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TV, the magic box of delight. | 0:00:02 | 0:00:03 | |
As kids, it showed us a million different worlds | 0:00:03 | 0:00:06 | |
all from our living room. | 0:00:06 | 0:00:08 | |
-So funny. -That was state-of-the-art! -Ah! | 0:00:10 | 0:00:13 | |
I loved this. | 0:00:13 | 0:00:14 | |
'Each day, I'm going | 0:00:15 | 0:00:16 | |
'to journey through the wonderful world of telly...' | 0:00:16 | 0:00:19 | |
-Cheers. -'..with one of our favourite celebrities...' | 0:00:19 | 0:00:22 | |
'We are going into space.' | 0:00:22 | 0:00:23 | |
-It's just so silly. -Oh, no! | 0:00:23 | 0:00:25 | |
-Yeah! -'..as they select the iconic TV moments...' | 0:00:28 | 0:00:31 | |
-My God. This is the scene! -Oh, dear. | 0:00:33 | 0:00:35 | |
'..that tell us the stories of their lives.' | 0:00:35 | 0:00:38 | |
I absolutely adored this. | 0:00:39 | 0:00:40 | |
-'Some will make you laugh...' -SHE LAUGHS | 0:00:40 | 0:00:42 | |
Don't watch the telly, Esther. Watch me. | 0:00:42 | 0:00:44 | |
-'..some will surprise...' -THEY LAUGH | 0:00:44 | 0:00:47 | |
No way! Where did you find this?! | 0:00:47 | 0:00:50 | |
'..many will inspire...' | 0:00:50 | 0:00:51 | |
It used to transport us to places that we could only dream about. | 0:00:51 | 0:00:55 | |
'..and others will move us.' | 0:00:55 | 0:00:57 | |
I am emotional now. | 0:00:57 | 0:00:58 | |
'Today, we look even more deeply.' | 0:00:58 | 0:01:00 | |
Why wouldn't you want to watch this? | 0:01:00 | 0:01:02 | |
So, come watch with us as we rewind to the classic telly that | 0:01:02 | 0:01:06 | |
helped shape those wide-eyed youngsters into the much-loved | 0:01:06 | 0:01:10 | |
stars they are today. | 0:01:10 | 0:01:11 | |
Welcome to The TV That Made Me. | 0:01:20 | 0:01:21 | |
My guest today is one of TV's most talented and lovable actors. | 0:01:21 | 0:01:25 | |
-It is Mr Richard Ridings. -APPLAUSE | 0:01:25 | 0:01:29 | |
-Hello. -Hello, sir. Good to see you. | 0:01:29 | 0:01:31 | |
-Give us a hug. -Oh, no. Oh, don't hurt me, don't hurt me. | 0:01:31 | 0:01:33 | |
-Are you not a hugger? -Yeah, go on. | 0:01:33 | 0:01:35 | |
Give us a hug, give us a hug. Come sit down. | 0:01:35 | 0:01:37 | |
Take a seat. | 0:01:37 | 0:01:39 | |
Richard Ridings has been a stalwart on our screens | 0:01:40 | 0:01:43 | |
for over 30 years. | 0:01:43 | 0:01:45 | |
You'll recognise him from playing characters like Bernard | 0:01:46 | 0:01:49 | |
in Common As Muck | 0:01:49 | 0:01:51 | |
and more recently, Mr Bumble in Dickensian. | 0:01:51 | 0:01:54 | |
But what you might not recognise him for is one of his biggest roles, | 0:01:56 | 0:01:59 | |
the voice of Daddy in Peppa Pig. | 0:01:59 | 0:02:02 | |
The TV that made Richard Ridings | 0:02:04 | 0:02:06 | |
includes his big break as hard man Mad Mick in The Ritz... | 0:02:06 | 0:02:11 | |
They are reopening that disco, are they? | 0:02:11 | 0:02:14 | |
..a four-hour funeral that gripped our nation... | 0:02:15 | 0:02:18 | |
'19 guns in salute, | 0:02:18 | 0:02:20 | |
'the first time that a commoner has ever been given more than 17 guns.' | 0:02:20 | 0:02:25 | |
..and a show that used to have his father in stitches | 0:02:25 | 0:02:27 | |
back in the '60s. | 0:02:27 | 0:02:29 | |
Richard, it's great having you here. | 0:02:30 | 0:02:32 | |
Today's a celebration of some TV classics, | 0:02:32 | 0:02:35 | |
some wonderful bits that will take you, hopefully, down memory lane. | 0:02:35 | 0:02:38 | |
Stuff that you've chosen. | 0:02:38 | 0:02:40 | |
So, we are going to rewind the clock | 0:02:40 | 0:02:41 | |
and this is a very young Richard Ridings. | 0:02:41 | 0:02:43 | |
Richard Ridings was born in Henley-on-Thames in 1958 to parents | 0:02:46 | 0:02:51 | |
Doreen and Robert, who was a headmaster at a residential | 0:02:51 | 0:02:54 | |
school for asthmatic boys. | 0:02:54 | 0:02:57 | |
He and his older siblings, twins Jonathan and Sarah, | 0:02:57 | 0:03:00 | |
had free rein of the school | 0:03:00 | 0:03:02 | |
and a young Richard was often found playing around the grounds - | 0:03:02 | 0:03:06 | |
a freedom that allowed him to explore his active | 0:03:06 | 0:03:08 | |
and creative sides. | 0:03:08 | 0:03:10 | |
Famed for his voice as well as his acting skills, | 0:03:11 | 0:03:14 | |
after training at Bristol's Old Vic, Richard | 0:03:14 | 0:03:16 | |
starred in a variety of roles across TV and film. | 0:03:16 | 0:03:20 | |
And the demand for his talents has ensured that he has | 0:03:20 | 0:03:22 | |
remained on our screens for over three decades. | 0:03:22 | 0:03:26 | |
-So, where did you grow up, Richard? -It's a... Grew up? | 0:03:28 | 0:03:30 | |
Or have you ever grown up? | 0:03:30 | 0:03:32 | |
Well, now, that's a good question, actually, because part of me | 0:03:32 | 0:03:35 | |
really hasn't. No. | 0:03:35 | 0:03:36 | |
The child is still very much alive within me, I think, | 0:03:36 | 0:03:40 | |
but my dad was headmaster. | 0:03:40 | 0:03:41 | |
But he was headmaster of a very, very large school. | 0:03:41 | 0:03:46 | |
Not a lot of pupils, but just a very, very, very big building. | 0:03:46 | 0:03:49 | |
So, yeah, the first ten years of my life, | 0:03:49 | 0:03:51 | |
we had these marvellous grounds, a lot of running around. | 0:03:51 | 0:03:54 | |
-And you had a telly. -And we had a telly. -Yeah? -We had a telly, yeah. | 0:03:54 | 0:03:57 | |
And so, where was your telly? Where's your telly situated? | 0:03:57 | 0:03:59 | |
Telly. Now, I seem to recall it was in the dining room to start | 0:03:59 | 0:04:02 | |
with, but then later, moved into the sitting room. | 0:04:02 | 0:04:05 | |
And my earliest memories are... | 0:04:05 | 0:04:07 | |
-Watch With Mother... -Yes. | 0:04:07 | 0:04:09 | |
-Andy Pandy. -Andy Pandy and Looby Loo. | 0:04:09 | 0:04:12 | |
-I had a Looby Loo. -Did you? | 0:04:12 | 0:04:13 | |
I carried it everywhere. Yeah, first five years of my life, | 0:04:13 | 0:04:16 | |
I had a Looby Loo. | 0:04:16 | 0:04:17 | |
You do not strike me as a man who'd have a Looby Loo. | 0:04:17 | 0:04:20 | |
No, I did I had... I loved Looby Loo. | 0:04:20 | 0:04:22 | |
-We are going to go to your first memory, Richard. -Right, OK. | 0:04:28 | 0:04:31 | |
Just have a little look. | 0:04:31 | 0:04:33 | |
-This is Winston Churchill's funeral. -Yes. | 0:04:37 | 0:04:41 | |
The TV had moved into the sitting room by now. | 0:04:41 | 0:04:43 | |
Maybe, maybe in honour of Winston Churchill, | 0:04:43 | 0:04:46 | |
-it was moved into the sitting room. -Right. | 0:04:46 | 0:04:48 | |
But I can just remember sitting there going, | 0:04:48 | 0:04:50 | |
-"Oh, this is a bit grand." -This is 1965. | 0:04:50 | 0:04:53 | |
'The guns ring out. A salute of 19 guns...' | 0:04:55 | 0:04:58 | |
A funeral may seem like an unusual first TV memory for six-year-old | 0:04:58 | 0:05:02 | |
Richard, but that goes to show the magnitude of the event... | 0:05:02 | 0:05:05 | |
..and also how long the programme was actually on for - | 0:05:07 | 0:05:10 | |
four hours and five minutes. | 0:05:10 | 0:05:13 | |
'So, as the pigeons are raised...' | 0:05:13 | 0:05:15 | |
I can remember sitting there watching it, thinking, | 0:05:15 | 0:05:18 | |
"God, this is going on a long time!" THEY LAUGH | 0:05:18 | 0:05:22 | |
