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TV - the magic box of delights. | 0:00:02 | 0:00:04 | |
As kids, it showed us a million different worlds | 0:00:04 | 0:00:06 | |
all from our living room. | 0:00:06 | 0:00:08 | |
This takes me right back. | 0:00:09 | 0:00:11 | |
That's so embarrassing. | 0:00:11 | 0:00:12 | |
I am genuinely shocked. | 0:00:12 | 0:00:14 | |
'Each day, I'm going to journey through | 0:00:14 | 0:00:16 | |
'the wonderful world of telly | 0:00:16 | 0:00:18 | |
'with one of our favourite celebrities...' | 0:00:18 | 0:00:20 | |
It's just so silly. | 0:00:20 | 0:00:22 | |
Oh, I love it! | 0:00:22 | 0:00:24 | |
Is it Mr Benn? | 0:00:24 | 0:00:26 | |
SHE HUMS TUNE Shut it! | 0:00:26 | 0:00:28 | |
'..as they select the iconic TV moments...' | 0:00:28 | 0:00:31 | |
-Ooh, hello. -HE LAUGHS | 0:00:31 | 0:00:34 | |
'..that tell us the stories of their lives.' | 0:00:34 | 0:00:36 | |
-WOMAN GASPS -Oh, my gosh! | 0:00:36 | 0:00:39 | |
-BOTH: -Cheers. | 0:00:39 | 0:00:40 | |
-'Some will make you laugh...' -HE GRUNTS | 0:00:40 | 0:00:42 | |
SHE LAUGHS Oh, no! | 0:00:42 | 0:00:44 | |
-'..some will surprise...' -SQUAWKING | 0:00:44 | 0:00:47 | |
Oh! | 0:00:47 | 0:00:48 | |
'..many will inspire...' | 0:00:48 | 0:00:49 | |
Ooh! | 0:00:49 | 0:00:50 | |
Look at this. Why wouldn't you want to watch this? | 0:00:50 | 0:00:53 | |
'..and others will move us.' | 0:00:53 | 0:00:55 | |
Seeing that there made a huge impact on me. | 0:00:55 | 0:00:57 | |
'You're not having my kid.' | 0:00:57 | 0:00:59 | |
Got a handkerchief? | 0:00:59 | 0:01:00 | |
So, come watch with us as we rewind to the classic telly | 0:01:00 | 0:01:06 | |
that shaped those wide-eyed youngsters | 0:01:06 | 0:01:08 | |
into the much-loved stars they are today. | 0:01:08 | 0:01:11 | |
-APPLAUSE -Welcome to The TV That Made Me. | 0:01:20 | 0:01:22 | |
My guest today has many strings to her bow. | 0:01:22 | 0:01:25 | |
Ladies and gentlemen, please welcome to my flat Myleene Klass. | 0:01:25 | 0:01:29 | |
-CHEERING AND APPLAUSE Hello. -How are you? | 0:01:29 | 0:01:32 | |
-Good. How are you? -I am very well. | 0:01:32 | 0:01:33 | |
-Thanks for having me. -Welcome to my humble abode. | 0:01:33 | 0:01:36 | |
Very nice. | 0:01:36 | 0:01:38 | |
-Do you like it? -I like that I match the sofa. | 0:01:38 | 0:01:40 | |
-Oh, yeah. -I look like a cushion. -Was that intentional? | 0:01:40 | 0:01:43 | |
-No, but yes, it was. -Yeah? | 0:01:43 | 0:01:45 | |
A classical musician, chart-topping pop star, | 0:01:46 | 0:01:50 | |
fashion designer and TV presenter, | 0:01:50 | 0:01:52 | |
Myleene is no stranger to the small screen. | 0:01:52 | 0:01:55 | |
The TV that made her | 0:01:57 | 0:01:58 | |
includes a legendary all-round entertainer, | 0:01:58 | 0:02:01 | |
a cult '90s game show that had us all on the edge of our seats... | 0:02:01 | 0:02:05 | |
Two minutes left. | 0:02:05 | 0:02:07 | |
Whoa! | 0:02:07 | 0:02:08 | |
..and a famous talk show that was one of her first steps | 0:02:08 | 0:02:12 | |
on the path to stardom. | 0:02:12 | 0:02:14 | |
-So, are you excited about today? -I am. -Yeah? -Yeah, yeah. | 0:02:14 | 0:02:18 | |
Do you think TV has played a big part in your growing up? | 0:02:18 | 0:02:20 | |
Oh, hugely. | 0:02:20 | 0:02:22 | |
I think even just the little sort of titbits | 0:02:22 | 0:02:24 | |
you remember or things you come out and say. | 0:02:24 | 0:02:26 | |
I said to my girls the older day, | 0:02:26 | 0:02:28 | |
I said, "Do you love anyone enough to give them your last Rolo?" | 0:02:28 | 0:02:31 | |
And they just looked at me completely blankly. | 0:02:31 | 0:02:34 | |
-You just think, you know, it just identifies an era. -Yeah. | 0:02:34 | 0:02:38 | |
Well, today is a celebration of your TV, | 0:02:38 | 0:02:40 | |
classic moments that you have chosen. | 0:02:40 | 0:02:43 | |
-You can see why I am the way I am. -Yes, we will find out by the end. | 0:02:43 | 0:02:45 | |
Are we a similar age, though? | 0:02:45 | 0:02:47 | |
Will I find out why you're the way you are? | 0:02:47 | 0:02:49 | |
-Do you think we're a similar age? No. -Well, I'm 21, so... -Yeah. | 0:02:49 | 0:02:53 | |
But first up we're going to take a look | 0:02:53 | 0:02:55 | |
at a very young Myleene growing up. | 0:02:55 | 0:02:57 | |
-OK. -Have a little look at this. | 0:02:57 | 0:02:59 | |
Born in Norfolk in 1978 | 0:03:01 | 0:03:03 | |
to a British-Austrian father and a Filipino mother, | 0:03:03 | 0:03:07 | |
Myleene fell in love with music from a young age, | 0:03:07 | 0:03:10 | |
picking up her grandfather's violin at just four years old. | 0:03:10 | 0:03:14 | |
Her obsession with music continued to grow as a teenager | 0:03:15 | 0:03:19 | |
and she won a scholarship to the prestigious Royal Academy of Music. | 0:03:19 | 0:03:23 | |
Myleene went on to work as a session singer to the stars. | 0:03:24 | 0:03:27 | |
But in 2000, her life changed forever | 0:03:29 | 0:03:33 | |
when she was catapulted to stardom as part of the pop group Hear'Say, | 0:03:33 | 0:03:37 | |
and the rest, as they say, is history. | 0:03:37 | 0:03:40 | |
Isn't that lovely? Was it nice looking back? | 0:03:42 | 0:03:46 | |
-I haven't changed the hair very much. -No. | 0:03:46 | 0:03:48 | |
Yeah, good memories. It's nice, actually. I... | 0:03:48 | 0:03:52 | |
Music, it was all about music for me all the time. | 0:03:52 | 0:03:54 | |
Very arty, very creative. And if it wasn't that, it was science. | 0:03:54 | 0:03:57 | |
Cos I think people forget that you are | 0:03:57 | 0:04:00 | |
a classically-trained musician. | 0:04:00 | 0:04:02 | |
Yes. It's my little surprise card. | 0:04:02 | 0:04:05 | |
-Mm-hm. -They just think white bikini, right? | 0:04:05 | 0:04:07 | |
Yeah, they do. | 0:04:07 | 0:04:09 | |
White bikini, that was from I'm A Celebrity... | 0:04:09 | 0:04:11 | |
-Get Me Out Of Here! -That's right. | 0:04:11 | 0:04:13 | |
It was that moment, which I believe you auctioned off... | 0:04:13 | 0:04:15 | |
I did. I don't know where it's gone. | 0:04:15 | 0:04:17 | |
I don't want to think about who's got it. | 0:04:17 | 0:04:20 | |
I auctioned it off for charity. | 0:04:21 | 0:04:23 | |
-Yeah. -So, that was it. | 0:04:23 | 0:04:25 | |
A lot came from it, however I think it was an accident, actually, | 0:04:25 | 0:04:28 | |
that I even had that bikini cos I went to go into the jungle, | 0:04:28 | 0:04:32 | |
and we're talking a couple of hours before I went in, | 0:04:32 | 0:04:34 | |
one of the producers said, | 0:04:34 | 0:04:36 | |
"You can't wear that. It's going to strobe." | 0:04:36 | 0:04:38 | |
You know if you wear a pattern, too tight a pattern on TV | 0:04:38 | 0:04:40 | |
-then it kind of... -They strobe up. | 0:04:40 | 0:04:42 | |
Yeah, it has a sort of strobing effect. | 0:04:42 | 0:04:44 | |
So, I ran into just a local store and I went, | 0:04:44 | 0:04:47 | |
"Give me the plainest, plainest bikini you have," | 0:04:47 | 0:04:49 | |
and I kind of... I owe it all to that girl that went, | 0:04:49 | 0:04:52 | |
-"We've got this for 20." -Yeah. | 0:04:52 | 0:04:55 | |
Myleene, I'm so pleased you're with us. | 0:05:00 | 0:05:01 | |
We're going to take a trip down memory lane | 0:05:01 | 0:05:03 | |
and look at your very first TV memory. | 0:05:03 | 0:05:06 | |
It's Fraggle Rock. | 0:05:06 | 0:05:08 | |
'Created by legendary puppeteer Jim Henson, | 0:05:09 | 0:05:13 | |
'Fraggle Rock first bounced onto our British TV screens | 0:05:13 | 0:05:16 | |
'in January 1984.' | 0:05:16 | 0:05:18 | |
# Dance your cares away Worry's for another day | 0:05:18 | 0:05:22 | |
-# Let... # -# The music play | 0:05:22 | 0:05:25 | |
