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Here I am again, still not allowed near those chairs. Another brilliant | :00:00. | :00:20. | |
show for you tonight. I will be having a catchup with Mr Hot stuff, | :00:21. | :00:24. | |
Ricky Wilson. He will be bringing his posse with him, Christina Marie | :00:25. | :00:31. | |
and Chris. Plus further expert analysis with superstar vocal coach | :00:32. | :00:40. | |
Ali Tennant. Hello and welcome to The Voice: Louder on Two. Before we | :00:41. | :00:44. | |
crack on, livly tonight, it's time to look at the world of news and | :00:45. | :00:47. | |
social media for today's Daily Gossip. First up, exciting news. It | :00:48. | :00:52. | |
seems like our singers are enjoying their very first taste of chart | :00:53. | :00:57. | |
success. After Saturday's live show, no fewer than six acts made it into | :00:58. | :01:02. | |
the download charts. Nice! Congratulations to all of them. | :01:03. | :01:07. | |
Another craze that has swept the internet The Voice Meme. If you are | :01:08. | :01:12. | |
like me and didn't know what a meme was, it's caption for a funny photo. | :01:13. | :01:19. | |
Educate as well. You have been giving your captions for this lovely | :01:20. | :01:26. | |
picture. Gaz said, "OK, who has put glue in my pockets?" It's better if | :01:27. | :01:32. | |
you had a drink. Sandra from Copenhagen gave us, "where is Kylie! | :01:33. | :01:39. | |
We're so doing that scene from Titanic." Better received. Another | :01:40. | :01:46. | |
favourite was from Lisa from Milton Keynes with, "these new urinals | :01:47. | :01:51. | |
aren't very private." Cheeky. That was the best one. If you want to get | :01:52. | :01:55. | |
involved give us your caption ideas for this week's picture. It's Kylie | :01:56. | :02:01. | |
and Jason Derulo. To have a look, all the details can be found online. | :02:02. | :02:05. | |
I will reveal some of our favourites next week. That was your Daily | :02:06. | :02:12. | |
Gossip, thank you. Over the course of the series a certain indi rocker | :02:13. | :02:16. | |
has secured his place as the nation's latest sweetheart. Don't | :02:17. | :02:21. | |
believe me, there is evidence. I really like Ricky. He is energetic. | :02:22. | :02:28. | |
He's good -- it's good to have a rock star on the show. Fantastic. | :02:29. | :02:34. | |
Brings a little bit more indi to the show. Is rather nice. I think he is | :02:35. | :02:39. | |
gorgeous. # Something about the boy... # | :02:40. | :02:47. | |
He has a great sense of humour. Funny, just cute as well. He always | :02:48. | :02:56. | |
gets up and dance. They didn't do that before. He is quite a cool | :02:57. | :03:01. | |
character. Did he leave you hanging? If I was on the voice I would choose | :03:02. | :03:09. | |
Ricky, definitely. We like Ricky, northern and honest. I will play the | :03:10. | :03:12. | |
game my way. I think he could win this year. He is backing all the | :03:13. | :03:17. | |
way. Give it up for the delightful Mr Ricky Wilson. I'm clapping | :03:18. | :03:25. | |
myself. Do that, it's bad. You are one of the new coaches, how has your | :03:26. | :03:30. | |
experience been, has it been tougher than you anticipated? It has been | :03:31. | :03:33. | |
tough. I found it quite rewarding, this is quite serious. I've learnt a | :03:34. | :03:37. | |
lot more than I thought I would learn. Yeah, it has been great. I | :03:38. | :03:41. | |
like the fact you are learning as well? I'm learning more than they | :03:42. | :03:46. | |
are. This is brilliant. I'm taking a lot away from this. That is what we | :03:47. | :03:51. | |
need. You had to make the big decision on Saturday, a Fast Pass, | :03:52. | :03:57. | |
how tough was that? I can see them there. I can't tell the truth, can | :03:58. | :04:03. | |
I? How tough was it? It was really tough. It it ruined the night for | :04:04. | :04:07. | |