-I don't think I watched all of it. -No. -Cos I could never sit still. | 0:05:22 | 0:05:27 | |
So, I'd be out at the back playing a bit, I'd come in and watch a bit | 0:05:27 | 0:05:30 | |
more and go, "Where's he got to now, then? Is he at the Mall yet?" | 0:05:30 | 0:05:33 | |
GUNS FIRE | 0:05:33 | 0:05:36 | |
This funeral was known as Operation Hope Not. | 0:05:36 | 0:05:38 | |
-Was it really? -Yeah. | 0:05:38 | 0:05:40 | |
-Planned for 12 years. -Wow. | 0:05:41 | 0:05:45 | |
So, who would you watch this with, then, Richard? | 0:05:45 | 0:05:47 | |
Who was watching this with you? | 0:05:47 | 0:05:48 | |
I think my mum and dad were watching it. | 0:05:48 | 0:05:53 | |
And of course, they both had been through the war. | 0:05:53 | 0:05:56 | |
My dad had been in the Royal Signals, a captain. | 0:05:56 | 0:06:00 | |
-My mum was in the WAF. -Yeah? | 0:06:00 | 0:06:03 | |
So, yes, this was a great commemoration of our fantastic | 0:06:03 | 0:06:06 | |
-wartime leader. -Yeah, he was, wasn't he? -Yeah. | 0:06:06 | 0:06:09 | |
'It seems almost to be drifting up the last of the tide at high | 0:06:09 | 0:06:13 | |
'water on its way to Waterloo.' | 0:06:13 | 0:06:17 | |
-Would you ever have liked to play Winston Churchill? -Crikey. | 0:06:17 | 0:06:20 | |
Yeah, I suppose so. Yes. Yeah. Maybe. | 0:06:21 | 0:06:25 | |
I think you would be a good Winston Churchill. | 0:06:25 | 0:06:27 | |
-AS CHURCHILL: "Never..." -AS CHURCHILL: "Never..." | 0:06:27 | 0:06:29 | |
-"..in the field of human conflicts..." -"Have so many..." | 0:06:29 | 0:06:32 | |
-".. has so much been owed to so few." -I think you should do it. | 0:06:32 | 0:06:34 | |
-Oh, I think... -AS CHURCHILL: Do you know... -That's good. -No, I don't. | 0:06:34 | 0:06:37 | |
-I sound more like Bruce Forsyth. -HE BABBLES | 0:06:37 | 0:06:41 | |
HE LAUGHS | 0:06:41 | 0:06:42 | |
Churchill has been portrayed an astonishing 105 times on TV | 0:06:42 | 0:06:47 | |
and in film and countless more on stage and radio, | 0:06:47 | 0:06:51 | |
making Churchill, arguably, our most played prime minister. | 0:06:51 | 0:06:55 | |
Richard Burton's 1974 film | 0:06:55 | 0:06:57 | |
The Gathering Storm | 0:06:57 | 0:06:59 | |
focused on Churchill's role just before WWII. | 0:06:59 | 0:07:03 | |
In 2002, Albert Finney starred as Churchill | 0:07:03 | 0:07:06 | |
in a movie also called The Gathering Storm. | 0:07:06 | 0:07:08 | |
The title for both films being taken from the first of six books | 0:07:08 | 0:07:12 | |
Churchill wrote on the Second World War. | 0:07:12 | 0:07:15 | |
We don't always see Churchill in wartime, though. | 0:07:16 | 0:07:19 | |
Simon Ward played young Winston in the film of the same | 0:07:19 | 0:07:22 | |
name in 1972, which looked at his pre-Parliament life. | 0:07:22 | 0:07:27 | |
And the actor who has famously taken on the role of Churchill most | 0:07:29 | 0:07:33 | |
often is Robert Hardy, | 0:07:33 | 0:07:35 | |
seen here playing our wartime leader alongside John Thaw | 0:07:35 | 0:07:39 | |
in the drama Bomber Harris. | 0:07:39 | 0:07:41 | |
So, what was Richard like as a boy? | 0:07:43 | 0:07:46 | |
-Apparently, he never sat still. -No? | 0:07:46 | 0:07:48 | |
-He was always very, very, very noisy. -Mm-hm. | 0:07:48 | 0:07:51 | |
-Always interested in the arts? -More in nature and sport than into... | 0:07:51 | 0:07:55 | |
-Oh, really? It's got to be rugby. -Yes. | 0:07:55 | 0:07:58 | |
Yes. Yeah, I was very keen on rugby, but also shot putting as well. | 0:07:58 | 0:08:01 | |
-Oh, right. -I decided... | 0:08:01 | 0:08:03 | |
One of my other early memories was the Tokyo Olympics. | 0:08:03 | 0:08:07 | |
-This theme tune kept coming... -1964, that was. -1964. | 0:08:07 | 0:08:10 | |
And the theme tune kept coming on the telly and I was like, | 0:08:10 | 0:08:12 | |
"Oh... Oh, it's the Olympics. Ah, right." | 0:08:12 | 0:08:15 | |
And then later on in the Olympics, | 0:08:15 | 0:08:17 | |
Mary Rand won the gold medal in the long jump. | 0:08:17 | 0:08:20 | |
Mary was originally from Somerset, but her home was Richard's | 0:08:20 | 0:08:23 | |
back yard, Henley-on-Thames, | 0:08:23 | 0:08:25 | |
and she certainly did the locals proud. | 0:08:25 | 0:08:28 | |
The town gave her a homecoming and I remember that. | 0:08:28 | 0:08:30 | |
"Oh, the Olympic champion. An Olympic champion comes from Henley, | 0:08:30 | 0:08:33 | |
"yes. Great, great, great." | 0:08:33 | 0:08:35 | |
And later on, I thought, "What can I do? | 0:08:35 | 0:08:37 | |
"I'm not a very fast runner...well, not particularly fast, | 0:08:37 | 0:08:39 | |
"I'm certainly not a very good jumper." But I could throw things. | 0:08:39 | 0:08:43 | |
And I thought, "Yes, OK." | 0:08:43 | 0:08:45 | |
So, yeah, I developed an interest in the shot put and discus. | 0:08:45 | 0:08:48 | |
-And I got quite passionate about that. -Yeah. | 0:08:48 | 0:08:50 | |
-Did you get any good at it? -Well, I did, yeah. Quite good, actually. | 0:08:50 | 0:08:53 | |
I got... I represented the county and later on, went up to... | 0:08:53 | 0:08:58 | |
They have these all England sports and it's great fun. | 0:08:58 | 0:09:02 | |
You turn up at this stadium and the stadium is packed with | 0:09:02 | 0:09:05 | |
teams from every county in Britain, you know? | 0:09:05 | 0:09:08 | |
And I was representing Oxfordshire. | 0:09:08 | 0:09:10 | |
-I came third. -Mm! | 0:09:10 | 0:09:11 | |
Yeah, I was quite pleased with that. | 0:09:11 | 0:09:13 | |
And then started doing a bit of drama, | 0:09:13 | 0:09:15 | |
but it was always that kind of thing, | 0:09:15 | 0:09:16 | |
"Yeah, I can do a bit of that as well. | 0:09:16 | 0:09:18 | |
"Of course, yeah, I'd like to be an actor." | 0:09:18 | 0:09:20 | |
Never really seriously thought of myself as an actor. | 0:09:20 | 0:09:22 | |
You know... In fact... | 0:09:22 | 0:09:24 | |
in fact, I still don't. THEY LAUGH | 0:09:24 | 0:09:27 | |
It's just one of those things that kind of happened. | 0:09:27 | 0:09:29 | |
-So, your dad was a headmaster. -He was. | 0:09:29 | 0:09:32 | |
Was he quite strict with you when it comes to watching TV? | 0:09:32 | 0:09:36 | |
-We certainly... There was certainly a cut-off point, definitely. -Yeah. | 0:09:36 | 0:09:39 | |
You know, they'd be watching Z-Cars and we would be going, | 0:09:39 | 0:09:41 | |
"What's going on?" | 0:09:41 | 0:09:43 | |
"No, you are supposed to be in bed. You should be asleep by now." | 0:09:43 | 0:09:46 | |
And also until quite late in the '60s, | 0:09:46 | 0:09:49 | |
I don't think we were allowed to watch ITV. | 0:09:49 | 0:09:51 | |
-Oh, really? -Yeah, had to be BBC. -Oh, isn't it? | 0:09:51 | 0:09:55 | |
-So, there's a snobbery there. -Yeah! -Yeah. -Yeah. | 0:09:55 | 0:09:59 | |
I'm sure of it. Yes, I think it was sort of frowned upon. | 0:09:59 | 0:10:03 | |
"Oh, they are advertising. No, we will stick with good old Beeb." | 0:10:03 | 0:10:07 | |
-The next category involves your sister. -Does it? | 0:10:12 | 0:10:15 | |
-Hm. -HE CHUCKLES | 0:10:15 | 0:10:17 | |
This is something that used to... | 0:10:17 | 0:10:19 | |
Well, I think we are all going to find this very hard to believe. | 0:10:19 | 0:10:22 | |
Used to scare the life out of her. | 0:10:22 | 0:10:24 | |
-It's the Sooty & Sweep Show. -RICHARD LAUGHS | 0:10:24 | 0:10:29 | |