# Down at Fraggle Rock. # | 0:05:25 | 0:05:26 | |
'The show followed the adventures | 0:05:26 | 0:05:28 | |
'of a fun-loving group of furry subterranean creatures.' | 0:05:28 | 0:05:32 | |
-We're Gobo! -Wembley! -Red! | 0:05:32 | 0:05:35 | |
Oh, my gosh. This is so funny. | 0:05:35 | 0:05:38 | |
Oh, my gosh. | 0:05:38 | 0:05:39 | |
Did you know this song reached number 33 | 0:05:39 | 0:05:42 | |
in the British music charts? | 0:05:42 | 0:05:43 | |
-Did it really? -Yeah. -I probably bought every copy. | 0:05:43 | 0:05:46 | |
-And I used to love the way the Fraggles moved. -Yeah. | 0:05:46 | 0:05:50 | |
-Shall we play a little bit more of the clip? -Yeah. | 0:05:50 | 0:05:52 | |
It's very kind of you, Doris. No, no. I'm flattered. | 0:05:52 | 0:05:55 | |
Nothing would give me greater pleasure. And thank you. | 0:05:55 | 0:05:58 | |
'While UK viewers fondly remember the captain | 0:05:58 | 0:06:01 | |
'and his dog Sprocket who lived in the lighthouse, | 0:06:01 | 0:06:04 | |
'this wasn't the case for everyone | 0:06:04 | 0:06:06 | |
'as, cleverly, the human segment of the show changed | 0:06:06 | 0:06:09 | |
'with the programme's location.' | 0:06:09 | 0:06:10 | |
I'm the ideal man for the job. | 0:06:10 | 0:06:12 | |
'So, in America, the man was an inventor named Doc, | 0:06:12 | 0:06:15 | |
'while in France he was a chef with a dog called Croquette.' | 0:06:15 | 0:06:20 | |
Why not? | 0:06:20 | 0:06:21 | |
Fraggle Rock is a haven for some of the most beautiful birds | 0:06:21 | 0:06:24 | |
in the entire British Isles. | 0:06:24 | 0:06:27 | |
I suppose it was something about | 0:06:27 | 0:06:28 | |
having a real person in it that made it, do you think? | 0:06:28 | 0:06:31 | |
And also that when you're a kid, when you're in on the joke, | 0:06:31 | 0:06:34 | |
when the adults don't know, you just love that, don't you? | 0:06:34 | 0:06:37 | |
Yeah, yeah. | 0:06:37 | 0:06:38 | |
He never saw the Fraggles. | 0:06:38 | 0:06:40 | |
-No, the dog... -Sprocket always found the Fraggles. | 0:06:40 | 0:06:43 | |
-Yeah. -When you're a kid, you love that. | 0:06:43 | 0:06:45 | |
# One and one and one are three | 0:06:45 | 0:06:47 | |
# Can you sing as high as me? | 0:06:47 | 0:06:48 | |
# One and one are only two | 0:06:48 | 0:06:50 | |
# I can sing as high... # | 0:06:50 | 0:06:51 | |
'Music played a key role in the show's success, | 0:06:51 | 0:06:53 | |
'featuring a unique mix of 100 original, quirky songs.' | 0:06:53 | 0:06:58 | |
# I'm the one that won! # | 0:06:58 | 0:07:00 | |
'In 1989, Fraggle Rock became the first American TV programme | 0:07:00 | 0:07:04 | |
'to be shown in the Soviet Union.' | 0:07:04 | 0:07:06 | |
# One and one are only two I can hop as high as you | 0:07:06 | 0:07:09 | |
-# Higher -Higher... # | 0:07:09 | 0:07:11 | |
Look, that's how they move. That's... | 0:07:11 | 0:07:13 | |
HE LAUGHS | 0:07:14 | 0:07:16 | |
-What did you think of the hair? -I loved the hair. | 0:07:16 | 0:07:19 | |
-I think I fashioned a lot of my hair on them. -Really? | 0:07:19 | 0:07:21 | |
-Totally. -Really? -Yeah. Getting the body in. | 0:07:21 | 0:07:23 | |
-Tried to get that Fraggle look. -Of course. Have I succeeded? | 0:07:23 | 0:07:27 | |
-Um...you're not doing bad. -Thank you. | 0:07:27 | 0:07:30 | |
It's very light. | 0:07:30 | 0:07:31 | |
I mean, it's real comedy, isn't it, you know? | 0:07:31 | 0:07:34 | |
I think when you look at what | 0:07:34 | 0:07:35 | |
programmes are like now for children, | 0:07:35 | 0:07:37 | |
which I see a lot with my own children, | 0:07:37 | 0:07:41 | |
-it's all so fast-paced and it's so quickly cut. -Mm-hm. | 0:07:41 | 0:07:45 | |
Whereas with this, it's sort of presented on a plate | 0:07:45 | 0:07:47 | |
-and you're just in there. -Yeah. | 0:07:47 | 0:07:49 | |
It's different. It's a different way of viewing now. | 0:07:49 | 0:07:51 | |
They've got such an identifiable look, | 0:07:51 | 0:07:54 | |
-and they don't make them like that anymore. -No. No. | 0:07:54 | 0:07:56 | |
How about playing a nice quiet game of Paint A Song? | 0:07:56 | 0:08:00 | |
-Oh, that's a good idea, Gobo. -Yeah. I could use a little therapy. | 0:08:00 | 0:08:04 | |
-Oh! -Oh! | 0:08:04 | 0:08:05 | |
So, does it just take you back? | 0:08:05 | 0:08:07 | |
It totally has just transported me to sitting in my living room. | 0:08:07 | 0:08:11 | |
What was your sort of TV snack? | 0:08:11 | 0:08:13 | |
Well, because it was just before we were going to have our dinner, | 0:08:13 | 0:08:16 | |
my mum would get the special trays, these little plastic trays | 0:08:16 | 0:08:19 | |
with little compartments and she'd chop up carrots | 0:08:19 | 0:08:23 | |
and cucumbers and all sorts of... | 0:08:23 | 0:08:24 | |
-Like crudites. -Yes. | 0:08:24 | 0:08:26 | |
And then we'd have these chocolate dips | 0:08:26 | 0:08:28 | |
-that were around at the time. -Chocolate dips. | 0:08:28 | 0:08:30 | |
-Just bits. -Carrots, cucumbers, chocolate dips. | 0:08:30 | 0:08:33 | |
-Carrots, cucumbers, chocolate dips. -Are you going to the kitchen? | 0:08:33 | 0:08:36 | |
OK. Carrots, cucumbers, chocolate dips. | 0:08:36 | 0:08:41 | |
# And a partridge in a pear tree. # | 0:08:41 | 0:08:45 | |
-Oh! -Carrots, cucumbers, chocolate dips. | 0:08:45 | 0:08:49 | |
So, you wouldn't dip your cucumber in... | 0:08:49 | 0:08:51 | |
I probably would do, actually. | 0:08:51 | 0:08:53 | |
-Would you? -Yeah. SHE GASPS | 0:08:53 | 0:08:56 | |
-Do you want one? -Yes. -Go on, then. -Are you having one? | 0:08:56 | 0:08:59 | |
What, carrot and chocolate? | 0:08:59 | 0:09:00 | |
Carrot and chocolate. I'll give it a go. | 0:09:00 | 0:09:02 | |
If it's good enough for Myleene, it's good enough for me. | 0:09:02 | 0:09:04 | |
If you're doing it, I'll do it too. | 0:09:04 | 0:09:06 | |
That's what happens, cos they never give you enough little sticks. | 0:09:06 | 0:09:09 | |
Oh, do you know what? | 0:09:09 | 0:09:10 | |
-It's all right. -Are we back there now, Fraggle Rock, with your dips? | 0:09:13 | 0:09:16 | |
That's not bad, is it? | 0:09:16 | 0:09:17 | |
-It's actually really good. -LAUGHTER | 0:09:17 | 0:09:20 | |
Yeah. I'd recommend this to anyone. | 0:09:20 | 0:09:21 | |
-A bit of chocolate and carrot. -Chocolate-dipped carrot. -Yeah. | 0:09:21 | 0:09:24 | |
We might have just invented something there. | 0:09:24 | 0:09:27 | |
-This is amazing. -Yeah? | 0:09:27 | 0:09:28 | |
I can't believe you've done this for me. | 0:09:28 | 0:09:30 | |
Oh, we like to make an effort, you know. | 0:09:30 | 0:09:32 | |
Being at my little flat with my lodgers. | 0:09:32 | 0:09:35 | |
-LAUGHTER -You know... | 0:09:35 | 0:09:37 | |
So, set the scene for us, you know. You'd be in your lounge. | 0:09:37 | 0:09:40 | |
Sitting in the lounge. | 0:09:40 | 0:09:42 | |
Shoes off, obviously. Not on the couch. | 0:09:42 | 0:09:45 | |
And then just all snuggled up with my tray | 0:09:45 | 0:09:48 | |
with my sliced carrots. | 0:09:48 | 0:09:49 | |
-Watching Fraggle Rock. -Yeah. | 0:09:49 | 0:09:51 | |
So, we've already touched on your mum. | 0:09:51 | 0:09:53 | |
Tell us a little bit more about your home life. | 0:09:53 | 0:09:56 | |
Well, my dad used to be in the navy, so he's... | 0:09:56 | 0:09:59 | |
Maybe that's something to do with the lighthouse keeper. | 0:09:59 | 0:10:01 | |
He doesn't not look like that. | 0:10:01 | 0:10:03 | |
-My dad looks a bit like Captain Birdseye. -Oh, really? | 0:10:03 | 0:10:05 | |
Proper navy seadog. | 0:10:05 | 0:10:06 | |
My mum was quite strict with a lot of the TV, | 0:10:11 | 0:10:17 | |
so there were certain things I wasn't allowed to watch. | 0:10:17 | 0:10:20 | |
