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It's Saturday night. This is Tonight's The Night. Please welcome | :01:30. | :01:40. | |
:01:40. | :01:50. | ||
# I Gotta Feeling # Tonight's gonna be a good night | :01:50. | :01:53. | |
# That tonight's gonna be a good night | :01:53. | :02:03. | |
:02:03. | :02:24. | ||
# That tonight's gonna be a good CHEERING AND APPLAUSE | :02:24. | :02:31. | |
Good Evening! I'm back. You're back. Tonight's | :02:31. | :02:35. | |
The Night's back! Oh, it feels so good. Now, on this | :02:35. | :02:39. | |
show, we think good things should happen to good people. So, our | :02:39. | :02:44. | |
business is making dreams come true. Tonight is the night for amazing | :02:44. | :02:50. | |
stories. Great guests and big surprises, which could involve you | :02:50. | :02:55. | |
guys. So get ready! Here's what's on the way. | :02:56. | :02:59. | |
There's a Yankee doodle surprise in store for a hard-working vicar as | :03:00. | :03:04. | |
she swaps the pulpit for a pit stop. Matt Baker will go undercover to | :03:04. | :03:09. | |
give this Elvis fan the shock of his life. We turn on the blues and | :03:09. | :03:13. | |
twos and I play bad cop and give a young lady the chance to perform | :03:13. | :03:21. | |
with The Wanted. Hey, this is Dolly Parton and later on, I'm going to | :03:21. | :03:24. | |
be meeting a very special person in the name of country music right | :03:24. | :03:32. | |
here in Nashville so stay tuned. Yes, we've got The Wanted! | :03:32. | :03:35. | |
They're here tonight and you could have heard the hysterical screaming | :03:35. | :03:40. | |
when they arrived at the studios. That was just me... | :03:40. | :03:44. | |
If your dreams come true on this show, you know you deserve it. | :03:44. | :03:48. | |
Friends and family have nominated tonight's dreamers and they had no | :03:48. | :03:53. | |
idea what was in store for them. So, let's get cracking with our first | :03:53. | :03:57. | |
unsuspecting girl. She thinks she's got a job as an extra on a brand- | :03:57. | :04:02. | |
new TV show. Unfortunately, that show starts a stroppy demanding | :04:02. | :04:09. | |
diva - me! Really? I'm on the set of myny new | :04:09. | :04:15. | |
BBC One cop drama On The Beat, and we've got a very special person | :04:15. | :04:18. | |
under surveillance. 22-year-old Hayley is described as a rock by | :04:18. | :04:23. | |
her friends and family and her best friend Jade wants Tonight's The | :04:23. | :04:28. | |
Night to give her a surprise she'll never forget. Hayley's definitely | :04:28. | :04:32. | |
larger than life. She's probably the most reliable person that I | :04:32. | :04:36. | |
know. I want everybody else to see that she's deserving as well. | :04:36. | :04:39. | |
Hayley spends a lot of time supporting others, even though | :04:39. | :04:45. | |
she's had her own problems to deal with. A year ago, Hayley was | :04:45. | :04:48. | |
diagnosed with epilepsy and it came as a big shock but she's the sort | :04:49. | :04:54. | |
of person that just takes it all in her stride. While coming to terms | :04:55. | :05:01. | |
with her epilepsy, she restained -- remained strong for her family. Her | :05:02. | :05:05. | |
grandfather passed away, her father was diagnosed with Parkinson's. | :05:05. | :05:11. | |
When my husband passed away, she was here that night, stayed with us | :05:11. | :05:15. | |
and she was an absolute brick. mum and sister are so proud of her | :05:15. | :05:19. | |
and they think she should have her dream come true. Hayley's been | :05:19. | :05:22. | |
through a lot the last year and definitely deserves this | :05:22. | :05:28. | |
opportunity to shine. She's always there for her family and her | :05:28. | :05:33. | |
friends and it'd just be fantastic. Hayley's coming here today to be an | :05:33. | :05:37. | |
extra on my new BBC One hit cop show On the Beat. What she doesn't | :05:37. | :05:42. | |
know is that it's a total fake, yes, and I'm not the star of the show, | :05:42. | :05:52. | |
:05:52. | :05:58. | ||
There's just not enough jazz hands in BBC dramas. Hayley makes extra | :05:58. | :06:03. | |
cash as an extra, so she's here on set with best friend Jade for my | :06:03. | :06:08. | |
pretend police series. As the crew get ready to record, the crime- | :06:08. | :06:13. | |
fighting detective becomes a foot- stomping diva. Did you guys get | :06:13. | :06:18. | |
stuff, are you all right? Do you want water or anything? I'm fine, | :06:18. | :06:24. | |