Well, hello, Sooty. It is nice to see you. | 0:10:29 | 0:10:33 | |
Well, I say, you've made a bit of a mess here. | 0:10:33 | 0:10:35 | |
What are you doing with butter on the bottom of your tin? | 0:10:35 | 0:10:38 | |
'Creator Harry Corbett bought Sooty at a Blackpool novelty | 0:10:38 | 0:10:42 | |
'shop in 1948 for seven and six. | 0:10:42 | 0:10:45 | |
'That's roughly 37p in new money. | 0:10:45 | 0:10:49 | |
'Within four years, Sooty was appearing weekly on the BBC. | 0:10:49 | 0:10:54 | |
'And Sooty has been on our screens longer than any other | 0:10:54 | 0:10:57 | |
'children's TV character.' | 0:10:57 | 0:11:00 | |
-Sweep used to send my sister, Sarah, behind the sofa. -Really? -Yeah. | 0:11:00 | 0:11:05 | |
-SWEEP LAUGHS -All right, Sweep. All right. | 0:11:05 | 0:11:07 | |
Don't laugh at him. There is no need to get like that. | 0:11:07 | 0:11:10 | |
Don't take any notice, he's just that way... | 0:11:10 | 0:11:13 | |
Sweep, you rascal, if you know that... | 0:11:13 | 0:11:15 | |
Well, it serves you right. It really does. | 0:11:18 | 0:11:21 | |
Get that...get that cloth, Sooty, and I'll wipe your face. | 0:11:21 | 0:11:25 | |
HE LAUGHS | 0:11:26 | 0:11:28 | |
I just can't fathom what scared your sister to hide behind the sofa. | 0:11:28 | 0:11:36 | |
I don't know. I don't know. I don't know. | 0:11:36 | 0:11:39 | |
What was she like with daleks? | 0:11:39 | 0:11:41 | |
-Yeah, not too good with daleks. -No? | 0:11:41 | 0:11:42 | |
That was the other one that sent her... Yeah, Doctor Who. | 0:11:42 | 0:11:45 | |
-But my dad loved Doctor Who. -Really? | 0:11:45 | 0:11:47 | |
-Yeah. And my brother and me. -Yeah. -And... Yeah. | 0:11:47 | 0:11:49 | |
We watched it religiously when it first came on. | 0:11:49 | 0:11:51 | |
-Oh, right. -He goes, "Oh, yeah, this is great. | 0:11:51 | 0:11:53 | |
"Oh, yeah, we're going to watch this." Yeah, she would... | 0:11:53 | 0:11:56 | |
Behind the sofa again. | 0:11:56 | 0:11:57 | |
I always remember, went on holiday and the film had come out | 0:11:57 | 0:12:00 | |
and he took us...he took my brother and I to see the film. | 0:12:00 | 0:12:03 | |
And, you know, she didn't want to go. "No, thank you very much." | 0:12:03 | 0:12:06 | |
Yeah, I don't... Daleks are scary. | 0:12:06 | 0:12:09 | |
They are scary to grown-ups, aren't they? | 0:12:09 | 0:12:10 | |
-So, does it bring back happy memories of that time? -Yeah. -Yeah? | 0:12:10 | 0:12:14 | |
Very happy memories. | 0:12:14 | 0:12:16 | |
We were a clump of three playing together, raising a riot, yes. | 0:12:16 | 0:12:21 | |
Did anything scare you on TV? | 0:12:21 | 0:12:24 | |
Yes, I've been thinking about that and... | 0:12:24 | 0:12:27 | |
..my first memory of being scared | 0:12:28 | 0:12:30 | |
was I think we were staying with our cousins at Christmas | 0:12:30 | 0:12:32 | |
and I wasn't very well, I think I had a bit of a fever. | 0:12:32 | 0:12:35 | |
And I remember watching a Dickens, I think it was Great Expectations | 0:12:35 | 0:12:38 | |
and there's a scene where... Is it Magwitch goes under the... | 0:12:38 | 0:12:42 | |
-the paddle steamer? -Yeah. -That gave me nightmares. | 0:12:42 | 0:12:44 | |
Yeah, but I think it might have been cos I had a bit of a fever anyway. | 0:12:44 | 0:12:47 | |
-You know. -Or a vivid imagination. -A vivid imagination, yes. | 0:12:47 | 0:12:51 | |
-Kept rerunning it, rerunning it. -Yeah. | 0:12:51 | 0:12:54 | |
Not a nice way to go. No. | 0:12:54 | 0:12:56 | |
Sooty & Sweep might be two of our most loved and famous furry friends, | 0:12:58 | 0:13:02 | |
but puppet pairings have been around since TV's earliest days. | 0:13:02 | 0:13:06 | |
Pinky And Perky launched way back in 1957 and were | 0:13:08 | 0:13:12 | |
so popular, they crossed the Atlantic, | 0:13:12 | 0:13:14 | |
appearing a number of times on The Ed Sullivan Show in the USA. | 0:13:14 | 0:13:18 | |
Almost a decade later, | 0:13:20 | 0:13:22 | |
we learned all about Pogle's Wood | 0:13:22 | 0:13:24 | |
as Mr and Mrs Pogle appeared in Watch With Mother. | 0:13:24 | 0:13:27 | |
In the '90s, Live & Kicking gave us | 0:13:29 | 0:13:31 | |
Mr Sage And Mr Onion, | 0:13:31 | 0:13:33 | |
two leprechauns whose main job it seemed was to joke around | 0:13:33 | 0:13:36 | |
with the show's guests. | 0:13:36 | 0:13:38 | |
And in 2009, Hacker T Dog and his half brother Dodge T Dog | 0:13:40 | 0:13:45 | |
first hit CBBC. | 0:13:45 | 0:13:47 | |
A couple of years later, Hacker was given his own spinoff show, | 0:13:47 | 0:13:50 | |
Hacker Time, proving the popularity of the TV puppet. | 0:13:50 | 0:13:56 | |
-Your next choice is Dad's Choice... -My dad's choice. | 0:14:02 | 0:14:05 | |
It's something your dad used to love watching. | 0:14:05 | 0:14:07 | |
-This gentleman - Mr Harry Worth. -Yes, yes. | 0:14:07 | 0:14:11 | |
RICHARD LAUGHS | 0:14:11 | 0:14:13 | |
How many times did we do this? | 0:14:16 | 0:14:19 | |
-How many times have you wandered along the shops and done that? -Yeah. | 0:14:19 | 0:14:22 | |
-Had to do it. -HE MUTTERS | 0:14:22 | 0:14:23 | |
I showed that to my kids only recently. I went, "Kids, have a look | 0:14:23 | 0:14:26 | |
"at this." Well, they wet themselves | 0:14:26 | 0:14:28 | |
when I said, "Well, there's a gentleman called Harry Worth," | 0:14:28 | 0:14:30 | |
and I'd lost them by that point. | 0:14:30 | 0:14:32 | |
-They were back on their iPads. -Yes. -But I did have a moment. | 0:14:32 | 0:14:34 | |
It happens, doesn't it? Just for a split-second, you sometimes get | 0:14:34 | 0:14:37 | |
-their attention. -Yeah. But your dad loved this? -Loved it. | 0:14:37 | 0:14:40 | |
I can't remember anything about the show, | 0:14:40 | 0:14:41 | |
-just that title sequence. -Yeah. | 0:14:41 | 0:14:43 | |
And the fact that he would sit there roaring his head off. | 0:14:43 | 0:14:46 | |
I wanted to save money. | 0:14:46 | 0:14:47 | |
-You want to save money, sir? -Yeah. | 0:14:47 | 0:14:49 | |
Well, you've come to the right place. You can save money here, sir. | 0:14:49 | 0:14:52 | |
-Can I really? -Indeed you can, sir. | 0:14:52 | 0:14:54 | |
-Now, what did you have for breakfast this morning? -Well, let me see. | 0:14:54 | 0:14:57 | |
Breakfast...a boiled egg, toast and marmalade and cornflakes. | 0:14:57 | 0:15:01 | |
Right. Now, what can we save on that? | 0:15:01 | 0:15:03 | |
Well, I could do without the boiled egg. It's true. | 0:15:03 | 0:15:06 | |
-Reminds me very much of Harry Hill as well. -Yes, yes. | 0:15:06 | 0:15:10 | |
Well, this is really marvellous. | 0:15:10 | 0:15:11 | |
Well, I've saved over seven shillings already. | 0:15:11 | 0:15:13 | |
-You've got the idea, sir. I'll leave you to it. -Thank you very much. | 0:15:13 | 0:15:18 | |
Ah, what's this? | 0:15:18 | 0:15:20 | |
South African peaches. | 0:15:20 | 0:15:21 | |
Not four and 11, not three and 11, not two and 11, but one and 11! | 0:15:21 | 0:15:26 | |
Must have one! | 0:15:26 | 0:15:27 | |
So, do you think this was escapism for your father's hectic life of | 0:15:27 | 0:15:31 | |
-being a... -Yeah. -..a headmaster? -Could be, yeah. | 0:15:31 | 0:15:35 | |
He spent a lot of time being very proper and strict and quite | 0:15:35 | 0:15:38 | |
austere and he was an ex-military man, you know, man of the church. | 0:15:38 | 0:15:42 | |
