Browse content similar to Rory McGrath. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Telly - that magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds, | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:10 | |
In this series, I'm going to journey through the fantastic | 0:00:10 | 0:00:13 | |
world of TV with some of our favourite celebrities. | 0:00:13 | 0:00:16 | |
Good evening. | 0:00:16 | 0:00:17 | |
They've chosen the precious TV moments that shed light... | 0:00:17 | 0:00:20 | |
I love this! | 0:00:20 | 0:00:22 | |
-BOTH: -Crackerjack! | 0:00:22 | 0:00:23 | |
..on the stories of their lives. | 0:00:23 | 0:00:25 | |
Ooh, come! Listen, this looks smashing, Johnny! | 0:00:25 | 0:00:28 | |
-BOTH: -# Right on time... # | 0:00:28 | 0:00:29 | |
Some are funny. | 0:00:29 | 0:00:31 | |
Oh, I loved him! | 0:00:31 | 0:00:32 | |
# ..became of the people... # | 0:00:32 | 0:00:34 | |
Some are surprising. | 0:00:34 | 0:00:37 | |
I'll let you into a secret I've never told anyone before. | 0:00:37 | 0:00:40 | |
Some are inspiring. | 0:00:40 | 0:00:42 | |
I've always wanted to be a Miss something. | 0:00:42 | 0:00:45 | |
The best TV transports you. | 0:00:45 | 0:00:47 | |
And many... | 0:00:47 | 0:00:48 | |
Did George Orwell get his predictions right? | 0:00:48 | 0:00:50 | |
It's all so dramatic! | 0:00:50 | 0:00:51 | |
..are deeply moving. | 0:00:51 | 0:00:52 | |
-Oh! -'The death of John F Kennedy...' | 0:00:52 | 0:00:54 | |
This takes me back. | 0:00:54 | 0:00:57 | |
-Makes me want to cry. -Oh, you've never cried. | 0:00:57 | 0:01:00 | |
So come watch with us as we | 0:01:00 | 0:01:02 | |
hand-pick the vintage telly that helped | 0:01:02 | 0:01:04 | |
turn our much-loved stars into the people they are today. | 0:01:04 | 0:01:07 | |
Welcome to The TV That Made Me. | 0:01:09 | 0:01:11 | |
My guest today started out his illustrious | 0:01:20 | 0:01:22 | |
career at Cambridge University comedy hothouse Footlights. | 0:01:22 | 0:01:27 | |
His first gig was writing gags for his hero, Frankie Howerd, | 0:01:27 | 0:01:31 | |
but he soon ended up on the other side of the camera. | 0:01:31 | 0:01:34 | |
Yes, comedian Rory McGrath is on my couch and the TV that made him | 0:01:34 | 0:01:39 | |
includes an ageless man in a box... | 0:01:39 | 0:01:41 | |
Well? What do you think? | 0:01:43 | 0:01:44 | |
..a healthy dose of, "Ooh, ah, missus..." | 0:01:44 | 0:01:47 | |
I wish I'd put my waterproof knickers on. | 0:01:47 | 0:01:49 | |
..and then, of course, there's this guy. | 0:01:50 | 0:01:52 | |
MUSIC PLAYS | 0:01:52 | 0:01:56 | |
Yes, a love of all things offbeat has inspired Rory McGrath to | 0:01:56 | 0:02:00 | |
make us all laugh, both in front of and behind the camera. | 0:02:00 | 0:02:05 | |
-The one and only Rory McGrath is here! -Thank you. | 0:02:05 | 0:02:07 | |
-Great to meet you, Brian. -Great to meet you, too. | 0:02:07 | 0:02:10 | |
Been a fan of yours for many years. | 0:02:10 | 0:02:11 | |
So today is a celebration, a collection of shows, | 0:02:11 | 0:02:14 | |
TV shows, that have made you what you are. | 0:02:14 | 0:02:17 | |
-Very old! -Do you feel old? | 0:02:17 | 0:02:20 | |
When I was trying to recall what I watch, it does make me feel very old. | 0:02:20 | 0:02:24 | |
In 1956, Patrick Rory McGrath entered the world - or, | 0:02:24 | 0:02:29 | |
to be more precise, Cornwall. | 0:02:29 | 0:02:31 | |
18 years later, while studying modern languages at Cambridge, | 0:02:31 | 0:02:35 | |
he joined the Footlights Drama Club which was | 0:02:35 | 0:02:38 | |
the beginning of his sparkling career in comedy. | 0:02:38 | 0:02:41 | |
So your earliest TV memory, now? | 0:02:41 | 0:02:43 | |
It's got to be - and this is going to sound predictable - | 0:02:43 | 0:02:45 | |
Watch With Mother. | 0:02:45 | 0:02:46 | |
And what's surprising about thinking about Watch With Mother is very early | 0:02:46 | 0:02:50 | |
on, you get a sense of what you like and what you don't like, you know. | 0:02:50 | 0:02:53 | |
As children, you expect... | 0:02:53 | 0:02:54 | |
It's a different programme every day, five days a week, but you think, | 0:02:54 | 0:02:57 | |
"Oh, Tuesday, it's Andy Pandy. Don't like that very much." | 0:02:57 | 0:03:00 | |
Why did you not like Andy Pandy? | 0:03:00 | 0:03:02 | |
They didn't do much. | 0:03:02 | 0:03:04 | |
I don't know whether I'm being revisionist in looking | 0:03:04 | 0:03:07 | |
back at a man and a girl and a teddy bear living in a basket for all | 0:03:07 | 0:03:14 | |
but 20 minutes a week when they come out to entertain us, you know. | 0:03:14 | 0:03:18 | |
Nothing much happened. It was a bit... | 0:03:18 | 0:03:20 | |
Namby-pamby is almost the right word for Andy Pandy. | 0:03:20 | 0:03:23 | |
Shall we have a little look and take you back to round about 1957? | 0:03:23 | 0:03:26 | |
-Oh, no! -Here we go. -Look at this! | 0:03:26 | 0:03:28 | |
Watch With Mother was with us for 20 years and was so called | 0:03:29 | 0:03:33 | |
