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Telly - that magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds, | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:10 | |
In this series, I'm going to journey through the fantastic world of TV | 0:00:10 | 0:00:14 | |
with some of our favourite celebrities. | 0:00:14 | 0:00:17 | |
'They've chosen the precious TV moments that shed light...' | 0:00:17 | 0:00:21 | |
Think that one out! | 0:00:21 | 0:00:22 | |
It's called scone pizza. | 0:00:22 | 0:00:23 | |
'..on the stories of their lives.' | 0:00:23 | 0:00:25 | |
I used to go mental if a swimmer was on and it'd just, like, make my life! | 0:00:25 | 0:00:29 | |
'Some are funny...' | 0:00:29 | 0:00:31 | |
-Ooh! -HE MUMBLES | 0:00:31 | 0:00:33 | |
Oh, my word! | 0:00:33 | 0:00:35 | |
-'..some... -There's been a mur-der! -..are surprising...' | 0:00:35 | 0:00:38 | |
-My mother didn't laugh that much. It was hard going. -Uh-huh. | 0:00:38 | 0:00:41 | |
But God, she laughed at that. | 0:00:41 | 0:00:43 | |
'..some are inspiring...' | 0:00:43 | 0:00:44 | |
In all of those programmes, in different ways, | 0:00:44 | 0:00:47 | |
there's something special going on. | 0:00:47 | 0:00:49 | |
'..and many are deeply moving.' | 0:00:49 | 0:00:52 | |
The death of John F Kennedy. | 0:00:52 | 0:00:54 | |
Now, we can't imagine what it was like to receive | 0:00:54 | 0:00:57 | |
such devastating news then. | 0:00:57 | 0:01:00 | |
'So, come watch with us as we hand-pick the vintage telly that | 0:01:00 | 0:01:03 | |
'helped turn our much-loved stars into the people they are today.' | 0:01:03 | 0:01:07 | |
Welcome to The TV That Made Me. | 0:01:07 | 0:01:10 | |
My guest today is a household name | 0:01:18 | 0:01:21 | |
and an actress who has been in our lives for most of her life. | 0:01:21 | 0:01:24 | |
Natalie Cassidy has been on our screens for over 20 years. | 0:01:25 | 0:01:29 | |
She's shocked Albert Square... | 0:01:29 | 0:01:32 | |
You're having a baby! | 0:01:32 | 0:01:34 | |
..and shone brightly on Strictly. | 0:01:34 | 0:01:37 | |
The TV that made her was a world of Fools... | 0:01:37 | 0:01:40 | |
of furry faces... | 0:01:41 | 0:01:44 | |
and no Saturday was complete without a House Party. | 0:01:44 | 0:01:48 | |
To her daughter, she's Mum. | 0:01:50 | 0:01:52 | |
To her friends and family, she's Natalie. | 0:01:52 | 0:01:54 | |
But to me and you, | 0:01:54 | 0:01:56 | |
she is best known as Sonia Jackson from EastEnders. | 0:01:56 | 0:02:00 | |
-Hello! -How are you? -I'm good! -Good! -Are you excited about this? -I am. | 0:02:00 | 0:02:04 | |
-Do you watch a lot of telly? -Er, I don't watch much now. | 0:02:04 | 0:02:07 | |
But when I was younger, I watched a lot of telly. | 0:02:07 | 0:02:09 | |
Now, Natalie, today we're going to watch a handful of TV shows, | 0:02:09 | 0:02:12 | |
-TV classics that you have chosen. -Yeah. | 0:02:12 | 0:02:15 | |
-That have moulded you into the woman you are today. -Lovely. | 0:02:15 | 0:02:19 | |
So what was it like, your living room? What was it like growing up? | 0:02:19 | 0:02:22 | |
-Well, we were always in the same house. -Yeah. | 0:02:22 | 0:02:25 | |
-From when I was very little. -Yeah. -Like one-ish. | 0:02:25 | 0:02:27 | |
And we lived in Islington and, er, it was a big townhouse and, er... | 0:02:27 | 0:02:32 | |
I just remember we had a very, very deep red carpet | 0:02:32 | 0:02:35 | |
and lovely coffee table. | 0:02:35 | 0:02:37 | |
Um, actually, all the furniture that was in the living room, | 0:02:37 | 0:02:40 | |
my dad's still got to this day. | 0:02:40 | 0:02:42 | |
-So it's very lovely, very comforting for me... -Yeah. | 0:02:42 | 0:02:44 | |
When I go round to see my dad, and I sit on that sofa, | 0:02:44 | 0:02:48 | |
I'm always asleep, I always have a curl up, | 0:02:48 | 0:02:50 | |
he goes, "You always kip when you come round 'ere!" | 0:02:50 | 0:02:52 | |
I say, "It's just cos I feel like I'm little again." | 0:02:52 | 0:02:54 | |
-Yeah. -My mum was immaculate. She was a housewife. | 0:02:54 | 0:02:58 | |
She didn't, you know, never go to work, her work was her house and us. | 0:02:58 | 0:03:02 | |
-Mm-hm. -So it was an immaculate house. | 0:03:02 | 0:03:03 | |
And when you used to curl up on the sofa... | 0:03:03 | 0:03:06 | |
Well, I remember having days off, you know, from school, | 0:03:06 | 0:03:08 | |
-cos I didn't feel very well, you know. -Uh-huh. | 0:03:08 | 0:03:10 | |
And my mum was very, er, easily led and she'd say, | 0:03:10 | 0:03:13 | |
"All right, you can stay home." | 0:03:13 | 0:03:15 | |
I just remember, you know, tea and biscuits and sitting on the sofa. | 0:03:15 | 0:03:18 | |
-Did you have pillows? -Yeah. -We'll get some pillows. -Lovely. | 0:03:18 | 0:03:20 | |
I want you to feel at home today, Natalie, I want this to be | 0:03:20 | 0:03:23 | |
-a joyous experience for you. -Oh, that's lovely. | 0:03:23 | 0:03:26 | |
