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Telly - that magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds, | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:10 | |
'In this series, I'm going to journey through the fantastic | 0:00:10 | 0:00:13 | |
'world of TV with some of our favourite celebrities. | 0:00:13 | 0:00:16 | |
'They've chosen the precious TV moments that shed light...' | 0:00:16 | 0:00:20 | |
The wind almost blew my blank off. | 0:00:20 | 0:00:22 | |
You're nearly in the telly here. | 0:00:22 | 0:00:24 | |
'..or the stories of their lives.' | 0:00:24 | 0:00:26 | |
If you're so blinking clever, you look after him. | 0:00:26 | 0:00:28 | |
This takes me back completely. | 0:00:28 | 0:00:29 | |
'Some are funny...' | 0:00:29 | 0:00:32 | |
# And when they were down they were down... # | 0:00:32 | 0:00:34 | |
'..some...' | 0:00:34 | 0:00:35 | |
-Ah, thank you! -'..are surprising.' | 0:00:35 | 0:00:38 | |
It terrifies the life out of me. | 0:00:38 | 0:00:39 | |
'Some are inspiring.' | 0:00:39 | 0:00:41 | |
I wanted to be on telly. | 0:00:41 | 0:00:43 | |
That's it from me, back to you two. | 0:00:43 | 0:00:45 | |
'And many...' | 0:00:45 | 0:00:46 | |
Though this rather futuristic TV... | 0:00:46 | 0:00:49 | |
'..are deeply moving.' | 0:00:49 | 0:00:51 | |
And it was heartbreaking. I wept. It was heartbreaking. | 0:00:51 | 0:00:53 | |
It's not real. | 0:00:53 | 0:00:55 | |
'So come watch with us, as we hand-pick the vintage telly that | 0:00:55 | 0:00:58 | |
'helped turn our much-loved stars into the people they are today.' | 0:00:58 | 0:01:03 | |
Welcome to The TV That Made Me. | 0:01:03 | 0:01:05 | |
My guest today was born in Jamaica | 0:01:13 | 0:01:15 | |
but grew up to become one of Britain's greatest ever Olympians. | 0:01:15 | 0:01:19 | |
Linford Christie sprinted into the history books | 0:01:19 | 0:01:23 | |
and the nation's hearts with his incredible performances | 0:01:23 | 0:01:26 | |
on the track. | 0:01:26 | 0:01:27 | |
The TV that made him includes a world of high kicks... | 0:01:29 | 0:01:33 | |
Crazy flicks... | 0:01:34 | 0:01:36 | |
And low blows... | 0:01:36 | 0:01:38 | |
A reverse double knee hold by Nagasaki... | 0:01:38 | 0:01:40 | |
A pair of likely lads who couldn't help | 0:01:40 | 0:01:43 | |
getting into all kinds of romantic bother... | 0:01:43 | 0:01:45 | |
My wife has left me, I don't give a rat's. | 0:01:45 | 0:01:49 | |
And a footballing genius who gave us all | 0:01:49 | 0:01:51 | |
a new definition of the term legend. | 0:01:51 | 0:01:55 | |
A man who has represented his country with distinction. | 0:01:55 | 0:01:59 | |
The only runner in history to hold at the same time Commonwealth, | 0:01:59 | 0:02:03 | |
European, Olympic and World titles. | 0:02:03 | 0:02:07 | |
It can only be the one and only, the legend that is, | 0:02:07 | 0:02:10 | |
Linford Christie. | 0:02:10 | 0:02:12 | |
Truly is a legend, this man. | 0:02:12 | 0:02:14 | |
Shall we tell them that we once entered the sports day race? | 0:02:14 | 0:02:18 | |
Because our kids went to the same school, and I entered | 0:02:18 | 0:02:22 | |
the Father's Day race with Linford Christie, | 0:02:22 | 0:02:25 | |
who cheated and did win. | 0:02:25 | 0:02:27 | |
I was very upset. | 0:02:27 | 0:02:29 | |
It was quite technical. | 0:02:29 | 0:02:31 | |
Do you remember we had to run along with the beanbag on our head? | 0:02:31 | 0:02:34 | |
-And I brought my fast legs, I should have left them at home. -Yeah, I know. | 0:02:34 | 0:02:37 | |
I'll take you on at comedy one day. | 0:02:37 | 0:02:40 | |
But today is a celebration of you, | 0:02:40 | 0:02:41 | |
so we're going to have a trip down memory lane now and wind | 0:02:41 | 0:02:45 | |
the clock way, way back, and this is a very young Linford Christie. | 0:02:45 | 0:02:50 | |
Linford Christie was born in 1960 on the Caribbean island | 0:02:56 | 0:03:00 | |
of Jamaica, to Mum, Mabel, and Dad, James. | 0:03:00 | 0:03:04 | |
Linford's parents joined the half a million people | 0:03:04 | 0:03:07 | |
who emigrated from the West Indies for a new life in Britain, | 0:03:07 | 0:03:11 | |
leaving two-year-old Linford behind with his grandmother, Anita. | 0:03:11 | 0:03:15 | |
Five years later, aged seven, | 0:03:15 | 0:03:18 | |
Linford moved from sun-drenched Jamaica to just | 0:03:18 | 0:03:21 | |
plain drenched Britain to be with his mum and dad in London. | 0:03:21 | 0:03:26 | |
From then on, he grew up in Shepherd's Bush | 0:03:26 | 0:03:28 | |
with his four sisters and two brothers. | 0:03:28 | 0:03:31 | |
So, do you get a chance to get back to Jamaica these days? | 0:03:31 | 0:03:35 | |
I try, I try. I mean, I try to get over every couple of years if I can. | 0:03:35 | 0:03:38 | |
-Good to get back and... -Has it got a good vibe, Jamaica? | 0:03:38 | 0:03:42 | |
-(It's the food.) The food. -Really? | 0:03:42 | 0:03:44 | |
There's no food, for me, like Jamaican food, | 0:03:44 | 0:03:46 | |
