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TV, the magic box of delights. | 0:00:03 | 0:00:05 | |
As kids it showed us a million different worlds, | 0:00:05 | 0:00:08 | |
all from our living room. | 0:00:08 | 0:00:09 | |
This takes me right back. | 0:00:11 | 0:00:12 | |
That's so embarrassing! I am genuinely shocked. | 0:00:12 | 0:00:15 | |
'Each day, I'm going to journey through the wonderful world of telly | 0:00:15 | 0:00:19 | |
'with one of our favourite celebrities...' | 0:00:19 | 0:00:22 | |
It's just so silly! | 0:00:22 | 0:00:24 | |
Ah! I love it! | 0:00:24 | 0:00:26 | |
Is it Mr Benn?! | 0:00:26 | 0:00:28 | |
IN LONDON ACCENT: Shut it! | 0:00:28 | 0:00:29 | |
'..as they select the iconic TV moments...' | 0:00:29 | 0:00:32 | |
Oh, hello! | 0:00:32 | 0:00:34 | |
'..that tell us the stories of their lives.' | 0:00:34 | 0:00:37 | |
SHE GASPS | 0:00:37 | 0:00:39 | |
Oh, my gosh! | 0:00:39 | 0:00:40 | |
BOTH: Cheers. 'Some will make you laugh...' | 0:00:40 | 0:00:43 | |
HE GROWLS LOUDLY | 0:00:43 | 0:00:45 | |
Oh, no! '..some will surprise.' | 0:00:45 | 0:00:47 | |
DUCK QUACKS, SHE SHRIEKS | 0:00:47 | 0:00:49 | |
'..many will inspire...' | 0:00:49 | 0:00:51 | |
Ooh! Look at this. | 0:00:51 | 0:00:52 | |
Why wouldn't you want to watch this? | 0:00:52 | 0:00:54 | |
'..and others will move us.' | 0:00:54 | 0:00:56 | |
Seeing that there made a huge impact on me. | 0:00:56 | 0:00:59 | |
Got a handkerchief? | 0:01:00 | 0:01:02 | |
So come watch with us as we rewind to the classic telly that shaped | 0:01:02 | 0:01:08 | |
those wide-eyed youngsters into the much-loved stars they are today. | 0:01:08 | 0:01:12 | |
WHOOPING AND APPLAUSE | 0:01:19 | 0:01:22 | |
Welcome to The TV That Made Me. | 0:01:22 | 0:01:24 | |
My guest today was once the man who was second in command | 0:01:24 | 0:01:27 | |
of the entire country. | 0:01:27 | 0:01:29 | |
John Prescott started his working life in the Merchant Navy, | 0:01:31 | 0:01:35 | |
where he slugged it out in the boxing ring | 0:01:35 | 0:01:37 | |
and, for the first time, the world of politics. | 0:01:37 | 0:01:40 | |
He became a Labour MP in 1970 | 0:01:40 | 0:01:43 | |
and he eventually served as Deputy Prime Minister for over a decade. | 0:01:43 | 0:01:47 | |
Now, he's an actual baron. | 0:01:47 | 0:01:49 | |
The TV that made him includes some royal pageantry... | 0:01:50 | 0:01:55 | |
..and a gritty cop show. | 0:01:55 | 0:01:56 | |
Ladies and gentlemen, Lord Prescott. APPLAUSE | 0:01:58 | 0:02:01 | |
Welcome, John, come and join us. | 0:02:01 | 0:02:04 | |
I liked the cheering bit. Can you do that again? | 0:02:04 | 0:02:07 | |
Come on, sit down. | 0:02:07 | 0:02:09 | |
Make yourself at home. | 0:02:09 | 0:02:10 | |
And do I call you Lord Prescott, can I call you John? | 0:02:12 | 0:02:17 | |
No, the pantomime season's finished. | 0:02:17 | 0:02:19 | |
I know they call me Baron - | 0:02:19 | 0:02:20 | |
you played it in a pantomime, didn't you? | 0:02:20 | 0:02:22 | |
I've done many pantomimes. Call me John, anyway. All right, then, John. | 0:02:22 | 0:02:25 | |
And if there's any bother, John, I've got an egg. | 0:02:25 | 0:02:28 | |
LAUGHTER | 0:02:28 | 0:02:29 | |
Now, that does make me shiver. Does it? | 0:02:29 | 0:02:32 | |
Does it really? Why? | 0:02:32 | 0:02:33 | |
Well, it all happened very quickly. | 0:02:33 | 0:02:35 | |
Look, I've been 40 years in politics. | 0:02:35 | 0:02:37 | |
40 seconds, when a man hit me with an egg... Yes. | 0:02:37 | 0:02:41 | |
..and basically, when that obituary comes for all of us, | 0:02:41 | 0:02:45 | |
I'll have that situation of me thumping a fella. | 0:02:45 | 0:02:48 | |
That was my contribution to politics in 40 seconds. | 0:02:48 | 0:02:51 | |
Tony Blair rung me up afterwards. He said, "Are you all right?" | 0:02:51 | 0:02:54 | |
I said, "Yeah." He said, "What were you doing?" | 0:02:54 | 0:02:56 | |
I said, "I was carrying out your orders." | 0:02:56 | 0:02:57 | |
He said, "What do you mean?" | 0:02:57 | 0:02:59 | |
I said, "You told us to go out and connect with the electorate, | 0:02:59 | 0:03:01 | |
"so I did." LAUGHTER | 0:03:01 | 0:03:04 | |
Well, welcome, John, and we hope to connect with you today, | 0:03:05 | 0:03:08 | |
because today is a celebration of television that you have loved | 0:03:08 | 0:03:11 | |
and watched over the many years, | 0:03:11 | 0:03:13 | |
that you've been around and... Many! Many, many. | 0:03:13 | 0:03:15 | |
Well, we're going to show that now, because we've got some clips | 0:03:15 | 0:03:19 | |
and a little bit of footage of what it was like | 0:03:19 | 0:03:22 | |
being a very young John Prescott. | 0:03:22 | 0:03:24 | |
John was born in May 1938 | 0:03:27 | 0:03:29 | |
in Prestatyn in Wales to Phyllis and Bert Prescott, | 0:03:29 | 0:03:33 | |
