don't be impatient!

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David!

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Here, take hold of this.

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Why isn't Mama out to greet me?

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Oh...

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-You gave out a little sigh then, Lesley.

-You see, I'm crying now!

-Oh!

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Hold my hand, darling - why? Why?

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Why are you upset?

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I'm not upset, because this takes me back...

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I don't know when this was made, but this is going back to stuff

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I used to watch - David Copperfield I used to love...

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-Yeah?

-Dickens I used to love...

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Your mother has something to tell you, David.

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What is it?

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David, dear...

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David, Mr Murdstone and I have got married.

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He's your new father!

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-I don't want him for my father!

-David?

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So where do we go, there?

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Why are you so moved by that?

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I think because I'm looking back on my childhood

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and my father was alive then - he died about 19 years ago.

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He used to take cine films of us all

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and, you know, it's all enmeshed in your childhood,

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watching stuff like this.

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The family was all still living together

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and it's all very evocative of what your life

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was like then as a child

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and with television coming in when I was reasonably young,

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how the sort of television you would watch

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would come at various times in your life.

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Charles Dickens' eighth novel David Copperfield has been adapted into

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a television series nine times

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since it was first published in 1850.

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The first adaptation in 1956 starred a young Robert Hardy in the role of

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David, who went on to play Siegfried Farnon,

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the eccentric animal doctor in All Creatures Great And Small.

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The David Copperfield TV adaptation

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which appeared on our screens in 1999

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starred Harry Potter's Daniel Radcliffe as a young David,

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along with a wealth of other TV talent including

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Dame Maggie Smith and Lesley's Birds Of A Feather bosom buddy,

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Pauline Quirke, as David's Nanny, Peggotty.

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Davey! Oh, Davey, Davey - my own darling, darling Davey!

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I love it. You see, I think

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television has always had a great reputation for doing Dickens,

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for doing the dramas, David Copperfield, this was my sort of...

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Not my... I suppose my youth.

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I'm not sure what year this was made, but this was a drama

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and maybe in my head one day I thought I might be in that.

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I must have seriously wanted to be a serious actress.

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-Mm-hm(!)

-Don't laugh!

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I'm sitting here getting emotional, watching David Copperfield!

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Can I press pause?!

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Um...

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We've gone from the President's assassination,

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which I thought you took quite well...

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To David Copperfield, and I'm in bits!

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-That boy wants manners.

-Davey?!

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Control yourself, Clara.

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What sort of things do you watch, I mean, with your mum?

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I don't know if we reminded everyone that your mum is

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actually 102 - isn't that amazing?

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She's 102 now, yes, she is.

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-Does she watch a bit of telly?

-My mum was always too busy doing things.

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My mother never, ever sat down.

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She never did, she used to be the most amazing baker.

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If it was your birthday, she'd suddenly do this amazing doll

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in a crinoline, all made out of edible things -

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I always remember that. Or she'd do the most wonderful castle or

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a little thatched cottage with roses round the door.

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She was always making.

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She made amazing chicken soup with lokshen,

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she did amazing roast chicken, she was always baking,

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so she wasn't somebody that could ever sit down and say, "Right,

0:18:150:18:18

"what are we going to watch?"

0:18:180:18:20

I don't remember ever watching anything with her.

0:18:200:18:22

You know, my brother and I would sit and watch, but she was a doer,

0:18:220:18:27

she used to make all our clothes because just after the war,

0:18:270:18:32

you didn't have anything.

0:18:320:18:33

So it was practically... Nice curtains?

0:18:330:18:36

Right, let's take those down - there's your dress, Lesley.

0:18:360:18:39

She had a sewing machine, so she was always doing.

0:18:390:18:42

She never really sat and watched,

0:18:420:18:45

so I don't remember watching anything with her.

0:18:450:18:48

Now, you like your telly short and sweet. I'll tell you what I mean.

0:18:530:18:57

That was a little clue. This is it.

0:18:570:19:00

This telly advert,

0:19:000:19:01

Lesley's favourite,

0:19:010:19:03

was part of a £6 million global campaign in 2010

0:19:030:19:06

inviting viewers to associate a sense of James Bond-esque decadence

0:19:060:19:11

with a commercial airline.

0:19:110:19:13

-I mean, the production values...

-Amazing.

-Phenomenal, isn't it?

0:19:150:19:19

# Feeling good... #

0:19:190:19:21

Da-dum, da-dum!

0:19:210:19:24

-This is a lovely visual, watch.

-Oh, it's amazing.

0:19:260:19:29

Here we go - are you ready?

0:19:290:19:30

# Drifting on by, you know how I feel

0:19:300:19:34

# It's a new dawn, it's a new day... #

0:19:340:19:36

There's something wrong with that!

0:19:360:19:39

It's very Dorien!

0:19:390:19:40

It's just an incredible advert.

0:19:400:19:43

The sassy soundtrack and slick and sexy choreography

0:19:430:19:47

entice us to fly into a glamorous,

0:19:470:19:50

aspirational world, but the ad neatly brings us back to earth

0:19:500:19:55

with the ability to laugh at the indulgence of it all.