so I've got to go back. | 0:03:46 | 0:03:47 | |
Everyone's just laid-back. | 0:03:47 | 0:03:49 | |
So we're taking you to your earliest TV memory now, Linford. | 0:03:53 | 0:03:56 | |
I'm not going to say anything except watch this... | 0:03:56 | 0:03:59 | |
-It's the Big Daddy. -Big Daddy, look at him. | 0:04:01 | 0:04:03 | |
ITV was the home of televised wrestling for a staggering 33 years, | 0:04:04 | 0:04:09 | |
and the heyday of the half-nelson was the '70s, when millions | 0:04:09 | 0:04:13 | |
of us spent Saturday afternoon cheering on our Lycra-clad heroes. | 0:04:13 | 0:04:18 | |
I think it came on about four o'clock and we just sat there | 0:04:20 | 0:04:24 | |
and the whole family would gather round the TV. | 0:04:24 | 0:04:27 | |
Just pandemonium, seriously. | 0:04:27 | 0:04:29 | |
We would just laugh and my dad would be in front of the TV | 0:04:29 | 0:04:32 | |
making loads of noise. And even my old granny, you know, | 0:04:32 | 0:04:35 | |
she was normally a really laid-back old lady, | 0:04:35 | 0:04:38 | |
and she'd be up there throwing a few punches and getting involved. | 0:04:38 | 0:04:41 | |
I mean, looking back on it now, I think | 0:04:41 | 0:04:43 | |
we can all tell that it was choreographed, to a degree. | 0:04:43 | 0:04:46 | |
Or do you still think... | 0:04:46 | 0:04:48 | |
-Go on, what's your view on it? -I don't know, it was good. | 0:04:48 | 0:04:50 | |
It was more real than the ones they've got now. | 0:04:50 | 0:04:53 | |
I mean, they've got the WWF and all that kind of stuff. | 0:04:53 | 0:04:57 | |
To me, this was more real. And it was entertaining. | 0:04:57 | 0:05:00 | |
No-one got hurt, at least I don't think. | 0:05:00 | 0:05:03 | |
No-one got hurt making this programme. | 0:05:03 | 0:05:05 | |
It was entertaining, no-one got hurt. | 0:05:05 | 0:05:07 | |
-They were wrestling, but it was... -Great characters. -Yeah. | 0:05:07 | 0:05:10 | |
The characters were what made the programme. | 0:05:10 | 0:05:13 | |
What did we have? Mick McManus. | 0:05:13 | 0:05:15 | |
We always thought the bad guys just wore the leotard | 0:05:15 | 0:05:18 | |
that came across, and the good guys wore trunks. | 0:05:18 | 0:05:21 | |
Mick McManus was one of those guys | 0:05:21 | 0:05:23 | |
and he would always stop you in your tracks | 0:05:23 | 0:05:27 | |
and then he'd point at something and while the other guy wasn't looking, | 0:05:27 | 0:05:30 | |
-the referee wasn't looking, he'd hit him. -Yeah. | 0:05:30 | 0:05:33 | |
You know, we'd shout at the TV and say, "Look, he's hitting him, he's hitting him." | 0:05:33 | 0:05:37 | |
Mick McManus...in his little blue shorts. There he goes. | 0:05:38 | 0:05:41 | |
Look at this, it's like the other one's laid down. | 0:05:41 | 0:05:43 | |
LINFORD LAUGHS See, and nobody knows. | 0:05:43 | 0:05:46 | |
The referee didn't see it because he was doing something else. | 0:05:46 | 0:05:49 | |
Mick McManus always got a public warning, there was always one or two. | 0:05:49 | 0:05:52 | |
I think if you got three, they disqualified you. | 0:05:52 | 0:05:54 | |
But it's McManus with a second and final public warning there. | 0:05:54 | 0:05:58 | |
He always made it through. | 0:05:58 | 0:05:59 | |
Look at that. | 0:05:59 | 0:06:01 | |
I mean, he looks like he's been eating too many sweets. | 0:06:01 | 0:06:05 | |
The spectacle of grown men throwing each other around | 0:06:06 | 0:06:09 | |
and sitting on each other had a surprisingly wide appeal. | 0:06:09 | 0:06:14 | |
The Duke of Edinburgh and Margaret Thatcher were fans. | 0:06:14 | 0:06:17 | |
-Oh, here we go. Here's another one. -That's Kendo Nagasaki. | 0:06:17 | 0:06:22 | |
A reverse double knee hold by Nagasaki... | 0:06:22 | 0:06:24 | |
What other memories do you have of Saturdays and the build-up? | 0:06:24 | 0:06:30 | |
On Saturday mornings, we all raced up because the TV was | 0:06:30 | 0:06:35 | |
in my parent's room. | 0:06:35 | 0:06:37 | |
And my dad would get up and go to work | 0:06:37 | 0:06:39 | |
and my mum would be at home, so we'd all run up the stairs, | 0:06:39 | 0:06:43 | |
get in bed and we'd just sit there and watch Banana Splits, | 0:06:43 | 0:06:46 | |
-all the cartoons and all that kind of stuff. -Oh, yeah. | 0:06:46 | 0:06:49 | |
So this is not in your lounge? | 0:06:49 | 0:06:51 | |
No, no, no, no. | 0:06:51 | 0:06:52 | |
The lounge was a place where... | 0:06:52 | 0:06:55 | |
only, I suppose, guests and visitors came. | 0:06:55 | 0:06:57 | |
My mum kept her best plants in there. | 0:06:57 | 0:06:59 | |
She had all these plants and everything else. | 0:06:59 | 0:07:01 | |
You'd go in there and greenflies would kill you, seriously. | 0:07:01 | 0:07:03 | |
It would be like going through the jungle. | 0:07:03 | 0:07:05 | |
And she kept all the best crockery and everything in there, | 0:07:05 | 0:07:08 | |
so that was the privileged few... | 0:07:08 | 0:07:11 | |
I want to make you feel at home. | 0:07:11 | 0:07:12 | |
