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TV, the magic box of delights. | 0:00:03 | 0:00:05 | |
As kids, it showed us a million different worlds, | 0:00:05 | 0:00:08 | |
all from our living room. | 0:00:08 | 0:00:11 | |
This takes me right back. | 0:00:11 | 0:00:12 | |
That's so embarrassing! | 0:00:12 | 0:00:14 | |
I am genuinely shocked. | 0:00:14 | 0:00:16 | |
Each day, I'm going to journey through the wonderful | 0:00:16 | 0:00:18 | |
world of telly with one of our favourite celebrities... | 0:00:18 | 0:00:22 | |
It is just so silly. | 0:00:22 | 0:00:24 | |
Oh, I love it! | 0:00:24 | 0:00:26 | |
Is it Mr Benn? | 0:00:26 | 0:00:28 | |
Shut it! | 0:00:28 | 0:00:30 | |
..as they select the iconic TV moments... Oh, hello. | 0:00:30 | 0:00:35 | |
..that tell us the stories of their lives. | 0:00:35 | 0:00:38 | |
Oh! Oh, my gosh. | 0:00:38 | 0:00:40 | |
BOTH: Cheers. | 0:00:40 | 0:00:41 | |
Some will make you laugh... Wah! | 0:00:41 | 0:00:44 | |
SHE LAUGHS | 0:00:44 | 0:00:45 | |
..some will surprise... | 0:00:45 | 0:00:47 | |
EDD QUACKS | 0:00:47 | 0:00:48 | |
SHE LAUGHS | 0:00:48 | 0:00:50 | |
..many will inspire... Oh! | 0:00:50 | 0:00:52 | |
Look at this. Why wouldn't you want to watch this? | 0:00:52 | 0:00:55 | |
..and others will move us. | 0:00:55 | 0:00:56 | |
Seeing that there made a huge impact on me. | 0:00:56 | 0:00:59 | |
Got a handkerchief? | 0:01:00 | 0:01:02 | |
So, come watch with us, | 0:01:02 | 0:01:04 | |
as we rewind to the classic telly that shaped those wide-eyed | 0:01:04 | 0:01:09 | |
youngsters into the much-loved stars they are today. | 0:01:09 | 0:01:13 | |
Welcome to The TV That Made Me. | 0:01:23 | 0:01:25 | |
My guest today is one of the most recognisable faces on our screens. | 0:01:25 | 0:01:29 | |
She's made us laugh, she's made us cry, | 0:01:29 | 0:01:31 | |
and it's a real pleasure to have her here today. | 0:01:31 | 0:01:34 | |
Please welcome the wonderful Nina Wadia! | 0:01:34 | 0:01:38 | |
CHEERING AND APPLAUSE | 0:01:38 | 0:01:40 | |
How are you? Oh, welcome. Thank you. | 0:01:40 | 0:01:42 | |
Nina Wadia burst onto our screens in 1998 in the award-winning | 0:01:44 | 0:01:49 | |
comedy sketch show Goodness Gracious Me. | 0:01:49 | 0:01:52 | |
In 2007, she joined the cast of EastEnders as tough-talking Zainab Masood, | 0:01:52 | 0:01:57 | |
before joining David Jason in Still Open All Hours | 0:01:57 | 0:02:01 | |
as local gossip Mrs Hussein. | 0:02:01 | 0:02:04 | |
The TV that made her includes a calamitous comedy sitcom, | 0:02:05 | 0:02:10 | |
a frustrated housewife... | 0:02:10 | 0:02:12 | |
..my custard is unpredictable. | 0:02:12 | 0:02:14 | |
..and the show that made her a star. | 0:02:16 | 0:02:19 | |
..when you can make it at home for nothing! | 0:02:19 | 0:02:22 | |
So, are you excited about this trip down memory lane? Terrified. | 0:02:22 | 0:02:25 | |
Why? Because I feel old. | 0:02:25 | 0:02:28 | |
SHE LAUGHS | 0:02:28 | 0:02:29 | |
Oh, you don't look old. | 0:02:29 | 0:02:31 | |
You look absolutely radiant. Thank you, but, yeah, no... | 0:02:31 | 0:02:34 | |
Just actually having to think about all the stuff I used to watch. | 0:02:34 | 0:02:38 | |
We're looking forward to today. | 0:02:38 | 0:02:40 | |
Today is a celebration of TV classic moments that you have chosen, | 0:02:40 | 0:02:44 | |
but first up, we're going to rewind the clock now, Nina, | 0:02:44 | 0:02:47 | |
and have a look at a very young Nina Wadia. | 0:02:47 | 0:02:51 | |
Oh, no. | 0:02:51 | 0:02:52 | |
Nina was born in Mumbai, in India, in 1968. | 0:02:54 | 0:02:58 | |
She and her family moved to Hong Kong when she was nine, | 0:02:58 | 0:03:01 | |
after her airline purser dad landed a new job running a restaurant there. | 0:03:01 | 0:03:06 | |
After heading to the UK to finish off her education, | 0:03:08 | 0:03:11 | |
she decided to pursue a career as an actor, | 0:03:11 | 0:03:14 | |
attending drama school in Wandsworth, in London. | 0:03:14 | 0:03:18 | |
Her big break came on the award-winning sketch show | 0:03:18 | 0:03:21 | |
Goodness Gracious Me, | 0:03:21 | 0:03:22 | |
where she played a whole variety of characters. | 0:03:22 | 0:03:26 | |
Nina broke away from comedy to join EastEnders, | 0:03:26 | 0:03:28 | |
where she was at the centre of some explosive storylines. | 0:03:28 | 0:03:32 | |
What's it like looking back? Strange, really strange. | 0:03:33 | 0:03:37 | |