-What do we think? -They're perfect. I might take those to work with me. | 0:03:26 | 0:03:29 | |
-Yeah? Are they the sort of pillows you would've had? -Yeah. | 0:03:29 | 0:03:32 | |
What else would you have, just to feel at home? | 0:03:32 | 0:03:34 | |
-You know, Mum, Dad, you? -Yeah. | 0:03:34 | 0:03:37 | |
-Brothers popping in and out. -Yeah? -They were older. | 0:03:37 | 0:03:40 | |
-Any little snacks? -Yeah. I'd always have a few snacks. -We've got snacks. | 0:03:40 | 0:03:43 | |
-Sandwich. -I want you to feel at home. I want you to feel at home. | 0:03:43 | 0:03:46 | |
-A few crisps? -Crisps. -Perfect. | 0:03:46 | 0:03:49 | |
-That's exactly what I'd have. -Yeah? -Yeah, honestly. | 0:03:49 | 0:03:52 | |
-Want to have a crisp? -I will have a crisp. -Yeah, let's have a crisp. | 0:03:52 | 0:03:55 | |
Let's have a crisp. | 0:03:55 | 0:03:56 | |
'At seven years old, Natalie and her two big brothers | 0:03:56 | 0:03:59 | |
'could've been watching Sylvester McCoy play the Doctor... | 0:03:59 | 0:04:03 | |
'..Baldrick having his final cunning plan | 0:04:04 | 0:04:07 | |
'in Blackadder Goes Forth, | 0:04:07 | 0:04:09 | |
'or joining 24 million viewers | 0:04:09 | 0:04:12 | |
'who tuned in to see Den Watts fall into a canal | 0:04:12 | 0:04:16 | |
'after being shot in EastEnders. | 0:04:16 | 0:04:18 | |
'But young Natalie had her eye on a gentler type of telly.' | 0:04:19 | 0:04:23 | |
-You had your pillows. -Mm-hm. -You had your crisps. -Mm-hm. | 0:04:30 | 0:04:34 | |
-You had your ham sandwich. -Perfect. -And you would be watching | 0:04:34 | 0:04:38 | |
-something like this. -Oh. | 0:04:38 | 0:04:39 | |
Hello? | 0:04:39 | 0:04:41 | |
Hello, Pop. | 0:04:41 | 0:04:43 | |
Is anything the matter, Why? | 0:04:43 | 0:04:45 | |
-What? -Well, you look as if you might have overslept. -Why? | 0:04:45 | 0:04:48 | |
Well, you were asleep when I got here... | 0:04:48 | 0:04:50 | |
'Playdays started out as Playbus in 1988 | 0:04:50 | 0:04:54 | |
'and was designed to be a TV teacher | 0:04:54 | 0:04:56 | |
'helping preschool children learn through play. | 0:04:56 | 0:04:59 | |
'Each weekday episode had its own regular theme | 0:04:59 | 0:05:02 | |
'and, if that sounds familiar, it's because it built upon | 0:05:02 | 0:05:05 | |
'the sturdy foundations laid by Play School, | 0:05:05 | 0:05:08 | |
'which ran from 1964 to '88.' | 0:05:08 | 0:05:11 | |
-CHILD'S VOICE: -It's the Why Bird Stop. | 0:05:14 | 0:05:16 | |
I used to like the Why Bird Stop, so I'd be happy with that. | 0:05:16 | 0:05:19 | |
But there were some stops which would change the programme | 0:05:19 | 0:05:22 | |
-that were a bit boring. -Yeah? -That was a good one. | 0:05:22 | 0:05:25 | |
'The show ended in 1997, but its learn through play ethos | 0:05:25 | 0:05:30 | |
'spawned a whole channel of fun yet educational shows | 0:05:30 | 0:05:33 | |
'in the shape of CBeebies in 2002.' | 0:05:33 | 0:05:37 | |
Should they bring those things back? Do you think it was a simpler time? | 0:05:37 | 0:05:40 | |
Do you think your daughter would enjoy it? | 0:05:40 | 0:05:42 | |
They've still got really good... | 0:05:42 | 0:05:44 | |
They've got some really good programmes, actually, that are still | 0:05:44 | 0:05:47 | |
simple and nice and what they should be like, so, actually, I don't... | 0:05:47 | 0:05:51 | |
I think that now, to my daughter, would probably be a little bit dated. | 0:05:51 | 0:05:55 | |
-She watches telly. -Yeah. -She's a telly addict. | 0:05:55 | 0:05:58 | |
The first thing she says when she wakes up is, "Mummy, can I watch | 0:05:58 | 0:06:00 | |
-"the telly?" And I'm like, "Well, calm down a minute." -But is it...? | 0:06:00 | 0:06:04 | |
-Well, I don't know now, it's not Teletubbies any more, is it? -No. | 0:06:04 | 0:06:07 | |
It's all... Well, it's quite funny, because I try and make her watch | 0:06:07 | 0:06:11 | |
-the ones I used to watch, there's still a few on, you know, so... -Yeah. | 0:06:11 | 0:06:14 | |
-Postman Pat I try and make her watch, cos I used to love that. -Aw! | 0:06:14 | 0:06:17 | |
I loved Postman Pat and she's like, "I don't really like that." | 0:06:17 | 0:06:20 | |
Well, unfortunately, we've got a lot more work to do. | 0:06:20 | 0:06:22 | |
Look at all this filing that needs to be done. | 0:06:22 | 0:06:25 | |
SHE YAWNS | 0:06:25 | 0:06:26 | |
-Oh, no! -What you need, Why, is a nice cup of tea... | 0:06:26 | 0:06:30 | |
What sort of memories are conjured up? You sitting on the sofa? | 0:06:30 | 0:06:33 | |
Yeah, it's just lovely, cos I haven't got my mum any more. | 0:06:33 | 0:06:37 | |
I lost my mum when I was 19, so, any of this, you know, | 0:06:37 | 0:06:41 | |
it's just lovely, cos you've got all the memories | 0:06:41 | 0:06:43 | |
-of, like, being with your mum and being at home. -Yeah. | 0:06:43 | 0:06:46 | |
-And they're nice memories, do you know what I mean? -Yeah. -It's lovely. | 0:06:46 | 0:06:48 | |