We've got the plants and I've got a few little goodies | 0:07:12 | 0:07:15 | |
for you now that will take you back to your childhood. | 0:07:15 | 0:07:19 | |
Now, you being a highly toned, tuned, physical athlete, | 0:07:22 | 0:07:26 | |
in your younger day, I'm assuming it was fruit, | 0:07:26 | 0:07:30 | |
-protein shakes... -Yeah, yeah. | 0:07:30 | 0:07:32 | |
..all that sort of stuff. | 0:07:32 | 0:07:33 | |
I'm curious. | 0:07:33 | 0:07:35 | |
Oh, look at it. I can name all these already. | 0:07:35 | 0:07:38 | |
I could close my eyes, eat them and tell you what it is. | 0:07:38 | 0:07:40 | |
We've got a Dib Dab. | 0:07:40 | 0:07:43 | |
-So this was what you used to eat? -Indeed. | 0:07:43 | 0:07:45 | |
-Go on, tell us. -These are Black Jacks. | 0:07:45 | 0:07:47 | |
-You could buy four of these for a penny, which... -Yeah. | 0:07:47 | 0:07:50 | |
What's a penny now in old money? | 0:07:50 | 0:07:52 | |
-I don't even know. -A penny. | 0:07:52 | 0:07:54 | |
But, yeah, four of these for a penny, you'd buy these. | 0:07:56 | 0:07:58 | |
-Are these Mint Imperials or Trebor Mints? -I don't know. | 0:07:58 | 0:08:01 | |
Go on. | 0:08:03 | 0:08:04 | |
Oh... | 0:08:04 | 0:08:06 | |
It's mint. Mint Imperials. | 0:08:07 | 0:08:10 | |
I'll have one of them. | 0:08:10 | 0:08:11 | |
So have you still got a sweet tooth? | 0:08:11 | 0:08:14 | |
I can take it or leave it. | 0:08:14 | 0:08:16 | |
But in your youth, | 0:08:16 | 0:08:17 | |
this is obviously before you got into athletics? | 0:08:17 | 0:08:21 | |
Even during. | 0:08:21 | 0:08:22 | |
Well, yeah, but you're burning it off, | 0:08:22 | 0:08:24 | |
you're burning off those calories you're going to need... | 0:08:24 | 0:08:27 | |
I'd still eat one of these though, trust me. Sherbet Dip Dab. | 0:08:27 | 0:08:30 | |
With sherbet in it. | 0:08:30 | 0:08:32 | |
It looks like the Grange Hill tuck shop. | 0:08:32 | 0:08:35 | |
Look, we don't care. Money's no object on here. | 0:08:35 | 0:08:37 | |
There we go, look at it. | 0:08:37 | 0:08:38 | |
There you go, mate. | 0:08:38 | 0:08:40 | |
So, Linford, we're moving on to your biggest influence now, | 0:08:45 | 0:08:48 | |
growing up as a young man. | 0:08:48 | 0:08:49 | |
I suppose we would assume it would be a runner, | 0:08:49 | 0:08:51 | |
but the person isn't a runner? | 0:08:51 | 0:08:53 | |
No, well, I'm sure he ran a couple of times from other people. | 0:08:53 | 0:08:57 | |
Linford's biggest influence was Belfast's golden boy Georgie Best. | 0:08:58 | 0:09:03 | |
Georgie's footballing skills | 0:09:03 | 0:09:05 | |
inspired a generation of youngsters... | 0:09:05 | 0:09:08 | |
thanks, at least in part, to television. | 0:09:08 | 0:09:11 | |
The start of his career coincided with the first British | 0:09:11 | 0:09:14 | |
football results show - Match Of The Day. | 0:09:14 | 0:09:17 | |
It hit our screens in 1964 and showcased his | 0:09:17 | 0:09:21 | |
incredible talent to the whole nation. | 0:09:21 | 0:09:25 | |
He became the first global football superstar, | 0:09:25 | 0:09:28 | |
appearing on chat shows and ultimately being given his own show. | 0:09:28 | 0:09:32 | |
I loved Georgie Best growing up. | 0:09:33 | 0:09:35 | |
The thing is, as a kid, I didn't think about being a runner at all. | 0:09:35 | 0:09:40 | |
I wanted to be a footballer, as most kids do. | 0:09:40 | 0:09:42 | |
-Oh, really? -Indeed. | 0:09:42 | 0:09:44 | |
And Georgie Best, you idolised? | 0:09:44 | 0:09:46 | |
I did because he had skill, poise, he was a ladies' man. | 0:09:46 | 0:09:51 | |
-I mean, not that that's...part of the reason why I liked him. -No... | 0:09:51 | 0:09:54 | |
You know, I just wanted to play like him and my mum bought me | 0:09:54 | 0:09:57 | |
a pair of Georgie Best football boots, which laced up at the side, | 0:09:57 | 0:10:01 | |
and I'm sure once I put those boots on, I can play like him. | 0:10:01 | 0:10:04 | |
Just, I wasn't discovered that way, you know? | 0:10:04 | 0:10:06 | |
I had all the skills of Georgie Best once | 0:10:06 | 0:10:08 | |
I put on Georgie Best football boots. | 0:10:08 | 0:10:10 | |
-Shall we have a look at Georgie Best? -Let's do it. -There we are. | 0:10:10 | 0:10:14 | |
Look at that, the ball looks like it's attached to his feet. | 0:10:17 | 0:10:20 | |
I know, I know. He was an absolute natural, wasn't he? | 0:10:20 | 0:10:22 | |
There's a magnet in his shoe and a magnet in the ball | 0:10:22 | 0:10:25 | |
and it just won't move away from it. | 0:10:25 | 0:10:26 | |
Do you feel sad, the way it went for him? | 0:10:26 | 0:10:29 | |
Yeah, I mean, of course... | 0:10:29 | 0:10:32 | |
He was taken from us at such a young age as well. | 0:10:32 | 0:10:34 | |
I think he had a lot more to give, but I suppose... | 0:10:34 | 0:10:39 | |
-Look at that, look. -First superstar of sport, wasn't he? | 0:10:39 | 0:10:43 | |
-Look at him there. -Smoothie. | 0:10:43 | 0:10:47 | |
Yeah. Great. | 0:10:47 | 0:10:49 | |
George Best was the first football star to shine both on the pitch | 0:10:49 | 0:10:53 | |