Brings back a lot of fond memories. | 0:03:37 | 0:03:39 | |
Because, sadly, both my parents have passed, | 0:03:39 | 0:03:41 | |
so it's nice to see them again. | 0:03:41 | 0:03:43 | |
We had very few pictures of the five of us. Very few pictures. | 0:03:43 | 0:03:47 | |
Because, you know, cameras weren't that easily available, | 0:03:47 | 0:03:49 | |
and all that stuff, at the time. And we weren't particularly well off, so... | 0:03:49 | 0:03:52 | |
What sort of telly did you have in Mumbai or Hong Kong? | 0:03:52 | 0:03:55 | |
Well, in... We... It was Bombay at the time. Oh, right. | 0:03:55 | 0:03:59 | |
We had... It was a big thing when we actually had a telly come in, | 0:03:59 | 0:04:04 | |
it was a huge thing. | 0:04:04 | 0:04:05 | |
And I remember as a child being very confused at this box arriving. | 0:04:05 | 0:04:09 | |
I didn't know how they made people that small. | 0:04:09 | 0:04:12 | |
LAUGHTER | 0:04:12 | 0:04:13 | |
They could move and walk in them. That was really surprising to me. | 0:04:13 | 0:04:18 | |
And then we moved to Hong Kong. Yeah, how exciting was that? | 0:04:18 | 0:04:21 | |
And what age would you have been? Gosh. | 0:04:21 | 0:04:24 | |
That would have been sort of coming up to nine, now, | 0:04:24 | 0:04:27 | |
and there was the opportunity for Dad to go to Hong Kong, | 0:04:27 | 0:04:30 | |
and run a restaurant. | 0:04:30 | 0:04:32 | |
And Mum wanted him to stop flying, because, you know, | 0:04:32 | 0:04:35 | |
he missed a lot of birthdays and things, mostly mine, | 0:04:35 | 0:04:39 | |
cos he'd get overtime at Christmas, and I'm born around Christmas time, | 0:04:39 | 0:04:42 | |
so it would be like, "Here we go, | 0:04:42 | 0:04:43 | |
"Dad's not going to be there for my birthday." | 0:04:43 | 0:04:45 | |
But he always made sure that there was some parcel or present | 0:04:45 | 0:04:48 | |
that arrived with one of the other guys from the flight crew, | 0:04:48 | 0:04:52 | |
so I really used to look forward to that as well. | 0:04:52 | 0:04:54 | |
So it was a very exciting time. | 0:04:54 | 0:04:56 | |
So we're going to have a look at your first choice, now, Nina. | 0:05:02 | 0:05:04 | |
This is the first sort of TV programme that you came to love. | 0:05:04 | 0:05:07 | |
It's The A-Team. Oh, yes! | 0:05:09 | 0:05:11 | |
I love it! | 0:05:11 | 0:05:13 | |
'These men promptly escaped from maximum-security stockade | 0:05:14 | 0:05:17 | |
'to the Los Angeles underground...' | 0:05:17 | 0:05:19 | |
With its iconic theme tune, | 0:05:19 | 0:05:21 | |
1980s action adventure series The A-Team was one of the first shows | 0:05:21 | 0:05:25 | |
that young Nina watched after moving to Hong Kong. | 0:05:25 | 0:05:28 | |
THEME TUNE PLAYS | 0:05:31 | 0:05:33 | |
..dun-dun, dunnn! | 0:05:33 | 0:05:35 | |
THEY SING THEME TUNE | 0:05:35 | 0:05:37 | |
NINA LAUGHS | 0:05:39 | 0:05:41 | |
Love it! | 0:05:41 | 0:05:42 | |
Breakfast At Tiffany's star George Peppard | 0:05:42 | 0:05:44 | |
played group leader Hannibal, | 0:05:44 | 0:05:46 | |
whose plans always saved the day. | 0:05:46 | 0:05:48 | |
This is when men were men! | 0:05:50 | 0:05:51 | |
LAUGHTER | 0:05:51 | 0:05:53 | |
Dirk Benedict was the smooth-talking Faceman, | 0:05:53 | 0:05:57 | |
the team's second-in-command. | 0:05:57 | 0:05:59 | |
Look at him, his blue eyes. Look at that! | 0:06:00 | 0:06:02 | |
SHE GIGGLES | 0:06:02 | 0:06:03 | |
Dwight Schultz was the insane and unpredictable pilot | 0:06:03 | 0:06:07 | |
"Howling Mad" Murdoch. | 0:06:07 | 0:06:09 | |
Oh, Murdoch used to make me laugh. | 0:06:09 | 0:06:11 | |
He was definitely off the wall, wasn't he, that guy? Definitely. | 0:06:11 | 0:06:14 | |
I kind of liked all of them in different ways, | 0:06:14 | 0:06:16 | |
but I actually really liked Mr T. | 0:06:16 | 0:06:18 | |
I just... I loved him! He was so... | 0:06:18 | 0:06:21 | |
I loved that he hated to fly so much. This really big, strong... | 0:06:21 | 0:06:24 | |
Like, "I'm not getting on a plane!" | 0:06:24 | 0:06:26 | |
Appearing, too, was Rocky III star Mr T, | 0:06:26 | 0:06:29 | |
who played BA "Bad Attitude" Baracas. | 0:06:29 | 0:06:33 | |
AS MR T: I pity the fool. | 0:06:33 | 0:06:34 | |
Yeah, wonderful stunts, wasn't there? Oh, superb stunts. | 0:06:42 | 0:06:44 | |
I mean, for a television programme as well, yes. | 0:06:44 | 0:06:47 | |
Cars just flipping over like nobody's business. | 0:06:47 | 0:06:50 | |
Look at that, look at that! | 0:06:50 | 0:06:52 | |
