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Shss. They have let me in again. Don't tell anyone. Have I got a show | :00:10. | :00:14. | |
for you. I will be chatting to Kylie minute owing. Her team members, | :00:15. | :00:19. | |
Jamie and Lee will be dropping by and vocal coach, Yvie Burnett will | :00:20. | :00:26. | |
be here to give her expert analysis. You are watching watching VOICEOVER: | :00:27. | :00:36. | |
Voice - The Voice: Louder on Two. Welcome, welcome to The Voice: | :00:37. | :00:41. | |
Louder on Two. Let me hear you. Another busy show tonight. Before we | :00:42. | :00:45. | |
get started, time to find out what is new pussycat as we enjoy our | :00:46. | :00:49. | |
first daily gossip. First up, an interesting headline. Now magazine | :00:50. | :00:55. | |
reports rock Ericy Wilson's wild night in after The Voice. It seems | :00:56. | :01:00. | |
when filming finishes, he legs it home for a crazy night full of old | :01:01. | :01:08. | |
pier yoe repeats. It is like the '0s all over. -- Poirot. | :01:09. | :01:14. | |
We next have to report on a new craze sweeping the internet | :01:15. | :01:20. | |
# Glassface. I thank you. Aren't they beautiful. I'm keeping these. | :01:21. | :01:26. | |
Ever the trendsetter. Will started it all off on Saturday. Then our | :01:27. | :01:32. | |
Kylie had a go. Look, looking cuty. Then you all followed swiftly at | :01:33. | :01:36. | |
hoe. Including Katie from Taunton who took this -- swiftly at home. | :01:37. | :01:42. | |
Including Katie from Taunton who took this picture of her grandma, | :01:43. | :01:50. | |
Barbara. And the number one fan, Abbey from Liverpool. This is Manal | :01:51. | :01:57. | |
from Glasgow making use of some good old 3D glass. You can't see his | :01:58. | :02:02. | |
face. Just his chin. And then my favourite, Rodney the dog, courtesy | :02:03. | :02:09. | |
of Dustin from Cheltenham. Love him. Glasses models' own and apparently | :02:10. | :02:12. | |
they don't make you look more intelligent. And a treat for fans of | :02:13. | :02:17. | |
clumsy presenters. This is why I'm not allowed anywhere near the famous | :02:18. | :02:19. | |
chairs, all right. Oh - oh my God. I'm fine but have I | :02:20. | :02:51. | |
totally broken the chair? Oh, I tell you, I'm so sorry. I was going | :02:52. | :02:58. | |
through there saying - nothing will stop me. That is Will in the little | :02:59. | :03:04. | |
suit. In the background. What happened? Don't ask why invests that | :03:05. | :03:08. | |
suit. If you have anything you want it share with us, our contact | :03:09. | :03:12. | |
details are on the screen now that was today's daily gossip. I may have | :03:13. | :03:17. | |
had a bit of strive with the rotating chair, but one lady that | :03:18. | :03:21. | |
has no trouble spinning around, here is why we all heart Kylie. | :03:22. | :03:28. | |
# La, la, la # La, la, la, la, la, la, la, la... | :03:29. | :03:35. | |
# Our favourite coach is will.i. Am. I | :03:36. | :03:40. | |
don't know, I love Kylie. Everyone loves Kylie. Just amazing. Like she | :03:41. | :03:47. | |
can sing, dance. She is awesome and beautiful. One of a kind. I think | :03:48. | :03:54. | |
she brings something new to the Voyce. You want to get reading, get | :03:55. | :04:02. | |
sexy, get spectacles on. I loved it. It's all international. She is -- | :04:03. | :04:08. | |
all natural, she is so fun Everyone wants to go on Kylie's team. I'm | :04:09. | :04:16. | |
going to go with Kylie I fancied Charlene since I was... She has | :04:17. | :04:22. | |
everything going for her. Give it up for the gorgeous Kyle Kylie. | :04:23. | :04:29. | |
Leo, oh, we miss you. Leo Lunge. We should do that on a workout video. | :04:30. | :04:35. | |
Saturday first lives for you, I imagine exhilarating but scary. Have | :04:36. | :04:40. | |
you recovered yet? Just. Yeah. I watched it back when I got home. And | :04:41. | :04:46. | |
