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Telly, that magic box in the corner. | 0:00:02 | 0:00:04 | |
It gives us access to a million different worlds, | 0:00:04 | 0:00:07 | |
all from the comfort of our sofa. | 0:00:07 | 0:00:10 | |
'In this series, I'm going to journey through the fantastic world | 0:00:10 | 0:00:13 | |
'of TV with some of our favourite celebrities. | 0:00:13 | 0:00:17 | |
'They've chosen the precious TV moments that shed light...' | 0:00:17 | 0:00:21 | |
Oh, I loved this! | 0:00:21 | 0:00:22 | |
-BOTH: -Crackerjack! -'..on the stories of their lives.' | 0:00:22 | 0:00:25 | |
Oh, listen, this looks smashing, John. | 0:00:25 | 0:00:28 | |
-BOTH: -# Right on time. # | 0:00:28 | 0:00:30 | |
'Some are funny...' | 0:00:30 | 0:00:31 | |
-I love you. -BOTH: -# Became of the people. # | 0:00:31 | 0:00:34 | |
'Some...' | 0:00:34 | 0:00:35 | |
-Just like that. -'..are surprising." | 0:00:35 | 0:00:37 | |
I'll let you into a secret I've never told anyone before. | 0:00:37 | 0:00:40 | |
'Some are inspiring...' | 0:00:40 | 0:00:41 | |
I've always wanted to be a Miss Something. | 0:00:41 | 0:00:44 | |
The best TV transports you. | 0:00:44 | 0:00:47 | |
'..and many... | 0:00:47 | 0:00:48 | |
Did George Orwell get his predictions right? | 0:00:48 | 0:00:50 | |
-It's also dramatic. -'..are deeply moving.' | 0:00:50 | 0:00:52 | |
-Ohh. -The death of John F. Kennedy... -This takes me back. | 0:00:52 | 0:00:56 | |
-Oh, makes me want to cry. -Oh. You can have a cry if you want. | 0:00:56 | 0:01:00 | |
So, come watch with us as we hand-pick the vintage telly that | 0:01:00 | 0:01:04 | |
helped turn our much-loved stars into the people they are today. | 0:01:04 | 0:01:09 | |
Welcome to The TV That Made Me. | 0:01:09 | 0:01:11 | |
My guest today is a broadcaster, journalist and presenter. | 0:01:20 | 0:01:24 | |
He has been a regular host of Wish You Were Here, | 0:01:24 | 0:01:27 | |
and the travel editor of Woman magazine but these days is | 0:01:27 | 0:01:32 | |
best known as the host of BBC One's Homes Under The Hammer. | 0:01:32 | 0:01:36 | |
It can only be Martin Roberts. And the TV that made him | 0:01:37 | 0:01:40 | |
include Britain's love affair with exotic travel... | 0:01:40 | 0:01:44 | |
Fish and chips. Pint of English ale and all the trimmings. | 0:01:44 | 0:01:47 | |
..the birth of interactive television... | 0:01:47 | 0:01:49 | |
What do you want to swap it for today? | 0:01:49 | 0:01:50 | |
That tape recorder down there. | 0:01:50 | 0:01:52 | |
..and a little goodie-goodie-yum-yum. | 0:01:52 | 0:01:54 | |
Llan-dlubber! | 0:01:54 | 0:01:55 | |
-The one and only Martin Roberts, here you are. -Good to see you. | 0:01:57 | 0:02:00 | |
Good to see you, too. I'm a huge fan of Homes Under The Hammer. | 0:02:00 | 0:02:03 | |
Well, I'm very proud of it, thank you very much. | 0:02:03 | 0:02:05 | |
12 years we've been going for now so... | 0:02:05 | 0:02:08 | |
-Are you looking forward to today? -Yeah. | 0:02:08 | 0:02:10 | |
Honestly, when I was asked to do this and I looked through, | 0:02:10 | 0:02:13 | |
delved into my history, and... | 0:02:13 | 0:02:15 | |
Shows from your childhood, they trigger off so many memories | 0:02:17 | 0:02:21 | |
and so many emotions. | 0:02:21 | 0:02:22 | |
It was... Sort of it was tears, some of it was laughter, some of it | 0:02:22 | 0:02:25 | |
was just, "Oh, my gosh, I'd forgotten all about that." | 0:02:25 | 0:02:28 | |
And, so, yeah, | 0:02:28 | 0:02:29 | |
really looking forward to just seeing some of the bits from my childhood. | 0:02:29 | 0:02:33 | |
We're looking forward to it. | 0:02:33 | 0:02:34 | |
I mean, as you're well-known today, it's a selection of TV shows that | 0:02:34 | 0:02:37 | |
I feel has probably even shaped you into the person you are today. | 0:02:37 | 0:02:40 | |
Shall we have a little look at what it was likely to be the young Martin Roberts? | 0:02:40 | 0:02:44 | |
Let's do that. It's going to be a bit scary, this, isn't it? | 0:02:44 | 0:02:47 | |
In 1963, the same year Doctor Who debuted, | 0:02:48 | 0:02:52 | |
Martin Roberts also made his very first appearance. | 0:02:52 | 0:02:55 | |
Born and bred in Warrington, | 0:02:55 | 0:02:57 | |
he was an only child and, no doubt inspiring his lifelong | 0:02:57 | 0:03:00 | |
thirst for knowledge, both his parents were research scientists. | 0:03:00 | 0:03:04 | |
-It's your first TV memory we're going to show now. -OK. | 0:03:10 | 0:03:13 | |
I won't say any more. Because I do think it has the best opening ever. | 0:03:13 | 0:03:18 | |
Here it is. | 0:03:18 | 0:03:19 | |
THEME MUSIC PLAYS | 0:03:19 | 0:03:20 | |
Ohh! SIGHING | 0:03:20 | 0:03:22 | |
MUSIC CONTINUES | 0:03:22 | 0:03:24 | |
Aw, it just makes you feel warm and cosy. | 0:03:24 | 0:03:27 | |
It's everything that was nice about being a kid, isn't it? | 0:03:27 | 0:03:29 | |
The year was 1967 and this was Trumpton, | 0:03:31 | 0:03:35 | |
the much-anticipated sequel to Camberwick Green. | 0:03:35 | 0:03:38 | |
13 episodes produced, in animation terms, at record speed in just | 0:03:38 | 0:03:44 | |
nine months. | 0:03:44 | 0:03:45 | |
You look at the animation here, and it's the simplest | 0:03:45 | 0:03:47 | |
kind of stop-motion animation and yet, as a child... | 0:03:47 | 0:03:51 | |
I think what's interesting is how much of it's repeated. | 0:03:51 | 0:03:53 | |
It is that repetition. So I think you derive huge comfort from that. | 0:03:53 | 0:03:58 | |
When you look back at it now, as an adult, you think, | 0:03:58 | 0:04:00 | |
"Is that a bit boring, perhaps?" | 0:04:00 | 0:04:01 | |
But actually as a child you want the repetitiveness. | 0:04:01 | 0:04:04 | |
It sort of goes in there and provides that whole comfort. | 0:04:04 | 0:04:07 | |
"A red rose will do nicely instead of a carnation." | 0:04:07 | 0:04:10 | |
Not only was the action simple, so were the stories, | 0:04:10 | 0:04:14 | |
with each episode telling the tale of the single and usually | 0:04:14 | 0:04:17 | |
quite small mishap attended to by the Trumpton Fire Brigade. | 0:04:17 | 0:04:22 | |
"Trumpton Fire Station. | 0:04:22 | 0:04:23 | |
"What? Mrs Cobbit's cottage? Branch through roof?" | 0:04:23 | 0:04:27 | |
Mrs Cobbit's cottage. | 0:04:27 | 0:04:28 | |
-It's all so dramatic. -Yes. | 0:04:28 | 0:04:30 | |
"Yes, yes, by all means. | 0:04:30 | 0:04:32 | |
"We'll come right away, right away." | 0:04:32 | 0:04:34 | |
BELL RINGS | 0:04:34 | 0:04:35 | |
Pugh, Pugh, Barney McGrew, | 0:04:35 | 0:04:36 | |
-BOTH: -Cuthbert, Dibble, Grub. | 0:04:36 | 0:04:38 | |
-Well remembered. -Yeah, of course. Absolutely. | 0:04:38 | 0:04:41 | |
"Pugh, Pugh, Barney McGrew, Cuthbert, Dibble, Grub." | 0:04:41 | 0:04:46 | |
ENGINE TURNS ON | 0:04:46 | 0:04:47 | |
The style of the programme also meant the writers had to get | 0:04:47 | 0:04:50 | |
creative as neither water, steam nor fire could be shown | 0:04:50 | 0:04:54 | |
because they were too difficult to animate. | 0:04:54 | 0:04:56 | |
Then as they drive along, isn't it, | 0:04:56 | 0:04:58 | |
# Did-i-la-ding ding! Did-i-la-ding, did-i-la... # | 0:04:58 | 0:05:01 | |
Where is this stored in my mind? | 0:05:01 | 0:05:04 | |
"No, no, not the hose, we don't want to wash the branch off the roof. | 0:05:04 | 0:05:08 | |
"Cuthbert, to the box. Drive to the cottage." | 0:05:08 | 0:05:11 | |
The end result was classic storylines such as the mayor's hat | 0:05:11 | 0:05:14 | |
getting stuck in a tree | 0:05:14 | 0:05:16 | |
and the equally dramatic tale of the paint tin jamming the town clock. | 0:05:16 | 0:05:20 | |
"Elevate." | 0:05:20 | 0:05:21 | |
It does take you back to that simple time | 0:05:23 | 0:05:25 | |
and maybe sitting with me on Mum's knee or whatever it was. | 0:05:25 | 0:05:28 | |