Can I watch the whole episode, or do I have... Oh, no! | 0:06:52 | 0:06:54 | |
SHE CHUCKLES | 0:06:54 | 0:06:56 | |
Fasten your seatbelts. Keep the nose down. | 0:06:57 | 0:06:59 | |
In this hair-raising clip, | 0:06:59 | 0:07:00 | |
pilot Murdoch has been | 0:07:00 | 0:07:02 | |
temporarily blinded but, as always, | 0:07:02 | 0:07:05 | |
Hannibal has it all under control. | 0:07:05 | 0:07:07 | |
Yeah, we're definitely out of fuel. | 0:07:08 | 0:07:09 | |
You see, this is my favourite combination. | 0:07:09 | 0:07:12 | |
It's humour and action. Mm-hm. | 0:07:12 | 0:07:13 | |
Two things I love. | 0:07:13 | 0:07:15 | |
OK, when you think you're going to hit the runway, | 0:07:15 | 0:07:17 | |
you pull back on that yoke as hard as you can. | 0:07:17 | 0:07:20 | |
Hang on, you're not allowed to smoke on a plane. | 0:07:20 | 0:07:22 | |
SHE CHUCKLES | 0:07:22 | 0:07:23 | |
It's The A-Team, you can do anything you like! And it's fine. | 0:07:23 | 0:07:26 | |
Get on the brakes, Smith. Hit the brakes! | 0:07:28 | 0:07:30 | |
HANNIBAL: Where are they? I got 'em! | 0:07:30 | 0:07:32 | |
BRIAN: One of the running themes was BA's aversion to flying. | 0:07:32 | 0:07:35 | |
This was his worst nightmare. | 0:07:35 | 0:07:37 | |
See, there's a stunt, isn't there? Wow! | 0:07:42 | 0:07:46 | |
See, BA, flying isn't so bad. | 0:07:46 | 0:07:47 | |
THEY CHUCKLE | 0:07:49 | 0:07:51 | |
I love it when a plan comes together. | 0:07:53 | 0:07:55 | |
"I love it when a plan comes together." There we go. | 0:07:56 | 0:07:59 | |
There you go. Oh, so good! Yeah. So good. | 0:07:59 | 0:08:02 | |
It bring backs happy memories. | 0:08:02 | 0:08:04 | |
It really does. We're just... | 0:08:04 | 0:08:05 | |
It was one of those where I, of course, got to sit on the floor, | 0:08:05 | 0:08:09 | |
in our house, because the sofa wasn't big enough for all of us. | 0:08:09 | 0:08:11 | |
Of course, being youngest... Being the youngest, | 0:08:11 | 0:08:14 | |
but then also my brother, so my brother and me down there, | 0:08:14 | 0:08:16 | |
Mum and Dad and my sister on the sofa, and that's it, | 0:08:16 | 0:08:18 | |
we used to just... I used to LOVE watching this. | 0:08:18 | 0:08:21 | |
Now, for your next choice, Nina, | 0:08:27 | 0:08:28 | |
let's see what show you cancelled everything to see. | 0:08:28 | 0:08:32 | |
SHE GASPS | 0:08:32 | 0:08:33 | |
This is, of course, your must-see TV. | 0:08:33 | 0:08:35 | |
That rhymes. | 0:08:35 | 0:08:36 | |
Moonlighting. Oh! | 0:08:37 | 0:08:39 | |
Best show ever. | 0:08:41 | 0:08:42 | |
Cybill Shepherd starred as Maddie | 0:08:44 | 0:08:46 | |
in one of the biggest series of the 1980s. | 0:08:46 | 0:08:48 | |
# Some walk by night... # | 0:08:48 | 0:08:52 | |
The show introduced us to a wisecracking future megastar, | 0:08:52 | 0:08:56 | |
Bruce Willis, as cheeky chappie investigator David. | 0:08:56 | 0:09:01 | |
It was a classy comedy drama, | 0:09:01 | 0:09:02 | |
focused on tension between | 0:09:02 | 0:09:04 | |
the two lead characters. | 0:09:04 | 0:09:06 | |
# ..cos we met on the way... # | 0:09:07 | 0:09:09 | |
Would you still watch it? I would still watch it again | 0:09:09 | 0:09:12 | |
if it were on now. | 0:09:12 | 0:09:13 | |
Yeah. But it's got the ultimate man in it for me. | 0:09:13 | 0:09:16 | |
SHE LAUGHS | 0:09:16 | 0:09:18 | |
Still, even now, Bruce? | 0:09:18 | 0:09:19 | |
Still, even now. Still, even now. | 0:09:19 | 0:09:22 | |
Nothing. | 0:09:22 | 0:09:23 | |
Not during the whole thing, David, | 0:09:24 | 0:09:26 | |
you haven't said a word. | 0:09:26 | 0:09:27 | |
I don't have to say anything. | 0:09:28 | 0:09:30 | |
This was now slightly older. | 0:09:30 | 0:09:32 | |
I was kind of maybe 16 or 17... | 0:09:32 | 0:09:34 | |
Oh, my God, this is the scene! | 0:09:34 | 0:09:35 | |
They finally, after how many series, get together. Right. | 0:09:35 | 0:09:39 | |
What do you mean, not worth it? | 0:09:39 | 0:09:40 | |
Not worth it, not worth it. No woman is worth this, all right? | 0:09:40 | 0:09:43 | |
Season three promised a culmination of David and Maddie's | 0:09:43 | 0:09:46 | |
will-they-or-won't-they relationship. | 0:09:46 | 0:09:48 | |
But in this scene, it looked like yet again it wouldn't happen. | 0:09:48 | 0:09:52 | |
I'm not worth it? I'm not worth it? | 0:09:52 | 0:09:54 | |
Look who's talking about worth, Mr Bargain Basement. | 0:09:54 | 0:09:57 | |