- it was like an outer body experience. It was good to watch it | :04:47. | :04:50. | |
back to know that it did actually happen. It did happen. I didn't | :04:51. | :04:55. | |
dream it. It is good you watched it back. I can never watch anything | :04:56. | :05:00. | |
back that I do. I get scared. Don't look, I'm on. Your team did so | :05:01. | :05:04. | |
brilliantly. You had that very tough decision to make on Saturday night - | :05:05. | :05:09. | |
who got your fast pass. You were saying you went hot and cold. Did | :05:10. | :05:14. | |
you change your mind at the last minute? No. But, just in the moment | :05:15. | :05:20. | |
of the decision I thought - I've been pretty cool up until now and I | :05:21. | :05:25. | |
just kind of had that, like tingle throughout. And anyway, James got | :05:26. | :05:32. | |
the fast pass. He did. Everyone rejoiced. It was fantastic. And you | :05:33. | :05:37. | |
had to say goodbye to Rachael. Quite an emotional moment for everybody | :05:38. | :05:41. | |
but it was lovely to see the support between your three acts and how much | :05:42. | :05:45. | |
of a little family they have become. How much they love each other. Has | :05:46. | :05:49. | |
that made your job easier as mentor? I tell you what has made it easiour, | :05:50. | :05:54. | |
is people leave with so much -- easier is people leave with so much | :05:55. | :05:59. | |
positivity. Rachael, OK I heard there were tears in the corridor | :06:00. | :06:02. | |
afterwards. You have to let it go somewhere. But she was just excited | :06:03. | :06:07. | |
about moving forward and, so excited about having done that performance | :06:08. | :06:12. | |
and you know, she has a really good attitude and the world at her fee. | :06:13. | :06:17. | |
I'm happy. She is so young, still. -- at her feet. | :06:18. | :06:24. | |
Apart from goodbyes, have you enjoyed your Voice experience so | :06:25. | :06:28. | |
far. From the beginning I have said it is amazing except for the parts I | :06:29. | :06:32. | |
haven't loved because there's parts of the show where you have to say | :06:33. | :06:37. | |
goodbye to people and constant decision-making and did you make the | :06:38. | :06:40. | |
right decision. I'm only human like everyone else. You try to do what | :06:41. | :06:45. | |
you think is right. But, overall, I have loved T let's hear it for The | :06:46. | :06:50. | |
Voice family. APPLAUSE | :06:51. | :06:54. | |
Let's big ourselves up. Don't know why I'm bigging myself up. It has | :06:55. | :07:00. | |
taken me out of my comfort zone. I hope my acts feel that we are all | :07:01. | :07:04. | |
doing something new and challenging but having fun along the way. You | :07:05. | :07:08. | |
have been having plenty of fun. Let's check this out. | :07:09. | :07:14. | |
# I'm spinning around... # Move out of my way... # | :07:15. | :07:28. | |
# Better the devil you know... # # Come on come on, do the locomotion | :07:29. | :07:41. | |
with me... # I'm feeling a bit out of breath. | :07:42. | :07:48. | |
I'm not surprised after that. Has it been a tougher challenge than you | :07:49. | :07:54. | |
expected being a mentor? Not so much the mentor part. Not working with | :07:55. | :07:59. | |
the acts but just saying goodbye to acts. Really, really tough. We asked | :08:00. | :08:03. | |
everybody at home to send us some questions of their own. Drumroll | :08:04. | :08:10. | |
please. Get ready to play the lucky dip. It is like Saturday morning TV | :08:11. | :08:16. | |
all over again. Going in, going in. Questions from you at hoe. Thank you | :08:17. | :08:20. | |
for all your questions Rachael from Ripon - how do you think your | :08:21. | :08:24. | |
experiences in the industry have experienced your decision on the | :08:25. | :08:28. | |
show? Well, they all have, all my experiences make me who I am today. | :08:29. | :08:35. | |