So, do these shows remind you of this happy childhood that you had? | 0:05:28 | 0:05:33 | |
For me, as a child growing up, television was a magical thing. | 0:05:33 | 0:05:38 | |
I remember when we got our first colour television. And I actually... | 0:05:38 | 0:05:43 | |
The day arrived, I couldn't sleep the night before. | 0:05:43 | 0:05:46 | |
And as it turned out, we were going to a pantomime or something. | 0:05:46 | 0:05:50 | |
And I actually came out of the school trip - I must have | 0:05:50 | 0:05:53 | |
been about seven or something - left the whole school trip, | 0:05:53 | 0:05:56 | |
walked down the road away from the theatre, found a phone box | 0:05:56 | 0:05:58 | |
and phoned home to find out if the television had arrived. | 0:05:58 | 0:06:03 | |
Because it was so exciting. | 0:06:03 | 0:06:04 | |
And we rented it from like some RentaFusion, or Rediffusion, | 0:06:04 | 0:06:07 | |
because you didn't own a television, or Granada, whatever it was. | 0:06:07 | 0:06:10 | |
-Radio Rentals. -Radio Rentals, that's it! | 0:06:10 | 0:06:12 | |
You rented the TV, you didn't actually own the TV. | 0:06:12 | 0:06:14 | |
It sat there and the first time I saw colour television... | 0:06:14 | 0:06:17 | |
was-was truly amazing. | 0:06:17 | 0:06:20 | |
The Beeb started transmitting in colour in 1967. | 0:06:20 | 0:06:24 | |
But what really made the likes of Trumpton | 0:06:24 | 0:06:26 | |
so appealing was its narration, provided by the legendary | 0:06:26 | 0:06:30 | |
children's presenter Brian Cant. | 0:06:30 | 0:06:32 | |
"Done it already?" says Chippy. "My word, you have been quick." | 0:06:32 | 0:06:36 | |
"What are you going to do with this branch?" | 0:06:36 | 0:06:38 | |
"Oh," says Captain Flack, "We hadn't thought of that." | 0:06:38 | 0:06:41 | |
Brian's big break came in 1964 with the creation of Playschool, | 0:06:41 | 0:06:46 | |
a series he would host for the next 21 years. | 0:06:46 | 0:06:49 | |
Though he also found time to narrate the Trumptonshire Trilogy | 0:06:49 | 0:06:52 | |
concluding with Chigley, the tale of life in an industrial hamlet. | 0:06:52 | 0:06:57 | |
Then, in the '70s, came Playaway, | 0:06:57 | 0:07:00 | |
famous for its groan-inducing humour. | 0:07:00 | 0:07:02 | |
Even so, it kept British kids laughing for 13 years | 0:07:02 | 0:07:06 | |
and Brian went on to work on countless other shows. | 0:07:06 | 0:07:09 | |
In 2010, he was awarded a well deserved BAFTA for his outstanding | 0:07:09 | 0:07:13 | |
contribution to children's television. | 0:07:13 | 0:07:16 | |
No wonder he was regular viewing in the Roberts household. | 0:07:16 | 0:07:20 | |
So, what was your living room like, then? | 0:07:20 | 0:07:22 | |
It was, funnily enough, I'm sure we had furniture very... | 0:07:22 | 0:07:25 | |
-Could you critique our room, I mean... -Well, I think... -Homes Under The Hammer. | 0:07:25 | 0:07:30 | |
..it's covering the whole spectrum of taste/architectural eras/ | 0:07:30 | 0:07:35 | |
car-boot sale opportunities. | 0:07:35 | 0:07:40 | |
My dad was a DIY fanatic so my memory of early childhood is a house | 0:07:41 | 0:07:48 | |
that was constantly being built, knocked down, rebuilt, redesigned. | 0:07:48 | 0:07:54 | |
And he never... Didn't really get round to finishing things. So he'd start projects... | 0:07:54 | 0:07:57 | |
I seem to remember there was... | 0:07:57 | 0:07:59 | |
Once one project was finished, another project would start. | 0:07:59 | 0:08:02 | |
So the house was in this total sort of chaos. | 0:08:02 | 0:08:04 | |
And I'm sure that has had something to do with how | 0:08:04 | 0:08:07 | |
I ended up being into property and doing what I'm doing. | 0:08:07 | 0:08:10 | |
And so how would you... | 0:08:10 | 0:08:11 | |
What was the seating arrangement with regards to... | 0:08:11 | 0:08:14 | |
So, I guess, I used to sit really close, | 0:08:14 | 0:08:16 | |
probably on a beanbag or something. | 0:08:16 | 0:08:19 | |
Don't you worry about that. We want to make you feel at home. | 0:08:19 | 0:08:22 | |
-No, you haven't got a beanbag?! -Of course we have. | 0:08:22 | 0:08:25 | |
-There you go. -You just... There's no expense spared, is there? | 0:08:26 | 0:08:30 | |
Look at that. | 0:08:32 | 0:08:33 | |
-Do you want me to sit there, then? -Yeah, of course. | 0:08:35 | 0:08:39 | |
Uh! | 0:08:39 | 0:08:40 | |
-Well, actually, no. -No? -I probably would have been more like... | 0:08:41 | 0:08:44 | |
-Is that the look? -That is the look, yes. Definitely. | 0:08:48 | 0:08:50 | |
-And what would you watching? -What would I be watching? | 0:08:50 | 0:08:54 | |
Can you not hit your feet on the floor, please? | 0:08:54 | 0:08:57 | |
-This is what I would have done. -No, I'm not having it. | 0:08:57 | 0:08:59 | |
-But you're going to ruin the carpets. -I don't think they had... | 0:08:59 | 0:09:02 | |
It's so surreal, you chatting to me seriously laying on a beanbag. | 0:09:02 | 0:09:07 | |
-Does it make you feel better if I do that? -No. | 0:09:07 | 0:09:10 | |
I won't stay here for long, by the way, because I do feel a bit... | 0:09:10 | 0:09:13 | |
slightly out of my comfort zone. Although, actually, it's quite nice. | 0:09:13 | 0:09:16 | |
So, on your beanbag, what sort of things would you be watching? | 0:09:22 | 0:09:26 | |
It was something you were scared of. | 0:09:26 | 0:09:28 | |
Well, my mum and dad were both sort of scientists | 0:09:28 | 0:09:32 | |
and very much into educational programmes so we used to watch | 0:09:32 | 0:09:34 | |
things like Horizon and all sorts of documentaries and stuff. | 0:09:34 | 0:09:37 | |
But there were some which I definitely don't think were suitable for kids. | 0:09:37 | 0:09:41 | |
And I remember there was one documentary about the Pharaohs | 0:09:41 | 0:09:45 | |
and about Tutankhamen, in particular, which absolutely put | 0:09:45 | 0:09:48 | |
the complete heebie-jeebies over me. | 0:09:48 | 0:09:50 | |
And I couldn't sleep, and I've been paranoid and frightened | 0:09:50 | 0:09:54 | |
of mummies and I've never watched any those horror movies with mummies. | 0:09:54 | 0:09:57 | |
Do you think you can cope with sitting up here and having a look at... | 0:09:57 | 0:10:00 | |
-Can we hold hands? -..one of those Pharaoh things. Yes, we can. -Thank you. | 0:10:00 | 0:10:03 | |
-In a manly way, let's hold hands. -Yes. | 0:10:03 | 0:10:05 | |
Don't get too frightened now, Martin. Have a little look at this. | 0:10:05 | 0:10:08 | |
Peering beneath the southernmost of the three great couches, | 0:10:08 | 0:10:11 | |
we noticed a small, irregular hole in the wall. | 0:10:11 | 0:10:14 | |
HE WHIMPERS | 0:10:14 | 0:10:15 | |
Here was yet another sealed doorway and a plunderer's hole. | 0:10:15 | 0:10:18 | |
First uncovered in 1922, the tomb of Tutankhamen is | 0:10:18 | 0:10:22 | |
one of archaeology's biggest ever discoveries. | 0:10:22 | 0:10:25 | |
50 years later, this programme, | 0:10:25 | 0:10:28 | |
Tutankhamen Postmortem, celebrated the anniversary, | 0:10:28 | 0:10:31 | |
as well as documenting the reopening of the Pharaoh's tomb | 0:10:31 | 0:10:35 | |
to allow for a series of x-rays. | 0:10:35 | 0:10:37 | |
Only the head, protected by the golden mask, | 0:10:38 | 0:10:41 | |
had escaped this carbonising damage, | 0:10:41 | 0:10:44 | |
and when the last decayed bandages were removed from it, | 0:10:44 | 0:10:46 | |
Carter was able to look at last at the face of the king, | 0:10:46 | 0:10:50 | |
whose name on some pottery jars had set him digging for the tomb | 0:10:50 | 0:10:53 | |
some ten years before. | 0:10:53 | 0:10:55 | |
I mean, look, it's just spooky, spooky, spooky, spooky. | 0:10:55 | 0:10:58 | |