If there was a close-out sale on human beings, | 0:09:57 | 0:09:59 | |
you'd be the last one to sell! | 0:09:59 | 0:10:00 | |
Yeah, you ought to know, honey! | 0:10:00 | 0:10:02 | |
See, I left Hong Kong before this aired... | 0:10:02 | 0:10:06 | |
..and I begged a friend of mine there to tape it on VHS, and said, | 0:10:07 | 0:10:10 | |
"I will miss the episode, they get together! | 0:10:10 | 0:10:13 | |
"I've been waiting for six years," or however long it was. | 0:10:13 | 0:10:16 | |
And she did, she sent it to me, and I watched it about 100 times. | 0:10:16 | 0:10:19 | |
This one scene, | 0:10:19 | 0:10:21 | |
cos I just thought it was so sexy. | 0:10:21 | 0:10:22 | |
I was only 16, I was like... | 0:10:22 | 0:10:24 | |
"This is so sexy." | 0:10:24 | 0:10:25 | |
Did you wear the tape out? | 0:10:25 | 0:10:27 | |
I did! Really? | 0:10:27 | 0:10:28 | |
Fine. Fine. | 0:10:29 | 0:10:31 | |
Good. Good. | 0:10:31 | 0:10:32 | |
Here comes the slap. | 0:10:32 | 0:10:33 | |
Boom! Get out. | 0:10:35 | 0:10:36 | |
And she'll do it again. Watch! Ooh, that had to hurt. | 0:10:36 | 0:10:38 | |
One more. Ooh! Get out. | 0:10:38 | 0:10:40 | |
Third one coming. | 0:10:40 | 0:10:41 | |
MUSIC: Be My Baby by The Ronettes | 0:10:44 | 0:10:46 | |
And smash! | 0:10:55 | 0:10:56 | |
NINA GIGGLES | 0:11:00 | 0:11:02 | |
Ooh, there goes the table! There was no need for that. | 0:11:02 | 0:11:04 | |
That was a good table, that. LAUGHTER | 0:11:04 | 0:11:06 | |
OK, we can stop now, this is embarrassing. No, I'm enjoying it. | 0:11:06 | 0:11:09 | |
Stop it! LAUGHTER | 0:11:09 | 0:11:11 | |
Oh, my! | 0:11:14 | 0:11:16 | |
He's so gorgeous, isn't he? Yeah. | 0:11:16 | 0:11:19 | |
You think she's gorgeous, I'm sure, but... Yeah, no. | 0:11:20 | 0:11:23 | |
And then that was it. After... I then became this big Die Hard fan. | 0:11:23 | 0:11:26 | |
When he then decided to go into action movies, forget it! | 0:11:26 | 0:11:29 | |
That was it for me. But... | 0:11:29 | 0:11:32 | |
Yeah, he's just... He has that... | 0:11:32 | 0:11:34 | |
It's the humour. | 0:11:34 | 0:11:35 | |
It's the humour along with the fact that, you know, | 0:11:35 | 0:11:37 | |
he looked the way he looked, as well. It's just kind of... | 0:11:37 | 0:11:40 | |
And then he went into action. Finished, I'm done. | 0:11:40 | 0:11:43 | |
So did you watch this, Moonlighting, with your family? | 0:11:43 | 0:11:46 | |
Never in a million years. | 0:11:46 | 0:11:48 | |
No? No chance! | 0:11:48 | 0:11:49 | |
I couldn't watch this show with them. | 0:11:49 | 0:11:51 | |
What sort of programmes were your parents strict about you watching? | 0:11:51 | 0:11:54 | |
Anything that involved a kiss. | 0:11:55 | 0:11:58 | |
Well...up until about 15... So Moonlighting was definitely out. | 0:11:58 | 0:12:01 | |
Moonlighting was out! Moonlighting was, you know, | 0:12:01 | 0:12:03 | |
going to my friend's house after school, watching what she'd taped. | 0:12:03 | 0:12:06 | |
Going, "I'm studying, Mum, I'm doing my physics." | 0:12:06 | 0:12:08 | |
"Oh, my God!" You know. | 0:12:08 | 0:12:10 | |
Now, let's look at a show that has a very big influence on you. | 0:12:16 | 0:12:20 | |
And I think you're not alone in that. | 0:12:21 | 0:12:23 | |
It is, of course, Blackadder. | 0:12:23 | 0:12:26 | |
This period sitcom | 0:12:30 | 0:12:31 | |
followed the ill-fated exploits | 0:12:31 | 0:12:33 | |
of the ruthless and cynical | 0:12:33 | 0:12:34 | |
opportunist Edmund Blackadder, | 0:12:34 | 0:12:36 | |
and his hapless sidekick Baldrick. | 0:12:36 | 0:12:39 | |
The second series is set during the Elizabethan era. | 0:12:39 | 0:12:43 | |
It started in 1983. | 0:12:43 | 0:12:45 | |
Did it? Would you believe? Yeah. Gosh. | 0:12:45 | 0:12:47 | |
Right, Baldrick... | 0:12:47 | 0:12:49 | |
Baldrick is loyal, but very dim, | 0:12:49 | 0:12:50 | |
much to Blackadder's frustration. | 0:12:50 | 0:12:52 | |
If I have two beans, | 0:12:53 | 0:12:55 | |
and then I add two more beans... | 0:12:55 | 0:12:57 | |
..what do I have? | 0:12:58 | 0:13:00 | |
Some beans. | 0:13:00 | 0:13:01 | |
NINA GIGGLES | 0:13:02 | 0:13:03 | |
This scene is typical of the comedic relationship between the two. | 0:13:05 | 0:13:08 | |
Let's try again, shall we? | 0:13:08 | 0:13:09 | |
I have two beans. | 0:13:09 | 0:13:11 | |
Then I add two more beans. | 0:13:11 | 0:13:13 | |
What does that make? | 0:13:13 | 0:13:14 | |
A very small casserole. | 0:13:14 | 0:13:16 | |