and the small screen. And he blazed a trail for others to follow. | 0:10:53 | 0:10:58 | |
Emlyn Hughes and his infectious laughter had 19 million viewers | 0:10:58 | 0:11:02 | |
tuning in to A Question Of Sport in the '80s. | 0:11:02 | 0:11:05 | |
In the mid-'90s, Gary Lineker swapped scoring goals | 0:11:05 | 0:11:09 | |
as England's captain for getting laughs in a TV studio | 0:11:09 | 0:11:12 | |
on They Think It's All Over. | 0:11:12 | 0:11:14 | |
And since the late '90s, he has played the role of the cool, | 0:11:14 | 0:11:17 | |
calm frontman on Match Of The Day. | 0:11:17 | 0:11:20 | |
Ian Wright's TV career took him even further | 0:11:20 | 0:11:23 | |
from the football terraces, | 0:11:23 | 0:11:25 | |
onto The National Lottery - Wright Around The World. | 0:11:25 | 0:11:28 | |
And in 2011, Robbie Savage hung up his football boots | 0:11:28 | 0:11:32 | |
and slipped into his dancing shoes to appear on Strictly Come Dancing. | 0:11:32 | 0:11:37 | |
So in a way, that got you into sports, Georgie Best, | 0:11:37 | 0:11:42 | |
or was athletics always there? | 0:11:42 | 0:11:45 | |
I mean, I got into athletics in a funny way | 0:11:45 | 0:11:49 | |
because, again, I was playing football at school | 0:11:49 | 0:11:52 | |
and the teacher looked out his window and he came down. | 0:11:52 | 0:11:55 | |
I must have been about eight years old, and he said, | 0:11:55 | 0:11:57 | |
"Oh, you look like you can run. | 0:11:57 | 0:11:59 | |
"Would you like to try out for the school athletic team?" | 0:11:59 | 0:12:01 | |
And it all started from there. | 0:12:01 | 0:12:03 | |
I mean, I had no idea. | 0:12:03 | 0:12:06 | |
There was no inclination at all that I was going to run. | 0:12:06 | 0:12:09 | |
Because I didn't even really like it. | 0:12:09 | 0:12:10 | |
It was just something that they asked me to do and I did it. | 0:12:10 | 0:12:13 | |
I changed schools from primary school | 0:12:13 | 0:12:15 | |
and there's always a teacher there telling me I could run. | 0:12:15 | 0:12:17 | |
And, you know, so... I mean, I joined the club. | 0:12:17 | 0:12:21 | |
My teacher at school took me down and I joined the running club | 0:12:21 | 0:12:24 | |
and I went to a championship | 0:12:24 | 0:12:27 | |
for the English schools, all the schoolboys. | 0:12:27 | 0:12:30 | |
All the school kids from England took part and I ran the 200. | 0:12:30 | 0:12:34 | |
I didn't have a coach or anything and I came second. | 0:12:34 | 0:12:37 | |
And so from there, people kept telling me, "Oh, you could be good." | 0:12:37 | 0:12:41 | |
Even the guy who won said to me, "If you train, you could be good." | 0:12:41 | 0:12:44 | |
And so I met my coach, Ron Roddan, and even then | 0:12:44 | 0:12:49 | |
I was still playing with it, | 0:12:49 | 0:12:51 | |
and he wrote me a letter and told me, | 0:12:51 | 0:12:52 | |
"If you change your lifestyle and come down to the track | 0:12:52 | 0:12:56 | |
"and train more regularly, you could be really good." | 0:12:56 | 0:13:00 | |
This was most probably in '85, | 0:13:00 | 0:13:02 | |
and within six months, I won the European Indoor and Outdoor Championships | 0:13:02 | 0:13:07 | |
and everything else, and broke the British record. | 0:13:07 | 0:13:10 | |
Linford, I want to talk now about your family favourite. | 0:13:15 | 0:13:18 | |
-Mm-hmm. -Which...um... | 0:13:18 | 0:13:20 | |
I believe, I mean, some people would struggle with this, | 0:13:20 | 0:13:23 | |
especially now, obviously, we've moved on, it is | 0:13:23 | 0:13:25 | |
-a different era, but I'm talking about the show, Love Thy Neighbour. -Love Thy Neighbour. | 0:13:25 | 0:13:29 | |
We live next door. I'm Eddie. This is my wife, Joan. | 0:13:29 | 0:13:32 | |
Oh, nice to meet you, I'm Barbie. | 0:13:32 | 0:13:33 | |
ITV sitcom Love Thy Neighbour ran for eight series | 0:13:33 | 0:13:37 | |
from 1972 to '76. | 0:13:37 | 0:13:39 | |
Its humour came from factory worker Eddie's struggles | 0:13:40 | 0:13:44 | |
to accept his new neighbours, Bill and Barbara, | 0:13:44 | 0:13:47 | |
recently arrived from the West Indies. | 0:13:47 | 0:13:49 | |
You will be careful what you say... | 0:13:49 | 0:13:51 | |
Although in most episodes, Eddie ended up as the butt of the joke. | 0:13:51 | 0:13:56 | |
His views might seem out of place now, but at its peak, | 0:13:56 | 0:13:58 | |
16 million of us tuned in to watch, | 0:13:58 | 0:14:01 | |
including young Linford and his family. | 0:14:01 | 0:14:04 | |
They did struggle to find a clip that we could show, | 0:14:04 | 0:14:08 | |
let's be honest. Let's have a look at the clip. | 0:14:08 | 0:14:10 | |
# Love thy neighbour... # | 0:14:10 | 0:14:14 | |
-God, check this. -Yeah. | 0:14:14 | 0:14:16 | |
-# Love thy neighbour -Thy neighbour... # | 0:14:18 | 0:14:21 | |
Comes back to you, doesn't it? | 0:14:21 | 0:14:23 | |
I wouldn't be surprised if he don't come in here tonight, Eddie. | 0:14:23 | 0:14:26 | |
I hope he doesn't. | 0:14:26 | 0:14:27 | |