So, to see him relaxed and having a laugh was great, you know? | 0:15:42 | 0:15:46 | |
And sometimes it would bring out what my mum called | 0:15:46 | 0:15:49 | |
the giddy goat in him, you know? | 0:15:49 | 0:15:51 | |
-And he'd get a bit, "Wahey," you know, which was wonderful. -Yeah. | 0:15:51 | 0:15:54 | |
Yeah, I think that's all I've got from him, | 0:15:54 | 0:15:57 | |
actually, is the giddy goat bit. THEY LAUGH | 0:15:57 | 0:15:59 | |
-Sometimes. -I mean, Harry Worth was your dad's favourite. -Yeah. | 0:15:59 | 0:16:02 | |
But did you have some classics? Did you grow up with some great comedy? | 0:16:02 | 0:16:06 | |
Comedy, slightly later. | 0:16:06 | 0:16:08 | |
-I mean, I think earlier on, I was into Thunderbirds. -Yeah. | 0:16:08 | 0:16:12 | |
-Before that Fireball XL5. -Oh, yes. | 0:16:12 | 0:16:14 | |
And Stingray. | 0:16:14 | 0:16:16 | |
# Stingray! Stingray! | 0:16:16 | 0:16:18 | |
-BOTH: -# Da-da-da-da-da. # -Yeah. | 0:16:18 | 0:16:20 | |
# Marina | 0:16:20 | 0:16:22 | |
# Aqua Marina. # | 0:16:22 | 0:16:25 | |
-I loved her. I was in love with her. -Oh. You was in love with her? | 0:16:25 | 0:16:27 | |
-I was in love with Marina, yeah. -It was a puppet! | 0:16:27 | 0:16:30 | |
LAUGHTER | 0:16:30 | 0:16:32 | |
And Lady Penelope. She was a puppet too. | 0:16:32 | 0:16:35 | |
Yeah, so you wasn't a Benny Hill fan, Eric Morecambe & Wise... | 0:16:35 | 0:16:39 | |
-Morecambe & Wise. -Tommy Cooper? -Tommy Cooper. Loved Tommy Cooper. | 0:16:39 | 0:16:42 | |
In fact, I think Tommy Cooper was the time we started being allowed | 0:16:42 | 0:16:45 | |
to watch a bit of ITV. | 0:16:45 | 0:16:46 | |
But Morecambe & Wise, absolutely essential viewing. | 0:16:46 | 0:16:49 | |
And then a little bit later, Dave Allen with his stories. | 0:16:49 | 0:16:53 | |
Dave Allen was great. | 0:16:53 | 0:16:54 | |
I think he lived in Henley as well. | 0:16:54 | 0:16:56 | |
-Oh, really? -Yes, I believe so. | 0:16:56 | 0:16:58 | |
My sister ended up working in the | 0:16:58 | 0:16:59 | |
NatWest bank and she said, "He is always in there! | 0:16:59 | 0:17:02 | |
"Him and George Cole, they are always in there, making me laugh." | 0:17:02 | 0:17:05 | |
And then, of course, it all changed when The Pythons came along. | 0:17:05 | 0:17:08 | |
-Mm-hm. -Oh, overnight, you know? | 0:17:08 | 0:17:11 | |
You know, everybody at school watched it, you know, | 0:17:11 | 0:17:15 | |
and talked about it the next day. | 0:17:15 | 0:17:16 | |
It was one of those things that galvanised the nation, I think. | 0:17:16 | 0:17:20 | |
This next choice is something that used to bring a little | 0:17:25 | 0:17:28 | |
bit of magic into your life. | 0:17:28 | 0:17:30 | |
Ooh! | 0:17:30 | 0:17:32 | |
-ON TV: -'Strike three and they're two away here in the sixth inning | 0:17:32 | 0:17:35 | |
'as the bags remain loaded with wet lay.' | 0:17:35 | 0:17:37 | |
I'm ready. | 0:17:37 | 0:17:38 | |
-Ready for what? -My first driving lesson! | 0:17:38 | 0:17:41 | |
'Dick York and Elizabeth Montgomery's bewitching performances | 0:17:41 | 0:17:45 | |
'made the show an immediate hit. | 0:17:45 | 0:17:47 | |
'The writing was punchy and hilarious. | 0:17:47 | 0:17:50 | |
'It was a winning formula, acknowledged when Elizabeth | 0:17:50 | 0:17:53 | |
'was nominated for four Golden Globes | 0:17:53 | 0:17:55 | |
'in the space of six years.' | 0:17:55 | 0:17:57 | |
I am. | 0:17:57 | 0:17:58 | |
I mean, I was until I found out they were going to televise the game. | 0:17:58 | 0:18:01 | |
I'd be perfectly willing to forget the whole thing, | 0:18:01 | 0:18:04 | |
after all, why should I learn how to drive | 0:18:04 | 0:18:05 | |
-when I already know how to fly. -Sweetheart, we've been through | 0:18:05 | 0:18:08 | |
all this. You should learn to drive | 0:18:08 | 0:18:10 | |
because the way you fly is for the birds. | 0:18:10 | 0:18:12 | |
I remember one night, it was Fireworks' Night, | 0:18:12 | 0:18:15 | |
it was Bonfire Night and we had gone outside and we're all dressed | 0:18:15 | 0:18:18 | |
up in our sort of little gloves and things | 0:18:18 | 0:18:22 | |
and scarves and little hats. | 0:18:22 | 0:18:25 | |
We'd done sparklers outside | 0:18:25 | 0:18:27 | |
and we came back in and I remember watching this, | 0:18:27 | 0:18:30 | |
eating baked potatoes and sausages, for the first time | 0:18:30 | 0:18:34 | |
and just remember thinking, "This is the best thing on Earth." | 0:18:34 | 0:18:37 | |
-"I'm in heaven." -And then at the school, they had this big field | 0:18:37 | 0:18:41 | |
and they did this huge fireworks display. | 0:18:41 | 0:18:43 | |
I think it was for the town, really. It was over the valley. | 0:18:43 | 0:18:47 | |
That was quite a memorable night, that. But it started with | 0:18:47 | 0:18:50 | |
baked potatoes and Bewitched. | 0:18:50 | 0:18:51 | |
Look at it this way, I get where I want to go faster, | 0:18:51 | 0:18:54 | |
I save money on gas and oil | 0:18:54 | 0:18:56 | |
and I always find a parking space. | 0:18:56 | 0:18:58 | |
You should learn how to drive because the normal wife | 0:18:58 | 0:19:00 | |
uses normal transportation. It's part of the American dream. | 0:19:00 | 0:19:03 | |
All right, all right, you win. | 0:19:03 | 0:19:05 | |
What do you think was so appealing about those shows? | 0:19:05 | 0:19:10 | |
It's very light. I think Dick York is a great kind of energy. | 0:19:11 | 0:19:15 | |
This poor fellow who was always going to be outmanoeuvred. | 0:19:15 | 0:19:18 | |
-HE LAUGHS -Yeah, I mean, without a doubt. | 0:19:18 | 0:19:21 | |
If you are married to a witch, what do you expect, you know? | 0:19:21 | 0:19:24 | |
-I know. -But so good-natured as well. | 0:19:24 | 0:19:25 | |
-ON TV: -'Left-hander gets the sign. And then...' | 0:19:25 | 0:19:28 | |
THUNDER CLAPS | 0:19:28 | 0:19:29 | |
'I can't believe it! It's raining.' | 0:19:29 | 0:19:33 | |
Can you do the nose? | 0:19:33 | 0:19:35 | |
-LAUGHTER -Let's show them how to do it. | 0:19:36 | 0:19:39 | |
-There you go. -Yeah, I don't think... | 0:19:44 | 0:19:47 | |
-I'm more a...more a muzzle man. -Yeah, yeah. | 0:19:47 | 0:19:49 | |
-Time for one of your family favourites. -All right. | 0:19:56 | 0:19:59 | |
LOUD CHATTER | 0:19:59 | 0:20:03 | |
-Is it Kojak? -Yes, it is. -Oh-ho! | 0:20:03 | 0:20:05 | |
-I would try not to miss this. -There he is, Telly Savalas. | 0:20:05 | 0:20:08 | |
-"Who loves you, baby?" -Telly Savalas. "Who loves you?" | 0:20:08 | 0:20:11 | |
You let all the other cats go. | 0:20:11 | 0:20:13 | |
-Hands, behind. -Why I got to get busted? | 0:20:13 | 0:20:16 | |
'Just check out the acting and the action. | 0:20:16 | 0:20:18 | |
'It's no wonder that Kojak won a whole host of Emmys | 0:20:18 | 0:20:21 | |
'and Golden Globes when it blasted onto our screens in the '70s. | 0:20:21 | 0:20:25 | |
'The flair in the writing | 0:20:25 | 0:20:26 | |
'and the acting was almost as good as the flares we saw on screen.' | 0:20:26 | 0:20:30 | |
-And the lollipops. -Yeah. -Yeah. | 0:20:32 | 0:20:33 | |
He always had a lollipop and you know why? | 0:20:33 | 0:20:36 | |
He was trying to give up smoking. | 0:20:36 | 0:20:37 | |
-Oh, is that right? -Yeah. | 0:20:37 | 0:20:39 | |
Actually, I think... Yes, I remember that. I remember seeing him | 0:20:39 | 0:20:42 | |
interviewed by Parkinson, talking about it, yeah. | 0:20:42 | 0:20:45 | |