And it's the thought that, you know, | 0:10:58 | 0:11:00 | |
the people who went in there got these curses on them, | 0:11:00 | 0:11:02 | |
so you know, Lord Carnarvon and his whole family was cursed | 0:11:02 | 0:11:05 | |
and it carried on through the generations, | 0:11:05 | 0:11:07 | |
and just this whole thought that, you know, gosh, what is that spooky stuff? | 0:11:07 | 0:11:10 | |
And I don't know, the whole thing with the wrapping and all that, | 0:11:10 | 0:11:13 | |
I don't now. Looking back at it now... | 0:11:13 | 0:11:14 | |
Actually, this has been good therapy, | 0:11:14 | 0:11:16 | |
cos I do look at that and think, what's scary about that? | 0:11:16 | 0:11:19 | |
When Professor Harrison reconstructed the facial | 0:11:19 | 0:11:21 | |
features on the basis of the skull of these remains, again, | 0:11:21 | 0:11:25 | |
it was quite clear that they were those of a young man. | 0:11:25 | 0:11:28 | |
And this would disturb the young Martin? | 0:11:28 | 0:11:31 | |
It would, and I would hide behind a sofa just like this, | 0:11:31 | 0:11:33 | |
but it doesn't sometimes make any sense as to why you found | 0:11:33 | 0:11:37 | |
things either very appealing, like Trumpton, or very scary, | 0:11:37 | 0:11:42 | |
like a silly documentary about Tutankhamen. | 0:11:42 | 0:11:45 | |
Just, it all goes in there and you won't get me | 0:11:45 | 0:11:48 | |
inside a pyramid for love nor money. | 0:11:48 | 0:11:51 | |
As well as peace and love, the '60s also gave us | 0:11:52 | 0:11:55 | |
the documentary series, many of which would last for decades. | 0:11:55 | 0:12:00 | |
1967 was the year David Attenborough launched The World About Us, | 0:12:00 | 0:12:04 | |
which was on air for 20 years | 0:12:04 | 0:12:06 | |
and, of course, changed wildlife photography for evermore. | 0:12:06 | 0:12:10 | |
Presenter Alan Whicker went on to spend 35 years travelling | 0:12:12 | 0:12:17 | |
the globe, investigating everything from the building | 0:12:17 | 0:12:20 | |
of Disneyland to gay rights. | 0:12:20 | 0:12:22 | |
Going one better, the arts-based series Omnibus. | 0:12:24 | 0:12:28 | |
First screened in 1967, it continued for 36 years, | 0:12:28 | 0:12:32 | |
and during that run featured everyone from Bowie to Madonna, | 0:12:32 | 0:12:36 | |
and won an impressive 12 Baftas. | 0:12:36 | 0:12:39 | |
But topping all of these records is Horizon, | 0:12:39 | 0:12:43 | |
the science and philosophy series which debuted in 1964 | 0:12:43 | 0:12:47 | |
and is still going strong to this day. | 0:12:47 | 0:12:49 | |
-So, we've just watched the Tutankhamen thing... -Right. | 0:12:52 | 0:12:55 | |
..and I know you're very distraught, you know, and I don't want | 0:12:55 | 0:12:58 | |
you to worry, because I've got another little treat for you. | 0:12:58 | 0:13:01 | |
I'll get rid of the beanbag now, cos I don't want you banging your feet. | 0:13:01 | 0:13:04 | |
-No, I'm sorry that was annoying there. -Yeah, it was annoying me. -Sorry, Dad! -All right. | 0:13:04 | 0:13:10 | |
What have you got back there? | 0:13:10 | 0:13:12 | |
-Oh, wow! -I've been in the kitchen, love. | 0:13:12 | 0:13:15 | |
-Oh, look at this! -So, this was part of your... -Oh, fantastic. | 0:13:15 | 0:13:20 | |
-Do you want some? -Yeah. | 0:13:20 | 0:13:22 | |
I used to eat cereals while I was watching telly, I have to say. | 0:13:22 | 0:13:24 | |
-What's your favourite? -Well, this was more than this, because... | 0:13:24 | 0:13:27 | |
-I don't know why... -I'm going to have Frosties. | 0:13:27 | 0:13:30 | |
I'm going to have Coco Pops, that works well. | 0:13:30 | 0:13:32 | |
-It's always the Rice Krispies that are left at the end. -Yeah. | 0:13:32 | 0:13:35 | |
Nobody wants the Rice Krispies! | 0:13:35 | 0:13:37 | |
Erm, but whenever we used to go on childhood, | 0:13:37 | 0:13:39 | |
I used to go on childhood holidays, | 0:13:39 | 0:13:41 | |
that was the only time we ever had little packets of cereal, | 0:13:41 | 0:13:45 | |
and it was such a treat, and nowadays, | 0:13:45 | 0:13:48 | |
whenever we go on holiday, cos I'm a huge fan of caravans... | 0:13:48 | 0:13:51 | |
-Thank you very much. -Oh, really? -Yeah, I'm a huge fan of going on caravan holidays, | 0:13:51 | 0:13:54 | |
and we've got a caravan, and the kids absolutely love it. | 0:13:54 | 0:13:57 | |
For my age group, there's no better holiday for kids, | 0:13:57 | 0:13:59 | |
but I always insist that in the caravan we have little | 0:13:59 | 0:14:01 | |
packets of cereal like this. And why does it taste any different? | 0:14:01 | 0:14:04 | |
But, I tell you, if I poured this out of the big packet, | 0:14:04 | 0:14:06 | |
-it would not taste... Mm-mm, mm-mm. -It is lovely. | 0:14:06 | 0:14:13 | |
And little packets and everything. Excellent. | 0:14:13 | 0:14:15 | |
-We've got your parents' choice now. -OK. -I won't say anything. -OK. | 0:14:20 | 0:14:24 | |
-Oh, fantastic! -Well, time to go. | 0:14:27 | 0:14:30 | |
But it's true, it was that sort of tax in that | 0:14:30 | 0:14:32 | |
sort of part of the world, in that country, Wales. | 0:14:32 | 0:14:34 | |
The name of the game was Call My Bluff. | 0:14:34 | 0:14:37 | |
Two teams, each with three celebrity contestants. | 0:14:37 | 0:14:40 | |
They were given one word and three possible definitions. | 0:14:40 | 0:14:43 | |
As I was saying when I was interrupted... | 0:14:43 | 0:14:47 | |
A simple idea that ran for 33 years and was later revived for nine more. | 0:14:47 | 0:14:52 | |
Stagnum is... | 0:14:52 | 0:14:56 | |
an extremely important, nay, vital part of a barometer. | 0:14:56 | 0:15:01 | |
It is the little bowl cistern at the bottom of a barometer, | 0:15:01 | 0:15:06 | |
which contains the mercury, which expands | 0:15:06 | 0:15:09 | |
and contracts according to atmospheric pressure. | 0:15:09 | 0:15:12 | |
-Mum and Dad loved crosswords. -Yeah. | 0:15:12 | 0:15:15 | |
Mum was an absolute wizard, she was also - | 0:15:15 | 0:15:16 | |
and this is where it's quite interesting - | 0:15:16 | 0:15:19 | |
she was also very into puns, my mum, | 0:15:19 | 0:15:23 | |
so she would always be coming up with interesting ways of, well, | 0:15:23 | 0:15:26 | |
making jokes and puns and stuff, and, actually, this probably | 0:15:26 | 0:15:30 | |
went to make me what I am in terms of the stuff I say on telly. | 0:15:30 | 0:15:34 | |
Robert Powell, true or bluff? | 0:15:34 | 0:15:37 | |
Oh, what a shame. | 0:15:37 | 0:15:38 | |
CHEERING | 0:15:39 | 0:15:41 | |
-Do you think you'd have done well at something like this? -Yeah. | 0:15:45 | 0:15:48 | |
-Absolutely. -Good, well, let's put you to the test! -Oh, right, OK. | 0:15:48 | 0:15:51 | |
-I set myself up for that, didn't I? -Yes, you did. | 0:15:51 | 0:15:53 | |
I'm going to give you an unusual word with three definitions, Martin. | 0:15:53 | 0:15:57 | |
-OK. -It is time to test your property knowledge | 0:15:57 | 0:16:01 | |
in a special edition of a game we are calling Brian's Bluff. | 0:16:01 | 0:16:05 | |
I'm going to give you, well, you know the rules, don't you? | 0:16:05 | 0:16:08 | |
I'm going to give you three definitions. | 0:16:08 | 0:16:10 | |
-You've got to tell me which one is the real one. -OK. | 0:16:10 | 0:16:13 | |
-Badigeon. -Oh, wow. | 0:16:13 | 0:16:15 | |
Plaster and ground stone mixture for repairing masonry. | 0:16:15 | 0:16:20 | |
That's the first one. | 0:16:21 | 0:16:22 | |
-Or is the spike on the bottom of a for sale sign? -Rubbish! | 0:16:22 | 0:16:29 | |
Or a mythological crossbreed between a badger and a pigeon? | 0:16:29 | 0:16:33 | |
-Badigeon. -What's that got to do with property, | 0:16:33 | 0:16:36 | |
apart from pigeons possibly being in the attic? | 0:16:36 | 0:16:39 | |
-Don't look into it! -And badgers in the garden! Sorry. | 0:16:39 | 0:16:42 | |
