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Telly - that magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:10 | |
In this series, I'm going to journey through the fantastic | 0:00:10 | 0:00:13 | |
world of TV with some of our favourite celebrities. | 0:00:13 | 0:00:17 | |
'They've chosen the precious TV moments that shed light...' | 0:00:17 | 0:00:21 | |
-Love this. -She's beaten the panel. | 0:00:21 | 0:00:23 | |
Look at that. | 0:00:23 | 0:00:24 | |
'..on the stories of their lives.' | 0:00:24 | 0:00:27 | |
Go on, champion. Go on, champion. | 0:00:27 | 0:00:28 | |
It's like argh, urgh. | 0:00:28 | 0:00:30 | |
'Some are funny...' | 0:00:30 | 0:00:32 | |
Oh, quite amazing, unbelievable. | 0:00:32 | 0:00:34 | |
No, no, no, Christina. | 0:00:34 | 0:00:36 | |
'..some are surprising...' | 0:00:36 | 0:00:38 | |
Paddington Bear. | 0:00:38 | 0:00:40 | |
'..some are inspiring...' | 0:00:40 | 0:00:42 | |
That's what kids should be doing now. | 0:00:42 | 0:00:43 | |
A ten pence piece on a table with a bit of sticky tape. | 0:00:43 | 0:00:46 | |
Look at that, stonking. | 0:00:46 | 0:00:48 | |
'And many...' | 0:00:48 | 0:00:49 | |
Some turtles capsize. | 0:00:49 | 0:00:51 | |
'..are deeply moving.' | 0:00:51 | 0:00:53 | |
I knew that we were in the presence of history. | 0:00:53 | 0:00:57 | |
I'm crying, I actually broke down into tears after that. | 0:00:57 | 0:01:02 | |
'So come watch with us, as we hand-pick the vintage telly | 0:01:02 | 0:01:05 | |
'that helped turn our much-loved stars | 0:01:05 | 0:01:07 | |
'into the people they are today.' | 0:01:07 | 0:01:09 | |
Welcome to The TV That Made Me. | 0:01:09 | 0:01:11 | |
My guest today has done it all. | 0:01:20 | 0:01:22 | |
She's been an international model, a best selling author, | 0:01:22 | 0:01:24 | |
a fashion designer and she even dances a mean tango. | 0:01:24 | 0:01:28 | |
Some people, let's be honest, are just too talented. | 0:01:28 | 0:01:32 | |
Oh, yes, today, the fabulous Jo Wood is joining me on my couch. | 0:01:32 | 0:01:37 | |
And the TV that made her includes the woman who gave Britain | 0:01:37 | 0:01:40 | |
the prawn cocktail... | 0:01:40 | 0:01:42 | |
Which are made with a rather special kind of custard. | 0:01:42 | 0:01:44 | |
..a few members of rock royalty on Top Of The Pops... | 0:01:44 | 0:01:48 | |
# Wake up, Maggie | 0:01:48 | 0:01:49 | |
# I think I got something to say to you... # | 0:01:49 | 0:01:52 | |
..and one of Britain's best-loved funnymen. | 0:01:52 | 0:01:55 | |
The other night I got mugged by a nun. | 0:01:55 | 0:01:57 | |
LAUGHTER | 0:01:57 | 0:01:59 | |
The one and only Jo Wood. | 0:01:59 | 0:02:00 | |
-Jo. -Nice to be here. | 0:02:00 | 0:02:03 | |
Are you excited about looking back on your past, your TV memories? | 0:02:03 | 0:02:07 | |
Yeah, I really am, actually. | 0:02:07 | 0:02:09 | |
Because it's not until you start thinking about it that you realise, | 0:02:09 | 0:02:12 | |
"Oh, gosh, there's been a whole lot of TV." | 0:02:12 | 0:02:17 | |
Well, today is... | 0:02:17 | 0:02:18 | |
I mean, we've put together a selection of TV classics that | 0:02:18 | 0:02:21 | |
you've chosen that put you on the path to who you are today. | 0:02:21 | 0:02:25 | |
And we're going to start at the beginning, | 0:02:25 | 0:02:28 | |
we're going to rewind the clock and go back to a very early Jo Wood. | 0:02:28 | 0:02:33 | |
'In 1955, the year after rationing ended, Josephine Karslake, | 0:02:33 | 0:02:38 | |
'AKA Jo Wood, was born. | 0:02:38 | 0:02:41 | |
'She spent her early years in a redbrick council house in Basildon, Essex. | 0:02:41 | 0:02:47 | |
'One of four children, she came from a creative family - | 0:02:47 | 0:02:50 | |
'her father was an architectural model maker while her mum, | 0:02:50 | 0:02:54 | |
'originally from South Africa, was both a doll maker and an Avon lady. | 0:02:54 | 0:02:58 | |
'So perhaps it's no surprise she would grow up to have an | 0:02:58 | 0:03:01 | |
'extraordinary life full of music and creativity.' | 0:03:01 | 0:03:04 | |
How does it feel when you look back on those early years? | 0:03:04 | 0:03:08 | |
It just seems like yesterday, really. | 0:03:08 | 0:03:10 | |
Time goes so quickly. | 0:03:10 | 0:03:12 | |
You look back and you see all those pictures. | 0:03:12 | 0:03:14 | |
And you know, I remember some so clearly, especially the kids' ones, | 0:03:14 | 0:03:18 | |
having that picture taken. | 0:03:18 | 0:03:20 | |
Now, we're going to go onto your first choice now, | 0:03:25 | 0:03:28 | |
which is your mum's choice. | 0:03:28 | 0:03:29 | |