me. I wanted to enjoy it. All I was think being was this horrible thing | :04:08. | :04:11. | |
I had to do. It turned out OK. Yeah, I think so. I'm pretty pleased with | :04:12. | :04:18. | |
it. It was always on my mind for the week leading up to it. I didn't | :04:19. | :04:23. | |
sleep much. It's a big decision. It is live. Is so important to them | :04:24. | :04:27. | |
much you said that any of the team could have won it. Why do you think | :04:28. | :04:31. | |
Emily went home that night particularly? That is, thankfully, | :04:32. | :04:35. | |
is not my decision any more. That was the last decision I made was the | :04:36. | :04:40. | |
Fast Track, after that it was the British public decided. It gave | :04:41. | :04:45. | |
Christa real confidence boost when they verified him, in a way. Then | :04:46. | :04:50. | |
unfortunately Emily didn't make it through. It doesn't mean she is not | :04:51. | :04:55. | |
still around. She sent me her original stuff the other day. It's | :04:56. | :05:00. | |
great. I know she will go on. She said up there, it's not the last you | :05:01. | :05:05. | |
will see of her. It won't be. I strongly believe. That we will hear | :05:06. | :05:08. | |
frommer later on in the show as well. Cool. You have been having fun | :05:09. | :05:14. | |
on the show. It's emotional, how does it feel to get involved in | :05:15. | :05:18. | |
these people's lives? I didn't think I would learn as much as I had done, | :05:19. | :05:23. | |
I didn't think I would care as much as I do. You sign up to the TV show, | :05:24. | :05:28. | |
it's fun, this big set. Centre of it is these people's lives. I didn't | :05:29. | :05:32. | |
know that I was going to get that involved in it. And how these people | :05:33. | :05:36. | |
would become... I would become that close to them and care so much. | :05:37. | :05:41. | |
Every week a few of them have to go. This week is no exception. Someone | :05:42. | :05:47. | |
has to go. Auto I've told them, you know, it's up to the public now. I | :05:48. | :05:51. | |
promised them both I would take them as far as I could. I haven't gone | :05:52. | :05:54. | |
back on my word on that. Exciting stuff. We are particularly loving | :05:55. | :06:01. | |
your way with words. Are you? Yeah. Let us remind ourselves. Come to | :06:02. | :06:09. | |
Ricky. He has 99 problems, but his pitch isn't one. I want you on my | :06:10. | :06:14. | |
team. I think I would be in the lead if I had you. I feel I'm the closest | :06:15. | :06:18. | |
to you artistically than anyone else here. You complete my team. You | :06:19. | :06:25. | |
complete me. Ricky is getting tricky. I have no hope against Ricky | :06:26. | :06:34. | |
and his dazzling blue eyes. I've fallen for. It I'll go Ricky. He | :06:35. | :06:41. | |
seems like a ninja, it seems falls he has something up his sleeve all | :06:42. | :06:45. | |
the time. I will not give up until you have won this. You are the | :06:46. | :06:48. | |
reason I made the decision to come on this show. Ricky, Ricky. Ricky. | :06:49. | :06:59. | |
Good pitch. You smooth operator. You should do the vt of the ones that | :07:00. | :07:04. | |
said other names. There are a lot of them. We will do that. Obviously, | :07:05. | :07:08. | |
there is a great sense of camaraderie between you and the | :07:09. | :07:11. | |
other coaches, you get on great. It is a competition. How much do you | :07:12. | :07:16. | |
want to beat the others? It's weird. It is changing. At first I really | :07:17. | :07:20. | |
wanted to win, I was thinking about it from my point of view, that I | :07:21. | :07:23. | |
wanted to win. The the more and more it goes on, and the more time I | :07:24. | :07:28. | |
spend with my final two over there, it's not really - I know this sounds | :07:29. | :07:33. | |
disingenuous, it's not about me any more, I want them to win. It's a | :07:34. | :07:37. | |
nice side benefit, if they win, I win. It's not about the coaches any | :07:38. | :07:41. | |