had a hot chocolate earlier. That is awful. What is in there?! | :06:24. | :06:28. | |
you get John another coffee? That's what I think of that coffee. Both | :06:28. | :06:31. | |
the coffee and Hayley are completely thrown. She does not | :06:31. | :06:37. | |
know where to look. Now I get all organic on set with some pre- | :06:37. | :06:45. | |
filming meditation exercises. Get ready for this. Feel your shockra. | :06:45. | :06:51. | |
OK. Everybody, cameramen and everything, I am employing | :06:51. | :07:01. | |
:07:01. | :07:09. | ||
everybody, come on! Shockra. Ready? No, no, just a minute. Ready, | :07:09. | :07:19. | |
:07:19. | :07:21. | ||
shockra-mocha. Shockra- mochra- froppa. Once again then end with a | :07:21. | :07:31. | |
leap, OK. Totally focused. Ready, John? Not ready yet, just a minute. | :07:31. | :07:36. | |
Ready? Now I'm ready. Having seen my temperamental side, Hayley's | :07:36. | :07:46. | |
:07:46. | :07:47. | ||
come up with an extreme way of stopping her giggles when she's on | :07:47. | :07:51. | |
set. Puppy's dying, puppy's dying. That dog over there getting shot, | :07:51. | :07:58. | |
that dog over there getting shot. I get the giggles really bad. Don't | :07:58. | :08:03. | |
crack a smile. I know, I'm sorry, I'm sorry. Action! Sir, there's | :08:03. | :08:08. | |
been another mugging. I think she's OK though but these people might | :08:08. | :08:18. | |
:08:18. | :08:24. | ||
have seen something. OK. Just cut there. Great. Brilliant. The pup | :08:24. | :08:29. | |
worked but how will Hayley react when I start picking on her elderly | :08:29. | :08:32. | |
actress. While they're waiting, do you mind if we just sit and talk | :08:32. | :08:36. | |
about the next bit because you guys are going to be right here. So come | :08:36. | :08:41. | |
on over. Do you mind if we have the seat, love? Do you mind. All right, | :08:41. | :08:45. | |
dear, come on. There you go, you just sit there. No, it's all right. | :08:45. | :08:50. | |
No, do you want to sit here? I don't... She's all right, don't | :08:51. | :08:57. | |
worry. So, are you with the... With everything that goes on and all | :08:57. | :09:00. | |
that stuff... Pushing out a pensioner might have been the final | :09:00. | :09:03. | |
straw. I think it's time to tell Hayley The Real Story and show her | :09:03. | :09:07. | |
the real me. OK, fine, fine. You know what, are you cool with this, | :09:07. | :09:11. | |
like what I said about being organic and natural, I'm just going | :09:11. | :09:15. | |
to ad-lib something because actually, I am John Barrowman and | :09:15. | :09:19. | |
I'm from BBC One Eastonite's the night and I'm going to make your | :09:19. | :09:23. | |
dream come true because this is all a big set up. You are the star of | :09:23. | :09:31. | |
this show, not me. Yeah! What the hell?! No! Yes. Yes, and all the | :09:31. | :09:35. | |
stuff I already know about you, I'm really not that mean to old people. | :09:35. | :09:40. | |
She's OK, see, she's fine. How would you like to perform to the | :09:40. | :09:46. | |
nation and a big live audience, prime time Saturday night on | :09:46. | :09:54. | |
Tonight's The Night? Oh, my God. That would be nice. Awesome! Oh, my | :09:54. | :10:03. | |
God. I thought you were really mean. I was really upset because I really | :10:03. | :10:09. | |
liked you. Listen, it's about making your dream come true and I | :10:09. | :10:13. | |
know you love to sing and I know that you've been supportive of your | :10:13. | :10:17. | |
family and your dad and everything that you've been through and we're | :10:17. | :10:21. | |
going to make that dream come true and it's all thanks to your friend, | :10:21. | :10:30. | |
Jade. Thank you. It's now two weeks later and in Glasgow, Hayley's | :10:30. | :10:37. | |
getting in some last-minute rehearsals for her performance of | :10:37. | :10:41. | |
The Wanted's song, All Time Low. Hayley thinks she's singing on her | :10:41. | :10:45. | |
own, but I'm about to spring a surprise on her, a visit from The | :10:45. | :10:53. | |
Wanted. And they have some special news. Oh, my God. Oh, my God. I'm | :10:53. | :11:00. | |
good, thank you. Hello. Nice to meet you. You all knew this didn't | :11:00. | :11:03. | |
you?! So we have got a bit of a surprise for you. You were supposed | :11:04. | :11:09. | |
to be singing on your own tonight, but you're actually going to be | :11:09. | :11:13. | |
performing All Time Low with us boys. Oh, my God, that's so cool. | :11:14. | :11:19. | |
