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Telly. That magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:10 | |
In this series, I'm going to journey through the fantastic world | 0:00:10 | 0:00:13 | |
of TV with some of our favourite celebrities. | 0:00:13 | 0:00:16 | |
They've chosen the precious TV moments that shed light... | 0:00:16 | 0:00:20 | |
-Proper. -'She seems like a nice girl, though.' | 0:00:20 | 0:00:22 | |
Look at that. | 0:00:22 | 0:00:24 | |
..on the stories of their lives. | 0:00:24 | 0:00:26 | |
THEY SING | 0:00:26 | 0:00:29 | |
Some are funny. | 0:00:29 | 0:00:31 | |
-Could you do the chanting? -I could do... Mnum, mnum, mnum. | 0:00:31 | 0:00:34 | |
Some... | 0:00:34 | 0:00:35 | |
Amazing! | 0:00:35 | 0:00:36 | |
..are surprising. | 0:00:36 | 0:00:38 | |
I was mortified. | 0:00:38 | 0:00:39 | |
Some are inspiring... | 0:00:39 | 0:00:42 | |
I am not a number. I am a free man. | 0:00:42 | 0:00:45 | |
-And many... -Did George Orwell get his predictions right? | 0:00:45 | 0:00:48 | |
It's all so dramatic! | 0:00:48 | 0:00:49 | |
..are deeply moving. | 0:00:49 | 0:00:50 | |
Oh, no. | 0:00:50 | 0:00:52 | |
'And heads down the beach towards almost certain death.' | 0:00:52 | 0:00:54 | |
All of us, weeping. | 0:00:54 | 0:00:56 | |
So come watch with us as we hand-pick the vintage telly | 0:00:56 | 0:01:00 | |
that helped turn our much-loved stars into the people they are today. | 0:01:00 | 0:01:05 | |
Welcome to the TV That Made Me. | 0:01:05 | 0:01:07 | |
My guest today is one of the first people we see when we wake up. | 0:01:16 | 0:01:20 | |
Carol Kirkwood has been brightening up our mornings come rain or | 0:01:20 | 0:01:24 | |
shine for over a decade. | 0:01:24 | 0:01:26 | |
The TV that made her includes a family game show... | 0:01:26 | 0:01:30 | |
Could we have the scores on the doors, please? | 0:01:30 | 0:01:33 | |
..a Scouse sitcom... | 0:01:33 | 0:01:34 | |
-Do I ever ask you personal questions about your private life? -Yes. | 0:01:34 | 0:01:39 | |
..and a kids' institution. | 0:01:39 | 0:01:41 | |
My idea of this special treat is called scone pizza. | 0:01:41 | 0:01:45 | |
It can only be the one and only, | 0:01:45 | 0:01:47 | |
-the lovely Carol Kirkwood is with us today. -Hi, Brian. | 0:01:47 | 0:01:52 | |
Are you excited about this? | 0:01:52 | 0:01:53 | |
I am, I'm really looking forward to taking a wee jaunt down memory lane. | 0:01:53 | 0:01:57 | |
That's what it is. Today is a collection of TV archives, | 0:01:57 | 0:02:01 | |
things that you've enjoyed over the years but first up, | 0:02:01 | 0:02:04 | |
we're going to rewind the clock and go back to the early Carol. | 0:02:04 | 0:02:09 | |
Carol Kirkwood was born Carol MacKellaig on 29 May 1962 | 0:02:11 | 0:02:18 | |
in the remote rural village of Morar in the West Highlands of Scotland. | 0:02:18 | 0:02:22 | |
Mum and Dad had their hands full with two sons, six daughters | 0:02:23 | 0:02:27 | |
and a family business to run. | 0:02:27 | 0:02:29 | |
My parents owned a hotel. | 0:02:29 | 0:02:31 | |
It was only about four minutes' walk up the road, but we spent a lot of | 0:02:31 | 0:02:34 | |
time in the hotel, and we used to play in the hotel car park on our bikes. | 0:02:34 | 0:02:38 | |
With you talking about that hotel... | 0:02:38 | 0:02:41 | |
You might find this a little bit interesting. | 0:02:41 | 0:02:44 | |
'And then the manager will come out and welcome you all to Morar.' | 0:02:46 | 0:02:51 | |
BAGPIPES PLAY | 0:02:51 | 0:02:52 | |
That's Morar Hotel! | 0:02:52 | 0:02:54 | |
'Here, too, is a piper to greet you after your second day's journey. | 0:02:54 | 0:02:59 | |
'The hotel manager is on the doorstep to welcome you.' | 0:02:59 | 0:03:02 | |
Oh, my goodness! | 0:03:02 | 0:03:04 | |
-Oh...my...goodness! -How does it feel seeing it? -Lovely! | 0:03:04 | 0:03:08 | |
-Oh, gosh, I spent years there. -That's not you on the left. | 0:03:10 | 0:03:14 | |
SHE LAUGHS No. | 0:03:14 | 0:03:15 | |
We used to love it when the coach drivers would come up | 0:03:15 | 0:03:18 | |
because they would take us for a spin in their coach. | 0:03:18 | 0:03:20 | |
-You'd be sitting there like wee girls. -So, is that...? -Oh, yes. Yes! | 0:03:20 | 0:03:25 | |
That's what it was like. Look at the wallpaper and the carpets. | 0:03:25 | 0:03:28 | |
-Oh, look at that fire. -That's what it was like! | 0:03:28 | 0:03:31 | |
'The rooms look out at the dark islands of Rum and Eigg.' | 0:03:31 | 0:03:34 | |
-Look at that view, Brian. -Oh, it's stunning. -Look at the bedspreads! | 0:03:34 | 0:03:38 | |
HE LAUGHS | 0:03:38 | 0:03:40 | |
You had these candlewick bedspreads too. | 0:03:40 | 0:03:43 | |
We had so much freedom! | 0:03:43 | 0:03:44 | |
Because you'd come home from school, dump your school bag, pick up | 0:03:44 | 0:03:48 | |
your bike with your friends, swimming costume on, off to the beach. | 0:03:48 | 0:03:51 | |
-It sounds to me like you didn't have much time to watch TV! -SHE LAUGHS | 0:03:51 | 0:03:54 | |
Well, our TV was very much monitored. | 0:03:54 | 0:03:57 | |
I know some children nowadays go in and just watch telly | 0:03:57 | 0:04:01 | |
