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Hello and welcome to the show. I'm literally beside myself with joy | :00:00. | :00:12. | |
because it's Team Tom day! Yes, the silver bear and his cubs will be | :00:13. | :00:16. | |
here giving me the lowdown ahead of Saturday. And if you fancy learning | :00:17. | :00:20. | |
to sing, then have I got a treat lined up for you! Mi mi mi mi - I'd | :00:21. | :00:24. | |
better start warming up! You're watching The Voice Louder: On Two. | :00:25. | :00:36. | |
Hello and welcome to The Voice: Louder on Two. Tonight's show is | :00:37. | :00:43. | |
jam-packed to the rafters but let's kick off first with a round up of | :00:44. | :00:47. | |
some news. First up a rather intriguing headline. It's not | :00:48. | :00:50. | |
Un-moosual: Welsh show cows produce better milk listening to Tom Jones | :00:51. | :00:55. | |
songs. Yes, it's not just the ladies that Sir Tom whips up into a frenzy | :00:56. | :01:01. | |
with his dulcet tones. Farmers in Wrexham, Wales have been playing the | :01:02. | :01:04. | |
legend's greatest hits to their cows, and they reckon milk | :01:05. | :01:07. | |
production has soared by up to 5 percent! If you think that sounds | :01:08. | :01:11. | |
udderly ridiculous, take a look at this. Thanks to Farmer Matthew Jones | :01:12. | :01:22. | |
for that. I play the music here of Tom Jones. I am such a passionate | :01:23. | :01:27. | |
Welshman and so is he. I think because of Tom, the cows give more | :01:28. | :01:37. | |
and better quality milk! It's not just Team Tom's Georgia with a | :01:38. | :01:43. | |
famous relative. We're all pretty astounded by who Jermain from Team | :01:44. | :01:52. | |
Will is related to. Take a look... This is your cousin, Eddie grant. | :01:53. | :01:59. | |
Wishing you all the best in the beautiful programme you are involved | :02:00. | :02:03. | |
in. You are amongst some great artists. Great! Thank you very much | :02:04. | :02:10. | |
for vving me, goodbye. Who knew that? Amazing. | :02:11. | :02:14. | |
And finally, I'll let you in on a little secret. If you fancy getting | :02:15. | :02:17. | |
yourself seen by millions of people on Saturday night then just download | :02:18. | :02:22. | |
The Voice UK app. Easy! Your avatar could then feature as part of your | :02:23. | :02:26. | |
favourite team's fan wall in the V room in the Final! And that | :02:27. | :02:32. | |
concludes your dose of gossip. Now, if you can hear ticking please don't | :02:33. | :02:36. | |
adjust your sets. It's because I'm about to be joined by the original | :02:37. | :02:39. | |
sex bomb himself, Sir Tom Jones. Here's a little reminder of what | :02:40. | :02:49. | |
makes him such a legend. The man is iconic! He has a wonderful voice. | :02:50. | :02:56. | |
# You better slow your Mustang down... He's been there, done it, | :02:57. | :03:02. | |
seen it all. He seems to be really nice. He has a lot of experience. | :03:03. | :03:07. | |
I have worked with everyone under the sun, baby! He has a nice | :03:08. | :03:13. | |
personality. OK? | :03:14. | :03:21. | |
# It's not unusual... He has had hits in every decade. | :03:22. | :03:28. | |
Speaking, talking, even coughing, you sound cool. | :03:29. | :03:32. | |
Thank you. There is nothing more to be said about Tom. He is cool. | :03:33. | :03:38. | |
Tom is the man. He's your man. There is nothing more to be said about it! | :03:39. | :03:42. | |
Please be upstanding for the original Voice, Sir Tom Jones! So | :03:43. | :03:46. | |
good to have you here. What a fantastic first live show. Obviously | :03:47. | :03:49. | |
you had to say goodbye to Georgia, which I know was tough. You've now | :03:50. | :03:53. | |