Yeah. | 0:03:29 | 0:03:31 | |
Because your mum religiously used to watch this every week. | 0:03:31 | 0:03:35 | |
I mean, my dad loved it as well, but mum loved, loved to watch her. | 0:03:35 | 0:03:40 | |
-Shall we put people out of their misery? -Yeah. | 0:03:40 | 0:03:42 | |
We're taking you back to 1966 and this is Fanny Cradock. | 0:03:42 | 0:03:45 | |
Here she is. | 0:03:45 | 0:03:47 | |
Adventurous cooking - cakes and puddings. | 0:03:47 | 0:03:50 | |
So many people come back from holidays abroad with | 0:03:51 | 0:03:56 | |
an absolute longing to make the delicious cakes and pastries... | 0:03:56 | 0:04:01 | |
Fanny Cradock first arrived on our screens in 1955 and, | 0:04:01 | 0:04:04 | |
being nothing short of fabulous, she soon became a regular fixture. | 0:04:04 | 0:04:08 | |
You could build a whole programme around this particular basic. | 0:04:08 | 0:04:12 | |
And she's got loads of make-up on. | 0:04:12 | 0:04:14 | |
Amongst Fanny's other trademarks were her glitzy ballgowns. | 0:04:16 | 0:04:20 | |
Not to mention the fact she often gave her recipes, some of which | 0:04:20 | 0:04:23 | |
haven't quite passed the test of time, | 0:04:23 | 0:04:26 | |
a fancy French name. | 0:04:26 | 0:04:28 | |
I get the rest of the job over as quickly as possible | 0:04:28 | 0:04:30 | |
with my old friend, the electric mixer. | 0:04:30 | 0:04:33 | |
Yes, this was the TV cook who first brought us | 0:04:33 | 0:04:36 | |
a touch of glamour into our kitchens. | 0:04:36 | 0:04:38 | |
Get it beaten down and then I say, | 0:04:38 | 0:04:41 | |
"Simon, will you please bring me half a pint of milk?" | 0:04:41 | 0:04:45 | |
I mean, she really did revolutionise. | 0:04:45 | 0:04:47 | |
I mean, she introduced to the nation a prawn cocktail. | 0:04:47 | 0:04:51 | |
Did she? | 0:04:51 | 0:04:52 | |
Yeah, that was all... | 0:04:52 | 0:04:53 | |
Oh, my God. And I remember... | 0:04:53 | 0:04:55 | |
I was going to go, "That's all Fanny's idea," | 0:04:55 | 0:04:57 | |
but I don't know if I can say that. | 0:04:57 | 0:04:59 | |
You know? | 0:05:00 | 0:05:01 | |
Well, I remember having a prawn cocktail back at home many | 0:05:02 | 0:05:07 | |
years ago because my mum, being from South Africa, | 0:05:07 | 0:05:10 | |
she loved exotic fruits. | 0:05:10 | 0:05:13 | |
'One of the biggest influences | 0:05:13 | 0:05:14 | |
'in Jo's life was the fact that her mum Rachel was from South Africa. | 0:05:14 | 0:05:18 | |
'Rachel was of mixed race and came to Britain aged just 17 to | 0:05:18 | 0:05:23 | |
'escape the racism she'd experienced at home.' | 0:05:23 | 0:05:26 | |
Do you think that is why she wanted to leave South Africa? | 0:05:26 | 0:05:30 | |
Yes, I know it's why she wanted to leave, because of the things | 0:05:30 | 0:05:33 | |
like, you could go on a black bus, a coloured bus or | 0:05:33 | 0:05:38 | |
a white bus, and she was only allowed on the coloured buses. | 0:05:38 | 0:05:41 | |
And she thought that all that was so awful and when her sister went | 0:05:41 | 0:05:47 | |
to England in the early '50s, I suppose, | 0:05:47 | 0:05:51 | |
all she wanted to do was go | 0:05:51 | 0:05:53 | |
and be in a country where you weren't judged like that. | 0:05:53 | 0:05:57 | |
-And she found that here? -She found that here, yeah. | 0:05:57 | 0:05:59 | |
Was it a real culture shock when she first got here? | 0:05:59 | 0:06:01 | |
Yes, it really was. | 0:06:01 | 0:06:03 | |
So, in those early days, growing up, | 0:06:03 | 0:06:06 | |
that first decade, what was your lounge like? | 0:06:06 | 0:06:09 | |
We had one of those chairs there, those bucket chairs. | 0:06:09 | 0:06:14 | |
We had this mat, we actually had this very same mat. | 0:06:14 | 0:06:17 | |
-We've made an effort, you know. -You have. | 0:06:17 | 0:06:19 | |
And we had a rubber plant like that. | 0:06:19 | 0:06:22 | |
-Is that what they're called - rubber plants? -A rubber plant, yeah. | 0:06:22 | 0:06:25 | |
But she did try and make our home a bit South African. | 0:06:25 | 0:06:29 | |
We actually had a big one of those on the wall. | 0:06:29 | 0:06:35 | |
A big one of them. There you go. We've made an effort, ladies and gentlemen. | 0:06:35 | 0:06:38 | |
And you know, I didn't really realise that my mother | 0:06:38 | 0:06:41 | |
was from a country so far away. | 0:06:41 | 0:06:43 | |
And is it true your dad made a cabinet for the telly? | 0:06:43 | 0:06:47 | |
-That was the first telly. -Oh, right. | 0:06:47 | 0:06:49 | |
The black-and-white telly. | 0:06:49 | 0:06:51 | |