Meantime, Benny, can you tell me why an expensive piece of manpower | 0:20:45 | 0:20:48 | |
like myself should be chauffeuring you around, huh? | 0:20:48 | 0:20:50 | |
It's heavy, lieutenant. I mean, like millions, maybe. | 0:20:50 | 0:20:53 | |
Millions? Millions of what? | 0:20:53 | 0:20:55 | |
Diamonds. | 0:20:55 | 0:20:56 | |
'Kojak's popularity has certainly stood the test of time. | 0:20:56 | 0:21:00 | |
'"Who loves you, baby?" made TV Guide's top 20 catchphrase list | 0:21:00 | 0:21:04 | |
'almost 30 years after Savalas' last episode was made.' | 0:21:04 | 0:21:09 | |
And how old was you when you were watching this? | 0:21:09 | 0:21:11 | |
-Ten, 11. It was Saturday night, wasn't it? -Yeah. | 0:21:11 | 0:21:14 | |
It was Saturday night. It was like get all your stuff done. | 0:21:14 | 0:21:16 | |
Yeah, go and play a bit of sport in the morning, | 0:21:16 | 0:21:18 | |
run around in the afternoon, get in, have something to eat, | 0:21:18 | 0:21:21 | |
but make sure that you've finished eating | 0:21:21 | 0:21:24 | |
and done the washing up by the time Kojak comes on. | 0:21:24 | 0:21:27 | |
-Yeah. -There they go. Ba-ba! Yeah, great stuff. | 0:21:27 | 0:21:29 | |
But Kojak isn't the only famous star who is follicle-ly challenged. | 0:21:34 | 0:21:38 | |
From Hancock's Half Hour | 0:21:39 | 0:21:40 | |
to Alf Garnett in Till Death Us Do Part, | 0:21:40 | 0:21:42 | |
noble-domed Warren Mitchell | 0:21:42 | 0:21:45 | |
was a BAFTA and a Laurence Olivier award winner. | 0:21:45 | 0:21:48 | |
Nicknamed "old baldy", Patrick Stewart is not only | 0:21:50 | 0:21:53 | |
renowned as a Shakespearean stage actor, he is also the captain | 0:21:53 | 0:21:57 | |
of the Starship Enterprise | 0:21:57 | 0:21:59 | |
boldly going where no man has gone before. | 0:21:59 | 0:22:02 | |
He might be a baby, but he is a very funny and clever baby. | 0:22:05 | 0:22:09 | |
Matt Lucas came to the fore as George Dawes on Shooting Stars | 0:22:09 | 0:22:13 | |
and his shiny bald star has continued to rise ever since. | 0:22:13 | 0:22:17 | |
And proving that two bald heads are better than one, | 0:22:22 | 0:22:25 | |
the butch, baldy, baddies Steve McFadden & Ross Kemp | 0:22:25 | 0:22:29 | |
kept EastEnders fans entertained as the Mitchell brothers. | 0:22:29 | 0:22:34 | |
All going to show that bald is not only beautiful, but brilliant too. | 0:22:34 | 0:22:39 | |
We're moving onto your next clip now. This is a movie. | 0:22:46 | 0:22:49 | |
This is your biggest influence and here's the film. | 0:22:49 | 0:22:53 | |
Oliver! | 0:22:53 | 0:22:55 | |
Oh, yeah. Ollie. | 0:22:55 | 0:22:58 | |
-He looks good, doesn't he? Oliver Reed? -Wonderful. | 0:22:58 | 0:23:01 | |
-Great film, isn't it? -Yeah. | 0:23:02 | 0:23:04 | |
'Ollie Reed's brooding performance as the villainous | 0:23:07 | 0:23:10 | |
'Bill Sikes has got to be one of the most famous in film history. | 0:23:10 | 0:23:15 | |
'Not many actors can make such an impression while saying so little. | 0:23:15 | 0:23:19 | |
'Based on the Dickens novel Oliver Twist, | 0:23:26 | 0:23:28 | |
'this 1968 movie adaptation proved its popularity by being | 0:23:28 | 0:23:33 | |
'nominated for 12 and winning six Oscars.' | 0:23:33 | 0:23:37 | |
Absolutely magnetic. | 0:23:38 | 0:23:39 | |
Saw this in the cinema two or three times with my mum, I think, | 0:23:39 | 0:23:43 | |
and she loved the musicals. And we had the record. | 0:23:43 | 0:23:48 | |
You couldn't get videos and DVDs in those days. | 0:23:48 | 0:23:50 | |
Yeah, when they started showing this on telly, it was, "Oh, yes." | 0:23:50 | 0:23:53 | |
I loved anything Ollie Reed was in, I just loved his ability to | 0:23:53 | 0:23:58 | |
kind of be on screen and not say much and just exude such power. | 0:23:58 | 0:24:04 | |
-Charismatic. -Very charismatic. | 0:24:04 | 0:24:07 | |
Oh, there he is again. | 0:24:07 | 0:24:09 | |
There's Jack Wild, God bless him. | 0:24:09 | 0:24:11 | |
Oliver is back. | 0:24:15 | 0:24:16 | |
Look at his togs. | 0:24:16 | 0:24:18 | |
'Even the younger members of the cast gave brilliant performances. | 0:24:18 | 0:24:21 | |
'Jack Wild as the Artful Dodger | 0:24:21 | 0:24:23 | |
'who was nominated for an Oscar, a BAFTA and a Golden Globe.' | 0:24:23 | 0:24:28 | |
Cool, look at this! | 0:24:28 | 0:24:30 | |
I'll bank it for you. | 0:24:33 | 0:24:34 | |
What's that? | 0:24:35 | 0:24:36 | |
-That's mine, Fagin. -No, no. No, my dear. Mine. | 0:24:39 | 0:24:43 | |
Ours. You shall have the books. | 0:24:43 | 0:24:46 | |
You hand it over, you avaricious old skeleton. | 0:24:46 | 0:24:49 | |
Do you think Oliver Reed inspired you? | 0:24:49 | 0:24:50 | |
Oh, yeah. Definitely, yeah. | 0:24:50 | 0:24:52 | |
This movie in particular? | 0:24:52 | 0:24:54 | |
I think so, yes. | 0:24:54 | 0:24:56 | |
But did it make you think, "Do you know what, | 0:24:56 | 0:24:58 | |
"this is what I want to do. I want to be an actor"? | 0:24:58 | 0:25:00 | |
No, I mean, I didn't know you did that. | 0:25:00 | 0:25:01 | |
I thought... Now and again, I thought, | 0:25:01 | 0:25:03 | |
"Ooh, I'd love to be a singer," | 0:25:03 | 0:25:04 | |
but I don't... I didn't know anybody who did it | 0:25:04 | 0:25:07 | |
or how you did it professionally. No. | 0:25:07 | 0:25:10 | |
I mean, even later, when I went to college | 0:25:10 | 0:25:12 | |
and I was studying drama, | 0:25:12 | 0:25:14 | |
even then, I was thinking, "I wonder what I'm going to do," you know? | 0:25:14 | 0:25:18 | |
It was only, I think, in the final year of my degree, I thought, | 0:25:18 | 0:25:21 | |
"Oh, maybe I'll have a crack at that." | 0:25:21 | 0:25:25 | |
Yeah? | 0:25:25 | 0:25:26 | |
-Yeah. -Have you ever crossed over to musical theatre over the years? | 0:25:26 | 0:25:31 | |
Very early on when I started doing theatre and doing rep, you know, | 0:25:31 | 0:25:36 | |
and a couple of seasons of rep, | 0:25:36 | 0:25:39 | |
I was in Jesus Christ Superstar and things like that in the theatre | 0:25:39 | 0:25:43 | |
and pantos. I know you are a big panto man, aren't you? | 0:25:43 | 0:25:46 | |
-Well, I've had my moments. -Yes. I suppose that's a bit of a regret, | 0:25:46 | 0:25:49 | |
really, that I, you know, didn't do more. | 0:25:49 | 0:25:51 | |
I mean, panto is great fun, isn't it? | 0:25:51 | 0:25:54 | |
Well, it's not too late. I could see you as Widow Twankey. | 0:25:54 | 0:25:56 | |
-HE LAUGHS -I could see you there or as Baron. | 0:25:56 | 0:25:59 | |
Well, I'd have to go into training. Oh! You've got to be fit, haven't | 0:25:59 | 0:26:02 | |
-you? -Well, it is a bit full-on. -Doing two shows a day, for... | 0:26:02 | 0:26:06 | |
-Yeah, two shows every day. -Yeah? -Yeah. | 0:26:06 | 0:26:08 | |
Yeah, so you just get on with it, you know? Do you find yourself... | 0:26:08 | 0:26:11 | |
you know, leaning towards a good villain? | 0:26:11 | 0:26:14 | |
-You know, if you're watching a film? -Oh, yes. -"That's a good villain." | 0:26:14 | 0:26:17 | |
-Yeah, I like a villain. Yeah. -Really? -Yeah. | 0:26:17 | 0:26:19 | |
-What is that about? -Well, it depends what it is, really, doesn't it? | 0:26:19 | 0:26:23 | |
If there is a kind of glint and a kind of a bit of a... | 0:26:23 | 0:26:26 | |
If you can see where they are coming from, it helps, I think. | 0:26:26 | 0:26:30 | |