because of fears that television might become a nursemaid to | 0:03:33 | 0:03:36 | |
children and encourage bad mothering. | 0:03:36 | 0:03:39 | |
# Andy Pandy's coming to play... # | 0:03:41 | 0:03:43 | |
Amongst this daily line-up were the likes of Bill and Ben, | 0:03:43 | 0:03:47 | |
the Woodentops and Rory's old favourite. | 0:03:47 | 0:03:51 | |
Andy Pandy's somewhere in the garden today. | 0:03:51 | 0:03:54 | |
Let's go and find him, shall we? | 0:03:54 | 0:03:55 | |
RORY CHUCKLES | 0:03:55 | 0:03:57 | |
POSH ACCENT: I'd forgotten they all talk very posh | 0:03:57 | 0:03:59 | |
-in children's television, don't they? -Frightfully. -Yes. | 0:03:59 | 0:04:01 | |
While the puppetry and storytelling is crude by today's standards, | 0:04:01 | 0:04:05 | |
Andy Pandy was an instant hit amongst the 300,000 households | 0:04:05 | 0:04:10 | |
that actually had a television set when it first screened. | 0:04:10 | 0:04:14 | |
That's right, Andy Pandy. Wheel it along. | 0:04:14 | 0:04:17 | |
-Are we excited by the animation? -I quite like it. -What does Ted do? | 0:04:17 | 0:04:22 | |
He's just getting in the way or being run over! | 0:04:22 | 0:04:24 | |
Ted is being run over! Ted hasn't thought this through. | 0:04:24 | 0:04:26 | |
While Andy Pandy and Ted handled the action sequences, | 0:04:26 | 0:04:29 | |
it's fair to say Looby Lou did little for women's lib. | 0:04:29 | 0:04:33 | |
It IS a nice pram. | 0:04:33 | 0:04:35 | |
And is that Looby Lou in...or is that a corpse? | 0:04:35 | 0:04:37 | |
BRIAN LAUGHS | 0:04:37 | 0:04:40 | |
That's rather worrying, that, isn't it? | 0:04:40 | 0:04:42 | |
Careful, Andy! Don't tip her out. | 0:04:42 | 0:04:45 | |
It's quite clever cos it's all done by strings, isn't it? | 0:04:45 | 0:04:47 | |
Oh, yeah, yeah. Well done there. Spot on(!) | 0:04:47 | 0:04:50 | |
-I understand! -You're cutting-edge. | 0:04:50 | 0:04:52 | |
Poor Looby Lou. I wonder if she likes it. | 0:04:52 | 0:04:55 | |
Did you watch this with your mother? | 0:04:55 | 0:04:58 | |
No, I don't think she was ever there, funnily enough. | 0:04:58 | 0:05:00 | |
I think she just put us in front... | 0:05:00 | 0:05:02 | |
Early form of electronic baby-sitting. | 0:05:02 | 0:05:04 | |
Was it electronic, our television? Possibly. | 0:05:04 | 0:05:08 | |
It took about 20 minutes to warm up and 20 minutes to close down. | 0:05:08 | 0:05:11 | |
-Do you remember the dot? You turned the telly off... -Oh, yeah! | 0:05:11 | 0:05:14 | |
..and the whole picture would compress into the dot and we just | 0:05:14 | 0:05:17 | |
said, "I can't go to bed yet! I want to see the dot disappear!" | 0:05:17 | 0:05:19 | |
And then, at 12 o'clock, you used to get the... | 0:05:19 | 0:05:21 | |
HE HUMS | 0:05:21 | 0:05:22 | |
-That humming noise. -We never had that. -We had a little humming noise. | 0:05:22 | 0:05:25 | |
-That was the neighbours. -Oh, right. | 0:05:25 | 0:05:27 | |
So what did your dad...what was his occupation? | 0:05:27 | 0:05:30 | |
I'm not allowed to tell you that, unfortunately. | 0:05:30 | 0:05:32 | |
-Shut up! -Actually, he worked for the Ministry of Defence. | 0:05:32 | 0:05:36 | |
-He was in fact a research scientist. -Oh, wow! | 0:05:36 | 0:05:39 | |
In fact, it's only recently that I've been allowed to tell you that. | 0:05:39 | 0:05:42 | |
-Isn't that interesting? -We used to have to pretend he was a dustman! | 0:05:42 | 0:05:46 | |
This was genuine. He was a scientist, yeah. | 0:05:46 | 0:05:48 | |
And you wasn't allowed to sort of disclose that as a young child? | 0:05:48 | 0:05:52 | |
He would never talk about, you know... | 0:05:52 | 0:05:54 | |
I said, "What did you do today, Daddy?" "I'm not allowed to tell you! | 0:05:54 | 0:05:58 | |
"If I tell you, I'll have to kill you." | 0:05:58 | 0:05:59 | |
It was one of those sort of things. | 0:05:59 | 0:06:01 | |
One of four children, | 0:06:01 | 0:06:02 | |
Rory grew up on a council estate in the small town of Redruth, Cornwall, | 0:06:02 | 0:06:07 | |
in what he describes as a series of grotty houses. | 0:06:07 | 0:06:10 | |
-So you had a telly. -We had a telly. | 0:06:12 | 0:06:13 | |
We were the first people to have a telly. | 0:06:13 | 0:06:16 | |
We lived on this very remote council... | 0:06:16 | 0:06:18 | |
-The first people ever? -This is it. | 0:06:18 | 0:06:20 | |
Council estate on the outskirts of a rather remote town in Cornwall. | 0:06:20 | 0:06:26 | |
We're talking...not quite the middle of nowhere. | 0:06:26 | 0:06:28 | |
Well, the outskirts of nowhere, maybe. | 0:06:28 | 0:06:31 | |
And we were the first people to have a telly in the estate | 0:06:31 | 0:06:33 | |
-and people used to come round to look at it. -Oh, right. Not watch it? | 0:06:33 | 0:06:36 | |
-Just to look at it? -Just to look at it and say, "Is that it?" | 0:06:36 | 0:06:39 | |
"Yeah, yeah. It's great, you know." | 0:06:39 | 0:06:41 | |
"And does it do anything?" "We don't know yet!" | 0:06:41 | 0:06:43 | |
Telly first arrived in McGrath's household in 1960, | 0:06:44 | 0:06:48 | |