got Sally and Bizzi left, did you purposely go for experience with | :03:54. | :03:57. | |
your team? You chose Sally as your fast pass - how tough was that | :03:58. | :04:03. | |
decision? I gave her the pass for something that I like. When I hit | :04:04. | :04:08. | |
the button, if I hear it it is real, that is it, bang. | :04:09. | :04:14. | |
You chose Sally as the fast pass, was it a difficult decision? You | :04:15. | :04:18. | |
can't take chances. When the public is involved, when there is voting | :04:19. | :04:22. | |
that goes on, if you want somebody to go as far as possible, then you | :04:23. | :04:26. | |
give them the fast pass. I think that Sally deserves that. That is | :04:27. | :04:30. | |
why I did it. I didn't want to chance it. | :04:31. | :04:34. | |
That she may, or somebody may not vote for her. | :04:35. | :04:37. | |
She is through. It is the third series, have you | :04:38. | :04:40. | |
learned anything in the last two series to do anything different this | :04:41. | :04:45. | |
time around? Not really. It is just more relaxed this time. | :04:46. | :04:50. | |
The first one, we were all testing the water. It was new to everybody. | :04:51. | :04:55. | |
Not just us, to the coaches, everybody. So everybody works but, | :04:56. | :04:59. | |
it was exciting but a little like this. Then the sec one, a little | :05:00. | :05:07. | |
more now this and that. So you are all bedded in. | :05:08. | :05:11. | |
I think we know what we are doing. Someone does. It does seem you have | :05:12. | :05:15. | |
been enjoying yourself. You could say you have had a great time. I | :05:16. | :05:19. | |
think that he knows what is coming. Have a look. | :05:20. | :05:23. | |
That sunned great. She's great my kid. I don't want to repeat myself | :05:24. | :05:28. | |
but you sounded great... Sounded great. | :05:29. | :05:33. | |
. You know, great! I love that word, any way. Great. Great. Great! I | :05:34. | :05:39. | |
don't use it loosely. When I say great, I mean great! Eddie Grant | :05:40. | :05:50. | |
said great as well. . Yes, and Jamie Lee Lewis. That is | :05:51. | :05:57. | |
great! You have made brilliant covers of records. Bigger than the | :05:58. | :06:02. | |
original hits? Well, that is my version. People say covers. That is | :06:03. | :06:09. | |
a way of describing it but it is my interpretation of a song. It is like | :06:10. | :06:17. | |
saying Anthony Hopkins cover covered Sir Lawrence Olivier, but he | :06:18. | :06:21. | |
doesn't. It is their take on it. I like that. So how does one of your | :06:22. | :06:26. | |
acts, or the people that you are coaching, how do they put their | :06:27. | :06:32. | |
stamp on to a song? To be as natural as possible. That is what I have | :06:33. | :06:37. | |
done. Hopefully it comes out. The personality should shine through. | :06:38. | :06:42. | |
You have performed in front of millions of people. How has that | :06:43. | :06:45. | |
experience been able to help you with the acts when they perform | :06:46. | :06:51. | |
live? Well it is just I try to think about what I was like when I first | :06:52. | :06:55. | |
started. How did I feel. What was it like | :06:56. | :06:59. | |
going on television for the first time. It is a scary thing. | :07:00. | :07:04. | |
I don't think that has changed. Even though there is more of it than | :07:05. | :07:07. | |
when I started. There are more shows in general. | :07:08. | :07:12. | |
When the kids say to me, what should I do? I listen to the singers, I | :07:13. | :07:18. | |
listen to the music, and they say that they have taken the voice | :07:19. | :07:22. | |