ad nauseam or watch it on their computer or whatever. | 0:04:01 | 0:04:04 | |
It wasn't like that for us. We were very much outdoor kids | 0:04:04 | 0:04:07 | |
and we'd play and make up games. | 0:04:07 | 0:04:09 | |
-Well, look at that. You had a chance to see... -Beautiful. | 0:04:09 | 0:04:12 | |
..a beautiful setting. | 0:04:12 | 0:04:13 | |
But I remember, at the corner of the hotel in the opening | 0:04:13 | 0:04:16 | |
shot of that, there was a car parking space | 0:04:16 | 0:04:18 | |
and my dad always parked there. | 0:04:18 | 0:04:19 | |
And I was just little, wanted to learn to drive but was far too young. | 0:04:19 | 0:04:23 | |
And so the hotel was on a slight slope, | 0:04:23 | 0:04:25 | |
the car park was on a slight slope. | 0:04:25 | 0:04:27 | |
So anyway, he had a Jag and I was sitting in the Jag, | 0:04:27 | 0:04:30 | |
pretending to drive, turning the steering wheel. | 0:04:30 | 0:04:32 | |
I'd seen Dad taking the handbrake off often. | 0:04:32 | 0:04:35 | |
I took the handbrake off, didn't know how to put it back on, | 0:04:35 | 0:04:38 | |
as the car and me slid slowly smack into the wall. | 0:04:38 | 0:04:42 | |
Couldn't sit down for two weeks. | 0:04:42 | 0:04:44 | |
-Dad was gutted! Bless him. -Oh... | 0:04:44 | 0:04:47 | |
Your biggest influence, Carol, stems back to 1973. | 0:04:52 | 0:04:57 | |
I'm not going to say any more. We're going back to 1973. | 0:04:57 | 0:05:02 | |
Princess Anne, as she walks down the aisle of Westminster Abbey | 0:05:02 | 0:05:05 | |
-to marry Captain Mark Phillips. -Oh, my goodness. | 0:05:05 | 0:05:07 | |
-Now, you were a huge fan. -I was, I loved Blue Peter. | 0:05:07 | 0:05:11 | |
..The Royal Military School of Music. | 0:05:11 | 0:05:13 | |
We used to watch this all the time. | 0:05:13 | 0:05:16 | |
You'd come in from whatever you were doing. | 0:05:16 | 0:05:18 | |
If you were outside playing, you'd come in and watch Blue Peter. | 0:05:18 | 0:05:20 | |
If you were outside crashing the car, you'd think, | 0:05:20 | 0:05:23 | |
"You know what? I'd better go in now, it's Blue Peter!" | 0:05:23 | 0:05:25 | |
I'm in enough trouble. | 0:05:25 | 0:05:26 | |
There are an estimated 500 million people going to be watching | 0:05:26 | 0:05:30 | |
the royal wedding on Wednesday and amongst them, there's going to be | 0:05:30 | 0:05:32 | |
an awful lot of children, because the Queen... | 0:05:32 | 0:05:35 | |
I remember actually watching this particular one. | 0:05:35 | 0:05:37 | |
Look at the sets. | 0:05:37 | 0:05:39 | |
Gosh, it looks so sparse. | 0:05:39 | 0:05:41 | |
Launched in 1958, | 0:05:41 | 0:05:43 | |
Blue Peter is the world's longest-running children's programme. | 0:05:43 | 0:05:47 | |
Not bad for a show that was designed to fill a six-week | 0:05:47 | 0:05:49 | |
gap in the schedule. | 0:05:49 | 0:05:51 | |
It blazed the trail for TV shows to break out of the studio | 0:05:51 | 0:05:55 | |
and use BBC TV Centre as a location, | 0:05:55 | 0:05:58 | |
prompting a stern memo from the then BBC management | 0:05:58 | 0:06:02 | |
that read, "Television Centre is not a place of entertainment." | 0:06:02 | 0:06:06 | |
Have a listen to what Johnny's got to say | 0:06:06 | 0:06:07 | |
because he's got rather a good idea for something to do. | 0:06:07 | 0:06:10 | |
Dead right, there. My idea is to give your mum a holiday too. | 0:06:10 | 0:06:13 | |
Tell her you'll cook her a special treat when she puts her feet up | 0:06:13 | 0:06:16 | |
on Wednesday morning to watch the television. | 0:06:16 | 0:06:18 | |
I loved John Noakes. | 0:06:18 | 0:06:19 | |
So did I, you never knew what he was going to do next. | 0:06:19 | 0:06:22 | |
-And he always got so many things wrong. -I know, that was his charm. | 0:06:22 | 0:06:25 | |
Look at the state of that! | 0:06:25 | 0:06:27 | |
I loved, "Here's one we prepared earlier." | 0:06:27 | 0:06:29 | |
Oh, that's where it first started. | 0:06:29 | 0:06:31 | |
-A lovely smell. -We smelt it. -Is it done? -Is that why you're here? | 0:06:31 | 0:06:34 | |
-I haven't had any lunch. -Can you pass the knife? | 0:06:34 | 0:06:37 | |
-Is this the sort of thing you would have made? -Yes. -Really? | 0:06:37 | 0:06:39 | |
I wouldn't have done it regularly but because they made it | 0:06:39 | 0:06:42 | |
on Blue Peter, it would be, "Let's have a bash at doing this." | 0:06:42 | 0:06:45 | |
I didn't make everything they made, | 0:06:45 | 0:06:47 | |
but they always had the sticky-back plastic | 0:06:47 | 0:06:49 | |
and the loo rolls and the empty washing-up liquids. | 0:06:49 | 0:06:52 | |
And they are making this for the royal wedding, | 0:06:52 | 0:06:55 | |
-so that they can eat this... -Which is exactly what we did. | 0:06:55 | 0:06:59 | |
With the scones? | 0:06:59 | 0:07:00 | |
Yeah, we made them and we sat down... I remember it so well. | 0:07:00 | 0:07:03 | |
The sun was shining, | 0:07:03 | 0:07:04 | |
we drew the blinds, watched it on the telly with our scones. | 0:07:04 | 0:07:08 | |
Blue Peter is also renowned for its cast of animals. | 0:07:09 | 0:07:13 | |
Each year, young tortoise owners were reminded how to safely | 0:07:13 | 0:07:17 | |
