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TV. The magic box of delights. | 0:00:02 | 0:00:03 | |
As kids, it showed us a million different worlds | 0:00:03 | 0:00:07 | |
all from our living room. | 0:00:07 | 0:00:09 | |
This takes me right back. | 0:00:09 | 0:00:10 | |
That's so embarrassing. | 0:00:10 | 0:00:12 | |
I am genuinely shocked. | 0:00:12 | 0:00:14 | |
Each day I'm going to journey through the wonderful world | 0:00:14 | 0:00:17 | |
of telly with one of our favourite celebrities. | 0:00:17 | 0:00:20 | |
It's just so silly. | 0:00:20 | 0:00:22 | |
Oh! I love it! | 0:00:22 | 0:00:24 | |
Is it Mr Benn? | 0:00:24 | 0:00:26 | |
-Shut it! -As they select the iconic TV moments... | 0:00:27 | 0:00:31 | |
Oh, hello. | 0:00:31 | 0:00:33 | |
..that tell us the stories of their lives. | 0:00:33 | 0:00:36 | |
Oh, my God. | 0:00:36 | 0:00:39 | |
-Cheers. -Some will make you laugh... | 0:00:39 | 0:00:41 | |
..some will surprise... | 0:00:44 | 0:00:45 | |
QUACKQUACK! | 0:00:45 | 0:00:48 | |
-..many will inspire... -Ooh! | 0:00:48 | 0:00:50 | |
Look at this. Why wouldn't you want to watch this? | 0:00:50 | 0:00:53 | |
..and others will move us. | 0:00:53 | 0:00:55 | |
Seeing that there made a huge impact on me. | 0:00:55 | 0:00:57 | |
Got a handkerchief? | 0:00:58 | 0:00:59 | |
So come watch with us | 0:01:01 | 0:01:02 | |
as we rewind to the classic telly that shaped those | 0:01:02 | 0:01:07 | |
wide-eyed youngsters into the much-loved stars they are today. | 0:01:07 | 0:01:11 | |
Welcome to the TV That Made Me. My guest today has | 0:01:19 | 0:01:22 | |
all the ingredients to make her a true TV star. | 0:01:22 | 0:01:25 | |
She's the one and only Rachel Khoo! | 0:01:25 | 0:01:28 | |
-Hi! -Welcome. | 0:01:29 | 0:01:31 | |
Come and sit yourself down. | 0:01:33 | 0:01:34 | |
Creative, beautiful and one hell of a cook, | 0:01:38 | 0:01:41 | |
the delightful Rachel Khoo has become a household name | 0:01:41 | 0:01:44 | |
thanks to her Little Paris Kitchen. | 0:01:44 | 0:01:46 | |
The TV that made her includes a firm favourite for her foodie family. | 0:01:47 | 0:01:51 | |
A Broom Cupboard bird that had her in stitches. | 0:01:54 | 0:01:56 | |
And an inspirational chef. | 0:01:58 | 0:02:00 | |
Now, Rachel, I was going to knock you something nice | 0:02:02 | 0:02:05 | |
-but will a cup of tea do? -Yes, it's fine. -Yeah? | 0:02:05 | 0:02:07 | |
I'm happy with a cup of tea. | 0:02:07 | 0:02:09 | |
-Are you excited about this trip down memory lane? -I am super-excited! | 0:02:09 | 0:02:12 | |
I can't wait to see what you've got lined up. | 0:02:12 | 0:02:15 | |
Going to show some TV highlights, things that you have chosen, | 0:02:16 | 0:02:19 | |
things that you probably haven't seen since they very first | 0:02:19 | 0:02:22 | |
came out but, first up, | 0:02:22 | 0:02:23 | |
we're going to have a look at a very young Rachel Khoo. | 0:02:23 | 0:02:27 | |
Born and raised in South London, | 0:02:29 | 0:02:31 | |
Rachel Khoo grew up with her Austrian mother, | 0:02:31 | 0:02:34 | |
who was a secretary, | 0:02:34 | 0:02:35 | |
a Malay Chinese dad, who worked in IT, | 0:02:35 | 0:02:38 | |
and her younger brother, Michael. | 0:02:38 | 0:02:40 | |
After a spell living in Germany, | 0:02:40 | 0:02:42 | |
Rachel moved back to the UK | 0:02:42 | 0:02:44 | |
where she did a degree in art and design in London. | 0:02:44 | 0:02:48 | |
A developing passion for patisserie then drew Rachel to Paris where | 0:02:49 | 0:02:53 | |
she graduated from the Cordon Bleu culinary school. | 0:02:53 | 0:02:56 | |
She soon established herself as an author and Rachel's third book, | 0:02:56 | 0:03:00 | |
The Little Paris Kitchen, hit our TV sets in 2012. | 0:03:00 | 0:03:05 | |
Since then, she has continued to travel the world | 0:03:05 | 0:03:07 | |
bringing all manner of cuisine to our screens whilst juggling | 0:03:07 | 0:03:11 | |
her life as a bestselling writer. | 0:03:11 | 0:03:13 | |
So, how important was TV? | 0:03:15 | 0:03:17 | |
Um...TV was very important because my parents were super-strict | 0:03:17 | 0:03:21 | |
about watching TV as a kid. | 0:03:21 | 0:03:24 | |
I remember as a kid with my brother we lived in our house in Bromley, | 0:03:24 | 0:03:29 | |
we had the hatches from the kitchen, and it was linked to the TV room, | 0:03:29 | 0:03:35 | |
the lounge, and on Saturday morning, we would squeeze ourselves through. | 0:03:35 | 0:03:39 | |
I'm assuming they would lock the latch door. | 0:03:39 | 0:03:41 | |
Yeah, they locked the lounge door so we would squeeze ourselves through | 0:03:41 | 0:03:44 | |
the hatch but we were little so we could manage | 0:03:44 | 0:03:46 | |
through the hatch and then go and watch Saturday morning TV. | 0:03:46 | 0:03:49 | |
-Because you wasn't allowed to? -No, we weren't allowed to watch... | 0:03:49 | 0:03:52 | |
-Why was you not allowed to watch? -Because my parents thought TV | 0:03:52 | 0:03:56 | |
was a bad thing. Or too much TV. | 0:03:56 | 0:03:57 | |
Yeah, you know? So when we heard the rumble upstairs, | 0:03:57 | 0:04:01 | |
parents are coming down, | 0:04:01 | 0:04:03 | |
it was like, "Quick, get through the hatch again!" | 0:04:03 | 0:04:05 | |
Now, we're going to start with your earliest TV memory. | 0:04:10 | 0:04:13 | |
Which TV cupboard really stuck with the young Rachel Khoo? | 0:04:13 | 0:04:18 | |
If you're wondering what all these are, they're tomatoes. | 0:04:19 | 0:04:22 | |
'Oh, my goodness.' | 0:04:22 | 0:04:24 | |
-Edd the Duck! -So you don't go, "Oh, Andi Peters," you go, | 0:04:24 | 0:04:28 | |
-"Oh, Edd the Duck." -Oh, come on, who was the star? | 0:04:28 | 0:04:31 | |
It was Edd the Duck. | 0:04:31 | 0:04:32 | |
Although I have met Andi Peters and he's pretty amazing, too, | 0:04:32 | 0:04:36 | |
but Edd the Duck. | 0:04:36 | 0:04:38 | |
Look, I mean, what's not to love about Edd the Duck? | 0:04:38 | 0:04:41 | |
QUACK QUACK | 0:04:41 | 0:04:42 | |
First of all... | 0:04:42 | 0:04:43 | |
-QUACK QUACK -You've got to have... | 0:04:43 | 0:04:45 | |
QUACK QUACK QUACK | 0:04:45 | 0:04:47 | |
Green fingers. You have got green fingers, very nice. | 0:04:47 | 0:04:49 | |
The phone's ringing. | 0:04:49 | 0:04:51 | |
The children's BBC Broom Cupboard launched in 1985. | 0:04:51 | 0:04:54 | |
Live from a tiny room, presenters would introduce the shows | 0:04:54 | 0:04:57 | |
for that afternoon with their furry co-host beside them. | 0:04:57 | 0:05:01 | |
Did you love the way he translated? | 0:05:03 | 0:05:05 | |
Yes, exactly. | 0:05:05 | 0:05:07 | |
Why are you speaking in that funny accent? | 0:05:07 | 0:05:09 | |
-QUACK QUACK QUACK -Because he's a gah-dener, you see. | 0:05:09 | 0:05:12 | |
And you have manure as a gah-dener, don't you? | 0:05:12 | 0:05:14 | |
RACHEL LAUGHS | 0:05:14 | 0:05:16 | |
Sorry, it still entertains me. | 0:05:17 | 0:05:20 | |
What do you mean it's not ready yet? | 0:05:21 | 0:05:23 | |
No, be quiet. | 0:05:23 | 0:05:25 | |
Let me pick it... | 0:05:25 | 0:05:26 | |
Now I think, like, who's the person kind of going like that? | 0:05:26 | 0:05:30 | |
You like one of those ones. No, I think we'll have this one, Edd. | 0:05:30 | 0:05:33 | |
No, I think we'll have this one... | 0:05:33 | 0:05:35 | |
Edd the Duck was a big influence on you? | 0:05:37 | 0:05:40 | |
He was like the first kind of TV show I remember as a kid. | 0:05:40 | 0:05:45 | |