Is that all right? Thank you very much. You sound much better than us. | :11:19. | :11:24. | |
I'm a bit worried now. That was really scary but also amazing at | :11:24. | :11:33. | |
the same time. Jade, you got in touch with us and now she's about | :11:33. | :11:37. | |
to perform with five really hot guys. How excited is she, do you | :11:37. | :11:44. | |
think? She's going to be backstage climbing the walls, I'm so jealous, | :11:44. | :11:51. | |
can't believe it. I'm jealous too! When she was dying nodes with | :11:51. | :11:54. | |
epilepsy, did it dent her confidence at all? For a little | :11:54. | :11:57. | |
while. She struggled a bit, but things like this bring her | :11:57. | :12:00. | |
confidence straight out and I'm so pleased, so happy. Well, she's | :12:00. | :12:03. | |
going to be happy and confident tonight because we've got a girl | :12:03. | :12:09. | |
who makes everyone feel wanted and five guys who are Wanted, let's put | :12:09. | :12:15. | |
them together and watch the fireworks, for Hayley, Tonight's | :12:15. | :12:19. | |
The Night! # Praying won't do it | :12:19. | :12:23. | |
# Hating won't do it # Drinking won't do it | :12:23. | :12:26. | |
# Fighting won't knock you out # Of my head | :12:26. | :12:32. | |
# Hiding won't hide it # Smiling won't hide it | :12:32. | :12:37. | |
# Like I ant tried it # Everyone's tried it now | :12:37. | :12:41. | |
# And failed somehow # So when you gonna let many | :12:41. | :12:47. | |
# When you gonna let me - Out # And if you know | :12:47. | :12:51. | |
# How do you get up from an All Time Low | :12:51. | :12:55. | |
# I'm in pieces # Seems like peace is | :12:55. | :13:00. | |
# The only thing I'll ever know # How do you get up | :13:00. | :13:10. | |
:13:10. | :13:16. | ||
# Get up # Give it up for Hayley! # Cos driving won't do it | :13:16. | :13:20. | |
# Flying won't do it # Denying won't do it | :13:20. | :13:25. | |
# Crying won't drown it out # What you said | :13:26. | :13:28. | |
# When I'm standing on the yellow line | :13:28. | :13:32. | |
# Waiting at the station # Or I'm late for work | :13:32. | :13:37. | |
# A vital presentation # If you call me now girl | :13:37. | :13:42. | |
# Without reservation # I would try to break through | :13:42. | :13:47. | |
# But if you no # How go do you get up from an All | :13:47. | :13:49. | |
Time Low # I'm in pieces | :13:49. | :13:54. | |
# Seems like peace is # The only thing I never know | :13:54. | :13:58. | |
# How do you get up from an All Time Low | :13:58. | :14:01. | |
# I can't even find a place to start | :14:01. | :14:07. | |
# How do I choose between my head and heart | :14:07. | :14:12. | |
# Can you hear me # A low, a low | :14:12. | :14:16. | |
# How do you get up from an All Time Low | :14:16. | :14:20. | |
# I'm in pieces # Seems like peace is | :14:20. | :14:26. | |
# The only thing I never know # How do you get up from an All | :14:26. | :14:29. | |
Time Low # I can't even find a place to | :14:29. | :14:33. | |
start # How do I choose between my head | :14:33. | :14:43. | |
:14:43. | :14:56. | ||
and heart Haley, that was awesome! First of | :14:56. | :15:02. | |
all, did you enjoy yourself? Yeah so, I did. Did you expect her to | :15:02. | :15:08. | |
come strutting out like that? she seemed nervous earlier, but she | :15:08. | :15:13. | |
proper strutted out and obviously sounded better than we did. It is | :15:13. | :15:18. | |
the shoes! You said she came out with confidence, was it what you | :15:18. | :15:25. | |
expected? And more. You were amazing, an absolute star. We are | :15:25. | :15:35. | |
:15:35. | :15:36. | ||
all proud. Ladies and gentlemen, give it up! | :15:36. | :15:43. | |
So, forget an all-time low, we are on an all-time high. We have more | :15:43. | :15:47. | |
from The Wanted later, that is my wish for the evening sorted, and | :15:48. | :15:53. | |
here is what is coming up. A Scottish girl saves the day and I | :15:53. | :15:58. | |
send her to meet Dolly Barton. Matt Baker will be going undercover to | :15:58. | :16:08. | |
:16:08. | :16:12. | ||
give this Elvis fan the shock of his life. Delay Bill will lead... - | :16:12. | :16:18. | |
- dearly beloved, we are gathered here today to meet someone very | :16:18. | :16:24. | |
special. She has a 300 horse power dream, anybody have any idea what | :16:24. | :16:30. | |
it could be? Here is at the surprising truth as we go driving | :16:30. | :16:38. | |
with the vicar. I am driving through the beautiful Herefordshire | :16:38. | :16:42. | |