more. It's about the person who wins the whole thing. So much - For not | :07:42. | :07:47. | |
answering that question properly. Well done. We chatted to the Chief | :07:48. | :07:55. | |
it's time to meet the mini Kaisers, Christina Marie and Chris. Here's | :07:56. | :07:56. | |
how they nailed it on Saturday. I know I say great a lot, but that | :07:57. | :08:16. | |
was great! You sounded amazing. Thank you so much. Really. The | :08:17. | :08:22. | |
person I'm taking through to the semi-finals next week is Christina | :08:23. | :08:23. | |
Marie. # I see the light... # | :08:24. | :08:35. | |
You were warm and your soulful voice, you keep giving. The song | :08:36. | :08:41. | |
choice was brave. It you sang it amazing. You are a bona fide star | :08:42. | :08:47. | |
tonight. The artist from Team Ricky with the most public votes is... | :08:48. | :08:49. | |
It's Chris! Please welcome Christina Marie and | :08:50. | :09:05. | |
Chris! Well done to both of you. Powerful stuff on Saturday night. | :09:06. | :09:07. | |
Christina Marie I heard you were sick with nerves before going on the | :09:08. | :09:11. | |
show. You would never know that watching you, how was it for you? | :09:12. | :09:17. | |
Yeah. It was a massive, massive day. Unlike anything I'd ever done before | :09:18. | :09:21. | |
musically and just... I was a little bit sick. That was the first time | :09:22. | :09:24. | |
that happened to me. I was like, "what is happening to my body?" | :09:25. | :09:28. | |
Luckily, aisle managed to get through the day. Yes. It was good. | :09:29. | :09:31. | |
It's really difficult dealing with nerves like that. What advice do you | :09:32. | :09:35. | |
give them when they are nervous? I was harsh with you on the day I was | :09:36. | :09:42. | |
- get on with it. Get a grip? There are times for just saying - look, | :09:43. | :09:46. | |
get it together. She deals with her nerve Secretary of State well | :09:47. | :09:50. | |
usually. This was the biggest thing. I think, to an extent sometimes, you | :09:51. | :09:55. | |
bottle it up, that is why it came out like it did. I think you can use | :09:56. | :10:00. | |
it more than you do. What people like about nerves is, if you are | :10:01. | :10:04. | |
nervous it shows you care and it shows you want it to be good. | :10:05. | :10:07. | |
Nothing wrong with that. Also, Chris, you were overcome with | :10:08. | :10:12. | |
emotion out there. How was Saturday night for you? It was crazy. It was | :10:13. | :10:20. | |
just like... Iowa -- I was so excited to gn October stage for the | :10:21. | :10:25. | |
first time I wasn't nervous. In that spur-of-the-moment everything | :10:26. | :10:29. | |
went... , I'm here, I'm doing. It after my performance I actually | :10:30. | :10:35. | |
couldn't talk. Speechless. Did you have to have a lie down? I'm not at | :10:36. | :10:41. | |
all surprised. Let us talk about Everlong. Let's remind ourselves of | :10:42. | :10:44. | |
Saturday. Awesome. # For ever... # | :10:45. | :11:03. | |
Kimberley said online, "it was like a moment out of a movie". It was | :11:04. | :11:07. | |
huge. How much did you get swept up in the emotion of the song, of the | :11:08. | :11:12. | |
frock, of the staging? It was just obviously you could see that the | :11:13. | :11:16. | |
production of it was absolutely amazing. I felt like Cleopatra in | :11:17. | :11:21. | |
that dress. Everything coming off of me and the projections. It was like | :11:22. | :11:24. | |
something out of a movie. I got caught up in the emotion. I felt | :11:25. | :11:28. | |
like I was singing the story of me, my journey. Yeah, it was very, very | :11:29. | :11:33. | |
big moment. Were all caught up in it. I'm glad she did. Sometimes she | :11:34. | :11:39. | |
is so professional and on, it you are flawless, sometimes you forget | :11:40. | :11:42. | |
to use the emotion and the real stuff that is going on. On Saturday | :11:43. | :11:48. | |