It's bad enough living next door to him and working with him. | 0:14:27 | 0:14:30 | |
He's not sitting with us. I've enough of him all day. | 0:14:30 | 0:14:33 | |
Good evening. | 0:14:33 | 0:14:35 | |
-Hello, Bill. -Hi, Arthur. Can I buy anybody a drink? | 0:14:35 | 0:14:38 | |
Very nice of you, Bill. Come and sit down. | 0:14:38 | 0:14:40 | |
LAUGHTER | 0:14:40 | 0:14:42 | |
What did you enjoy about the show? | 0:14:42 | 0:14:44 | |
-It was the jokes. -Yeah. -It was the jokes, you know? | 0:14:44 | 0:14:47 | |
You know, the way the programme was, it was like, there's a black guy | 0:14:47 | 0:14:50 | |
and a white guy, and they just throw, you know, | 0:14:50 | 0:14:53 | |
insults at each other. | 0:14:53 | 0:14:55 | |
-Yeah. -You know, I suppose now, | 0:14:55 | 0:14:56 | |
-you've got to be too...you wouldn't be allowed to show that... -No, no. | 0:14:56 | 0:15:00 | |
..because it's not PC, but in those days, you know, | 0:15:00 | 0:15:02 | |
people didn't care. | 0:15:02 | 0:15:03 | |
People just watched things for what they actually was, | 0:15:03 | 0:15:07 | |
-and we enjoyed it. -You enjoyed it? -Yeah. | 0:15:07 | 0:15:09 | |
-You never saw it as the white guy being racist? -No, not at all. | 0:15:09 | 0:15:12 | |
-No? -Not at all. You know, and... | 0:15:12 | 0:15:14 | |
I suppose it was a time when we all got round, again, together. | 0:15:14 | 0:15:17 | |
Which I suppose, in those days, it was a big thing, you know, | 0:15:17 | 0:15:20 | |
-for the whole family to sit together. -Yeah. | 0:15:20 | 0:15:23 | |
Will you stop staring at my wife? | 0:15:23 | 0:15:25 | |
I was just admiring your garden. | 0:15:25 | 0:15:27 | |
Oh, it's nice, isn't it? | 0:15:27 | 0:15:28 | |
Fantastic, love. | 0:15:28 | 0:15:30 | |
Isn't it time you get the lunch ready? | 0:15:31 | 0:15:33 | |
I've only been hot out here a few minutes. | 0:15:33 | 0:15:35 | |
Look, but, the sun's moving round. You'll be in the shade soon. | 0:15:35 | 0:15:38 | |
We've got plenty of sun over here. We get it all day in our garden. | 0:15:38 | 0:15:41 | |
In those days, I mean, there was not many black people on TV, | 0:15:41 | 0:15:46 | |
anyway, so, you know. | 0:15:46 | 0:15:47 | |
-But, I mean, they allowed black and white minstrels, at the time. -Oh... | 0:15:47 | 0:15:52 | |
So, you know, I suppose it was... we was a lot worse. | 0:15:52 | 0:15:54 | |
-Too sensitive, you. That's your trouble. -Oh, am I? | 0:15:54 | 0:15:57 | |
Well, look, you just ask Joan to put on a bikini and come out here | 0:15:57 | 0:16:00 | |
and let me have a good look at her. | 0:16:00 | 0:16:02 | |
You dirty devil! | 0:16:02 | 0:16:04 | |
This was just, you know, we thought it was fun and it was, | 0:16:04 | 0:16:08 | |
you know, I suppose, good banter. | 0:16:08 | 0:16:10 | |
-Oh, it's different for you, is it? -Of course it is, I'm white. | 0:16:10 | 0:16:13 | |
-And what's that got to do with it? -Everything. | 0:16:13 | 0:16:15 | |
A white man has white thoughts. White for purity. | 0:16:15 | 0:16:18 | |
It's from such a different... I feel really awkward. | 0:16:18 | 0:16:21 | |
-Do you? -Yeah. | 0:16:21 | 0:16:22 | |
-Ah! -I do. -I loved it. | 0:16:22 | 0:16:25 | |
I mean, not now. It is wrong. It is. | 0:16:25 | 0:16:27 | |
-We have moved on, but... -My dad would still love it now. | 0:16:27 | 0:16:30 | |
If it came on TV, my dad would be the first person in front of the TV. | 0:16:30 | 0:16:33 | |
-Yeah? -Yeah. I mean, I would still watch it. -Uh-huh? | 0:16:33 | 0:16:36 | |
I would still watch it. I wouldn't have a problem watching it at all. | 0:16:36 | 0:16:39 | |
Linford, this is your first...um... | 0:16:44 | 0:16:47 | |
..your first tears at TV, | 0:16:48 | 0:16:50 | |
and not tears of sadness, but tears of laughter. | 0:16:50 | 0:16:55 | |
Have a look at this. | 0:16:55 | 0:16:57 | |
# Oh, what happened to you? | 0:16:57 | 0:17:00 | |
# Whatever happened to me? | 0:17:00 | 0:17:04 | |
# What became of the people | 0:17:04 | 0:17:08 | |
# We used to be? # | 0:17:08 | 0:17:10 | |
Oh, this was fun. | 0:17:10 | 0:17:11 | |
-She's left me. -She hasn't left you for long. | 0:17:11 | 0:17:14 | |
-Well, how do you figure that out? -Case was too small. | 0:17:14 | 0:17:17 | |
The Likely Lads were a pair of mismatched Northerners - | 0:17:17 | 0:17:20 | |
upwardly mobile Bob and working-class Terry - | 0:17:20 | 0:17:24 | |
struggling to enjoy the '60s on their tiny factory wages. | 0:17:24 | 0:17:28 | |
In the sequel - Whatever Happened To The Likely Lads? - | 0:17:28 | 0:17:31 | |
Bob has married Thelma and Terry is home from the army, | 0:17:31 | 0:17:35 | |
endlessly leading Bob astray and into trouble. | 0:17:35 | 0:17:39 | |
What would you do in this situation? | 0:17:39 | 0:17:41 | |
Ah, well, I would never have got into this situation. | 0:17:41 | 0:17:43 | |
Let me wife leave me? | 0:17:43 | 0:17:45 | |
I'd have left her. | 0:17:45 | 0:17:46 | |
LAUGHTER | 0:17:46 | 0:17:48 | |