You know, the one after school, | 0:05:45 | 0:05:48 | |
coming home from primary school | 0:05:48 | 0:05:49 | |
putting the TV on and you'd see Edd the Duck | 0:05:49 | 0:05:53 | |
and they'd be chatting about something. | 0:05:53 | 0:05:56 | |
The problem with Edd the Duck | 0:05:56 | 0:05:57 | |
was that you never knew when he was going to pop up. | 0:05:57 | 0:06:00 | |
SHE SQUEAKS | 0:06:00 | 0:06:01 | |
APPLAUSE | 0:06:01 | 0:06:04 | |
Hello, Edd! How are you, mate? | 0:06:05 | 0:06:07 | |
Oh, my goodness! | 0:06:07 | 0:06:09 | |
I'm suddenly, like, "Celebrity in the house." | 0:06:09 | 0:06:11 | |
-Do you want to give him a little stroke? -Hi, Edd. | 0:06:11 | 0:06:15 | |
-There you go. -I love your jumper! | 0:06:15 | 0:06:18 | |
Yeah, it's got 'Edd.' We've got a little game for you to play. | 0:06:18 | 0:06:21 | |
-OK. -I shall translate. What is that, Edd? | 0:06:21 | 0:06:23 | |
QUACK QUACK QUACK QUACK QUACK | 0:06:23 | 0:06:25 | |
You want her to name... | 0:06:25 | 0:06:27 | |
QUACK QUACK QUACK QUACK | 0:06:27 | 0:06:28 | |
As many of the Broom Cupboard presenters... | 0:06:28 | 0:06:31 | |
as you can. | 0:06:31 | 0:06:32 | |
QUACK QUACK QUACK QUACK | 0:06:32 | 0:06:34 | |
And if you can name four... | 0:06:34 | 0:06:35 | |
Oh, no! | 0:06:35 | 0:06:37 | |
..Edd will come and live with you in your house for ever... | 0:06:37 | 0:06:40 | |
QUACK QUACK QUACK QUACK | 0:06:40 | 0:06:43 | |
..as long as she promises never to cook orange sauce. | 0:06:43 | 0:06:46 | |
OK. All right. | 0:06:48 | 0:06:49 | |
I won't cook duck a l'orange. | 0:06:49 | 0:06:51 | |
So... | 0:06:51 | 0:06:52 | |
I've got a card here and I'll be able to tell. | 0:06:52 | 0:06:55 | |
OK, there's only one. | 0:06:55 | 0:06:57 | |
There's obviously Andi Peters. And then Phillip Schofield I remember. | 0:06:57 | 0:07:01 | |
-Andy Crane. -He's another good one. | 0:07:01 | 0:07:04 | |
And then I can't remember anybody else. | 0:07:04 | 0:07:07 | |
Can you give me some clues? | 0:07:07 | 0:07:09 | |
Johnny Ball's daughter. | 0:07:09 | 0:07:11 | |
Oh! Zoe Ball. | 0:07:11 | 0:07:13 | |
-Yes! -Well done. | 0:07:13 | 0:07:15 | |
You got four. You pleased with that? | 0:07:15 | 0:07:17 | |
-I'm very pleased. -Edd will come and live with you. | 0:07:17 | 0:07:19 | |
So, Edd, go and pack your bags and duck down. | 0:07:19 | 0:07:22 | |
QUACK QUACK | 0:07:22 | 0:07:25 | |
Edd the Duck! | 0:07:25 | 0:07:27 | |
Woo! Yay! | 0:07:27 | 0:07:29 | |
I never thought I would ever meet Edd the Duck. | 0:07:29 | 0:07:32 | |
Of course, Edd the Duck isn't the only famous puppet | 0:07:34 | 0:07:37 | |
to appear in the Broom Cupboard. Oh, no. | 0:07:37 | 0:07:39 | |
A cheeky little gopher named Gordon first found fame there | 0:07:40 | 0:07:43 | |
with Phillip Schofield in 1985. | 0:07:43 | 0:07:46 | |
So successful were the duo they went on to team up | 0:07:48 | 0:07:51 | |
on the hit Saturday morning show Going Live. | 0:07:51 | 0:07:54 | |
Otis the Aardvark was another puppet that co-presented on CBBC. | 0:07:57 | 0:08:02 | |
He also went on to make appearances on other shows | 0:08:02 | 0:08:04 | |
including Fully Booked, | 0:08:04 | 0:08:05 | |
Live and Kicking | 0:08:05 | 0:08:07 | |
and a special puppet edition of The Weakest Link. | 0:08:07 | 0:08:10 | |
Nowadays, the main puppet on the BBC block is Hacker T Dog. | 0:08:10 | 0:08:15 | |
Hailing from Wigan, | 0:08:15 | 0:08:16 | |
this naughty but lovable presenter is also CBBC's canine journalist | 0:08:16 | 0:08:21 | |
and talk-show host. | 0:08:21 | 0:08:23 | |
But, as far as I'm concerned, they're all just puppets. | 0:08:23 | 0:08:27 | |
So, Rachel, who did you watch the Broom Cupboard with? | 0:08:28 | 0:08:31 | |
I mainly watched the Broom Cupboard with my younger brother, Michael, | 0:08:31 | 0:08:35 | |
-who's three years younger than me and... -Because he could | 0:08:35 | 0:08:38 | |
-fit through the hole. -He could fit through the hatch! | 0:08:38 | 0:08:40 | |
And then I had | 0:08:40 | 0:08:42 | |
my next-door neighbours, | 0:08:42 | 0:08:45 | |
they had two girls who I used to hang out with who were my age and | 0:08:45 | 0:08:49 | |
sometimes they'd come over to ours to watch TV | 0:08:49 | 0:08:51 | |
or sometimes we go over to theirs to watch TV. | 0:08:51 | 0:08:54 | |
So did you have TV in your bedroom? | 0:08:54 | 0:08:56 | |
No TV in the bedroom but my parents had a little telly. | 0:08:56 | 0:09:00 | |
You know, I'm going to show my age, but the ones you had to | 0:09:00 | 0:09:03 | |
press the buttons on. If you pressed one, | 0:09:03 | 0:09:06 | |
the four would pop up, so whatever channel you wanted to watch. | 0:09:06 | 0:09:09 | |
And we weren't allowed to watch Neighbours. | 0:09:09 | 0:09:12 | |
-Really? -No Neighbours. | 0:09:12 | 0:09:14 | |
-Why not? -I don't know, my mum thought it's not a good influence. | 0:09:14 | 0:09:17 | |
So I would sneak up around five o'clock and go watch it. | 0:09:17 | 0:09:22 | |
And then when I hear the steps at the door, | 0:09:22 | 0:09:25 | |
hide under the bed, | 0:09:25 | 0:09:26 | |
so quickly switch off and then squeeze under the bed. | 0:09:26 | 0:09:30 | |
Make sure nobody spots me. | 0:09:30 | 0:09:32 | |
So there was a lot of secret TV viewing. | 0:09:32 | 0:09:35 | |
-Yeah. -Your parents were very strict. | 0:09:35 | 0:09:38 | |
What did they allow you to watch? | 0:09:38 | 0:09:40 | |
Erm... Newsround. | 0:09:40 | 0:09:42 | |
-Newsround. -Yes, Blue Peter, of course. | 0:09:42 | 0:09:45 | |
That was all right. | 0:09:45 | 0:09:47 | |
Like, anything from 5pm onwards wasn't really allowed. | 0:09:47 | 0:09:51 | |
-The next choice, Rachel, is Must See TV but before we do... -Ah. | 0:09:56 | 0:10:01 | |
..I've got a little surprise. | 0:10:01 | 0:10:04 | |
OK. Oh, I don't know about your surprises. | 0:10:04 | 0:10:07 | |
I've been in the kitchen, I've been cooking. | 0:10:07 | 0:10:09 | |
Oh, wow. | 0:10:09 | 0:10:11 | |
-And... -What have you made? | 0:10:11 | 0:10:12 | |
-What do you think it looks like? -You've made lasagne! | 0:10:14 | 0:10:16 | |
I have. I haven't, I bought it. | 0:10:16 | 0:10:19 | |
-I don't think you have these containers. -No. | 0:10:19 | 0:10:22 | |
When you look at lasagne, what does it remind you of? | 0:10:22 | 0:10:24 | |
-What TV programme? -Garfield. | 0:10:24 | 0:10:26 | |
I had a really big thing for Garfield. | 0:10:27 | 0:10:31 | |
My brother and I had a really big thing for Garfield | 0:10:31 | 0:10:33 | |
the cartoon and we loved Garfield | 0:10:33 | 0:10:35 | |
so much we would make our mum make lasagne. | 0:10:35 | 0:10:40 | |
And you would eat that while watching Garfield. | 0:10:40 | 0:10:42 | |
-Yes. -Here's my remote. | 0:10:42 | 0:10:44 | |
-OK. -Press play. | 0:10:44 | 0:10:46 | |
Here it is. Garfield. | 0:10:46 | 0:10:48 | |
Ladies and gentlemen, Garfield and Friends. | 0:10:48 | 0:10:51 | |
I haven't seen this in years! | 0:10:52 | 0:10:55 | |
Based on cartoonist Jim Davis' comic strip called Garfield, | 0:10:55 | 0:11:00 | |
this hilarious animated series | 0:11:00 | 0:11:02 | |
featured the adventures of a lovable lazy cat and his friends. | 0:11:02 | 0:11:06 | |
I loved, obviously, Garfield | 0:11:08 | 0:11:11 | |
but the relationship between Garfield and Odie. | 0:11:11 | 0:11:14 | |
-Odie the dog, of course. -Odie the dog. | 0:11:14 | 0:11:17 | |