Baldrick's declarations that he had hatched a "cunning plan" | 0:13:19 | 0:13:23 | |
were almost always the exact opposite. | 0:13:23 | 0:13:26 | |
One, two, three, four! | 0:13:26 | 0:13:29 | |
So, how many are there? | 0:13:29 | 0:13:31 | |
Three. What? | 0:13:31 | 0:13:32 | |
And that one. LAUGHTER | 0:13:32 | 0:13:34 | |
Three... And that one. | 0:13:34 | 0:13:36 | |
So if I add that one to the three, | 0:13:36 | 0:13:38 | |
what will I have? Oh! | 0:13:38 | 0:13:40 | |
Some beans. | 0:13:40 | 0:13:41 | |
Isn't it great? Love it! Just so clever. Yeah. It's just so clever. | 0:13:45 | 0:13:50 | |
Towards the end of my teens | 0:13:50 | 0:13:52 | |
that was when a lot of British shows started coming over, | 0:13:52 | 0:13:55 | |
and I think one of the first ones I saw out there was Blackadder. | 0:13:55 | 0:13:58 | |
And I was just fascinated by this incredibly cruel man, | 0:14:00 | 0:14:06 | |
but he was so funny. I loved that he was cruel with it, and it... | 0:14:06 | 0:14:09 | |
This, of course, is Rowan Atkinson. This is Rowan Atkinson. | 0:14:09 | 0:14:11 | |
And it just started to shape my sense of humour, | 0:14:11 | 0:14:14 | |
when I realised that... | 0:14:14 | 0:14:17 | |
the British sense of humour's more mine, which is slightly cruel. | 0:14:17 | 0:14:20 | |
But... | 0:14:20 | 0:14:21 | |
But it's very witty, and very funny, and I love the use of sarcasm, | 0:14:21 | 0:14:25 | |
and irony, which I think I had anyway, | 0:14:25 | 0:14:28 | |
but I didn't know how to express it, | 0:14:28 | 0:14:29 | |
or I didn't think it was OK to express. | 0:14:29 | 0:14:31 | |
So, did you like the way they set the series in a different era? | 0:14:31 | 0:14:34 | |
I think that was... That was so clever. Clever. | 0:14:34 | 0:14:36 | |
That was really clever. | 0:14:36 | 0:14:37 | |
In fact, to be honest, everything about that show was just genius. | 0:14:38 | 0:14:43 | |
It was absolutely spot on. | 0:14:43 | 0:14:45 | |
Obviously, Richard Curtis was part of the whole thing, | 0:14:45 | 0:14:49 | |
and I mean, Ben Elton's a huge part of that, isn't he? | 0:14:49 | 0:14:51 | |
Oh, wonderful writer. Yeah. Incredible writer. | 0:14:51 | 0:14:53 | |
So, that whole team of people, you know, so incredibly clever. | 0:14:53 | 0:14:58 | |
The equivalent, I guess, of Saturday Night Live in the States, you know. | 0:14:58 | 0:15:02 | |
They have these groups of people that just... | 0:15:02 | 0:15:03 | |
They just work. Yeah. | 0:15:03 | 0:15:05 | |
And that was them. | 0:15:05 | 0:15:07 | |
Would you like to have been in it? | 0:15:07 | 0:15:08 | |
I would have loved to have been in it! | 0:15:08 | 0:15:10 | |
Who would you have liked to have played? | 0:15:10 | 0:15:12 | |
Ah... It would have to be Queenie. | 0:15:12 | 0:15:14 | |
It would just have to be. | 0:15:14 | 0:15:15 | |
I mean, Miranda Richardson is just incredible. Yeah. | 0:15:15 | 0:15:18 | |
No. | 0:15:18 | 0:15:20 | |
I'm completely bored with explorers. | 0:15:20 | 0:15:22 | |
And if you haven't brought me | 0:15:22 | 0:15:23 | |
any presents, | 0:15:23 | 0:15:24 | |
I'm going to have you executed! | 0:15:24 | 0:15:26 | |
Ma'am? | 0:15:26 | 0:15:27 | |
Miranda Richardson's portrayal | 0:15:27 | 0:15:29 | |
of a cruel, immature Queen Elizabeth | 0:15:29 | 0:15:32 | |
was comedy gold. | 0:15:32 | 0:15:33 | |
Anyone who failed to keep the every petulant Queenie happy | 0:15:33 | 0:15:37 | |
faced certain execution. | 0:15:37 | 0:15:38 | |
Good. A most extraordinary gift from the island paradise we visited. | 0:15:39 | 0:15:43 | |
Hurry up! | 0:15:43 | 0:15:45 | |
Ah. | 0:15:45 | 0:15:46 | |
LAUGHTER | 0:15:46 | 0:15:47 | |
What is it? A stick. | 0:15:49 | 0:15:51 | |
By her side was Stephen Fry as grovelling advisor Lord Melchett, | 0:15:51 | 0:15:56 | |
one of Blackadder's biggest rivals. | 0:15:56 | 0:15:59 | |
If you throw it away... | 0:15:59 | 0:16:00 | |
it comes back! | 0:16:00 | 0:16:01 | |
LAUGHING: Oh, well! | 0:16:01 | 0:16:04 | |
That's no good, is it? | 0:16:04 | 0:16:06 | |
Because when I throw things away, | 0:16:06 | 0:16:08 | |
I don't want them to come back! | 0:16:08 | 0:16:10 | |
Well, here's a programme that you chose as your sneaky peek. OK. | 0:16:16 | 0:16:21 | |
It's Benny Hill. | 0:16:23 | 0:16:25 | |
Benny Hill is one of the great success stories of TV comedy. | 0:16:25 | 0:16:30 | |
For over 35 years, his mix of slapstick | 0:16:30 | 0:16:33 | |