At its peak, 27 million of us | 0:17:48 | 0:17:50 | |
tuned in to watch this odd couple bicker, fall out and make up. | 0:17:50 | 0:17:55 | |
You do nothing. | 0:17:55 | 0:17:57 | |
Going round, ringing her up, apologising, sending flowers, | 0:17:57 | 0:18:01 | |
all that is fatal. | 0:18:01 | 0:18:02 | |
You just pretend you don't give a rat's. | 0:18:02 | 0:18:05 | |
Just relax, man. | 0:18:05 | 0:18:06 | |
Ha-ha-ha! My wife has left me. I don't give a rat's. | 0:18:06 | 0:18:10 | |
More champagne. | 0:18:10 | 0:18:12 | |
-The Likely Lads. -God! Check the hairdo! | 0:18:12 | 0:18:15 | |
Oh, look at that. | 0:18:15 | 0:18:17 | |
Going back to their mother, they all do that, don't they? | 0:18:17 | 0:18:20 | |
You've got your whole lives in front of you. | 0:18:20 | 0:18:23 | |
You're just at the dawn of your disasters. | 0:18:23 | 0:18:25 | |
LAUGHTER | 0:18:25 | 0:18:27 | |
You know, at times like this, you really are a great help, Terry! | 0:18:27 | 0:18:30 | |
I like to think so. | 0:18:30 | 0:18:31 | |
James Bolam, I mean, he's still out there. He's still... | 0:18:31 | 0:18:36 | |
-This was classic though, wasn't it? -It was very funny. | 0:18:36 | 0:18:39 | |
I suppose as we progress into your life and, obviously, you know, | 0:18:39 | 0:18:45 | |
your career just gets... goes...skyrockets... | 0:18:45 | 0:18:48 | |
you obviously didn't have much time to watch TV. | 0:18:48 | 0:18:51 | |
Yeah, and you miss a lot. There was no DVDs or anything else like that. | 0:18:51 | 0:18:55 | |
-No. -You just missed... | 0:18:55 | 0:18:57 | |
I mean, athletics is very... I would say, it makes you very reclusive. | 0:18:57 | 0:19:03 | |
Because, you know, you're always... it is you on your own | 0:19:03 | 0:19:07 | |
and you're always on your own. | 0:19:07 | 0:19:08 | |
That must be difficult. That must be tough. | 0:19:08 | 0:19:11 | |
-You get used to it. -Yeah, of course. -You get used to it. | 0:19:11 | 0:19:13 | |
I've been doing it so long and, you know, there was a time | 0:19:13 | 0:19:17 | |
when, I suppose, you hate your own company. | 0:19:17 | 0:19:19 | |
I didn't like my own company at all. | 0:19:19 | 0:19:21 | |
Now... I suppose I'm older now, so I LOVE me some me time. | 0:19:21 | 0:19:26 | |
I like to be on my own and it gives you a chance to think and everything else. | 0:19:26 | 0:19:30 | |
You know, I realised the longer you leave it, being on your own, | 0:19:30 | 0:19:33 | |
the more you enjoy it, and that's when it becomes a danger. | 0:19:33 | 0:19:36 | |
Yeah, yeah, yeah. | 0:19:36 | 0:19:37 | |
I'm a little bit OCD, so, again, it's...difficult. | 0:19:37 | 0:19:41 | |
You know, someone comes and moves something and you go, | 0:19:41 | 0:19:44 | |
-"Oh, no, I can't..." -Really? | 0:19:44 | 0:19:47 | |
I was unaware of this. | 0:19:47 | 0:19:49 | |
Do the kids, do they just get to you if they...? | 0:19:49 | 0:19:52 | |
I think sometimes they make the mess just to annoy me. | 0:19:52 | 0:19:55 | |
I'm always cleaning, especially the kitchen. | 0:19:55 | 0:19:57 | |
-Do you enjoy cooking? -I love it. | 0:19:57 | 0:19:59 | |
-Oh, really? -Yeah, I cook most things. I bake cakes. | 0:19:59 | 0:20:01 | |
-Oh, really? -Yeah, I do the whole thing. | 0:20:01 | 0:20:03 | |
-Soak my raisins... -You would make someone a good wife, you know that? | 0:20:03 | 0:20:07 | |
Oh, definitely. I'd like to think so. | 0:20:07 | 0:20:08 | |
You're a great cook, you like tidying the house... | 0:20:08 | 0:20:12 | |
I do everything. | 0:20:12 | 0:20:13 | |
-The only thing I can't do, I can't do... -Give babies. | 0:20:13 | 0:20:16 | |
Give babies, there we go. I can give babies but I just can't... THEY LAUGH | 0:20:16 | 0:20:19 | |
We know where you're going! | 0:20:19 | 0:20:21 | |
No, I enjoy it. | 0:20:22 | 0:20:24 | |
I'm a domestic goddess, I love it. | 0:20:24 | 0:20:26 | |
It's time for a commercial break now. | 0:20:31 | 0:20:33 | |
It's voted, this advert, as Britain's | 0:20:33 | 0:20:36 | |
most catchiest advert ever. | 0:20:36 | 0:20:38 | |
And we might get you to sing along to this one, Linford. | 0:20:40 | 0:20:42 | |
Oh, look at that. | 0:20:45 | 0:20:47 | |
# Just one Cornetto | 0:20:47 | 0:20:50 | |
# Give it to me... # | 0:20:50 | 0:20:52 | |
And he takes it, doesn't he? | 0:20:52 | 0:20:53 | |
# Delicious ice cream... | 0:20:53 | 0:20:56 | |
# Of Italy... # | 0:20:56 | 0:20:57 | |
My accent's not that great. | 0:20:57 | 0:20:59 | |
# Delicious ice cream | 0:20:59 | 0:21:02 | |
# Of Italy... # | 0:21:02 | 0:21:04 | |
The tune in the advert is based on the Neapolitan operatic song, | 0:21:04 | 0:21:07 | |
O Sole Mio. | 0:21:07 | 0:21:09 | |
It proved irritatingly difficult to forget, but I bet the composer | 0:21:09 | 0:21:14 | |
never imagined it being used | 0:21:14 | 0:21:16 | |
as an advertising jingle. | 0:21:16 | 0:21:18 | |
What was it about this advert | 0:21:18 | 0:21:19 | |
that you liked so much? | 0:21:19 | 0:21:20 | |