We're starving away to nothingness | 0:11:18 | 0:11:20 | |
and all you can think about is going out? | 0:11:20 | 0:11:22 | |
So what was it about that relationship that you loved so much? | 0:11:22 | 0:11:25 | |
Garfield was always so miserable and all he did was sleep and eat, which | 0:11:25 | 0:11:33 | |
for me is pretty much amazing. | 0:11:33 | 0:11:35 | |
I love to sleep and eat, and then Odie would just be | 0:11:35 | 0:11:40 | |
oblivious to everything. | 0:11:40 | 0:11:42 | |
And just so joyful and up for everything. | 0:11:42 | 0:11:45 | |
You know, no matter what happened, he'd go for it and Garfield's like, | 0:11:45 | 0:11:49 | |
"Oh! No!" | 0:11:49 | 0:11:51 | |
Grumpy, grumpy. | 0:11:51 | 0:11:53 | |
Famed for his fondness of food, | 0:11:53 | 0:11:55 | |
lasagne-loving Garfield's life generally revolved around | 0:11:55 | 0:11:58 | |
sleeping and, not surprisingly, stuffing his face. | 0:11:58 | 0:12:01 | |
Sorry, cat. We close at eight sharp. | 0:12:05 | 0:12:08 | |
You can't do this to me. | 0:12:10 | 0:12:12 | |
-You can't! -'I've done that. | 0:12:12 | 0:12:13 | |
'I went to Japan' | 0:12:13 | 0:12:15 | |
and I was in Tokyo and I found this little noodle place | 0:12:15 | 0:12:19 | |
I really wanted to go to | 0:12:19 | 0:12:20 | |
and it wasn't open so I was banging on the door. | 0:12:20 | 0:12:23 | |
I was knocking on the neighbour's door and I don't speak Japanese | 0:12:23 | 0:12:26 | |
and I was like... "Where's the noodle man! | 0:12:26 | 0:12:29 | |
"Where's the noodle soup?" | 0:12:29 | 0:12:31 | |
I think Garfield and I have a lot in common because food for us means | 0:12:31 | 0:12:35 | |
so much and it's always so dramatic when there's no food. | 0:12:35 | 0:12:39 | |
So we've spoken about the lasagne, | 0:12:39 | 0:12:42 | |
that you used to eat while watching Garfield, this passion for food, | 0:12:42 | 0:12:47 | |
was that at a very early age? | 0:12:47 | 0:12:49 | |
-Yes. -Was it your family? | 0:12:49 | 0:12:51 | |
Does your family revolve around food? | 0:12:51 | 0:12:53 | |
Family definitely revolves around food. | 0:12:53 | 0:12:55 | |
So, my mum's Austrian. | 0:12:55 | 0:12:57 | |
And I remember, as a kid, my grandma in Austria, | 0:12:57 | 0:13:00 | |
she'd make strudel, and Sachertorte, and schnitzel, | 0:13:00 | 0:13:03 | |
and all the delicious Austrian food, | 0:13:03 | 0:13:06 | |
and I'd do a lot of baking with my mum as a kid, bake some gingerbread, | 0:13:06 | 0:13:11 | |
so I started baking a lot when I was young. | 0:13:11 | 0:13:14 | |
And then my dad's from Malaysia, and in Malaysia, when you see somebody, | 0:13:14 | 0:13:19 | |
you don't ask them how you are, you ask, "Have you eaten yet?" | 0:13:19 | 0:13:22 | |
That is the first line. | 0:13:22 | 0:13:24 | |
Because knowing the response from that, | 0:13:24 | 0:13:26 | |
it would be always how you are, so if you hadn't eaten, | 0:13:26 | 0:13:29 | |
then you obviously weren't well and you needed to go and eat. | 0:13:29 | 0:13:32 | |
You know, the priorities are well-balanced in Malaysia. | 0:13:32 | 0:13:36 | |
-Yeah. -So food has always been really a big part of my culture, | 0:13:36 | 0:13:40 | |
my growing up. | 0:13:40 | 0:13:42 | |
We didn't really have TV dinners when we were little. | 0:13:42 | 0:13:46 | |
So it was always we sat round the table, | 0:13:46 | 0:13:48 | |
um... | 0:13:48 | 0:13:50 | |
we had a few snacks after school, | 0:13:50 | 0:13:52 | |
um...my mum made...sometimes she made toffee popcorn, | 0:13:52 | 0:13:56 | |
or she used to do fairy cakes. | 0:13:56 | 0:13:59 | |
-Oh, right. -So once in a while we were allowed treats | 0:13:59 | 0:14:02 | |
in front of the TV. So, yeah, but no, kind of, TV dinners. | 0:14:02 | 0:14:06 | |
And then when you were quite young, you then moved to Germany. | 0:14:06 | 0:14:08 | |
Yeah, when I was 12, we moved to Germany. | 0:14:08 | 0:14:11 | |
And so everything was in German. | 0:14:11 | 0:14:13 | |
I didn't watch that much German kids' TV. | 0:14:13 | 0:14:16 | |
I watched more, like, American TV series. | 0:14:16 | 0:14:19 | |
Rachel, we're going to move on to your Guilty Pleasure now. | 0:14:24 | 0:14:26 | |
It's an underwater sci-fi, | 0:14:26 | 0:14:28 | |
and this particular episode contains talking dolphins. | 0:14:28 | 0:14:32 | |
-Do you know what the programme is? -I think I do. -It's SeaQuest. | 0:14:34 | 0:14:37 | |
RACHEL LAUGHS | 0:14:37 | 0:14:39 | |
-Why do you laugh? -Because I haven't seen it | 0:14:39 | 0:14:42 | |
since I watched it as a teenager. | 0:14:42 | 0:14:44 | |
But I was obsessed with this programme. | 0:14:44 | 0:14:47 | |
Really? | 0:14:47 | 0:14:48 | |
Steven Spielberg's futuristic sci-fi show SeaQuest DSV | 0:14:48 | 0:14:53 | |
was set in the early 21st century, | 0:14:53 | 0:14:55 | |
when mankind have colonised the last unexplored region on Earth - | 0:14:55 | 0:15:00 | |
the ocean. | 0:15:00 | 0:15:02 | |
Labelled "a wet space opera," its characters and storylines | 0:15:02 | 0:15:06 | |
could have been equally at home on the Starship Enterprise. | 0:15:06 | 0:15:09 | |
I was so obsessed, I had a massive fight with my mum for not letting me | 0:15:11 | 0:15:15 | |
-watch it one day. -Really? | 0:15:15 | 0:15:16 | |
She wanted me to do some cleaning and help out in the house, | 0:15:16 | 0:15:19 | |
and I was like, "I've got to watch it!" | 0:15:19 | 0:15:21 | |
You know, it's, "Something dramatic's going to happen!" | 0:15:21 | 0:15:24 | |
So was you in Germany at the time? | 0:15:24 | 0:15:26 | |
Yeah, I was in Germany at the time, so it was dubbed. | 0:15:26 | 0:15:28 | |
So it wasn't even the original, they had funny German voices. | 0:15:28 | 0:15:31 | |
-Oh, right. -General, he's a dolphin, not a spy. | 0:15:31 | 0:15:35 | |
Sir, you can't put him in just any ecology. | 0:15:35 | 0:15:37 | |
He's going to get sick in there. | 0:15:37 | 0:15:38 | |
Your mammal is responsible for a breach in UEO security. | 0:15:38 | 0:15:41 | |
Until we find out who he's talking to, we intend to keep an eye on him. | 0:15:41 | 0:15:45 | |
My friend, have you been sending messages? | 0:15:45 | 0:15:48 | |
'It was set in the future, this is 2018.' | 0:15:50 | 0:15:53 | |
'It's 2018? That's in, like, two years' time! | 0:15:54 | 0:15:57 | |
'I know, I know!' | 0:15:57 | 0:15:58 | |
'I've gone blank on his name, but that young guy with his, | 0:16:01 | 0:16:04 | |
'like, tousled hair...' | 0:16:04 | 0:16:05 | |
-Yeah. -..I had the biggest crush on him. | 0:16:05 | 0:16:07 | |
I think he was my first TV crush. | 0:16:07 | 0:16:09 | |
His name was Jonathan Brandis. | 0:16:09 | 0:16:11 | |
-Jonathan Brandis. -I had a poster of him on my wall in my room. | 0:16:11 | 0:16:15 | |
Look at it. I don't think we're going to sneak him | 0:16:15 | 0:16:17 | |
a flounder with a file in it. | 0:16:17 | 0:16:19 | |
The captain of the SeaQuest was played by the late, | 0:16:19 | 0:16:22 | |
great Roy Scheider, who's best known as Chief Brody in Jaws. | 0:16:22 | 0:16:26 | |
Which meant he was well accustomed to performing | 0:16:26 | 0:16:29 | |
with these very lifelike animatronic sea creatures. | 0:16:29 | 0:16:32 | |
Thankfully, Darwin the dolphin was much less frightening than Jaws. | 0:16:32 | 0:16:37 | |
-Who's returning? -Invitation. | 0:16:37 | 0:16:40 | |
Co-operation. | 0:16:40 | 0:16:42 | |