But certainly to play villains are, I think, a lot more interesting. | 0:26:30 | 0:26:35 | |
So, who is your favourite TV villain? | 0:26:35 | 0:26:38 | |
-Ooh, what, ever? -Yeah. -Ooh. Ooh. | 0:26:38 | 0:26:42 | |
Oh, it would have to be Ian Richardson | 0:26:42 | 0:26:44 | |
in the original House Of Cards. | 0:26:44 | 0:26:46 | |
-Oh, right. -"I couldn't possibly comment." | 0:26:46 | 0:26:50 | |
-Yeah. -"You may well be thinking that, but I couldn't... | 0:26:50 | 0:26:54 | |
"I couldn't possibly comment." Wonderful scheming. | 0:26:54 | 0:26:56 | |
Why do you think he is so good? | 0:26:56 | 0:26:58 | |
-Because it's so subtle? -Yeah, probably and it's... | 0:26:58 | 0:27:02 | |
And also it's the situation, you know? He's prime minister. | 0:27:02 | 0:27:06 | |
He's, you know... Or he's attempting to get rid of the prime minister, | 0:27:06 | 0:27:10 | |
so he can become prime minister. | 0:27:10 | 0:27:12 | |
-It's great political affairs of state. -Yeah, yeah, yeah. | 0:27:12 | 0:27:15 | |
-Skulduggery. -Yeah. | 0:27:17 | 0:27:18 | |
We're going to move onto your break now. This is your... | 0:27:24 | 0:27:27 | |
an early TV clip of yourself as Mad Mick. | 0:27:27 | 0:27:32 | |
Oh, yes. | 0:27:32 | 0:27:34 | |
# If you're blue and you don't know where to go to | 0:27:36 | 0:27:39 | |
# Why don't you go where fashion sits? | 0:27:39 | 0:27:41 | |
# Putting on the Ritz. # | 0:27:43 | 0:27:44 | |
-Came out of a stage show called Bouncers. -Yes, I remember. | 0:27:46 | 0:27:49 | |
-I did go and see that. -Right. | 0:27:49 | 0:27:51 | |
So... | 0:27:56 | 0:27:57 | |
they are reopening that disco, are they? | 0:27:57 | 0:28:00 | |
Look at that. What an entrance. | 0:28:00 | 0:28:02 | |
Let's see how long it stays open this time, shall we? | 0:28:02 | 0:28:05 | |
The last two others lasted five hours | 0:28:07 | 0:28:11 | |
between them. | 0:28:11 | 0:28:13 | |
It's a good look, Richard. | 0:28:13 | 0:28:15 | |
Anyone who takes my costume is going to finish up | 0:28:17 | 0:28:20 | |
in the end bed of the infirmary. | 0:28:20 | 0:28:22 | |
Hey. | 0:28:23 | 0:28:24 | |
If you happen to be passing the hospital, | 0:28:26 | 0:28:29 | |
stitch this up! | 0:28:29 | 0:28:31 | |
LAUGHTER | 0:28:32 | 0:28:35 | |
I wouldn't like to cross you, Richard. | 0:28:37 | 0:28:41 | |
-Wow. -I mean, what do you base characters like that...? | 0:28:42 | 0:28:46 | |
Cos you're not like that. | 0:28:46 | 0:28:47 | |
You are kindly Richard that we all know and love. | 0:28:47 | 0:28:50 | |
But where does that come from? | 0:28:50 | 0:28:53 | |
Got it playing in the front row of rugby, I think, yeah. | 0:28:53 | 0:28:56 | |
"Come here, then. Let's go." HE MUMBLES | 0:28:56 | 0:28:59 | |
Maybe a bit of that. | 0:28:59 | 0:29:01 | |
I remember... | 0:29:01 | 0:29:03 | |
I haven't seen that for about 30 years or since it was on, really. | 0:29:03 | 0:29:08 | |
-Yeah, fun times, fun times. -Yeah. -But he was a complete psychopath. | 0:29:08 | 0:29:13 | |
LAUGHTER | 0:29:13 | 0:29:15 | |
-Him or you? -The Ritz. No, him, him. Yes, yes. | 0:29:15 | 0:29:18 | |
No, I think you captured it there. | 0:29:18 | 0:29:19 | |
I mean, you are suitably evil enough. | 0:29:19 | 0:29:22 | |
Did you love playing that part? | 0:29:22 | 0:29:23 | |
Yeah, great fun. Great fun. I think it was quite popular. | 0:29:23 | 0:29:27 | |
Oh, no, it was very popular. I remember seeing it. | 0:29:27 | 0:29:29 | |
I remember somebody told me it got something like... | 0:29:29 | 0:29:32 | |
It was BBC Two and I think it got 4.2 million one week, but... | 0:29:32 | 0:29:38 | |
-I don't think the top brass at the Beeb liked it. -Really? | 0:29:38 | 0:29:42 | |
Yeah, they were going to make a second series called | 0:29:42 | 0:29:45 | |
The Continental and then halfway through preparation for that, | 0:29:45 | 0:29:49 | |
they said, "No." They decided they didn't want the series. | 0:29:49 | 0:29:52 | |
They are just going to do a Christmas special. | 0:29:52 | 0:29:54 | |
Said, "OK, fair enough." Onwards and upwards, on to other things. | 0:29:54 | 0:29:57 | |
And you have gone onwards and upwards. | 0:29:57 | 0:29:59 | |
I mean, Who Framed Roger Rabbit. | 0:29:59 | 0:30:01 | |
-That was straight after this, actually. -Was it, really? -Yes. | 0:30:01 | 0:30:04 | |
-Yeah, yeah. -And you enjoyed that? -Very much. | 0:30:04 | 0:30:08 | |
A very different way of working. | 0:30:08 | 0:30:10 | |
-Cos half the characters weren't there, were they? -That's right. | 0:30:10 | 0:30:13 | |
Exactly. And it took... | 0:30:13 | 0:30:14 | |
Because of that, the filming was that much more complicated. | 0:30:14 | 0:30:19 | |
And not only that, we were filming on stages which had | 0:30:19 | 0:30:23 | |
a kind of a gap underneath for puppeteers and they had gantries | 0:30:23 | 0:30:29 | |
for puppeteers above us. | 0:30:29 | 0:30:31 | |
And then we had to film at different speeds. | 0:30:31 | 0:30:34 | |
Roger. | 0:30:36 | 0:30:37 | |
'Who Framed Roger Rabbit really pushed the boundaries | 0:30:37 | 0:30:40 | |
'when it came to mixing live action and animation. | 0:30:40 | 0:30:43 | |
'And considering the actors often had to play to cartoon characters | 0:30:43 | 0:30:47 | |
'that weren't even there, the quality of acting is incredible. | 0:30:47 | 0:30:51 | |
'Pretty hair-raising stuff for Richard | 0:30:53 | 0:30:55 | |
'who played wisecracking Angelo | 0:30:55 | 0:30:58 | |
'and there he is.' | 0:30:58 | 0:30:59 | |
# I...I love to... # | 0:30:59 | 0:31:01 | |
I forget how many scenes I was in. | 0:31:01 | 0:31:03 | |
What, five, six, seven scenes, something like that. | 0:31:03 | 0:31:05 | |
I was there for about two or three months, I seem to recall. | 0:31:05 | 0:31:08 | |
-Really? -Yeah, it was very, very detailed. | 0:31:08 | 0:31:10 | |
Imagine what Bob Hoskins must've been going through. | 0:31:10 | 0:31:12 | |
Oh, he was delightful, but, yeah, | 0:31:12 | 0:31:15 | |
going slightly loopy with the acting to fresh air, you know? | 0:31:15 | 0:31:18 | |
So, those sort of tough roles, you know, | 0:31:18 | 0:31:22 | |
-I mean, you've done of few of them. The Planet Of The Apes. -Yes. | 0:31:22 | 0:31:25 | |
How did that come about? I mean, did you have to go and now study apes? | 0:31:25 | 0:31:29 | |
How I got the role was, I think | 0:31:29 | 0:31:30 | |
I'd been working with Andy Serkis on video games with | 0:31:30 | 0:31:35 | |
performance capture, the thing that he made famous with Gollum | 0:31:35 | 0:31:39 | |
and Weta Workshop in New Zealand. | 0:31:39 | 0:31:41 | |
What is performance capture? | 0:31:41 | 0:31:43 | |
It's this thing where you're put in a very tight, very tight suit | 0:31:43 | 0:31:47 | |
and they put dots on all of your joints | 0:31:47 | 0:31:49 | |
and they put dots all over your face. | 0:31:49 | 0:31:51 | |
And then you have, I think, | 0:31:51 | 0:31:53 | |
it's something like 360 cameras surrounding you. | 0:31:53 | 0:31:57 | |
It's called The Volume. | 0:31:57 | 0:31:58 | |
It's a technical word, The Volume. | 0:31:58 | 0:32:01 | |
And they track your movements and they track your face. | 0:32:01 | 0:32:04 | |
So, everything you do can then be captured on computers | 0:32:04 | 0:32:08 | |
and mapped onto a puppet, which is an amazing way of working. | 0:32:08 | 0:32:13 | |