I think my experiences are - I hope they make me more understanding with | :08:36. | :08:43. | |
my acts and really understand the mental acrobats that you have to do | :08:44. | :08:47. | |
to build up to a performance. Time for one more. Go on. Too good. Koal | :08:48. | :08:54. | |
from France - if you are a contestant, which of the other three | :08:55. | :08:57. | |
judges would you pick? Good question. I like that. Oh - I can't | :08:58. | :09:05. | |
just have three. Just the one. I would go with the Godfather, Tom | :09:06. | :09:12. | |
Jones. Sir Tom, at a push. He will be well-chuffed. Thank you very | :09:13. | :09:14. | |
much, Kylie. So, we have caught up with the CEO | :09:15. | :09:20. | |
of Team Kylie. It is almost time to meet her junior members, Jamie and | :09:21. | :09:25. | |
Lee. Here is how they both got on, on Saturday. | :09:26. | :09:34. | |
You remind he me of me a little bit. Just a little bit but came out | :09:35. | :09:42. | |
blazing and I loved that. You sing like the best of them. You | :09:43. | :09:47. | |
are amazing. The person I'm taking through... Jamie. | :09:48. | :09:58. | |
# I don't try to understand... I liked it. I loved it. It was | :09:59. | :10:09. | |
ghostly. It really brought out the sensitive side. It was really nice. | :10:10. | :10:15. | |
The artist from team Kylie with the most public votes is... It's Lee. | :10:16. | :10:28. | |
Please welcome Jamie and Lee. Hello, boys. Congratulations to you | :10:29. | :10:32. | |
both. Jamie, first of all, well done. Pass, straight through to the | :10:33. | :10:36. | |
semis on Saturday night. Thank you very much. Laura from Surrey got in | :10:37. | :10:41. | |
touch online and said, "Incredible voice, incredible guy, magical." You | :10:42. | :10:46. | |
seemed surprised to get that pass. I was really surprised. I know we were | :10:47. | :10:51. | |
both worrying but I was worrying a lot. You are a worry pot. I was | :10:52. | :10:56. | |
worrying all the time. I didn't think I would get it. That was about | :10:57. | :11:00. | |
it. I didn't think I would get straight through to the semifinals. | :11:01. | :11:03. | |
How long were you skipping for the rest of the night? So happy and | :11:04. | :11:08. | |
obviously the night got finished even better. We will come to that | :11:09. | :11:12. | |
later. Lee, welcome to the show. Jackie from London said, "Stunning, | :11:13. | :11:17. | |
butedively performance from you." -- beautiful." Is it true you were | :11:18. | :11:21. | |
convinced you were going to go home you packed your bags? Completely | :11:22. | :11:27. | |
true this. Man will be my witness. I kind of anticipated two days before | :11:28. | :11:30. | |
I was probably going to go home. It was something I thought in my head. | :11:31. | :11:34. | |
I had this instinct. I packed my bags, got everything ready. It | :11:35. | :11:38. | |
wasn't like - I wasn't moping around... You actually weren't. When | :11:39. | :11:45. | |
the two guys and Rachael - hi Rachael - when they were all | :11:46. | :11:49. | |
crouched behind my chair, I didn't know you guys were going to sing All | :11:50. | :11:55. | |
the Lovers and Lee said - I'm ready I've packed my bags. I said - what | :11:56. | :12:00. | |
are you talking about? I did, didn't I? I forgot. I tried to knock some | :12:01. | :12:06. | |
sense into him. Is it easier now when you know someone else is going | :12:07. | :12:11. | |
to choose, the public? Is it easier, maybe a little bit, yeah. To take | :12:12. | :12:16. | |
the pressure off you, just a little bit. I have no idea what is going to | :12:17. | :12:19. | |
happen. It is exciting that the public who have invested in the show | :12:20. | :12:24. | |
throughout the series, now it is in their hands. And rightfully so. | :12:25. | :12:29. | |
Let's talk about your performances. Jamie you performed, Vanessa | :12:30. | :12:38. | |