'So was it for the brilliant storylines you watched this for, | 0:16:42 | 0:16:46 | |
'or was it cos you had a crush?' | 0:16:46 | 0:16:48 | |
Well, what do you think? | 0:16:48 | 0:16:50 | |
Come on, I was a teenage girl, all the crazy hormones. | 0:16:51 | 0:16:55 | |
It was him and Take That. | 0:16:55 | 0:16:57 | |
Hey! | 0:16:57 | 0:16:59 | |
-The aliens? -Visitors coming. | 0:17:00 | 0:17:03 | |
It would be funny to watch this now and see what kind of technology | 0:17:03 | 0:17:06 | |
they're using. | 0:17:06 | 0:17:08 | |
I withheld very important information from these people. | 0:17:08 | 0:17:12 | |
I'm lucky I'm not in jail. | 0:17:12 | 0:17:14 | |
'I think the dolphin was the best actor in that scene!' | 0:17:14 | 0:17:16 | |
RACHEL LAUGHS | 0:17:16 | 0:17:17 | |
'Hey, don't slate my Jonathan!' | 0:17:17 | 0:17:20 | |
'Oh, really!' | 0:17:20 | 0:17:21 | |
So, was you a bit of a sci-fi geek? | 0:17:21 | 0:17:24 | |
-I don't think... -Or was it really, purely down to Jonathan? | 0:17:24 | 0:17:27 | |
I think it was purely down to Jonathan. | 0:17:27 | 0:17:29 | |
-Oh, really? -If he was on I was, like, glued to the TV. | 0:17:29 | 0:17:32 | |
Yeah. So that's the first time you've heard him speak English. | 0:17:32 | 0:17:35 | |
Yes, he had a very different German voice. | 0:17:35 | 0:17:38 | |
-Yeah? -Yeah, it wasn't very... | 0:17:38 | 0:17:40 | |
I think it was a bit more high-pitched, actually! | 0:17:40 | 0:17:43 | |
High-pitched, a bit like the dolphin, really. | 0:17:43 | 0:17:45 | |
Yeah! Bit like the dolphin. | 0:17:45 | 0:17:47 | |
I don't know why... Well, I know why I watched it, | 0:17:47 | 0:17:50 | |
but now watching it I'm like, "Oh, my goodness." | 0:17:50 | 0:17:52 | |
My taste has evolved. | 0:17:52 | 0:17:53 | |
-Oh, really? -Yeah. -Yeah? -Just slightly. | 0:17:53 | 0:17:56 | |
I don't think this would be my guilty pleasure any more. | 0:17:56 | 0:17:59 | |
-No? -No, no. | 0:17:59 | 0:18:01 | |
Rachel, obviously your mum approved of Garfield, | 0:18:06 | 0:18:08 | |
but here's one cartoon that she didn't approve of. | 0:18:08 | 0:18:13 | |
-'The Simpsons. -Yes. | 0:18:18 | 0:18:20 | |
'What I always wanted to watch out at the beginning | 0:18:20 | 0:18:23 | |
'was what was Bart writing, what was the thing he was writing? | 0:18:23 | 0:18:26 | |
'And then the moment on the sofa. | 0:18:26 | 0:18:28 | |
-'Yeah. -They always used to change that, didn't they? | 0:18:28 | 0:18:30 | |
-'Exactly. -They still do.' | 0:18:30 | 0:18:32 | |
What's going to happen this time, | 0:18:32 | 0:18:34 | |
cos that would be the element of surprise. | 0:18:34 | 0:18:36 | |
Give it up, Dad, Petey ain't coming back. | 0:18:40 | 0:18:42 | |
'One of TV's favourite families, the Simpsons, | 0:18:42 | 0:18:45 | |
'originally appeared on the Tracey Ullman Show. | 0:18:45 | 0:18:47 | |
'In 1989, they got their very own programme, and after 27 seasons, | 0:18:47 | 0:18:52 | |
'it's the longest-running animated series ever.' | 0:18:52 | 0:18:55 | |
-I'm going to my room! -That's it, go to your room! | 0:18:55 | 0:18:58 | |
-Oh, no! -Wonderful parenting skills going on there. | 0:18:58 | 0:19:01 | |
Fantastic, yeah. | 0:19:01 | 0:19:02 | |
And it's so well written. | 0:19:02 | 0:19:03 | |
It is. They have a very talented team of writers. | 0:19:03 | 0:19:08 | |
Do you think you were a bit like Lisa? | 0:19:08 | 0:19:10 | |
Well, I play the saxophone. | 0:19:10 | 0:19:11 | |
-Oh, do you really? -Well, I used to, I used to, and so, I was like, | 0:19:11 | 0:19:15 | |
"Lisa and I, yeah! | 0:19:15 | 0:19:17 | |
"We have some affinity." | 0:19:17 | 0:19:19 | |
I never could play it as good as Lisa, though. | 0:19:19 | 0:19:23 | |
My... The noise which comes out the saxophone when I play it, | 0:19:23 | 0:19:26 | |
-it's a bit dubious. -Yeah? | 0:19:26 | 0:19:28 | |
I used to have to stick a tennis ball in my saxophone | 0:19:28 | 0:19:31 | |
so the neighbours wouldn't hear it so much. | 0:19:31 | 0:19:33 | |
Marge, since I'm not talking to Lisa, would you please ask her | 0:19:33 | 0:19:38 | |
to pass me the syrup? | 0:19:38 | 0:19:40 | |
Please pass your father the syrup, Lisa. | 0:19:40 | 0:19:42 | |
'It can take between six to eight months to create one episode. | 0:19:42 | 0:19:46 | |
'Six to eight months?! | 0:19:46 | 0:19:47 | |
'Wow! That's crazy!' | 0:19:47 | 0:19:50 | |
Tell Bart I just want to drink a nice glass of syrup | 0:19:50 | 0:19:52 | |
-like I do every morning. -Tell him yourself, | 0:19:52 | 0:19:54 | |
you're ignoring Lisa, not Bart. | 0:19:54 | 0:19:56 | |
Bart, thank your mother for pointing that out. | 0:19:56 | 0:19:58 | |
Homer, you're not not talking to me, and secondly, I heard what you said. | 0:19:58 | 0:20:02 | |
1989, it started. | 0:20:02 | 0:20:03 | |
-I know! -And what do you think of the relationship within the family? | 0:20:03 | 0:20:07 | |
Yeah, it's, um... It's interesting to see how, | 0:20:07 | 0:20:12 | |
you know... Well, Marge is the strong woman, | 0:20:12 | 0:20:15 | |
and she's the one who's in charge, and Homer's always messing up. | 0:20:15 | 0:20:18 | |
Lisa, tell your mother to get off my case. | 0:20:18 | 0:20:21 | |
Dad, Lisa's the one you're not talking to. | 0:20:21 | 0:20:23 | |
-Bart, go to your room! -Why don't you just eat him, Dad? | 0:20:23 | 0:20:25 | |
I don't need any serving suggestions from you, | 0:20:25 | 0:20:28 | |
you barbecue-wrecking, know-nothing know-it-all! | 0:20:28 | 0:20:30 | |
Lisa's quite stubborn. | 0:20:30 | 0:20:31 | |
Yes, exactly, but that's like me, I am super stubborn. | 0:20:31 | 0:20:35 | |
I always get my way, it's my way or no way. | 0:20:35 | 0:20:38 | |
I can't live in a house with this prehistoric carnivore! | 0:20:38 | 0:20:41 | |
I am out of here! | 0:20:41 | 0:20:44 | |
-HOMER: -That's it! Go to your room! | 0:20:46 | 0:20:48 | |
And Bart, he's always up to mischief. | 0:20:48 | 0:20:51 | |
-Yeah. -I think that's good fun. | 0:20:51 | 0:20:53 | |
And what did you love about the show? | 0:20:53 | 0:20:55 | |
I mean, it's still going, it's just going on and on. | 0:20:55 | 0:20:57 | |
-It's amazing, but... -We've all grown up with it. | 0:20:57 | 0:20:59 | |
As a kid, I just thought it was fun. | 0:20:59 | 0:21:01 | |
But then, the older you get, you... | 0:21:01 | 0:21:04 | |
the references they make to popular culture is very interesting, | 0:21:04 | 0:21:08 | |
some of the celebrities they have on it. | 0:21:08 | 0:21:11 | |
You know, the humour works for both old and young. | 0:21:11 | 0:21:15 | |
Wow, Paul McCartney! | 0:21:15 | 0:21:17 | |
I read about you in history class. | 0:21:17 | 0:21:19 | |
But where's your wife, Linda? | 0:21:19 | 0:21:21 | |
Right here, Lisa. Whenever we're in Springfield, | 0:21:21 | 0:21:23 | |
we like to hang out in Apu's garden in the shade. | 0:21:23 | 0:21:25 | |
We met him in India years ago during the Maharishi days. | 0:21:25 | 0:21:28 | |
So, Rachel, how did you get a sneaky peek of The Simpsons? | 0:21:28 | 0:21:33 | |
By then, we had a remote control for the TV. | 0:21:33 | 0:21:36 | |
That your brother let you borrow? | 0:21:36 | 0:21:37 | |
Yes, cos we both wanted to watch The Simpsons. | 0:21:37 | 0:21:39 | |
Oh, I thought you both had a remote! | 0:21:39 | 0:21:42 | |
One each. | 0:21:42 | 0:21:43 | |
And so we would work together on our strategy | 0:21:45 | 0:21:51 | |