night she blew it away. That lovely moment, as you finished tomorrow | :11:49. | :11:55. | |
turned to you... Was it like the seal of approval from Sir Tom. I'm | :11:56. | :12:01. | |
always looking for approval. He gave it to me that night. Did. Chris, | :12:02. | :12:08. | |
your Elbow classic. We will play a little bit of it and remind | :12:09. | :12:13. | |
ourselves. Hair standing on end as we listen to. This Josh said, "your | :12:14. | :12:19. | |
performance made him and his mum cry, you even had Ricky in tears". | :12:20. | :12:25. | |
How did you feel? Going through the journey a lot of people have | :12:26. | :12:28. | |
commented and intrigued about how I use the emotion and portray it in a | :12:29. | :12:35. | |
song. I don't know how I do it. If I didn't I wouldn't tell anyone. It to | :12:36. | :12:41. | |
yourself. It's overwhelming and nice to connect to the people. If you | :12:42. | :12:46. | |
don't touch somebody when you are singing, you are only entertaining | :12:47. | :12:51. | |
yourself. If you do, you get in trouble! You got a shout out at Old | :12:52. | :12:59. | |
Trafford last night. I did. I got a call saying, "you have been on | :13:00. | :13:04. | |
United's ground" - I was like "what." Semi-finals on Saturday. How | :13:05. | :13:10. | |
did the rehearsals go today? I think they went rather well. I shouldn't | :13:11. | :13:14. | |
say this, I will not say it then. I think it went... Leave it at that. | :13:15. | :13:18. | |
Not compared to any other teams. All I can talk about is what I think | :13:19. | :13:24. | |
about my team, I think it went well. Is secretly chuffed. Christina Marie | :13:25. | :13:29. | |
you are are doing Bang Bang. Here is the David Guetta version that we can | :13:30. | :13:37. | |
hear. It travelling the charts. Here is that version. This is Christina | :13:38. | :13:42. | |
Marie in rehearsals. # Bang, bang, you shot me down | :13:43. | :13:48. | |
# Bang, bang, I hit the ground # Bang, bang, that awful sound... # | :13:49. | :13:57. | |
I am glad they didn't give too much away. Don't give too much away. | :13:58. | :14:02. | |
There is a lot more. Specially from you we would expect no less. , your | :14:03. | :14:08. | |
turn. An absolute classic by Nat King Cole. | :14:09. | :14:14. | |
# Smile though your heart is aching... # | :14:15. | :14:18. | |
This will be a moment on Saturday night. Let's see you in rehearsals | :14:19. | :14:23. | |
today. # Smile though your heart is aching | :14:24. | :14:28. | |
# Smile even though it's breaking # When there are... # | :14:29. | :14:35. | |
Josh, you and your mum will be in pieces again on Saturday. Stock up | :14:36. | :14:44. | |
on tissues. We have another Over The Rainbow Moment. This time it will be | :14:45. | :14:49. | |
me as an artist that you will see. You get up and sing together, the | :14:50. | :14:55. | |
three of you! Ricky, what song have you choosen? We are doing The Kinks, | :14:56. | :15:03. | |
You Really Got Me. Who starts? Moo me. To get it out of the way. I will | :15:04. | :15:08. | |
stand back and go - all right. You have joked on the show that your | :15:09. | :15:13. | |
acts might show you up? I haven't joked about it. I'm serious about | :15:14. | :15:19. | |
it. Technically, I've never been to singing school, if there a singing | :15:20. | :15:23. | |
school. It was learnt on the road. It was learnt over a long period of | :15:24. | :15:28. | |
time. These guys are technically far superior than I will ever be. I bow | :15:29. | :15:33. | |
down to that. I can't wait for you to hear it. Your face is making me | :15:34. | :15:39. | |
excited. I have a treat for you. Here is your old team-mate, Emily, | :15:40. | :15:44. | |
in the studio earlier on in the week with a swansong, acoustic | :15:45. | :15:48. | |
performance of Happy. This is beautiful. | :15:49. | :15:54. | |