lessons, I tell them to get up on stage in front of people, to do as | :07:23. | :07:27. | |
many shows as you can. You won the first series. | :07:28. | :07:36. | |
You of course won the first series with Leanne Mitchell, how much of a | :07:37. | :07:40. | |
chance do you think you have this year? Well I put myself into those | :07:41. | :07:45. | |
people. I think I have a great, strong team. | :07:46. | :07:50. | |
To have Bizzi and Sally there... There it is again! Great! It is! | :07:51. | :07:57. | |
Sally's personality comes through. So does Bizzi's. I have talked to | :07:58. | :08:01. | |
both of them. I know their personality it is great to see it | :08:02. | :08:05. | |
come through when they perform and they do. | :08:06. | :08:09. | |
Wonderful. I think it is time to meet them. | :08:10. | :08:13. | |
Tom Jones! Thanks so much for joining us today. You're staying put | :08:14. | :08:17. | |
as we're about to be joined by Sally and Bizzi. But first let's see Team | :08:18. | :08:29. | |
Tom in action from Saturday night... # There is a dark and fragile | :08:30. | :08:34. | |
quality to your voice. I know I can't wait to hear it again next | :08:35. | :08:37. | |
week. I just love hearing you sing. | :08:38. | :08:45. | |
# To love somebody, the way that I love you... Fast pass, Sally! | :08:46. | :08:55. | |
# If you really love me, # Won't you tell me. | :08:56. | :09:02. | |
# And if you really love me... Smooth, soulful. I know you are | :09:03. | :09:10. | |
smoking! That's what it sounds like when you know what you're doing. | :09:11. | :09:18. | |
The artists from Team Tom with the most public votes is... It's Bizzi. | :09:19. | :09:28. | |
Please welcome Sally, and Bizzi! A huge congratulations to both of you, | :09:29. | :09:32. | |
you've made it through to the semi-finals, both representing | :09:33. | :09:37. | |
Leicester! Can I get a joint Team Tom 'Yeah!' At every stage of the | :09:38. | :09:40. | |
competition, you've given yourself a mark out of ten - 6 for your blind, | :09:41. | :09:44. | |
7 for your battle and 8 for your knockout. Yeah! Love that. Has it | :09:45. | :09:47. | |
sunk in, yet, Sally? How has the week gone so far? Fine. I want to | :09:48. | :09:54. | |
say that my son sent me a text to say hello to Zoe. | :09:55. | :09:59. | |
A little kiss for you. Your mum was there on Saturday | :10:00. | :10:03. | |
night, you had everyone watching. Everyone in our house was watching | :10:04. | :10:08. | |
you and in tears. You got the fast pass. A good night for you? | :10:09. | :10:15. | |
Exceptional. I was hoping to test the public vote but Sir Tom saved me | :10:16. | :10:20. | |
from that. Well, you have got this Saturday. You're not off the hook | :10:21. | :10:23. | |
yet. I have not felt what it is like. | :10:24. | :10:28. | |
I thought you were going to go into song then. | :10:29. | :10:33. | |
We could join in as your choir. And Bizzi, it must be great to feel the | :10:34. | :10:37. | |
love from the public who put you through? Definitely. I didn't know | :10:38. | :10:42. | |
at all. I was thinking and praying but thankful to get the result. | :10:43. | :10:47. | |
Wonderful stuff. On Saturday night, the song you have | :10:48. | :10:54. | |
sung, Tom has sung that song himself. Was it strange to sing it | :10:55. | :10:59. | |
after him? Well, I had a lot of influence to choose from. A lot of | :11:00. | :11:03. | |
people have sung it, but I had Tom's direction with the emotional | :11:04. | :11:06. | |
expression through the song. It is so emotional watching you | :11:07. | :11:12. | |
sing, why is that? When you learn a song and you understand what the | :11:13. | :11:18. | |