countryside to surprise local vicar Reverend Sue Strutt. She dedicates | :16:42. | :16:47. | |
her life to other people but today it is all about her. 65 year-old | :16:47. | :16:53. | |
Susan was one of the first women to be ordained in the UK. Now she is | :16:53. | :16:57. | |
constantly thinking about the needs of her parishioners and community. | :16:57. | :17:01. | |
She is always available to anyone who needs her help. Her daughter | :17:01. | :17:07. | |
explains why she has nominated her. She is supposed to have one day off | :17:07. | :17:11. | |
a week but that sometimes doesn't happen because her phone is | :17:11. | :17:15. | |
constantly ringing and sometimes there is somebody that needs her | :17:15. | :17:19. | |
attention straight away. I just wanted to nominate her to give her | :17:19. | :17:23. | |
a treat for herself because she gives so much to everybody else. It | :17:23. | :17:28. | |
would be nice to give something back. So what kind of calm, | :17:28. | :17:33. | |
spiritual dream does the vicar have? She has always wanted to go | :17:33. | :17:38. | |
rally driving, and she certainly drives her car as if it is a rally | :17:38. | :17:46. | |
kart! But husband David knows she deserves it. She has worked hard | :17:46. | :17:51. | |
all of her life, she has asked for nothing for herself. She is my | :17:51. | :17:57. | |
soulmate. I am her soulmate. We have got no secrets, except this | :17:57. | :18:05. | |
one! We are at Hampton Court Castle in Herefordshire. Susan thinks she | :18:05. | :18:10. | |
is coming to this calm majestic stately home for an afternoon visit | :18:10. | :18:15. | |
with her husband and daughter, but she will be joined by Randy, a very | :18:15. | :18:25. | |
loud and obnoxious accident prone American tourist. Don't mess with | :18:25. | :18:34. | |
Texas! Ride them, cowboy. They speak French here in the UK - | :18:34. | :18:42. | |
toilet. The castle guide Sharon is in on the set-up. I'm would like to | :18:42. | :18:46. | |
introduce you to an American millionaire, who I like to refer to | :18:46. | :18:51. | |
as our benefactor because he bought the house in 1994. Sounds like my | :18:52. | :18:58. | |
daddy. Randy's Daddy sounds like a rich man, I wonder if he can afford | :18:59. | :19:04. | |
this vase. My and this vase as you come by because we have only just | :19:05. | :19:12. | |
recently received it. It is a beautiful room. Would they have | :19:12. | :19:16. | |
received jesters in here? Some of my friends back at home say I am a | :19:16. | :19:23. | |
jester because whenever I am in a space like this - there is a old | :19:23. | :19:31. | |
song... Very loud! There is always worn on the tour, I think I can | :19:31. | :19:39. | |
isolate him. Can Sharon come to reception, please. A call to | :19:39. | :19:46. | |
reception, I wonder why. I will be as quick as I possibly can. Back to | :19:46. | :19:52. | |
this vase, did somebody say it was valuable? Randy is like Abel in a | :19:52. | :20:01. | |
china shop. Randy is on the flight back to Houston. Randy has just | :20:01. | :20:07. | |
broken your vase. Don't worry, Tonight's The Night is about to | :20:07. | :20:13. | |
make a full confession. It is all about you, Susan because I am John | :20:13. | :20:20. | |
from Tonight's The Night and I am here to make your dream come true. | :20:20. | :20:24. | |
The reason I am here today is because everybody wants something | :20:24. | :20:29. | |
special for you. I know you have a dream, and you want to go round the | :20:29. | :20:39. | |
racing. Yes as commission marred I have arranged for you to race with | :20:39. | :20:45. | |
a rally driver Kris Meeke. You are going to be Vicar of speed. I can't | :20:45. | :20:54. | |
believe it. Believe it! Next stop, Silverstone, and rallying driver | :20:54. | :21:04. | |
:21:04. | :21:07. | ||
Kris Meeke. Nice jumpsuit. Mind your glasses! So Uzun, are you | :21:07. | :21:10. | |
ready for your first rallying experience here at Silverstone? | :21:11. | :21:17. | |
am looking forward to this. He will show Susan how it is done. Hold on | :21:17. | :21:27. | |
:21:27. | :21:30. | ||
tight! Don't you hate Sunday drivers?! I have never driven like | :21:30. | :21:39. | |
that in my life. I won't go as fast as that, I don't think. Susan, this | :21:39. | :21:49. | |
:21:49. | :21:52. | ||
is your big dream! Put your foot She is really good. Kris Meeke | :21:52. | :22:02. | |
:22:02. | :22:04. | ||
might have a new team made next year. It was brilliant, scary. I | :22:04. | :22:10. | |