and suggestive humour was a huge hit. | 0:16:33 | 0:16:35 | |
I think the music was so...well, brilliant, iconic, wasn't it? | 0:16:40 | 0:16:44 | |
Absolutely. Absolutely. | 0:16:44 | 0:16:45 | |
At its peak, his show was pulling in audiences of up to 20 million | 0:16:46 | 0:16:52 | |
and celebrities including Charlie Chaplin | 0:16:52 | 0:16:54 | |
and Clint Eastwood were said to be amongst his biggest fans. | 0:16:54 | 0:16:59 | |
Strangely, my parents would let me watch this with them | 0:16:59 | 0:17:02 | |
and I would always pretend I needed some water and run to | 0:17:02 | 0:17:06 | |
the kitchen when the girls took their clothes off | 0:17:06 | 0:17:08 | |
and ran round the field. | 0:17:08 | 0:17:10 | |
Why are three girls hiding behind a tree? | 0:17:14 | 0:17:17 | |
It is quite ridiculous, isn't it? So camp. I love it. | 0:17:19 | 0:17:22 | |
The most common running gag was the chase scene, | 0:17:23 | 0:17:26 | |
where Benny got himself into silly predicaments. | 0:17:26 | 0:17:29 | |
Was it the innuendoes that used to make you laugh? Oh, yeah. | 0:17:31 | 0:17:34 | |
To be honest, his comic timing was brilliant. | 0:17:34 | 0:17:37 | |
It was just, he's such a clever man. | 0:17:37 | 0:17:40 | |
Let's have a look at your next choice. OK. | 0:17:45 | 0:17:47 | |
Some Mothers Do 'Ave 'Em. Brilliant. | 0:17:49 | 0:17:51 | |
Accident-prone Frank Spencer, played by Michael Crawford, | 0:17:53 | 0:17:56 | |
spends his life going from one calamity to the next. | 0:17:56 | 0:18:00 | |
Started in 1973 and ran till 1978. Wow. | 0:18:00 | 0:18:04 | |
And this sequence, wasn't this all...? He did all of this himself. | 0:18:04 | 0:18:09 | |
Did his own stunts, yeah. | 0:18:09 | 0:18:11 | |
He's such a brave man. Oh, my gosh. | 0:18:13 | 0:18:15 | |
What a genius. Absolute genius. Here we go, here we go, here we go. | 0:18:22 | 0:18:26 | |
This incredible roller-skating scene is typical | 0:18:28 | 0:18:31 | |
of the sheer bad luck that Frank experiences in every episode. | 0:18:31 | 0:18:34 | |
That took some doing, didn't it? Unbelievable. | 0:18:35 | 0:18:39 | |
I can't bear it! | 0:18:42 | 0:18:43 | |
Betty! Betty, I've been articulated! | 0:18:45 | 0:18:49 | |
Look at that! | 0:18:49 | 0:18:50 | |
Now, Some Mothers Do 'Ave 'Em, it was very physical humour, wasn't it? | 0:19:00 | 0:19:04 | |
Yeah. And I love that. | 0:19:04 | 0:19:06 | |
Was this a show that you all watched as a family? Yes. Yeah. Loved it. | 0:19:06 | 0:19:11 | |
Absolutely loved it. And, just, it made us laugh. | 0:19:11 | 0:19:15 | |
The put-upon character of the wife, Betty, | 0:19:15 | 0:19:18 | |
"Oh, he's going to do this again." | 0:19:18 | 0:19:21 | |
It's the quality of - I can't stop saying that enough - | 0:19:21 | 0:19:24 | |
it's the quality of the actor, their training, | 0:19:24 | 0:19:28 | |
and every single moment is made important. For me, it's details. | 0:19:28 | 0:19:32 | |
What do you think is required of a good comedy actor? | 0:19:32 | 0:19:35 | |
Detail. It's the detail. The littlest thing, the littlest look, | 0:19:35 | 0:19:41 | |
the littlest moment that you can find in anything that you do, | 0:19:41 | 0:19:46 | |
that's the genius. | 0:19:46 | 0:19:47 | |
That's the bit that's genius. | 0:19:47 | 0:19:49 | |
Now, Nina, we're moving on to a show that made you feel | 0:19:55 | 0:19:58 | |
just a little bit sad. | 0:19:58 | 0:19:59 | |
Behold, the dreaded sponge. | 0:20:03 | 0:20:06 | |
There's a young Nicholas Lyndhurst there. | 0:20:06 | 0:20:08 | |
And, of course, the lovely Wendy Craig. | 0:20:08 | 0:20:11 | |
Butterflies, penned by The Liver Birds writer Carla Lane, was about | 0:20:11 | 0:20:15 | |
a woman trying to escape the boredom and monotony of family life. | 0:20:15 | 0:20:19 | |
Slight problem with her meals, didn't she? | 0:20:21 | 0:20:23 | |
Could not cook to save her life. | 0:20:23 | 0:20:26 | |
It would appear that Adam has got all the custard. | 0:20:37 | 0:20:39 | |
Sorry! Thought it might pour. | 0:20:39 | 0:20:42 | |
Not my custard, Adam. | 0:20:42 | 0:20:44 | |
You should know by now that my custard is unpredictable. | 0:20:44 | 0:20:48 | |
She is the ultimate character to play. Really? | 0:20:48 | 0:20:53 | |
Cos she's funny, but deep inside she's sad. | 0:20:53 | 0:20:57 | |
I mean, you're laughing now, but at the time, this was TV tears. It was! | 0:20:59 | 0:21:02 | |
It was. | 0:21:02 | 0:21:04 | |