-Oh, really? -Yeah, that she thought would scare me or... -Oh, right. | 0:10:20 | 0:10:23 | |
-..that it would have a bad influence. -Yeah. | 0:10:23 | 0:10:25 | |
But one thing I know everyone at school was watching, | 0:10:25 | 0:10:28 | |
cos they used to talk about it | 0:10:28 | 0:10:29 | |
and I used to miss it all the time, Grange Hill. | 0:10:29 | 0:10:32 | |
I hear the music and I get a bit anxious. | 0:10:32 | 0:10:35 | |
-You get... -Cos I know I have to turn the telly off. -Really? | 0:10:35 | 0:10:38 | |
-Mm. -So, should we have a little look at Grange Hill? | 0:10:38 | 0:10:41 | |
You're being very naughty. | 0:10:41 | 0:10:42 | |
Eh? Are you going to get all anxious when you hear the music? | 0:10:42 | 0:10:45 | |
I'll hear the music and I'm going to want to turn it off. | 0:10:45 | 0:10:48 | |
I've been programmed to do so. SHE HUMS GRANGE HILL THEME | 0:10:48 | 0:10:52 | |
-Do you want to hide behind the sofa? -I've got my cushion. | 0:10:52 | 0:10:54 | |
Get the cushion. Here we go. There it is. Grange Hill. | 0:10:54 | 0:10:58 | |
MUSIC: Grange Hill theme tune | 0:10:58 | 0:11:00 | |
Making its debut the same year as Myleene was born, | 0:11:00 | 0:11:02 | |
Grange Hill followed the lives of the students | 0:11:02 | 0:11:05 | |
and teachers at Grange Hill Comprehensive. | 0:11:05 | 0:11:08 | |
Famed for tackling the tough storylines, | 0:11:08 | 0:11:10 | |
from bullying to drug addiction, | 0:11:10 | 0:11:12 | |
the show ran for three decades, finally closing the school gates | 0:11:12 | 0:11:16 | |
after 601 episodes in 2008. | 0:11:16 | 0:11:21 | |
-THEY HUM GRANGE HILL INTRO -I've got to press pause. | 0:11:23 | 0:11:26 | |
Off. | 0:11:26 | 0:11:28 | |
Are you ready for this? | 0:11:28 | 0:11:29 | |
Yeah. I don't know what I'm going to see. It's going to be a revelation. | 0:11:29 | 0:11:32 | |
Do you want to hold my hand? OK. This could scar you for life. | 0:11:32 | 0:11:36 | |
Oh, exciting. | 0:11:36 | 0:11:37 | |
What do they want these for? | 0:11:37 | 0:11:40 | |
-Where are you going with those? -Out of the way. | 0:11:40 | 0:11:42 | |
-I used to be in this. -Did you? | 0:11:44 | 0:11:46 | |
I used to be an extra in Grange Hill. | 0:11:46 | 0:11:50 | |
You touch these, I'll tell Mr Bronson. | 0:11:50 | 0:11:52 | |
What would I want to touch them for? I've something much better in mind. | 0:11:52 | 0:11:55 | |
Looks a bit long, that tie of yours. | 0:11:55 | 0:11:58 | |
You dare, I'm telling you, Davis. | 0:11:58 | 0:11:59 | |
-Ooh! -This is the kind of thing she's talking about, you see. | 0:11:59 | 0:12:03 | |
Davis! | 0:12:03 | 0:12:04 | |
Why do you need a tie that long? | 0:12:04 | 0:12:06 | |
Oh, I can see why your mum didn't want you to watch it. | 0:12:06 | 0:12:08 | |
-I mean, it is... -I'm quite shocked. -It's a bit full-on. | 0:12:08 | 0:12:11 | |
He's lost his tie. | 0:12:11 | 0:12:12 | |
I just bought this tie. Three quid I paid. | 0:12:12 | 0:12:14 | |
Criminal, isn't it? | 0:12:14 | 0:12:15 | |
Now you'll have to save for another one. | 0:12:15 | 0:12:18 | |
Do you feel as though you might have missed out not watching Grange Hill? | 0:12:18 | 0:12:22 | |
Um, I don't feel like I've missed out, | 0:12:22 | 0:12:24 | |
now I've seen what I was missing. | 0:12:24 | 0:12:26 | |
-There was a lot of bullying, wasn't there? -Do you know what? | 0:12:26 | 0:12:28 | |
In fairness, though, I think for my mum to let us watch that, | 0:12:28 | 0:12:31 | |
I think... | 0:12:31 | 0:12:33 | |
How do you explain that if that's not happening to you? Or... | 0:12:33 | 0:12:36 | |
I don't know. | 0:12:36 | 0:12:37 | |
-Cutting ties, ripping off blazer pockets is not acceptable. -No. | 0:12:37 | 0:12:41 | |
-But eating carrots with chocolate is. -That's completely fine. | 0:12:41 | 0:12:44 | |
-Yes. -Absolutely. -Yeah. | 0:12:44 | 0:12:46 | |
This is your next choice. This is your must-see TV. | 0:12:51 | 0:12:53 | |
This is something you'd run home from school to watch. | 0:12:53 | 0:12:56 | |
# Neighbours... # | 0:12:58 | 0:12:59 | |
Oh, yes! | 0:12:59 | 0:13:02 | |
# Everybody needs good neighbours... # | 0:13:02 | 0:13:04 | |
Set in the fictional Aussie suburb of Erinsborough, | 0:13:04 | 0:13:07 | |
Neighbours has followed the trials and tribulations of residents | 0:13:07 | 0:13:10 | |
of Ramsay Street for over 30 years. | 0:13:10 | 0:13:15 | |
Its instantly recognisable theme tune was composed | 0:13:15 | 0:13:18 | |
by Tony Hatch, who was also responsible for | 0:13:18 | 0:13:21 | |
Petula Clark's number one hit Downtown. | 0:13:21 | 0:13:23 | |
# That's when good neighbours become... # | 0:13:23 | 0:13:26 | |
Guy Pearce. He's, like, a Hollywood star now. | 0:13:26 | 0:13:28 | |
Yeah. Yeah. | 0:13:28 | 0:13:29 | |
What if she doesn't turn up, eh? | 0:13:31 | 0:13:32 | |
You're never playing the wedding. | 0:13:32 | 0:13:34 | |
'Over 7,000 episodes of Neighbours | 0:13:34 | 0:13:37 | |
'have been aired in the UK since 1986. | 0:13:37 | 0:13:41 | |
'One of the highest-rated was of course | 0:13:41 | 0:13:43 | |
'Scott and Charlene's wedding.' | 0:13:43 | 0:13:46 | |
Expect a few more people than this | 0:13:46 | 0:13:48 | |
for a wedding like this, wouldn't you? | 0:13:48 | 0:13:50 | |
'On the 8th of November 1988 over 19 million viewers | 0:13:51 | 0:13:56 | |
'across the UK tuned in to watch a young Kylie Minogue | 0:13:56 | 0:14:00 | |
'marry heart-throb Jason Donovan.' | 0:14:00 | 0:14:03 | |
Here she comes, backlit. | 0:14:08 | 0:14:11 | |
# The only dream that I... # | 0:14:11 | 0:14:13 | |
-Does it take you back? -This is insane. | 0:14:13 | 0:14:16 | |
I used to... | 0:14:17 | 0:14:18 | |
I mean, you're leaving school, you dawdle, | 0:14:18 | 0:14:21 | |
you get home when you get home, but this, I broke a sweat. | 0:14:21 | 0:14:23 | |
# A chance to talk, a chance to grow... # | 0:14:23 | 0:14:27 | |
'And the tune that got them down the aisle | 0:14:30 | 0:14:32 | |
'was Angry Anderson's Suddenly. | 0:14:32 | 0:14:34 | |
'It reached number three in the UK charts, | 0:14:34 | 0:14:37 | |
'and who was in the number two spot? | 0:14:37 | 0:14:39 | |
'Only Kylie and Jason with Especially For You.' | 0:14:39 | 0:14:43 | |
# Suddenly you're seeing me | 0:14:45 | 0:14:49 | |
# Just the way I am | 0:14:50 | 0:14:53 | |
# Suddenly you're hearing me | 0:14:53 | 0:14:55 | |
# Cos I'm running just as fast as I can to you | 0:14:55 | 0:14:57 | |
# She's running just as fast as she can... # | 0:14:57 | 0:14:59 | |
LAUGHTER | 0:14:59 | 0:15:01 | |
# Suddenly... # | 0:15:01 | 0:15:03 | |
-I've watched that quite a few times. -Really? | 0:15:03 | 0:15:05 | |
I mean, let's be honest. This is your specialist subject. | 0:15:05 | 0:15:08 | |
If you were on Mastermind, it'd be Neighbours. | 0:15:08 | 0:15:10 | |
-Possibly, yeah. -Yeah. -Yes. LAUGHTER | 0:15:10 | 0:15:13 | |
And what did you love so much about it? | 0:15:13 | 0:15:15 | |
You know, I don't know. | 0:15:15 | 0:15:16 | |
Something just swept the nation. Everybody loved Neighbours. | 0:15:16 | 0:15:19 | |
I think they used to have the most... | 0:15:19 | 0:15:21 | |
-What, 15 million viewers at one point? -Yeah, it was. | 0:15:21 | 0:15:24 | |
-So... -The wedding was watched by over 19 million Brits. -There you go. | 0:15:24 | 0:15:27 | |
-You see? -I know. -You see. | 0:15:27 | 0:15:30 | |
And then was in...you know, that's daytime television. | 0:15:30 | 0:15:32 | |
-Yeah, that's right. -You know. -Yeah. -Colossal. | 0:15:32 | 0:15:35 | |
Nearly as much as us. | 0:15:35 | 0:15:37 | |
There you go. LAUGHTER | 0:15:37 | 0:15:39 | |
So, I mean, it meant a lot you, Neighbours. | 0:15:39 | 0:15:41 | |