just don't know what I feel at the moment. If you have a dream, keep | :22:10. | :22:16. | |
going, keep following it. You just never know. I had almost given up | :22:16. | :22:26. | |
:22:26. | :22:31. | ||
on this one but it came true and Susan, you said you were too old to | :22:31. | :22:36. | |
do it. How does it feel now once you have done it? I'm think I have | :22:36. | :22:43. | |
a new career ready for when I retire. Follow your dreams, keep | :22:43. | :22:49. | |
going. You are never too old. you will keep driving like that to | :22:49. | :22:53. | |
the local shops? I have noticed I take the corner as a little bit | :22:53. | :22:57. | |
fast since I did that. important was it for you to see | :22:57. | :23:03. | |
your mum fulfil one of her dreams? Very important. She does so much | :23:03. | :23:08. | |
for other people, and for the family as well. She always put | :23:08. | :23:14. | |
other people first, never herself. It was important for her to fulfil | :23:14. | :23:21. | |
a dream that was just for her. certainly was just for her and we | :23:21. | :23:26. | |
are glad you got in touch. But everybody out there, watch those | :23:26. | :23:33. | |
corners because she is coming! Ladies and gentlemen, Reverend Sue | :23:33. | :23:43. | |
:23:43. | :23:49. | ||
Sorry to break up the family moment, I just need to come past. Still to | :23:49. | :23:58. | |
come, Dolly pattern becomes a singing teacher. And yes... We have | :23:58. | :24:08. | |
:24:08. | :24:17. | ||
got more from Britain's biggest boy I have been looking in a lot have | :24:17. | :24:22. | |
your photo albums and I found some classic wedding photographs. Here | :24:22. | :24:28. | |
is Linda and Kenneth. That is screaming 1970s! Here is another | :24:28. | :24:33. | |
one, Teddy and Alex. She is laughing on the wedding day because | :24:34. | :24:38. | |
she just found out what is underneath his kilt! This one was | :24:38. | :24:43. | |
such a sunny day, this bride wore sunglasses in the church. The sun | :24:43. | :24:49. | |
was shining that day, but that is not the reason for the sunglasses, | :24:49. | :24:53. | |
isn't that right? We have got a very special surprise for you | :24:53. | :24:58. | |
tonight because your wedding didn't go exactly according to plan, did | :24:58. | :25:06. | |
it? No, not at all. You guys come with me, and you guys take a look | :25:06. | :25:16. | |
:25:16. | :25:17. | ||
at this. I first spoke to Jackie at Coventry ice-rink. It was almost | :25:17. | :25:24. | |
love at first sight. I just felt in my heart she was the one for me. | :25:24. | :25:28. | |
Jackie and I have been best friends literally since the day we met. I | :25:28. | :25:32. | |
remember her telling me she was engaged and she was over the moon, | :25:32. | :25:37. | |
so excited about it and she put so much planning into the wedding | :25:37. | :25:41. | |
itself. The night before the wedding, I had a phone call to say | :25:41. | :25:45. | |
that Jackie had fallen from the top of the stairs and had an accident. | :25:45. | :25:50. | |
Her face was very swollen and she had a black eye. It was very | :25:50. | :25:53. | |
traumatic but at the time I thought the wedding was definitely | :25:53. | :25:59. | |
cancelled. My daughter was crying all morning. Wouldn't you? After | :25:59. | :26:06. | |
months of planning and it will goes wrong. I was overjoyed she turned | :26:06. | :26:10. | |
up for the wedding knowing what she had gone through. I think Jackie | :26:10. | :26:15. | |
was in a lot more pain than she let on to anyone. She put on a very | :26:15. | :26:20. | |
brave face. She still has nightmares about her big day and | :26:20. | :26:26. | |
she deserves to have a lovely night tonight. I want John to sing to her | :26:26. | :26:30. | |
because the wedding day is not a day that she looks back on with | :26:30. | :26:36. | |
fond memories. A special song for me was by Texas, our first song | :26:36. | :26:41. | |
together as man and wife. I hope you have a great night, I Love You | :26:41. | :26:46. | |
to Bits, and you were always the one for me. I can't imagine my life | :26:46. | :26:56. | |
:26:56. | :26:57. | ||
without you. That in itself is worth this evening, but how do you | :26:57. | :27:02. | |
look back on Monday? I enjoyed the day but it is not what every bride | :27:02. | :27:08. | |
dreams of, to get married wearing a pair of sunglasses and having a big | :27:08. | :27:14. | |