-You said it was all property related! -Well, it nearly is. | 0:16:42 | 0:16:45 | |
-It kind of is, OK. -So, which one do you think it is? | 0:16:45 | 0:16:47 | |
-Well, it's the first one, obviously. -It is. | 0:16:47 | 0:16:49 | |
-Plaster and ground stone mixture. -I knew that. -Badigeon. | 0:16:49 | 0:16:53 | |
Next one, abat-jour. | 0:16:53 | 0:16:55 | |
Abat-jour. | 0:16:57 | 0:16:59 | |
A dead bat used in Paris to ward off evil spirits in 15th-century homes. | 0:16:59 | 0:17:06 | |
A French builder's hammer, | 0:17:06 | 0:17:08 | |
only to be used inside the home on the Sabbath day, or... | 0:17:08 | 0:17:14 | |
What?! | 0:17:14 | 0:17:16 | |
A hammer for Sundays?! | 0:17:16 | 0:17:17 | |
-I love that! -A skylight used to direct light into a room. | 0:17:17 | 0:17:22 | |
Abat-jour. | 0:17:22 | 0:17:24 | |
-I'd go for the last one. -You are absolutely correct. | 0:17:24 | 0:17:26 | |
Honestly, we haven't rehearsed this, have we? | 0:17:26 | 0:17:28 | |
-No, course we haven't. -People won't believe that, but there we go. | 0:17:28 | 0:17:31 | |
-You're going to be so upset when you don't win anything. -No, I'm not! | 0:17:31 | 0:17:35 | |
-Falconet. Please. -Falconet. -No badgering. Here we go. | 0:17:35 | 0:17:39 | |
Is it a velvet curtain used to separate | 0:17:39 | 0:17:41 | |
a boudoir from the toilet in a medieval times... | 0:17:41 | 0:17:45 | |
-What's the word again? -Falconet. | 0:17:45 | 0:17:46 | |
-OK, all right. -Falconet. The word is falconet. | 0:17:46 | 0:17:49 | |
The conical stone point on the top of a castle turret, | 0:17:49 | 0:17:54 | |
or, finally, a mini falcon. Falconet. | 0:17:54 | 0:17:57 | |
HE LAUGHS | 0:17:57 | 0:17:59 | |
-I think it's the middle one. -You think it's the middle one? -I do. | 0:17:59 | 0:18:03 | |
-Incorrect. -HE GROANS | 0:18:03 | 0:18:05 | |
It's a mini falcon. | 0:18:05 | 0:18:07 | |
-Falcon-et. -You got... | 0:18:07 | 0:18:08 | |
LAUGHTER | 0:18:08 | 0:18:10 | |
-What did you say? -I said falconet. | 0:18:10 | 0:18:12 | |
Fairly enough, fair enough! | 0:18:12 | 0:18:14 | |
Your comedy hero is the person we are about to see. | 0:18:21 | 0:18:24 | |
It's interesting, cos I went through comedy heroes | 0:18:24 | 0:18:27 | |
and there's obvious people like Ronnie Barker and Dave Allen | 0:18:27 | 0:18:30 | |
and Morecambe and Wise, I mean, they were true comedy heroes, but in | 0:18:30 | 0:18:33 | |
terms of effects on me, this person was somebody who made, who had fun... | 0:18:33 | 0:18:40 | |
-Well, let's have a look. -..with normal people. -Don't tell anyone. | 0:18:40 | 0:18:43 | |
This is Martin's comedy hero, ladies and gentlemen. | 0:18:43 | 0:18:47 | |
Good morning, Noel! | 0:18:47 | 0:18:48 | |
-Keith Chegwin! -What a superstar. | 0:18:48 | 0:18:51 | |
Well, they say there's nothing like blowing your own trumpet | 0:18:51 | 0:18:53 | |
and you're right, that was nothing like blowing my own trumpet. | 0:18:53 | 0:18:56 | |
Keith Chegwin began his career as an actor, | 0:18:56 | 0:18:58 | |
but it was Swap Shop that made him a household name. | 0:18:58 | 0:19:01 | |
He was walking down the road with two sacks in either hand | 0:19:01 | 0:19:04 | |
full of telephones, and this policeman came up to him | 0:19:04 | 0:19:07 | |
and said, "Hey, what are you doing with those two sacks?" | 0:19:07 | 0:19:10 | |
He said, "Well, my brother said I can join his band | 0:19:10 | 0:19:13 | |
-"if I have two sacks of phones." -NOEL GROANS | 0:19:13 | 0:19:16 | |
Just not taking himself too seriously. | 0:19:16 | 0:19:18 | |
In later life, he did that, didn't he do the naked darts thing? | 0:19:18 | 0:19:21 | |
Let's not go there, let's not go there. Yeah, he did. | 0:19:21 | 0:19:24 | |
But that, just again, | 0:19:24 | 0:19:25 | |
sums him up in a way that he didn't take himself too seriously. | 0:19:25 | 0:19:28 | |
-Cheggers, swap away. -Oh, thank you very much, Noel. | 0:19:28 | 0:19:31 | |
Well, the swapping is going very well, here in Blackpool. | 0:19:31 | 0:19:34 | |
The live Saturday morning programme allowed kids to swap | 0:19:34 | 0:19:37 | |
just about anything they didn't want. | 0:19:37 | 0:19:39 | |
-And what do you want to swap it for today? -That tape recorder down there. | 0:19:39 | 0:19:42 | |
Oh, right, we're doing well this morning. There you go, madam. | 0:19:42 | 0:19:45 | |
That was the first time that I felt that you, as a viewer, | 0:19:45 | 0:19:50 | |
-as a child, could interact with the television... -Without a doubt. | 0:19:50 | 0:19:54 | |
..because you could pick up a phone or you could go along | 0:19:54 | 0:19:57 | |
to where they were doing their live bits, and you could actually | 0:19:57 | 0:20:01 | |
swap physically which you owned and get something else back. | 0:20:01 | 0:20:03 | |
It's like, suddenly the television wasn't just there, | 0:20:03 | 0:20:06 | |
something you watch, you could actually interact with it. | 0:20:06 | 0:20:09 | |
I mean, let's remind everyone, it was ground-breaking, wasn't it? | 0:20:09 | 0:20:12 | |
I mean, no-one was doing this. | 0:20:12 | 0:20:13 | |
No, and because it was real kids phoning up, | 0:20:13 | 0:20:15 | |
so people like you as a viewer watching were actually on telly. | 0:20:15 | 0:20:20 | |
"Oh, my gosh, wow! I'm talking to Noel Edmonds!" | 0:20:20 | 0:20:23 | |
-Is your hand all right? -This is a phone, Brian. -Sorry. | 0:20:23 | 0:20:25 | |
LAUGHTER | 0:20:25 | 0:20:27 | |
Erm, why do I do that? It's like, I don't need to do that any more, do I? | 0:20:27 | 0:20:29 | |
You can go and record your mum singing now. | 0:20:29 | 0:20:31 | |
Without doubt, watching Saturday morning telly was a rite of passage. | 0:20:31 | 0:20:35 | |
But how many Saturdays have we shared | 0:20:35 | 0:20:38 | |
with our favourite BBC kids' shows? | 0:20:38 | 0:20:40 | |
In the case of Saturday Superstore, the follow-up to Swap Shop, | 0:20:40 | 0:20:44 | |
which even kept the same phone number, an impressive 142 | 0:20:44 | 0:20:49 | |
Saturdays, though the original Swap Shop went further with 146. | 0:20:49 | 0:20:55 | |
And then there's The Saturday Show, | 0:20:55 | 0:20:57 | |
famous for audience participation, games and gunge. | 0:20:57 | 0:21:01 | |
It boasted 172 episodes. | 0:21:01 | 0:21:04 | |
Mind you, Phillip Schofield, Sarah Greene and Gordon the Gopher | 0:21:04 | 0:21:07 | |
went one better. | 0:21:07 | 0:21:09 | |
After six years on the air, they were Going Live for 179 Saturdays. | 0:21:09 | 0:21:15 | |
But beating them all, it's Live And Kicking with eight series | 0:21:15 | 0:21:18 | |
and 267 Saturday mornings. | 0:21:18 | 0:21:22 | |
Martin, you're such an avid TV watcher that you even collect | 0:21:22 | 0:21:27 | |
-memorabilia. -I thought you might like to play with my toys. | 0:21:27 | 0:21:29 | |
-Captain Scarlet. -These are hugely collectable these days. | 0:21:29 | 0:21:33 | |
These are the original Dinky Corgi toys. | 0:21:33 | 0:21:36 | |
-With this kind of thing, what you really want is... -I know. I had it. | 0:21:36 | 0:21:39 | |
-The fact it does that. Did you? -It fired matches from the front. | 0:21:39 | 0:21:42 | |
-Yeah, and look at this. -There's Captain Scarlet. | 0:21:42 | 0:21:44 | |
-There's Captain Scarlet inside. -He could come out. | 0:21:44 | 0:21:47 | |
-These would move down. -You remember this completely. | 0:21:47 | 0:21:49 | |
This was my era, Captain Scarlet. | 0:21:49 | 0:21:51 | |
Now this, this is off another TV show. | 0:21:51 | 0:21:54 | |
-This is your UFO interceptor... -Yes. | 0:21:54 | 0:21:58 | |
..and again, this is really precious cos it's got all the bits. | 0:21:58 | 0:22:02 | |
-I mean, you've got a young lad. -Do you want to play with it? | 0:22:02 | 0:22:05 | |