-I suppose because it was catchy. -Yeah. | 0:21:20 | 0:21:23 | |
It was catchy, you know, and when something sticks in your mind | 0:21:23 | 0:21:26 | |
all the time and... Again, we used to eat Cornettos. | 0:21:26 | 0:21:28 | |
So it shows advertising actually works. | 0:21:28 | 0:21:31 | |
I've learnt a lot today. I've learnt an awful lot about Linford Christie. | 0:21:31 | 0:21:35 | |
I also know that you can't sing. | 0:21:35 | 0:21:37 | |
Definitely! | 0:21:37 | 0:21:38 | |
Can you now identify classic advert slogans? | 0:21:38 | 0:21:42 | |
Linford Christie... | 0:21:42 | 0:21:43 | |
I'll give it a try and see how we go on that. | 0:21:43 | 0:21:46 | |
-I'm going to read the slogan, you're going to tell me the product. -OK. | 0:21:46 | 0:21:50 | |
"Vorsprung durch Technik?" | 0:21:50 | 0:21:52 | |
-Oh, that's Audi. -Correct. | 0:21:52 | 0:21:53 | |
You can play this at home. | 0:21:53 | 0:21:55 | |
"It's good to talk." | 0:21:55 | 0:21:57 | |
Er, BT. | 0:21:57 | 0:21:59 | |
Correct, British Telecom. | 0:21:59 | 0:22:00 | |
"Put a tiger in your tank." | 0:22:00 | 0:22:02 | |
-Esso. -Correct. | 0:22:02 | 0:22:05 | |
You are very good, you've got to get one wrong. | 0:22:05 | 0:22:07 | |
"Because I'm worth it." | 0:22:07 | 0:22:10 | |
Oh, that's, er, that make-up... | 0:22:10 | 0:22:12 | |
One of the make-up... L'Oreal. Is it L'Oreal. | 0:22:12 | 0:22:14 | |
Absolutely! Your recall is phenomenal. | 0:22:14 | 0:22:16 | |
Your athletic peak is on the screen right now. | 0:22:22 | 0:22:24 | |
There you go. | 0:22:24 | 0:22:26 | |
How does that feel? | 0:22:27 | 0:22:29 | |
Does it sink in? Something like that, is it before that moment | 0:22:29 | 0:22:32 | |
that you know you've won the race? | 0:22:32 | 0:22:33 | |
-The race is won way before the race starts. -Really? | 0:22:33 | 0:22:37 | |
Because we all get together and they call it a call room. | 0:22:37 | 0:22:40 | |
All the people you are going to compete against, you're in a room. | 0:22:40 | 0:22:43 | |
We would be in a little room about the size of this | 0:22:43 | 0:22:45 | |
and they've got a few chairs there and you have to stare at everyone. | 0:22:45 | 0:22:48 | |
Like a boxer? | 0:22:48 | 0:22:49 | |
-It's like being... Who's king of the jungle? -Yeah. | 0:22:49 | 0:22:52 | |
We all stand and you beat your chest and people walk around | 0:22:52 | 0:22:54 | |
and look at you, trying to put you off your game. | 0:22:54 | 0:22:58 | |
-You know... -From experience? | 0:22:58 | 0:23:00 | |
From experience, yeah. | 0:23:00 | 0:23:01 | |
This is where the race is won. | 0:23:01 | 0:23:04 | |
For example, you look in each... Someone looks in your eyes | 0:23:04 | 0:23:07 | |
and, you know, you put your head down, | 0:23:07 | 0:23:10 | |
it automatically tells me I've won. | 0:23:10 | 0:23:13 | |
-So you knew beforehand? -Definitely, yeah. I knew I was going to win. | 0:23:13 | 0:23:17 | |
These are the games that you're playing with them? | 0:23:17 | 0:23:20 | |
You play the games with them, it's all in there. | 0:23:20 | 0:23:22 | |
Again, it's confidence. | 0:23:22 | 0:23:24 | |
Confidence makes you do some amazing things. You've got to be confident. | 0:23:24 | 0:23:27 | |
Before, I was... I was as good as I was, | 0:23:27 | 0:23:30 | |
you'd go to meetings and it would just be the American national anthem | 0:23:30 | 0:23:35 | |
was played all around. You know, the Brits, we had to sit and keep quiet | 0:23:35 | 0:23:38 | |
because we had no answer to them. | 0:23:38 | 0:23:40 | |
You know, so every time you'd go round and they were playing the national anthem, | 0:23:40 | 0:23:43 | |
you know - America - and you'd sit there and you're thinking, | 0:23:43 | 0:23:46 | |
"Wouldn't it be nice if I | 0:23:46 | 0:23:48 | |
"could be good enough to change this, you know, to God Save The Queen?" | 0:23:48 | 0:23:52 | |
-Yes. -That made me proud. | 0:23:52 | 0:23:55 | |
We want to show you another career highlight now. | 0:23:55 | 0:23:58 | |
Um, this is Sports Personality Of The Year. | 0:23:58 | 0:24:01 | |
Oh... | 0:24:01 | 0:24:02 | |
In first place, | 0:24:02 | 0:24:04 | |
the only runner in history to hold at the same time | 0:24:04 | 0:24:08 | |
Commonwealth, European, Olympic and World titles | 0:24:08 | 0:24:11 | |
and now adds the BBC Sports Personality Of The Year trophy | 0:24:11 | 0:24:16 | |
to his glittering list of achievements... | 0:24:16 | 0:24:18 | |
Ladies and gentlemen, Linford Christie. | 0:24:18 | 0:24:22 | |
APPLAUSE | 0:24:22 | 0:24:24 | |
Look how young I was. | 0:24:24 | 0:24:26 | |
Look at that suit. Look how beautiful you are. | 0:24:26 | 0:24:28 | |
Oh. | 0:24:28 | 0:24:30 | |
I couldn't grow a beard then, though! | 0:24:30 | 0:24:32 | |
I still can't! | 0:24:32 | 0:24:33 | |
God, you don't know how nerve-racking it is. | 0:24:33 | 0:24:36 | |
I've been sitting there and I thought, "Well, could it be me, could it be Colin?" | 0:24:36 | 0:24:40 | |
My legs started shaking and it was almost as bad | 0:24:40 | 0:24:43 | |