0:19:550:19:58

-Is that Linda?

-No, she's in Miami.

-Ah, of course she is.

0:19:580:20:01

What's interesting about commercials is they're either comedy

0:20:010:20:05

and you remember them for the comedy, sometimes they're

0:20:050:20:08

so amazingly, brilliantly produced

0:20:080:20:11

you remember the commercial

0:20:110:20:12

but you don't know what it's advertising.

0:20:120:20:14

So that works for me because the red and the Virgin

0:20:140:20:17

and the whole thing, it's all very enmeshed together, so there's

0:20:170:20:21

no way you get to the end of that

0:20:210:20:23

and think, "What was that selling, a car?"

0:20:230:20:25

What about a good comedy ad?

0:20:250:20:27

I think if an ad's clever, it doesn't matter if it's comedic,

0:20:270:20:30

beautiful to look at - look at the Guinness adverts.

0:20:300:20:33

They're amazingly well produced, they're all about a minute long and

0:20:330:20:37

you get that wonderful shot at the end with the froth on the Guinness.

0:20:370:20:39

The Hovis adverts with the little boy trundling up the cobbled stones.

0:20:390:20:45

It doesn't matter - one isn't better than another,

0:20:450:20:47

it's how you choose to sell that product.

0:20:470:20:50

I remember when I came out of drama school we had to fill in things

0:20:500:20:53

and it said, "Would you do a commercial?" Absolutely not!

0:20:530:20:56

A commercial?!

0:20:560:20:58

No! I went into the business to be a serious actress,

0:20:580:21:01

I'm a serious actress!

0:21:010:21:03

I started off doing Chekhov and Shakespeare and I still do,

0:21:030:21:06

but the comedy world took over.

0:21:060:21:09

Birds Of A Feather.

0:21:140:21:15

Something that you're very famous for.

0:21:150:21:18

# What'll I do

0:21:200:21:23

# When you

0:21:230:21:25

# Are far away

0:21:250:21:28

# And I am blue?

0:21:280:21:31

# What'll I do? #

0:21:320:21:35

This is me.

0:21:360:21:37

Goodnight then, Dorien.

0:21:410:21:42

Oh, Roger, you have something on your lip.

0:21:430:21:46

-Really, what is it?

-Me!

0:21:460:21:48

LAUGHTER

0:21:480:21:50

Until tomorrow night then, darling.

0:21:590:22:01

Listen, if the night gets long and...

0:22:010:22:03

..lonely...call me.

0:22:040:22:06

Do you think all great comediennes,

0:22:110:22:14

great comedians, are desperate to be taken seriously?

0:22:140:22:17

I think the grass always looks greener.

0:22:170:22:19

I think sometimes I could look at those who do wonderful, serious

0:22:190:22:23

work and think, "Oh, my goodness,

0:22:230:22:25

"I would love to do Shakespeare in the West End," or "I've never

0:22:250:22:27

"worked at the National, I'd love to work at the National."

0:22:270:22:30

On the other hand, if you said to me,

0:22:300:22:33

"You can go on the road with Annie,"

0:22:330:22:35

I would say just to dance Easy Street, I will take that,

0:22:350:22:39

because dancing Easy Street brings me alive.

0:22:390:22:42

But you can dance.

0:22:420:22:45

That's how talented you are.

0:22:450:22:46

-Lesley Joseph...

-Oh, no!

-..dancing.

0:22:460:22:49

Oh, dear.

0:22:490:22:51

# I was sad and blue

0:22:510:22:53

# But you made me feel

0:22:530:22:57

# Yeah, you made me feel

0:22:570:23:01

# All shiny and new... #

0:23:010:23:03

Go on, Lesley!

0:23:030:23:04

# Like a virgin!

0:23:040:23:07

# Touched for the very first time! #

0:23:080:23:09

I've still got that dress. It's got a matching handbag.

0:23:090:23:13

Why would you keep that dress and matching handbag?

0:23:140:23:17

-Because it's iconic!

-I see, OK!

-It's ICONIC, Brian!

0:23:170:23:20

-So it's not something you'd wear out?

-I've worn it since.

0:23:200:23:22

We filmed this at the Hammersmith Palais in front of about 400 extras

0:23:220:23:27

on the very first day of filming.

0:23:270:23:30

This was the most requested in a whole year of Points Of View.

0:23:300:23:34

It was the most requested clip and it's the one whenever anybody

0:23:360:23:39

talks about Birds, it was such a good episode.

0:23:390:23:44

I have to say, you are very brave.

0:23:450:23:47

I thought I was being brilliant, Brian, you don't understand -

0:23:470:23:50

I thought I was singing it brilliantly.

0:23:500:23:53

There's a bit that comes afterwards when the legs go apart, as well.

0:23:530:23:56

-His or yours?

-Mine.

-Oh!

0:23:560:23:58

And I loved it, it was such fun.

0:23:580:24:01

Oh, dear.

0:24:010:24:02

Birds Of A Feather, the comedy romp

0:24:020:24:04

which played out the misadventures of two sisters and their saucepot

0:24:040:24:08

neighbour, was a ratings smash around for nine series from 1989.