lyrics say, then you have your own interpretation that is the | :11:19. | :11:20. | |
difference. When you talk about covering things or doing songs that | :11:21. | :11:24. | |
have been done before but you put yourself in there, it should be new, | :11:25. | :11:28. | |
different from what people have heard before. | :11:29. | :11:32. | |
It is like acting. You are acting out all of the emotions from the | :11:33. | :11:36. | |
songs. I think so. At each stage of the competition, I | :11:37. | :11:41. | |
have been told that you give yourself a mark out of ten. | :11:42. | :11:54. | |
How did you mark yourself after Saturday's performance? I gave it | :11:55. | :11:56. | |
eight. It is good. That is going in the | :11:57. | :12:03. | |
right direction! How well did Bizzi do for you up on the stage on | :12:04. | :12:10. | |
Saturday? You have actually worked with Stevie Wonder a number of | :12:11. | :12:15. | |
times. I loved it. Hopefully he would love Bizzi's version of it. | :12:16. | :12:20. | |
And Stevie Wonder would be thrilled. Let's talk about this Saturday | :12:21. | :12:26. | |
night. Sally is sing singing The Whole of the Moon by The Waterboys. | :12:27. | :12:35. | |
We can hear the original now. You have given it away! Did you not | :12:36. | :12:43. | |
want anyone to know? Sorry, this is telly! You are not going to be | :12:44. | :12:48. | |
pleased with this, then, this is you in rehearsal. Have a look at how the | :12:49. | :12:55. | |
# # You saw the whole of the moon. | :12:56. | :13:07. | |
# The whole of the moon. # It sounded good, Sally. It is a | :13:08. | :13:11. | |
cheeky teaser for the show on Saturday. Are you enjoying singing | :13:12. | :13:17. | |
this song? I amen joying showing a different side of my voice. | :13:18. | :13:21. | |
Certainly. I don't want to come over as too rock but yeah. It is fun. | :13:22. | :13:28. | |
It is fun. A classic tune. Bizzi you are singing George Benson. The song | :13:29. | :13:34. | |
Everything Must Change. Let's remind us of the version... It is smoochy | :13:35. | :13:41. | |
music. And we have a clip of Bizzi in rehearsal. Here we go, a little | :13:42. | :14:00. | |
treat for you all. Tom gave it a big thumb's up. That | :14:01. | :14:07. | |
song is right up your street, Bizzi, are you enjoying it? It is a song I | :14:08. | :14:13. | |
have loved since I was little. It is my brother's favourite song. I hope | :14:14. | :14:18. | |
to have a connection with it. And on Saturday, Tom, you are | :14:19. | :14:22. | |
singing with the team on stage on Saturday. What song have you chosen | :14:23. | :14:28. | |
to do? Dancing In The Streets. How is it going? Great! There is no | :14:29. | :14:37. | |
other word to take its place. When it is great, and when we did the | :14:38. | :14:43. | |
rehearsals today, it is great! I love you! You have a special talent, | :14:44. | :14:50. | |
breakdancing, Bizzi, are we going to see head spins on Saturday night? I | :14:51. | :14:54. | |
would love to. If I get to the final. | :14:55. | :14:58. | |
And Sally, will we see a dance from you on Saturday? Possibly. I may be | :14:59. | :15:12. | |
going watch out to the camera. Good luck for Saturday. You're | :15:13. | :15:15. | |
sticking around to play a little game but for now, give it up for | :15:16. | :15:19. | |
Team Tom! Don't forget you can download Saturday's live | :15:20. | :15:21. | |
performances from Sally and Bizzi and indeed all the acts by heading | :15:22. | :15:25. | |
to the Voice website. At least 20p from every download goes to the BBC | :15:26. | :15:28. | |
performing arts charity. With such a world famous export, it's no | :15:29. | :15:31. | |