when Rory was four. | 0:06:48 | 0:06:50 | |
In those days, | 0:06:50 | 0:06:51 | |
the most popular children's shows included | 0:06:51 | 0:06:53 | |
the enduring Blue Peter, | 0:06:53 | 0:06:55 | |
Captain Pugwash, | 0:06:55 | 0:06:57 | |
and the children's variety show Crackerjack. | 0:06:57 | 0:07:02 | |
Rory, we're moving on to must-see TV now. | 0:07:07 | 0:07:10 | |
Something you would never miss... even to this day? | 0:07:10 | 0:07:15 | |
I think the first must-see I can remember was Doctor Who, | 0:07:15 | 0:07:17 | |
because I'm old enough to remember when Doctor Who first started. | 0:07:17 | 0:07:21 | |
I remember the first episode of Doctor Who. | 0:07:21 | 0:07:23 | |
The first adventure he went on, I seem to recall, | 0:07:23 | 0:07:26 | |
-he went back to Stone Age times before fire. -Yeah. | 0:07:26 | 0:07:29 | |
I think it was one of the nice, little plot quirks - | 0:07:29 | 0:07:33 | |
it was the Doctor who gave them fire. | 0:07:33 | 0:07:35 | |
Oh, the cavemen? | 0:07:35 | 0:07:36 | |
-Yeah, he gave the cavemen fire. -How did he give them fire? | 0:07:36 | 0:07:39 | |
-A cigarette lighter. -No! -Yeah. | 0:07:39 | 0:07:42 | |
You don't give the cavemen... How come we've never seen that? | 0:07:42 | 0:07:44 | |
Why is it never mentioned in any history programme | 0:07:44 | 0:07:48 | |
about prehistoric times? | 0:07:48 | 0:07:49 | |
"Then fire was brought by a strange, crabby, old, white-haired bloke | 0:07:49 | 0:07:52 | |
"in a police box." | 0:07:52 | 0:07:54 | |
And the wheel as well. | 0:07:54 | 0:07:56 | |
"I've given you fire. Don't go away, I've got a wheel in here." | 0:07:56 | 0:07:59 | |
"Oh, God, look at that! It's a wheel!" | 0:07:59 | 0:08:01 | |
"Don't go away. Telephone." | 0:08:01 | 0:08:03 | |
Shall we hide behind the sofa and watch a little bit of the Doctor? | 0:08:05 | 0:08:08 | |
-I am not looking forward to this one. -OK. | 0:08:08 | 0:08:10 | |
Rory and I are hiding behind the sofa to watch a little bit... | 0:08:10 | 0:08:14 | |
This is where we watched the first episode of the Daleks from. | 0:08:14 | 0:08:17 | |
And you would have been, what, about six or seven? | 0:08:17 | 0:08:19 | |
That sort of age, yeah, I suppose. | 0:08:19 | 0:08:21 | |
Let's have a look. | 0:08:21 | 0:08:23 | |
Having celebrated its 50th birthday | 0:08:27 | 0:08:29 | |
and broadcast more than 800 episodes, | 0:08:29 | 0:08:32 | |
Doctor Who is officially the longest-running sci-fi show | 0:08:32 | 0:08:35 | |
in history. | 0:08:35 | 0:08:36 | |
Oh, my favourite Doctor - Patrick Troughton. | 0:08:36 | 0:08:39 | |
'Though the idea of children hiding behind the sofa to watch it | 0:08:39 | 0:08:42 | |
'was created by the media in the 1970s.' | 0:08:42 | 0:08:44 | |
I didn't actually start behind the sofa. | 0:08:46 | 0:08:49 | |
My little brother, Michael, he started - | 0:08:49 | 0:08:50 | |
"Doctor Who's on, I'm going to go like this." | 0:08:50 | 0:08:52 | |
Whereas I was a bit more of a man. I said, "Come on, get over it." | 0:08:52 | 0:08:56 | |
Well, what do you think? | 0:08:57 | 0:09:00 | |
Black and white makes all the difference. | 0:09:00 | 0:09:02 | |
-That's much scarier, isn't it? -Yeah. | 0:09:02 | 0:09:04 | |
-Where are we? -Well, it's the Tardis. It's my home. | 0:09:04 | 0:09:07 | |
At least it has been for a considerable number of years. | 0:09:07 | 0:09:11 | |
What are all these knobs? | 0:09:11 | 0:09:13 | |
It's not that scary. Shall we go and sit down? | 0:09:13 | 0:09:15 | |
No. I thought we might see the Daleks. | 0:09:15 | 0:09:17 | |
Oh! The Cybermen? | 0:09:17 | 0:09:20 | |
Cybermen didn't do it for me. | 0:09:20 | 0:09:23 | |
It's the Daleks. | 0:09:23 | 0:09:25 | |
A Cyberman looks like it could be a bloke in a silver suit, doesn't it? | 0:09:25 | 0:09:28 | |
Yeah, yeah, yeah. | 0:09:28 | 0:09:29 | |
You could do the London Marathon as a Cyberman, couldn't you? | 0:09:29 | 0:09:33 | |
Mm-hmm. | 0:09:33 | 0:09:34 | |
Part human, part machine, | 0:09:34 | 0:09:36 | |
the Cybermen first appeared in the same year | 0:09:36 | 0:09:39 | |
Patrick Troughton took on the role, in 1966. | 0:09:39 | 0:09:43 | |
Back then, the costumes were a tad more basic. | 0:09:43 | 0:09:46 | |
Look at that, they're not hanging well round the bottom, those suits. | 0:09:46 | 0:09:50 | |
They look like a load of frogmen with vacuum cleaners on their heads. | 0:09:52 | 0:09:57 | |
What is it? | 0:09:57 | 0:09:59 | |
He's their leader, their controller, Jamie. | 0:09:59 | 0:10:03 | |
While the Cybermen are now household names, | 0:10:03 | 0:10:05 | |
here's my personal guide to five Doctor Who baddies | 0:10:05 | 0:10:09 | |
you may not be so familiar with. | 0:10:09 | 0:10:11 | |
At five, it's Jagaroth who, despite having great dress sense, | 0:10:13 | 0:10:17 | |
look a lot like an onion bhaji. | 0:10:17 | 0:10:19 | |
Number four is the Axons, because while they may look fabulous, | 0:10:21 | 0:10:25 | |
they will suck the life out of any planet they invade...literally. | 0:10:25 | 0:10:29 | |