-on how we could watch The Simpsons. -So you formed an alliance. | 0:21:51 | 0:21:54 | |
Exactly. I formed an alliance with my brother to watch The Simpsons. | 0:21:54 | 0:21:58 | |
We would first research what other channels had something | 0:21:58 | 0:22:02 | |
-my mum would be OK with. -This is great! | 0:22:02 | 0:22:05 | |
And it would be, literally, | 0:22:05 | 0:22:06 | |
you wanted to go for a number between one and nine, | 0:22:06 | 0:22:09 | |
so you could switch quick, because otherwise, | 0:22:09 | 0:22:11 | |
if you had to do double digits, | 0:22:11 | 0:22:13 | |
it was too complicated on the remote control. | 0:22:13 | 0:22:15 | |
-Yeah. -So it would have to be between channel one and nine. | 0:22:15 | 0:22:19 | |
So we'd do our research beforehand, so we'd put The Simpsons on, | 0:22:19 | 0:22:22 | |
and then we'd know which channel we had to switch to. | 0:22:22 | 0:22:24 | |
-So, did your mum ever rumble you? -Yes. -Yes! | 0:22:24 | 0:22:28 | |
We weren't quick enough with the... | 0:22:28 | 0:22:29 | |
Like, we had to, you know, more training with the fingers, I think. | 0:22:29 | 0:22:33 | |
Yeah. So we did get caught once or twice. | 0:22:33 | 0:22:37 | |
Yeah. | 0:22:37 | 0:22:38 | |
The Simpsons hold the record for the most guest stars | 0:22:38 | 0:22:41 | |
featured in a TV series, like the Oscar-winning actor Dustin Hoffman, | 0:22:41 | 0:22:46 | |
who played substitute teacher Mr Bergstrom, | 0:22:46 | 0:22:49 | |
a character who Lisa developed a huge crush on. | 0:22:49 | 0:22:52 | |
A love interest of Bart's was also voiced by an Oscar winner. | 0:22:54 | 0:22:57 | |
The amazing Meryl Streep | 0:22:57 | 0:22:59 | |
played Bart's wisecracking girlfriend Jessica Lovejoy. | 0:22:59 | 0:23:03 | |
A whole host of music legends appeared as part | 0:23:05 | 0:23:08 | |
of a rock and roll fantasy camp that Homer attended, | 0:23:08 | 0:23:11 | |
including Mick Jagger, Keith Richards, | 0:23:11 | 0:23:13 | |
Lenny Kravitz and Elvis Costello. | 0:23:13 | 0:23:16 | |
Elizabeth Taylor even got in on the Simpsons action | 0:23:19 | 0:23:22 | |
when she voiced baby Maggie's first-ever word - "Daddy." | 0:23:22 | 0:23:26 | |
And, finally, one of the most famous guest appearances has to be | 0:23:28 | 0:23:31 | |
from the late Michael Jackson. | 0:23:31 | 0:23:33 | |
He featured as the voice of a psychiatric patient | 0:23:33 | 0:23:36 | |
who believed he was the King of Pop. | 0:23:36 | 0:23:39 | |
When it came to singing a song on the show, | 0:23:39 | 0:23:41 | |
Michael's record company refused to allow it, | 0:23:41 | 0:23:44 | |
so Jackson hand-picked someone to sing just like him. | 0:23:44 | 0:23:47 | |
And we're going to move on to your next choice now. | 0:23:54 | 0:23:57 | |
-Mm-hmm. -A show that had you all huddled around the TV. | 0:23:57 | 0:24:01 | |
This is your Family Favourite. | 0:24:02 | 0:24:04 | |
-'What's it called? -Food and Drink! | 0:24:06 | 0:24:08 | |
-'Food and Drink. -I remember that theme tune! | 0:24:08 | 0:24:11 | |
'Undoubtedly a trailblazer when it comes to foodie telly, | 0:24:11 | 0:24:14 | |
'the original series of Food and Drink had viewers hooked | 0:24:14 | 0:24:17 | |
'from 1982 to 2001. | 0:24:17 | 0:24:20 | |
'Regularly presented by Chris Kelly and the late Michael Barry, | 0:24:22 | 0:24:26 | |
'the hit show also made household names of wine experts | 0:24:26 | 0:24:29 | |
'Oz Clarke and Jilly Goolden. | 0:24:29 | 0:24:31 | |
'The series wasn't just about good food and wine. | 0:24:32 | 0:24:35 | |
'It also tackled hard-hitting topical news stories | 0:24:35 | 0:24:38 | |
'such as the BSE crisis, and exposed dodgy products. | 0:24:38 | 0:24:43 | |
'And it saw early appearances of many of today's celebrity chefs, | 0:24:43 | 0:24:46 | |
'including Jamie Oliver.' | 0:24:46 | 0:24:48 | |
That was the one TV show we were allowed to stay up for. | 0:24:50 | 0:24:52 | |
-Oh, really? -Yeah. | 0:24:52 | 0:24:54 | |
Because your family, your mum, your dad, | 0:24:54 | 0:24:56 | |
they were passionate about food, | 0:24:56 | 0:24:58 | |
-as well? -Yeah, they loved to watch, you know, this show. | 0:24:58 | 0:25:01 | |
-It was really popular at that time! -Oh, it was very popular. -Yeah. | 0:25:01 | 0:25:05 | |
This is what happens if you take the front off, | 0:25:05 | 0:25:07 | |
show you what goes on inside. | 0:25:07 | 0:25:08 | |
Whacky wine critic Jilly Goolden is known fondly | 0:25:08 | 0:25:11 | |
for teaching the nation to sniff, sip and swill. | 0:25:11 | 0:25:15 | |
So the wine doesn't get spoilt by oxidation. | 0:25:15 | 0:25:18 | |
Incidentally, this valve is so powerful | 0:25:18 | 0:25:19 | |
that when you've emptied the bag, | 0:25:19 | 0:25:21 | |
you can blow it up and use it as a beach pillow when it's finished. | 0:25:21 | 0:25:24 | |
-OK! -There you go! -I didn't know that! | 0:25:24 | 0:25:27 | |
-You'd be so drunk you won't bother with it. -No! | 0:25:27 | 0:25:29 | |
You'd just be collapsed. | 0:25:29 | 0:25:31 | |
I did always wonder how they, you know, | 0:25:31 | 0:25:35 | |
drink everything and not end up a little bit tipsy on the show. | 0:25:35 | 0:25:39 | |
Yeah, yeah. And of course, she... | 0:25:39 | 0:25:41 | |
Jilly always had a wonderful way of explaining the bouquet of a certain | 0:25:41 | 0:25:48 | |
-drink. -She would always use words - as a kid I would be like, "Ooh, | 0:25:48 | 0:25:51 | |
"what does that mean?" | 0:25:51 | 0:25:53 | |
And the kind of facial expressions. | 0:25:54 | 0:25:56 | |
Yeah. | 0:25:56 | 0:25:58 | |
I wonder if she had to warm up beforehand. | 0:25:58 | 0:26:00 | |
Yeah, yeah, yeah! | 0:26:00 | 0:26:01 | |
-We've got a little game... -OK. | 0:26:01 | 0:26:03 | |
..that we would like you to warm up to. | 0:26:03 | 0:26:05 | |
-Yeah. -A little wine-tasting game. | 0:26:05 | 0:26:07 | |
-Ooh! -Excuse me while I go to the kitchen. A little... | 0:26:07 | 0:26:10 | |
Oh, blimey, I knocked the door there, I nearly lost them. | 0:26:10 | 0:26:12 | |
-Don't trip up now! -No, I won't. | 0:26:12 | 0:26:15 | |
So we've got three bottles of wine here. | 0:26:15 | 0:26:17 | |
-Uh-huh. -And, of course, Jilly was always wonderful at explaining | 0:26:17 | 0:26:22 | |
how the aroma of the wine, you know, felt and tasted. | 0:26:22 | 0:26:26 | |
Yeah. Very creative. | 0:26:26 | 0:26:28 | |
Yes. We've got three bottles of wine, | 0:26:28 | 0:26:30 | |
and we'll be showing you three vintage clips from Jilly. | 0:26:30 | 0:26:33 | |
-But, firstly, you've got to taste it. -OK. -So is that A? | 0:26:33 | 0:26:36 | |
-I think that's A. -Oh, right, they you go, so you're sober! | 0:26:36 | 0:26:40 | |
Yeah, let's make the most of this. | 0:26:40 | 0:26:42 | |
So have a little sniff. Oh, and, er, | 0:26:42 | 0:26:44 | |
I've got a little cup here if you wish to spit it out, | 0:26:44 | 0:26:47 | |
if you want to be all professional, or you're just going to drink it. | 0:26:47 | 0:26:50 | |
I'm just going to drink it! | 0:26:50 | 0:26:52 | |
I can swirl it around, and you're supposed to look at the tears. | 0:26:52 | 0:26:56 | |
So when Jilly tasted this wine, did she say, | 0:26:56 | 0:26:59 | |
"It tastes of rainy days and Mondays," | 0:26:59 | 0:27:02 | |
"It tastes like bracken shoots on a hot heath," | 0:27:02 | 0:27:06 | |