And what's been great working with Andy is | 0:32:13 | 0:32:16 | |
watching the technology develop through the years. | 0:32:16 | 0:32:20 | |
You know, when we started in Wellington, it was.. | 0:32:20 | 0:32:23 | |
They'd put these little silver balls on your face, | 0:32:23 | 0:32:25 | |
a bit like those cake decorations, you know? | 0:32:25 | 0:32:27 | |
"We are just going to stick these on with tweezers and a bit of glue," | 0:32:27 | 0:32:30 | |
you know like that. In certain parts where your face moves. | 0:32:30 | 0:32:35 | |
-Yeah. -You know. So, you'd have something like 50 or 60 of | 0:32:35 | 0:32:38 | |
these dots, but then as the technology evolved, they were able | 0:32:38 | 0:32:42 | |
-to do it with reflective paint. -Oh, right. | 0:32:42 | 0:32:45 | |
So, by the time we got to Planet Of The Apes, | 0:32:45 | 0:32:47 | |
you'd have a mask in the morning and they'd drill holes in it | 0:32:47 | 0:32:51 | |
and then just kind of spray paint the dots on your face. | 0:32:51 | 0:32:56 | |
So, and... | 0:32:56 | 0:32:58 | |
I think, I had something like 370 dots on my face. | 0:32:58 | 0:33:02 | |
Big face. | 0:33:02 | 0:33:04 | |
See? Big face. Yeah. | 0:33:04 | 0:33:06 | |
-Well, shall we have a look at you in Planet Of The Apes? -OK. | 0:33:06 | 0:33:08 | |
-Let's have a little look. -OK. Yeah. | 0:33:08 | 0:33:10 | |
'2011 saw the release of Rise Of The Planet Of The Apes, | 0:33:14 | 0:33:18 | |
'the first reboot of the world-famous franchise. | 0:33:18 | 0:33:22 | |
'And here comes Richard as the silverback gorilla Buck.' | 0:33:23 | 0:33:27 | |
HE GROWLS | 0:33:31 | 0:33:33 | |
What is going through the gorilla's mind at this point as he's | 0:33:33 | 0:33:35 | |
let out of the cage? | 0:33:35 | 0:33:37 | |
This is freedom for the first time for him for years. | 0:33:38 | 0:33:41 | |
-Yeah. -From Caesar. | 0:33:41 | 0:33:43 | |
HE GRUNTS | 0:33:50 | 0:33:52 | |
Go on, then. Go on, then. | 0:33:54 | 0:33:55 | |
So, that's you running around? | 0:34:10 | 0:34:12 | |
Hey, listen now. Now then, steady on. | 0:34:12 | 0:34:15 | |
Some of it is. | 0:34:15 | 0:34:16 | |
But some of it is also a wonderful Canadian gymnast, | 0:34:16 | 0:34:19 | |
part of the Canadian Olympic team who did a lot of very fast | 0:34:19 | 0:34:24 | |
stuff and a lot of up the tree and things like that, | 0:34:24 | 0:34:27 | |
but, yeah, they got me to do it as well. | 0:34:27 | 0:34:29 | |
So, how do you master the moves of being a gorilla? | 0:34:29 | 0:34:32 | |
Some of the performers worked with Cirque du Soleil. | 0:34:32 | 0:34:34 | |
There is a lovely guy called Terry who developed these adapted | 0:34:34 | 0:34:39 | |
-crutches. -Right. -Yeah. | 0:34:39 | 0:34:40 | |
-To make your arms longer. -To give you that stance, yeah. | 0:34:40 | 0:34:43 | |
To give you that... Because it's quite hard to do the movement | 0:34:43 | 0:34:45 | |
unless... A lot of it was just learning to work with these crutches | 0:34:45 | 0:34:48 | |
and learning how to walk and move. | 0:34:48 | 0:34:50 | |
When I got a phone call from Andy Serkis, saying, | 0:34:50 | 0:34:52 | |
"Do you fancy coming out to Vancouver | 0:34:52 | 0:34:54 | |
"to be my silverback on Planet...?" | 0:34:54 | 0:34:56 | |
I was like... HE STAMMERS | 0:34:56 | 0:34:58 | |
This is King Kong asking me if I want go... | 0:34:58 | 0:35:01 | |
I mean, what an honour, what an accolade. | 0:35:01 | 0:35:03 | |
And we had lots of resource material to watch as well. | 0:35:03 | 0:35:07 | |
Just get the movement right. | 0:35:07 | 0:35:09 | |
Did you ever think you'd be playing a gorilla? | 0:35:09 | 0:35:13 | |
-What do you think your dad would have said? -I don't know. | 0:35:14 | 0:35:17 | |
-I think he might have quite liked it. -Yeah, yeah. | 0:35:17 | 0:35:19 | |
The idea of me being an actor. A lot of fun. | 0:35:19 | 0:35:22 | |
I think I would've just said, "Dad, let your giddy goat out. | 0:35:22 | 0:35:25 | |
-"Go with it. Come on!" -Yeah. -Yeah. | 0:35:25 | 0:35:29 | |
So, Richard, Buck the gorilla is not the most famous animal you | 0:35:29 | 0:35:33 | |
-have played. -Now, would you be referring to a certain pig? | 0:35:33 | 0:35:37 | |
I would be. You played Daddy in Peppa Pig. | 0:35:37 | 0:35:40 | |
The voice of Daddy Pig. Yes. | 0:35:40 | 0:35:41 | |
Daddy Pig. And so, how did this come about? | 0:35:41 | 0:35:45 | |
Through a mutual friend. | 0:35:45 | 0:35:47 | |
I met Phil, the producer, at a gig, actually. | 0:35:47 | 0:35:51 | |
I think his daughter was playing drums | 0:35:51 | 0:35:53 | |
and my friend's daughter was playing drums. | 0:35:53 | 0:35:55 | |
They were big friends at school. | 0:35:55 | 0:35:57 | |
And he said, "Hold on, we've got something that I think you | 0:35:58 | 0:36:02 | |
"might be right for. Will you come in and have a test?" | 0:36:02 | 0:36:06 | |
I said, "I'd love to, yes." | 0:36:06 | 0:36:07 | |
And soon as you saw it and read the script, you thought, | 0:36:07 | 0:36:10 | |
"Oh, this is a bit special. This is a bit lovely." | 0:36:10 | 0:36:12 | |
And he said, "Well, we'd like you to do it." | 0:36:12 | 0:36:15 | |
But I was just about to start work on Terry Gilliam's Brothers Grimm. | 0:36:15 | 0:36:18 | |
I said, "Well, I'm...I'm flying out to Prague | 0:36:18 | 0:36:21 | |
"in about three days' time." | 0:36:21 | 0:36:23 | |
He said, "Well, we better book a studio, then." | 0:36:23 | 0:36:27 | |
-So, we did all of the first series in one day. -Really? | 0:36:27 | 0:36:29 | |
I think we started at about 7.30 in the morning. | 0:36:29 | 0:36:32 | |
We went through till about eight. | 0:36:32 | 0:36:33 | |
I mean, they're only five-minute episodes, but even so. | 0:36:33 | 0:36:36 | |
Um, it was great. | 0:36:36 | 0:36:38 | |
And did you ever think it would be as successful as it is? | 0:36:38 | 0:36:41 | |
I thought it was going to be successful, but wow! | 0:36:41 | 0:36:44 | |
I mean who can...who can prophesy that kind of...success? | 0:36:44 | 0:36:49 | |
-Yeah, should we have a little look? -Go on, then. -Peppa Pig. -Yeah. | 0:36:49 | 0:36:53 | |
Richard Ridings. | 0:36:53 | 0:36:55 | |
-PEPPA GIGGLES -Daddy, can we help put up the | 0:36:55 | 0:36:57 | |
picture? | 0:36:57 | 0:36:59 | |
You can watch and then you'll learn how to do it properly. | 0:36:59 | 0:37:02 | |
First, I need a tape measure. | 0:37:02 | 0:37:04 | |
'Here's a typically hilarious example of Daddy Pig's antics. | 0:37:06 | 0:37:10 | |
'Trying to do the right thing to help out around the house, | 0:37:10 | 0:37:13 | |
'but as usual, it doesn't go quite to plan. | 0:37:13 | 0:37:16 | |
'Poor Daddy Pig.' | 0:37:16 | 0:37:18 | |
DADDY LAUGHS | 0:37:18 | 0:37:20 | |
Feels like the character was written for you, Richard. | 0:37:20 | 0:37:23 | |
It does, doesn't it? | 0:37:23 | 0:37:24 | |
Stand back, children and watch a craftsman at work. | 0:37:24 | 0:37:28 | |
'So clever, the guys who write... Mark and Neville who write this.' | 0:37:28 | 0:37:31 | |
-SHE SNORTS -Don't break the wall, Daddy. | 0:37:31 | 0:37:34 | |
DADDY LAUGHS Don't be silly, Peppa. | 0:37:34 | 0:37:37 | |
LOUD BANG | 0:37:37 | 0:37:39 | |
HE SNORTS Easy as pie. | 0:37:39 | 0:37:41 | |
CRACKING Oh. It's not meant to do that. | 0:37:41 | 0:37:45 | |