prepare their four-legged friends for winter, | 0:07:17 | 0:07:20 | |
usually with the show's longest-serving pet, Freda, | 0:07:20 | 0:07:23 | |
who stayed with the show for 16 years. | 0:07:23 | 0:07:27 | |
She first appeared in 1963 as Fred until they realised he was a she. | 0:07:27 | 0:07:33 | |
So, was Blue Peter something that made you want to be a presenter? | 0:07:34 | 0:07:39 | |
-Yes. -Really? -I wanted to be a Blue Peter presenter full stop, | 0:07:39 | 0:07:43 | |
but I was so shy. | 0:07:43 | 0:07:45 | |
Is it still an ambition to be a Blue Peter presenter? | 0:07:45 | 0:07:48 | |
Gordon MacKenzie Highlander, | 0:07:48 | 0:07:50 | |
I would be like the granny on that programme! | 0:07:50 | 0:07:52 | |
-I think you could earn a gold Blue Peter badge today. -Yeah? | 0:07:52 | 0:07:57 | |
What I've got planned for you... This is a classic, | 0:07:57 | 0:08:01 | |
a moment that every year on Blue Peter they would do | 0:08:01 | 0:08:04 | |
and present to the children, and of course this is your chance | 0:08:04 | 0:08:08 | |
to do that and I have a couple of things to get for you. | 0:08:08 | 0:08:12 | |
-I'm feeling very nervous now, Brian. -Don't feel nervous. -Eek! | 0:08:12 | 0:08:16 | |
First of all, I would like to introduce you to Trevor. | 0:08:16 | 0:08:20 | |
-That's not real, is it? -Yeah. -Seriously? | 0:08:20 | 0:08:23 | |
-Just put him on your lap there. -Hello, Trevor! | 0:08:24 | 0:08:28 | |
And we are going to hibernate him. | 0:08:28 | 0:08:31 | |
Oh, I can feel his leg moving on my leg! | 0:08:31 | 0:08:34 | |
Oh, it's quite tickly! | 0:08:34 | 0:08:35 | |
-Trevor, you're tickling me! -So, we're going to... We're going to put... | 0:08:35 | 0:08:38 | |
-We're going to hibernate him. -CAROL GASPS | 0:08:38 | 0:08:40 | |
So, you have to take this box | 0:08:40 | 0:08:42 | |
-that is big enough for him to turn around in... -Yeah. | 0:08:42 | 0:08:44 | |
-Oh, Trevor! -..fill it with shredded paper... | 0:08:44 | 0:08:47 | |
And this is yours. I will hold on to Trevor while you now | 0:08:47 | 0:08:52 | |
-present the rest of this moment to earn your gold Blue Peter badge. -OK. | 0:08:52 | 0:08:56 | |
OK, well, first of all, | 0:08:56 | 0:08:57 | |
Trevor, I hope that you are going to enjoy your bed. | 0:08:57 | 0:09:00 | |
Some very nice bedding here for you. | 0:09:00 | 0:09:03 | |
We've put this through a shredder, it's all confidential, | 0:09:03 | 0:09:05 | |
you can't see anything from it. | 0:09:05 | 0:09:07 | |
-No. -So, Trevor, I'm just going to make... | 0:09:07 | 0:09:08 | |
-Very important, data protection. -Yep... | 0:09:08 | 0:09:10 | |
CAROL LAUGHS Absolutely. | 0:09:10 | 0:09:13 | |
Spreading this out, nice and evenly. | 0:09:13 | 0:09:15 | |
HE MOUTHS Yeah. | 0:09:15 | 0:09:16 | |
-It's going all over the place, Trevor. -Nice. | 0:09:16 | 0:09:18 | |
But we want to make a nice little... | 0:09:18 | 0:09:20 | |
I'll make it nice and soft in the middle, particularly, a little... | 0:09:20 | 0:09:23 | |
A little bit of a hollow for Trevor to sit in. | 0:09:23 | 0:09:25 | |
Yes, a little bit of a hollow. | 0:09:25 | 0:09:26 | |
-Note the hollow. That's very good, you know. -Yeah, so that... | 0:09:26 | 0:09:29 | |
Yeah, you've sold it for me. | 0:09:29 | 0:09:30 | |
Right, Trevor, how deep would you like your bed? | 0:09:30 | 0:09:33 | |
-Um, I think one more and that should do. -One more? OK. | 0:09:33 | 0:09:35 | |
Do we now place Trevor in, Blue Peter presenter? | 0:09:35 | 0:09:39 | |
Yes, well, has he got anything else that can go in with him, | 0:09:39 | 0:09:41 | |
-or is this it? -Well, what, like, a cuddly toy? | 0:09:41 | 0:09:43 | |
What do you mean? I don't know, he doesn't need anything else. | 0:09:43 | 0:09:46 | |
Oh, Trevor, little man! | 0:09:46 | 0:09:47 | |
I like the way you're stroking him. He can't feel anything, it's... | 0:09:47 | 0:09:50 | |
I know, I don't like to touch him in case I scare him, though. | 0:09:50 | 0:09:53 | |
Oh, why are you going to scare him, Carol? | 0:09:53 | 0:09:54 | |
-Oh, you're a good boy, aren't you? Look at you! -Ooh... | 0:09:54 | 0:09:57 | |
There you are, I'll let you place him into the box. | 0:09:57 | 0:09:59 | |
OK, Trevor, come on, we're going in. | 0:09:59 | 0:10:00 | |
-In you go, wee man. -And now... | 0:10:00 | 0:10:02 | |
There you go! Watch your wee leggies. | 0:10:02 | 0:10:05 | |
-There you go! -So, we have to... And then we have to... | 0:10:05 | 0:10:07 | |
-All settled. -Oh... | 0:10:07 | 0:10:08 | |
This is a true Blue Peter moment. | 0:10:11 | 0:10:14 | |
-Look at that. -This is a little... | 0:10:15 | 0:10:19 | |
A little message from Trevor. | 0:10:19 | 0:10:20 | |
CAROL LAUGHS | 0:10:20 | 0:10:23 | |
-Oh! -But a good Blue Peter presenter will always carry on | 0:10:23 | 0:10:26 | |
in the face of adversity. | 0:10:26 | 0:10:28 | |
Carol, you hold them because my hand's a bit messy. | 0:10:28 | 0:10:30 | |
Look at him, he's looking out, "Now, what are you laughing at?" | 0:10:30 | 0:10:33 | |
We have to punch some holes in here. I need a dry-clean. | 0:10:33 | 0:10:35 | |