Carlton's A Thousand Miles S am I right to think you weren't sure at | :12:39. | :12:41. | |
the beginning? Yes, it is a woman's song N general, I didn't think I was | :12:42. | :12:47. | |
going to be able to do it: -- it is a woman's song. In general I didn't | :12:48. | :12:51. | |
think I was going to be able to do it. I wanted to play safe. I think | :12:52. | :12:55. | |
it was the nerves. I would say it was a risk and I was worried about | :12:56. | :13:00. | |
the song. Can I say your face - isn't it so beautiful? I love it. | :13:01. | :13:10. | |
Really shiny. Just gorgeous. You sang Help Me Make It Through The | :13:11. | :13:17. | |
Night Were you worried that the youngsters wouldn't know it? I know | :13:18. | :13:21. | |
T That was probably my biggest fear. I didn't want to alienate any group | :13:22. | :13:26. | |
of people and apeal to one group. I think we kind of modernised it | :13:27. | :13:30. | |
enough to appeal to everyone. That's what we set out to do. The finished | :13:31. | :13:36. | |
product I was happy with. It is your grandma's favourite song. You sang | :13:37. | :13:40. | |
it to her. Was she pleased? She is not with us any more. Sorry, | :13:41. | :13:44. | |
darling, I didn't know. It was her favourite song. I had her in mind. | :13:45. | :13:48. | |
She would have been very proud of you. I think whichever song you | :13:49. | :13:53. | |
would have chose, you would have been worried. There is so much | :13:54. | :13:57. | |
pressure on you. Something else exciting that people don't know is | :13:58. | :14:02. | |
you have all moved into flats. Guess who is sharing? Jamie and Lee. The | :14:03. | :14:08. | |
Likely Lads. Have a look. Oh, I'm with you. Come on, man. Sweet. So | :14:09. | :14:14. | |
glad it's Jamie. He has a single bed. He is not going to be happy. | :14:15. | :14:22. | |
Oh, man. Look at that. Good. Have a look around. Oh, man, look at this | :14:23. | :14:26. | |
place. You are going to love your room. You are going to love your | :14:27. | :14:29. | |
room. This is actually my room. This is your room. You are joking. Not | :14:30. | :14:35. | |
joking. Does it fold out. I bet you have a single bed at home? I have a | :14:36. | :14:40. | |
double bed. No way, man, no way. Are you going to put the kettle on? | :14:41. | :14:44. | |
I can't believe this, man. Dude, look at this. Obviously, I know it | :14:45. | :14:51. | |
is just a tap but... Go on, give it a blast. Just getting my a | :14:52. | :14:57. | |
essentials out. What have you got? I will show you. All my favourites. | :14:58. | :15:05. | |
One of your five-a-day in there. That's the main things Apple pies. | :15:06. | :15:12. | |
You have to saviour it. You can't have it all in one. Mm. | :15:13. | :15:21. | |
# Cool the Simpsons Oh, yeah, it is | :15:22. | :15:25. | |
mine and Lee's apartment. It is the best one. Look at that. We have our | :15:26. | :15:32. | |
keys. So chuffed. I would love to see the state of that place now S it | :15:33. | :15:37. | |
still looking like that? -- place now. Is it still looking like that? | :15:38. | :15:45. | |
We need a catch up. Love the tap. Very flash. This weekend we are | :15:46. | :15:48. | |
going to be listening now to the songs you will be singing. This is | :15:49. | :15:52. | |
the song you are going to sing Jamie. | :15:53. | :16:05. | |
# Here in the dark # In by the hour... # | :16:06. | :16:12. | |
That's Bonnie rate's song. There will be tears. Your sister will be | :16:13. | :16:17. | |
in tears She is easily crying anyway. I don't know what she will | :16:18. | :16:23. | |
be like. Let's listen to the original Bonnie Raitt. | :16:24. | :16:27. | |
I can't listen to much, I will be weeping buckets. Lee, your turn. | :16:28. | :16:32. | |
Let's listen to Lee's song. Here we go. | :16:33. | :16:43. | |
# Underline # Now listen... # | :16:44. | :16:49. | |
I love the fact you are singing London Grammar. One of my favourite | :16:50. | :16:55. | |