Why are they so clever to write? | 0:37:45 | 0:37:47 | |
I think to find something for a preschool audience that appeals | 0:37:47 | 0:37:52 | |
so much to parents as well... | 0:37:52 | 0:37:56 | |
LAUGHTER | 0:37:56 | 0:37:58 | |
-Oh, Daddy. -SHE SNORTS | 0:37:58 | 0:38:00 | |
Now you really have broken the wall. | 0:38:00 | 0:38:02 | |
Hm. | 0:38:02 | 0:38:04 | |
Do you think Mummy will notice? | 0:38:04 | 0:38:06 | |
Oh, yes, I think she might. | 0:38:06 | 0:38:08 | |
LAUGHTER | 0:38:08 | 0:38:11 | |
He seems to get himself into a lot of scrapes, Daddy Pig. | 0:38:11 | 0:38:13 | |
-Oh, absolutely. Yeah. -Yeah. -And... HE LAUGHS | 0:38:13 | 0:38:17 | |
I mean, that seems to be one of the central movements of the series, | 0:38:17 | 0:38:20 | |
isn't it? "Daddy will do it. Watch Daddy. | 0:38:20 | 0:38:22 | |
"Daddy knows how to do it. Oops. Oh, yeah. | 0:38:22 | 0:38:26 | |
-"I'm a bit of an expert in this," isn't it? -But he loves his kids. | 0:38:26 | 0:38:29 | |
-He ADORES his kids. -Hm. | 0:38:29 | 0:38:31 | |
I think it's beautifully conceived, beautifully written | 0:38:31 | 0:38:34 | |
and I'm very proud to be involved with it, actually. | 0:38:34 | 0:38:36 | |
Do you ever get recognised for your voice? You ever...? | 0:38:36 | 0:38:39 | |
It's funny... In the early days... | 0:38:39 | 0:38:41 | |
Say, "Hang on, you're not Daddy Pig, are you?" | 0:38:41 | 0:38:43 | |
Do you know... I mean, these days, I think most people sort of say... | 0:38:43 | 0:38:47 | |
HE MUMBLES | 0:38:47 | 0:38:48 | |
They kind of know and I love leaving little messages for people. | 0:38:48 | 0:38:51 | |
But very early on, I remember | 0:38:51 | 0:38:54 | |
I was in Sainsbury's with Freya, my daughter, | 0:38:54 | 0:38:57 | |
and out of the corner of my eye, I saw this little girl going, | 0:38:57 | 0:38:59 | |
"Mummy." | 0:38:59 | 0:39:01 | |
You know, tugging on Mummy's dress going, "Mummy." | 0:39:01 | 0:39:04 | |
And then you've got the, "Excuse me, you sound very similar to... | 0:39:04 | 0:39:08 | |
"to Daddy Pig." | 0:39:08 | 0:39:10 | |
"Well...I am, you know?" | 0:39:10 | 0:39:13 | |
You do a little bit of the voice for them. | 0:39:13 | 0:39:16 | |
The thing that always slightly gets me is the mummies | 0:39:16 | 0:39:19 | |
and daddies that want to get a photo of you. | 0:39:19 | 0:39:22 | |
I say, "No, no, don't do that. Don't do that. | 0:39:22 | 0:39:25 | |
"What would your children or your nieces and nephews want | 0:39:25 | 0:39:27 | |
"with a photograph of a, you know, balding 50-year-old? | 0:39:27 | 0:39:31 | |
"They want Daddy Pig." | 0:39:31 | 0:39:32 | |
-So, I do little voice messages. -Mm-hm. | 0:39:32 | 0:39:35 | |
Richard is not the only famous face to lend his voice to | 0:39:39 | 0:39:42 | |
a cartoon or animation. | 0:39:42 | 0:39:44 | |
Remember Roobarb And Custard? | 0:39:44 | 0:39:46 | |
Well, that was voiced by The Good Life's Richard Briers | 0:39:46 | 0:39:49 | |
way back in 1974. | 0:39:49 | 0:39:51 | |
He's the greatest, he's fantastic. In the 1980s, | 0:39:57 | 0:40:00 | |
David Jason was the voice of Danger Mouse in the classic cartoon. | 0:40:00 | 0:40:04 | |
Nigel Planer went from laid-back | 0:40:08 | 0:40:09 | |
hippie Neil in The Young Ones | 0:40:09 | 0:40:12 | |
to laid-back dog Dougal in The Magic Roundabout. | 0:40:12 | 0:40:15 | |
And what about a man who behaved badly becoming a man who | 0:40:18 | 0:40:21 | |
could fix everything? | 0:40:21 | 0:40:23 | |
Neil Morrissey even snagged himself a Christmas number one | 0:40:23 | 0:40:27 | |
as Bob The Builder. | 0:40:27 | 0:40:29 | |
So, is it one of the roles that has given you the most satisfaction? | 0:40:32 | 0:40:35 | |
-Yes. -Really? -Yes. Because it... | 0:40:35 | 0:40:38 | |
You know, every week, sometimes every day of every week, | 0:40:38 | 0:40:42 | |
you know, somebody will say, "Would you mind?" | 0:40:42 | 0:40:44 | |
-"Of course, I'd love to." -Ah. -Yeah. | 0:40:44 | 0:40:47 | |
-And of course, we have seen you in Dickensian. -Yeah. | 0:40:47 | 0:40:49 | |
-And have you enjoyed that playing Mr Bumble? -Very much. -Really? | 0:40:49 | 0:40:53 | |
-It's very... -She's giving you a hard time. -She is giving me a hard time. | 0:40:53 | 0:40:56 | |
Oh... Ugh! | 0:40:56 | 0:40:58 | |
What are you watching at the moment? | 0:41:03 | 0:41:05 | |
At the moment, watching a bit of War And Peace. | 0:41:05 | 0:41:07 | |
Watching a bit of Jericho cos I'm in that as well with ITV. | 0:41:07 | 0:41:10 | |
-There's nothing wrong with that. -No. -You a fan of Sherlock? | 0:41:10 | 0:41:14 | |
And Sherlock, of course! | 0:41:14 | 0:41:15 | |
-Really? -Oh, crikey, yes. | 0:41:15 | 0:41:17 | |
Yeah, wonderful. Wonderful. | 0:41:17 | 0:41:20 | |
Yeah, I was very disappointed that was just a one-off. | 0:41:20 | 0:41:22 | |
I thought, "Oh, new series coming." | 0:41:22 | 0:41:24 | |
No, it was just a one-off, wasn't it? | 0:41:24 | 0:41:26 | |
I mean, you've worked with some great actors. | 0:41:26 | 0:41:28 | |
I mean, who was you in awe of? | 0:41:28 | 0:41:30 | |
Wow, well, Bob Hoskins, | 0:41:31 | 0:41:35 | |
when I worked with him. | 0:41:35 | 0:41:37 | |
That was a biggie, but he was lovely. | 0:41:37 | 0:41:40 | |
Great energy. | 0:41:40 | 0:41:41 | |
All of The Pythons. | 0:41:41 | 0:41:43 | |
-The first time I met them I was... -Oh, really? | 0:41:43 | 0:41:46 | |
I was kind of in awe of Cleese, obviously, and Terry | 0:41:46 | 0:41:49 | |
and Michael. They are just so sweet. | 0:41:49 | 0:41:53 | |
Who did you love working with? | 0:41:53 | 0:41:55 | |
Oh, most people I work with I've loved working with, | 0:41:55 | 0:41:58 | |
actually, because... | 0:41:58 | 0:41:59 | |
I'm sure you've found this, | 0:41:59 | 0:42:01 | |
that a lot of people in our business are just lovely to be with, | 0:42:01 | 0:42:07 | |
and generous, warm, great fun and creative people. | 0:42:07 | 0:42:11 | |
But there are a few idiots. | 0:42:11 | 0:42:12 | |
Now and again. Now and again. | 0:42:12 | 0:42:14 | |
-Yeah. -I'm not going to name those names. You know who you are. Yes. | 0:42:14 | 0:42:18 | |
Richard, thank you for being my guest. | 0:42:19 | 0:42:21 | |
-You are, without doubt, a gentle giant. -Oh. | 0:42:21 | 0:42:24 | |
It's lovely to have you on the show. | 0:42:24 | 0:42:26 | |
Can I ask you now to pick a theme tune for us to play out with? | 0:42:26 | 0:42:30 | |
Oh, there are many, many, many I could pick, | 0:42:30 | 0:42:33 | |
but I think, I think it's got to be The Monkees. | 0:42:33 | 0:42:36 | |
-The Monkees? -The Monkees! -Really? -Oh, why not? We've had gorillas. | 0:42:36 | 0:42:40 | |
-Yeah. -The Monkees. I used to love The Monkees. -Yeah? | 0:42:40 | 0:42:43 | |
The Monkees or The Banana Splits, but I think The Monkees. | 0:42:43 | 0:42:45 | |
All right, we're going to go out with The Monkees. | 0:42:45 | 0:42:48 | |
And my thanks to you and my thanks to YOU for watching | 0:42:48 | 0:42:50 | |
The TV That Made Me. | 0:42:50 | 0:42:51 | |
We will see you next time. Bye-bye. | 0:42:51 | 0:42:53 | |
# Hey, hey, we're the Monkees | 0:42:56 | 0:42:58 | |
# And people say we monkey around | 0:42:58 | 0:43:02 | |
# But we are too busy singing | 0:43:02 | 0:43:04 | |
# To put anybody down | 0:43:04 | 0:43:09 | |
# Wahoo! # | 0:43:09 | 0:43:11 |