Yeah. I had posters. I had the sticker books. | 0:15:41 | 0:15:43 | |
You had the sticker book. | 0:15:43 | 0:15:46 | |
-Oh! You are good. -Oh, yes. | 0:15:46 | 0:15:48 | |
You are good! I had this! | 0:15:48 | 0:15:50 | |
-There's your sticker book. -No! SHE GASPS | 0:15:50 | 0:15:54 | |
-And there's all the... -Look at this! | 0:15:54 | 0:15:56 | |
-Oh, you're kidding. -Yeah. There's all the... | 0:15:56 | 0:15:59 | |
-You've got the whole collection? -Yes, we have indeed. | 0:15:59 | 0:16:03 | |
-Yeah. -Do you know what this is...? | 0:16:03 | 0:16:06 | |
Not even monetary value. | 0:16:06 | 0:16:08 | |
Do you know what this is to, like, my 11-year-old self? | 0:16:08 | 0:16:11 | |
-Yeah. -SHE GASPS | 0:16:11 | 0:16:13 | |
Natalie Imbruglia. | 0:16:13 | 0:16:15 | |
I mean, do you think kids today just won't ever experience | 0:16:15 | 0:16:21 | |
that sort of excitement? | 0:16:21 | 0:16:23 | |
Stickers and... | 0:16:23 | 0:16:25 | |
I mean, I'm excited even now, and I can genuinely say I don't know | 0:16:25 | 0:16:28 | |
if my children would be this excited about a sticker book. | 0:16:28 | 0:16:31 | |
-Let me just put that together. -This is unbelievable. | 0:16:31 | 0:16:34 | |
Put all that... Look. They're all in there, every one of them. | 0:16:34 | 0:16:37 | |
Crickey. I can't believe you have this. | 0:16:37 | 0:16:40 | |
-And that's your book. -You'd have been my hero in school. | 0:16:40 | 0:16:43 | |
It's in mint condition. | 0:16:43 | 0:16:44 | |
And it's yours. | 0:16:46 | 0:16:48 | |
-You're joking. -Yeah. It's yours. -APPLAUSE AND CHEERING | 0:16:48 | 0:16:52 | |
Aw. God bless you. | 0:16:52 | 0:16:55 | |
Yeah. | 0:16:55 | 0:16:56 | |
Give me another album. | 0:16:56 | 0:16:58 | |
Give me another album. I got one kiss. | 0:16:58 | 0:16:59 | |
-Yeah. Let me put that away. -Oh, my gosh. -You'll get that at the end. | 0:16:59 | 0:17:02 | |
That's yours to take with you. | 0:17:02 | 0:17:04 | |
I can't believe that. Thank you. | 0:17:04 | 0:17:06 | |
So, how... | 0:17:06 | 0:17:07 | |
I want to go ring my sister now and tell her I have that. | 0:17:07 | 0:17:09 | |
-LAUGHTER -Aw. | 0:17:09 | 0:17:11 | |
-You're not filling up a bit, are you? -I am a little bit. -Aw! | 0:17:11 | 0:17:15 | |
I'm all emotional. You're taking me back to my childhood. | 0:17:15 | 0:17:17 | |
Now, you got to meet Jason, didn't you? | 0:17:17 | 0:17:20 | |
-I did. -You went into the jungle with him. -I did. Yes, yes. | 0:17:20 | 0:17:22 | |
What was that like, meeting one of your childhood heroes? | 0:17:22 | 0:17:24 | |
It was really good fun cos | 0:17:24 | 0:17:26 | |
I'd sort of seen him from afar, | 0:17:26 | 0:17:28 | |
you know, at work sort of bumping into each other, | 0:17:28 | 0:17:31 | |
but there we were in a contained environment, | 0:17:31 | 0:17:33 | |
and we got to chat. | 0:17:33 | 0:17:35 | |
He couldn't believe I knew all the characters. | 0:17:35 | 0:17:39 | |
-Like, I was asking about Madge and Harold all the time. -Yeah, yeah. | 0:17:39 | 0:17:41 | |
And then he did the unthinkable for, like, my 11, 12-year-old self. | 0:17:41 | 0:17:48 | |
We got to sing Especially For You, to do the Kylie lift. | 0:17:48 | 0:17:53 | |
Oh, lovely. So you done that. | 0:17:53 | 0:17:55 | |
I used to watch it on Top Of The Pops, | 0:17:55 | 0:17:57 | |
and she'd do the run to him and he'd pick her up | 0:17:57 | 0:18:00 | |
and twirl her around, | 0:18:00 | 0:18:01 | |
and I even bought a velvet waistcoat to look like Kylie. | 0:18:01 | 0:18:05 | |
Kylie and Jason are up there with the top TV couples, | 0:18:07 | 0:18:10 | |
but there are few who've had as many ups and downs as Frank | 0:18:10 | 0:18:13 | |
and Pat Butcher in EastEnders. | 0:18:13 | 0:18:15 | |
Pat and her hundreds of earrings | 0:18:17 | 0:18:19 | |
worked their way through many a man in East London, | 0:18:19 | 0:18:23 | |
but the love of her life | 0:18:23 | 0:18:24 | |
was always cockney wheeler-dealer Frank, | 0:18:24 | 0:18:27 | |
who she loved until the day he died in 2008. | 0:18:27 | 0:18:30 | |
A much less volatile couple but who were just as in love | 0:18:34 | 0:18:38 | |
were Denise and Dave from The Royle Family. | 0:18:38 | 0:18:41 | |
Viewers never got to see their wedding, | 0:18:41 | 0:18:43 | |
maybe because the writer and star of the show, Caroline Aherne, | 0:18:43 | 0:18:47 | |
was always reluctant for filming to take place | 0:18:47 | 0:18:50 | |
outside the Royles' house. | 0:18:50 | 0:18:51 | |
And who could forget Terry and June? | 0:18:55 | 0:18:57 | |
The middle class, middle-aged suburban couple | 0:18:57 | 0:19:00 | |
whose happiness was forever being thwarted by Terry's terrible luck. | 0:19:00 | 0:19:05 | |
Well, I'm going to take you back now to Sundays, family favourites, | 0:19:11 | 0:19:15 | |
and this is the... | 0:19:15 | 0:19:17 | |
-The Wonder Years. -It was, in one. -Yes! | 0:19:17 | 0:19:21 | |
# What would you do | 0:19:21 | 0:19:23 | |
# If I sang out of tune... # | 0:19:23 | 0:19:26 | |
An American TV show set in the late '60s and '70s, | 0:19:26 | 0:19:29 | |
it made a generation of kids nostalgic for a decade | 0:19:29 | 0:19:32 | |
they'd never set foot in. | 0:19:32 | 0:19:34 | |
The Wonder Years ran for six series, | 0:19:34 | 0:19:37 | |
first airing in the UK on the 20th of August 1989. | 0:19:37 | 0:19:41 | |
# Oh, baby... # | 0:19:41 | 0:19:42 | |
This iconic teen comedy drama is instantly recognisable | 0:19:42 | 0:19:46 | |
by its home-video style title sequence, | 0:19:46 | 0:19:50 | |
featuring Joe Cocker's With A Little Help From My Friends, | 0:19:50 | 0:19:53 | |
which was written by John Lennon and Paul McCartney. | 0:19:53 | 0:19:56 | |
# Whoa, yeah... # | 0:19:56 | 0:19:57 | |
I can't even tell you how much I loved this, | 0:19:57 | 0:20:00 | |
cos it was the one time the whole family would be there. | 0:20:00 | 0:20:04 | |
-Yeah. -Even my dad, cos he'd watch this. -Really? | 0:20:04 | 0:20:08 | |
'At least Paul was happy to hear of my rejection. It meant...' | 0:20:08 | 0:20:11 | |
Over an impressive 115 episodes, | 0:20:11 | 0:20:15 | |
viewers tuned in to Channel 4 at tea-time to follow Kevin Arnold, | 0:20:15 | 0:20:19 | |
played by Fred Savage, | 0:20:19 | 0:20:21 | |
as he fumbled his way through suburban adolescence. | 0:20:21 | 0:20:24 | |
It tastes all right to me. | 0:20:24 | 0:20:25 | |
The series set itself apart from other shows of its time, | 0:20:25 | 0:20:29 | |
with its use of single camera, lack of canned laughter | 0:20:29 | 0:20:32 | |
and a narration by an adult Kevin. | 0:20:32 | 0:20:35 | |
'All right, that did it. | 0:20:35 | 0:20:37 | |
'There was only so much one guy could take.' | 0:20:37 | 0:20:40 | |
-Did you enjoy the adult voice commentary? -Loved it. Loved it. | 0:20:40 | 0:20:44 | |
And actually, there were so many really nice little lessons in there. | 0:20:44 | 0:20:48 | |
There was one particular show | 0:20:48 | 0:20:50 | |
where I remember he just didn't bother with his maths. | 0:20:50 | 0:20:53 | |
He'd just had enough and he thought the teacher | 0:20:53 | 0:20:55 | |
was pushing him too hard. Then he realised... | 0:20:55 | 0:20:57 | |
Later on, the teacher died and he had seen something in him | 0:20:57 | 0:21:01 | |
-and was trying to help him. -Oh, right. | 0:21:01 | 0:21:02 | |
And I remember his line was, | 0:21:02 | 0:21:04 | |
"You don't even need to mark it. It's an A." | 0:21:04 | 0:21:06 | |
-Aw. -And to remember those lines when you're a child, | 0:21:06 | 0:21:09 | |
it just shows what an impact it had. | 0:21:09 | 0:21:10 | |