surprise that everyone in Wales feels a bit of a connection to Sir | :15:32. | :15:35. | |
Tom Jones. We sent a special someone down to Pontypridd to investigate | :15:36. | :15:38. | |
the boyo's roots.... Thanks Nessa, save me a Welsh cake. Oh, what's | :15:39. | :15:46. | |
occurring? Here we are in Pontypridd. Where my hero, Sir Tom | :15:47. | :15:51. | |
Jones was born and bred. Tom Jones is the best. Number one. | :15:52. | :15:57. | |
Jones was born and bred. Tom Jones. I just love him. Not | :15:58. | :16:01. | |
because he is Welsh, I just love him. | :16:02. | :16:06. | |
REPORTER: Is Tom your favourite coach on The Voice? No, Will I Am, | :16:07. | :16:20. | |
first! We are off now to Tom Jones' house. What's new, pussycat? ! We | :16:21. | :16:28. | |
are outside Tom Jones' house, with me is Louisy. How do you know Tom? | :16:29. | :16:37. | |
My mother is Tom's cousin. He was born in this house. He played in the | :16:38. | :16:40. | |
streets. Tidy. | :16:41. | :16:44. | |
He used to go to the shops there and stand on a beer crate and sing in | :16:45. | :16:48. | |
the shops when he was so high. He wanted people to listen to him and | :16:49. | :16:52. | |
hear his voice. They did. Why do you think that living here in | :16:53. | :16:59. | |
Pontypridd made tomorrow the man he is today? The community spirit. | :17:00. | :17:04. | |
Everybody here has a link to Tom. My dad grew up with Tom, he used to go | :17:05. | :17:10. | |
drinking with him. Tom Jones used to drink with my nan. He is a legend. | :17:11. | :17:16. | |
Tom Jones is a proper legend. Shall we crack on? It's been a | :17:17. | :17:20. | |
pleasure, Nessa. I know, I feels it. Let's go. Oh, | :17:21. | :17:31. | |
the Green, Green Grass of Home. This is where Tom used to practise, | :17:32. | :17:36. | |
is it? That is the man himself. Hey, look at that, that is cracking. | :17:37. | :17:45. | |
I met him in 1963. I got asked to fill in with the band for the night. | :17:46. | :17:50. | |
I can't believe Tom used to practise in this pub and on that stage and he | :17:51. | :17:54. | |
has touched this stage, you know what I mean? Can you feel it? I feel | :17:55. | :18:01. | |
it is, yeah. I really feels it. I'm not going to lie to you. I feel | :18:02. | :18:06. | |
emotional. I want to drink where Tom used to drink. Barman, crack on. | :18:07. | :18:14. | |
Tidy. Sex Bomb. Tidy. | :18:15. | :18:20. | |
We have seen where Tom lived, we have seen where he has gigged, but | :18:21. | :18:24. | |
there is one thing that people don't know why Tom is a legend today. | :18:25. | :18:37. | |
Welsh cakes! Of course. Tidy! Why are Welsh cakes so popular? Why does | :18:38. | :18:43. | |
Tom like them so much? My mam used to say if you eat them you would be | :18:44. | :18:47. | |
nice and strong and Sir Tom is big and strong. And a nice-looking guy, | :18:48. | :18:53. | |
because of the Welsh cakes. So, I'm Nessa. So now you know why | :18:54. | :18:59. | |
Tom is the man he is today. So now you know all about Pontypridd. | :19:00. | :19:06. | |
Oh, Welsh cakes, can I have one? Help yourself! Give it up for Nessa! | :19:07. | :19:15. | |
Did you enjoy that, Tom? Great. Well you've both had some time now | :19:16. | :19:19. | |
to get to know the legend that is Sir Tom. But how much do you really | :19:20. | :19:27. | |
know about him? We're going to test it out in a game I like to call | :19:28. | :19:35. | |
Delilah or De Truth. I'm going to give you both some statements about | :19:36. | :19:39. | |
Sir Tom and you have to decide between you if you think they are | :19:40. | :19:42. | |
the truth or a down right De-lie-lah. Ready? When Tom left | :19:43. | :19:47. | |