If you've got to go, Trevor, you've got to go. | 0:10:35 | 0:10:38 | |
BRIAN SIGHS OK. How many... Three on each side? | 0:10:38 | 0:10:41 | |
Yeah. And just maybe a few on top there, that's it. | 0:10:41 | 0:10:43 | |
You're OK, Trevor. | 0:10:43 | 0:10:45 | |
And, um... | 0:10:45 | 0:10:46 | |
And, of course, then you put a bit of gaffer tape over it and... | 0:10:46 | 0:10:49 | |
Yeah, and Bob's your uncle. Trevor's your uncle. | 0:10:49 | 0:10:51 | |
Congratulations, well done, | 0:10:51 | 0:10:53 | |
I think you've earned your gold Blue Peter badge. | 0:10:53 | 0:10:55 | |
Thank you. | 0:10:55 | 0:10:56 | |
In the... No, it's all right, it's the other hand! | 0:10:56 | 0:10:59 | |
THEY LAUGH | 0:10:59 | 0:11:01 | |
Thank you, Brian. | 0:11:01 | 0:11:03 | |
-Oh, let's watch something else, we need to escape from all of this. -Aww! | 0:11:03 | 0:11:06 | |
Thanks to Blue Peter, | 0:11:07 | 0:11:09 | |
the only thing harmed there was maybe a bit of my pride. | 0:11:09 | 0:11:12 | |
CHEERING AND APPLAUSE | 0:11:17 | 0:11:20 | |
Thank you. | 0:11:22 | 0:11:24 | |
Oh, I used to love this! | 0:11:24 | 0:11:25 | |
Do you know, every Saturday, the television on, | 0:11:25 | 0:11:28 | |
everybody sitting down, The Generation Game on, loved it. | 0:11:28 | 0:11:31 | |
Yeah. | 0:11:31 | 0:11:32 | |
In the '70s, traditional variety shows fell out of favour | 0:11:32 | 0:11:36 | |
and TV bosses were on the hunt for something new. | 0:11:36 | 0:11:39 | |
And could we have the scores on the doors, please? | 0:11:39 | 0:11:41 | |
Step forward Bruce Forsyth with his Generation Game. | 0:11:41 | 0:11:46 | |
It fast became one of the biggest game shows of the decade. | 0:11:46 | 0:11:50 | |
When Larry Grayson took the helm in 1978, it seemed unstoppable. | 0:11:50 | 0:11:55 | |
In 1979, at its peak, | 0:11:55 | 0:11:57 | |
the show entertained 25 million people of all generations. | 0:11:57 | 0:12:02 | |
-Larry was so funny. -He was so endearing. | 0:12:02 | 0:12:04 | |
You never knew what the devil was going to happen | 0:12:04 | 0:12:06 | |
-and he was on with Isla...St Clair, wasn't he? -Yeah. | 0:12:06 | 0:12:09 | |
Please meet Miss Isla St Clair. | 0:12:09 | 0:12:11 | |
And look at Isla's dresses. | 0:12:11 | 0:12:13 | |
APPLAUSE | 0:12:13 | 0:12:15 | |
Did you always want to be Isla St Clair? | 0:12:15 | 0:12:20 | |
-No, I wanted to be a contestant on this. -Oh, right. | 0:12:20 | 0:12:22 | |
I loved the way that they would be killing themselves laughing, | 0:12:22 | 0:12:25 | |
so if they were making something with pottery, for example, and you know | 0:12:25 | 0:12:28 | |
how you have to keep your hands on it as it spins, or it'll go choooww? | 0:12:28 | 0:12:31 | |
-Yeah. -If you take your hands off it... -Oh, here they go. | 0:12:31 | 0:12:33 | |
I say, I wouldn't like to stick a chocolate flake amongst this lot! | 0:12:33 | 0:12:36 | |
LAUGHTER | 0:12:36 | 0:12:38 | |
It always ended up a right old mess, didn't it? | 0:12:38 | 0:12:41 | |
But Larry was so camp around the whole thing, which made it. | 0:12:41 | 0:12:45 | |
I know, I know. | 0:12:45 | 0:12:47 | |
-You are doing well, Fred. -Fred? | 0:12:47 | 0:12:49 | |
Fred, Joe. | 0:12:49 | 0:12:50 | |
Look at that, though! | 0:12:50 | 0:12:52 | |
Oh, look at the mess. | 0:12:52 | 0:12:53 | |
Look at the mess! | 0:12:53 | 0:12:55 | |
And you'd be sitting at home thinking, | 0:12:55 | 0:12:57 | |
"I could do better than that!" | 0:12:57 | 0:12:58 | |
I love, more and more, Larry Grayson, as I've got older. | 0:12:58 | 0:13:01 | |
-I just think he was so... -So funny. | 0:13:01 | 0:13:03 | |
-He was. -MIMICS LARRY: -"And you know..." | 0:13:03 | 0:13:05 | |
-But he was also... He was caring as well, you felt you knew him. -Mm. | 0:13:05 | 0:13:08 | |
-You thought, "Oh, Larry, bless you." -Yeah. | 0:13:08 | 0:13:10 | |
He was that kind of person. | 0:13:10 | 0:13:12 | |
Bruce had a slickness, but there was...there was... | 0:13:12 | 0:13:15 | |
It was just chaotic, you know, it was. | 0:13:15 | 0:13:18 | |
-With Larry, I know. -Yeah. | 0:13:18 | 0:13:19 | |
But remember the conveyor belt and they'd be trying to help him? | 0:13:19 | 0:13:22 | |
"Have you said a cuddly toy? Have you said a cuddly toy?" | 0:13:22 | 0:13:24 | |
-"Yes, I've said a cuddly toy." -Yeah. | 0:13:24 | 0:13:26 | |
Cos that was always there. But the Teasmade, | 0:13:26 | 0:13:27 | |
the electric blankets, the candlewick cover for your bed, | 0:13:27 | 0:13:31 | |
all the things that were trendy in those days, maybe a radio. | 0:13:31 | 0:13:34 | |
What else did they have? Cutlery and vases and glasses and all of that. | 0:13:34 | 0:13:39 | |
-MIMICS BUZZER: -You've won! -CAROL LAUGHS | 0:13:39 | 0:13:41 | |
-You won, Carol, all right? -I loved it. -What did you get? | 0:13:41 | 0:13:43 | |
The Hoover, the shaver, the electric drill, the blanket, the cuddly toy... | 0:13:43 | 0:13:47 | |
So, we're going to move on to comedy heroes | 0:13:52 | 0:13:54 | |
and I'm going to take you now back to 1973. | 0:13:54 | 0:13:57 | |
-1973? -Yeah. | 0:13:57 | 0:13:58 | |
-I was 11. -Aww! | 0:13:58 | 0:14:00 | |
It's going back to the days of bows and arrows. | 0:14:00 | 0:14:02 | |