# It must seem crazy what I'm about to say | :15:55. | :16:05. | |
# She's here you can take a breath # I'm a hot air balloon that can go | :16:06. | :16:09. | |
to space # With the air, like I don't care | :16:10. | :16:15. | |
# Baby, by the way # Clap along if you feel like a room | :16:16. | :16:21. | |
without a roof # Clap along if you feel happiness | :16:22. | :16:29. | |
is a truth # Clap along if you know what | :16:30. | :16:38. | |
happiness is to you clap along if you feel that's what you want to do | :16:39. | :16:51. | |
# Give me all you got, and no holding back. | :16:52. | :16:58. | |
# I should probably warn you, I'll be just fine | :16:59. | :17:08. | |
# No thanks to you, don't waste your time | :17:09. | :17:22. | |
# Ooo-ooo-ooo-ooh... # 48 minutes she held that note. I | :17:23. | :17:27. | |
don't think that is the last we will hear from Emily. Ricky, good luck on | :17:28. | :17:32. | |
Saturday night. Yeah. It will be spectacular. They don't need it. I | :17:33. | :17:38. | |
need it. Ricky will be with his other band The Kaiser Chiefs on BBC | :17:39. | :17:43. | |
Breakfast tomorrow morning. No staying up late. Give it up for Team | :17:44. | :17:53. | |
Ricky. Some behind-the-scenes access for you now. It's time to meet the | :17:54. | :18:01. | |
man who ensures every performance looks as good as it sounds. I'm | :18:02. | :18:07. | |
Nathan Clarke the Creative Director and choreographer for the voice. | :18:08. | :18:11. | |
It's my job to make Saturday night spectacular. Now we are into the | :18:12. | :18:15. | |
live shows it's a whole new world. The stage is almost twice the size. | :18:16. | :18:21. | |
We have dancers. We've got LED screens everywhere. It's big! | :18:22. | :18:25. | |
Everything starts right here in this room. This is where the ideas come | :18:26. | :18:29. | |
to life. The coaches have a lot of input in the creative process for | :18:30. | :18:33. | |
their contestants. It's, basically, my job to make their vision come to | :18:34. | :18:39. | |
life. It's something we work together on. Series three coaches, | :18:40. | :18:44. | |
four very individual people, with very different ideas. Kylie, very | :18:45. | :18:48. | |
straight-forward. She knows what she wants to see. Not dancers. Like | :18:49. | :18:54. | |
facing the other way or doing something a bit more abstract. Ricky | :18:55. | :18:59. | |
thinks bigger. Let's go for it. Big hair, exciting outfit. I think it | :19:00. | :19:04. | |
needs to be a proper extreme. Tom likes a stripped back feel. | :19:05. | :19:08. | |
Everything needs to be easy and more about the emotion. It's tender | :19:09. | :19:13. | |
there. You show a lot of emotion. Will, Will has some crazy ideas. You | :19:14. | :19:19. | |
want to come out of a cake like Grace Jones. You want trampoline,, | :19:20. | :19:26. | |
you can freak them out. Finding a balance with Will. What will work | :19:27. | :19:32. | |
and what's just so crazy. You want to come out wrapped in a borrito, | :19:33. | :19:39. | |
singing Mexican style. Now, it's crunch time this is the rehearsal | :19:40. | :19:44. | |
day. The contestants seeing the dancers around them and getting a | :19:45. | :19:48. | |
feel for their performances. It's tough trying to get the contestants | :19:49. | :19:51. | |
into a situation they are not used to. They have to learn choreography | :19:52. | :19:55. | |
and remember it. Go away and practice it. It isn't something they | :19:56. | :19:59. | |
do every day. I don't know what I'm doing. I cannot dance. There is a | :20:00. | :20:04. | |
difference between not being a dancer and not moving at all. Yeah. | :20:05. | :20:09. | |
Little things like when the band are going | :20:10. | :20:13. | |
# Bang, bang, bang... # You need to feel in your body. It | :20:14. | :20:21. | |
comes naturally to some performers and that others. Everyone has left | :20:22. | :20:27. | |
with a smile on their face. I will see you when you have the whole | :20:28. | :20:32. | |