In at number three, who else but Morbius? | 0:10:30 | 0:10:33 | |
Proving that assembling a flat-pack Doctor Who baddie in the dark | 0:10:33 | 0:10:37 | |
is probably not a great idea. | 0:10:37 | 0:10:40 | |
At two it's Abzorbaloff. | 0:10:40 | 0:10:42 | |
Played by Peter Kay, an alien who absorbs his victims, | 0:10:42 | 0:10:47 | |
but was terribly troubled with loose skin. | 0:10:47 | 0:10:50 | |
In the number one spot, it's Kandy Man - | 0:10:50 | 0:10:53 | |
a monster that helped make a generation of children | 0:10:53 | 0:10:56 | |
terrified of Liquorice Allsorts. | 0:10:56 | 0:10:59 | |
-You are a fan. -I'm a huge fan. | 0:11:01 | 0:11:03 | |
I should be Doctor Who. | 0:11:03 | 0:11:05 | |
I've been telling my agent, "Look, Doctor Who, look at me." | 0:11:05 | 0:11:08 | |
My first job, which is ironic in a way | 0:11:13 | 0:11:15 | |
because I was a huge fan of his, | 0:11:15 | 0:11:17 | |
was writing comedy links for the Frankie Howerd Variety Show, | 0:11:17 | 0:11:21 | |
which involved writing Frankie's opening monologue. | 0:11:21 | 0:11:24 | |
Frankie Howerd's showbiz career spanned six decades | 0:11:24 | 0:11:26 | |
and has been famously described by fellow comedian | 0:11:26 | 0:11:29 | |
Barry Cryer as "a series of comebacks." | 0:11:29 | 0:11:32 | |
After performing to great acclaim on stage, screen and radio | 0:11:32 | 0:11:36 | |
in the '50s, he went slightly out of fashion in the early '60s. | 0:11:36 | 0:11:39 | |
But his career took off again with the Carry On films, | 0:11:39 | 0:11:43 | |
a comedy recording of Je T'aime with June Whitfield, | 0:11:43 | 0:11:46 | |
and a rather saucy Up Pompeii, | 0:11:46 | 0:11:49 | |
which was also made into a successful film. | 0:11:49 | 0:11:52 | |
For someone who'd just come down from Cambridge about 18 months earlier | 0:11:55 | 0:11:58 | |
having spent 18 months being a builder's labourer in Cambridge. | 0:11:58 | 0:12:02 | |
-it was such a baptism of fire. -Yeah. -It was terrifying. | 0:12:02 | 0:12:06 | |
I was so scared on the first day. He didn't make it any easier for me. | 0:12:06 | 0:12:10 | |
Very big, pompous, very nervous about new people, you know. | 0:12:10 | 0:12:14 | |
-Very nervous and suspicious of Cambridge people. -Oh, really? | 0:12:14 | 0:12:19 | |
-Oxbridge people. -You thought that or you were very worried? | 0:12:19 | 0:12:22 | |
No, he wouldn't talk to me. He said to the producer, | 0:12:22 | 0:12:25 | |
"Who's that? Who's he?" | 0:12:25 | 0:12:27 | |
That is the worst Frankie Howerd impression. | 0:12:27 | 0:12:29 | |
-That's what he spoke like backstage. -"Who's he?" | 0:12:29 | 0:12:32 | |
Yeah, that's what he spoke like. | 0:12:32 | 0:12:35 | |
HE IMITATES FRANKIE | 0:12:37 | 0:12:38 | |
He doesn't do that in real life. | 0:12:38 | 0:12:40 | |
He doesn't do anything in real life now. | 0:12:40 | 0:12:42 | |
So he went, "Who's he?" | 0:12:44 | 0:12:47 | |
"He's the new writer." "He's too young." | 0:12:47 | 0:12:49 | |
He turned to me and he said, "You're not Oxbridge, are you?" | 0:12:49 | 0:12:52 | |
I said, "Well, I'm Cambridge." | 0:12:52 | 0:12:54 | |
"Well, Cambridge or Oxbridge, they're the same, aren't they?" | 0:12:54 | 0:12:57 | |
Well, Frankie, you know... | 0:12:57 | 0:12:59 | |
So how did you prove yourself? | 0:12:59 | 0:13:01 | |
We got on really well and he turned out to be extremely generous and fun. | 0:13:01 | 0:13:07 | |
Once he got over the initial paranoia about having new people around, | 0:13:07 | 0:13:11 | |
once he trusted you, you were his best friend. | 0:13:11 | 0:13:15 | |
He'd do anything for you. | 0:13:15 | 0:13:16 | |
He'd take us out for dinner, lavish stuff on us. | 0:13:16 | 0:13:19 | |
He was a very generous man. Very funny, very funny. | 0:13:19 | 0:13:22 | |
-Oh, mate. -But he's funnier... It's strange. | 0:13:22 | 0:13:26 | |
He's funnier privately, because he wasn't inhibited | 0:13:26 | 0:13:29 | |
by what you could and could not say on television or radio. | 0:13:29 | 0:13:32 | |
He was hilarious. Very, very funny. | 0:13:32 | 0:13:34 | |
So I'm going to show you a little clip now | 0:13:34 | 0:13:36 | |
of one of your great comedy heroes. | 0:13:36 | 0:13:39 | |
Here he is - Frankie Howerd. | 0:13:39 | 0:13:41 | |
Oh, Frankie. | 0:13:41 | 0:13:42 | |
-What is it? -Up Pompeii! | 0:13:44 | 0:13:45 | |
You see, a girl in a short skirt, | 0:13:45 | 0:13:47 | |
that what you want from your period comedy, isn't it? | 0:13:47 | 0:13:51 | |
'While Up Pompeii wasn't big on plot or historical accuracy, | 0:13:51 | 0:13:54 | |
there was plenty of double entendres, | 0:13:54 | 0:13:57 | |
mostly delivered by the man himself, | 0:13:57 | 0:14:00 | |
who played a slave by the name of Lurcio. | 0:14:00 | 0:14:02 | |
Great gag to kick off with, eh? Is he having a wee or is he filling...? | 0:14:02 | 0:14:06 | |
Oh, no. | 0:14:06 | 0:14:08 | |
What are you laughing for? | 0:14:08 | 0:14:09 | |