If I hear, you know, The Darling Buds Of May theme tune | 0:06:48 | 0:06:52 | |
or, you know, those Sunday night programmes, you remember? | 0:06:52 | 0:06:55 | |
-Like the House of Eliott... -Yeah. -..or like Campion. -Yeah. | 0:06:55 | 0:06:57 | |
-You know, all those things, like theme tunes... -Just bring it all up? | 0:06:57 | 0:07:01 | |
-Yeah, bring it all back. -You cosying up. | 0:07:01 | 0:07:03 | |
-And life was easy, wasn't it? Because you didn't have to earn money. -No. | 0:07:03 | 0:07:07 | |
-You got, like, chauffeured about everywhere. -Yeah. | 0:07:07 | 0:07:10 | |
You got fed, watered, the only, like, worry was | 0:07:10 | 0:07:13 | |
if, like, your pen had run out. | 0:07:13 | 0:07:15 | |
-Yeah. -For colouring in, that would be the highlight of the day. | 0:07:15 | 0:07:19 | |
But Natalie was earning money from a very young age. | 0:07:19 | 0:07:22 | |
Born in Islington in 1982, she attended | 0:07:22 | 0:07:25 | |
the Anna Scher Children's Theatre, whose alumni included | 0:07:25 | 0:07:28 | |
Birds of a Feather's Linda Robson and Pauline Quirke. | 0:07:28 | 0:07:31 | |
EastEnders' Gillian Taylforth, Patsy Palmer and Joe Swash | 0:07:33 | 0:07:37 | |
also attended the school | 0:07:37 | 0:07:38 | |
and Natalie got her big break at an audition here in 1993. | 0:07:38 | 0:07:42 | |
I started off in EastEnders when I was ten. | 0:07:49 | 0:07:53 | |
-So... -Shall we have a look? -Yeah, go on, then. -Go on. -Go on. | 0:07:53 | 0:07:56 | |
Let's talk about it afterwards. So, this is you. | 0:07:56 | 0:07:59 | |
-Take a swig! -I don't want a swig! -Are you scared or something?' | 0:07:59 | 0:08:02 | |
'Natalie burst onto our screen as Sonia Jackson, the third child | 0:08:02 | 0:08:06 | |
'of a very dysfunctional family.' | 0:08:06 | 0:08:08 | |
I remember that polo neck. | 0:08:08 | 0:08:11 | |
-Don't you ever give up?! -Just have a bit! | 0:08:11 | 0:08:13 | |
-Eugh, that's awful! -You'll get used to it. | 0:08:16 | 0:08:19 | |
When we started, Robbie, Sonia and the family, | 0:08:19 | 0:08:23 | |
-that we were rebels in the show... -Uh-huh. | 0:08:23 | 0:08:25 | |
..and, actually, Sonia turned into quite a... | 0:08:25 | 0:08:27 | |
and then, she was comedic, because she played the trumpet and played... | 0:08:27 | 0:08:32 | |
-She wasn't very good? -Yeah, really badly. | 0:08:32 | 0:08:34 | |
And then, as you grow up, you get more miserable and downtrodden. | 0:08:34 | 0:08:38 | |
-But I actually started off quite light... -Yeah. | 0:08:38 | 0:08:40 | |
-..and a bit funny. -Of course you're happy - you're drunk! | 0:08:40 | 0:08:42 | |
-Yeah, absolutely! -You know? -Yeah. | 0:08:42 | 0:08:44 | |
And when you went in, was it a major role? | 0:08:44 | 0:08:47 | |
You knew you were going to be there for some time? | 0:08:47 | 0:08:49 | |
Or it was just throw away? | 0:08:49 | 0:08:50 | |
No, I knew it was a family, so I knew I was going in for a while, | 0:08:50 | 0:08:53 | |
but you never know how long and, because I was ten, my family... | 0:08:53 | 0:08:56 | |
My mum and dad didn't watch EastEnders at the time. | 0:08:56 | 0:08:58 | |
-No? -No, we watched Corrie in our house. -Oh, really? -Yeah. | 0:08:58 | 0:09:02 | |
-So how did they feel about you being...? -They were... | 0:09:02 | 0:09:05 | |
I went to a local drama club, in Islington, and it was after school | 0:09:05 | 0:09:10 | |
and I went along and I got picked for it, so they were very much... | 0:09:10 | 0:09:13 | |
They were not a pushy family, very grounded. | 0:09:13 | 0:09:17 | |
And I got the part and they said, "All right, if you want to do it, | 0:09:17 | 0:09:19 | |
"you can do it," you know, and that was it, and I just started it. | 0:09:19 | 0:09:23 | |
So what was your dad's reaction to you...? | 0:09:23 | 0:09:25 | |
-Dad was, like, "Oh, blimey! Not that programme!" -Really?! | 0:09:25 | 0:09:29 | |
-SHE LAUGHS: Yeah! -Or words to that effect? -Yeah. | 0:09:29 | 0:09:33 | |
And my brother, because I've got older brothers, Tony sat in a... | 0:09:33 | 0:09:37 | |
I think he sat in McDonalds | 0:09:37 | 0:09:38 | |
and just stared for about an hour over a Big Mac, saying, | 0:09:38 | 0:09:41 | |
"I can't believe my sister's going to be in EastEnders." | 0:09:41 | 0:09:44 | |
EastEnders was created by producer Julia Smith and writer Tony Holland, | 0:09:44 | 0:09:49 | |
both of whom had earlier success on Z Cars. | 0:09:49 | 0:09:53 | |
The soap has never shied away from tackling important issues, | 0:09:53 | 0:09:57 | |
like domestic abuse and HIV. | 0:09:57 | 0:09:59 | |
Explosive storylines attracted record audiences. | 0:09:59 | 0:10:03 | |
On Christmas Day in 1986, over 30 million people | 0:10:03 | 0:10:08 | |
tuned in to see Den Watts serve Angie her divorce papers. | 0:10:08 | 0:10:12 | |
What was your first meaty sort of storyline? | 0:10:15 | 0:10:18 | |
-Um... I suppose really... -Did you get anything at that age? | 0:10:18 | 0:10:21 | |