0:24:080:24:13

The series returned in 2014

0:24:130:24:15

and its opening episode attracted 9.5 million viewers -

0:24:150:24:20

ITV's highest-rating comedy in over a decade.

0:24:200:24:24

I was very aware when Birds started

0:24:240:24:26

that Dorien was very much the third character,

0:24:260:24:29

so had she not been liked or had it not worked, they could have

0:24:290:24:33

moved or she would have moved, but I think you needed that third

0:24:330:24:38

character to come in, as Pauline always used to call me,

0:24:380:24:40

a wooden spoon.

0:24:400:24:42

She'd come in and stir the mix and set sister against sister

0:24:420:24:45

and they'd be against her or she'd be against Pauline

0:24:450:24:48

and it was always the three. And then gradually

0:24:480:24:51

she became sort of indispensable.

0:24:510:24:54

Oh, I think after you watch this scene,

0:24:540:24:56

it's obviously clear that you are indispensable.

0:24:560:24:59

George Hamilton!

0:25:010:25:03

-Please call me George.

-Cheers, George!

0:25:030:25:06

Is your...friend OK?

0:25:100:25:13

I think she's a bit overcome.

0:25:130:25:15

She's been carrying a bit of a torch for you

0:25:150:25:17

ever since she was a young girl.

0:25:170:25:18

Well, no wonder she's exhausted!

0:25:190:25:21

Oh, that was funny.

0:25:210:25:23

I couldn't remember that. "No wonder she's exhausted!"

0:25:230:25:26

Of course, we went to LA.

0:25:260:25:28

When we did Birds, we went to LA, Berlin, Majorca

0:25:280:25:32

and we used to say whenever we had a Christmas special, "Please,

0:25:320:25:36

"where can you send us this year?"

0:25:360:25:38

Look how much hair I've got there!

0:25:380:25:40

You've come all the way from England to see me,

0:25:400:25:42

the least I can do for you is to invite you back to my mansion

0:25:420:25:44

for a little, um, champagne by the pool and some sunbathing, huh?

0:25:440:25:50

-What do you say?

-You're kidding!

0:25:500:25:52

I never kid where sunbathing is concerned.

0:25:520:25:55

What are we waiting for?!

0:25:560:25:58

Er...

0:26:000:26:02

What about your friend? We can't just leave her here.

0:26:020:26:05

Don't worry. We'll tell the bellboy

0:26:050:26:07

to leave her with the rest of your old baggage till we get back.

0:26:070:26:11

It worked incredibly well because it was always the chemistry

0:26:110:26:14

between Pauline, Linda and I that made it work.

0:26:140:26:17

Let's bring it right up to date.

0:26:220:26:23

Well, we have, with Birds Of A Feather.

0:26:230:26:25

What sort of stuff do you watch?

0:26:250:26:27

We've already said that you don't have that much time, but...

0:26:270:26:30

Is there stuff?

0:26:300:26:32

I can't tell you how many box sets I've got that I've never even opened.

0:26:320:26:36

I think, "I must watch this," and "everybody's watching that,"

0:26:360:26:39

and "I've got to watch that," and I buy the box set and it sits there.

0:26:390:26:43

Mainly because I'm not sure how to work the DVD player, but...

0:26:430:26:46

I know that when I watched The West Wing many moons ago,

0:26:490:26:52

I watched eight a day.

0:26:520:26:54

-It's obsessive.

-Oh, really?

0:26:540:26:56

Yeah. Once I started watching it, it always had a cliffhanger at the end,

0:26:560:27:00

so I had to keep watching it and I think I'm frightened of getting

0:27:000:27:03

into something that I know is going to take the next six months

0:27:030:27:06

of my life, I'm going to be like this in front of this goggle box.

0:27:060:27:09

So I know I will get to watch everything that's in my box sets,

0:27:090:27:13

but just not yet. I sometimes catch up on my soaps.

0:27:130:27:16

EastEnders are fantastic

0:27:160:27:18

because the strong matriarchal women are fantastic in soaps.

0:27:180:27:22

So EastEnders is something you watch, anything else out there?

0:27:220:27:26

I watch Emmerdale, Corrie.

0:27:260:27:27

On this show, you get a chance to pick a theme tune,

0:27:270:27:31

a theme tune for us to go out on. So what's it going to be?

0:27:310:27:34

-Can I pick a theme tune from one of my clips?

-Of course you can.

0:27:340:27:37

Then I'm going to have David Copperfield.

0:27:370:27:39

-You're not going to cry, are you?

-Nope.

0:27:390:27:41

Ladies and gentlemen, we bid farewell to the lovely,

0:27:410:27:44

dear Lesley Joseph.

0:27:440:27:46

This is David Copperfield playing us out.

0:27:460:27:49

SHE SNIFFLES Oh, look!

0:27:510:27:54

DAVID COPPERFIELD THEME PLAYS

0:27:550:27:57

HE SOBS, SHE LAUGHS

0:27:580:28:00

I thought he was a magician!

0:28:070:28:08

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