Have you never seen a man getting water before? | 0:14:09 | 0:14:12 | |
He's good. That face. He's that sort of, "What?" That sort of innocence. | 0:14:12 | 0:14:16 | |
I like the way he's always teetering on corpsing himself, isn't he? | 0:14:16 | 0:14:20 | |
Oh, dear, I wish I'd put my waterproof knickers on now! | 0:14:20 | 0:14:24 | |
-Did he struggle with his lines? -He was terrible at learning lines. | 0:14:24 | 0:14:26 | |
It was radio we wrote for him, he was struggling... | 0:14:26 | 0:14:29 | |
He wasn't a great reader, to be honest. | 0:14:29 | 0:14:31 | |
Now...Samson, known to all the wrestling fans as Sam the Ram, he... | 0:14:31 | 0:14:37 | |
LAUGHTER | 0:14:37 | 0:14:38 | |
Please, please, you're tittering now. | 0:14:38 | 0:14:40 | |
-That was all his own hair as well, you know? -Oh, really? | 0:14:40 | 0:14:43 | |
I think it looks like a burst sofa on his head. | 0:14:43 | 0:14:46 | |
We used to call it Wiggy the Squirrel. | 0:14:46 | 0:14:50 | |
It looked like a dead squirrel on his head. | 0:14:50 | 0:14:51 | |
-Bless him. If I walked up, I would have gone, "It's a puppet." -Yeah. | 0:14:51 | 0:14:56 | |
-I have been in communication with the stars. -Have you? | 0:14:56 | 0:14:58 | |
-I have had intercourse with Venus. -I beg your pardon! | 0:14:58 | 0:15:01 | |
LAUGHTER | 0:15:01 | 0:15:03 | |
Say it again. | 0:15:03 | 0:15:05 | |
I have had intercourse with Venus. | 0:15:05 | 0:15:07 | |
Oh, the things! I wouldn't dare say that. | 0:15:07 | 0:15:10 | |
I wouldn't get away with things like that. | 0:15:10 | 0:15:13 | |
Was it a great honour at the time? Did you see it as an honour? | 0:15:13 | 0:15:16 | |
Absolutely. | 0:15:16 | 0:15:17 | |
I mean, my first paid job out of university, | 0:15:17 | 0:15:20 | |
other than building site stuff, | 0:15:20 | 0:15:21 | |
was writing for a BBC, well, a television icon, in a way. | 0:15:21 | 0:15:26 | |
Cos he was. I think that's why I was so frightened at first, meeting him. | 0:15:26 | 0:15:30 | |
It was just... | 0:15:30 | 0:15:31 | |
This is too much to be writing for him as my first job, | 0:15:31 | 0:15:34 | |
but, you know, it worked out really well. | 0:15:34 | 0:15:36 | |
We had a great few series together. | 0:15:36 | 0:15:39 | |
In the late '70s and '80s, Frankie followed his previous success | 0:15:39 | 0:15:42 | |
with programmes including the Frankie Howerd Show, and Superfrank. | 0:15:42 | 0:15:47 | |
He never stopped working. | 0:15:47 | 0:15:49 | |
In fact, just two hours before his death, | 0:15:49 | 0:15:51 | |
the comic legend was talking to his producer | 0:15:51 | 0:15:53 | |
about ideas for his next show. | 0:15:53 | 0:15:56 | |
Strangely enough, there was actually a next show - | 0:15:56 | 0:15:59 | |
a sitcom entitled Then Churchill Said To Me, | 0:15:59 | 0:16:02 | |
which finally went to air in 1993, a year after Frankie's death. | 0:16:02 | 0:16:06 | |
Frankie Howerd was easy to write for, because you have a sort of template | 0:16:08 | 0:16:13 | |
of very bad impressions of him that people do. | 0:16:13 | 0:16:16 | |
"Oh, titter ye not, missus", and all this. | 0:16:16 | 0:16:18 | |
You knew the structure of how he would do a monologue. | 0:16:18 | 0:16:21 | |
He'd come on, he wouldn't talk about the thing, go, "Oh, no... | 0:16:21 | 0:16:25 | |
"No, anyway, where was I?" | 0:16:25 | 0:16:27 | |
There's a lot of verbal garbage you have to plough through. | 0:16:27 | 0:16:30 | |
You had to write it all in for him, cos he wouldn't improvise it. | 0:16:30 | 0:16:34 | |
Do you think it was easier to write for someone else than yourself? | 0:16:34 | 0:16:38 | |
No, it's much easier to write for myself. I know... | 0:16:38 | 0:16:40 | |
You know, it's in my head already. | 0:16:40 | 0:16:42 | |
The thing about Frankie Howerd was he was so definite a personality, | 0:16:42 | 0:16:46 | |
he was easy to write for. | 0:16:46 | 0:16:47 | |
Most of my writing has been done for Griff Rhys Jones | 0:16:47 | 0:16:50 | |
and Mel Smith in their Smith And Jones series. | 0:16:50 | 0:16:53 | |
Mel was a joy to write for, because he knew exactly... | 0:16:53 | 0:16:57 | |
Uncannily, he's never... | 0:16:57 | 0:16:58 | |
You'd give him a script and he'd sight-read it first time perfectly. | 0:16:58 | 0:17:01 | |
You'd never give him a note. | 0:17:01 | 0:17:03 | |
He'd never get anything wrong - the comedy, the timing, you know, | 0:17:03 | 0:17:06 | |
the weight to give words. | 0:17:06 | 0:17:08 | |
-Where Griff Rhys Jones... -I can't talk about Griff, I'm afraid. | 0:17:08 | 0:17:12 | |
One of my best friends. Let's say, different from Mel. | 0:17:12 | 0:17:15 | |
Bless. | 0:17:15 | 0:17:17 | |
Rory, your next choice is something we can't actually define, | 0:17:22 | 0:17:25 | |
it's just...because. | 0:17:25 | 0:17:27 | |
That's what we call this segment - Just Because. | 0:17:27 | 0:17:31 | |
RORY LAUGHS | 0:17:32 | 0:17:34 | |
I know what this is. | 0:17:34 | 0:17:35 | |
It's Mule Train, isn't it? | 0:17:36 | 0:17:38 | |