Not at that age. It was all bits and pieces. | 0:10:21 | 0:10:24 | |
But I suppose my first massive thing was giving birth, when I was 15. | 0:10:24 | 0:10:28 | |
It hurts so much! | 0:10:28 | 0:10:30 | |
-I'm dying! -You're not dying, sweetheart. | 0:10:30 | 0:10:33 | |
You're having a baby. | 0:10:33 | 0:10:35 | |
I can't be! SHE SOBS: You're wrong! | 0:10:35 | 0:10:38 | |
Look, I've seen a few births in my time, | 0:10:38 | 0:10:41 | |
I helped my Viv deliver Lynne on the changing room floor | 0:10:41 | 0:10:43 | |
at the Clacton Lido and, believe me, girl, | 0:10:43 | 0:10:45 | |
you're giving birth and, by the looks of it, | 0:10:45 | 0:10:48 | |
-it ain't going to wait for no ambulance! -But I can't! | 0:10:48 | 0:10:50 | |
That was a big thing to do, and obviously, not ever done that... | 0:10:50 | 0:10:53 | |
-I hope not! -..you want to get it right and I remember sat with... | 0:10:53 | 0:10:56 | |
-being sat with June Brown... -Aw! | 0:10:56 | 0:10:59 | |
and June Brown turning round, who plays Dot Cotton... | 0:10:59 | 0:11:02 | |
-Course. -Turning round and saying, you know, "How do I do that, June?" | 0:11:02 | 0:11:05 | |
you know and she said, "Darling," she said, "it's like pooing a melon." | 0:11:05 | 0:11:10 | |
That was her advice to me! | 0:11:10 | 0:11:13 | |
-The ambulance is on its way! -And so is this little one! -No! No! | 0:11:13 | 0:11:16 | |
I can't have it! I can't have it! | 0:11:16 | 0:11:19 | |
I'm so frightened! This can't be happening to me! | 0:11:19 | 0:11:22 | |
Look, there's only one woman that could say that | 0:11:22 | 0:11:24 | |
and she gave birth in a stable and it IS happening | 0:11:24 | 0:11:27 | |
-and you've got to deal with it! -I don't know how! | 0:11:27 | 0:11:30 | |
Now one knows how the first time round! | 0:11:30 | 0:11:32 | |
But, believe you me, you'll be fine, I'm with you! | 0:11:32 | 0:11:34 | |
It's coming back! | 0:11:34 | 0:11:36 | |
-SHE SCREAMS -Go on! Go on, girl! | 0:11:36 | 0:11:38 | |
-Top of your lungs! -PIERCING SCREAM | 0:11:38 | 0:11:41 | |
Good girl! Good girl! | 0:11:41 | 0:11:43 | |
And I'll never forget that. | 0:11:43 | 0:11:45 | |
'Natalie's next clip takes us to a very different place.' | 0:11:50 | 0:11:54 | |
'It may be hard to believe, | 0:11:54 | 0:11:56 | |
'but a man in a pink-and-yellow spotted costume was once | 0:11:56 | 0:11:59 | |
'the star attraction on prime-time Saturday night telly.' | 0:11:59 | 0:12:03 | |
-It's Mr Blobby! -SHE LAUGHS | 0:12:03 | 0:12:06 | |
Oh, it was great, wasn't it? | 0:12:06 | 0:12:07 | |
Throughout the '90s, up to 15 million people tuned in each week | 0:12:07 | 0:12:12 | |
for the latest goings-on in Crinkley Bottom at Noel's House Party. | 0:12:12 | 0:12:17 | |
Regularly knocking on Noel's door | 0:12:17 | 0:12:19 | |
were some notable Crinkley Bottom residents, | 0:12:19 | 0:12:21 | |
including Men Behaving Badly's Neil Morrissey as Sammy the Shammy, | 0:12:21 | 0:12:26 | |
Ronnie Corbett as the butler, | 0:12:26 | 0:12:29 | |
and even Albert Square's own Leslie Grantham as - who else? - | 0:12:29 | 0:12:33 | |
but the tough local barman. | 0:12:33 | 0:12:36 | |
But it was Blobby that stole the show! | 0:12:36 | 0:12:38 | |
-AUDIENCE CHANTS: -Blobby! Blobby! Blobby! | 0:12:38 | 0:12:41 | |
-Oh, it was so clever. -Yeah. -You know. | 0:12:41 | 0:12:44 | |
And I know he was annoying, Mr Blobby, | 0:12:44 | 0:12:46 | |
but at the time, when I was younger, it was just a perfect viewing | 0:12:46 | 0:12:49 | |
for that Saturday night. Absolutely brilliant. | 0:12:49 | 0:12:53 | |
CHANTING CONTINUES | 0:12:53 | 0:12:55 | |
MR BLOBBY GASPS AND SHOUTS | 0:12:57 | 0:13:00 | |
-My dad hated it! -Really? -Oh, he hated it! | 0:13:00 | 0:13:03 | |
LAUGHTER | 0:13:05 | 0:13:06 | |
In 1993, Mr Blobby's single was Christmas Number 1, | 0:13:06 | 0:13:11 | |
proving you don't have to be good-looking to be a pop star. | 0:13:11 | 0:13:15 | |
Well, it's just nice, isn't it? You'd have your dinner and sit down... | 0:13:15 | 0:13:18 | |
-Yeah. -..and it was something you could share with all the family, | 0:13:18 | 0:13:21 | |
which I think this country lost for a little while | 0:13:21 | 0:13:23 | |
and we didn't have that, the relaxing feel-good Saturday night telly, | 0:13:23 | 0:13:27 | |
-which, obviously now, I think we've got back. -Mm-hm. | 0:13:27 | 0:13:30 | |
-I liked it when they used to come to people's houses. -That was brilliant. | 0:13:30 | 0:13:33 | |
Did you ever think they were going to come to your house? | 0:13:33 | 0:13:35 | |
-I did used to think how cool it would be. -Yeah. -You know? | 0:13:35 | 0:13:39 | |
-And also, the Grab a Grand I used to love. -Yeah. | 0:13:39 | 0:13:42 | |
-Cos, you know, people really did want to grab that grand. -Yeah. | 0:13:42 | 0:13:45 | |
As people would today, but, you know, it was very, very good. | 0:13:45 | 0:13:48 | |