That, and I always wanted | 0:21:10 | 0:21:12 | |
to be able to grow my hair as long as Winnie. | 0:21:12 | 0:21:14 | |
THEY LAUGH | 0:21:14 | 0:21:16 | |
Let's say it did get caught under the bun but didn't suffocate, | 0:21:16 | 0:21:19 | |
it probably would've flown away when... | 0:21:19 | 0:21:21 | |
-BOTH: -Eddie put the ketchup on. | 0:21:21 | 0:21:23 | |
'Winnie and I always saw eye-to-eye on stuff like that. | 0:21:23 | 0:21:26 | |
'It was like we were born under the same sign or something.' | 0:21:26 | 0:21:29 | |
But what about the relationship between Kevin and Winnie? | 0:21:30 | 0:21:32 | |
-I loved that. -Yeah. | 0:21:32 | 0:21:35 | |
After watching it, I'd try and find as much information as I could. | 0:21:35 | 0:21:38 | |
Again, that side of me always wanted to know. | 0:21:38 | 0:21:42 | |
And I remember hearing that when they filmed their first kiss, | 0:21:42 | 0:21:47 | |
both their mums clapped at the end and just feeling the pain | 0:21:47 | 0:21:50 | |
and embarrassment of what that must've been like for them. | 0:21:50 | 0:21:53 | |
I think it was a coming-of-age for them | 0:21:53 | 0:21:55 | |
and a coming-of-age for, you know, where I was at as well. | 0:21:55 | 0:21:58 | |
-Yeah. -Starting to look at boys. Um... | 0:21:58 | 0:22:01 | |
Trying to hide when they are having their first kiss. | 0:22:01 | 0:22:04 | |
And I think for me, when you're little, | 0:22:04 | 0:22:10 | |
-just even one or two years can seem so much older than you. -Mm-hm. | 0:22:10 | 0:22:13 | |
And watching this now, they're like little teenies. | 0:22:13 | 0:22:16 | |
Yeah, yeah. | 0:22:16 | 0:22:17 | |
But I remember Kevin just seemed so much older. | 0:22:17 | 0:22:20 | |
-And Winnie was untouchable. She was like a goddess to me. -Yeah. | 0:22:20 | 0:22:25 | |
-Oh, is that the new lunch menu? -Yeah. | 0:22:25 | 0:22:27 | |
Pizza boats, chilled pears and carrot sticks on Wednesday. | 0:22:27 | 0:22:31 | |
'Maybe it was the buzz of the cafeteria. | 0:22:31 | 0:22:33 | |
'Maybe it was the sting from Lisa Berlini, | 0:22:33 | 0:22:36 | |
'but sitting there across from Winnie, | 0:22:36 | 0:22:38 | |
'I felt a hunger burning within me.' | 0:22:38 | 0:22:40 | |
I always remember my dad laughing, | 0:22:40 | 0:22:44 | |
and not necessarily getting the joke. | 0:22:44 | 0:22:46 | |
-And he'd say, "You'll understand when you're older." -Yeah. | 0:22:46 | 0:22:49 | |
And he's absolutely right, because the way they played this, | 0:22:49 | 0:22:52 | |
as a child you liked it, | 0:22:52 | 0:22:54 | |
but I think every age group could enjoy this. | 0:22:54 | 0:22:56 | |
Yeah, yeah. | 0:22:56 | 0:22:57 | |
Winnie, will you go to the dance with me? | 0:22:57 | 0:23:00 | |
Dance? | 0:23:02 | 0:23:03 | |
I can't. | 0:23:05 | 0:23:06 | |
I'm already going with Kirk McCray. | 0:23:09 | 0:23:11 | |
-Damn you, Kirk McCray. -Mm-hm. | 0:23:14 | 0:23:17 | |
-Everyone had a Kirk McCray. -Yeah. There's always a Kirk. | 0:23:17 | 0:23:21 | |
I think that's what it was as well. | 0:23:21 | 0:23:23 | |
You were sort of experiencing those things at the same time. | 0:23:23 | 0:23:26 | |
-But your whole family used to watch? -The whole family. | 0:23:26 | 0:23:28 | |
My mum, dad, brother, sister and myself, yeah. | 0:23:28 | 0:23:31 | |
All around the telly on a Sunday. Loved The Wonder Years. | 0:23:31 | 0:23:33 | |
And did your mum have a fondness for the show? | 0:23:33 | 0:23:35 | |
My mum really loved it. | 0:23:35 | 0:23:37 | |
She really loved it, and I was allowed to watch that. | 0:23:37 | 0:23:39 | |
There was no cushions. | 0:23:39 | 0:23:41 | |
But I think looking back now, | 0:23:41 | 0:23:43 | |
what does strike me about it is that | 0:23:43 | 0:23:45 | |
my dad would always say, "One day you'll understand." | 0:23:45 | 0:23:48 | |
-Yeah. -Any day now. -Yeah, yeah. So, you get it now. | 0:23:48 | 0:23:52 | |
-I think I get more of it, yes. -Yeah. | 0:23:52 | 0:23:55 | |
-He'd been through all of those situations. -Yeah, yeah. | 0:23:55 | 0:23:57 | |
-Whereas I was still about to. -Yeah. | 0:23:57 | 0:24:01 | |
Your next choice is comfort TV, | 0:24:06 | 0:24:08 | |
and pardon the pun, but this is AMAZING. | 0:24:08 | 0:24:12 | |
'Presented by Richard O'Brien, cult game show The Crystal Maze | 0:24:14 | 0:24:17 | |
'was one of Channel 4's most-watched shows during the '90s. | 0:24:17 | 0:24:22 | |
'Viewers tuned in to see the contestants tackle | 0:24:22 | 0:24:24 | |
'tough challenges in four different zones.' | 0:24:24 | 0:24:28 | |
This was my first experience of, like, really shouting at the telly. | 0:24:28 | 0:24:31 | |
-Really? -"Behind you!" You know. | 0:24:31 | 0:24:33 | |
Fill it up with water from the magic spring. | 0:24:35 | 0:24:37 | |
-Did you always want to be part of the show? -Oh, for sure. -Yeah? | 0:24:39 | 0:24:43 | |
My auntie, you know those crystal collections that people have? | 0:24:43 | 0:24:48 | |
-Does anyone here collect crystals? Those. -Yeah. | 0:24:48 | 0:24:52 | |
She used to have one that looked like the Crystal Maze. | 0:24:52 | 0:24:56 | |
I used to always go in the cupboard and take it out | 0:24:56 | 0:25:00 | |
and try and re-enact this. | 0:25:00 | 0:25:01 | |
If they cast somebody as Mumsie, they need someone beautiful. | 0:25:01 | 0:25:05 | |
Someone like Elizabeth Taylor. Someone of that nature. | 0:25:05 | 0:25:08 | |
Oh. Ow! | 0:25:08 | 0:25:10 | |
Glenn Close would be better. Two minutes left. | 0:25:10 | 0:25:13 | |
I don't think anyone had done TV like him either. | 0:25:13 | 0:25:16 | |
-You know, the sort of asides to the viewers at home. -Yeah. | 0:25:16 | 0:25:19 | |
Ah! | 0:25:19 | 0:25:21 | |
Ooh! | 0:25:21 | 0:25:22 | |
SHE LAUGHS | 0:25:22 | 0:25:24 | |
Oh, I forgot how good this was! | 0:25:24 | 0:25:26 | |
Is it me or is that person really rubbish? | 0:25:26 | 0:25:28 | |
LAUGHTER | 0:25:28 | 0:25:30 | |
Argh! | 0:25:30 | 0:25:31 | |
She's not SAS, is she? | 0:25:31 | 0:25:33 | |
So, what did you find comforting about The Crystal Maze? | 0:25:35 | 0:25:39 | |
Do you know, I liked how flamboyant | 0:25:39 | 0:25:41 | |
and just out-there Richard O'Brien was. | 0:25:41 | 0:25:43 | |
Never seen anybody like him. | 0:25:43 | 0:25:44 | |
I think he's possibly my spirit animal. | 0:25:44 | 0:25:46 | |
I wear as much leopard, if not more, than him now, | 0:25:46 | 0:25:49 | |
so somewhere in my psyche I'm still channelling him. | 0:25:49 | 0:25:51 | |
Like Crystal Maze, many shows over the years | 0:25:52 | 0:25:55 | |
have challenged contestants to remain on their feet. | 0:25:55 | 0:25:59 | |
Back in the '60s, It's A Knockout hit our screens. | 0:25:59 | 0:26:02 | |
Over the course of 35 years, | 0:26:02 | 0:26:04 | |
viewers watched teams go up against each other in often ridiculous | 0:26:04 | 0:26:08 | |
and sometimes downright dangerous games. | 0:26:08 | 0:26:11 | |
Gordon Burns pushed people to the limit | 0:26:16 | 0:26:19 | |
during The Krypton Factor, | 0:26:19 | 0:26:20 | |
which he nicknamed TV's toughest quiz. | 0:26:20 | 0:26:23 | |
Best pals Ant and Dec launched Friends Like These in 1999, | 0:26:27 | 0:26:31 | |
pitting a team of male mates against a group of female friends | 0:26:31 | 0:26:35 | |
in nerve-jangling challenges. | 0:26:35 | 0:26:37 | |
And more recently, | 0:26:41 | 0:26:43 | |
we took great pleasure in watching contestants and many celebrities | 0:26:43 | 0:26:46 | |
like the lovely Kate Adams here, | 0:26:46 | 0:26:48 | |
slip, slide and get generally soaked in Total Wipeout. | 0:26:48 | 0:26:52 | |
I suppose, weirdly, maybe my love for that kind of thing | 0:26:55 | 0:26:58 | |