-You put this in, like that. -And would you let your boy play with these? | 0:22:05 | 0:22:08 | |
-Yeah, of course. -Yeah? -Yeah. -OK. | 0:22:08 | 0:22:10 | |
-Push it. -Are you ready, ready, ready, ready? | 0:22:10 | 0:22:12 | |
BRIAN SINGS | 0:22:12 | 0:22:13 | |
Boom! | 0:22:13 | 0:22:15 | |
Whoa... | 0:22:15 | 0:22:16 | |
-Bring it on. -And better than that, you could put a cap in it, | 0:22:16 | 0:22:19 | |
so that when it went off it went bang as well. | 0:22:19 | 0:22:21 | |
Yeah, it's the sort of thing I would love to collect. I can tell you... | 0:22:21 | 0:22:24 | |
What's stopping you? | 0:22:24 | 0:22:25 | |
Well, I didn't want to confess, but I have... | 0:22:25 | 0:22:28 | |
I'm not in your league, I haven't got the box, | 0:22:28 | 0:22:30 | |
but I have got a Captain Scarlet. | 0:22:30 | 0:22:32 | |
-On my 40th, my wife bought me that car. -Oh, fantastic! | 0:22:32 | 0:22:35 | |
That's why I'm a bit of an expert on that one now, | 0:22:35 | 0:22:37 | |
but I did have it as a child and played it to death... | 0:22:37 | 0:22:40 | |
-Yeah. -..and probably threw it away when I grew out of it. | 0:22:40 | 0:22:43 | |
Yeah, of course. And that's how it should be, to be fair. | 0:22:43 | 0:22:45 | |
But that is, of course, what makes them valuable, | 0:22:45 | 0:22:47 | |
to get them in this kind of condition where they have either come from | 0:22:47 | 0:22:50 | |
a stock in a shop, or some child who didn't play with them very much. | 0:22:50 | 0:22:53 | |
Then that makes him pretty valuable. So, anyway... | 0:22:53 | 0:22:55 | |
So is there something you've missed out on, | 0:22:55 | 0:22:57 | |
something out there that you're desperate to get your hands on? | 0:22:57 | 0:23:00 | |
Thunderbirds things - I haven't got any, | 0:23:00 | 0:23:01 | |
and I think you definitely need to have Thunderbird 2. | 0:23:01 | 0:23:04 | |
-That's the green one. -Yeah. | 0:23:04 | 0:23:05 | |
But actually, this is big business now. | 0:23:05 | 0:23:08 | |
And every now and again, you'll see some of the big auction houses | 0:23:08 | 0:23:11 | |
-have auctions of TV memorabilia. -Yeah, yeah. | 0:23:11 | 0:23:14 | |
And I went to one a couple of years ago, where there was lots of things, | 0:23:14 | 0:23:19 | |
including some stuff from a programme called Rainbow. | 0:23:19 | 0:23:21 | |
So they had Zippy... | 0:23:21 | 0:23:23 | |
THEY GROAN LIKE ZIPPY | 0:23:23 | 0:23:24 | |
-There it is. -And George, the pink, fluffy... | 0:23:24 | 0:23:27 | |
-BRIAN GURNS That's very good. -"..George." | 0:23:27 | 0:23:29 | |
-But they had... -I can't believe I done that, I'm sorry. | 0:23:29 | 0:23:31 | |
Yeah, you did, it's OK, it's good. | 0:23:31 | 0:23:33 | |
-But they had the original Bungle outfit. -Oh, yeah. | 0:23:33 | 0:23:37 | |
You know that Bungle was the bear? The big bear outfit. | 0:23:37 | 0:23:39 | |
And it sold at the auction for £10,000. | 0:23:39 | 0:23:42 | |
-No? -Yeah, for the Bungle outfit. So the following day, | 0:23:42 | 0:23:44 | |
they were interviewing on the radio the man who had... | 0:23:44 | 0:23:46 | |
the man who was presumably the creator of Rainbow. | 0:23:46 | 0:23:49 | |
They said, you must be delighted - | 0:23:49 | 0:23:50 | |
you just got £10,000 for your Bungle outfit. | 0:23:50 | 0:23:52 | |
And he went, "Well, tinged with a bit of sadness." "Why?" | 0:23:52 | 0:23:55 | |
He said, "Well, we had two, | 0:23:55 | 0:23:57 | |
"and a couple of years ago, | 0:23:57 | 0:23:59 | |
"I was up in the attic, and my kids got a hamster | 0:23:59 | 0:24:02 | |
"and we needed some bedding for the hamster. | 0:24:02 | 0:24:04 | |
"So we actually chopped up one of the Bungle outfits | 0:24:04 | 0:24:07 | |
"and used the outfit for hamster bedding." | 0:24:07 | 0:24:09 | |
-£10,000. -£10,000. | 0:24:09 | 0:24:11 | |
-Very expensive hamster bed. -Yeah. | 0:24:11 | 0:24:13 | |
This next section is Just Because. | 0:24:19 | 0:24:21 | |
We've been told it's Just Because because there's no real explanation. | 0:24:21 | 0:24:24 | |
-OK. -It's just because you love it. | 0:24:24 | 0:24:27 | |
# Goody | 0:24:27 | 0:24:29 | |
# Goody, goody, yum, yum. # | 0:24:29 | 0:24:31 | |
Oh, the kitten! | 0:24:31 | 0:24:32 | |
I'd forgotten the kitten! | 0:24:32 | 0:24:34 | |
LAUGHTER | 0:24:34 | 0:24:36 | |
Now, what this was, was absolutely... | 0:24:36 | 0:24:40 | |
-Anarchic. -..anarchic, | 0:24:40 | 0:24:42 | |
makes no sense, silly television, | 0:24:42 | 0:24:44 | |
which was almost along the lines of | 0:24:44 | 0:24:47 | |
Monty Python for kids, if you like. | 0:24:47 | 0:24:49 | |
LAUGHTER | 0:24:49 | 0:24:51 | |
With a motto, "We do anything, any time", | 0:24:51 | 0:24:53 | |
Tim Brooke Taylor, Graeme Garden and Bill Oddie | 0:24:53 | 0:24:56 | |
set out on their trandem on a series of bizarre adventures. | 0:24:56 | 0:25:00 | |
-Where are we due? -Llan-dlubber. | 0:25:00 | 0:25:01 | |
-HE SPLUTTERS -Right, we're doing Llan-dlubber! | 0:25:01 | 0:25:03 | |
-LAUGHTER -..this little island | 0:25:03 | 0:25:05 | |
off the coast of Wales. | 0:25:05 | 0:25:07 | |
The Goodies delighted its audiences with slapstick, | 0:25:07 | 0:25:09 | |
social satire and movie parodies. | 0:25:09 | 0:25:12 | |
In fact, everything from serious issues, such as apartheid, | 0:25:12 | 0:25:15 | |
to being pursued by a giant Dougal from The Magic Roundabout. | 0:25:15 | 0:25:19 | |
I mean, this is before, obviously, computer-generated stuff and CGI, | 0:25:19 | 0:25:24 | |
but I mean they really give it a go, don't they? | 0:25:24 | 0:25:27 | |
Special effects were absolutely there, weren't they? | 0:25:27 | 0:25:30 | |
But look at that set - I mean it's fantastic. | 0:25:30 | 0:25:32 | |
It's all wobbly at the edges and stuff. | 0:25:32 | 0:25:34 | |
Seen as family entertainment, | 0:25:34 | 0:25:36 | |
The Goodies often ran into trouble with its BBC bosses, | 0:25:36 | 0:25:39 | |
and moral watchdogs, such as Mary Whitehouse. | 0:25:39 | 0:25:42 | |
Even so, it enjoyed 12 years on the air, | 0:25:42 | 0:25:45 | |
and even spawned the odd hit single. | 0:25:45 | 0:25:47 | |
# Do-do-do the funky gibbon | 0:25:47 | 0:25:50 | |
# The funky gibbon... # | 0:25:50 | 0:25:51 | |
The most successful being The Funky Gibbon. | 0:25:51 | 0:25:54 | |
# ..oo-oo-ooh! | 0:25:54 | 0:25:55 | |
# Ooh-ooh-ooh... # | 0:25:55 | 0:25:57 | |
Written by Bill Oddie, it spent 10 weeks in the charts | 0:25:57 | 0:26:00 | |
and peaked at number four. | 0:26:00 | 0:26:01 | |
# ..do the funky gibbon now. # | 0:26:01 | 0:26:04 | |
And that's just one of the ways this series broke new ground. | 0:26:04 | 0:26:08 | |
One of the first to use chromakey, did you know that? | 0:26:08 | 0:26:11 | |
-Were they? -Yeah. | 0:26:11 | 0:26:12 | |
Have you seen it available to buy on DVD or anything like that? | 0:26:12 | 0:26:15 | |
Or have you seen it repeated? Is it on any of these other channels? | 0:26:15 | 0:26:18 | |
I can tell you there is an actual campaign to get it out there | 0:26:18 | 0:26:22 | |
and it is coming out on DVD. | 0:26:22 | 0:26:23 | |
The Goodies are coming out on DVD! | 0:26:23 | 0:26:25 | |
But how long has that taken, | 0:26:25 | 0:26:27 | |
-cos it must be like 25 years ago when it was on? -Yeah. | 0:26:27 | 0:26:30 | |
That's brilliant news. | 0:26:30 | 0:26:31 | |
From three great comics, | 0:26:37 | 0:26:38 | |
it's now time to look at the person that most influenced your career... | 0:26:38 | 0:26:43 | |
-OK. -..Martin. There you go. | 0:26:43 | 0:26:45 | |
'Many Chinese learn English, | 0:26:46 | 0:26:48 | |
'so the chance to try it out is quite an event.' | 0:26:48 | 0:26:50 | |
Do you know the BBC? | 0:26:50 | 0:26:52 | |
I know. | 0:26:52 | 0:26:53 | |