And also, you know, it was optimism, wasn't it? | 0:13:48 | 0:13:52 | |
-Yeah. -It was feel-good. It was great. | 0:13:52 | 0:13:54 | |
-You can't beat it. A bit like this, really. -Yeah! | 0:13:54 | 0:13:57 | |
So, our next little item is comedy. | 0:14:03 | 0:14:06 | |
-Yes. -Are you a big fan of comedy, aren't you? -Massive fan. | 0:14:06 | 0:14:09 | |
Given the opportunity, people go out, don't they, at the moment and say, | 0:14:09 | 0:14:12 | |
-"Have you watched that box set?" -Yeah. | 0:14:12 | 0:14:14 | |
-American box sets and all of that. -Yeah. | 0:14:14 | 0:14:16 | |
Me and my partner sit and watch sitcoms. | 0:14:16 | 0:14:18 | |
-Do you watch a lot of the American stuff? -Not overly. | 0:14:18 | 0:14:21 | |
-No? -I was a big Friends fan when I was younger.... | 0:14:21 | 0:14:24 | |
You know, it was like looking at | 0:14:24 | 0:14:26 | |
One Foot in the Grave | 0:14:26 | 0:14:28 | |
and, like, 'Allo 'Allo! and... | 0:14:28 | 0:14:30 | |
Hi-de-hi! and all those, you know. | 0:14:30 | 0:14:32 | |
-Really? -Yeah, really. Again, it's the nostalgia of it, isn't it? | 0:14:32 | 0:14:36 | |
-And I remember sitting watching it with my mum and dad. -Yeah. | 0:14:36 | 0:14:39 | |
So I like watching it now. I mean, Only Fools, | 0:14:39 | 0:14:41 | |
we've just done the whole box set. | 0:14:41 | 0:14:43 | |
-Before Christmas, every night. -This is you and your partner? -I love it. | 0:14:43 | 0:14:46 | |
-Yeah, me and Marc. -Shall we have a little look now? -Mm-hm. -All right. | 0:14:46 | 0:14:51 | |
AUDIENCE LAUGHTER | 0:14:51 | 0:14:52 | |
What is that funny noise?! | 0:14:54 | 0:14:56 | |
-No, ssh. -Eh? | 0:14:56 | 0:14:58 | |
AIR HISSES AND SQUEAKS | 0:14:58 | 0:15:00 | |
NATALIE: 'This was my mum's favourite.' | 0:15:03 | 0:15:04 | |
-I remember watching it with her for the first own. -Yeah. | 0:15:04 | 0:15:07 | |
And she absolutely rolled around laughing. | 0:15:07 | 0:15:09 | |
-Aw, ain't it lovely to have those memories? -Fantastic. | 0:15:09 | 0:15:12 | |
Absolutely brilliant. | 0:15:12 | 0:15:13 | |
LOUD HISSING | 0:15:13 | 0:15:15 | |
POP! | 0:15:15 | 0:15:16 | |
THEY GASP, AUDIENCE ROARS WITH LAUGHTER | 0:15:16 | 0:15:19 | |
When Only Fools and Horses launched in 1981, | 0:15:20 | 0:15:23 | |
it had a relatively slow start, but quickly built a huge following. | 0:15:23 | 0:15:28 | |
In 1996, the show was attracting | 0:15:28 | 0:15:31 | |
a whopping 24.3 million viewers - | 0:15:31 | 0:15:34 | |
that's over a third of the population. | 0:15:34 | 0:15:37 | |
THEY LAUGH | 0:15:38 | 0:15:40 | |
-It's just fantastic. -Aw! -Absolutely brilliant. | 0:15:40 | 0:15:43 | |
That was his big break, but he'd done so much before that, David Jason. | 0:15:43 | 0:15:47 | |
-Yeah, yeah. -And, obviously, he did so much after. -And since! | 0:15:47 | 0:15:50 | |
But, you know, it was... | 0:15:50 | 0:15:51 | |
-I mean, Open All Hours was fantastic, wasn't it? -Yeah. | 0:15:51 | 0:15:54 | |
-And he was in Porridge as well. -Yeah! -And then, you know, | 0:15:54 | 0:15:57 | |
-he did this and this just absolutely made him. -Yeah. | 0:15:57 | 0:16:00 | |
-I mean... -Do you remember it finishing? Were you upset? -Yeah. | 0:16:00 | 0:16:02 | |
-I was broken-hearted. -Really? -Yeah. | 0:16:02 | 0:16:04 | |
When you saw them walk off into the sunset, I remember sobbing, | 0:16:04 | 0:16:08 | |
absolutely sobbing, cos, like, you know | 0:16:08 | 0:16:10 | |
-and love those characters, don't you? -Yeah. | 0:16:10 | 0:16:13 | |
-And it is like a soap each week. -Yeah. -And then, it ends. | 0:16:13 | 0:16:15 | |
It's like Corrie ending, isn't it? Or EastEnders ending. | 0:16:15 | 0:16:18 | |
-Let's hope that don't happen for a little while. -Yeah. | 0:16:18 | 0:16:20 | |
I quite like my job. | 0:16:20 | 0:16:21 | |
You think it all went wrong when they actually got...? | 0:16:21 | 0:16:24 | |
-They made it! -It was all to do with the clock, didn't they? | 0:16:24 | 0:16:27 | |
-They became millionaires. -Time On Our Hands, | 0:16:27 | 0:16:29 | |
-it was called, that one. -Yeah. -Yeah. | 0:16:29 | 0:16:30 | |
But, you know, you wanted them to make it and they never did, | 0:16:30 | 0:16:33 | |
which is why it worked, because that, you know, | 0:16:33 | 0:16:36 | |
it was about the struggle of life and wanting it | 0:16:36 | 0:16:38 | |
and, once they got it, where do you go? | 0:16:38 | 0:16:40 | |
And it just shows you - money doesn't always make you happy, does it? | 0:16:40 | 0:16:43 | |
The sitcoms like Fools and Horses don't just write themselves. | 0:16:45 | 0:16:49 | |
There would be no Del Boy and Rodney | 0:16:49 | 0:16:51 | |
without writer extraordinaire John Sullivan. | 0:16:51 | 0:16:54 | |
He scored his first sitcom bull's-eye with Citizen Smith. | 0:16:54 | 0:16:57 | |
Robert Lindsay played an unemployed dreamer | 0:16:57 | 0:16:59 | |
who thought he was Che Guevara. | 0:16:59 | 0:17:02 | |
He went on to write the "will they or won't they?" classic | 0:17:02 | 0:17:05 | |