black car a. Did you enjoy your first dance? We didn't really enjoy | :27:14. | :27:21. | |
the first dance, it was not how it was meant to be. Your dream didn't | :27:21. | :27:25. | |
go as well as you wanted but we are going to bring it back to life | :27:25. | :27:35. | |
:27:35. | :27:52. | ||
because, Jackie, I am going to sing # I think that you're the one When | :27:52. | :27:56. | |
everytime you call me lady I don't know what it is That makes me feel | :27:56. | :28:06. | |
:28:06. | :28:10. | ||
like this just lately yeah # Those heavenly calls You knew I was on my | :28:10. | :28:20. | |
:28:20. | :28:26. | ||
own Those heavenly calls We stepped into the unknown # Let me sleep So | :28:26. | :28:36. | |
:28:36. | :28:44. | ||
I can dream of you Let me sleep So I can be with you Hold me close, | :28:44. | :28:54. | |
:28:54. | :28:54. | ||
let me be with you At least tonight, we'll be misunderstood. | :28:54. | :29:02. | |
Jackie, here are your family, some of the original wedding guests. | :29:02. | :29:12. | |
:29:12. | :29:12. | ||
# Let me sleep so I can dream of you. | :29:12. | :29:18. | |
# Let me sleep so I can be with you. # Let me sleep so I can dream of | :29:18. | :29:28. | |
:29:28. | :29:32. | ||
you. # Let me sleep so I can be reviewed. | :29:32. | :29:42. | |
:29:42. | :29:49. | ||
You're shaking. Yes. So you are genuinely surprised? Yes, I am. | :29:49. | :29:53. | |
there anything that you would like to say to this secretive lot behind | :29:53. | :30:03. | |
you and the man whoo set it all up? Thank you very much for doing that. | :30:03. | :30:08. | |
Everyone, our black-eyed bride, Jackie! | :30:08. | :30:13. | |
Still to come, we've got a show- stopping finale from the stars of | :30:13. | :30:19. | |
the hit West End musical, Million Dollar Quartet. And, The Wanted are | :30:19. | :30:25. | |
back. But first, a story worthy of an | :30:25. | :30:33. | |
Alfred Hitchcock film. Stop it! No, not that one. Just | :30:33. | :30:36. | |
imagine, you're in your favourite restaurant when a mystery man | :30:37. | :30:41. | |
rushes in. What do you do? Well, if you are any smart of sterling, you | :30:41. | :30:50. | |
swing into action. Here's what happened when that man met Annie | :30:50. | :30:56. | |
Small! We are in Scotland, stirling to be | :30:56. | :31:01. | |
exact, packing out this pub with a load of cameras to surprise Annie | :31:01. | :31:04. | |
Smart. What a scandalous surprise we have in store, because I am | :31:04. | :31:10. | |
about to hit the headlines. We have hired the cameras of our fake | :31:10. | :31:14. | |
paparazzi, all to convince Annie that John Barrowman's been a very | :31:14. | :31:18. | |
naughty boy. Me, bad? Well, 31- year-old Annie has no idea her | :31:18. | :31:22. | |
sister Jane's organised a gate- crasher for their quiet, relaxing | :31:22. | :31:27. | |
lunch. It's me, escaping from the Papps! | :31:27. | :31:30. | |
Annie's family have always had a passion for music. They've | :31:30. | :31:35. | |
performed together from an early age, but their harmony was about to | :31:35. | :31:40. | |
be shattered. Her sister Jane explains. My father has cancer at | :31:40. | :31:44. | |
the moment. He had bowel cancer, diagnosed about two years ago. | :31:44. | :31:49. | |
Annie gave up everything to help dad. I was in hospital for six | :31:49. | :31:55. | |
weeks and I saw Annie and the kids every day for six weeks. That's how | :31:55. | :32:00. | |
they spent their summer holidays. I was so proud of them. The illness | :32:00. | :32:04. | |
took its toll on Annie and she immediately began to think of ways | :32:04. | :32:08. | |
to raise funds. She combined disco with her passion for music and set | :32:08. | :32:11. | |
up a choir in the village to pull everyone together. The message | :32:11. | :32:15. | |
quickly spread and Annie's positive attitude became infectious for | :32:15. | :32:21. | |
everyone around in need of a boost. The choir now has 100 members who | :32:21. | :32:26. | |
raise money for cancer charities and hospices. Caroline and Beth | :32:26. | :32:30. | |
tell us more. It's a place where people go to | :32:30. | :32:35. | |
sormise, a place where we meet friends. -- to socialise. Irbgs | :32:35. | :32:41. | |
she's within in a million. There's a drama unfolding outside as I'm | :32:41. | :32:47. | |
on-the-run from some Papps. But, will Annie believe my story and | :32:47. | :32:54. | |
jump to the rescue. Jesus. There's a major problem here, I've been | :32:54. | :33:01. | |