school his first job was working in a glove factory - is that the truth | :19:48. | :19:56. | |
or a complete De-Lie-La? I don't know. I think it is the truth. | :19:57. | :20:05. | |
He does have very good hands. Sir Tom, what's the right answer? It's | :20:06. | :20:09. | |
true. Next one: Sir Tom, you are known for | :20:10. | :20:14. | |
your ability to throw some impressive shapes on stage. But on | :20:15. | :20:18. | |
one occasion Tom actually passed out due to some rather vigourous dancing | :20:19. | :20:21. | |
- is this the truth or am I Delilahing through my teeth? What do | :20:22. | :20:28. | |
you think? Passing out on the stage? I think it is a red herring. | :20:29. | :20:40. | |
In Sir Tom, what's the right answer? Agreement? It's true. | :20:41. | :20:45. | |
But it is true that you once fainted in the recording studio? When | :20:46. | :20:48. | |
recording the theme from the James Bond Movie, Thunderball, I fainted | :20:49. | :20:51. | |
after hitting the high note at the end of the song. They actually kept | :20:52. | :20:55. | |
that version as the final version of the song. I didn't take a breath. I | :20:56. | :21:04. | |
closed my eyes, when I opened, the place was spinning. I had to hold on | :21:05. | :21:07. | |
to the walls to stop from falling down. So I almost went. Did they use | :21:08. | :21:14. | |
that take? Yeah, yeah. That's it. That was the only take. | :21:15. | :21:18. | |
You could not do it again after that! Most of my records are one | :21:19. | :21:21. | |
take. Well done. | :21:22. | :21:25. | |
Sir Tom is so revered in his home country that they even had a maze | :21:26. | :21:30. | |
built in his image - The Truth or am I a Delilah, Delilah, pants on fire? | :21:31. | :21:37. | |
That's a really difficult one. I can see that being a possibility. I will | :21:38. | :21:42. | |
have to republican you. Come along. . Snooty final answer is... True. | :21:43. | :21:51. | |
Sir Tom, what's the right answer? I don't know. | :21:52. | :21:58. | |
There was one! And we've got a picture of that maze...here it | :21:59. | :22:13. | |
is.... Well good luck for Saturday, Sally and Bizzi and Team Tom! As an | :22:14. | :22:23. | |
extra treat for all of your Team Tom fans, Georgia was here earlier in | :22:24. | :22:28. | |
the week to record a special acoustic performance of Money on My | :22:29. | :22:36. | |
Mind. Have a look at this. # I felt pressured | :22:37. | :22:40. | |
# I want to see the numbers # I want to see heaven | :22:41. | :22:45. | |
# You say write a song for me # I say I'm sorry I won't do that | :22:46. | :22:49. | |
happily # When I go | :22:50. | :22:57. | |
# Oh, I tend to close it down # I never wondered why | :22:58. | :23:02. | |
# So sing with me # Can't you see | :23:03. | :23:07. | |
# I don't have money on my mind # Money on my mind | :23:08. | :23:12. | |
# I do it for the love # I do it for the love Georgea | :23:13. | :23:23. | |
there! Good lass. She will be rooting for you on Saturday night. | :23:24. | :23:39. | |
Now this show is all about The Voice. But if like me, you can't | :23:40. | :23:43. | |
tell your Do Ray Me's from your A, B, Cs, then stay tuned because it's | :23:44. | :23:47. | |
time for a masterclass... Here to loosen up our larynxes is Vocal | :23:48. | :23:57. | |
Coach extraordinaire, Maureen Scott! Maureen, welcome to the show. | :23:58. | :24:01. | |
I'll be the first to admit, I'm no voice of an angel. I'm terrible. Can | :24:02. | :24:06. | |
anyone learn to sing? Yes most people have the potential to be able | :24:07. | :24:11. | |
to sing. Some people struggle to hear the notes so they sing out of | :24:12. | :24:16. | |