bands. They are the kind of band -- are they the kind of band you see | :16:56. | :17:00. | |
yourself being up alongside? If we are looking at modern day bands, it | :17:01. | :17:05. | |
is the kind of sound I want to portray. Looking at doing something | :17:06. | :17:08. | |
modern this week to see the direction I can go in. It will be an | :17:09. | :17:12. | |
incredible show. Also, you get to perform with Kylie. Up on the stage. | :17:13. | :17:17. | |
You have been rehearsing. What song are you going to sing? ? Let's hear | :17:18. | :17:26. | |
# Is it blue... #! We have harmonies. Are your voices | :17:27. | :17:31. | |
blending nicely? You have all different voices? It is getting | :17:32. | :17:34. | |
there. I'm giving them a hard time - it is like this, like this, like | :17:35. | :17:39. | |
this. It is necessary. And it is really helpful having that, "It's | :17:40. | :17:44. | |
like this", it makes you learn it properly. Well, live on TV with your | :17:45. | :17:51. | |
mentor Kylie minute owing. It doesn't get better. | :17:52. | :17:55. | |
We have a treat for you now. We are missing Rachael. She came in and | :17:56. | :17:59. | |
recorded a special acoustic performance for us. Look at this. | :18:00. | :18:10. | |
# Tell me are you feeling strong # Strong enough to love someone | :18:11. | :18:13. | |
# And make it through the hardest storm | :18:14. | :18:17. | |
# And bad weather # Will you pull me from the flames | :18:18. | :18:21. | |
force fors # Hold me' til I feel no pain | :18:22. | :18:31. | |
# And give me shelter from the rain # Forever | :18:32. | :18:41. | |
# Where can I find her # She took the light and left me in | :18:42. | :18:44. | |
the dark # She left me with a broken heart, | :18:45. | :18:48. | |
yeah # Now I'm on my own | :18:49. | :19:00. | |
# If anybody sees him... # Oh, give it up for Rachael. Part of | :19:01. | :19:04. | |
Team Kylie. I feel you will be friends for life. Always. We hope | :19:05. | :19:12. | |
so. Good luck. Give it up for Team Kylie, Jamie and Lee. | :19:13. | :19:16. | |
APPLAUSE We need to work on that. Work on the | :19:17. | :19:21. | |
group hugs. You can help Jamie and Lee and all the acts enjoy their | :19:22. | :19:27. | |
first taste of chart success by downloading the performances. Head | :19:28. | :19:31. | |
to the website. 20p goes to the BBC per performing arts charity. | :19:32. | :19:36. | |
Now, what is the one thing every mega famous superstar needs? Why, of | :19:37. | :19:40. | |
course, it is your very own waxwork. Take a lack at this. -- take a look. | :19:41. | :19:50. | |
We have Kylie minute owing. She is one of our most popular figures in | :19:51. | :19:56. | |
the attraction. She is in the limelight a lot. So we like to keep | :19:57. | :20:01. | |
her looking fresh. We have updated her this time to coincide with her | :20:02. | :20:09. | |
being be The Voice. -- being on. There will be around about 20 people | :20:10. | :20:14. | |
to produce a figure like Kylie. About ?150,000 to make. Generally we | :20:15. | :20:19. | |
repaint the figures every now and then when they start to get really | :20:20. | :20:24. | |
dirty or old or in Kylie's case she has been re-styled. New make-up, | :20:25. | :20:31. | |
lipstick, eye shadow to match her new look. Of Putting loose curls | :20:32. | :20:35. | |
into her hair. What people don't realise it is all human hair, so we | :20:36. | :20:38. | |
can use the same equipment and were ducts that you would on a human. | :20:39. | :20:42. | |
Each hair is individually inserted one by one. Depending on how much | :20:43. | :20:47. | |
hair the person has. It can take up to four or five weeks to insert one | :20:48. | :20:52. | |
head to get every detail the same. We have done all the final touch-ups | :20:53. | :20:57. | |
on her and we are going to put her on the floor, looking beautiful. | :20:58. | :21:08. | |