Do you know what BBC... | 0:26:53 | 0:26:54 | |
BBC is the British Broadcast Company. | 0:26:54 | 0:26:58 | |
Inspired by Jules Verne's classic novel, | 0:26:58 | 0:27:00 | |
Around The World In 80 Days saw Michael Palin, | 0:27:00 | 0:27:03 | |
formerly of Monty Python, | 0:27:03 | 0:27:05 | |
transform himself from one of Britain's favourite comedians | 0:27:05 | 0:27:08 | |
into one of the world's most recognised travel presenters. | 0:27:08 | 0:27:12 | |
Yes. | 0:27:12 | 0:27:13 | |
What comes over about Michael Palin in this, | 0:27:13 | 0:27:15 | |
and everything that he does, | 0:27:15 | 0:27:18 | |
-is just what a nice guy he is. -Uh-huh. | 0:27:18 | 0:27:20 | |
A genuinely nice guy. | 0:27:20 | 0:27:21 | |
And you felt like it really was an adventure, | 0:27:21 | 0:27:24 | |
and it wasn't scripted. | 0:27:24 | 0:27:25 | |
It was almost like let's just see what happens. | 0:27:25 | 0:27:28 | |
It was a true adventure. | 0:27:28 | 0:27:30 | |
'I'm now only six days behind Fogg, | 0:27:30 | 0:27:32 | |
'and he'd lost his Passepartout, | 0:27:32 | 0:27:34 | |
'who got drunk in Hong Kong.' | 0:27:34 | 0:27:35 | |
So after visiting 14 countries, | 0:27:35 | 0:27:37 | |
travelling 28,000 miles | 0:27:37 | 0:27:40 | |
and contracting one case of Delhi belly, | 0:27:40 | 0:27:43 | |
Michael Palin did indeed travel the world in 80 days, | 0:27:43 | 0:27:47 | |
or to be more precise, | 0:27:47 | 0:27:49 | |
79 days and seven hours. | 0:27:49 | 0:27:51 | |
I'm only doing this so the cameraman can get the sunset, | 0:27:51 | 0:27:54 | |
so I'll leave you to it. | 0:27:54 | 0:27:55 | |
All yours, Nigel. | 0:27:55 | 0:27:56 | |
It's over there, the sunset, if you can't see it. | 0:27:58 | 0:28:00 | |
That big red thing behind the building, all right? | 0:28:00 | 0:28:02 | |
When I started out when I was at university, | 0:28:02 | 0:28:05 | |
I was also doing the hospital radio station, | 0:28:05 | 0:28:07 | |
and in the local theatre was Michael Palin and Terry Jones, | 0:28:07 | 0:28:12 | |
doing a two-man show. | 0:28:12 | 0:28:14 | |
I thought, well, I'll go and do an interview. | 0:28:14 | 0:28:16 | |
I went along and I went when they were doing the sound check. | 0:28:16 | 0:28:19 | |
I went up to Michael Palin - my absolute hero - and said, | 0:28:19 | 0:28:22 | |
"Can I do a little interview with you for the hospital radio?" | 0:28:22 | 0:28:25 | |
And he said, "Well, come and see us at the end of the show." | 0:28:25 | 0:28:27 | |
So at the end of the show, duly I went backstage into the green room. | 0:28:27 | 0:28:31 | |
There was the mayor there with chains and all these local dignitaries, | 0:28:31 | 0:28:34 | |
they were all in this green room. | 0:28:34 | 0:28:36 | |
After about 10 minutes, Michael Palin stood on a chair and said, | 0:28:36 | 0:28:39 | |
"OK, everybody, you're all going to have to go now, | 0:28:39 | 0:28:41 | |
"cos we've got an important interview to do." | 0:28:41 | 0:28:43 | |
So I thought, that's a shame. | 0:28:43 | 0:28:44 | |
Anyway, I'm walking out with the mayor, the great and the good, | 0:28:44 | 0:28:47 | |
and Michael Palin comes running after me and said, "No, no, it's with you!" | 0:28:47 | 0:28:50 | |
Cherished by Martin, this lesser-known Monty Python interview | 0:28:50 | 0:28:54 | |
still exists, as well as a promo voiced by the stars themselves. | 0:28:54 | 0:28:58 | |
You are... | 0:28:58 | 0:28:59 | |
Oh, you are listening to Radio Royal. | 0:28:59 | 0:29:01 | |
You're listening to M-m-m-martin Roberts... | 0:29:01 | 0:29:04 | |
Roberts. | 0:29:04 | 0:29:06 | |
Yes, Martin Roberts is available on the National Health | 0:29:06 | 0:29:08 | |
as part of your treatment. | 0:29:08 | 0:29:10 | |
And while it played to an audience of dozens rather than millions, | 0:29:10 | 0:29:14 | |
Martin will never forget that day. | 0:29:14 | 0:29:16 | |
There they were, comedy legends, | 0:29:16 | 0:29:19 | |
you know, travel, TV reporting legends, | 0:29:19 | 0:29:22 | |
my superheroes, and I was basically a nothing. | 0:29:22 | 0:29:25 | |
And yet they spared the time to be with me and to do those things. | 0:29:25 | 0:29:29 | |
And so when I meet people now, you know, | 0:29:29 | 0:29:31 | |
people ask for autographs and they want their picture taken, | 0:29:31 | 0:29:34 | |
I remember how that made me feel at the time | 0:29:34 | 0:29:36 | |
-and I'll always say, "Fine, absolutely delighted." -Yeah. | 0:29:36 | 0:29:39 | |
So, hero? Absolutely. | 0:29:39 | 0:29:40 | |
For what he does, for what he did with Monty Python, | 0:29:40 | 0:29:43 | |
for what he did subsequently, for what he does now. | 0:29:43 | 0:29:46 | |
Absolutely. | 0:29:46 | 0:29:47 | |
Perhaps inspired by his comedy hero, | 0:29:49 | 0:29:51 | |
Martin decided against a career in electronics | 0:29:51 | 0:29:54 | |
and pursued a life on the radio, | 0:29:54 | 0:29:56 | |
eventually working as a roving reporter for the BBC's local | 0:29:56 | 0:30:00 | |
stations in Merseyside, Lancashire | 0:30:00 | 0:30:03 | |
and Manchester in the mid-80s. | 0:30:03 | 0:30:05 | |
And at the end of the decade, he had his big break in television. | 0:30:05 | 0:30:09 | |
Martin, you've been a broadcaster for well over | 0:30:15 | 0:30:18 | |
-a quarter of a century. -Mm-hm. | 0:30:18 | 0:30:20 | |
Erm, but I want to take you back now | 0:30:20 | 0:30:22 | |
-and we're going to have a look at your first big break. -No! -Have a look at this... | 0:30:22 | 0:30:27 | |
Now, it's time for another report from Martin Roberts. | 0:30:27 | 0:30:30 | |
This week, motorsports. | 0:30:30 | 0:30:32 | |
Fantastic! This is The 8:15 From Manchester! | 0:30:32 | 0:30:37 | |
-Saturday morning kids' TV... -Yeah... | 0:30:37 | 0:30:40 | |
From Manchester, surprise, surprise! | 0:30:40 | 0:30:43 | |
If you've outgrown your BMX, you're in for something a bit more | 0:30:46 | 0:30:50 | |
exciting, something with a bit more speed... | 0:30:50 | 0:30:53 | |
This could be the place to come. | 0:30:53 | 0:30:55 | |
Boreatton Park in Shropshire, where you can spend the whole week trying out different motorsports. | 0:30:55 | 0:31:00 | |
Like zinger quads! | 0:31:00 | 0:31:02 | |
MUSIC: "The Race" by Yello | 0:31:03 | 0:31:06 | |
'Ha-ha-ha! I can't believe you found a clip of that!' | 0:31:06 | 0:31:10 | |
I didn't even think they had video recorders recording those shows! | 0:31:10 | 0:31:14 | |
When you come on this holiday, | 0:31:14 | 0:31:15 | |
you spend the mornings doing motorsports and in the afternoon, | 0:31:15 | 0:31:18 | |
you can do other things, like the death sli-i-i-ide! | 0:31:18 | 0:31:23 | |
The year was 1990 and this was 8:15 from Manchester. | 0:31:23 | 0:31:28 | |
You can go canoeing! | 0:31:28 | 0:31:29 | |
A Saturday morning children's magazine show, | 0:31:29 | 0:31:31 | |
which featured cartoons, repeats of Rentaghost | 0:31:31 | 0:31:35 | |
and a long-haired roving reporter called Martin Roberts. | 0:31:35 | 0:31:38 | |
'How important was that to your career?' | 0:31:40 | 0:31:42 | |
It was actually the first thing I did on television. | 0:31:42 | 0:31:45 | |
And I'll tell me how that came about, very strange, | 0:31:45 | 0:31:47 | |
I was actually working at the local radio station in the same | 0:31:47 | 0:31:50 | |
building in Manchester, as where the television was produced and I actually went to the canteen | 0:31:50 | 0:31:54 | |
and I was standing in the queue for the canteen and there was some | 0:31:54 | 0:31:57 | |
lemon meringue pie, which was, like, phosphorescent yellow. | 0:31:57 | 0:32:00 | |
And I said to the man standing beside me, "Look at this lemon meringue pie, ha-ha..." | 0:32:00 | 0:32:04 | |
We laughed about it being radioactive. | 0:32:04 | 0:32:06 | |