made me go and do things like I'm A Celebrity, | 0:26:58 | 0:27:01 | |
which isn't unlike it now. | 0:27:01 | 0:27:03 | |
-Yeah. -But these were the predecessors. | 0:27:03 | 0:27:05 | |
-So, are you a big fan of reality TV? -I'm a huge fan, yeah. -Yeah? | 0:27:05 | 0:27:08 | |
Well, I was kind of born from the fire of it, so before that, | 0:27:08 | 0:27:12 | |
-I took part in Popstars. -Of course, Popstars, yeah. | 0:27:12 | 0:27:15 | |
-Which somebody told me was, like, 12, 13 years old now. -Oh. | 0:27:15 | 0:27:19 | |
-Ooh! -Don't. | 0:27:19 | 0:27:20 | |
-It goes so quick, doesn't it? -Yeah. -Yeah. | 0:27:20 | 0:27:23 | |
But was that a big leap of faith for you? | 0:27:23 | 0:27:25 | |
Were you confident in going into it or were you...? | 0:27:25 | 0:27:28 | |
-Nobody knew what it was at the time. -Yes. -So... | 0:27:28 | 0:27:31 | |
-It was a pre-runner for X Factor... -Yeah. | 0:27:31 | 0:27:33 | |
-..and Britain's Got Talent and... -Yeah, and at the same time... | 0:27:33 | 0:27:37 | |
At the same time that Popstars was running, | 0:27:37 | 0:27:40 | |
we also had another programme that had just started | 0:27:40 | 0:27:42 | |
which was called Big Brother, | 0:27:42 | 0:27:43 | |
so it really was the birth of reality, | 0:27:43 | 0:27:47 | |
and, you know, to be sitting in a house and chatting away | 0:27:47 | 0:27:52 | |
and you go to make a cup of tea and then inside the teapot | 0:27:52 | 0:27:54 | |
would be a microphone, it really was like a new era for us, | 0:27:54 | 0:27:59 | |
cos we weren't familiar with that kind of environment at all. | 0:27:59 | 0:28:03 | |
And now I think people are so familiar and used to it | 0:28:03 | 0:28:05 | |
they can even spot the cameras, | 0:28:05 | 0:28:06 | |
but for us at the time, it was so new and it was so exciting. | 0:28:06 | 0:28:10 | |
-Myleene, we're moving on to comedy hero now. -Yes. | 0:28:15 | 0:28:18 | |
-And we've got Mr Bean. -Oh, yes. | 0:28:18 | 0:28:20 | |
Rowan Atkinson proving that actions speak louder than words. | 0:28:20 | 0:28:23 | |
-His facial expressions are second to none. -I know. | 0:28:28 | 0:28:31 | |
'Mr Bean first emerged in Rowan Atkinson's stage show | 0:28:33 | 0:28:36 | |
'during the '80s. | 0:28:36 | 0:28:38 | |
'After collaborating with Richard Curtis - | 0:28:38 | 0:28:40 | |
'the man behind smash hits like Bridget Jones's Diary | 0:28:40 | 0:28:44 | |
'and Love Actually - and writer Robin Driscoll, | 0:28:44 | 0:28:47 | |
'Mr Bean was developed into a hugely popular TV series during the '90s.' | 0:28:47 | 0:28:52 | |
Myleene, do you ever get in a state like this? | 0:28:55 | 0:28:58 | |
-Only this morning. -Really? -Only this morning. | 0:28:58 | 0:29:01 | |
Did you do your make-up in the car on the way over? | 0:29:01 | 0:29:03 | |
-I did my make-up in the car today. -Did you really? Really? | 0:29:03 | 0:29:05 | |
-Can you tell? Yeah, I did. -You look gorgeous. | 0:29:05 | 0:29:08 | |
Oh. No, I really did. I genuinely did it. | 0:29:08 | 0:29:11 | |
The gentleman who got me here had to help me unzip | 0:29:11 | 0:29:13 | |
because, look... | 0:29:13 | 0:29:15 | |
THEY LAUGH I couldn't reach. | 0:29:15 | 0:29:18 | |
There's got to be something in the highway code about this. | 0:29:20 | 0:29:22 | |
'So successful was Rowan's oddball character Bean | 0:29:25 | 0:29:28 | |
'that an animated series and two feature films followed.' | 0:29:28 | 0:29:31 | |
I still love this and my little ones now love this, | 0:29:34 | 0:29:37 | |
a new generation, which just shows you it speaks to everybody. | 0:29:37 | 0:29:40 | |
But also he's...this show is massive internationally, | 0:29:40 | 0:29:45 | |
but in some really random countries. | 0:29:45 | 0:29:47 | |
I've been in some really random countries and they're like, | 0:29:47 | 0:29:50 | |
"You know the queen and you know Mr Bean." | 0:29:50 | 0:29:52 | |
-That's brilliant. -It is, isn't it? | 0:29:56 | 0:29:58 | |
-He's so good. -He is. | 0:29:58 | 0:30:01 | |
-Oh, that's so clever. -Have you ever met him? | 0:30:01 | 0:30:03 | |
I have met him, and actually it's one of those situations | 0:30:03 | 0:30:08 | |
where you do believe, "I can't speak cos it's Mr Bean." | 0:30:08 | 0:30:11 | |
Yeah, yeah, yeah. | 0:30:11 | 0:30:12 | |
How would you describe your own sense of humour? | 0:30:12 | 0:30:16 | |
I would never have initially have said slapstick, | 0:30:16 | 0:30:18 | |
and then I've just been, like, guffawing with you | 0:30:18 | 0:30:21 | |
all the way through. | 0:30:21 | 0:30:22 | |
I do like a bit of the wit. | 0:30:22 | 0:30:24 | |
That's why I think I do like him on Blackadder as well. | 0:30:24 | 0:30:27 | |
Yeah. | 0:30:27 | 0:30:29 | |
And him and Stephen Fry were just genius together. | 0:30:29 | 0:30:32 | |
I think what's clever about Rowan is he can move from slapstick | 0:30:32 | 0:30:35 | |
and then move into, you know, comedy acting with Blackadder | 0:30:35 | 0:30:38 | |
and things like that. | 0:30:38 | 0:30:39 | |
You know, he really is one of our all-time greats. | 0:30:39 | 0:30:42 | |
-Timeless, isn't he? -Yeah. | 0:30:42 | 0:30:44 | |
Yeah, he's a great, great comedian, and I hate him. | 0:30:44 | 0:30:48 | |
Britain's produced many stars of slapstick, | 0:30:49 | 0:30:51 | |
like the physical comedy skills | 0:30:51 | 0:30:53 | |
of Michael Crawford's character Frank Spencer. | 0:30:53 | 0:30:56 | |
Originally, the BBC had earmarked Ronnie Barker or Norman Wisdom | 0:30:56 | 0:31:00 | |
for the role. | 0:31:00 | 0:31:02 | |
Less dangerous stunts, | 0:31:02 | 0:31:03 | |
but just as funny was John Cleese's Basil Fawlty. | 0:31:03 | 0:31:07 | |
Inspired by a rude hotel manager Cleese encountered while filming | 0:31:07 | 0:31:11 | |
with the Monty Python team, Basil was born. | 0:31:11 | 0:31:14 | |
So successful was the series that the British Film Institute | 0:31:14 | 0:31:17 | |
voted it the number one TV show of the 20th century. | 0:31:17 | 0:31:22 | |
And let's not forget more recent greats | 0:31:22 | 0:31:24 | |
like the marvellous Miranda Hart. | 0:31:24 | 0:31:26 | |
The 6'1" former lacrosse champ started writing comedy | 0:31:26 | 0:31:30 | |
in her early 20s and rose to fame as the accident-prone singleton | 0:31:30 | 0:31:35 | |
in the sitcom Miranda. | 0:31:35 | 0:31:37 | |
Such fun. | 0:31:37 | 0:31:39 | |
Your next choice is your biggest influence, | 0:31:45 | 0:31:48 | |
and like you, she seems to be good at everything she did. | 0:31:48 | 0:31:52 | |
A lady who will always be in our hearts. | 0:31:52 | 0:31:54 | |
Aw. | 0:31:55 | 0:31:58 | |
# Step inside love | 0:31:58 | 0:32:01 | |
# Let me find... # | 0:32:01 | 0:32:03 | |
'The late, great Cilla Black is a prime example | 0:32:03 | 0:32:05 | |
'of an all-round entertainer and a main staple | 0:32:05 | 0:32:08 | |
'on our TVs throughout her career.' | 0:32:08 | 0:32:12 | |
She really sells it, doesn't she? | 0:32:12 | 0:32:14 | |
Incredible. | 0:32:14 | 0:32:16 | |
-Effortless. -Yeah. | 0:32:16 | 0:32:18 | |
Totally effortless. | 0:32:18 | 0:32:19 | |
# Step inside love | 0:32:19 | 0:32:22 | |
# And stay, step inside love... # | 0:32:22 | 0:32:27 | |
-Nobody was like her. -Mm-hm. | 0:32:27 | 0:32:30 | |
I thought she was the coolest person ever as well | 0:32:30 | 0:32:32 | |
-cos she used to hang out with the Beatles. -Mm-hm. | 0:32:32 | 0:32:35 | |
Love that. | 0:32:35 | 0:32:36 | |
# Step inside love | 0:32:36 | 0:32:39 | |
# And stay, step inside love | 0:32:39 | 0:32:43 | |
# I want you to | 0:32:43 | 0:32:44 | |
# Step inside love | 0:32:44 | 0:32:46 | |
# You know I need to | 0:32:46 | 0:32:47 | |
# Step inside love | 0:32:47 | 0:32:49 | |
# I want you to... # | 0:32:49 | 0:32:51 | |
So, what made you choose Cilla Black? | 0:32:51 | 0:32:53 | |