production. I'm excited. Rehearsesals going great. We are | :20:33. | :20:38. | |
going to smash it. Feeling very nervous. This is the last day before | :20:39. | :20:43. | |
the Live Finals. I have forgotten what to do with the walking bit. | :20:44. | :20:49. | |
It's on the "i." As well as doing the choreography with the | :20:50. | :20:52. | |
contestants and the dancers, I'm being looking at screen graphics, | :20:53. | :20:58. | |
floor graphics, then lasers. If the raidsers are static, when it kicks | :20:59. | :21:03. | |
in we need to go somewhere with it. We need to put everything together | :21:04. | :21:15. | |
for the package I had in my mind. We are throwing them together in the | :21:16. | :21:19. | |
mix for a one group number. Have the time of your lives. Mix the teams | :21:20. | :21:24. | |
up. As excited as I am for the live shows I'm very nervous, but I just | :21:25. | :21:29. | |
can't wait for it all to happen and sit back and see what these guys | :21:30. | :21:33. | |
bring. They all love Nathan. He is a dude. Yesterday, the delightful Yvie | :21:34. | :21:39. | |
Burnett talked me through soft of the weekend performances. Tonight we | :21:40. | :21:48. | |
look through the Highs and the Lows of the remaining acts with the | :21:49. | :21:53. | |
voice's other vocal coach. Ali Tennant. . With JLS and nurturing | :21:54. | :22:01. | |
new stars from the rehearsal studio to the world stage. That is what | :22:02. | :22:05. | |
it's about for me. Let's hear it for Ali. You are a one man music | :22:06. | :22:14. | |
machine. You have worked with Labrinth. I'm flattered. Yes I | :22:15. | :22:19. | |
worked with Labrinth. I've worked with JLS, with Jessie J. One | :22:20. | :22:25. | |
Direction. A lot of others. They all speak very highly of you. You and | :22:26. | :22:30. | |
Yvie work together. How do you decide who goes with who? What we | :22:31. | :22:34. | |
do, after the blinds, what we do is we split them up down the middle. | :22:35. | :22:39. | |
All the coaches, I get half, Yvie gets half. That is how it goes on | :22:40. | :22:42. | |
throughout the show and through the stages. Have you ever tried to pinch | :22:43. | :22:49. | |
someone? I tried. It doesn't work. We will start with Chris from Team | :22:50. | :22:56. | |
Ricky. Let us remind ourselves of his performance. | :22:57. | :23:01. | |
# So pull those curtains wide # One day a like this a year will | :23:02. | :23:05. | |
see me right... # Such a great song to sing from | :23:06. | :23:10. | |
Elbow. The big build at the end. Why is Chris so good at selling a song? | :23:11. | :23:17. | |
First of all, I like to call him the Urban Buble. I love his voice. You | :23:18. | :23:23. | |
know, Chris has the gift of being able to connect with a song | :23:24. | :23:28. | |
immediately. He is one of the one that is you give him the piece of | :23:29. | :23:32. | |
paper with the lyrics on, it he is like, yeah, I've got it. You feel | :23:33. | :23:40. | |
it. It's a gift. He is great. He has a really big range as well. I don't | :23:41. | :23:46. | |
know if that is the technical term - big range... He has got a great | :23:47. | :23:52. | |
range to his voice. He goes from falsetto to his chest voice. We will | :23:53. | :23:58. | |
explain some of that. This is you guys working on theon song together. | :23:59. | :24:04. | |
# I see the light... # You are on chest at that point? | :24:05. | :24:09. | |
# I see... # # I see... # | :24:10. | :24:14. | |
# I see the light... # Come back down to change. | :24:15. | :24:22. | |
# The light... The light... # Chest. | :24:23. | :24:26. | |
# The light, light... #. It's like being stroked when you | :24:27. | :24:28. | |
hear that. What is the difference between a head and chest voice? OK. | :24:29. | :24:33. | |
I want to get you to do it. Don't make me do it. It's horrific. You do | :24:34. | :24:38. | |
it. You are the singer. The chest voice is an extension of your | :24:39. | :24:44. | |