As we were walking away, he said, "By the way, what do you do?" | 0:32:06 | 0:32:09 | |
I said, "I work downstairs in the radio station." He said, "Oh, have you ever thought about television?" | 0:32:09 | 0:32:13 | |
I went, no! He went, "Oh, well, if you ever fancy it, Peter, fifth floor." I went, "Oh, yeah, right." | 0:32:13 | 0:32:17 | |
So, later that day, I phoned up the operator and I said, "Is there a Peter on the fifth floor?" | 0:32:17 | 0:32:21 | |
And they said, "Oh, only the Peter - head of television." I was like... | 0:32:21 | 0:32:25 | |
-So, my big break, if you want to say... -Lemon meringue... | 0:32:25 | 0:32:28 | |
-..came as a result of talking about lemon meringue pie in the queue of the canteen. -Amazing. | 0:32:28 | 0:32:33 | |
Children's television has launched the career of many a celebrity. | 0:32:34 | 0:32:38 | |
Like Todd Carty, whose breakthrough role was as | 0:32:38 | 0:32:41 | |
the iconic Tucker Jenkins in Grange Hill | 0:32:41 | 0:32:43 | |
before he moved to Albert Square and played EastEnders' Mark Fowler. | 0:32:43 | 0:32:49 | |
Fearne Cotton may be best known for Xtra Factor | 0:32:49 | 0:32:51 | |
and Celebrity Juice but her debut was at 15, | 0:32:51 | 0:32:54 | |
presenting the Disney Club on Good Morning Television. | 0:32:54 | 0:32:58 | |
Meanwhile, Ant and Dec didn't always rule the world of light entertainment. | 0:32:58 | 0:33:02 | |
Their big break came putting Geordie accents | 0:33:02 | 0:33:05 | |
and Tyneside on the kids' TV map, in Byker Grove. | 0:33:05 | 0:33:08 | |
Zoe Ball's entry into the world of showbiz | 0:33:10 | 0:33:12 | |
was as a presenter on Live And Kicking. Mind you, she is not alone. | 0:33:12 | 0:33:20 | |
During its eight-year run, the series also helped raise | 0:33:17 | 0:33:20 | |
the profile of Andi Peters and Jamie Theakston. | 0:33:20 | 0:33:23 | |
And even Doctor Who's sidekick, John Barrowman. | 0:33:23 | 0:33:28 | |
-Now, we're going to move on to comfort viewing. -Uh-huh. | 0:33:32 | 0:33:35 | |
So, you're at home, you're feeling a bit under the weather | 0:33:35 | 0:33:38 | |
and this is what you watch... | 0:33:38 | 0:33:40 | |
Thank you. | 0:33:44 | 0:33:47 | |
Fish and chips, a pint of English ale and all the trimmings. | 0:33:47 | 0:33:50 | |
First launched in 1969, this is the programme that spent | 0:33:50 | 0:33:54 | |
the next 38 years enticing us to go abroad. | 0:33:54 | 0:33:58 | |
It inspired a series of short lived spin-offs, including | 0:33:58 | 0:34:01 | |
Summer Holiday, Holiday On A Shoestring, and even | 0:34:01 | 0:34:05 | |
Holiday - Fasten Your Seatbelt, where the presenters took on holiday-related jobs. | 0:34:05 | 0:34:09 | |
This goes to show that going to Spain doesn't mean you must | 0:34:09 | 0:34:12 | |
change your holiday habits. | 0:34:12 | 0:34:14 | |
It's John Carter's voice, those wonderful, dark, syrupy, treacly... | 0:34:14 | 0:34:20 | |
Because of the fuel and currency surcharges, | 0:34:20 | 0:34:22 | |
this year's package deals are bound to cost more. | 0:34:22 | 0:34:24 | |
But in spite of it all, some people reckon Benidorm can still | 0:34:24 | 0:34:28 | |
give Blackpool a run for your money. | 0:34:28 | 0:34:30 | |
'In its heyday, the Holiday programme attracted audiences of up | 0:34:30 | 0:34:33 | |
'to 20 million and in 1974, ITV decided to get in on the act, | 0:34:33 | 0:34:38 | |
'launching their own travel show, Wish You Were Here. | 0:34:38 | 0:34:41 | |
'A series that would one day feature a fresh-faced Martin Roberts.' | 0:34:41 | 0:34:46 | |
So, I was there as a travel journalist, working alongside | 0:34:46 | 0:34:49 | |
Judith Chalmers, and actually John Carter and people who I had grown up with again, | 0:34:49 | 0:34:53 | |
And it's just like, "Oh, my gosh, | 0:34:53 | 0:34:55 | |
"I can't believe I'm working with these people!" | 0:34:55 | 0:34:57 | |
And I got to do that job, of being a travel journalist, | 0:34:57 | 0:35:00 | |
travelling the world and reporting on it. | 0:35:00 | 0:35:03 | |
Is it as amazing as it seems, or, you know...? | 0:35:03 | 0:35:06 | |
You know, you'll never get any sympathy from people | 0:35:06 | 0:35:08 | |
when you say... Yes, it is the most amazing thing ever. | 0:35:08 | 0:35:12 | |
The reality is, holidays and travelling is about the people | 0:35:12 | 0:35:15 | |
you are with and there were lovely crews and great people. | 0:35:15 | 0:35:17 | |
It's not quite like travelling with your family. And also, it's all done on a, | 0:35:17 | 0:35:21 | |
-"We've got to get in and out as quick as possible". -Yeah, yeah... | 0:35:21 | 0:35:24 | |
So, I remember one of my trips, I did Vancouver, which is | 0:35:24 | 0:35:26 | |
an amazing place, in Canada, and we did Vancouver for a day. | 0:35:26 | 0:35:30 | |
So, it was... | 0:35:30 | 0:35:31 | |
It was an 8 1/2 hour journey there, it was 24 hours in Vancouver, | 0:35:31 | 0:35:34 | |
-and it was 8 1/2 hours flying back. -And it changed your life. | 0:35:34 | 0:35:37 | |
It changed your life very much so doing that. | 0:35:37 | 0:35:40 | |
Well, actually, it did because doing Wish You Were Here, | 0:35:40 | 0:35:43 | |
one of the things I did was, I used to do a charity climb for the NSPCC. | 0:35:43 | 0:35:48 | |
-And I filmed the charity climb up Kilimanjaro. -Wow! | 0:35:48 | 0:35:52 | |
So, I climbed Kilimanjaro and on that charity climb, | 0:35:52 | 0:35:56 | |
I met my...person who became my wife. And the mother of my children. | 0:35:56 | 0:36:02 | |
So, erm, we actually, you could say, | 0:36:02 | 0:36:04 | |
we fell in love on the top of Kilimanjaro because I got really | 0:36:04 | 0:36:08 | |
badly sick with altitude sickness and just about made it to the top. | 0:36:08 | 0:36:12 | |
Did my final piece to camera right at the top of Kilimanjaro, saying, | 0:36:12 | 0:36:15 | |
"That was absolutely horrendous and I've still got to get down. | 0:36:15 | 0:36:18 | |
"But I've raised all this money for the NSPCC." | 0:36:18 | 0:36:21 | |
And, very emotional, did that, and it was almost like, | 0:36:21 | 0:36:23 | |
my body then said, "Right, your work's done, it's MY turn." | 0:36:23 | 0:36:27 | |
And...I got really badly sick with altitude sickness, which is | 0:36:27 | 0:36:31 | |
very serious and you've got to get off the mountain really quickly. | 0:36:31 | 0:36:34 | |
But through the mists on the top of Kilimanjaro appeared this | 0:36:34 | 0:36:37 | |
behuddled figure, clutching a piece of fruit cake and it was my wife, | 0:36:37 | 0:36:42 | |
subsequent wife-to-be, whose nan had baked her a fruitcake to | 0:36:42 | 0:36:47 | |
take on this trip and it was the last piece of fruitcake that she had | 0:36:47 | 0:36:51 | |
and she gave it to me on the top of Kilimanjaro. | 0:36:51 | 0:36:53 | |
Soon after that fateful slice of fruitcake, | 0:36:53 | 0:36:56 | |
Martin and Kirsty were married and today are proud parents of two. | 0:36:56 | 0:37:00 | |
As for Wish You Were Here, the show that brought them together, | 0:37:00 | 0:37:04 | |
it came to an end in 2003, after almost 30 years of being on the box. | 0:37:04 | 0:37:09 | |
But that very same year, Martin was asked to present a brand new | 0:37:09 | 0:37:13 | |
show, one which would go on to exceed all expectations. | 0:37:13 | 0:37:17 | |
We've got a clip here. Have a little look at this first. | 0:37:17 | 0:37:20 | |
This is a very old clip. I can tell straightaway. | 0:37:20 | 0:37:23 | |
Hello and welcome to the programme. | 0:37:23 | 0:37:25 | |
We're both property developers and we love the thrill of a good deal. | 0:37:25 | 0:37:29 | |
Absolutely. And in today's programme, we've got | 0:37:29 | 0:37:31 | |