a railway signalman and Labour councillor. | 0:03:33 | 0:03:35 | |
He grew up with two sisters, Dawn and Vi, | 0:03:37 | 0:03:39 | |
and two brothers, Ray and Adrian. | 0:03:39 | 0:03:41 | |
When John was just three, the family left Wales and moved briefly | 0:03:41 | 0:03:45 | |
to Brinsworth in South Yorkshire, before settling in Upton, Cheshire. | 0:03:45 | 0:03:50 | |
After leaving school, he joined the Merchant Navy as a ship's steward | 0:03:50 | 0:03:54 | |
during the last days of the great ocean liners. | 0:03:54 | 0:03:57 | |
There he got involved in trade unionism, | 0:03:57 | 0:04:00 | |
which brought him to the national stage. | 0:04:00 | 0:04:03 | |
He became MP for Kingston-upon-Hull East in 1970 | 0:04:03 | 0:04:06 | |
and in 1997, Deputy Prime Minister in the new Labour government. | 0:04:06 | 0:04:11 | |
In 2010, he was elevated to the House of Lords | 0:04:11 | 0:04:14 | |
to become Baron Prescott of Kingston-upon-Hull. | 0:04:14 | 0:04:18 | |
So, John, it's time for your first choice. | 0:04:25 | 0:04:27 | |
We're going to take a look at your very first TV memory. | 0:04:27 | 0:04:31 | |
'They asked the crowd to be forbearing | 0:04:32 | 0:04:35 | |
'and not to try to surge forward, | 0:04:35 | 0:04:37 | |
'and now here is the Queen.' | 0:04:37 | 0:04:39 | |
This, of course, is the Queen's coronation. Oh, yeah! | 0:04:39 | 0:04:42 | |
1953, John. Yeah. | 0:04:42 | 0:04:45 | |
An estimated three million people lined the streets of London, | 0:04:47 | 0:04:51 | |
hoping for a glimpse of the newly crowned Queen. | 0:04:51 | 0:04:53 | |
And with over 8,000 guests and dignitaries attending, | 0:04:54 | 0:04:57 | |
there weren't enough horse-drawn carriage coachmen | 0:04:57 | 0:05:00 | |
to transport them to Westminster Abbey, | 0:05:00 | 0:05:03 | |
so millionaires and country squires | 0:05:03 | 0:05:05 | |
offered their services, dressing up as Buckingham Palace servants. | 0:05:05 | 0:05:09 | |
Did you know, there was an estimated 27 million people watched this? | 0:05:14 | 0:05:19 | |
Yeah, my father had won a horse bet and won ?1,000 in 1953, | 0:05:19 | 0:05:24 | |
and therefore he bought a television. | 0:05:24 | 0:05:26 | |
It was 14", a big cabinet, small screen | 0:05:26 | 0:05:30 | |
and all the neighbours came in to watch it. | 0:05:30 | 0:05:32 | |
They all came with a flask of tea and their own sandwiches. | 0:05:32 | 0:05:35 | |
A lot of things were just getting over rationing, | 0:05:35 | 0:05:37 | |
so you couldn't come in and have your tea | 0:05:37 | 0:05:39 | |
and your sandwiches provided. | 0:05:39 | 0:05:40 | |
But I got a bit annoyed cos I couldn't see anything. | 0:05:40 | 0:05:43 | |
Because the lounge was so busy? | 0:05:43 | 0:05:46 | |
The room was all full. They'd all turned out. | 0:05:46 | 0:05:49 | |
They were from number 29, they were from 24 | 0:05:49 | 0:05:52 | |
and they all had their little tea things, | 0:05:52 | 0:05:53 | |
they were sitting around looking at this little television. | 0:05:53 | 0:05:56 | |
I was a bit annoyed, so they kicked me out | 0:05:56 | 0:05:58 | |
and I was riding in my bike around the streets. | 0:05:58 | 0:06:01 | |
CROWDS CHEER | 0:06:02 | 0:06:05 | |
Are you very much a royalist? No. | 0:06:05 | 0:06:07 | |
I think she does a remarkable job. | 0:06:07 | 0:06:09 | |
It's a judgment as a kind of democrat, in my way. | 0:06:09 | 0:06:11 | |
I find it hard to believe that you have a monarchy, | 0:06:11 | 0:06:14 | |
but they're well-loved in this country. | 0:06:14 | 0:06:16 | |
But let me tell you, the Queen came to Hull on her Silver Jubilee | 0:06:16 | 0:06:19 | |
and they said, "You must come up and meet the Queen." | 0:06:19 | 0:06:22 | |
I'm not a monarchist, so I didn't really want to go there, | 0:06:22 | 0:06:24 | |
but I didn't want to cause offence, | 0:06:24 | 0:06:26 | |
cos a lot of people do think it's important. | 0:06:26 | 0:06:28 | |
But in the end, I said, "I'll come up, but I won't bow." | 0:06:28 | 0:06:31 | |
I was standing there when the Queen arrived and I was standing up. | 0:06:31 | 0:06:35 | |
The wife had done her curtsying. | 0:06:35 | 0:06:37 | |
She came to me, the Queen, and I didn't realise how small she was. | 0:06:37 | 0:06:40 | |
And then I shook hands with her and she said... | 0:06:40 | 0:06:42 | |
HE IMITATES MUMBLING | 0:06:42 | 0:06:44 | |
I said, "Pardon?" | 0:06:44 | 0:06:45 | |
LAUGHTER | 0:06:45 | 0:06:47 | |
I wasn't so clever. | 0:06:49 | 0:06:51 | |
So what was the house like growing up? | 0:06:51 | 0:06:54 | |
My father was a railwayman, so he moved around a bit. | 0:06:54 | 0:06:56 | |
I was born in Wales, in Prestatyn. | 0:06:56 | 0:06:58 | |
He, at that time - I was born in 1938 - | 0:06:59 | 0:07:02 | |
lost his leg at Dunkirk. Oh, right. | 0:07:02 | 0:07:04 | |
He used to have a stump stocking | 0:07:04 | 0:07:07 | |