It was a wooden cabinet and it had a red curtain, and so you'd put... | 0:06:51 | 0:06:55 | |
I love it, Jo. | 0:06:55 | 0:06:56 | |
No, but the telly stood on top of the cabinet | 0:06:56 | 0:06:59 | |
and underneath you'd open the curtain and you could store stuff. | 0:06:59 | 0:07:03 | |
Oh, fair enough. I thought you meant you had a little curtain for the telly. | 0:07:03 | 0:07:06 | |
Like at night, you'd just, let's just... | 0:07:06 | 0:07:08 | |
-That would have been a good idea. -Mum and Dad could get a bit passionate, | 0:07:08 | 0:07:11 | |
"Let's just pull the curtains on the telly, they might be looking at us." | 0:07:11 | 0:07:14 | |
He might have made it for that, but it didn't fit in, | 0:07:14 | 0:07:17 | |
so they had to put it on the top. | 0:07:17 | 0:07:19 | |
I don't know, I'm only guessing that. | 0:07:19 | 0:07:22 | |
Was your father passionate about telly, did he love his telly? | 0:07:22 | 0:07:26 | |
Yes, he did love his telly. | 0:07:26 | 0:07:28 | |
Especially, you know, we were one of the first people in the area to get the colour TV. | 0:07:28 | 0:07:33 | |
Jo, we're going to show you something now | 0:07:39 | 0:07:41 | |
-that I hope doesn't frighten you too much. -OK. | 0:07:41 | 0:07:43 | |
It's The Prisoner. | 0:07:43 | 0:07:46 | |
Oh, my God. | 0:07:46 | 0:07:48 | |
I am not a number, I am a free man. | 0:07:51 | 0:07:55 | |
-Oh, he was so handsome, wasn't he? -Yeah. | 0:07:55 | 0:07:58 | |
He could have been James Bond, couldn't he? | 0:07:58 | 0:08:01 | |
Well, you would've liked to have been James Bond, yeah. | 0:08:01 | 0:08:04 | |
'Although today both Patrick McGoohan and | 0:08:04 | 0:08:06 | |
'The Prisoner have cult status, | 0:08:06 | 0:08:08 | |
'when the programme first screened in 1967, | 0:08:08 | 0:08:12 | |
many viewers were left just scratching their heads. | 0:08:12 | 0:08:16 | |
'In broad strokes, this was the story of a spy who resigns, | 0:08:16 | 0:08:19 | |
'is abducted and then finds himself in a strange village | 0:08:19 | 0:08:23 | |
'where everyone has a number instead of a name.' | 0:08:23 | 0:08:26 | |
BELL RINGING | 0:08:26 | 0:08:29 | |
Did you understand it, though? | 0:08:29 | 0:08:30 | |
Yeah, I couldn't understand how he really couldn't get out. | 0:08:30 | 0:08:34 | |
I mean, it would set my mind going to making plans | 0:08:34 | 0:08:38 | |
on how I would get out of there. | 0:08:38 | 0:08:40 | |
Oh, really? | 0:08:40 | 0:08:42 | |
Yeah, I used to love it. | 0:08:42 | 0:08:43 | |
It used to really make my imagination go wild. | 0:08:43 | 0:08:47 | |
What's the name of this place? | 0:08:47 | 0:08:49 | |
-You're new here, aren't you? -Where? | 0:08:49 | 0:08:50 | |
Do you want breakfast? | 0:08:50 | 0:08:52 | |
'But even after the last episode was screened, | 0:08:52 | 0:08:54 | |
'there were still more questions than answers, | 0:08:54 | 0:08:57 | |
'prompting many viewers to call ITV demanding an explanation.' | 0:08:57 | 0:09:01 | |
Well, there's a phone box round the corner. | 0:09:01 | 0:09:03 | |
'Though in nearly 50 years since, | 0:09:03 | 0:09:05 | |
'the village where it was filmed has become a popular tourist attraction.' | 0:09:05 | 0:09:08 | |
Portmeirion, beautiful, beautiful place. | 0:09:08 | 0:09:12 | |
I think a lot of people thought it was some sort of film set, but it was a real village. | 0:09:12 | 0:09:15 | |
And I quite liked his little house that he lived in. | 0:09:15 | 0:09:18 | |
See, it's your dad's architectural...ness coming out. | 0:09:20 | 0:09:25 | |
Most probably. | 0:09:25 | 0:09:26 | |
My dad also loved this programme and we would watch it together. | 0:09:26 | 0:09:31 | |
But it was such an interesting idea. | 0:09:31 | 0:09:36 | |
Les Dawson was a great favourite in our house. | 0:09:41 | 0:09:46 | |
I think particularly because he played the piano so well badly. | 0:09:46 | 0:09:50 | |
I love that. You could only say that about Les Dawson. | 0:09:51 | 0:09:55 | |
"He played the piano so well badly." | 0:09:55 | 0:09:57 | |
Yeah, he did and it worked. | 0:09:57 | 0:09:58 | |
We've got a little clip of Les now. This I'm sure will bring | 0:09:58 | 0:10:01 | |
back a few happy memories. | 0:10:01 | 0:10:03 | |
The legendary Mr Les Dawson. | 0:10:03 | 0:10:07 | |
APPLAUSE | 0:10:07 | 0:10:10 | |
So serious as he sits down at the piano. | 0:10:10 | 0:10:14 | |
LAUGHTER | 0:10:17 | 0:10:19 | |
How stupid is that, really? | 0:10:22 | 0:10:24 | |
'As well as playing the piano, as Jo puts it, "Well badly," | 0:10:25 | 0:10:30 | |