Yeah, look at the old legs. | 0:17:38 | 0:17:39 | |
# Mule train... # | 0:17:39 | 0:17:42 | |
Yes! | 0:17:42 | 0:17:44 | |
I loved him. | 0:17:44 | 0:17:45 | |
That's fantastic. I remember this the first time... | 0:17:45 | 0:17:48 | |
Honestly, first time. | 0:17:48 | 0:17:49 | |
Appearing here on the Generation Game, Bob Blackman, | 0:17:53 | 0:17:56 | |
more affectionately known as Bob the Train, was - | 0:17:56 | 0:17:59 | |
surprise, surprise - a novelty act who hit the big time in the 1970s. | 0:17:59 | 0:18:05 | |
You could say he was something of a one-hit wonder. | 0:18:05 | 0:18:09 | |
Look, here he goes, here he goes. | 0:18:09 | 0:18:10 | |
# Mule train | 0:18:10 | 0:18:14 | |
# Clippety-cloppin' through the wind and the rain... # | 0:18:14 | 0:18:16 | |
It's classic! | 0:18:20 | 0:18:21 | |
That's why people want to be in showbiz, isn't it? | 0:18:21 | 0:18:24 | |
I know. Forget Britain's Got Talent, | 0:18:24 | 0:18:27 | |
this was the old days when people were talented. | 0:18:27 | 0:18:29 | |
You could sing a song and bang yourself on the head with a tin tray. | 0:18:29 | 0:18:32 | |
That's entertainment. | 0:18:32 | 0:18:34 | |
He certainly must have had a stinking headache. Can you imagine? | 0:18:34 | 0:18:37 | |
Look at the state of the tray. | 0:18:37 | 0:18:38 | |
# Mule train | 0:18:38 | 0:18:42 | |
# Clippety-cloppin' through the wind and the rain... # | 0:18:42 | 0:18:45 | |
The question we have to ask, Brian, is would it be allowed | 0:18:45 | 0:18:48 | |
-nowadays in the health and safety climate of today? -Of course not. | 0:18:48 | 0:18:52 | |
People would imitate it and it's very wrong. | 0:18:52 | 0:18:55 | |
Nowadays he'd have to wear a crash helmet to do that, wouldn't he? | 0:18:55 | 0:18:58 | |
-It's not the same. -I tell you what - fantastic to see that again. | 0:18:58 | 0:19:01 | |
I remember the very first time that came on television. | 0:19:01 | 0:19:03 | |
Seeing it back again now, | 0:19:03 | 0:19:04 | |
he's actually doing it tongue-in-cheek, isn't he? | 0:19:04 | 0:19:06 | |
When I first saw it, it looked like he was being totally earnest, | 0:19:06 | 0:19:09 | |
but the more you watch, he's having a laugh, he's actually playing with it. | 0:19:09 | 0:19:12 | |
-That's quite nice. -But, I mean... | 0:19:12 | 0:19:14 | |
Is tongue-in-cheek the right expression for someone who's | 0:19:14 | 0:19:17 | |
banging himself on the head with a tray? | 0:19:17 | 0:19:19 | |
We're going on to family favourites now, | 0:19:24 | 0:19:25 | |
cos your family were a family of... | 0:19:25 | 0:19:27 | |
Well, not was, still. A family of quizzers. | 0:19:27 | 0:19:30 | |
We like quizzes in our family, yes. | 0:19:30 | 0:19:32 | |
Must-sees for the family together were | 0:19:32 | 0:19:34 | |
Top Of The Form, Ask The Family, in fact. | 0:19:34 | 0:19:38 | |
That was a programme which had three or four members of a family, | 0:19:38 | 0:19:41 | |
parents, children. That was quite a nice one, | 0:19:41 | 0:19:44 | |
because then the questions would have been at varying levels of difficulty. | 0:19:44 | 0:19:48 | |
But they had the very innovative - | 0:19:48 | 0:19:50 | |
what is this household object seen from a strange angle? | 0:19:50 | 0:19:54 | |
-I mean, now we take that for granted. -We do. -Then, that was... | 0:19:54 | 0:19:57 | |
In those days it was quite... | 0:19:57 | 0:19:59 | |
It was usually a can opener. | 0:19:59 | 0:20:01 | |
Yeah, yeah, yeah. | 0:20:01 | 0:20:02 | |
Here we go. Let's have a look and see if it's a can opener. | 0:20:02 | 0:20:05 | |
Oh, blimey, what's this? | 0:20:05 | 0:20:06 | |
Hello. This is the first of our two semifinal competitions. | 0:20:06 | 0:20:11 | |
Very first comb-over. | 0:20:11 | 0:20:13 | |
Kicking off in 1967, Ask The Family ran for 17 years | 0:20:13 | 0:20:17 | |
and was revived twice after that. | 0:20:17 | 0:20:20 | |
The rules were simple - two families competing in general knowledge | 0:20:20 | 0:20:24 | |
to win fabulous prizes, and your host - the dynamic Robert Robinson. | 0:20:24 | 0:20:29 | |
Right, an anagram. The clue... | 0:20:31 | 0:20:33 | |
Well, wait till you get the anagram, I'll give you the clue. | 0:20:33 | 0:20:35 | |
Here comes the anagram. Slick Rime. The clue might be | 0:20:35 | 0:20:38 | |
"Well, indeed. And possibly from Ireland." | 0:20:38 | 0:20:41 | |
-Slick Rime anagram. What is that, Rory? -Oh, my God, what's that? | 0:20:41 | 0:20:44 | |
BUZZER | 0:20:44 | 0:20:46 | |
Limericks. | 0:20:46 | 0:20:48 | |
Ho-ho, you see the connection. Limericks. | 0:20:48 | 0:20:50 | |
-Limericks. Well done. -Oh, limericks. | 0:20:50 | 0:20:52 | |
What five-letter word applies to a dog, | 0:20:52 | 0:20:54 | |
a sportsman and a Chinese revolution? | 0:20:54 | 0:20:57 | |
Boxer. | 0:20:57 | 0:20:58 | |
-BUZZER -Boxer. -Yes. | 0:20:58 | 0:21:01 | |
Yes, boxer dog, boxer the sport. Well, allegedly a sport. | 0:21:01 | 0:21:04 | |
And the Boxer Rebellion. | 0:21:04 | 0:21:06 | |