as what it was when I was in Stuttgart. | 0:24:43 | 0:24:45 | |
How did that feel? | 0:24:45 | 0:24:47 | |
-I was proud. -Yeah. | 0:24:47 | 0:24:49 | |
The thing is, like, to be... | 0:24:49 | 0:24:52 | |
When you are recognised by your peers, I suppose, by your country | 0:24:52 | 0:24:56 | |
-and everything else, that's when you realise you've done something. -Mmm. | 0:24:56 | 0:24:59 | |
You know, I always... | 0:24:59 | 0:25:01 | |
You can go out and win everything | 0:25:01 | 0:25:02 | |
but when people, you know, your peers and people around actually... | 0:25:02 | 0:25:07 | |
Well, the public - it's voted for by the public - and you realise, | 0:25:07 | 0:25:11 | |
you know, that's when you really and truly have won, | 0:25:11 | 0:25:15 | |
or made something of yourself. | 0:25:15 | 0:25:17 | |
You know, I've got to thank Carl Lewis | 0:25:17 | 0:25:19 | |
because without his butt to kick, there wouldn't be no Gateshead. | 0:25:19 | 0:25:23 | |
The thing is, when I look back, you know, where I came from... | 0:25:23 | 0:25:26 | |
You know, I came from Jamaica in, what? 1967. | 0:25:26 | 0:25:30 | |
You know, we came here, we lived in... | 0:25:30 | 0:25:33 | |
There were seven of us in two rooms and everything else. | 0:25:33 | 0:25:36 | |
You've got to look back and, for me, | 0:25:36 | 0:25:39 | |
I can go out and, you know, be happy. | 0:25:39 | 0:25:43 | |
-Yeah, yeah, yeah. -Yeah, I mean, I could have sat back | 0:25:43 | 0:25:46 | |
and not do anything, but some of it is what your parents instilled. | 0:25:46 | 0:25:51 | |
And I grew up with my grandmother, as well, | 0:25:51 | 0:25:53 | |
and some of the morals and everything else that she instilled in us. | 0:25:53 | 0:25:57 | |
Yeah, hard work pays off. | 0:25:57 | 0:25:59 | |
Thank you very much. | 0:25:59 | 0:26:01 | |
APPLAUSE | 0:26:01 | 0:26:03 | |
So, Linford, I want to ask - do you watch big athletic events on TV these days? | 0:26:13 | 0:26:17 | |
-The ones I don't go to. I try to go to most of them. -Mm-hm. | 0:26:17 | 0:26:21 | |
I try to get to maybe the big championships but, yeah, I watch... | 0:26:21 | 0:26:24 | |
Because you're commentating on it a lot? | 0:26:24 | 0:26:26 | |
No, because also now I coach. | 0:26:26 | 0:26:28 | |
When I coach, because my athletes compete, | 0:26:28 | 0:26:31 | |
-then it's more for me to be there. -Mm. | 0:26:31 | 0:26:34 | |
I'm more use. | 0:26:34 | 0:26:36 | |
They like to have me in the warm-up area and everything else | 0:26:36 | 0:26:39 | |
and then I can go down and, you know, | 0:26:39 | 0:26:42 | |
tell them...give them confidence, I suppose, | 0:26:42 | 0:26:45 | |
and you spend more time at the track, | 0:26:45 | 0:26:49 | |
with me, rather than you do with your parents... | 0:26:49 | 0:26:52 | |
your family, so I become... | 0:26:52 | 0:26:54 | |
I suppose I'm the father, the mother figure, the confidant. | 0:26:54 | 0:26:59 | |
You know, this is one thing that makes me close. | 0:26:59 | 0:27:03 | |
Do you get very anxious when these people that you are very close to, | 0:27:03 | 0:27:07 | |
obviously, are in a race? | 0:27:07 | 0:27:10 | |
Oh, definitely. I mean... | 0:27:10 | 0:27:11 | |
I suppose you need a bit of nerves to go out there and perform | 0:27:11 | 0:27:14 | |
but I was never as nervous for myself as I am for my athletes | 0:27:14 | 0:27:18 | |
-because when I'm out there doing it, I know what to do. -Mm-hm. | 0:27:18 | 0:27:21 | |
I'm never quite sure, are they going to do what I tell them to do? | 0:27:21 | 0:27:25 | |
-You stand there and you do get a bit nervous for them. -Yeah. | 0:27:25 | 0:27:28 | |
I suppose it's part and parcel, you know, of what you do. | 0:27:28 | 0:27:32 | |
They say the best thing is doing it yourself, | 0:27:32 | 0:27:34 | |
the second best is teaching others. | 0:27:34 | 0:27:35 | |
I really do, you know, enjoy teaching my guys and girls what to do | 0:27:35 | 0:27:40 | |
-when they go out there. -I think it's inspirational. | 0:27:40 | 0:27:43 | |
-I've really enjoyed our chat today. -Oh, thank you. | 0:27:43 | 0:27:45 | |
At this point you get to choose our theme tune to play us out with. | 0:27:45 | 0:27:49 | |
What's it going to be? | 0:27:49 | 0:27:50 | |
-Let's go for The Likely Lads. -Likely Lads. -Yeah. | 0:27:50 | 0:27:53 | |
-It's me and you, isn't it? -We're two likely lads. | 0:27:53 | 0:27:55 | |
All right, my thanks to Linford and my thanks to you | 0:27:55 | 0:27:57 | |
for watching the TV That Made Me. We'll see you soon. Bye-bye. | 0:27:57 | 0:28:00 | |
# Oh, what happened to you? | 0:28:02 | 0:28:05 | |
# Whatever happened to me? | 0:28:05 | 0:28:10 | |
# What became of the people | 0:28:10 | 0:28:13 | |
# We used to be? | 0:28:13 | 0:28:17 | |
# Tomorrow's almost over | 0:28:17 | 0:28:20 | |
# Today went by so fast | 0:28:20 | 0:28:23 | |
# Is the only thing to look forward to | 0:28:23 | 0:28:27 | |
# The past? # | 0:28:27 | 0:28:30 |