and they used to put the orange at the bottom, | 0:07:07 | 0:07:09 | |
because it was your Christmas stocking! | 0:07:09 | 0:07:11 | |
So your love of politics, | 0:07:11 | 0:07:13 | |
did that stem from your father? | 0:07:13 | 0:07:15 | |
Yes, from my parents. My mother was from a very strong Labour family. | 0:07:16 | 0:07:21 | |
In fact, we're proud that my grandad then | 0:07:21 | 0:07:23 | |
was on the front of the Daily Herald as a miner | 0:07:23 | 0:07:25 | |
as those who had fought for the nationalisation of the mines, | 0:07:25 | 0:07:28 | |
so you came from that family background in Wales. | 0:07:28 | 0:07:31 | |
It was pretty hard in north Wales. | 0:07:31 | 0:07:33 | |
They were a good mother and father. | 0:07:35 | 0:07:37 | |
They got difficulty later in life and they separated, | 0:07:37 | 0:07:40 | |
but you're forever grateful to your mum and your dad, | 0:07:40 | 0:07:43 | |
whatever their difficulties. Yeah. | 0:07:43 | 0:07:44 | |
Though when I got into politics, | 0:07:44 | 0:07:46 | |
they were giving more press releases than me. | 0:07:46 | 0:07:48 | |
LAUGHTER | 0:07:48 | 0:07:49 | |
I was on the Today programme and John Humphrys said, "Well, John, | 0:07:49 | 0:07:54 | |
"the Labour Party's middle class now." | 0:07:54 | 0:07:56 | |
I said, "It's always had middle class in it. | 0:07:56 | 0:07:58 | |
"They've played a major part." | 0:07:58 | 0:07:59 | |
I said, "Anyway, I'm middle class - | 0:07:59 | 0:08:01 | |
"how could I be anything else with two Jags?" | 0:08:01 | 0:08:04 | |
He said... LAUGHTER | 0:08:04 | 0:08:06 | |
He said, "Well, OK, then, bit of a shock." | 0:08:06 | 0:08:09 | |
My mother and father rung up the Today programme, | 0:08:09 | 0:08:12 | |
went on the programme and disowned me, saying, | 0:08:12 | 0:08:14 | |
"We're working class, I don't know what he's saying." Really? | 0:08:14 | 0:08:16 | |
LAUGHTER | 0:08:16 | 0:08:18 | |
So it's quite a divisive family, and very political, of course. | 0:08:18 | 0:08:21 | |
So what age did you leave home at? | 0:08:21 | 0:08:23 | |
I left the school at 15 | 0:08:23 | 0:08:25 | |
and then got a chance at 16, 17, | 0:08:25 | 0:08:27 | |
before the army conscription came along, | 0:08:27 | 0:08:30 | |
and I joined the Cunard steamship company as a waiter. | 0:08:30 | 0:08:34 | |
Yeah. So I had ten years at sea, got eventually kicked out of it | 0:08:34 | 0:08:37 | |
and blacked by most of the shipping companies | 0:08:37 | 0:08:39 | |
because of my union activities. | 0:08:39 | 0:08:42 | |
The working conditions at sea were tough, | 0:08:42 | 0:08:44 | |
with very little time or space for recreation. | 0:08:44 | 0:08:47 | |
A seaman on the Franconia, whether he washes dishes in the galley | 0:08:48 | 0:08:52 | |
or tends the engines in the extreme heat of the ship's belly, | 0:08:52 | 0:08:55 | |
works on average an 11-hour day, | 0:08:55 | 0:08:57 | |
seven days a week. | 0:08:57 | 0:08:59 | |
There's no break in the routine, no place they can escape to. | 0:08:59 | 0:09:02 | |
Cruises can last for three or four months | 0:09:02 | 0:09:04 | |
and in all that time at sea, they're working half the day | 0:09:04 | 0:09:07 | |
and on call for the other 12 hours. | 0:09:07 | 0:09:10 | |
The men had to find their own entertainment | 0:09:10 | 0:09:12 | |
and for John, that meant entering bruising boxing bouts | 0:09:12 | 0:09:15 | |
with colleagues, a sport he had dabbled in before. | 0:09:15 | 0:09:18 | |
The first time I ever did box was in Butlins. | 0:09:21 | 0:09:23 | |
They used to have boxing competitions at Butlins? | 0:09:23 | 0:09:25 | |
That's right. Really? | 0:09:25 | 0:09:27 | |
And I got in the ring, I had my bathers and a pair of pumps, | 0:09:27 | 0:09:30 | |
and this fella got in the ring, he had boxing boots on, | 0:09:30 | 0:09:33 | |
he had the shorts, he had the gear | 0:09:33 | 0:09:35 | |
and he was, "Shu-shu-shu-shu!" | 0:09:35 | 0:09:37 | |
I thought, "What have I done?" | 0:09:37 | 0:09:38 | |
So I go out, but he'd come with the most beautiful girl | 0:09:38 | 0:09:41 | |
I'd ever seen up to that stage, until I met the wife. | 0:09:41 | 0:09:44 | |
Anyway, she's there and I'm looking at her like that. | 0:09:44 | 0:09:48 | |
He hits me and sends me in a complete somersault across the ring | 0:09:48 | 0:09:52 | |
and I'm so embarrassed getting up, not because of him, | 0:09:52 | 0:09:55 | |
though I'm not happy about that, | 0:09:55 | 0:09:57 | |
but this woman sees me battered by her boyfriend. | 0:09:57 | 0:10:00 | |
So you never won? No, I didn't. No. | 0:10:00 | 0:10:03 | |
I hit the ropes on the other side. | 0:10:03 | 0:10:05 | |
I learned, don't take your eye off the man in front of you. Yeah. | 0:10:05 | 0:10:08 | |
Now, your next choice comes out of the first year you were married. | 0:10:15 | 0:10:18 | |