Because I felt for her, especially when she meets the other guy. | 0:21:04 | 0:21:07 | |
Nothing really happens with them, | 0:21:07 | 0:21:10 | |
but she meets him and she really wants that other life too. | 0:21:10 | 0:21:14 | |
That's the thing with women generally - we want it all. | 0:21:14 | 0:21:18 | |
We want the love, but we want the excitement of the affair, | 0:21:18 | 0:21:22 | |
but we want our career, but we want children. | 0:21:22 | 0:21:25 | |
We want it all and that lady there, that's who she was playing. | 0:21:25 | 0:21:31 | |
So she has this family unit, she loves them, | 0:21:31 | 0:21:35 | |
but she thinks something's missing. | 0:21:35 | 0:21:38 | |
She wants that excitement of another romance | 0:21:38 | 0:21:40 | |
or the excitement of something else. | 0:21:40 | 0:21:43 | |
I look in the mirror, and I think... I think... | 0:21:43 | 0:21:48 | |
Go on, tear those to pieces while you tell me what you think. | 0:21:48 | 0:21:51 | |
A lot of these things that I've seen, | 0:21:53 | 0:21:55 | |
I've always been interested in watching how the women play it, | 0:21:55 | 0:21:58 | |
because there were never that many women doing the kind of comedy | 0:21:58 | 0:22:01 | |
that I would aspire to, | 0:22:01 | 0:22:03 | |
so when you had people like Wendy Craig come along, | 0:22:03 | 0:22:06 | |
or you had Miranda Richardson creating her character, | 0:22:06 | 0:22:08 | |
you got, "Oh, yeah, there is a possibility. I can do it." | 0:22:08 | 0:22:11 | |
Now, Nina, it's time to move on to your big break - | 0:22:17 | 0:22:20 | |
Goodness Gracious Me. | 0:22:20 | 0:22:22 | |
Get some tea. Oh, no, no, no. No need. | 0:22:24 | 0:22:28 | |
I made this at home, for nothing! | 0:22:29 | 0:22:31 | |
Now, about the wedding... Yes. Do you have any thoughts on the venue? | 0:22:35 | 0:22:39 | |
Yes. I thought...we'll make it at home for nothing. | 0:22:39 | 0:22:43 | |
One of Nina's most memorable characters | 0:22:43 | 0:22:46 | |
was the embarrassingly frugal mother, | 0:22:46 | 0:22:48 | |
Mrs "I can make it at home for nothing!" | 0:22:48 | 0:22:51 | |
You think weddings are all free booze and fancy gifts and... | 0:22:51 | 0:22:55 | |
# Come on, Eileen. # Hm? | 0:22:55 | 0:22:57 | |
Are you sure that this is going to be...? Yes, of course. | 0:23:00 | 0:23:03 | |
Why waste money, when you can make it at home for nothing? | 0:23:03 | 0:23:06 | |
Now, I thought, as a bridal outfit, I would give your daughter | 0:23:08 | 0:23:12 | |
this sari, which my mother gave to me on her death bed. | 0:23:12 | 0:23:16 | |
She's insane! Well done. | 0:23:18 | 0:23:21 | |
Oh, dear. So who inspired that one? | 0:23:21 | 0:23:25 | |
My mum, obviously! | 0:23:25 | 0:23:27 | |
Great time, though? Yeah. Best time. | 0:23:27 | 0:23:30 | |
We laughed, from morning to night, just laughed, making this, | 0:23:30 | 0:23:33 | |
because it's our experiences. | 0:23:33 | 0:23:36 | |
It's our experiences of being an immigrant in this country | 0:23:36 | 0:23:40 | |
and what it's like. That was my first proper TV. | 0:23:40 | 0:23:43 | |
I'd been a theatre girl up till that point. | 0:23:43 | 0:23:46 | |
I was doing loads of Shakespeare and that was my kind of thing. | 0:23:46 | 0:23:51 | |
Then we made a one-off series, on radio, and the next thing | 0:23:51 | 0:23:56 | |
we knew, they said, "It's not just radio, we're going on TV." | 0:23:56 | 0:23:59 | |
And I went, "I don't have any TV experience." | 0:23:59 | 0:24:02 | |
So what you see there is my first foray properly on TV. | 0:24:02 | 0:24:07 | |
Was you surprised at how huge it became? | 0:24:07 | 0:24:10 | |
I'm still surprised how huge it became. | 0:24:10 | 0:24:13 | |
I was just happy that, kind of, Indian people laughed at this show. | 0:24:13 | 0:24:16 | |
I thought that's what it was going to be, | 0:24:16 | 0:24:18 | |
was something for the Indian community. | 0:24:18 | 0:24:19 | |
It didn't even occur to me that people understood what | 0:24:19 | 0:24:23 | |
we were trying to do, you know, and then it went worldwide after that. | 0:24:23 | 0:24:28 | |
Just, it went crazy and people... I think people just related | 0:24:28 | 0:24:32 | |
to the characters themselves, | 0:24:32 | 0:24:34 | |
not necessarily the fact that they were Indian characters. | 0:24:34 | 0:24:37 | |
There was an event we were invited to with the Greek community | 0:24:37 | 0:24:40 | |