'Les Dawson was much-loved for his deadpan delivery.' | 0:10:30 | 0:10:34 | |
Why you vicious... | 0:10:34 | 0:10:36 | |
Ow! | 0:10:36 | 0:10:38 | |
LAUGHTER | 0:10:38 | 0:10:40 | |
That's good. | 0:10:40 | 0:10:41 | |
The silly twit, honestly. | 0:10:44 | 0:10:46 | |
The other night, my next door neighbour | 0:10:46 | 0:10:48 | |
was banging on the wall with a hammer, | 0:10:48 | 0:10:50 | |
screaming at the top of his voice at three o'clock in the morning. | 0:10:50 | 0:10:54 | |
Thank God I wasn't asleep, I was playing my drums at the time. | 0:10:54 | 0:10:56 | |
LAUGHTER | 0:10:56 | 0:10:58 | |
I love all those one liners like that, that just keep coming. | 0:10:58 | 0:11:02 | |
He used to write a lot of it, | 0:11:02 | 0:11:03 | |
it was all his own stuff. | 0:11:03 | 0:11:05 | |
I was going home the other night in my car, it's a new car, | 0:11:06 | 0:11:08 | |
but the salesman said, "You'll get a lot of pleasure out of this," and it's true. | 0:11:08 | 0:11:12 | |
It's a pleasure to get out of it. | 0:11:12 | 0:11:14 | |
-So do you remember watching, sort of, Les with your mum and dad? -Yeah. | 0:11:14 | 0:11:18 | |
I mean, it was more Dad that would sit | 0:11:18 | 0:11:20 | |
and watch comedy, cos Mum was in the kitchen cooking. | 0:11:20 | 0:11:24 | |
Yes. | 0:11:24 | 0:11:26 | |
And so he'd be there chuckling away and I'd come in and say, | 0:11:26 | 0:11:30 | |
"What are you watching, Dad?" Sit down with him. | 0:11:30 | 0:11:34 | |
In his entertaining but ultimately unreliable autobiography, | 0:11:34 | 0:11:38 | |
Les claimed he began his showbiz career | 0:11:38 | 0:11:40 | |
playing the piano in a Parisian brothel. | 0:11:40 | 0:11:44 | |
But whatever the real story, | 0:11:44 | 0:11:45 | |
along with the one liners and the mother-in-law jokes, | 0:11:45 | 0:11:48 | |
tinkling the ivories was always central to his act. | 0:11:48 | 0:11:52 | |
PLAYS PIANO WITH MISTAKES | 0:11:55 | 0:11:58 | |
LAUGHTER | 0:11:59 | 0:12:02 | |
He must have been a very good piano player to be able to do that. | 0:12:02 | 0:12:05 | |
Oh, yeah, Tommy Cooper was a good magician, you know? | 0:12:05 | 0:12:09 | |
To play it bad you've got to know how to play it bad. | 0:12:09 | 0:12:13 | |
I mean, do you play musical instruments? | 0:12:13 | 0:12:15 | |
I went to piano for a year | 0:12:15 | 0:12:18 | |
and only learnt one song called A Ramble, | 0:12:18 | 0:12:22 | |
and I can still play it perfectly today. | 0:12:22 | 0:12:25 | |
# Da, da, da, da, da-da, da-da, da... # | 0:12:25 | 0:12:28 | |
-You know, I use all my fingers. -Oh! -Yeah. | 0:12:28 | 0:12:30 | |
-So, it's not like uh-uh-uh-uh... -No! | 0:12:30 | 0:12:33 | |
But my parents were very frustrated with me | 0:12:33 | 0:12:35 | |
because they spent all that money on me learning piano | 0:12:35 | 0:12:38 | |
and I just learnt ONE song. | 0:12:38 | 0:12:41 | |
I learnt it for a lifetime. | 0:12:41 | 0:12:43 | |
-We're moving on now, Jo, to biggest influence. -Yeah. | 0:12:48 | 0:12:52 | |
This is something, a show that has been going for 64 years | 0:12:52 | 0:12:58 | |
and it's something that very much influenced your future career. | 0:12:58 | 0:13:02 | |
The oldest of the major beauty pageants, | 0:13:03 | 0:13:06 | |
Miss World was originally a bikini contest | 0:13:06 | 0:13:09 | |
which was dubbed Miss World by the media, | 0:13:09 | 0:13:11 | |
though by its second year, 1952, | 0:13:11 | 0:13:14 | |
the bikinis had been replaced | 0:13:14 | 0:13:16 | |
with swimwear that was slightly more modest. | 0:13:16 | 0:13:19 | |
..and Miss USA is Pamela Ford. She's a 20-year-old student... | 0:13:19 | 0:13:23 | |
-I absolutely loved Miss World. -Uh-huh? | 0:13:23 | 0:13:28 | |
Absolutely loved it. | 0:13:28 | 0:13:30 | |
Miss Peru is Madeline Hartog-Bel. | 0:13:30 | 0:13:33 | |
I sold my car to come to Europe a little while ago | 0:13:33 | 0:13:37 | |
and now, I am here in England from winning a beauty contest... | 0:13:37 | 0:13:42 | |
1967, I would definitely have watched this. | 0:13:42 | 0:13:45 | |
-Uh-huh? -Yeah, because it was about that time... | 0:13:45 | 0:13:49 | |
that I... | 0:13:49 | 0:13:51 | |
So, did you play that game where you want to try and pick the winner? | 0:13:51 | 0:13:55 | |
Oh, yes, and I just loved the outfits - look at those earrings! | 0:13:55 | 0:14:01 | |
-Yes. -Maybe that's what gave me my earring fetish that I have. | 0:14:01 | 0:14:06 | |
Well, not a fetish, but, I mean, earring thing... | 0:14:06 | 0:14:09 | |
-Obsession? -Obsession, yeah. | 0:14:09 | 0:14:13 | |