followed by a bunch of Papps. The place is surrounded by paparazzi. | :33:01. | :33:08. | |
You told me this wasn't going to get out. My mom will lay me over 2t | :33:08. | :33:16. | |
coals around this one. Do you need any help? So sorry... Do you need a | :33:16. | :33:21. | |
lift anywhere? I may take you up on that... You can steal my car. | :33:21. | :33:27. | |
Papps are snapping at my heels. going to sit with you. Could you | :33:27. | :33:37. | |
:33:37. | :33:39. | ||
ask them to move, please. Sorry, sorry... Really sorry. Do you mind | :33:39. | :33:48. | |
if I have a mushroom?! When I'm stressed I eat. Cappuccino? No, no, | :33:48. | :33:53. | |
I'll have a mushroom. Sorry, I'm John, nice to meet you. Annie. | :33:53. | :33:56. | |
After taking her seat and her mushrooms, I make a break for it, | :33:56. | :34:01. | |
leaving a sweet and bewildered Annie to boost my ego inside. Did | :34:01. | :34:06. | |
you not recognise him? I don't know... He's incredibly famous on | :34:06. | :34:13. | |
the West End, a singer, been on BBC. Very famous. OK. She's fallen for | :34:13. | :34:17. | |
it, hook line and sinker. She offered to come out and get rid of | :34:17. | :34:25. | |
'em and she offered to drive me somewhere. She's brilliant. Looks | :34:25. | :34:30. | |
like compassionate Annie will help anyone, even a mushroom thief. All | :34:30. | :34:34. | |
right, I'll take a picture with you, for goodness sake. I have to say | :34:34. | :34:44. | |
:34:44. | :34:46. | ||
something, it's really not about me, it's about you! Oh! I am John | :34:46. | :34:50. | |
Barrowman, from BBC One Eastonite's the night and Annie, I'm going to | :34:50. | :34:59. | |
make you dream come true. Oh, my God. The Scotland Choir are | :34:59. | :35:03. | |
inspirational for you because it makes people happy, puts smiles on | :35:04. | :35:07. | |
their faces. Your dream is to sing in front of millions of people. So | :35:07. | :35:10. | |
I'm going to take you to the Tonight's The Night studio and you | :35:10. | :35:15. | |
are going to perform in front of millions of people. It's going to | :35:15. | :35:19. | |
require you travelling a little bit. OK with that? Yep. You are going to | :35:19. | :35:25. | |
travel to Nashville Tennessee, because you are going to travel to | :35:25. | :35:29. | |
see the legendary Dolly Parton for some training. You are going to be | :35:29. | :35:34. | |
working nine to five, what a way to make a living. Never been out of | :35:34. | :35:37. | |
Europe before so I'm extremely excited about going to Nashville | :35:37. | :35:41. | |
and meeting Dolly and I think I'm in very much a state of shock as | :35:41. | :35:46. | |
well. 15 hours and 4,000 miles later, Annie and sister Jane arrive | :35:46. | :35:51. | |
in Nashville and the reality of meeting her idol is sinking in. | :35:51. | :35:56. | |
Even five minutes with a lady like Dolly's just mind-blowing. Before | :35:56. | :36:02. | |
they meet the legend herself, the girls get prepared by checking out | :36:02. | :36:08. | |
this town. But first, some appropriate clothing, please... | :36:08. | :36:15. | |
Having met the King of rock, it's time for Annie to meet the Queen of | :36:15. | :36:20. | |
country. Hello. You have to be Annie. Come here and give me a hug. | :36:20. | :36:26. | |
How are you? # Begun to get myself together | :36:26. | :36:31. | |
# You walked right in the door # Just like you've done before | :36:31. | :36:37. | |
# And wrapped my heart # Round your little finger | :36:37. | :36:41. | |
# Here You Come Again... # Got a beautiful quality in your voice, a | :36:41. | :36:45. | |
beautiful range. You've obviously been singing for a long time. | :36:45. | :36:50. | |
I was this big. So have I, I'm still that high but still singing. | :36:50. | :36:54. | |
The other question is, how can I cope with my nerves. Anything you | :36:54. | :36:59. | |
can recommend that I do In order to steal your nerves, look out into | :36:59. | :37:02. | |
the crowd and picture everybody naked then you have a sense of | :37:02. | :37:05. | |
humour, but more than anything, I think, these are my friends, not | :37:05. | :37:10. | |
enemies, they didn't come to shoot me, you know, they came here to | :37:10. | :37:17. | |
hear me sing. You get out there, break a leg, but not a nail. OK. I | :37:17. | :37:20. | |
think Annie will do great, a great personality, a great voice, a | :37:20. | :37:23. | |
little nervous but still has the confidence she needs to pull it off. | :37:23. | :37:27. | |