Let's have a look at your must-see TV. | 0:10:18 | 0:10:20 | |
That's it, that's that theme. Z-CARS THEME PLAYS | 0:10:24 | 0:10:26 | |
It's Z-Cars. That's the old Ford Zephyr. Oh, yeah. | 0:10:26 | 0:10:29 | |
At that time, it was quite a car. | 0:10:29 | 0:10:32 | |
They didn't have a Jag, them. No! | 0:10:32 | 0:10:34 | |
LAUGHTER | 0:10:34 | 0:10:37 | |
Z-Cars reinvented British TV cop shows. | 0:10:37 | 0:10:40 | |
Out went the gentle bobby on the beat | 0:10:40 | 0:10:42 | |
and in came police in fast cars, | 0:10:42 | 0:10:45 | |
chasing the criminal underworld. | 0:10:45 | 0:10:47 | |
It was an instant hit, topping 14 million viewers during its run. | 0:10:47 | 0:10:51 | |
Right, then. | 0:10:56 | 0:10:58 | |
A bit of a squeeze. | 0:10:58 | 0:11:00 | |
Is that Smithy there? That is. | 0:11:00 | 0:11:02 | |
Yeah, there he is, Brian Blessed. | 0:11:02 | 0:11:04 | |
You look a bit like him. | 0:11:05 | 0:11:07 | |
I thought I'd lost a bit of weight. | 0:11:07 | 0:11:09 | |
LAUGHTER | 0:11:09 | 0:11:11 | |
Where will the master criminal strike next? | 0:11:12 | 0:11:15 | |
Get out of it, ya mug, you! | 0:11:15 | 0:11:18 | |
Look, this bloke will try it again, | 0:11:18 | 0:11:19 | |
only he won't be expecting us this time. | 0:11:19 | 0:11:21 | |
Ah, it's a beat bobby's job, not ours. | 0:11:21 | 0:11:23 | |
What you do associate it with was Dixon Of Dock Green, "Evening, all." | 0:11:23 | 0:11:28 | |
This was just a major change from it, | 0:11:28 | 0:11:31 | |
about police acting probably more like they are. So a bit more gritty? | 0:11:31 | 0:11:35 | |
Oh, aye, Smithy was, wasn't he? Yeah. | 0:11:35 | 0:11:38 | |
It was a radical change. | 0:11:38 | 0:11:40 | |
Ah, it's a waste of time, this bloke was a casual, a down-and-out. | 0:11:40 | 0:11:43 | |
He'll be miles away at a seaport by now. | 0:11:43 | 0:11:46 | |
Spending his ill-gotten gains. | 0:11:46 | 0:11:47 | |
But coming into that was the reality of dealing with difficult problems | 0:11:47 | 0:11:50 | |
and how individuals dealt with them. | 0:11:50 | 0:11:52 | |
Yeah. I never missed an episode. | 0:11:52 | 0:11:55 | |
Z-Cars was one of Brian Blessed's first ever TV roles. | 0:11:56 | 0:12:01 | |
He had a roaring success in the BBC serialisation | 0:12:01 | 0:12:04 | |
of the Three Musketeers, alongside future Sherlock, Jeremy Brett. | 0:12:04 | 0:12:08 | |
He played Caesar Augustus | 0:12:09 | 0:12:11 | |
in the triple Bafta award-winning I, Claudius, | 0:12:11 | 0:12:14 | |
a drama series about the history of Rome. | 0:12:14 | 0:12:17 | |
And he boomed "Gordon's alive!" as Vultan, Prince of the Hawkmen | 0:12:19 | 0:12:24 | |
in the 1980 film Flash Gordon. | 0:12:24 | 0:12:26 | |
He was a household name by the time he played the mad, comical figure | 0:12:29 | 0:12:32 | |
of Richard IV in the first series of The Black Adder saga. | 0:12:32 | 0:12:36 | |
And he was in fine voice as the lovable Greek fixer Spiro | 0:12:38 | 0:12:43 | |
in My Family And Other Animals, | 0:12:43 | 0:12:45 | |
about the life of famed conservationist Gerald Durrell. | 0:12:45 | 0:12:48 | |
Now we move on to your next choice now, a comedy character. | 0:12:56 | 0:12:59 | |
Till Death Us Do Part was conceived | 0:13:02 | 0:13:04 | |
by legendary TV writer Johnny Speight | 0:13:04 | 0:13:07 | |
as a satire of the bigoted views around at the time. | 0:13:07 | 0:13:10 | |
But some of the audience didn't see it that way, | 0:13:10 | 0:13:12 | |
instead embracing the often offensive views of Mr Alf Garnett. | 0:13:12 | 0:13:16 | |
Alf. Alf Garnett. | 0:13:20 | 0:13:22 | |
This scene shows Warren Mitchell, | 0:13:23 | 0:13:25 | |
playing the right-wing caricature at his full-blown ranting best. | 0:13:25 | 0:13:30 | |
Number one, the Tories has got money, right? Right. | 0:13:30 | 0:13:34 | |
Right, you agree with me there? Yeah. | 0:13:34 | 0:13:36 | |
Number two, if you've got money, | 0:13:36 | 0:13:38 | |
you don't need to fiddle, right? Aw, give over! | 0:13:38 | 0:13:41 | |
Therefore, number three, the Tories can afford to be honest! | 0:13:41 | 0:13:46 | |
What was it about Alf Garnett that you loved so much, John? | 0:13:46 | 0:13:49 | |
Well, he kept to the character. | 0:13:49 | 0:13:52 | |
A lot of people actually thought about it like that. | 0:13:52 | 0:13:54 | |
I disagreed with him politically, but he captured it, didn't he, | 0:13:54 | 0:13:58 | |
with the accent, language, the most reactionary part of things, | 0:13:58 | 0:14:03 | |
but it's what I call a working class Tory. | 0:14:03 | 0:14:05 | |
Yeah, yeah. And he was very much that. | 0:14:05 | 0:14:08 | |
Many of Garnett's tirades were about politics | 0:14:08 | 0:14:10 | |
and took direct aim at socialist son-in-law Mike, | 0:14:10 | 0:14:14 | |