To me, I think that... | 0:32:53 | 0:32:55 | |
When you ask what a consummate performer is all about, it's Cilla. | 0:32:57 | 0:33:01 | |
-Mm. -Like you said, she can do everything. -Yeah. | 0:33:01 | 0:33:04 | |
And she's got this way. | 0:33:04 | 0:33:05 | |
I mean, I actually was really lucky and I got to meet her, | 0:33:05 | 0:33:08 | |
and you feel like... | 0:33:08 | 0:33:11 | |
You feel like she genuinely, you know, | 0:33:11 | 0:33:14 | |
-wants to sit and talk with you. -Yeah. | 0:33:14 | 0:33:16 | |
And she gives that time to you and she's just so... | 0:33:16 | 0:33:19 | |
-Well, she was so down-to-earth. -Yeah. | 0:33:19 | 0:33:21 | |
But she was an incredible performer. | 0:33:21 | 0:33:24 | |
Incredible performer. | 0:33:24 | 0:33:25 | |
I loved her as a musician. Then I loved all the shows that she did. | 0:33:25 | 0:33:28 | |
-Yeah. -So, Blind Date, that was huge when I was a kid. | 0:33:28 | 0:33:31 | |
-Mm-hm. -Everyone was sitting on their three stools | 0:33:31 | 0:33:33 | |
and her sort of gearing them up, and her genuine shock | 0:33:33 | 0:33:37 | |
if they were just appalling | 0:33:37 | 0:33:39 | |
or if they were genuinely going to get married. | 0:33:39 | 0:33:42 | |
When she said that thing about her hat, | 0:33:42 | 0:33:44 | |
my mum would be on the floor. | 0:33:44 | 0:33:46 | |
-Yeah. -Oh, I just thought she was just fantastic. | 0:33:46 | 0:33:49 | |
Did it inspire you? Did it make you think, "Do you know what? | 0:33:49 | 0:33:52 | |
"I'd like to do that." | 0:33:52 | 0:33:53 | |
I don't know if there was one key moment | 0:33:53 | 0:33:55 | |
when I thought, "That's what I'm going to do," | 0:33:55 | 0:33:57 | |
but now the more I sit here and I think of all the shows that | 0:33:57 | 0:34:00 | |
I watched and what I was consuming, even subliminally, it's all there. | 0:34:00 | 0:34:05 | |
-They're all very entertainment-based. -Hugely. | 0:34:05 | 0:34:08 | |
Hugely, and I think if, you know, | 0:34:08 | 0:34:10 | |
someone's going to do some armchair psychology, | 0:34:10 | 0:34:13 | |
it's what I do - it's all there. | 0:34:13 | 0:34:15 | |
-Yeah. -It's all there - | 0:34:15 | 0:34:17 | |
all those influences and the people that I really respected. | 0:34:17 | 0:34:20 | |
I like how she carried herself. | 0:34:20 | 0:34:22 | |
I thought she was just a lady, through and through. | 0:34:22 | 0:34:24 | |
You were a regular on our screens before you ever became a huge star. | 0:34:29 | 0:34:33 | |
Yeah. I was a jobbing muso, yeah. Yeah, I was. | 0:34:33 | 0:34:36 | |
So, when I was at college, music college, | 0:34:36 | 0:34:39 | |
I'd teach on a Saturday, | 0:34:39 | 0:34:41 | |
and then in the evenings I'd work as a session musician. | 0:34:41 | 0:34:46 | |
So, I was performing with Michael Ball and Michael Crawford... | 0:34:46 | 0:34:52 | |
-Oh, really? -..as well. And... | 0:34:52 | 0:34:54 | |
Cos I always think of Some Mothers Do 'Ave 'Em, | 0:34:54 | 0:34:56 | |
but he was also a proper muso. | 0:34:56 | 0:34:58 | |
-Phantom Of The Opera, yeah. -Yeah, of course. | 0:34:58 | 0:35:00 | |
And then I'd be... | 0:35:00 | 0:35:02 | |
I'd do jobs on Parky. | 0:35:02 | 0:35:03 | |
-Well, it's funny you should say that... -Oh! | 0:35:03 | 0:35:06 | |
..because this is you on Parkinson with the legend that is KD Lang. | 0:35:06 | 0:35:09 | |
KD Lang! | 0:35:09 | 0:35:11 | |
# Consequences of falling | 0:35:11 | 0:35:13 | |
# Consequences of falling... # | 0:35:13 | 0:35:15 | |
-And I believe you're a backing vocalist. -A backing vocalist. | 0:35:15 | 0:35:18 | |
# Consequences of falling | 0:35:18 | 0:35:20 | |
# Consequences of falling... # | 0:35:20 | 0:35:25 | |
No way! | 0:35:25 | 0:35:27 | |
Oh, my God. I've not seen this. | 0:35:27 | 0:35:29 | |
HE LAUGHS | 0:35:32 | 0:35:34 | |
# Consequences of falling | 0:35:37 | 0:35:40 | |
# Consequences... # | 0:35:40 | 0:35:41 | |
I've got that move down, haven't I? | 0:35:41 | 0:35:43 | |
-All backing vocalists have to do that move. -Look at this! | 0:35:43 | 0:35:46 | |
SHE GASPS | 0:35:46 | 0:35:48 | |
-I can't believe you have this. -It's great, isn't it? | 0:35:48 | 0:35:50 | |
# Consequences of falling | 0:35:50 | 0:35:52 | |
# Consequences of falling | 0:35:52 | 0:35:54 | |
# Consequences... # | 0:35:54 | 0:35:55 | |
You're getting me all emotional again. | 0:35:55 | 0:35:57 | |
I must have been, like, 20, 21. | 0:35:57 | 0:36:00 | |
-You were very young. I mean, this was quite some time ago now. -Yeah. | 0:36:00 | 0:36:04 | |
I remember I had to save up to get that tux jacket. | 0:36:04 | 0:36:08 | |
I was told we had to all look sort of the same, uniform. | 0:36:08 | 0:36:13 | |
And I was, like, you know, a poor muso, a poor student. | 0:36:13 | 0:36:17 | |
-So they didn't supply you? -And I was so proud... | 0:36:17 | 0:36:19 | |
-No, no. -Just go buy something in black? | 0:36:19 | 0:36:21 | |
Go and get a black tux, and, you know, black suit jacket. | 0:36:21 | 0:36:25 | |
I think KD Lang has made an effort, hasn't she? | 0:36:25 | 0:36:27 | |
-SHE LAUGHS She's KD Lang. -Yeah. | 0:36:27 | 0:36:31 | |
But I was second mezzo. "Go and get yourself a jacket." | 0:36:31 | 0:36:35 | |
And I remember saving up my money to go and get that jacket. | 0:36:35 | 0:36:38 | |
-So, you were a backing vocalist. -Yeah. | 0:36:38 | 0:36:40 | |
Did you do that for many other artists? | 0:36:40 | 0:36:42 | |
Yeah, I did... Oh, gosh. Who else did I do? | 0:36:42 | 0:36:45 | |
-I did a lot on the Paul O'Grady show when he was Lily Savage. -Right. | 0:36:45 | 0:36:49 | |
-When she was fabulous. -Yeah. -So, I did a lot of that. | 0:36:49 | 0:36:52 | |
There was one job that came up that was quite a decider for me, | 0:36:52 | 0:36:58 | |
or quite a tricky one, because I was asked to be a backing vocalist | 0:36:58 | 0:37:01 | |
for Robbie Williams for the Brits. | 0:37:01 | 0:37:03 | |
Mm-hm. | 0:37:03 | 0:37:04 | |
And in the interim of getting the booking, | 0:37:04 | 0:37:07 | |
I got into the band that became Hear'Say. | 0:37:07 | 0:37:10 | |
So, I then had to turn down the job as the backing vocalist | 0:37:10 | 0:37:16 | |
because I was there on my own right. | 0:37:16 | 0:37:17 | |
Oh, right. Oh, right. | 0:37:17 | 0:37:19 | |
And that was an incredible feeling, | 0:37:19 | 0:37:21 | |
but the jobbing muso in me was still thinking, | 0:37:21 | 0:37:24 | |
"Could I do both?" | 0:37:24 | 0:37:25 | |
-Cos we didn't know what was going to happen there... -Yeah. | 0:37:25 | 0:37:28 | |
..at the time, and, "I think I should do both," | 0:37:28 | 0:37:29 | |
but when I first did start Popstars, | 0:37:29 | 0:37:31 | |
I didn't know what I was walking into, | 0:37:31 | 0:37:33 | |
so I was promised by Nigel Lythgoe... | 0:37:33 | 0:37:37 | |
-Do you remember Nasty Nigel? -Yes, Nasty Nige. | 0:37:37 | 0:37:39 | |
I was promised about six weeks work at Christmas, | 0:37:39 | 0:37:42 | |
which for a jobbing muso, I was like, "Hallelujah. | 0:37:42 | 0:37:45 | |
"Thank the gods. That's going to be perfect." | 0:37:45 | 0:37:47 | |
And it went on for two years, which was amazing. | 0:37:47 | 0:37:50 | |
And then later on I think what it did is it gave me | 0:37:50 | 0:37:54 | |
sort of a grounding in how that side of entertainment works, | 0:37:54 | 0:37:58 | |
and I went back into my classical music | 0:37:58 | 0:38:01 | |
and then my presenting. | 0:38:01 | 0:38:04 | |
I loved it. I'm really grateful for that time. | 0:38:04 | 0:38:07 | |