Just Good Friends, starring Paul Nicholas and Jan Francis. | 0:17:05 | 0:17:09 | |
And, in 1986, he wrote the bittersweet classic Dear John, | 0:17:09 | 0:17:13 | |
about a divorced teacher, played by Poldark's Ralph Bates. | 0:17:13 | 0:17:17 | |
After taxi-based comedy Roger Roger, | 0:17:19 | 0:17:21 | |
he returned to his Nags Head favourite Boycie and Marlene | 0:17:21 | 0:17:26 | |
for a Fools and Horses spin-off series, with The Green Green Grass. | 0:17:26 | 0:17:31 | |
And, finally, the Trotters of Peckham were resurrected | 0:17:31 | 0:17:35 | |
in 2010, when Sullivan created | 0:17:35 | 0:17:37 | |
an Only Fools prequel | 0:17:37 | 0:17:39 | |
called Rock and Chips. | 0:17:39 | 0:17:41 | |
Lovely jubbly! | 0:17:41 | 0:17:43 | |
-If we could sort of wave a magic wand and you be in a sitcom... -Aw! | 0:17:44 | 0:17:48 | |
..that the legendary late, great John Sullivan wrote, | 0:17:48 | 0:17:51 | |
er, what would it be? How could you see yourself? | 0:17:51 | 0:17:55 | |
Oh, I don't know, really. This would be amazing, wouldn't it? | 0:17:55 | 0:17:58 | |
Or even just popping in and out of, like, Open All Hours | 0:17:58 | 0:18:01 | |
-or, you know.... -Yeah. | 0:18:01 | 0:18:02 | |
-Any of the old classics. -Yeah. -And, you know, it would just be great. | 0:18:02 | 0:18:06 | |
-I just don't think they make 'em now like they used to. -No. -But... | 0:18:06 | 0:18:10 | |
-Er, Natalie, I've got your next choice now. -Go on. | 0:18:16 | 0:18:18 | |
-And I'm not going to say anything else, but it's 1993. -OK. | 0:18:18 | 0:18:24 | |
And also they fight amongst themselves, the cubs as well. | 0:18:24 | 0:18:27 | |
For 20 years, | 0:18:27 | 0:18:28 | |
the Really Wild Show brought TV with a bite into our homes. | 0:18:28 | 0:18:32 | |
Let's see some of those teeth. You can see them in there, look. | 0:18:32 | 0:18:36 | |
He's giving me a little nibble, still very friendly. | 0:18:36 | 0:18:38 | |
It just did the most enormous yawn | 0:18:38 | 0:18:40 | |
and you can see how big their jaws are. Oops! | 0:18:40 | 0:18:44 | |
-I used to absolutely love this. -Yeah? | 0:18:44 | 0:18:48 | |
Yeah, because I always felt that everyone on the show | 0:18:48 | 0:18:52 | |
really loved animals and they really wanted to be there. | 0:18:52 | 0:18:55 | |
She's absolutely gorgeous. | 0:18:55 | 0:18:57 | |
She's been hand reared and that's why we're able to handle her. | 0:18:57 | 0:19:00 | |
-What do you think? -It's still a lion, it's not a little kitten. | 0:19:00 | 0:19:04 | |
In fact, they're not that soft. Their fur's quite coarse. | 0:19:04 | 0:19:07 | |
-Every boy fancied her and every girl wanted to be like her. -Yeah, yeah. | 0:19:07 | 0:19:12 | |
-So she did very well there. She caught both audiences. -Yeah. | 0:19:12 | 0:19:16 | |
Michaela Strachan was best known for presenting TV-am's Wide Awake Club, | 0:19:16 | 0:19:21 | |
but The Really Wild Show reinvented her as a wildlife presenter. | 0:19:21 | 0:19:25 | |
She went on to become a regular face on BBC One's Countryfile and, | 0:19:27 | 0:19:31 | |
in 2011, she was reunited with her Really Wild co-host Chris Packham | 0:19:31 | 0:19:36 | |
on Autumnwatch. | 0:19:36 | 0:19:37 | |
She's going to have one of those earrings, isn't she? | 0:19:40 | 0:19:43 | |
She handled it all, she did well. | 0:19:43 | 0:19:45 | |
-Got her hands dirty, didn't she? -Got stuck in, yeah. | 0:19:45 | 0:19:48 | |
So, what did you learn? | 0:19:48 | 0:19:52 | |
I used to find it really interesting | 0:19:52 | 0:19:53 | |
and came away with facts about the animals. | 0:19:53 | 0:19:56 | |
I think it's very important in the world we live in today | 0:19:56 | 0:19:59 | |
that we know about that stuff, you know, it's important. | 0:19:59 | 0:20:02 | |
-Have you got animals? -No, I haven't. | 0:20:02 | 0:20:06 | |
I had a cat when I was younger, my little cat, | 0:20:06 | 0:20:09 | |
but I haven't got animals now just cos of my work, really. | 0:20:09 | 0:20:13 | |
It's not fair cos I'm out all the time, | 0:20:13 | 0:20:15 | |
but I'd love a little dog at some point or a big dog. | 0:20:15 | 0:20:18 | |
-Natalie, we're moving on now to the kind of show you never miss. -Yep. | 0:20:25 | 0:20:29 | |
-This is your wild card. -I never miss? -Never miss this. | 0:20:29 | 0:20:32 | |
Never missed it. Right, and you're not going to miss it now. | 0:20:32 | 0:20:36 | |
Hello, welcome to University Challenge. | 0:20:36 | 0:20:39 | |
Two more student teams are ready to do battle | 0:20:39 | 0:20:41 | |
for a place in the second round and perhaps beyond. | 0:20:41 | 0:20:43 | |
-I hope you don't take this the wrong way. -Go on. | 0:20:43 | 0:20:47 | |
-I just... -Listen... | 0:20:47 | 0:20:49 | |
-Go on, you know what I'm going to say. -I'm extremely intelligent. | 0:20:49 | 0:20:52 | |
-I know you are. -No, I'm not. What it is, I love the intelligence of it. | 0:20:52 | 0:20:58 | |