played by Tony Booth, | 0:14:14 | 0:14:16 | |
who later became real-life father-in-law to one Tony Blair. | 0:14:16 | 0:14:21 | |
On that last election, see, | 0:14:21 | 0:14:23 | |
they was betting, wasn't they? | 0:14:23 | 0:14:25 | |
Not only on who'd win the election, but when it'd be, right? Yeah. | 0:14:25 | 0:14:29 | |
And the only man in the country who knew when it would be | 0:14:29 | 0:14:32 | |
was Harold Wilson himself, cos he's the bloke | 0:14:32 | 0:14:34 | |
what had to choose when it'd be, didn't he? | 0:14:34 | 0:14:37 | |
Garnett's rants used language that would shock today's audiences. | 0:14:37 | 0:14:42 | |
But back in the 1960s and '70s, | 0:14:43 | 0:14:45 | |
it was prime-time viewing. | 0:14:45 | 0:14:47 | |
..which is his pero-jative, I'll grant you that. | 0:14:47 | 0:14:50 | |
But he played off against him, Antony Booth. | 0:14:50 | 0:14:54 | |
Great satire, great programme, great acting. | 0:14:54 | 0:14:57 | |
I thoroughly enjoyed it. Yeah. | 0:14:57 | 0:14:58 | |
We're going to take a TV break now, John. | 0:15:05 | 0:15:08 | |
This is one of your favourites. | 0:15:08 | 0:15:12 | |
Roger, dear boy, how's your client coming along? | 0:15:12 | 0:15:16 | |
It's the PG Tips adverts. Oh, yeah, yeah! | 0:15:16 | 0:15:18 | |
These cheeky, tea-drinking chimps | 0:15:19 | 0:15:22 | |
first hit our screens in 1956. | 0:15:22 | 0:15:25 | |
Don't worry, madam, I'll take over. | 0:15:25 | 0:15:27 | |
It's horrible! Can you imagine them trying to film this. | 0:15:27 | 0:15:30 | |
So what did you enjoy about these little monkeys? | 0:15:30 | 0:15:33 | |
I thought it was remark... | 0:15:33 | 0:15:35 | |
Well, first of all, anything that makes you smile is good, isn't it? | 0:15:35 | 0:15:37 | |
You're going to like that. | 0:15:37 | 0:15:39 | |
Using animals, getting them to film that, | 0:15:39 | 0:15:41 | |
that wouldn't be done in half an hour, would it? No. | 0:15:41 | 0:15:44 | |
I think the imagination behind it, the skill in doing it... | 0:15:44 | 0:15:48 | |
One of the unique things I think about British advertising, | 0:15:48 | 0:15:51 | |
it tends to have a...it's important for the British humour, | 0:15:51 | 0:15:55 | |
that it has humour in it, | 0:15:55 | 0:15:57 | |
more than, say, when you're in America - | 0:15:57 | 0:15:59 | |
it's always about slickness and everything. | 0:15:59 | 0:16:01 | |
But with animals - you see it with dogs and different things now - | 0:16:01 | 0:16:04 | |
it's part of the British psyche, | 0:16:04 | 0:16:07 | |
if there's an animal involved, you ought to begin with that. | 0:16:07 | 0:16:10 | |
The campaign sent sales soaring, | 0:16:10 | 0:16:12 | |
but it divided opinion and still does today. | 0:16:12 | 0:16:15 | |
Animal welfare advocates branded the ads exploitative, | 0:16:15 | 0:16:19 | |
but they were a huge hit with viewers. | 0:16:19 | 0:16:21 | |
Anything that makes people smile and feel warm, | 0:16:22 | 0:16:25 | |
isn't that what it's really about? | 0:16:25 | 0:16:26 | |
Now, John, we're going to move on to a charismatic politician | 0:16:34 | 0:16:39 | |
who you named as one of your biggest influences. | 0:16:39 | 0:16:43 | |
This is a challenge we did not seek | 0:16:43 | 0:16:45 | |
and do not want. | 0:16:45 | 0:16:47 | |
All the more so because it comes from men | 0:16:48 | 0:16:51 | |
who have won the undying respect and admiration of the whole nation. | 0:16:51 | 0:16:56 | |
Harold Wilson, of course, Prime Minister. Yeah. | 0:16:56 | 0:16:59 | |
But he was a remarkable man and for the first time, | 0:16:59 | 0:17:02 | |
we had a professional economist, cos that's what he was. | 0:17:02 | 0:17:05 | |
He had a background and therefore he was exciting. | 0:17:05 | 0:17:08 | |
There were certain characteristics about him. | 0:17:08 | 0:17:10 | |
He was talking about things that are relevant today. | 0:17:10 | 0:17:13 | |
This was man who told the Americans, | 0:17:13 | 0:17:15 | |
"We're not going to Vietnam," | 0:17:15 | 0:17:17 | |
to which Johnson made it very difficult for the UK, | 0:17:17 | 0:17:20 | |
but that was a principle, that we shouldn't be involved | 0:17:20 | 0:17:22 | |
in that special relationship and get involved in Vietnam. | 0:17:22 | 0:17:25 | |
And he did a lot more things - | 0:17:25 | 0:17:26 | |
he was a principled man who voted against health charges, | 0:17:26 | 0:17:29 | |
under a Labour government | 0:17:29 | 0:17:31 | |
that wanted to bring in those health charges. | 0:17:31 | 0:17:33 | |
He then resigned and came down with Bevan and others. | 0:17:33 | 0:17:36 | |
As often with politics, though, | 0:17:36 | 0:17:37 | |
what you're trying to do is not necessarily what you want to do | 0:17:37 | 0:17:41 | |
and you have to play | 0:17:41 | 0:17:42 | |
and try and find a way forward to achieving that, | 0:17:42 | 0:17:45 | |