Fancy spending Friday night on me own. | 0:14:02 | 0:14:06 | |
CAROL GASPS The Liver Birds! | 0:14:06 | 0:14:08 | |
BRIAN HUMS THEME TUNE | 0:14:08 | 0:14:09 | |
Me, with all the talent, it's a sheer waste of woman. | 0:14:09 | 0:14:13 | |
They were so funny. | 0:14:13 | 0:14:14 | |
Didn't you just love the way that Sandra was, like, | 0:14:14 | 0:14:17 | |
"Oh, I've found a new man," | 0:14:17 | 0:14:18 | |
-and Beryl was so matter-of-fact about the whole thing? -Yeah. | 0:14:18 | 0:14:22 | |
-Hi, Beryl! -Hello. | 0:14:22 | 0:14:24 | |
-Have a nice evening? -Ecstatic. | 0:14:24 | 0:14:27 | |
I've had four showers and half a gallon of cocoa. | 0:14:27 | 0:14:30 | |
-I had a fabulous time. -Where did you go? | 0:14:31 | 0:14:34 | |
No, Paul and I stayed in. | 0:14:34 | 0:14:36 | |
-Ooh, did you now? -Yeah, we wanted to see the play on the telly. | 0:14:36 | 0:14:40 | |
Of course you did, love. | 0:14:40 | 0:14:42 | |
I found it hilarious, I loved it. | 0:14:42 | 0:14:44 | |
I just loved the characters. | 0:14:44 | 0:14:45 | |
-The characters. -I loved them both. | 0:14:45 | 0:14:47 | |
-Beryl, I loved her sense of humour. -Mm-hm. | 0:14:47 | 0:14:50 | |
-And Sandra, she was just like your big sister, wasn't she? -Yeah. | 0:14:50 | 0:14:53 | |
She was really nice. | 0:14:53 | 0:14:55 | |
I loved seeing their fashions, though, because they had white | 0:14:55 | 0:14:58 | |
boots, knee-length white boots and you'd think, "Wow, look at them!" | 0:14:58 | 0:15:01 | |
Look, she's got 'em on there. | 0:15:01 | 0:15:02 | |
Beryl! Do I ever ask you personal questions about your private life? | 0:15:02 | 0:15:06 | |
Yes. | 0:15:06 | 0:15:07 | |
When you brought that fella back last week, | 0:15:07 | 0:15:09 | |
did I ask what you were doing on the sofa? | 0:15:09 | 0:15:11 | |
You didn't have to, this sofa gives its own running commentary. | 0:15:11 | 0:15:14 | |
Four twangs and a boing and me secrets are out. | 0:15:16 | 0:15:19 | |
No, that was really good, that was good fun. | 0:15:19 | 0:15:21 | |
So, which one of them was closest to you? | 0:15:21 | 0:15:23 | |
Which one of those two characters was closest to Carol? | 0:15:23 | 0:15:25 | |
I would like to say Sandra, but it was probably Beryl! | 0:15:25 | 0:15:28 | |
The Liver Birds was often seen as a female version of The Likely Lads | 0:15:28 | 0:15:33 | |
and was co-created by one of TV's most successful writers. | 0:15:33 | 0:15:38 | |
Carla Lane would become the first woman to create | 0:15:38 | 0:15:41 | |
hugely popular sitcoms. | 0:15:41 | 0:15:43 | |
She scored her first solo hit in 1978 with Butterflies, casting | 0:15:43 | 0:15:48 | |
Wendy Craig as the frustrated stay-at-home wife | 0:15:48 | 0:15:51 | |
to Geoffrey Palmer. | 0:15:51 | 0:15:53 | |
She went on to write love affair drama, Solo, in 1981 | 0:15:53 | 0:15:57 | |
and The Mistress in 1985, both starring Felicity Kendal. | 0:15:57 | 0:16:02 | |
In 1985, she wrote I Woke Up One Morning about four alcoholics | 0:16:02 | 0:16:07 | |
trying to quit the drink, starring Jean Boht, who went on to star as | 0:16:07 | 0:16:11 | |
Nellie Boswell in the smash-hit sitcom Bread. | 0:16:11 | 0:16:15 | |
So, Carol, watching The Liver Birds, | 0:16:15 | 0:16:16 | |
did it make you want to live in the city? | 0:16:16 | 0:16:19 | |
I always wanted to live in the city, not necessarily Liverpool, | 0:16:19 | 0:16:22 | |
although I've been to Liverpool many times. | 0:16:22 | 0:16:25 | |
Edinburgh or London were my cities of choice | 0:16:25 | 0:16:27 | |
and I did end up living in both. | 0:16:27 | 0:16:29 | |
Yes, because it seemed so glamorous - | 0:16:29 | 0:16:31 | |
-the styles, the opportunities and everything else. -Yeah. | 0:16:31 | 0:16:35 | |
So, yes, it did. | 0:16:35 | 0:16:36 | |
And when I was growing up, you know, it was beautiful | 0:16:36 | 0:16:39 | |
and I appreciate it as an adult, but as a child, | 0:16:39 | 0:16:41 | |
you did all the outdoor things like going a bike, cycling, and so on... | 0:16:41 | 0:16:44 | |
Yeah, I mean, you had an idyllic childhood. | 0:16:44 | 0:16:46 | |
Yes, but it didn't have cinemas and things like that. | 0:16:46 | 0:16:49 | |
The disco was in the local hall, for example, | 0:16:49 | 0:16:51 | |
so it wasn't a discotheque, as they were called in those days. | 0:16:51 | 0:16:54 | |
Did you eventually get a pair of knee-high white boots? | 0:16:54 | 0:16:57 | |
No, I got knee-high black ones, though. | 0:16:57 | 0:16:59 | |
Let's not go there, Carol, let's move on. | 0:16:59 | 0:17:02 | |
Carol, what was it your mum and dad loved to watch? | 0:17:08 | 0:17:10 | |
A whole host of things, but again, it is Saturday night viewing - | 0:17:10 | 0:17:14 | |
-Blankety Blank with Terry Wogan. -Oh! | 0:17:14 | 0:17:16 | |
They were big fans of Terry Wogan. | 0:17:16 | 0:17:18 | |
So I'm going to take you back there now, | 0:17:18 | 0:17:20 | |
to your parents' choice - Blankety Blank. | 0:17:20 | 0:17:23 | |
APPLAUSE | 0:17:23 | 0:17:25 | |
Good evening and welcome. | 0:17:25 | 0:17:28 | |
Now, who have we here that we haven't had before? | 0:17:28 | 0:17:30 | |