Because I started on the telly very young, my life went that way | 0:20:58 | 0:21:03 | |
and that's what I chose to do. | 0:21:03 | 0:21:05 | |
But when I look back, I would have loved to have gone to uni | 0:21:05 | 0:21:11 | |
and I love learning so when I watch this, | 0:21:11 | 0:21:13 | |
I just love watching all those very clever people. | 0:21:13 | 0:21:17 | |
-Oh, they are. -And I just love it. | 0:21:17 | 0:21:19 | |
It's like I love going to Oxford or I love visiting Cambridge | 0:21:19 | 0:21:22 | |
and seeing them ride around on bikes with their books. | 0:21:22 | 0:21:26 | |
I just love intelligence, I think it's just brilliant. | 0:21:26 | 0:21:28 | |
-You could still go back to college. -Absolutely! | 0:21:28 | 0:21:31 | |
Open University, something like that. | 0:21:31 | 0:21:33 | |
I will do that, I definitely will at some point. | 0:21:33 | 0:21:35 | |
And what would you hope to study? | 0:21:35 | 0:21:37 | |
Probably the arts in some way or history or that sort of thing. | 0:21:37 | 0:21:40 | |
I hope you do. | 0:21:40 | 0:21:41 | |
I love all of that. But, yeah, this is something | 0:21:41 | 0:21:44 | |
that again reminds me of growing up, it being on, | 0:21:44 | 0:21:47 | |
Dad maybe getting a couple of questions right - | 0:21:47 | 0:21:49 | |
my dad's a clever man - but me never getting any questions right | 0:21:49 | 0:21:53 | |
-and also looking at people's fashion sense. -Yeah. | 0:21:53 | 0:21:56 | |
I know it's stereotypical, but if you're very, very clever, | 0:21:56 | 0:21:58 | |
usually, you wear some terrible jumpers. And Paxman is so rude! | 0:21:58 | 0:22:05 | |
-He's a legend. -So rude! | 0:22:05 | 0:22:07 | |
So, who can get the first question right here, Natalie? | 0:22:07 | 0:22:10 | |
The best of luck to both teams. Here's your first starter for ten. | 0:22:10 | 0:22:14 | |
I used to think they were above each other. | 0:22:14 | 0:22:16 | |
I know, it was only my partner - Marc's a cameraman - | 0:22:16 | 0:22:19 | |
and he told me that, but not long ago. Really not long ago! | 0:22:19 | 0:22:23 | |
And he was like, "They're not on top of each other. | 0:22:23 | 0:22:26 | |
-"It's the shot." I was like, "You've ruined that for me." -I know! | 0:22:26 | 0:22:30 | |
Of which character did Chaucer write "husbands at church door, | 0:22:30 | 0:22:35 | |
"she had five"? | 0:22:35 | 0:22:36 | |
-Oh, I've got this in the bag. -I haven't, you see. | 0:22:36 | 0:22:40 | |
-Mary Poppins... -I want to know all of these. | 0:22:40 | 0:22:42 | |
-It was the Wife of Bath. -Correct. | 0:22:42 | 0:22:44 | |
For a possible five points, what sort of wife was Lady Brute | 0:22:44 | 0:22:47 | |
in the title of a play by Vanburgh? | 0:22:47 | 0:22:49 | |
That's why I watch it cos I really want to be clever. | 0:22:49 | 0:22:53 | |
-I normally get, like, one in the whole of an episode. -Sometimes. | 0:22:53 | 0:22:56 | |
-I do a lap of honour round the sofa. -I'll have to hurry you. | 0:22:56 | 0:23:01 | |
-Lady of the manor, I don't know... -Come on. -Come on! -Come on! -Come on! | 0:23:01 | 0:23:05 | |
-Get a move on! -A Wife of Christ... | 0:23:05 | 0:23:08 | |
No, she was provoked, | 0:23:08 | 0:23:09 | |
she was the Provoked Wife in the play of that name. | 0:23:09 | 0:23:11 | |
It's brilliant. "Come on! | 0:23:11 | 0:23:12 | |
-"Are you stupid?" -Then he goes, "No!" | 0:23:12 | 0:23:16 | |
"No, you stupid individual!" | 0:23:16 | 0:23:18 | |
He's cocky cos he's got the questions in front of him. | 0:23:18 | 0:23:21 | |
I know, absolutely. | 0:23:21 | 0:23:22 | |
The last King of Lydia who reigned from 560-546 BC | 0:23:22 | 0:23:27 | |
is now usually remembered for his fabulous wealth. Who was he? | 0:23:27 | 0:23:30 | |
-We're not going to get one, are we? -No, we're not. We're not. | 0:23:30 | 0:23:34 | |
Over the years, | 0:23:34 | 0:23:36 | |
University Challenge contestants have featured some familiar faces, | 0:23:36 | 0:23:40 | |
including Harry Potter star Miriam Margolyes, | 0:23:40 | 0:23:45 | |
journalist John Simpson, | 0:23:45 | 0:23:47 | |
QI's Stephen Fry | 0:23:47 | 0:23:50 | |
and Downton Abbey creator Julian Fellowes. | 0:23:50 | 0:23:53 | |
Jeremy Paxman took the inquisitor's chair from Bamber Gascoigne | 0:23:53 | 0:23:57 | |
in the mid-'90s and has kept students on their toes ever since. | 0:23:57 | 0:24:01 | |
No, it's Incitatus. | 0:24:01 | 0:24:02 | |
I want to come up-to-date now. I mean, what do you watch these days? | 0:24:09 | 0:24:12 | |
Do you have much time? Because you're so busy. | 0:24:12 | 0:24:15 | |
Like I say, with work, it's very much, each week's different. | 0:24:15 | 0:24:20 | |
We can work numerous amounts... Different hours, you know. | 0:24:20 | 0:24:24 | |
Even in the evenings, if I'm not at work, I've got a four-year-old... | 0:24:24 | 0:24:27 | |
That sort of soap time especially is... | 0:24:27 | 0:24:30 | |