Myleene's promotion from backing singer to the front line | 0:38:08 | 0:38:11 | |
of pop sensation Hear'Say set her on a path | 0:38:11 | 0:38:14 | |
to becoming the star she is today. | 0:38:14 | 0:38:17 | |
# Wherever you go | 0:38:18 | 0:38:20 | |
# I want to be there | 0:38:20 | 0:38:21 | |
# Whatever you do | 0:38:21 | 0:38:23 | |
# You know I'm going to be there | 0:38:23 | 0:38:24 | |
# It's pure and simple... # | 0:38:24 | 0:38:25 | |
As well as being a key moment in her career, | 0:38:25 | 0:38:28 | |
joining Hear'Say also helped to buy her own piano. | 0:38:28 | 0:38:31 | |
# Whatever it takes... # | 0:38:31 | 0:38:33 | |
That was what I spent my Hear'Say money on, | 0:38:33 | 0:38:35 | |
my student loans and a piano, | 0:38:35 | 0:38:36 | |
-and I didn't even have enough for the stool. -No. | 0:38:36 | 0:38:38 | |
I didn't have enough for the stool. I used to sit on a cardboard box... | 0:38:38 | 0:38:41 | |
..and invite people to my house, and next-door there was, like, | 0:38:41 | 0:38:46 | |
a takeaway and I'd go and ask them for all the cutlery from there. | 0:38:46 | 0:38:50 | |
So, I'd have plastic cutlery and these little paper serviettes | 0:38:50 | 0:38:54 | |
and a cardboard box and this amazing piano. | 0:38:54 | 0:38:57 | |
That's what... | 0:38:57 | 0:38:58 | |
People always ask, "What did you spend your first paycheque on?" | 0:38:58 | 0:39:01 | |
That was it. Student loan and my piano. | 0:39:01 | 0:39:03 | |
And then now, as a result of my job now, | 0:39:03 | 0:39:05 | |
I'm still an uber-fan of these artists that I grew up with. | 0:39:05 | 0:39:10 | |
I had to perform... | 0:39:10 | 0:39:12 | |
"I had to." | 0:39:12 | 0:39:13 | |
-I got the chance to play the piano for Chaka Khan. -Oh, wow. | 0:39:13 | 0:39:17 | |
And I nearly... | 0:39:17 | 0:39:19 | |
I don't know how she didn't ask me | 0:39:19 | 0:39:21 | |
to be removed from the building, to be honest. | 0:39:21 | 0:39:23 | |
Cos I played, | 0:39:23 | 0:39:24 | |
but I stared at her the whole way through with the biggest grin | 0:39:24 | 0:39:27 | |
because to be playing with your idols, to be working in TV, | 0:39:27 | 0:39:32 | |
playing the piano, wearing all my big froufrou frocks | 0:39:32 | 0:39:35 | |
and playing with Chaka Khan and that's my job... | 0:39:35 | 0:39:38 | |
-Yeah. -..it's the best feeling in the world. | 0:39:40 | 0:39:42 | |
I know I'm the luckiest person in the world, cos... | 0:39:42 | 0:39:46 | |
But then at the same time, conversely, I do think... | 0:39:46 | 0:39:48 | |
You know what? | 0:39:48 | 0:39:49 | |
Those eight hours every day sitting at the piano | 0:39:49 | 0:39:52 | |
while everyone else is going out having a gay old time | 0:39:52 | 0:39:55 | |
and I was trying to get my scales down | 0:39:55 | 0:39:57 | |
and get my pieces down, it has paid off. | 0:39:57 | 0:40:01 | |
So, what do you enjoy watching now? What is it...? | 0:40:07 | 0:40:10 | |
I... What do I like? I love trash TV. | 0:40:10 | 0:40:13 | |
I like things where I can feel my brain... | 0:40:13 | 0:40:15 | |
What do you class as trash TV? | 0:40:15 | 0:40:18 | |
Anything with the Kardashians. | 0:40:18 | 0:40:19 | |
Oh, the Kardashians. You love the Kardashians. | 0:40:19 | 0:40:22 | |
-Only cos it's on. -Yeah. | 0:40:22 | 0:40:25 | |
SHE LAUGHS | 0:40:25 | 0:40:27 | |
No, I love Location, Location... | 0:40:27 | 0:40:29 | |
-BOTH: -Location. -Yeah. | 0:40:29 | 0:40:30 | |
I think, you know, when you start to do up your house | 0:40:30 | 0:40:33 | |
and suddenly you feel like, | 0:40:33 | 0:40:35 | |
"Oh, yeah. I'm sure I could do this." | 0:40:35 | 0:40:37 | |
Then when you watch that programme, | 0:40:37 | 0:40:39 | |
you realise the talent that they have. | 0:40:39 | 0:40:42 | |
Kirstie is incredible. Absolutely love it. | 0:40:42 | 0:40:45 | |
So, I'm quite addicted to that. | 0:40:45 | 0:40:47 | |
-Bit of Grand Designs. -Oh, I enjoy that, yeah. | 0:40:47 | 0:40:49 | |
-Yeah. -I adore that. -I like to see the guy that's like, "See that tree? | 0:40:49 | 0:40:53 | |
-"I'm going to make it into a house." -Mm. -And they do. | 0:40:53 | 0:40:56 | |
-Yeah. -I love things like that. | 0:40:56 | 0:40:58 | |
I love things that, you know, are sort of transformative. | 0:40:58 | 0:41:00 | |
Yeah. So, how old are your children? | 0:41:00 | 0:41:03 | |
-My eldest is eight. -Yeah. | 0:41:03 | 0:41:05 | |
-And my youngest is four. -Aw. -Yeah. | 0:41:05 | 0:41:09 | |
-So... -What sort of TV do you encourage them to watch? | 0:41:09 | 0:41:13 | |
Actually, something we've been watching recently that they enjoy | 0:41:14 | 0:41:17 | |
-is The Secret Life Of 4 Year Olds. -Yeah. | 0:41:17 | 0:41:20 | |
It's so funny. Have you seen this? | 0:41:20 | 0:41:22 | |
-Yeah. It's on Channel 4, isn't it? -Yeah. -Yeah. | 0:41:22 | 0:41:25 | |
-They really love that. -Yeah, I've enjoyed watching them. Yeah. | 0:41:25 | 0:41:28 | |
Just those little asides and the way they see the world. | 0:41:28 | 0:41:31 | |
-You couldn't write it. -No, you couldn't. | 0:41:31 | 0:41:33 | |
You genuinely couldn't. And I just think... | 0:41:33 | 0:41:36 | |
He says, "I'm not crying. I'm just washing my eyes." | 0:41:36 | 0:41:39 | |
LAUGHTER Aw! | 0:41:39 | 0:41:41 | |
-That's what he said. I love that line. -Aw! | 0:41:41 | 0:41:43 | |
You see? | 0:41:43 | 0:41:44 | |
Yeah, and often they don't see the world as a whole. | 0:41:44 | 0:41:48 | |
It's just what's going on at the time. | 0:41:48 | 0:41:50 | |
-They just live in the moment, yeah. -They really do. | 0:41:50 | 0:41:52 | |
-And we should take a tip from that, shouldn't we? -Yeah, 100%. | 0:41:52 | 0:41:55 | |
-Yeah. -So, they love that. | 0:41:55 | 0:41:57 | |
We all love to snuggle up on the sofa | 0:41:57 | 0:41:59 | |
and we all have our little blankets, our set blankets, and that's it. | 0:41:59 | 0:42:04 | |
-That's our Saturday. -And do they have... | 0:42:04 | 0:42:07 | |
-You know what? -..a bit of a dip? | 0:42:07 | 0:42:09 | |
We haven't done carrot sticks. We usually do a bowl of popcorn. | 0:42:09 | 0:42:11 | |
-Yeah. -So, I'm definitely going to introduce carrot sticks. | 0:42:11 | 0:42:16 | |
That's going to go down really well. LAUGHTER | 0:42:16 | 0:42:19 | |
-Well, I want to thank you for being here and being my guest. -Thank you. | 0:42:19 | 0:42:22 | |
You've been an absolute joy, | 0:42:22 | 0:42:24 | |
and I just don't know what to say, really. | 0:42:24 | 0:42:27 | |
You are hugely talented. There's no denying it. | 0:42:27 | 0:42:30 | |
-That's very kind, but you... -We are very lucky to have you here. | 0:42:30 | 0:42:33 | |
At this point, I give my guest the chance to pick a theme tune. | 0:42:33 | 0:42:36 | |
We know what you're going to pick. | 0:42:36 | 0:42:38 | |
-We know it's The Crystal Maze. -Yep. | 0:42:38 | 0:42:40 | |
So, what we thought we would create in my flat today | 0:42:40 | 0:42:42 | |
is The Crystal Dome. | 0:42:42 | 0:42:44 | |
-Ooh, nice. -Yes. | 0:42:44 | 0:42:45 | |
It's that moment where the contestants at the end of the show | 0:42:45 | 0:42:48 | |
had to grab gold bits of paper, so if you'd like to stand there... | 0:42:48 | 0:42:53 | |
And, Myleene, I would like you now to say the world-famous phrase. | 0:42:53 | 0:42:58 | |
OK. | 0:42:58 | 0:42:59 | |
Start the fans, please! | 0:42:59 | 0:43:02 | |
MUSIC: The Crystal Maze theme tune | 0:43:02 | 0:43:04 | |
-Hey! -Whoa! Whoa! -APPLAUSE Oh! | 0:43:04 | 0:43:07 | |
We will see you next time on The TV That Made Me. | 0:43:07 | 0:43:11 | |
Thank you very much. Bye-bye. | 0:43:11 | 0:43:13 | |
-Hey! -Watch those silvers. | 0:43:13 | 0:43:15 |