I think she's just amazing. She's really reinvented herself over the | :21:09. | :21:12. | |
years so many times. You can't help stay engaged with her and love her. | :21:13. | :21:17. | |
You can't get bored with her. I love Kylie on The Voice. She is so fresh | :21:18. | :21:21. | |
and exciting. She looks so tiny in the chair but the personality is | :21:22. | :21:26. | |
massive I love her honesty. It is great. Will.i. Am will be brilliant | :21:27. | :21:31. | |
but I think Kylie is just kind of exciting and brings that fun factor | :21:32. | :21:36. | |
to the whole show, which I like. Oh, Lee and Jamie are - can you imagine | :21:37. | :21:42. | |
if we were waxes. We decided to make them out of Plasticine. | :21:43. | :21:47. | |
While the acts made it easy on Saturday night, one woman knows how | :21:48. | :21:52. | |
hard they worked. That woman is vocal coach extraordinaire, Yvie | :21:53. | :21:57. | |
Burnett As a vocal coach and singing teacher, I train every type of | :21:58. | :22:01. | |
singer. I'm all about the technique. When a singer realises their | :22:02. | :22:05. | |
potential and can do things even they didn't know they can do, it is | :22:06. | :22:10. | |
a special moment for me. Welcome Yvie to the show. | :22:11. | :22:15. | |
Hello gorgeous lady. You have been a singer, a long, long time. An opera | :22:16. | :22:22. | |
singer and a vocal coach for a belong time. How do you and Ali | :22:23. | :22:25. | |
Tennant, who we will meet tomorrow, support the work of the coaches, | :22:26. | :22:30. | |
Will and Tom and cably and Ricky? Well they have a vision from the | :22:31. | :22:36. | |
singers musically. We back it up with technical support. Anything | :22:37. | :22:39. | |
they want them to do, we can make sure they can achieve that. I have | :22:40. | :22:43. | |
worked with Tom and Will for three years so it is a short-hand with | :22:44. | :22:48. | |
them but Kylie and Ricky are lovely. It is a real team thing. We all work | :22:49. | :22:51. | |
together to get the best out of them that we can. Loving the energy. | :22:52. | :22:56. | |
Let's lack at the performances from Saturday starting with Christina | :22:57. | :23:01. | |
Marie from Ricky's team. She closed the show with a very powerful take | :23:02. | :23:03. | |
on the Foo Fighters. Oh I, it just makes me want to fling | :23:04. | :23:19. | |
my arms into the air. If you are not aware, this is the original foo | :23:20. | :23:29. | |
fighter's song, Dave Grohl. I'm impressed my mother knew that. For | :23:30. | :23:35. | |
such a little lass and a huge Voyce, in Christina Marie, how does that | :23:36. | :23:39. | |
work? You are born with it. It is all to do with the shape of your | :23:40. | :23:42. | |
mouth where your cheekbones are. You are either lucky or not to have that | :23:43. | :23:51. | |
God-given talent. Her idol is Maria. She has exercised singing to Maria | :23:52. | :23:58. | |
all her life. She has exercised her own voice. Now we are learning text | :23:59. | :24:03. | |
neeks about control, that self-taught singers don't teach | :24:04. | :24:07. | |
themselves. Sometimes if you are self-taught, it comes out some days, | :24:08. | :24:12. | |
others it doesn't. Team Tom, we will have a look at Sally and her | :24:13. | :24:17. | |
beautiful performance from Saturday. # You don't know what it's like | :24:18. | :24:24. | |
# Baby, you don't know what it's like | :24:25. | :24:28. | |
# To love somebody... # Oh, the judges were all standing up. | :24:29. | :24:34. | |
Tears from Tom. What is it about Sally's Voyce that just connects | :24:35. | :24:39. | |
with the audience and makes us so emotional -- Sally's voice? Everyone | :24:40. | :24:45. | |
seems to be touched on Sally, if you read on Twitter. It is life | :24:46. | :24:47. | |
experience. We know she has been through a lot, good times, bad | :24:48. | :24:52. | |
times. She or trays that in her singing. It comes out. I say to her | :24:53. | :24:57. | |