-Me, sir. -You, sir? | 0:17:30 | 0:17:31 | |
-Yes, me, sir. -Wee Joe Brown. | 0:17:31 | 0:17:33 | |
Yes, sir. | 0:17:33 | 0:17:34 | |
-Do you know, the star of this was the microphone, wasn't it? -Oh... | 0:17:34 | 0:17:38 | |
-They loved that. -Yeah, they did too. | 0:17:38 | 0:17:41 | |
Said Biggles, "By Jove, | 0:17:41 | 0:17:43 | |
"flying in an open biplane is an exhilarating experience." | 0:17:43 | 0:17:47 | |
-Very good that, isn't it? -Yes, very good, yes, carry on. | 0:17:47 | 0:17:51 | |
"Why, the wind almost blew my BLANK off." | 0:17:51 | 0:17:54 | |
Do you know, this takes me back. | 0:17:55 | 0:17:57 | |
We'd all be sitting round, you know, | 0:17:57 | 0:17:59 | |
watching the telly, and it was - shhh, | 0:17:59 | 0:18:02 | |
silence whilst we watched this and listened to what Terry's saying. | 0:18:02 | 0:18:06 | |
But it was so funny and some of the answers they gave, | 0:18:06 | 0:18:08 | |
and you'd play along with them as well. | 0:18:08 | 0:18:10 | |
-Goggles? -Goggles. | 0:18:10 | 0:18:11 | |
I thought from the old days they would always wear one of these? | 0:18:11 | 0:18:14 | |
Yes, wig. | 0:18:14 | 0:18:15 | |
BUZZER | 0:18:15 | 0:18:16 | |
It's amazing when you look at it and you see all the hairdos, | 0:18:16 | 0:18:19 | |
-which were trendy at the time. -Yeah. | 0:18:19 | 0:18:22 | |
Well, I copied Norman and I had toupee, but... | 0:18:22 | 0:18:24 | |
-Goggles! -I had goggles. | 0:18:24 | 0:18:26 | |
BUZZER, APPLAUSE | 0:18:26 | 0:18:28 | |
But some of the things they came out with were so random, | 0:18:28 | 0:18:31 | |
you know, "What?!" | 0:18:31 | 0:18:33 | |
Come on, handsome. Pants, you had. | 0:18:33 | 0:18:35 | |
LAUGHTER | 0:18:35 | 0:18:37 | |
"Almost blew my pants off"? Some wind! | 0:18:37 | 0:18:39 | |
You wonder how long it took to film this with all the laughter and everything. | 0:18:39 | 0:18:43 | |
Mm. | 0:18:43 | 0:18:44 | |
She's gone with goggles. I think... Well done, Lynsey. | 0:18:45 | 0:18:49 | |
Terry was brilliant as well, he's got the gift of the gab. | 0:18:49 | 0:18:51 | |
Yeah, there's a real art to it. | 0:18:51 | 0:18:53 | |
I mean, he's got a lot going on there - he's got six celebrities, he's got the contestants. | 0:18:53 | 0:18:57 | |
Well, there you are, Connie, two points is as good as anything on this show. | 0:18:57 | 0:19:00 | |
They had the Supermatch Game which used to finish it, | 0:19:00 | 0:19:02 | |
and I bet you always wished you could play that, didn't you? | 0:19:02 | 0:19:05 | |
-Yes, yes! -Good. -Oh, no! | 0:19:05 | 0:19:06 | |
Good. | 0:19:06 | 0:19:08 | |
-And here it is. Here it is. -Brilliant. | 0:19:08 | 0:19:11 | |
So, look, I've even got a... I'm not quite sure what it is. | 0:19:11 | 0:19:15 | |
Looks like a drumstick. | 0:19:15 | 0:19:16 | |
It is, actually, you know, we've adapted that. | 0:19:16 | 0:19:18 | |
But it's good, it's good. | 0:19:18 | 0:19:20 | |
So, we are going with the theme of you being the gorgeous, | 0:19:20 | 0:19:23 | |
lovely weather lady that you are. Snow. | 0:19:23 | 0:19:26 | |
So, what do we think it is? What do we think that is? | 0:19:26 | 0:19:29 | |
What do you want to put in there? | 0:19:29 | 0:19:30 | |
-Shower. -Snow shower? | 0:19:30 | 0:19:33 | |
I'm like as if I think that this works, I can't believe... | 0:19:33 | 0:19:36 | |
I want to say Snow White, in all honesty, | 0:19:36 | 0:19:38 | |
-but sticking with the weather theme, I'm going to say snow shower. -Whoa... | 0:19:38 | 0:19:42 | |
-Let's see. So. This is for one point. -Yeah. | 0:19:42 | 0:19:46 | |
-We did ask 100 people to supply this...missing word. -OK. | 0:19:46 | 0:19:51 | |
-You are saying...remind me again? -Snow shower. | 0:19:51 | 0:19:54 | |
OK, let's see if you get... Snow shower? | 0:19:54 | 0:19:57 | |
-BRIAN GASPS -Snow White, which was, of course, your first answer there. | 0:19:57 | 0:20:02 | |
-Ooh. -Gasps of awe from Carol. | 0:20:02 | 0:20:05 | |
Number two, sno-o-o-ow... | 0:20:05 | 0:20:08 | |
Plough? | 0:20:08 | 0:20:10 | |
Man! Oh! | 0:20:10 | 0:20:11 | |
-Yeah. So we are hoping that this is snow... Remind me again? -Showers. | 0:20:11 | 0:20:16 | |
-CAROL GASPS -Snowball! | 0:20:16 | 0:20:18 | |
-So you are completely wrong. -Gutted! | 0:20:18 | 0:20:21 | |
-Well, commiserations. -I'm rubbish at all the games on this show, aren't I? | 0:20:21 | 0:20:24 | |
-Uh, no, you're not. Yes, you are. -Yes, I am. | 0:20:24 | 0:20:28 | |
I would like to give you a consolation prize, | 0:20:28 | 0:20:32 | |
something that you can take home with you and here it is. | 0:20:32 | 0:20:35 | |
I've always wanted one of these. Thank you very much, Brian. | 0:20:35 | 0:20:39 | |
-It's a pleasure! -I love it. | 0:20:39 | 0:20:41 | |
Carol, we're moving on to your guilty pleasure now, | 0:20:46 | 0:20:49 | |
something that you would not ever miss. | 0:20:49 | 0:20:53 | |
That has to be Starsky & Hutch. | 0:20:53 | 0:20:55 | |
-Oh, you betcha! -Oh, I loved this! | 0:20:55 | 0:20:59 | |
STARSKY & HUTCH THEME TUNE PLAYS | 0:20:59 | 0:21:02 | |
-Look at that car. -Look at that car, look at it, it takes the corner... | 0:21:02 | 0:21:05 | |