The Boxers being, I believe, a nationalist sect. | 0:21:06 | 0:21:10 | |
-I'm enjoying this. -Are you quite competitive? | 0:21:10 | 0:21:12 | |
I used to watch University Challenge, and my son who was at university, | 0:21:12 | 0:21:17 | |
we text each other all the way through University Challenge. | 0:21:17 | 0:21:22 | |
He's a doctor now. We text, "Did you get that question about so and so?" | 0:21:22 | 0:21:26 | |
We make rude comments about the contestants. | 0:21:26 | 0:21:28 | |
In Ask The Family, they used to do a little moment | 0:21:28 | 0:21:30 | |
when they used to do a close-up of something. | 0:21:30 | 0:21:32 | |
That's right, yeah. | 0:21:32 | 0:21:34 | |
-Which, as you've already pointed out, was invariably... -Can opener. | 0:21:34 | 0:21:37 | |
-We're going to play that game. -Oh, wow. | 0:21:37 | 0:21:39 | |
But we've got game show hosts. | 0:21:39 | 0:21:41 | |
We've taken game show quizmaster hosts, | 0:21:41 | 0:21:43 | |
we've taken quizmaster hosts and we're doing close-ups. | 0:21:43 | 0:21:47 | |
If you can name the quizmaster, one point. | 0:21:47 | 0:21:50 | |
Extra point if you can name the programme that they actually... | 0:21:50 | 0:21:53 | |
Wow, this has got suddenly very serious. | 0:21:53 | 0:21:55 | |
We're going to play each other. I haven't seen it. | 0:21:55 | 0:21:58 | |
-You haven't seen this? -I haven't seen these either. | 0:21:58 | 0:22:00 | |
So here is the Conleys V McGraths. | 0:22:00 | 0:22:02 | |
That's Robert Robinson, Ask The Family. | 0:22:05 | 0:22:07 | |
-Wow. -I think we've just seen that. | 0:22:07 | 0:22:09 | |
Let's see. No, it's him. "Oh, quite amazing. Unbelievable." | 0:22:09 | 0:22:13 | |
-David Coleman? -Yeah, it's got to be. Yeah, David Coleman. | 0:22:13 | 0:22:16 | |
Oh, I thought it was Rob Robinson with his famous comb-over. | 0:22:16 | 0:22:18 | |
-He did Question Of Sport. -Yeah, yeah, yeah. | 0:22:18 | 0:22:21 | |
Here's another one. | 0:22:22 | 0:22:24 | |
That's Magnus Magnusson. | 0:22:24 | 0:22:25 | |
-No. -Yes. | 0:22:25 | 0:22:26 | |
The quiz is Mastermind. | 0:22:26 | 0:22:29 | |
Icelandic arms, he's got. | 0:22:29 | 0:22:30 | |
Quiz is Mastermind, so I get a point, you get a point. | 0:22:30 | 0:22:34 | |
-BOTH: -Bob Monkhouse! | 0:22:34 | 0:22:36 | |
Draw. What was the quiz? | 0:22:36 | 0:22:37 | |
Bob's Full House. | 0:22:39 | 0:22:40 | |
Bob's Full House, that's the one. | 0:22:40 | 0:22:42 | |
Point for that. | 0:22:42 | 0:22:43 | |
Is that Hughie Green? | 0:22:43 | 0:22:45 | |
It looks like Tommy Cooper. | 0:22:45 | 0:22:47 | |
-I have no... -I don't know. That's not... | 0:22:48 | 0:22:51 | |
It's a man. It's Paul Daniels. | 0:22:51 | 0:22:53 | |
Name of the show, Every Second Counts. | 0:22:53 | 0:22:55 | |
We didn't get that. | 0:22:55 | 0:22:56 | |
Ooh, who's that? | 0:22:58 | 0:22:59 | |
Is that Robert Robinson? | 0:22:59 | 0:23:00 | |
I'm going to... Yeah... | 0:23:02 | 0:23:03 | |
-That might be Robert Robinson from a different angle. -Yeah. | 0:23:03 | 0:23:06 | |
-I can't think... Yes, I think you're right. -Ah, excellent. | 0:23:06 | 0:23:09 | |
There he is. Of course Ask The Family. | 0:23:09 | 0:23:12 | |
-Sneaky, yeah. -Which makes Rory McGrath today's winner. | 0:23:12 | 0:23:16 | |
Oh, I think you were very generous, there. Very generous. | 0:23:16 | 0:23:18 | |
Thank you very much indeed. Well done indeed. | 0:23:18 | 0:23:20 | |
-Do I get a crystal vase or something? -No, you get nothing. | 0:23:20 | 0:23:23 | |
Pineapple ice bucket. Thank you very much. | 0:23:23 | 0:23:25 | |
I'd like to thank everybody involved in the show. | 0:23:25 | 0:23:27 | |
It's not just for me, this. | 0:23:27 | 0:23:29 | |
All the people who worked on it and, of course, the good Lord above. | 0:23:29 | 0:23:32 | |
-Yeah. -Will that do? -Give us it back. | 0:23:32 | 0:23:34 | |
Rory, you've been a writer, comedian, entrepreneur. | 0:23:39 | 0:23:45 | |
LAUGHING: Yes. | 0:23:45 | 0:23:46 | |
Yes. But this is the programme that we all know and love you for. | 0:23:46 | 0:23:51 | |
Here it is. | 0:23:51 | 0:23:52 | |
Have a little look at this. | 0:23:52 | 0:23:54 | |
'Oh, blimey. I recognise this.' | 0:23:54 | 0:23:56 | |
Hello, and welcome to They Think It's All Over, | 0:23:56 | 0:23:59 | |
the sports quiz that bites your legs. | 0:23:59 | 0:24:01 | |
Using the very catchphrase that summed up Britain's | 0:24:01 | 0:24:04 | |
entry into World Cup history, They Think It's All Over | 0:24:04 | 0:24:07 | |
ran for 20 series on the Beeb with comedian Nick Hancock as the host. | 0:24:07 | 0:24:12 | |
-Nick! Look at him - so young. -I know, I know. | 0:24:13 | 0:24:16 | |
Stoke's finest. | 0:24:17 | 0:24:18 | |
Wait until you see yourself, Rory. | 0:24:18 | 0:24:20 | |
And with Gary, a comedian so hairy that he doesn't shower, | 0:24:20 | 0:24:23 | |
he hoovers - Rory McGrath. | 0:24:23 | 0:24:25 | |
-That's Gary Lineker there. -World international crisp salesman. | 0:24:27 | 0:24:32 | |
-So this, of course, was Feel The Sportsman. -Yes, great fun. | 0:24:33 | 0:24:37 | |