-- she portrays that. I say she is like an Oscar-winning be a tress. | :24:58. | :25:01. | |
When you watch a film andp don't know somebody is acting and you get | :25:02. | :25:06. | |
to the end and you think - oh, they were acting. That's like Sally. You | :25:07. | :25:10. | |
think she is the character. She has not been too well, she has had | :25:11. | :25:17. | |
sinusitis. How have you managed to work? Well, if you have something | :25:18. | :25:21. | |
like that there is a lot of gunge, it is not easy, when you are a | :25:22. | :25:25. | |
singing, you don't want, that you will get cracked notes. We have been | :25:26. | :25:32. | |
working on that the nasal things. You put a towel over your head to | :25:33. | :25:42. | |
inhail. Dr Yvie. Let's look at Bizzi from Team Tom. | :25:43. | :25:46. | |
# If you really love me # Won't you tell me | :25:47. | :25:54. | |
# And I won't have to be... # You worked with Stevie wonder. That | :25:55. | :25:57. | |
was clever what he did there. We want to concentrate on one | :25:58. | :26:00. | |
particular moment. If we look here, this is where he changed tempo - I | :26:01. | :26:05. | |
have been told this is quite a tricky thing to do, Yvie, tell me | :26:06. | :26:11. | |
why? Well, you have a your audience all up dancing with energy and | :26:12. | :26:15. | |
suddenly you have turned the song into a ballad. You have to keep the | :26:16. | :26:19. | |
intense yited. You don't have them going - -- intensity. You don't want | :26:20. | :26:25. | |
them going - what is happening now? You have worked with Stevie wonder. | :26:26. | :26:32. | |
We have Lee finally for Team Kyly and his passionate performance from | :26:33. | :26:42. | |
Saturday. -- from Team Kylie. | :26:43. | :26:46. | |
# I don't try to understand... # Kylie says he has one of the most | :26:47. | :26:56. | |
unique voices. What is it that makes him so different? He has that sound, | :26:57. | :27:02. | |
a fast braf atow. You know when you recognise a singer on the radio, | :27:03. | :27:06. | |
they are all big superstars. Lee is like that. If we heard him, we know | :27:07. | :27:11. | |
it is him. That's such a talent. He changes the songs. He does his own | :27:12. | :27:16. | |
little twist, a dark melancholy thing going on, he does a little Lee | :27:17. | :27:21. | |
footprint to each song that we recognise now. He does upwards bits | :27:22. | :27:26. | |
and twists and we are beginning to see his style within all the songs | :27:27. | :27:29. | |
he does. He is a clever guy, is our Lee. A clever boy. Let's look at the | :27:30. | :27:36. | |
original to that song, his gland's favourite song, Chrisostomidis toff | :27:37. | :27:50. | |
son. -- Kris Kristoffersen. A bit of country. You must find it | :27:51. | :27:59. | |
hard to say goodbye to them. They must trust you Yes, they trust me, | :28:00. | :28:05. | |
they have to sing in the room with me. So it is hard to say goodbye. | :28:06. | :28:08. | |
Wep don't really say goodbye. We have already been speaking to the | :28:09. | :28:13. | |
guys who have been out of the show this week. I'm still there for them. | :28:14. | :28:19. | |
How are they going to dazzle in the semifinals? Well, more high notes, | :28:20. | :28:24. | |
more risks, more everything. More dancing, pyrotecniques. They think | :28:25. | :28:28. | |
this week they have had to bring it all but next week they'll have to | :28:29. | :28:33. | |
come out with even more. So good. By the way, shoe alert. Look at those. | :28:34. | :28:39. | |
We will be meeting Yvie's colleague, Ali Tennant tomorrow, to talk | :28:40. | :28:45. | |
through the remaining semifinals. Yvie Burnett everybody. | :28:46. | :28:49. | |
Thank you for joining us. Ricky will be here tomorrow with Christina | :28:50. | :28:58. | |
Marie and Chris. We will see you then, good night. Force | :28:59. | :29:01. |