You know, bath-time, dinner time, bedtime. I love MasterChef. | 0:24:30 | 0:24:34 | |
I absolutely love it. That's something I'd love to do. | 0:24:35 | 0:24:38 | |
-What about the live... -The live eps? | 0:24:38 | 0:24:42 | |
-Yeah, of EastEnders. -They were great, they were really good fun. | 0:24:42 | 0:24:46 | |
Petrifying or not? | 0:24:46 | 0:24:48 | |
It was scary but we were well rehearsed and my problem is, | 0:24:48 | 0:24:54 | |
when I get nervous, I do this. | 0:24:54 | 0:24:56 | |
I lose all the saliva in my mouth. | 0:24:59 | 0:25:01 | |
I said to the director of EastEnders, what if, on the night, | 0:25:01 | 0:25:03 | |
I've got my lines to do and I'm going... | 0:25:03 | 0:25:07 | |
"Well, I don't know, I've just got to go over to The Vic"? | 0:25:07 | 0:25:09 | |
What would happen then? | 0:25:09 | 0:25:10 | |
They said, "Don't worry, we'll just deal with it at the time." | 0:25:10 | 0:25:13 | |
I want to talk about Strictly and that experience. | 0:25:13 | 0:25:16 | |
Was it a huge decision to be made when they said...? | 0:25:16 | 0:25:20 | |
No, no, straight away I thought, "Absolutely," | 0:25:20 | 0:25:22 | |
and then I realised what I'd got myself into. It was very nerve... | 0:25:22 | 0:25:27 | |
You'd work really hard all week and it is, your whole life goes into it. | 0:25:27 | 0:25:31 | |
The more hours you do, the more you know the steps | 0:25:31 | 0:25:33 | |
and the more you're going to get on and not look like a complete pillock. | 0:25:33 | 0:25:37 | |
MUSIC: Bang Bang by Joe Cuba | 0:25:37 | 0:25:41 | |
So I really worked hard | 0:25:42 | 0:25:43 | |
and did 10, 12 hours a day and then you'd get behind there on | 0:25:43 | 0:25:47 | |
a Saturday night with lovely Brucey and Tess | 0:25:47 | 0:25:49 | |
and your mind would go blank. | 0:25:49 | 0:25:52 | |
A lot of people take it for granted but it is live | 0:25:52 | 0:25:55 | |
and there's something about knowing that you're going out to | 0:25:55 | 0:25:58 | |
-8 million, 9 million, 10 million people live... -I know. | 0:25:58 | 0:26:02 | |
-With the chance of looking terrible... -Yeah, yeah, yeah. | 0:26:02 | 0:26:04 | |
..and forgetting it all. | 0:26:04 | 0:26:06 | |
But that's Saturday night entertainment and I love it, | 0:26:06 | 0:26:09 | |
I love watching it now. Dancing's great, music's great, it's lovely. | 0:26:09 | 0:26:13 | |
I think that's what we've touched on with all of your stuff, | 0:26:13 | 0:26:16 | |
-like Noel's House Party, Fools And Horses... -I know, it's all very... | 0:26:16 | 0:26:20 | |
-It is all escapism and it's all... -..light and fluffy. -Yeah. | 0:26:20 | 0:26:25 | |
It's what I like. I like comedy and... | 0:26:25 | 0:26:28 | |
I think we've got enough in the real world to worry about. | 0:26:28 | 0:26:30 | |
-There's enough doom and gloom out there. -Isn't there? | 0:26:30 | 0:26:32 | |
And, like you say, my work, I'm always miserable as sin. | 0:26:32 | 0:26:36 | |
Sonia's always crying or doing something which is frowned upon | 0:26:36 | 0:26:41 | |
on the Square which makes her miserable. | 0:26:41 | 0:26:43 | |
But that's Natalie, what's Sonia like in EastEnders? | 0:26:43 | 0:26:46 | |
I mean, let's be honest, from the age of ten till now... | 0:26:47 | 0:26:51 | |
-22 years with a gap, it's an honour. -And long may it run. | 0:26:51 | 0:26:55 | |
I think you should come work with me. Come and do EastEnders. | 0:26:55 | 0:26:59 | |
Just come in, "All right, sweetheart?" But who would I be? | 0:26:59 | 0:27:02 | |
I don't know. Sonia... We haven't found Sonia's dad yet. | 0:27:02 | 0:27:07 | |
-Terry Kant, his name is. -Really? -Yeah, you could come in as Terry. | 0:27:07 | 0:27:10 | |
"All right? Name's Terry. | 0:27:10 | 0:27:12 | |
-"All right, sweetheart?" -I think that'd be great. | 0:27:12 | 0:27:15 | |
-I think you'd be really good. -"All right, darling, I'll sort it out." | 0:27:15 | 0:27:19 | |
-It would, wouldn't it? -You'd be great. | 0:27:21 | 0:27:23 | |
I want to thank you so much because I think we've had a good day... | 0:27:23 | 0:27:26 | |
It's been a really lovely time, I've really enjoyed myself, | 0:27:26 | 0:27:29 | |
thank you for having me, really good. | 0:27:29 | 0:27:31 | |
At this point, you get to choose a theme tune to go out on. | 0:27:31 | 0:27:35 | |
What's it going to be, something cutting edge? | 0:27:35 | 0:27:38 | |
We've just had University Challenge, it must be Panorama... | 0:27:38 | 0:27:41 | |
It could be Panorama, it could be Newsnight | 0:27:41 | 0:27:43 | |
-but I'm afraid I'm going to go for "'Allo 'Allo!". -Well, why not? | 0:27:43 | 0:27:47 | |
Because it's soft, again, it's funny, it's soft, it's cheeky and it | 0:27:47 | 0:27:51 | |
just reminds me of my childhood, so that's what I'd like, please. | 0:27:51 | 0:27:54 | |
My thanks to Natalie Cassidy and we're going out with "'Allo 'Allo!". | 0:27:54 | 0:27:59 | |
"'ALLO 'ALLO!" THEME PLAYS | 0:27:59 | 0:28:03 |