but I admired him because he was professional, | 0:17:45 | 0:17:48 | |
he was an economist - most of the problems of that day | 0:17:48 | 0:17:50 | |
were about the economy and balance of payments. | 0:17:50 | 0:17:52 | |
To have a man who understood it and did it, I welcomed that | 0:17:52 | 0:17:56 | |
and for Labour to be looking forward | 0:17:56 | 0:17:58 | |
and carrying in technology changes to meet with it, | 0:17:58 | 0:18:01 | |
that's good, cos so often, we tend to defend | 0:18:01 | 0:18:04 | |
a lot of our things from the past, rather than getting on. | 0:18:04 | 0:18:07 | |
He captured that, I think. | 0:18:07 | 0:18:09 | |
This strike will settle nothing. | 0:18:09 | 0:18:12 | |
It will neither establish their case | 0:18:13 | 0:18:15 | |
nor settle their grievances. | 0:18:15 | 0:18:17 | |
But at great cost to Britain... | 0:18:19 | 0:18:21 | |
Back in 1966, Harold Wilson's government declared | 0:18:21 | 0:18:24 | |
a state of emergency after the nation's seamen went on strike. | 0:18:24 | 0:18:29 | |
As a prominent trade unionist, John was heavily involved in the dispute. | 0:18:29 | 0:18:33 | |
You've got to remember, that speech is just before the election | 0:18:34 | 0:18:38 | |
and we were threatening to go on strike again. | 0:18:38 | 0:18:40 | |
We'd had a seven-week strike before, which I'd been involved in. | 0:18:40 | 0:18:43 | |
We were working 84 hours a week with no overtime and we were working | 0:18:43 | 0:18:48 | |
under a merchant shipping act that if you disagreed with the captain, | 0:18:48 | 0:18:52 | |
it was mutiny. I only had one charge on that, | 0:18:52 | 0:18:55 | |
but we had to change the act. | 0:18:55 | 0:18:58 | |
He produced the proposals, | 0:18:58 | 0:18:59 | |
I produced a pamphlet called Not Wanted On Voyage, | 0:18:59 | 0:19:02 | |
which rejected most of this argument, | 0:19:02 | 0:19:04 | |
so when he came with the white paper, we wrote on it, | 0:19:04 | 0:19:06 | |
"Not wanted on voyage," and chucked it over to him. | 0:19:06 | 0:19:09 | |
"That's what we think about your white paper." | 0:19:09 | 0:19:11 | |
So we go to see him in Number Ten, | 0:19:11 | 0:19:13 | |
the first time I'm taken into Parliament, I'm not even an MP, | 0:19:13 | 0:19:16 | |
and into the Cabinet Room. | 0:19:16 | 0:19:17 | |
He meets us at the Number Ten door. | 0:19:17 | 0:19:20 | |
We go in there and he shakes hands with us | 0:19:20 | 0:19:22 | |
and he said, "I'll tell you what I'll do..." This was typical Wilson. | 0:19:22 | 0:19:26 | |
He said, "Look, accept this and then, when we come back, | 0:19:26 | 0:19:30 | |
"we'll have a new piece of legislation | 0:19:30 | 0:19:32 | |
"changing it as you want." He wanted to settle it. | 0:19:32 | 0:19:35 | |
So I said to him, | 0:19:35 | 0:19:37 | |
"Harold..." Or "Prime Minister" it was, right? | 0:19:37 | 0:19:39 | |
"..how do you know you'll win this next election?" | 0:19:39 | 0:19:42 | |
He said, on his pipe, "I'm very confident." | 0:19:42 | 0:19:45 | |
Well, he lost it, didn't he? | 0:19:45 | 0:19:46 | |
So I went up to him, I came in as an MP, I went to him and said, | 0:19:46 | 0:19:49 | |
"Now, Harold, what do I do?" | 0:19:49 | 0:19:51 | |
"You have to get on to the Tories, son." | 0:19:51 | 0:19:54 | |
To be fair to Harold, | 0:19:54 | 0:19:56 | |
he did bring about the changes in our legislation, all credit to him. | 0:19:56 | 0:20:00 | |
Though unfortunately he couldn't complete it, he started it, | 0:20:00 | 0:20:03 | |
because the Tories came in. | 0:20:03 | 0:20:04 | |
John, let's now take a look at a very young John Prescott. | 0:20:11 | 0:20:15 | |
This is...? This is Panorama. Panorama! | 0:20:15 | 0:20:18 | |
'What we essentially seem to be discussing here is the role | 0:20:18 | 0:20:21 | |
'of a trade union in a capitalist society | 0:20:21 | 0:20:24 | |
'and whether collective bargaining is a valuable weapon for trade unions. | 0:20:24 | 0:20:28 | |
'If it is to achieve a redistribution...' | 0:20:28 | 0:20:30 | |
I think you do look like Brian Blessed. | 0:20:30 | 0:20:32 | |
1966 was a busy year for John, | 0:20:34 | 0:20:37 | |
as he took his first steps onto the biggest stage, | 0:20:37 | 0:20:40 | |
even making his first ever national TV appearance | 0:20:40 | 0:20:43 | |
on the biggest political show of the day, Panorama. | 0:20:43 | 0:20:47 | |
For your first television appearance, John, | 0:20:47 | 0:20:49 | |
I have to say you don't look nervous. No. | 0:20:49 | 0:20:52 | |
After all, Mr Wilson told us | 0:20:52 | 0:20:53 | |
the answers to these problems before he was elected. | 0:20:53 | 0:20:57 | |
What we're vitally concerned about at the moment is apparently... | 0:20:57 | 0:21:00 | |
..the very answers which they told us were wrong | 0:21:03 | 0:21:06 | |