I know, typical bloke, ain't I? "Look at the car!" | 0:21:05 | 0:21:07 | |
And the way they fall over the bonnet. Especially Hutch. Phwoar! | 0:21:07 | 0:21:11 | |
-You had a soft spot for Hutch? Really? -Yes. | 0:21:11 | 0:21:14 | |
In the 1970s, cop shows didn't come much cooler than this. | 0:21:14 | 0:21:19 | |
David Starsky and Kenneth Hutch skidded their way around | 0:21:19 | 0:21:23 | |
Bay City, California, catching bad guys in their iconic Gran Torino. | 0:21:23 | 0:21:29 | |
The series caught the mood of the decade with its fashionable | 0:21:29 | 0:21:32 | |
flares and funky soundtrack. | 0:21:32 | 0:21:35 | |
Do you know, I used to wash my hair before this came on every week. | 0:21:38 | 0:21:41 | |
I'm going to have to hold you back, you are nearly in the telly here! | 0:21:41 | 0:21:44 | |
But it is the middle of the show! | 0:21:44 | 0:21:45 | |
Well, at least I can hear the end of the game on the radio. | 0:21:45 | 0:21:47 | |
Hey, listen, listen... | 0:21:47 | 0:21:49 | |
-Before the show went on... -Yeah, I can't take my eyes off this, sorry. | 0:21:49 | 0:21:52 | |
-..you used to wash your hair? -Yes. | 0:21:52 | 0:21:55 | |
PEOPLE SCREAM | 0:21:55 | 0:21:57 | |
Just...just in case. Just in case. | 0:21:57 | 0:21:58 | |
-In some weird world that I lived in as a child... -Uh-huh. | 0:21:58 | 0:22:02 | |
..David Soul could actually see me and see that I had washed my hair! | 0:22:02 | 0:22:06 | |
-Aww! -I adored him. -Yeah? | 0:22:06 | 0:22:09 | |
And if anybody spoke when he was on, it was like, "No, please don't." | 0:22:09 | 0:22:12 | |
-And he was just such a hero. -Mm. | 0:22:18 | 0:22:20 | |
He was all man, there was nothing he couldn't do. | 0:22:20 | 0:22:24 | |
He was brave, he was powerful, he was handsome. | 0:22:27 | 0:22:30 | |
He was funny and he was so cool. | 0:22:30 | 0:22:32 | |
Yeah, Carol, calm down, love. Calm down. Even I fancy him. | 0:22:32 | 0:22:37 | |
CAROL LAUGHS | 0:22:37 | 0:22:39 | |
What did you think of the other characters in it and Huggy Bear? | 0:22:48 | 0:22:51 | |
Huggy Bear was really cool as well, you know, he was all, sort of, | 0:22:51 | 0:22:53 | |
shrugging his shoulders as he was walking along and... | 0:22:53 | 0:22:56 | |
Starsky was too, Starsky was always eating, wasn't he, | 0:22:56 | 0:22:58 | |
in his big long cardigans and things? | 0:22:58 | 0:23:00 | |
But he was cool too, but David was the epitome of perfection for me. | 0:23:00 | 0:23:06 | |
-Don't stand there with your mouth open, cuff him. -Oh. | 0:23:08 | 0:23:11 | |
See? So cool, took command of the whole situation, real he-man. | 0:23:14 | 0:23:18 | |
Lines like that, "Don't stand there and look at him, cuff him," you know? | 0:23:18 | 0:23:21 | |
You are very good at that, actually, Brian. | 0:23:21 | 0:23:24 | |
-Do you think so? -Yeah, yeah. -Thank you very much. | 0:23:24 | 0:23:26 | |
We've reached the point where we want to talk about your big break, | 0:23:31 | 0:23:35 | |
how it came about, your interest in weather. | 0:23:35 | 0:23:37 | |
I mean, did you go to college, did you study it, was it a game plan, | 0:23:37 | 0:23:42 | |
or was it pure luck that you fell into this sort of career now? | 0:23:42 | 0:23:47 | |
Pure luck to fall into weather. I wanted to be on the telly | 0:23:47 | 0:23:50 | |
and had written to the Beeb to find out what I had to do | 0:23:50 | 0:23:53 | |
and I was just a regular presenter, doing other shows, | 0:23:53 | 0:23:57 | |
but not big shows, and my agent at the time was new | 0:23:57 | 0:24:01 | |
and he invited me to go for an audition for the Weather Channel. | 0:24:01 | 0:24:04 | |
I had no meteorological experience at this stage whatsoever | 0:24:04 | 0:24:07 | |
and I'm saying, "I don't want to be a weather presenter," | 0:24:07 | 0:24:09 | |
and he said, "Well, they're probably not going to offer it to you anyway, | 0:24:09 | 0:24:13 | |
"you big-headed thing, so just go for the audition," | 0:24:13 | 0:24:15 | |
so I did. Well, Brian, love at first sight. | 0:24:15 | 0:24:18 | |
When you present the weather in certain studios, | 0:24:18 | 0:24:20 | |
you can't see anything behind you - it's either a blue or a green screen, | 0:24:20 | 0:24:24 | |
so you see the image of what you're talking about | 0:24:24 | 0:24:27 | |
in the camera in front of you, which is reversed, | 0:24:27 | 0:24:30 | |
-so it is like rubbing your tummy and patting your head. -Right, right. | 0:24:30 | 0:24:33 | |
When you've got a front - it's hard not to move your hands | 0:24:33 | 0:24:35 | |
when you're talking about the weather - | 0:24:35 | 0:24:37 | |
but when you've got a weather front that's here and you rub your finger | 0:24:37 | 0:24:40 | |
down along it like that | 0:24:40 | 0:24:42 | |
and there's nothing there, it's just green, | 0:24:42 | 0:24:44 | |
it's so satisfying, | 0:24:44 | 0:24:46 | |
and with breaking news and things, you might be told, | 0:24:46 | 0:24:48 | |
"You've got two minutes." | 0:24:48 | 0:24:50 | |
You've got what we call open talk-back, | 0:24:50 | 0:24:52 | |
which means you hear everything. | 0:24:52 | 0:24:53 | |
If somebody's saying, "I want an Earl Grey," | 0:24:53 | 0:24:55 | |