-Look at those earrings, fab. -Yeah. | 0:14:13 | 0:14:15 | |
Oh, look. | 0:14:15 | 0:14:17 | |
Miss World 1967... | 0:14:17 | 0:14:20 | |
Miss Peru. | 0:14:20 | 0:14:21 | |
APPLAUSE AND CHEERING | 0:14:21 | 0:14:23 | |
During the '60s and '70s, | 0:14:23 | 0:14:24 | |
Miss World was one of the most watched shows on British television | 0:14:24 | 0:14:28 | |
but, by the '80s, | 0:14:28 | 0:14:30 | |
it was seen increasingly as being politically incorrect | 0:14:30 | 0:14:33 | |
and it moved off our mainstream telly, but, love it or hate it, | 0:14:33 | 0:14:37 | |
there's no denying its place in the history books. | 0:14:37 | 0:14:41 | |
-Did you ever imagine that, "this could be me"? -I want... | 0:14:41 | 0:14:44 | |
-Yes, I wanted... -As a young child, you're looking at that, 1967... | 0:14:44 | 0:14:47 | |
-Oh, yeah. I would have loved that to have been me. -Yeah? | 0:14:47 | 0:14:51 | |
Walking down there with that beautiful crown on and that cape, | 0:14:51 | 0:14:55 | |
crying a few tears and... | 0:14:55 | 0:14:58 | |
I actually did... | 0:14:58 | 0:15:01 | |
At 14, my parents sent me to the London School of Modelling. | 0:15:01 | 0:15:05 | |
Right. | 0:15:05 | 0:15:06 | |
At the end, we had, a bit like that - a catwalk show. | 0:15:06 | 0:15:11 | |
My mum made me my bikini, red bikini with white flowers on it. | 0:15:11 | 0:15:16 | |
Then, she made me this dress, | 0:15:16 | 0:15:19 | |
cos she was a great seamstress - IS a great seamstress - | 0:15:19 | 0:15:21 | |
she made me this velvet dress with this knitted long... | 0:15:21 | 0:15:25 | |
It was orange. It was a long dress, it was just like Miss World | 0:15:25 | 0:15:29 | |
so I actually played out all of that on stage and I came second. | 0:15:29 | 0:15:35 | |
-Well done! -Not bad, yeah. | 0:15:35 | 0:15:37 | |
While Jo never made it to the real Miss World, | 0:15:38 | 0:15:41 | |
she did pursue her dream of a modelling career | 0:15:41 | 0:15:44 | |
and, at the age of 16, she left home for London, | 0:15:44 | 0:15:47 | |
where her hard work eventually paid off | 0:15:47 | 0:15:49 | |
and, in 1972, she was named Face Of The Sun. | 0:15:49 | 0:15:54 | |
What was it like, this girl from Essex coming into the big smoke? | 0:15:54 | 0:15:58 | |
It was wonderful, actually. | 0:15:58 | 0:16:00 | |
It was everything that I imagined because I was very lucky, | 0:16:00 | 0:16:04 | |
cos I did all the young, young magazines | 0:16:04 | 0:16:08 | |
and commercials and stuff like that. | 0:16:08 | 0:16:12 | |
-Yeah, I was lucky. -Uh-huh. | 0:16:12 | 0:16:14 | |
I was 16 and there weren't many, | 0:16:14 | 0:16:18 | |
especially at my agency, they were all very sort of catwalk models | 0:16:18 | 0:16:22 | |
-and I was his only young bubbly... -Yeah. | 0:16:22 | 0:16:25 | |
"Yoo-hoo, hello, Gavin!"... | 0:16:25 | 0:16:27 | |
-And your parents were happy to bid you... -No. | 0:16:27 | 0:16:29 | |
-..for you to go, no? -Oh, no. | 0:16:29 | 0:16:31 | |
-They hated it. -Really? -They were furious. | 0:16:31 | 0:16:35 | |
At 16, BAM! I was out of school | 0:16:35 | 0:16:38 | |
and I was at Gavin Robinson, Model Agency. | 0:16:38 | 0:16:41 | |
We're going back to 1971 now, cos music is a big part of your life. | 0:16:47 | 0:16:52 | |
-Yes. -We're going to have a little look at Top Of The Pops. | 0:16:52 | 0:16:56 | |
Love Top Of The Pops, every Thursday night. | 0:16:56 | 0:16:58 | |
-Here he is, there's Tony Blackburn. -Tony Blackburn! | 0:16:58 | 0:17:01 | |
Rod Stewart and Maggie May. Do you remember it? | 0:17:01 | 0:17:04 | |
MUSIC: Maggie May by Rod Stewart | 0:17:04 | 0:17:07 | |
But I, I loved this song. | 0:17:07 | 0:17:09 | |
I know all the words, actually. | 0:17:09 | 0:17:12 | |
# Oh, Maggie... # | 0:17:12 | 0:17:14 | |
I'm not a good singer. | 0:17:14 | 0:17:16 | |
# Wake up, Maggie | 0:17:16 | 0:17:18 | |
# I think I've got something to say to you... # | 0:17:18 | 0:17:21 | |
Top Of The Pops first shimmied on to our screens | 0:17:21 | 0:17:24 | |
on New Year's Day 1964, with an impressive line-up | 0:17:24 | 0:17:28 | |
that included Dusty Springfield and The Hollies. | 0:17:28 | 0:17:31 | |
So, was you ever on Top Of The Pops? | 0:17:31 | 0:17:34 | |
-Yes! -Really? | 0:17:34 | 0:17:36 | |
I went there when my first boyfriend, Tony Wilson, | 0:17:36 | 0:17:40 | |
got tickets cos he knew how much I loved it. | 0:17:40 | 0:17:43 | |
We went up to London and we went to the BBC... | 0:17:43 | 0:17:48 | |
and...in that big room and it was... | 0:17:48 | 0:17:52 | |