or C, "It's like a bag of chips with a pickled egg." | 0:27:06 | 0:27:11 | |
Bag of chips with a pickled egg! | 0:27:11 | 0:27:13 | |
Erm... | 0:27:13 | 0:27:15 | |
Yeah, go with A. | 0:27:15 | 0:27:17 | |
You're going to go with A, tastes like rainy days and Mondays. | 0:27:17 | 0:27:20 | |
-Let's find out. -Mmm! | 0:27:20 | 0:27:23 | |
Bracken shoots on a hot heath, absolutely wonderful! | 0:27:23 | 0:27:26 | |
Oh, the correct answer was B, | 0:27:26 | 0:27:28 | |
it tastes like bracken shoots on a hot heath. | 0:27:28 | 0:27:30 | |
Oh, but rainy days! So, so poetic! | 0:27:30 | 0:27:34 | |
Let's see if you can get the next one right. | 0:27:34 | 0:27:36 | |
So, when Jilly tasted this one, did she say, | 0:27:36 | 0:27:39 | |
"It has hints of peanut butter and jam," | 0:27:39 | 0:27:42 | |
"It tastes like dry, salty fish," | 0:27:42 | 0:27:46 | |
"It's got a lovely, buxom quality with pert acidity | 0:27:46 | 0:27:51 | |
"and a slick of green apples"? | 0:27:51 | 0:27:53 | |
I think there's definitely something pert about this white wine. | 0:27:53 | 0:27:56 | |
Right, so you're going with the slick of green apples. | 0:27:56 | 0:27:59 | |
Mmm! | 0:27:59 | 0:28:01 | |
Buxom quality, but with pert acidity and a lovely sort of | 0:28:01 | 0:28:04 | |
-slick of green apple. -Yes! | 0:28:04 | 0:28:06 | |
Yes, well done! | 0:28:06 | 0:28:08 | |
Yay! | 0:28:08 | 0:28:09 | |
Well done. Rachel, here's your final one. | 0:28:09 | 0:28:13 | |
-All right. -So when Jilly tasted this one, did she say, | 0:28:13 | 0:28:16 | |
"It has an undercurrent of village ponds." | 0:28:16 | 0:28:20 | |
Do I really want to drink it with village...? | 0:28:20 | 0:28:23 | |
"It tastes like a fireplace dusted with icing sugar," | 0:28:23 | 0:28:28 | |
or C, "We're getting a bit bathroomy, | 0:28:28 | 0:28:31 | |
"this one is just like bath salts, | 0:28:31 | 0:28:34 | |
"but lovely bath salts"? | 0:28:34 | 0:28:36 | |
Let's go with the bath salts. | 0:28:37 | 0:28:38 | |
Now this one is just like bath salts when you get there, | 0:28:40 | 0:28:42 | |
absolutely extraordinary, lovely bath salts, of course. | 0:28:42 | 0:28:45 | |
-Yes! -You are correct, well done indeed! | 0:28:45 | 0:28:48 | |
APPLAUSE | 0:28:48 | 0:28:50 | |
You have a very good palate - two out of three is not bad. | 0:28:50 | 0:28:54 | |
It's not bad, with a cold as well! | 0:28:54 | 0:28:56 | |
-Yeah, yeah, yeah,! -Ah! -Very impressed. | 0:28:56 | 0:28:58 | |
-Yes! -So do you like your wine? | 0:28:58 | 0:29:00 | |
Erm... I do like my wine, but I'm no expert. | 0:29:00 | 0:29:03 | |
-No? -For me, it's all about personal choice, you know, | 0:29:03 | 0:29:07 | |
whether you enjoy... you pick a wine and you enjoy it, | 0:29:07 | 0:29:10 | |
it doesn't need to be expensive, or a certain price, | 0:29:10 | 0:29:12 | |
or from a certain region, | 0:29:12 | 0:29:14 | |
new world, old world, I'm not snobby in that sense. | 0:29:14 | 0:29:17 | |
Why was Food and Drink such a popular programme for you? | 0:29:17 | 0:29:21 | |
I think for me it was, like, "What are they cooking this week?" | 0:29:21 | 0:29:24 | |
And they always discovered a new ingredient, | 0:29:24 | 0:29:27 | |
and I remember my mum told me, olive oil, back in the '80s, | 0:29:27 | 0:29:32 | |
you had to go buy at the chemist. | 0:29:32 | 0:29:34 | |
-Really? -Yes, you couldn't buy olive oil in the shop. | 0:29:34 | 0:29:38 | |
-Oh, really? -So when, Food and Drink, | 0:29:38 | 0:29:40 | |
they obviously were discovering all these new ingredients and stuff | 0:29:40 | 0:29:43 | |
like that, and they were discussing olive oil, and my mum, "Yeah, | 0:29:43 | 0:29:46 | |
"I already use olive oil, but you have to go buy it at the chemist's." | 0:29:46 | 0:29:49 | |
Isn't that interesting? | 0:29:49 | 0:29:50 | |
I never knew that. The winning combination of recipes, | 0:29:50 | 0:29:53 | |
wine and foodie news made Food and Drink a big hit with viewers. | 0:29:53 | 0:29:58 | |
This is what you normally get in a takeaway. | 0:29:58 | 0:30:00 | |
It's rather bright red, it's spicy and very hot, | 0:30:00 | 0:30:03 | |
the colours are unnecessary. | 0:30:03 | 0:30:05 | |
That colour's achieved not because of spices, | 0:30:05 | 0:30:07 | |
but because of use of a food colouring. | 0:30:07 | 0:30:10 | |
-There you go! -So you learnt a lot from your mum, would you say? | 0:30:10 | 0:30:14 | |
I definitely learnt a lot from my mum, cos my mum cooked | 0:30:14 | 0:30:18 | |
every, you know, every day for us and it was a home-cooked meal. | 0:30:18 | 0:30:22 | |
-And you cooked with her? -Well, I... | 0:30:22 | 0:30:24 | |
I wanted to help out with the baking, you know? | 0:30:24 | 0:30:27 | |
The cooking I wasn't so interested. | 0:30:27 | 0:30:29 | |
My brother was, like, always up for cooking, more so. | 0:30:29 | 0:30:32 | |
He made a good spaghetti Bolognese. | 0:30:32 | 0:30:33 | |
-Oh, really? -Yep. I was more baking. | 0:30:33 | 0:30:37 | |
Obviously, we always had to help out with setting the table, washing up, | 0:30:37 | 0:30:40 | |
drying up, stuff like that, peeling potatoes. | 0:30:40 | 0:30:43 | |
And we had a garden allotment. | 0:30:43 | 0:30:46 | |
-Oh, right. -And during the summer, we always had beans. | 0:30:46 | 0:30:49 | |
-Green beans with everything. -Yes! -And I was like... | 0:30:49 | 0:30:51 | |
"Do we have to have more green beans?" You know? | 0:30:51 | 0:30:54 | |
But now, I think, "Green beans from the garden? | 0:30:54 | 0:30:56 | |
"What's more amazing?" You know, fresh, crunchy beans. | 0:30:56 | 0:30:59 | |
But as a kid, you're like, "It's so boring." | 0:30:59 | 0:31:02 | |
-Well, time for a break now, a commercial break. -OK. | 0:31:07 | 0:31:10 | |
And one that I hope brings back some really good memories. | 0:31:10 | 0:31:13 | |
Have a little look at this. | 0:31:13 | 0:31:15 | |
Showing a bushy-browed teenager's panic | 0:31:19 | 0:31:22 | |
in the aftermath of a house party, | 0:31:22 | 0:31:24 | |
this classic ad was one of a series of mini-drama adverts | 0:31:24 | 0:31:27 | |
for the Yellow Pages. | 0:31:27 | 0:31:29 | |
Who are you? | 0:31:29 | 0:31:30 | |
-That's Jake Wood from EastEnders, there. -Oh, really?! | 0:31:32 | 0:31:35 | |
Oh, hello, French polishers? | 0:31:36 | 0:31:39 | |
It's just possible you could save my life. | 0:31:39 | 0:31:41 | |
PHONE RINGS | 0:31:49 | 0:31:51 | |
Mum, just landed? | 0:31:52 | 0:31:54 | |
All quiet. | 0:31:54 | 0:31:57 | |
I'm on my way. | 0:31:57 | 0:31:58 | |
-So, what was it about that advert that you loved so much? -Well... | 0:32:02 | 0:32:06 | |
-a similar thing happened to me. -What, you had a party? | 0:32:06 | 0:32:09 | |
Well, not quite. | 0:32:10 | 0:32:11 | |
I did some artwork on the dining room table | 0:32:11 | 0:32:14 | |
and I was cutting something out and I thought, | 0:32:14 | 0:32:17 | |
"Oh, I don't need a mat." And I cut it and then I got a mark. | 0:32:17 | 0:32:21 | |
So I thought, "I'll file it." | 0:32:21 | 0:32:23 | |
-Oh, no! -And the mark became a dip. | 0:32:23 | 0:32:26 | |
And then my dad banished me to the garden shed. | 0:32:26 | 0:32:29 | |
Forever onwards I had to do artwork in the garden shed, | 0:32:29 | 0:32:33 | |
because I didn't think of Yellow Pages. | 0:32:33 | 0:32:37 | |
Man, if I had the Yellow Pages at the time | 0:32:37 | 0:32:39 | |
I would have given somebody a call. | 0:32:39 | 0:32:41 | |