you hear that, or talking about EastEnders, | 0:24:55 | 0:24:57 | |
you hear that as well as your timing, so you've got a minute left, | 0:24:57 | 0:25:00 | |
you've got 15 seconds left, whatever. | 0:25:00 | 0:25:02 | |
All of that is challenging, | 0:25:02 | 0:25:03 | |
whilst talking about the weather at the same time. | 0:25:03 | 0:25:06 | |
But the weather is so varied and I LOVE my job. | 0:25:06 | 0:25:10 | |
Do you many times go out on location? | 0:25:10 | 0:25:12 | |
-Yes, I go out on location lots. -Do you enjoy that? -Love it. -Yeah? | 0:25:12 | 0:25:15 | |
But sometimes it can be really rough! | 0:25:15 | 0:25:18 | |
-Sometimes you're standing in blizzards or rain... -We know. | 0:25:18 | 0:25:22 | |
We know. We've got some classic moments of you, Carol, | 0:25:22 | 0:25:25 | |
where things did start to go a bit rough. | 0:25:25 | 0:25:28 | |
And in the north of Wales, for example, | 0:25:28 | 0:25:30 | |
we'll be looking more at snow in the hills. | 0:25:30 | 0:25:33 | |
Now, behind all of that, | 0:25:33 | 0:25:34 | |
we're also going to have very strong winds gusting inland to about 55mph. | 0:25:34 | 0:25:41 | |
I remember that - we were in a blizzard. | 0:25:41 | 0:25:43 | |
I had the producer holding on to my legs, | 0:25:43 | 0:25:45 | |
-because it was... -So while you're filming this, | 0:25:45 | 0:25:47 | |
-you've got a producer hanging on to your legs? -Yes. And d'you know what? | 0:25:47 | 0:25:50 | |
It was so cold, my mouth started to freeze, my tongue. | 0:25:50 | 0:25:54 | |
It was like being hit by pins and needles. | 0:25:54 | 0:25:58 | |
And, really, wherever you are, it's going to feel cold, | 0:25:58 | 0:26:01 | |
despite the fact that we've got temperatures | 0:26:01 | 0:26:03 | |
up to about ten degrees Celsius in the Channel Islands. | 0:26:03 | 0:26:06 | |
When you add on the strength of the wind and the wind chill, | 0:26:06 | 0:26:08 | |
it will feel more like below freezing. | 0:26:08 | 0:26:10 | |
'The gallery was saying, | 0:26:10 | 0:26:12 | |
' "This is great television, have another minute!" I'm like, "No!" ' | 0:26:12 | 0:26:15 | |
But you can't say, "No, I don't want another minute!" | 0:26:15 | 0:26:17 | |
-Yeah. -You've just got to carry on. | 0:26:17 | 0:26:19 | |
-I'll never forget that, ever, as long as I live. -You can't even see! | 0:26:19 | 0:26:23 | |
'I know!' | 0:26:23 | 0:26:24 | |
That's it from me. Back to you two. | 0:26:24 | 0:26:27 | |
Weather is not the only hazard. | 0:26:27 | 0:26:29 | |
Here we go, have a look at this. | 0:26:29 | 0:26:32 | |
GASPING: 'I remember this!' | 0:26:32 | 0:26:33 | |
..although it will still be hot and humid, not quite as hot and humid | 0:26:33 | 0:26:36 | |
as it's going to be in the next few days, Charlie and Lou. | 0:26:36 | 0:26:39 | |
LOUD LAUGHTER IN STUDIO | 0:26:39 | 0:26:40 | |
Listen to the laughter! | 0:26:40 | 0:26:42 | |
Oh, Carol, don't look behind you! | 0:26:43 | 0:26:45 | |
Don't turn round! | 0:26:45 | 0:26:47 | |
CAROL LAUGHS | 0:26:47 | 0:26:49 | |
Upstaged by a dog - it's the story of my life! | 0:26:49 | 0:26:52 | |
And it's true, it is. | 0:26:52 | 0:26:54 | |
You are so endearing, you really are, | 0:26:54 | 0:26:57 | |
-and you have the most amazing smile. -Aww! | 0:26:57 | 0:26:59 | |
And a wonderful joy, you know? | 0:26:59 | 0:27:02 | |
Bless, you're not so shabby yourself, Brian. | 0:27:02 | 0:27:04 | |
Oh, please! No, but you really are, | 0:27:04 | 0:27:07 | |
and I think that's what will sustain you, and why you are so popular, | 0:27:07 | 0:27:11 | |
is because of how much sunshine you bring to the weather. | 0:27:11 | 0:27:16 | |
Oh, thank you, that's a lovely thing to say. Thank you. | 0:27:16 | 0:27:18 | |
So, what do you watch now? | 0:27:23 | 0:27:25 | |
I watch loads of telly. | 0:27:25 | 0:27:26 | |
I'm a big soap fan, from Neighbours | 0:27:26 | 0:27:28 | |
to Corrie to EastEnders, watch all of them. | 0:27:28 | 0:27:31 | |
I like reality telly as well... | 0:27:31 | 0:27:33 | |
-Oh, really? -..such as Strictly | 0:27:33 | 0:27:35 | |
and The Island With Bear Grylls at the moment, | 0:27:35 | 0:27:37 | |
-that's pretty good as well. -Ah! | 0:27:37 | 0:27:39 | |
-Yeah? -Yeah. | 0:27:39 | 0:27:40 | |
-We have to finish now. -Aww! | 0:27:40 | 0:27:42 | |
But our guest always gets the opportunity to pick a theme tune | 0:27:42 | 0:27:47 | |
to play us out with, | 0:27:47 | 0:27:48 | |
so what sort of theme tune, or what would you like us | 0:27:48 | 0:27:52 | |
to play out this afternoon with? | 0:27:52 | 0:27:54 | |
How about the theme tune to Top Of The Pops? | 0:27:54 | 0:27:57 | |
-# Dee-dee-dee-dee-dee! -Ga-dang-dang... # | 0:27:57 | 0:27:59 | |
That sounds good to me. | 0:27:59 | 0:28:01 | |
I meant every word - | 0:28:01 | 0:28:02 | |
this lady brings a ray of sunshine into the world and we love Carol. | 0:28:02 | 0:28:08 | |
Thank you so...much! It's been an absolute pleasure. | 0:28:08 | 0:28:11 | |
Carol Kirkwood, ladies and gentlemen. | 0:28:11 | 0:28:12 | |
Here is Top Of The Pops! | 0:28:12 | 0:28:14 | |
MUSIC: TOP OF THE POPS THEME | 0:28:14 | 0:28:18 |