-I can't remember who was playing. -Uh-huh, how old was you? | 0:17:52 | 0:17:56 | |
-15½. -Oh, really, very young? | 0:17:56 | 0:17:58 | |
Something like that, just before I left home, | 0:17:58 | 0:18:01 | |
just before I started work. They came up to me and asked me | 0:18:01 | 0:18:04 | |
if I'd like to stand on a podium and dance. | 0:18:04 | 0:18:06 | |
Oh, because of your looks, because you looked so fantastic? | 0:18:06 | 0:18:09 | |
-Well, I was a good dancer, obviously. -Well, good mover, yeah! | 0:18:09 | 0:18:12 | |
Without a doubt, but you must have looked fantastic for them to go, | 0:18:12 | 0:18:15 | |
-"Hey, hang on, we want you on a podium..." -I don't know. | 0:18:15 | 0:18:17 | |
Yeah, must have done with my little hot pants on. | 0:18:17 | 0:18:19 | |
-So, you had your hot pants... -Yeah, and a stripy jumper | 0:18:19 | 0:18:23 | |
-that my mum had knitted me on the knitting machine. -Yes. | 0:18:23 | 0:18:25 | |
SHE LAUGHS | 0:18:25 | 0:18:27 | |
# Oh, Maggie... # | 0:18:27 | 0:18:29 | |
For this particular performance, Jo was watching at home, | 0:18:29 | 0:18:32 | |
unaware Rod's backing band, The Faces, | 0:18:32 | 0:18:34 | |
boasted her future husband, Rolling Stone Ronnie Wood. | 0:18:34 | 0:18:38 | |
# But I'm as blind as a fool can be... # | 0:18:38 | 0:18:40 | |
-I loved this song with a passion. -And who's that playing guitar? | 0:18:40 | 0:18:44 | |
The old boy, eh? | 0:18:44 | 0:18:46 | |
-God, when he was young. -Yeah. | 0:18:46 | 0:18:48 | |
Look at him there. | 0:18:48 | 0:18:49 | |
MUSIC CONTINUES | 0:18:49 | 0:18:51 | |
The funny thing is I never noticed Ronnie, it was all about Rod. | 0:18:51 | 0:18:56 | |
Yeah, so... You didn't register Ronnie when you watched this, then? | 0:18:56 | 0:19:00 | |
-No. -No? -I don't remember looking at him and thinking, | 0:19:00 | 0:19:04 | |
-"Oh, he's nice." -No? -Not at all. | 0:19:04 | 0:19:06 | |
But I remember Rod so well. | 0:19:06 | 0:19:10 | |
So, if someone had told you then | 0:19:10 | 0:19:11 | |
that you would have been married to Ronnie Wood for 30 years, | 0:19:11 | 0:19:14 | |
-would you have believed them? -No. | 0:19:14 | 0:19:15 | |
-No? -Not at all, no. | 0:19:15 | 0:19:17 | |
How did you meet? | 0:19:17 | 0:19:19 | |
Erm, I met him at a party of a friend of mine, who was... | 0:19:19 | 0:19:24 | |
It was his wedding party. | 0:19:24 | 0:19:26 | |
I only went because they were renting me a room. | 0:19:26 | 0:19:30 | |
I'd just been slung out of my flat and so I thought, | 0:19:30 | 0:19:33 | |
"Oh, God, I've got to go." | 0:19:33 | 0:19:36 | |
Walked in and it was everybody that I didn't know. | 0:19:36 | 0:19:40 | |
Bill Wyman was there, Ronnie was there, | 0:19:40 | 0:19:44 | |
Pattie Boyd was there and it was like, "Oh, gosh." | 0:19:44 | 0:19:50 | |
He came up to me and he said, "Do you know who I am?" | 0:19:50 | 0:19:54 | |
and showed me a Black And Blue album and I said, I thought, | 0:19:54 | 0:19:59 | |
"He thinks the world of himself." | 0:19:59 | 0:20:01 | |
Then he said, "What do you do for a living?" | 0:20:01 | 0:20:03 | |
and I said, "I work in Woolworths on the broken biscuit counter, | 0:20:03 | 0:20:07 | |
"main branch, Oxford Street." | 0:20:07 | 0:20:09 | |
He went there with his chauffeur, looking for me. | 0:20:09 | 0:20:13 | |
-What, like the next day or something? -Yeah, the next day. | 0:20:13 | 0:20:16 | |
-Never been there in my life. -He never found you? | 0:20:16 | 0:20:19 | |
No, he did find me because I'd then moved into that house | 0:20:19 | 0:20:22 | |
and I obviously told him that I was going there | 0:20:22 | 0:20:25 | |
and he came back with his chauffeur and he said, | 0:20:25 | 0:20:29 | |
"You don't work in Woolworths." | 0:20:29 | 0:20:31 | |
I said, "Why?" He said, "Cos I've just spent the afternoon | 0:20:31 | 0:20:34 | |
"outside the main branch in Oxford Street." | 0:20:34 | 0:20:38 | |
-Tick for Jo. -It was good. | 0:20:38 | 0:20:40 | |
-And the rest is history? -And the rest is history. | 0:20:40 | 0:20:43 | |
After their first meeting in 1977, | 0:20:45 | 0:20:48 | |
Jo eventually became Ronnie's stylist and costume designer, | 0:20:48 | 0:20:51 | |
often accompanying him on tour. | 0:20:51 | 0:20:54 | |
Then, in 1985, they decided to tie the knot. | 0:20:54 | 0:20:58 | |
How does someone like that propose? | 0:20:58 | 0:21:01 | |
-Erm... -Is it very romantic? | 0:21:01 | 0:21:03 | |
Erm, he proposed to me in Jamaica | 0:21:03 | 0:21:06 | |
because Keith felt that it was time he married me... | 0:21:06 | 0:21:09 | |