But, yeah... So I can associate with that feeling of getting | 0:32:41 | 0:32:45 | |
-a scratch on the table. -Yeah. -Yep. | 0:32:45 | 0:32:47 | |
So, your next choice is a lady who has been cooking | 0:32:52 | 0:32:55 | |
on our screens since the early '70s. | 0:32:55 | 0:32:57 | |
You have chosen her as your biggest influence. | 0:32:57 | 0:33:00 | |
And here she is destroying a coconut. | 0:33:00 | 0:33:03 | |
Well, now we're going to go on a long journey | 0:33:04 | 0:33:06 | |
all the way from Thailand to Sri Lanka. | 0:33:06 | 0:33:08 | |
And I want to show you a curry recipe that a friend of mine | 0:33:08 | 0:33:11 | |
-brought back from there. -'Look at the earrings! -I know...' | 0:33:11 | 0:33:14 | |
..which is a fresh coconut. | 0:33:14 | 0:33:16 | |
'Her earrings are nearly as big as the coconut!' | 0:33:16 | 0:33:19 | |
..not exactly user-friendly. | 0:33:19 | 0:33:21 | |
Champion of back-to-basics cookery, | 0:33:21 | 0:33:23 | |
Delia Smith is so influential | 0:33:23 | 0:33:25 | |
that she created a phenomenon known as the Delia Effect - | 0:33:25 | 0:33:28 | |
a celebrity endorsement that prompts a shopper stampede. | 0:33:28 | 0:33:32 | |
Put the coconut inside the polythene bag. | 0:33:32 | 0:33:35 | |
Then you need a really heavy object, | 0:33:35 | 0:33:37 | |
something like a big hammer or a mallet. | 0:33:37 | 0:33:40 | |
I think we know what's going to happen, don't we? | 0:33:40 | 0:33:42 | |
-I think there's something quite brutal about this. -Yeah. | 0:33:42 | 0:33:44 | |
And then you put the coconut onto the concrete... | 0:33:44 | 0:33:47 | |
In the past, the Delia Effect | 0:33:47 | 0:33:49 | |
has caused a national cranberry shortage | 0:33:49 | 0:33:52 | |
and seen salted caper sales rise by 350%. | 0:33:52 | 0:33:56 | |
She enjoyed that, didn't she? | 0:33:58 | 0:33:59 | |
Yeah, I think so. | 0:33:59 | 0:34:00 | |
I think what's great about Delia, she always gave us a little tip, | 0:34:00 | 0:34:03 | |
didn't she? A handy hint. | 0:34:03 | 0:34:05 | |
Yeah, she was good at giving tips and it was always very clear. | 0:34:05 | 0:34:08 | |
You know, nothing too complicated in terms of techniques. | 0:34:08 | 0:34:13 | |
And just keep sliding the knife in, | 0:34:13 | 0:34:16 | |
right underneath and then it'll just prise it away, like that. | 0:34:16 | 0:34:19 | |
And nowadays, you say, "Just buy at your supermarket already prepared." | 0:34:19 | 0:34:23 | |
Yeah. But she was a huge influence? | 0:34:23 | 0:34:26 | |
Definitely. I mean, she was, for me... | 0:34:26 | 0:34:29 | |
Delia was the first solo cookery... personality I watched on TV. | 0:34:29 | 0:34:35 | |
And I remember watching a lot of her shows | 0:34:35 | 0:34:38 | |
like Christmas shows and like this one here as a kid | 0:34:38 | 0:34:42 | |
and enjoying them, obviously. | 0:34:42 | 0:34:45 | |
But also being interested in what she was cooking | 0:34:45 | 0:34:49 | |
and discovering new things. | 0:34:49 | 0:34:50 | |
And I always feel she's kind of combined that kind of | 0:34:50 | 0:34:54 | |
educational part and also the delicious part, because the food... | 0:34:54 | 0:34:59 | |
As a kid, it looked really tasty. | 0:34:59 | 0:35:01 | |
Nowadays, filming food on TV has evolved a little bit, | 0:35:01 | 0:35:06 | |
the styling is a little bit different. But I think | 0:35:06 | 0:35:09 | |
back in the '80s, it was pretty...exciting. | 0:35:09 | 0:35:14 | |
-Yeah. -To see all the different... | 0:35:14 | 0:35:15 | |
Like, there, cooking a Thai curry, I'd never tasted a Thai curry. | 0:35:15 | 0:35:20 | |
So it was interesting to see all these flavours and things she was | 0:35:20 | 0:35:24 | |
exploring and different ingredients. | 0:35:24 | 0:35:26 | |
Cos she has been there forever, hasn't she? | 0:35:26 | 0:35:29 | |
I mean, for decades and decades. | 0:35:29 | 0:35:31 | |
I mean, what has kept her longevity, you know? | 0:35:31 | 0:35:34 | |
Why do you think she's been there for so long? | 0:35:34 | 0:35:37 | |
I think the reason why she's been around | 0:35:37 | 0:35:40 | |
for such a long time is because her recipes work. | 0:35:40 | 0:35:43 | |
And they're meant for the home cook. | 0:35:43 | 0:35:48 | |
You know, obviously now she has... | 0:35:48 | 0:35:49 | |
There's a lot of other TV chefs around. | 0:35:49 | 0:35:51 | |
-Yeah, yeah, yeah. -And now there's somebody for everyone. | 0:35:51 | 0:35:55 | |
You know, if you like different types of cookery | 0:35:55 | 0:35:58 | |
you can find somebody who you like. | 0:35:58 | 0:36:00 | |
Whereas growing up there were very little. | 0:36:00 | 0:36:03 | |
And very little women TV chefs. | 0:36:03 | 0:36:06 | |
So... | 0:36:06 | 0:36:08 | |
I think when you're growing up as a young girl, a young woman, | 0:36:08 | 0:36:11 | |
it's great to see a woman on TV | 0:36:11 | 0:36:15 | |
doing her own show and doing it really well and... | 0:36:15 | 0:36:21 | |
being intelligent about it as well. | 0:36:21 | 0:36:23 | |
-Yeah, yeah. -I think it's educational in the way she talks about food, | 0:36:23 | 0:36:28 | |
but it's still tasty. | 0:36:28 | 0:36:29 | |
Delia Smith isn't the only legendary female foodie to grace our TVs. | 0:36:29 | 0:36:34 | |
Way back when it was the culinary delights of Fanny Cradock | 0:36:34 | 0:36:38 | |
who tickled our taste buds. The First Lady of food, | 0:36:38 | 0:36:41 | |
Fanny's shows became more about her flamboyant personality | 0:36:41 | 0:36:45 | |
than her eccentric cooking. | 0:36:45 | 0:36:47 | |
Another force of nature were The Two Fat Ladies, sadly now both deceased. | 0:36:49 | 0:36:55 | |
Clarissa Dickson Wright and Jennifer Paterson became cult figures. | 0:36:55 | 0:36:59 | |
Driving around on a motorbike and sidecar, | 0:37:00 | 0:37:02 | |
they loved to cook lavish meals inspired by local tradition. | 0:37:02 | 0:37:06 | |
And our list of legendary ladies celebrity chefs | 0:37:08 | 0:37:11 | |
simply wouldn't be complete without the lovely Nigella Lawson. | 0:37:11 | 0:37:15 | |
Renowned as a domestic goddess | 0:37:15 | 0:37:17 | |
who's put indulgence back into the kitchen, Nigella is famed for | 0:37:17 | 0:37:21 | |
her provocative presenting style and delicious grub. | 0:37:21 | 0:37:25 | |
But today, of course, I'm all about another fabulous female chef. | 0:37:25 | 0:37:29 | |
Rachel, we've seen the television that has influenced you | 0:37:36 | 0:37:39 | |
but we're going to have a look at your big break. Ms Rachel Khoo. | 0:37:39 | 0:37:44 | |
This is French food the way the Parisians cook and eat it. | 0:37:44 | 0:37:47 | |
C'est tout. That's it. | 0:37:47 | 0:37:49 | |
People always ask me, "Was it really your home?" | 0:37:50 | 0:37:52 | |
I was like, "Yes!" | 0:37:52 | 0:37:54 | |
From her own tiny kitchen in Paris to the capital's | 0:37:54 | 0:37:57 | |
beautiful bistros, Rachel revealed French cooking for the 21st century. | 0:37:57 | 0:38:02 | |
It was this big, the camera was this big, | 0:38:03 | 0:38:06 | |
we all had to squeeze in like this, you know. | 0:38:06 | 0:38:09 | |
-The cameraman... -I think that's what gave it its appeal. | 0:38:09 | 0:38:11 | |
-Yes. -People are always talking about that tiny kitchen. | 0:38:11 | 0:38:14 | |
And what you created in that tiny kitchen. | 0:38:14 | 0:38:16 | |
-Yeah. -It was charming. | 0:38:16 | 0:38:18 | |