Oh, my God. | 0:24:37 | 0:24:38 | |
I just hope it's Sharron Davies. | 0:24:38 | 0:24:40 | |
It was so worrying because you never knew what it was going to be. | 0:24:42 | 0:24:46 | |
The audience start laughing, and that makes you really worried. | 0:24:46 | 0:24:48 | |
You think, "Oh, my God. What are they laughing at now?" | 0:24:48 | 0:24:51 | |
Can we have our next mystery personality, please? | 0:24:51 | 0:24:54 | |
LAUGHTER AND APPLAUSE | 0:24:55 | 0:24:57 | |
'He's actually hairier than you.' | 0:25:00 | 0:25:02 | |
'Yeah.' | 0:25:02 | 0:25:04 | |
He's been eating too many sweets - three-piece suites. | 0:25:04 | 0:25:08 | |
OK, your 90 seconds starts now. | 0:25:09 | 0:25:11 | |
Does this bring back happy memories? | 0:25:18 | 0:25:20 | |
It does. It was a fantastically good fun show to do. | 0:25:20 | 0:25:22 | |
It's not Sharron Davies. | 0:25:22 | 0:25:24 | |
'Of course, to get... David Gower' | 0:25:25 | 0:25:27 | |
and Gary Lineker are just magic to work with, considering what huge | 0:25:27 | 0:25:30 | |
icons of sport and sportsmanship and squeaky clean, they were great fun. | 0:25:30 | 0:25:35 | |
Great fun. They were both willing to have a laugh. | 0:25:35 | 0:25:39 | |
-GARY: -Is it that, em...? It sounds a bit corny, but Giant Haystacks? | 0:25:39 | 0:25:42 | |
CHEERING | 0:25:42 | 0:25:44 | |
-So you were originally on it, right from the off. -Yeah, I was. | 0:25:47 | 0:25:50 | |
I was in the original radio pilot, the second radio pilot, | 0:25:50 | 0:25:54 | |
the first radio series, the second radio series, | 0:25:54 | 0:25:56 | |
and then they took it to television. | 0:25:56 | 0:25:58 | |
Did you audition a lot of presenters before you came up with Nick? | 0:25:58 | 0:26:00 | |
-Nick's superb. -Why did you not...? | 0:26:00 | 0:26:02 | |
Well, I would have loved to have done it, I would have really loved to. | 0:26:02 | 0:26:05 | |
One of my ambitions is to be a quiz... That's what I want to be. | 0:26:05 | 0:26:08 | |
-All I want to do... -I thought it was Doctor Who! | 0:26:08 | 0:26:10 | |
-Well, if that doesn't come up. -You just want to do everything. | 0:26:10 | 0:26:13 | |
You'd love to be a host of a good quiz. | 0:26:13 | 0:26:15 | |
Yeah, if the Doctor Who thing doesn't happen, | 0:26:15 | 0:26:17 | |
I'd like to take over | 0:26:17 | 0:26:18 | |
from Jeremy Paxman on University Challenge. | 0:26:18 | 0:26:20 | |
So what do you watch now, Rory? | 0:26:20 | 0:26:22 | |
What are you keen on? Obviously your sport, your quizzes. | 0:26:22 | 0:26:25 | |
Yeah, but I have a guilty secret... | 0:26:25 | 0:26:27 | |
-Go on. -..when it comes to watching, | 0:26:27 | 0:26:29 | |
which I don't think I've ever actually aired publicly. | 0:26:29 | 0:26:33 | |
One of my favourite programmes, | 0:26:33 | 0:26:34 | |
though admittedly I did think it was a comedy programme, Midsomer Murders. | 0:26:34 | 0:26:38 | |
Really? | 0:26:38 | 0:26:40 | |
-I just think it's hilarious. It's just compellingly daft. -Funny? | 0:26:40 | 0:26:44 | |
Well, it just makes me laugh. | 0:26:44 | 0:26:45 | |
Is it the plots that make you laugh | 0:26:45 | 0:26:47 | |
or is it the fact that they're in this village and everyone's dying? | 0:26:47 | 0:26:51 | |
One of the 5,000 different villages in the county of Midsomer, you know. | 0:26:51 | 0:26:55 | |
Badger's Drift or Midsomer Norton or whatever. | 0:26:55 | 0:26:58 | |
There are at least five gruesome murders, you know, | 0:26:59 | 0:27:03 | |
people being stuck in a combine harvester, people being crossbowed | 0:27:03 | 0:27:07 | |
during a flower show, and yet there's never any national press there. | 0:27:07 | 0:27:11 | |
How do they keep the lid? | 0:27:14 | 0:27:15 | |
-How does the Lord Mayor of Midsomer keep the lid on it? -That is good. | 0:27:15 | 0:27:20 | |
Oh, bless you. | 0:27:20 | 0:27:22 | |
There should be a new city of journalists built | 0:27:22 | 0:27:25 | |
up around the county of Midsomer. | 0:27:25 | 0:27:27 | |
I just think, "Another week!" | 0:27:27 | 0:27:29 | |
Someone's drowned in a vat of cider again. | 0:27:29 | 0:27:32 | |
-Oh, listen, I hope you've enjoyed it. -It's been fun, Brian. | 0:27:34 | 0:27:36 | |
-Oh, bless you, mate. -Thanks for having me. | 0:27:36 | 0:27:38 | |
Thank you. | 0:27:38 | 0:27:39 | |
We let our guests choose a theme tune to go out on. | 0:27:39 | 0:27:42 | |
Oh, well, there are so many. Obvious ones - Coronation Street, | 0:27:44 | 0:27:47 | |
Mission: Impossible, The Avengers - | 0:27:47 | 0:27:49 | |
but one I remember of all those shows, | 0:27:49 | 0:27:52 | |
the tune that stays with me as being frightening and | 0:27:52 | 0:27:55 | |
this is the beginning of great science fiction telly, is Doctor Who. | 0:27:55 | 0:27:59 | |
All right, then, we're going out with that. My thanks to Rory | 0:27:59 | 0:28:02 | |
and my thanks to you for watching The TV That Made Me. Bye-bye. | 0:28:02 | 0:28:05 | |
DOCTOR WHO THEME PLAYS | 0:28:05 | 0:28:07 |