three potential good deals to show you. | 0:37:31 | 0:37:34 | |
It's even more exciting because they're all coming up for auction. | 0:37:34 | 0:37:37 | |
So, let's find out what happens to them when they go under the hammer. | 0:37:37 | 0:37:41 | |
After 12 years on our screens, | 0:37:44 | 0:37:45 | |
Homes Under The Hammer can boast some pretty impressive numbers. | 0:37:45 | 0:37:49 | |
Over 2,000 properties featured | 0:37:49 | 0:37:51 | |
and more than 180,000 miles travelled up and down the country. | 0:37:51 | 0:37:56 | |
And the number of puns? Impossible to count! | 0:37:56 | 0:38:00 | |
When they come back and you go... | 0:38:00 | 0:38:01 | |
And they have done an incredible amount of work on that house, | 0:38:01 | 0:38:05 | |
they're not lying when they say, "Oh, yes. | 0:38:05 | 0:38:07 | |
"I've done this for 6,000..." | 0:38:07 | 0:38:10 | |
And I can't even, I don't know, buy a toilet... | 0:38:10 | 0:38:13 | |
One of my favourite stories was a chap who was going to do | 0:38:13 | 0:38:16 | |
the entire house, new roof, new electrics, damp proof throughout, | 0:38:16 | 0:38:20 | |
build a conservatory, rewire, new kitchen, new bathroom. | 0:38:20 | 0:38:23 | |
I said, "What's your budget?" He said, "2,000 quid." | 0:38:23 | 0:38:26 | |
And I was like, "OK. And how long?" "Three weeks." | 0:38:26 | 0:38:29 | |
So, not surprisingly, when we came back, | 0:38:29 | 0:38:32 | |
he hadn't quite finished it and he'd gone a bit over budget. | 0:38:32 | 0:38:35 | |
Have there been people that have literally blown you away? | 0:38:35 | 0:38:38 | |
Or on the other spectrum, you've gone back and gone - ahem? | 0:38:38 | 0:38:42 | |
Yes, absolutely. | 0:38:42 | 0:38:43 | |
My most touching ever story, and this will make me cry, | 0:38:43 | 0:38:46 | |
but there was a story we did where we followed a couple who'd bought | 0:38:46 | 0:38:50 | |
a house in Stockport. | 0:38:50 | 0:38:52 | |
We were filming with them and I said, "Why did you buy this property?" | 0:38:52 | 0:38:56 | |
And the lady said, "Unfortunately, my mum has just passed away | 0:38:56 | 0:39:00 | |
"and we used to go and visit her in the hospice | 0:39:00 | 0:39:03 | |
"and we used to sit with her and watch Homes Under The Hammer | 0:39:03 | 0:39:06 | |
"and she said, when I die, I want you to take some of my inheritance | 0:39:06 | 0:39:10 | |
"and I want you to do what this man is telling you." | 0:39:10 | 0:39:14 | |
So we were all there and she said, "That's what we've done. | 0:39:14 | 0:39:16 | |
"We've used my mum... She died a few months ago. | 0:39:16 | 0:39:18 | |
"We've taken that money and that's what we've bought." | 0:39:18 | 0:39:21 | |
And it was like her mum's spirit was in the room. | 0:39:21 | 0:39:24 | |
And the big hairy cameraman was crying, I'm crying, | 0:39:24 | 0:39:27 | |
the woman's crying, and in that instance, you think, "There you go. | 0:39:27 | 0:39:31 | |
"Her mum's spirit was there," and they'd done really well with this house. | 0:39:31 | 0:39:35 | |
So you get into people's lives and I'll never take that for granted. | 0:39:35 | 0:39:38 | |
I like the say sometimes, quite seamlessly, | 0:39:38 | 0:39:41 | |
you'll go from a little story into an apt bit of music, | 0:39:41 | 0:39:45 | |
something that very much fits that moment. | 0:39:45 | 0:39:48 | |
I take a bit of credit, but it's the editors. | 0:39:48 | 0:39:51 | |
The editors are amazing at finding tracks that fit perfectly | 0:39:51 | 0:39:54 | |
and not in... Sometimes in a really subtle way. | 0:39:54 | 0:39:58 | |
You'll hear a few bars of a song and think, | 0:39:58 | 0:40:00 | |
"What's that got to do with what I'm watching?" And then, you'll twig that | 0:40:00 | 0:40:04 | |
somewhere in the lyrics, there's a little line, | 0:40:04 | 0:40:06 | |
or sometimes it's really in your face. I know what you're thinking. | 0:40:06 | 0:40:09 | |
Yuck! But no, it's a piece of architectural history. | 0:40:09 | 0:40:12 | |
Do what you like with the rest of the house, but touch that at your peril! | 0:40:12 | 0:40:18 | |
# You can't touch this | 0:40:18 | 0:40:20 | |
# You can't touch this | 0:40:21 | 0:40:23 | |
# You can't touch this. # | 0:40:24 | 0:40:26 | |
Well, if you were in the edit, Martin, | 0:40:26 | 0:40:28 | |
let's see how you would do with the Homes Under The Hammer songbook. | 0:40:28 | 0:40:34 | |
-Oh, boy. -Mm-hm. So, I've got some... | 0:40:34 | 0:40:37 | |
This is the ultimate guide, | 0:40:37 | 0:40:38 | |
the perfect song to use in any property-based situation. | 0:40:38 | 0:40:43 | |
Excellent. | 0:40:43 | 0:40:45 | |
A couple have bought a house that is across an overflowing river | 0:40:45 | 0:40:50 | |
and can only be reached by a bridge. What song should we use? | 0:40:50 | 0:40:55 | |
Got to be Bridge Over Troubled Water. | 0:40:55 | 0:40:58 | |
Er... Bridge Over Troubled Water. Correct. | 0:40:58 | 0:41:03 | |
Thank you. | 0:41:03 | 0:41:05 | |
A property developer has decided to extend his plans to the | 0:41:05 | 0:41:09 | |
floor above and build a room in the loft. | 0:41:09 | 0:41:12 | |
What song does he choose? | 0:41:12 | 0:41:15 | |
Ah... Um... Three Steps To Heaven. | 0:41:15 | 0:41:18 | |
Three Steps To Heaven... | 0:41:18 | 0:41:20 | |
Yes. | 0:41:23 | 0:41:25 | |
And finally, a house has been snapped up by a developer | 0:41:25 | 0:41:29 | |
-and it is exactly halfway along the length of the street. -OK. | 0:41:29 | 0:41:35 | |
-We're talking about a house... -It's in the middle of the street. OK. | 0:41:35 | 0:41:39 | |
-You'd have to then find a song which had middle of the street... -Yeah. | 0:41:39 | 0:41:43 | |
Something middle of the road, middle of the street... Madness. | 0:41:43 | 0:41:47 | |
# Our house, in the middle of our street | 0:41:47 | 0:41:49 | |
# Our house. # | 0:41:49 | 0:41:51 | |
-Bingo! -Wrong. | 0:41:51 | 0:41:52 | |
-Oh. -No, you're right. | 0:41:52 | 0:41:55 | |
It is amazing. I mean, you know... | 0:41:55 | 0:41:57 | |
Problems with the sewers - Going Underground by The Jam. | 0:41:57 | 0:42:01 | |
I mean, it just goes on... It is very, very good. | 0:42:01 | 0:42:05 | |
So what do you watch now? What keeps... | 0:42:10 | 0:42:12 | |
What floats your boat, love? | 0:42:12 | 0:42:15 | |
-I tell you what, I watch a lot of Cbeebies and... -Yeah, with the kids. | 0:42:15 | 0:42:20 | |
And CBBC, and that's great cos they're repeating | 0:42:20 | 0:42:24 | |
a lot of the programmes that I used to watch when I was a kid. | 0:42:24 | 0:42:27 | |
Which is fantastic. So that... We sit down, we watch a lot of films. | 0:42:27 | 0:42:32 | |
A lot of it is driven by the kids, | 0:42:32 | 0:42:34 | |
so they love things like I'm A Celebrity, they love Strictly... | 0:42:34 | 0:42:38 | |
-How about you? Are you a big fan of I'm A Celebrity? -Yeah, absolutely. | 0:42:38 | 0:42:42 | |
-Is it something you would like to do? -Yeah! Definitely! | 0:42:42 | 0:42:45 | |
-I'm up for that. -Martin, you have been a wonderful guest. | 0:42:45 | 0:42:48 | |
-I hope you've enjoyed it. -It's been a pleasure. Really good fun. | 0:42:48 | 0:42:51 | |
I want you to choose a theme tune now that we can go out on. | 0:42:51 | 0:42:53 | |
Well, I think I'd like to go back, to the Gerry Anderson stuff | 0:42:53 | 0:42:57 | |
and those theme tunes were amazing. | 0:42:57 | 0:42:59 | |
The Captain Scarlets, the Joe 90s... But it has to be Thunderbirds. | 0:42:59 | 0:43:03 | |
Yes. | 0:43:03 | 0:43:05 | |
My favourite. Yeah, without a doubt. So, my thanks to Martin | 0:43:05 | 0:43:08 | |
and my thanks to you for watching The TV That Made Me. | 0:43:08 | 0:43:11 | |
We'll see you next time. Bye-bye. | 0:43:11 | 0:43:13 | |
# Theme from Thunderbirds by Barry Gray | 0:43:16 | 0:43:22 |