Thank you. All right, for the pistou sauce, it's really easy. | 0:38:18 | 0:38:22 | |
'Sometimes, you know, the director said, "OK, Rachel, | 0:38:22 | 0:38:25 | |
'"we need a shot of you stirring the bowl' | 0:38:25 | 0:38:28 | |
"but your head is in the way." | 0:38:28 | 0:38:30 | |
And I'm like, "OK..." | 0:38:30 | 0:38:32 | |
So the cameraman would squeeze in behind me | 0:38:32 | 0:38:35 | |
and he's have the camera over my shoulder | 0:38:35 | 0:38:38 | |
and I would be like mixing like this | 0:38:38 | 0:38:41 | |
and then, like, trying to get that shot. | 0:38:41 | 0:38:43 | |
So, you know, if we had a behind-the-scenes, | 0:38:43 | 0:38:45 | |
it would have been very funny. | 0:38:45 | 0:38:47 | |
-I would have liked to have seen that. -Yeah, and all the camera kit, | 0:38:47 | 0:38:49 | |
you know, the bags, was popped in the bath. | 0:38:49 | 0:38:51 | |
-No! -Cos there was no room anywhere else. | 0:38:51 | 0:38:54 | |
-That's lovely. -Yeah, so, no, it was... It was good fun. | 0:38:54 | 0:38:58 | |
Would you go back to that? | 0:38:58 | 0:38:59 | |
Um... | 0:38:59 | 0:39:00 | |
-No. -No? -I went mad by the end of it. | 0:39:00 | 0:39:03 | |
I was banging my head against the chopping board. | 0:39:03 | 0:39:05 | |
All you need now is some sunflower oil. | 0:39:05 | 0:39:08 | |
Traditional pistou is a bit like the very popular Italian pesto, | 0:39:08 | 0:39:11 | |
it just doesn't have pine nuts or Parmesan in it. | 0:39:11 | 0:39:15 | |
And you're going to blend it up. | 0:39:15 | 0:39:16 | |
'I still have that blender at home.' | 0:39:16 | 0:39:19 | |
-It works! -And it's got tape on it cos it's, like, falling apart. | 0:39:20 | 0:39:24 | |
You can use it like a pesto, but it also goes well with potatoes, | 0:39:24 | 0:39:28 | |
lamb chops. | 0:39:28 | 0:39:29 | |
And because it has no dairy, it's great for vegans. | 0:39:29 | 0:39:32 | |
Mm, good. | 0:39:35 | 0:39:36 | |
It must have been amazing. Did you think it was going to take off? | 0:39:36 | 0:39:39 | |
-Did you have a feeling? -I mean... | 0:39:39 | 0:39:42 | |
I knew something big was going to happen, because... | 0:39:42 | 0:39:45 | |
just to be on the BBC, it's huge. | 0:39:45 | 0:39:48 | |
Even in France, you know, they know... | 0:39:48 | 0:39:50 | |
"The BBC? C'est le BBC." | 0:39:50 | 0:39:53 | |
So I knew something was definitely going to change. | 0:39:54 | 0:39:57 | |
But, at the same time, because I still lived in Paris | 0:39:58 | 0:40:01 | |
when the show kicked off, | 0:40:01 | 0:40:03 | |
I didn't experience that recognising you in the street | 0:40:03 | 0:40:07 | |
and stuff like that. So my life continued | 0:40:07 | 0:40:09 | |
as...as usual, you know? It was just when I went back to London | 0:40:09 | 0:40:13 | |
or, you know, I hop on the train, go back for some meetings | 0:40:13 | 0:40:16 | |
then I would notice, like, either I had something funny | 0:40:16 | 0:40:19 | |
on my face when I was on the Tube or people | 0:40:19 | 0:40:22 | |
were like, "Oh, I recognise her," or something like that. So, yeah. | 0:40:22 | 0:40:25 | |
-How did it feel getting recognised? -Um... It's... | 0:40:25 | 0:40:28 | |
I mean, even when it happens now it's always a bit strange. | 0:40:28 | 0:40:32 | |
As long as people are friendly, then it's OK. | 0:40:32 | 0:40:35 | |
-Yeah. -And I'm happy to say, "Yeah, hi," and have a photo. | 0:40:35 | 0:40:39 | |
-Do you still live in Paris? -Um... I'm no longer in Paris. | 0:40:39 | 0:40:42 | |
I came back a couple of years ago because BBC Worldwide | 0:40:42 | 0:40:46 | |
offered me to do a show in London. | 0:40:46 | 0:40:47 | |
And that's where we filmed on Columbia Road, | 0:40:47 | 0:40:50 | |
I had a kitchen on Columbia Road. | 0:40:50 | 0:40:52 | |
I was in Paris for eight years. | 0:40:52 | 0:40:54 | |
It was an amazing time | 0:40:54 | 0:40:55 | |
and that apartment was great, but, in real life, | 0:40:55 | 0:40:58 | |
there was mould on the, you know, ceiling. | 0:40:58 | 0:41:02 | |
The windows didn't shut properly. | 0:41:02 | 0:41:03 | |
So it was very, kind of, "charming" in the Parisian way. | 0:41:03 | 0:41:09 | |
So I don't really miss the apartment. | 0:41:09 | 0:41:12 | |
I miss my friends, I miss the Paris life but it's great to be in London | 0:41:12 | 0:41:18 | |
and to film other TV shows. | 0:41:18 | 0:41:20 | |
I really enjoy that and that was a very special moment in my life. | 0:41:20 | 0:41:25 | |
Rachel, what do you watch now? | 0:41:30 | 0:41:31 | |
What do I watch now? So, I love box sets. | 0:41:31 | 0:41:35 | |
Yeah. | 0:41:35 | 0:41:37 | |
And I don't really have a TV. | 0:41:37 | 0:41:38 | |
I have a computer. I didn't even have a TV in my kitchen in Paris, | 0:41:38 | 0:41:42 | |
it was the oven or the TV, and I needed the oven more. | 0:41:42 | 0:41:45 | |
So recently, | 0:41:47 | 0:41:48 | |
Luther was on again, | 0:41:48 | 0:41:51 | |
The Fall. I love all those crime series. | 0:41:51 | 0:41:54 | |
I'm not so much into cookery shows, | 0:41:54 | 0:41:56 | |
cos when I watch cookery shows I'm like, "How did they film that? | 0:41:56 | 0:42:00 | |
-"What camera angle?" -So it's like a busman's holiday? | 0:42:00 | 0:42:02 | |
Yes. Yeah, yeah. | 0:42:02 | 0:42:04 | |
Rachel, you've been a wonderful guest. | 0:42:04 | 0:42:06 | |
You've brought a ray of sunshine to my sofa. | 0:42:06 | 0:42:08 | |
Oh, thank you! | 0:42:08 | 0:42:10 | |
I want to thank you and I also want to give you the opportunity now | 0:42:10 | 0:42:13 | |
to choose a theme tune for us to play out on. | 0:42:13 | 0:42:16 | |
-Have you thought about this? -Yes. I have thought about it. | 0:42:16 | 0:42:19 | |
So one of the shows I used to watch as a teenager was, in German, | 0:42:19 | 0:42:23 | |
which is also very bizarre, The Fresh Prince Of Bel Air. | 0:42:23 | 0:42:26 | |
-Ah. -And I can't rap but I like the tune. | 0:42:26 | 0:42:30 | |
It's always so fun. | 0:42:30 | 0:42:32 | |
-Yeah. -And it's like... | 0:42:32 | 0:42:33 | |
When you hear it, it's like, "Oh, yeah!" | 0:42:33 | 0:42:35 | |
-Yeah. -So I thought that would be a good tune for the end. | 0:42:35 | 0:42:38 | |
-Thank you very much. -Thank you! | 0:42:38 | 0:42:40 | |
-Two. -Oh, two. I forget. | 0:42:41 | 0:42:43 | |
-Don't worry. -So, my thanks to you, Rachel, | 0:42:43 | 0:42:46 | |
and my thanks to you for watching The TV That Made Me. | 0:42:46 | 0:42:49 | |
We'll see you next time. Bye-bye. | 0:42:49 | 0:42:51 | |
# I'd like to take a minute, just sit right there | 0:42:51 | 0:42:53 | |
# I'll tell you how I became the prince of a town called Bel Air | 0:42:53 | 0:42:57 | |
# In west Philadelphia born and raised | 0:43:05 | 0:43:08 | |
# On the playground was where I spent most of my days | 0:43:08 | 0:43:10 | |
# Chillin' out, maxin', relaxin' all cool | 0:43:10 | 0:43:12 | |
# And all shooting some b-ball outside of the school | 0:43:12 | 0:43:15 | |
# When a couple of guys who were up to no good | 0:43:15 | 0:43:17 | |
# Started making trouble in my neighbourhood | 0:43:17 | 0:43:19 | |
# I got in one little fight and my mom got scared | 0:43:19 | 0:43:22 | |
# And said "You're movin' with your auntie and uncle in Bel Air" | 0:43:22 | 0:43:24 | |
# I whistled for a cab and when it came near | 0:43:24 | 0:43:27 | |
# The license plate said 'FRESH' and it had dice in the mirror... # | 0:43:27 | 0:43:30 |