when the Tories used them and we feel if it was wrong for the Tories, | 0:21:06 | 0:21:09 | |
then it must be doubly wrong | 0:21:09 | 0:21:10 | |
for the Labour Party to adopt the same measures. | 0:21:10 | 0:21:13 | |
We started it and I was on with a reporter from the Guardian. | 0:21:13 | 0:21:17 | |
I did a question, he did a question | 0:21:17 | 0:21:18 | |
and then they said, | 0:21:18 | 0:21:20 | |
"The camera's broken down, we're going to start again." | 0:21:20 | 0:21:22 | |
But what this journalist did was to pinch my question! | 0:21:22 | 0:21:26 | |
I'm trying to think now, I've lost my question, | 0:21:26 | 0:21:29 | |
this bugger's pinched it, | 0:21:29 | 0:21:30 | |
so when I look at that - that was my first television - | 0:21:30 | 0:21:33 | |
I often think, "You've got to watch for the guys around you," | 0:21:33 | 0:21:36 | |
but that's life and you have to live with television, | 0:21:36 | 0:21:38 | |
as it's live television. Yeah. | 0:21:38 | 0:21:41 | |
That's things you have to watch for. | 0:21:41 | 0:21:43 | |
But that was my first one, really, after the seamen's strike. | 0:21:43 | 0:21:47 | |
Politicians, John, appear in the most unusual places, | 0:21:54 | 0:21:58 | |
including this next clip. Here it is, John. | 0:21:58 | 0:22:01 | |
Oh, Gavin! I knew nothing about this programme. | 0:22:06 | 0:22:09 | |
The Bafta award-winning Gavin Stacey is an unlikely tale of love | 0:22:09 | 0:22:13 | |
between a lad from Essex and a girl from Barry. | 0:22:13 | 0:22:16 | |
Oh, I never saw this! In this typical scene from series two, | 0:22:16 | 0:22:20 | |
Nessa, played by co-writer Ruth Jones, | 0:22:20 | 0:22:22 | |
recounts one of her seemingly unbelievable stories | 0:22:22 | 0:22:26 | |
about her past famous conquests to a fascinated Stacey. | 0:22:26 | 0:22:30 | |
This reminds me very much of my time with John... | 0:22:30 | 0:22:33 | |
Prescott. | 0:22:33 | 0:22:35 | |
LAUGHTER | 0:22:35 | 0:22:36 | |
I had the lot. | 0:22:36 | 0:22:38 | |
A flat in Westminster, full use of one of the Jags, | 0:22:38 | 0:22:41 | |
didn't even have to cook - I had a little Filipino do it for us. | 0:22:41 | 0:22:45 | |
Nessa's past was apparently littered with amorous encounters | 0:22:45 | 0:22:49 | |
with the rich and famous. | 0:22:49 | 0:22:51 | |
But not happy with just dropping his name, | 0:22:51 | 0:22:53 | |
Nessa takes it further, | 0:22:53 | 0:22:55 | |
inserting herself into the story of one of John's best-known moments. | 0:22:55 | 0:22:59 | |
He could be very dry. | 0:22:59 | 0:23:01 | |
I left that night and I never looked back. | 0:23:02 | 0:23:05 | |
Cos I knew I'd only ever be happy in Barry. | 0:23:05 | 0:23:07 | |
How did John take it? | 0:23:07 | 0:23:09 | |
SIGHING: He took it bad. | 0:23:09 | 0:23:11 | |
He went mad, he did, shouting and fighting. | 0:23:11 | 0:23:15 | |
Next day, he punched a civilian. | 0:23:15 | 0:23:17 | |
When I saw it on the telly, I knew that punch was meant for me. | 0:23:17 | 0:23:20 | |
I was doing a programme for BBC on class. | 0:23:20 | 0:23:22 | |
It was these two series on class in Britain. | 0:23:22 | 0:23:25 | |
And I wanted to talk to... Yeah, James Corden. | 0:23:25 | 0:23:30 | |
So I get in touch with him, "Can I come in?" | 0:23:32 | 0:23:33 | |
He said, "Only if you come on my programme." | 0:23:33 | 0:23:36 | |
I said, "What's your programme?" | 0:23:36 | 0:23:38 | |
He said, "Gavin Stacey." | 0:23:38 | 0:23:40 | |
My son said to me, "Oh, it's a rave programme." | 0:23:40 | 0:23:43 | |
I said, "I don't know it." | 0:23:43 | 0:23:45 | |
Anyway, if he'll do this interview with me on class... | 0:23:45 | 0:23:47 | |
I'll do that one for him. | 0:23:47 | 0:23:49 | |
Uh-huh. So I came in, they said, "Can you walk into the wedding?" | 0:23:49 | 0:23:53 | |
And that's what I did. | 0:23:53 | 0:23:56 | |
See you in there. Yeah, see you in a minute. | 0:23:56 | 0:23:58 | |
Hi, Dave. | 0:24:00 | 0:24:01 | |
Congratulations. Cheers, John. Nice to see you. | 0:24:01 | 0:24:05 | |
That was so natural, John. LAUGHTER | 0:24:05 | 0:24:07 | |
And so... | 0:24:07 | 0:24:09 | |
You're wasted, love, you're wasted. | 0:24:09 | 0:24:11 | |
Well, all politicians are actors of one kind or another. Yes, they are. | 0:24:12 | 0:24:16 | |
Course it is. | 0:24:16 | 0:24:17 | |
But to follow on from that story, | 0:24:17 | 0:24:18 | |
I was down in Bristol, I knocked on a door campaigning | 0:24:18 | 0:24:21 | |
and these students came to the door and they said, "Oh, hello, John." | 0:24:21 | 0:24:24 | |
I said, "Are you going to vote Labour, then, lads?" | 0:24:24 | 0:24:27 | |
They said, "Yeah, yeah!" I said, "Is it our employment policy, health, | 0:24:27 | 0:24:31 | |
"jobs, education?" | 0:24:31 | 0:24:32 | |
"Oh, no, you were in Gavin Stacey." | 0:24:32 | 0:24:35 | |