Make an honest woman of you, gal. | 0:21:11 | 0:21:12 | |
..so I don't know if that was very romantic, really, no. | 0:21:12 | 0:21:16 | |
Oh? Did he get down on one knee? | 0:21:16 | 0:21:18 | |
No, he was sitting at the table, miserable. | 0:21:18 | 0:21:21 | |
I said, "What is wrong with you?" | 0:21:23 | 0:21:26 | |
He said, "Will you marry me?" | 0:21:26 | 0:21:27 | |
I said, "Oh, all right, then." | 0:21:27 | 0:21:29 | |
-Eh... -It was just like that. -Yeah? | 0:21:29 | 0:21:32 | |
So were they 30 exciting, incredible, unbelievable years? | 0:21:32 | 0:21:36 | |
Erm... | 0:21:36 | 0:21:37 | |
-Yeah, you know, like every marriage, it has its ups and downs. -Uh-huh. | 0:21:37 | 0:21:41 | |
Erm, but the majority of it - | 0:21:41 | 0:21:44 | |
I loved going on tour, I loved travelling the world | 0:21:44 | 0:21:48 | |
and I got great kids and... | 0:21:48 | 0:21:51 | |
yeah, it was, it was... Most of it was a good marriage. | 0:21:51 | 0:21:54 | |
-Jo, it's time now... -Yeah. | 0:21:59 | 0:22:02 | |
just to sit back, put the kettle on, we've got a commercial break. | 0:22:02 | 0:22:05 | |
-Oh, OK. -A classic, one of your classics. | 0:22:05 | 0:22:09 | |
Here we are - one of mine, as well, without a doubt. | 0:22:09 | 0:22:12 | |
Oh, I love this ad! | 0:22:12 | 0:22:14 | |
What was the catchphrase? | 0:22:14 | 0:22:15 | |
# For mash, get Smash! # | 0:22:15 | 0:22:18 | |
On your last trip... | 0:22:18 | 0:22:20 | |
Hailed as the second greatest ad ever by the Sunday Times, | 0:22:20 | 0:22:24 | |
the ground-breaking use of puppets in Smash Martians | 0:22:24 | 0:22:27 | |
was a gamble that truly paid off. | 0:22:27 | 0:22:29 | |
..boil them for 20 of their minutes... | 0:22:29 | 0:22:32 | |
While Cadbury wanted a campaign | 0:22:32 | 0:22:33 | |
extolling the health benefits of Smash, | 0:22:33 | 0:22:36 | |
they eventually agreed to this more humorous approach. | 0:22:36 | 0:22:40 | |
Interestingly, | 0:22:40 | 0:22:41 | |
it's the only non-sweet product Cadbury's ever done. | 0:22:41 | 0:22:45 | |
-Really? -Isn't that amazing? | 0:22:45 | 0:22:47 | |
That is absolutely amazing. I didn't even... | 0:22:47 | 0:22:50 | |
-I know, I know, I'm a font of information. -I didn't have any idea. | 0:22:50 | 0:22:53 | |
They eat a great many of these... | 0:22:53 | 0:22:55 | |
And so the Smash Martians became something of a cultural icon, | 0:22:55 | 0:22:59 | |
smashing sales records | 0:22:59 | 0:23:00 | |
and even creating a huge demand for merchandise. | 0:23:00 | 0:23:03 | |
..then, they smash them all to bits! | 0:23:03 | 0:23:06 | |
Love those aliens there | 0:23:06 | 0:23:08 | |
and how they're talking about how backward we are | 0:23:08 | 0:23:12 | |
cos we... "Peel the potatoes, ha-ha-ha-ha"... | 0:23:12 | 0:23:14 | |
-Yeah, yeah, yeah. -"..smash them into pieces, ah-ha-ha-ha..." | 0:23:14 | 0:23:18 | |
-I think it's great. -It's from 1974, that advert. -1974! | 0:23:18 | 0:23:23 | |
-And we still remember it vividly. -Such a brilliant, brilliant ad. | 0:23:23 | 0:23:27 | |
-It is. -That is... -Yeah, but is it a brilliant ad... | 0:23:27 | 0:23:30 | |
And I love the way they all start laughing, | 0:23:30 | 0:23:32 | |
-the aliens all start laughing. -Yeah. | 0:23:32 | 0:23:34 | |
Is that why it's a brilliant ad, because it's about aliens? UFOs? | 0:23:34 | 0:23:38 | |
I'm slightly obsessed about aliens and UFOs. | 0:23:38 | 0:23:42 | |
-Wooo! -SHE DOES AN EVIL LAUGH | 0:23:42 | 0:23:44 | |
But you have been... | 0:23:44 | 0:23:45 | |
You're adamant that there really is UFOs out there, that they do exist? | 0:23:45 | 0:23:50 | |
Yeah, I saw a UFO in Recife, | 0:23:50 | 0:23:53 | |
which is the furthermost point to the east of Brazil. | 0:23:53 | 0:23:57 | |
I was there with Ronnie and the kids and I was packing | 0:23:57 | 0:24:02 | |
cos we were leaving the next day to go back to London... | 0:24:02 | 0:24:05 | |
Oh, go back to Sao Paulo. | 0:24:05 | 0:24:07 | |
Ronnie said - cos he can't see distance - he goes, | 0:24:07 | 0:24:10 | |
"Jo, come out here and have a look - | 0:24:10 | 0:24:13 | |
"there's some weird lights over the sea." | 0:24:13 | 0:24:16 | |
I thought, "What is he talking about?" | 0:24:16 | 0:24:19 | |
I look out there and there was this thing hovering above the sea, | 0:24:19 | 0:24:24 | |
but out quite far, with these lights that came down onto the sea. | 0:24:24 | 0:24:29 | |
I said, "Go and get your glasses, Ronnie, go and get your glasses." | 0:24:29 | 0:24:32 | |
He runs in and as I watched it, | 0:24:32 | 0:24:34 | |