in North London and they said, "You're an honorary Greek." | 0:24:40 | 0:24:44 | |
The same thing happened, we went to a Jewish event, | 0:24:44 | 0:24:46 | |
"You're an honorary Jew. | 0:24:46 | 0:24:47 | |
"We have Jewish mums who are like the competitive mums." | 0:24:47 | 0:24:49 | |
So every community felt like they knew someone there | 0:24:49 | 0:24:53 | |
and it was humour that kids could watch, right up to grandparents. | 0:24:53 | 0:24:59 | |
And so it worked. So, obviously, you then moved on to EastEnders. Yes. | 0:24:59 | 0:25:04 | |
They told me what THEY wanted. | 0:25:04 | 0:25:06 | |
The brief was "Pauline Fowler, but funny." | 0:25:06 | 0:25:08 | |
So, I thought, "She's really grumpy. Grumpy old woman. How do I do that?" | 0:25:08 | 0:25:12 | |
So, of course, I asked my husband, | 0:25:12 | 0:25:14 | |
"How do I create a character who's a grumpy old woman, but funny?" | 0:25:14 | 0:25:16 | |
He went, "Just be yourself." | 0:25:16 | 0:25:17 | |
I said, "All right, then!" We're going to take a little look. OK. | 0:25:19 | 0:25:23 | |
Here we are. | 0:25:23 | 0:25:24 | |
Oh, dear. EastEnders. | 0:25:24 | 0:25:27 | |
I'm glad for the good times, Zee. Oh, there were good times? | 0:25:27 | 0:25:31 | |
I'm joking. | 0:25:33 | 0:25:35 | |
That was very funny. Ha, ha. | 0:25:38 | 0:25:41 | |
I'm glad for them too, Mas. | 0:25:44 | 0:25:45 | |
This is the moment that Nina's character Zainab | 0:25:47 | 0:25:49 | |
and husband Masood finalise their divorce. | 0:25:49 | 0:25:52 | |
So, should we...shake hands, or...? I don't know. Do we? | 0:25:53 | 0:25:58 | |
Gosh. Oh. Eurgh. Yuck. | 0:26:07 | 0:26:09 | |
I mean, I've known Nitin for so... | 0:26:11 | 0:26:13 | |
I've known him longer than my own husband. | 0:26:13 | 0:26:15 | |
He's played my husband in so many other things, | 0:26:15 | 0:26:17 | |
so we kind of knew each other a lot before we worked together, | 0:26:17 | 0:26:21 | |
so it was very easy working with him | 0:26:21 | 0:26:23 | |
and it was very easy to find that couple and that family. | 0:26:23 | 0:26:28 | |
It was very, very good. | 0:26:28 | 0:26:30 | |
And on Enders, they made fun of us, | 0:26:30 | 0:26:31 | |
cos we actually hung out together as a family. | 0:26:31 | 0:26:33 | |
So you were there for six years. How difficult was it to say goodbye? | 0:26:33 | 0:26:37 | |
Very hard. Was it your decision? My decision. And very hard. | 0:26:37 | 0:26:41 | |
Why did you make that decision? I was missing my kids. | 0:26:41 | 0:26:45 | |
It's very long hours, long days. | 0:26:45 | 0:26:49 | |
I was really missing them and I thought, "No, I need to go away. | 0:26:49 | 0:26:53 | |
"I need to freshen up." | 0:26:53 | 0:26:55 | |
And if they ever want her back, I would go back but with force. | 0:26:55 | 0:26:58 | |
I'd go in and just be funny again and stick to that side, | 0:26:58 | 0:27:02 | |
because I enjoyed that side of her. Mm-hm. | 0:27:02 | 0:27:05 | |
So, Nina, what sort of TV do you like watching these days? | 0:27:12 | 0:27:14 | |
What do you enjoy? | 0:27:14 | 0:27:16 | |
Um, again, sticking with the comedy theme, but slightly different, | 0:27:16 | 0:27:19 | |
I was saying Modern Family is one of the ones that we can watch. | 0:27:19 | 0:27:22 | |
We tend to kind of, for evening telly viewing or a Saturday night | 0:27:22 | 0:27:25 | |
or something, we tend to watch something | 0:27:25 | 0:27:28 | |
that the kids will enjoy too, but that's funny. | 0:27:28 | 0:27:31 | |
I'm doing a lot more documentary watching. | 0:27:31 | 0:27:33 | |
You know, the kind of biopics of rock stars | 0:27:33 | 0:27:37 | |
and a bit more grown-up stuff, grown-up TV. | 0:27:37 | 0:27:40 | |
My guest obviously gets a chance to pick a theme tune for us | 0:27:40 | 0:27:43 | |
to play out on. Yes. What's it going to be? Oh, it's a tough choice. | 0:27:43 | 0:27:47 | |
I'm going to go with Dukes Of Hazzard. | 0:27:47 | 0:27:50 | |
OK, so it's going to be The Dukes Of Hazzard. Yes. | 0:27:50 | 0:27:52 | |
My thanks to you, Nina. Thank you so much. Thank you so much. Aw. | 0:27:52 | 0:27:55 | |
You're brilliant. You've been an absolute joy | 0:27:55 | 0:27:57 | |
to have a little chat with today. So, my thanks to Nina | 0:27:57 | 0:27:59 | |
and my thanks to you for watching The TV That Made Me. | 0:27:59 | 0:28:03 | |
We'll see you next time, bye-bye. | 0:28:03 | 0:28:05 | |
MUSIC: Theme from The Dukes Of Hazzard (Good Ol' Boys) | 0:28:08 | 0:28:12 |