LAUGHTER AND APPLAUSE That became the only reason | 0:24:35 | 0:24:38 | |
I got their vote, was because of Gavin Stacey! | 0:24:38 | 0:24:41 | |
I just don't think anyone expected you to be on the show. They don't. | 0:24:41 | 0:24:45 | |
Because she would often talk about her romances | 0:24:45 | 0:24:48 | |
to this star and that star | 0:24:48 | 0:24:50 | |
and the fact that you were there, | 0:24:50 | 0:24:52 | |
it just underlined it and emphasised it | 0:24:52 | 0:24:54 | |
and it's just a lovely moment. | 0:24:54 | 0:24:56 | |
And has quite an effect. | 0:24:56 | 0:24:57 | |
The response that comes from people who watch that, | 0:24:57 | 0:25:00 | |
they're surprised, but they're pleased that somehow | 0:25:00 | 0:25:03 | |
you've come into something they watch. | 0:25:03 | 0:25:05 | |
I can't explain it in any other way than that, | 0:25:05 | 0:25:07 | |
except they will come up to you and it got us some votes. | 0:25:07 | 0:25:10 | |
John's appearance on Gavin Stacey continues a long tradition | 0:25:13 | 0:25:17 | |
of British politicians popping up on the entertainment scene. | 0:25:17 | 0:25:22 | |
After leaving office, Harold Wilson appeared | 0:25:22 | 0:25:24 | |
on The Morecambe And Wise Christmas special, | 0:25:24 | 0:25:26 | |
teasing Eric by deliberately calling him "Morry-camby". | 0:25:26 | 0:25:30 | |
In 1984, then Labour leader Neil Kinnock helped take | 0:25:34 | 0:25:38 | |
Tracey Ullman's cover of the Madness song My Girl | 0:25:38 | 0:25:41 | |
to number 23 in the charts | 0:25:41 | 0:25:43 | |
when he appeared in the music video. | 0:25:43 | 0:25:45 | |
In his final year as PM, Tony Blair appeared | 0:25:46 | 0:25:49 | |
in a hilarious Comic Relief sketch | 0:25:49 | 0:25:51 | |
with Catherine Tate's teenage alter ego Lauren, | 0:25:51 | 0:25:55 | |
to ask her, "Am I bovvered?" | 0:25:55 | 0:25:58 | |
And Boris Johnson stole the show | 0:25:58 | 0:25:59 | |
when he appeared for the first time on Have I Got News For You, | 0:25:59 | 0:26:03 | |
launching him on the road to becoming a TV personality. | 0:26:03 | 0:26:06 | |
Do you get to watch much telly these days? | 0:26:14 | 0:26:17 | |
No, I don't, but I'll tell you what I probably watch most - | 0:26:17 | 0:26:19 | |
I do find it very relaxing - | 0:26:19 | 0:26:21 | |
it's either films or the Discovery Channel. | 0:26:21 | 0:26:24 | |
All those things, they're fascinating. | 0:26:24 | 0:26:27 | |
I watch so many air accidents... Oh, dear, plane investigation? | 0:26:27 | 0:26:30 | |
I don't know how they find out how a plane went down. | 0:26:30 | 0:26:33 | |
It's quite remarkable. I love that programme. | 0:26:33 | 0:26:37 | |
I always watch it before I go on holiday and my wife tells me, | 0:26:37 | 0:26:40 | |
"What are you doing watching this for?!" | 0:26:40 | 0:26:42 | |
But I do really enjoy it. | 0:26:42 | 0:26:44 | |
I think the skill in which they find out what caused it | 0:26:44 | 0:26:47 | |
is quite remarkable and it's reassuring. | 0:26:47 | 0:26:49 | |
OK, you might be dead in an air crash, | 0:26:49 | 0:26:51 | |
but they will find out why you died! | 0:26:51 | 0:26:54 | |
So, John, we give our guests the opportunity | 0:26:55 | 0:26:58 | |
to pick a theme tune now for us to play out on. | 0:26:58 | 0:27:00 | |
Have you got something in mind? | 0:27:02 | 0:27:04 | |
Yes, very much. Going back many years, cos I went to visit... | 0:27:04 | 0:27:08 | |
Does anyone remember The Prisoner? Yes. | 0:27:08 | 0:27:11 | |
With that big bouncing ball, | 0:27:11 | 0:27:12 | |
you're wondering where the hell it was coming from. | 0:27:12 | 0:27:15 | |
But it had a fearful sense about it | 0:27:15 | 0:27:17 | |
and somehow, the theme music just captured it. | 0:27:17 | 0:27:21 | |
That theme music identified a programme | 0:27:21 | 0:27:25 | |
and a place which was wonderful, something different | 0:27:25 | 0:27:30 | |
and excitement and a little bit of fear on the side. | 0:27:30 | 0:27:34 | |
Well, you've been exciting | 0:27:34 | 0:27:37 | |
and there's been a little bit of fear on the side. | 0:27:37 | 0:27:40 | |
Have you enjoyed your experience? | 0:27:40 | 0:27:42 | |
Thoroughly. Today, you mean? Yeah. | 0:27:42 | 0:27:44 | |
Not life, I mean today on the sofa! | 0:27:44 | 0:27:47 | |
Yeah, I have. | 0:27:47 | 0:27:48 | |
The audience were great, the interviewer was a bit going on. | 0:27:48 | 0:27:52 | |
LAUGHTER AND APPLAUSE | 0:27:52 | 0:27:54 | |
John, it's been an absolute pleasure, Lord Prescott. | 0:27:54 | 0:27:58 | |
My thanks to John. Give him a round of applause. | 0:27:58 | 0:28:00 | |
APPLAUSE And my thanks to you lot | 0:28:00 | 0:28:03 | |
for watching The TV That Made Me. | 0:28:03 | 0:28:04 | |
We'll see you next time and bye-bye! | 0:28:04 | 0:28:06 | |
MUSIC: The Prisoner Theme | 0:28:11 | 0:28:15 |