talking voice. If I were to go # And... # | :24:45. | :24:48. | |
I'm talking. Working for me. Same voice. Your falsetto, your head | :24:49. | :24:53. | |
voice. If I were to do an impression of a female opera singer I would go | :24:54. | :24:59. | |
will being laaaaa... # That's in my head voice. OK. Do an | :25:00. | :25:06. | |
impression of a female opera voice and that is your head voice. On to | :25:07. | :25:13. | |
Team Will and a bit of treasure from Jermain. | :25:14. | :25:22. | |
# You can make my wish come true... # | :25:23. | :25:23. | |
He is something else, isn't he? Stunning. In there there had to be | :25:24. | :25:30. | |
the Jermain moment. Absolutely. Let us remind ourselves. | :25:31. | :25:37. | |
# Yeah, yeah... # You can see the effect it had on | :25:38. | :25:42. | |
Will. How do you train a voice like that? I love a sing we are a great | :25:43. | :25:47. | |
vocal range. He goes down to his baritone. Now, you have to train the | :25:48. | :25:51. | |
full width of their range with that one. You have to do a lot of scales. | :25:52. | :26:02. | |
A lot of stuff like that. To expand the bottom of his range. Then you | :26:03. | :26:07. | |
get it. As long as you can pick the points in the song to give him that. | :26:08. | :26:12. | |
When Jermain does that it makes my knees go funny. Jamie from Team | :26:13. | :26:20. | |
Kylie. Here he is on Saturday. # If I could fall into the sky | :26:21. | :26:26. | |
# Do you think time would pass me by # Because you know... # | :26:27. | :26:32. | |
What a gorgeous boy. We have seen him doing R'n'B, rock and female | :26:33. | :26:37. | |
pop. Is there anything he can't do? Which is he most suited to? He has | :26:38. | :26:43. | |
done a range of songs. I think, you know, the shock of Jamie is when you | :26:44. | :26:48. | |
see him do, you know, an Essex boy coming out doing a soul song. A | :26:49. | :26:57. | |
soulful vocal. That is where his voice is really suited to. He can do | :26:58. | :27:01. | |
anything with that range and that passion. I think that is part of the | :27:02. | :27:05. | |
wonder of the show. You see the face, they sing, you didn't expect | :27:06. | :27:11. | |
that. Sophie May for Team Will. Here is a reminder of her performance | :27:12. | :27:17. | |
# Can I just have one more moon dance with you, my love | :27:18. | :27:22. | |
# Can I just make some Morrow mans... # | :27:23. | :27:30. | |
Jazz Sophie May does. It is about delivery, I'm informed. What make it | :27:31. | :27:34. | |
is different as a style? With jazz you have to be behind the beat, but | :27:35. | :27:44. | |
be on time. A lot of it has a drol to it. The annunciation -- | :27:45. | :27:49. | |
pronounceation is slurred. If you think of the performances of | :27:50. | :27:53. | |
Winehouse wine, it was slurred, but at the same time you felt it. Jazz | :27:54. | :27:58. | |
is very much behind time, but on time. Sophie had a head voice moment | :27:59. | :28:03. | |
herself, did she? Absolutely. Here it is. Her head voice moment. | :28:04. | :28:13. | |
# Ooooooo-oooh... # Beautiful. Difficult was that to do | :28:14. | :28:19. | |
that? She is so young. She is 17. To know your voice like that. It take | :28:20. | :28:23. | |
as lot of work and practice. She naturally has it. We had to work, | :28:24. | :28:27. | |
coming from the chest voice, going up to the head voice. You know, it | :28:28. | :28:31. | |
gave her more range to it. She went in and she did a great job. I love | :28:32. | :28:37. | |
the faces you pull when you go to your head voice. Give it up for Ali. | :28:38. | :28:46. | |
We will see you next week. Thank you so much for watching tonight and to | :28:47. | :28:49. | |
all my guests, Ricky, Christina Marie, Chris and Ali. Tomorrow I | :28:50. | :28:52. | |
will be joined by the great man himself, Sir Tom Jones, she will be | :28:53. | :28:57. | |
bringing Sally and Bizzi with him. Good night. | :28:58. | :29:02. |