I was going, "What the hell is it? What the hell is it?" | 0:24:34 | 0:24:37 | |
it went WHOOSH, | 0:24:37 | 0:24:39 | |
-like that and stopped dead in its tracks... -Uh-huh. | 0:24:39 | 0:24:42 | |
..and then went WHOOF, and it was gone, | 0:24:42 | 0:24:44 | |
at the speed that I've never seen anything like it in my life. | 0:24:44 | 0:24:48 | |
I stood there and went, "I've just seen a UFO." | 0:24:48 | 0:24:52 | |
-There was nothing else... -In your heart of hearts, you believe that? | 0:24:52 | 0:24:55 | |
-It couldn't have been anything else? -Absolutely, no. | 0:24:55 | 0:24:57 | |
Next day, we got on the plane and we picked up the paper - | 0:24:57 | 0:25:00 | |
I still have the clipping - | 0:25:00 | 0:25:02 | |
and it says, "UFO invaders, Brasilia." | 0:25:02 | 0:25:06 | |
-Hundreds of people had seen the same thing. -Oh... | 0:25:06 | 0:25:08 | |
It was brilliant. | 0:25:08 | 0:25:10 | |
What was your big telly break? | 0:25:15 | 0:25:17 | |
I suppose my thing was when I went on to Strictly. | 0:25:17 | 0:25:22 | |
-Yeah. -Yeah, I may not... -Shall we have a little look? | 0:25:22 | 0:25:25 | |
-Oh, no! Don't show my useless dancing. -Why, why, why? | 0:25:25 | 0:25:28 | |
-Oh... -Here we go, Jo Wood dancing. | 0:25:28 | 0:25:32 | |
Strictly Come Dancing. You were fantastic. | 0:25:32 | 0:25:35 | |
Dancing the rumba... | 0:25:35 | 0:25:36 | |
The year was 2009 and Jo was partnered with Brendan Cole. | 0:25:36 | 0:25:41 | |
-I loved Brendan. -You look nervous there, Jo. | 0:25:41 | 0:25:43 | |
-I was absolutely petrified. -Petrified? Yeah. | 0:25:43 | 0:25:46 | |
Oh, no, it's this one! This was the rumba. | 0:25:48 | 0:25:52 | |
-You look fantastic. -Oh, my God! | 0:25:52 | 0:25:55 | |
-Look at that figure, gal! -I hadn't done any TV in 30 years and it was... | 0:25:55 | 0:26:00 | |
Oh, no! | 0:26:01 | 0:26:03 | |
While Jo had rehearsed week after week to master those steps, | 0:26:03 | 0:26:07 | |
unfortunately the judges weren't great fans of her work, | 0:26:07 | 0:26:10 | |
though Craig went one step further, | 0:26:10 | 0:26:12 | |
saying Jo danced like a bush kangaroo - | 0:26:12 | 0:26:16 | |
ouch! | 0:26:16 | 0:26:17 | |
-Aw... -I was so petrified, I couldn't remember the movements. | 0:26:17 | 0:26:21 | |
# ..fallen for you... # | 0:26:21 | 0:26:25 | |
How does it feel when the judges lay into you sometimes? | 0:26:25 | 0:26:30 | |
You know, does it hurt, does it upset you? | 0:26:30 | 0:26:33 | |
Well, it did hurt at first, and then I saw Craig in the bar. | 0:26:33 | 0:26:37 | |
He said, "Darling, just remember - it's all theatre." | 0:26:37 | 0:26:41 | |
-And I felt better about that. -Uh-huh. | 0:26:41 | 0:26:43 | |
# I have fallen again. # | 0:26:43 | 0:26:48 | |
CHEERING AND APPLAUSE | 0:26:48 | 0:26:50 | |
We've spoken about, you know, what you've enjoyed. | 0:26:52 | 0:26:56 | |
To bring you up-to-date, what do you enjoy now, you know? | 0:26:56 | 0:27:00 | |
-I still love comedy. -Yeah? | 0:27:00 | 0:27:02 | |
-Live At The Apollo, love Live At The Apollo. -Yeah. | 0:27:02 | 0:27:07 | |
Actually, I went there not so long ago and saw it. | 0:27:07 | 0:27:11 | |
Er... | 0:27:11 | 0:27:12 | |
-I watch Britain's Got Talent. -Yeah. -Love Britain's Got Talent. | 0:27:12 | 0:27:17 | |
-I watch cookery programmes. -Uh-huh. | 0:27:17 | 0:27:20 | |
Er, erm... | 0:27:20 | 0:27:22 | |
All sorts of them, all sorts of different ones and Ancient Aliens. | 0:27:22 | 0:27:27 | |
So, really, my TV thing hasn't really changed, | 0:27:27 | 0:27:33 | |
it's the same sort of thing really that I used to watch - | 0:27:33 | 0:27:35 | |
comedy, food and science fiction or not. | 0:27:35 | 0:27:40 | |
-Uh. -Yeah. -And, Jo, you've been a wonderful guest | 0:27:40 | 0:27:43 | |
-and I want to thank you for coming on. -Thank you. | 0:27:43 | 0:27:45 | |
It's nice to be here, I loved watching those bits of film. | 0:27:45 | 0:27:48 | |
It is lovely, it's a nice trip down memory lane, isn't it? | 0:27:48 | 0:27:50 | |
-Yeah. -I want you now to choose, as we do with each guest, | 0:27:50 | 0:27:54 | |
a theme tune for us to go out on, to play out on. | 0:27:54 | 0:27:57 | |
Is there anything, any choice whatsoever? | 0:27:57 | 0:28:01 | |
-Erm, Bewitched. -Bewitched. -Yeah. | 0:28:01 | 0:28:04 | |
So, we have been bewitched by the lovely Jo Wood | 0:28:04 | 0:28:07 | |
and I hope you've enjoyed The TV That Made Me. | 0:28:07 | 0:28:10 | |
Until next time, bye-bye. | 0:28:10 | 0:28:12 | |
MUSIC: Theme from Bewitched by Howard Greenfield and Jack Keller | 0:28:12 | 0:28:15 |