tune and think they are tone deaf but listening carefully to the notes | :24:17. | :24:19. | |
and doing some vocal flexibility exercises like sirening which we | :24:20. | :24:22. | |
will get to can improve accuracy. So you're going to put me through my | :24:23. | :24:25. | |
paces and hopefully, fingers crossed, by next week you'll have me | :24:26. | :24:31. | |
singing like a pro! You might have your work cut out but let's give it | :24:32. | :24:37. | |
a go. Everybody at home feel free to join in. What do we do first? First | :24:38. | :24:42. | |
I need to see what I'm working with, so let's start off by hearing you | :24:43. | :24:53. | |
sing. Sing Unchained Melody. Well, you are in tune. Now, let's | :24:54. | :24:59. | |
have a look at your alignment. Take your shoes off. | :25:00. | :25:03. | |
Why? Because it gives you a better position. Easier to work with. | :25:04. | :25:09. | |
So, put your hands behind your back. Join in at home, folks! Feet | :25:10. | :25:15. | |
shoulder width apart. Now lean forwards. | :25:16. | :25:18. | |
Pull your hands down. Good. Now we are going to release | :25:19. | :25:23. | |
the belly. The reason to do that is because you have two ways of | :25:24. | :25:27. | |
breathing. One is high, which is what you do automatically as girls | :25:28. | :25:32. | |
hold their tummies in, but releasing the belly, this is good for the | :25:33. | :25:36. | |
voice quality. So take your hand here and here, put a foot forward | :25:37. | :25:43. | |
and my hand is on your tummy, your hand is on mine. As we go forward we | :25:44. | :25:48. | |
drop the tummies to the floor and take a breath. | :25:49. | :26:06. | |
That is confusing. Forward fat and back is thin. | :26:07. | :26:11. | |
Well done. Now you have connection from the breath. Now just go... Sh, | :26:12. | :26:32. | |
sh, sh... You're breathing! Now if we siren... You want me to do that? | :26:33. | :26:41. | |
Yes. As in a fire engine. Perfect! Big puffy cheeks. | :26:42. | :26:46. | |
You are taking the maky out of me, now! When you did that, what did you | :26:47. | :26:53. | |
feel in your tummy? It was tightening up. | :26:54. | :27:03. | |
That is a connection. Now I will go behind you. Well done. | :27:04. | :27:09. | |
It is fun this singing lark! Really good. Now, go, oh, oh, e, a, r, | :27:10. | :27:23. | |
oh... The sound comes before the breath. | :27:24. | :27:35. | |
Do that... Now go # Oh, my love, my darling | :27:36. | :27:42. | |
# I've hungered for your touch... And. | :27:43. | :27:46. | |
# Oh, my love # My darling | :27:47. | :27:51. | |
# I've hungered for your touch... Well done. | :27:52. | :27:55. | |
Release the tummy. I'm releasing the wrong bit. | :27:56. | :28:05. | |
Copy me. I will not do it but go. # Oh, my love... Now let your tummy | :28:06. | :28:14. | |
go. # My darling... Now let your tummy | :28:15. | :28:19. | |
go. # I've hungered for your touch. | :28:20. | :28:26. | |
Yeah! So I practise that at home and you come in for another lesson next | :28:27. | :28:31. | |
week and we will see if we have made improvements. Remind me of the | :28:32. | :28:36. | |
hamster face, one more time, Maureen. Give it up for Maureen | :28:37. | :28:43. | |
Scott. That's it for today. Thanks to all | :28:44. | :28:46. | |
my guests. Tomorrow I'm chatting to the superfresh will.i.am and his | :28:47. | :28:50. | |
team Jermain and Sophie May. I'll be hanging out with Voice hosts Emma | :28:51. | :28:53. | |
and Marvin. Plus Pointless Boys Alexander Armstrong and Richard | :28:54. | :28:56. | |
Osman will be here to look at the weekend's performances. See you | :28:57. | :28:57. | |
tomorrow. | :28:58. | :29:00. |