I'm rooting for her and I know she's going to do great. It's been | :37:27. | :37:32. | |
a dream come true to come here, get some advice from Dolly about my | :37:32. | :37:36. | |
performance and I'm read tkwroi take to the stage on national | :37:36. | :37:42. | |
television and bring it on -- ready to take to the stage. Performing | :37:42. | :37:52. | |
:37:52. | :38:01. | ||
with her choir, Heart of Scotland, # Here you come again | :38:01. | :38:04. | |
# Just when I'm about to get myself together | :38:04. | :38:09. | |
# You waltz right in the door # Just like you done before | :38:09. | :38:13. | |
# And wrap my heart round your little finger | :38:13. | :38:17. | |
# Here You Come Again # Just when I'm about to make it | :38:17. | :38:20. | |
work without you # You look into my eyes | :38:20. | :38:27. | |
# And lie those pretty lies # And pretty soon I'm wondering | :38:27. | :38:31. | |
# How I came to doubt you # All I gotta do | :38:31. | :38:35. | |
# Is smile and smile # And there go all my defences | :38:36. | :38:41. | |
# Just leave it up to you # And in a little while | :38:41. | :38:47. | |
# You're messing up my mind # And filling up my senses | :38:47. | :38:57. | |
:38:57. | :39:02. | ||
# All I gotta do is smile and smile # And there go all my defences | :39:02. | :39:06. | |
# Just leave it up to you # And in a little while | :39:06. | :39:11. | |
# You're messing up my mind # And filling up my senses | :39:11. | :39:17. | |
# Here you go again # Looking better than a body | :39:17. | :39:21. | |
# Has a right to # And shaking me up so | :39:21. | :39:26. | |
# That all I really know # Is Here You Come Again | :39:26. | :39:36. | |
:39:36. | :39:47. | ||
# Here I go # Here You Come Again | :39:47. | :39:57. | |
:39:57. | :40:10. | ||
# Here I go... # You saved me from the paps, went to | :40:10. | :40:14. | |
Nashville, met Dolly Parton. What has been the best part of this? | :40:14. | :40:19. | |
every part of the experience has been incredible. It was lovely to | :40:19. | :40:23. | |
have the choir with me tonight especially, but... | :40:23. | :40:28. | |
APPLAUSE. Meeting Dolly, spending some time with Dolly and her top | :40:28. | :40:32. | |
tips about my performance tonight was my highlight, it was amazing. | :40:32. | :40:36. | |
You are shaking. Was it a dream come true for you? It was, I can't | :40:36. | :40:40. | |
thank everybody enough and especially Jane for nominating me. | :40:40. | :40:47. | |
I'm just so happy. Your sister? Who is in choir, by the way! | :40:47. | :40:51. | |
Well, we are glad we could do it, ladies and gentlemen, a big country | :40:51. | :40:56. | |
and western round of applause for Annie Smart. | :40:56. | :41:02. | |
CHEERING AND APPLAUSE As you have seen, whether I'm | :41:02. | :41:07. | |
playing a badly behaved actor or a pap, I love surprisings the good | :41:07. | :41:10. | |
people of the UK. But sometimes, I need a little help from my friends. | :41:10. | :41:16. | |
For this next srp rise, I needed a real jack-of-all-trades, a man | :41:16. | :41:20. | |
who's faced challenges on Blue Peter, Strictly, The One Show and | :41:20. | :41:27. | |
Countryfile, but for us, he'll face of his biggest TV challenges yet. | :41:27. | :41:32. | |
It's Matt Baker. Hello. | :41:32. | :41:38. | |
Matt, you're obviously here for a reason? Yes, with so many dreams to | :41:39. | :41:43. | |
make come true, I'm happy to help out when I can. So glad you are, | :41:43. | :41:49. | |
but we needed a radio studio for this one? Yes, check one | :41:49. | :41:55. | |
interviewee that definitely wasn't checked. And one Matt Baker in | :41:55. | :41:58. | |
disguise. Check! John has sent me to York to make a | :41:58. | :42:03. | |
dream come true for mobile DJ and fund-raising superstar Richard | :42:03. | :42:08. | |
hinds. At this time on a Saturday, he's usually preparing for his | :42:08. | :42:11. | |
mobile disco, but today, BBC Radio York have asked him to be a guest | :42:11. | :42:15. | |
on their brand-new show, Keith Magpie in the Afternoon and he | :42:15. | :42:20. | |
thinks he's here to talk about his charity work. But Richard doesn't | :42:20. | :42:23. | |
know that Tonight's The Night are rigging the studio with cameras. | :42:23. | :42:28. | |
While he's in reception, I'm being transformed into BBC Radio York's | :42:28. | :42:34. | |
newest and loudest star. All right there, it's Keith Magpie on the | :42:34. | :42:38. | |
radio. Richard has been fund- raising for years and his latest | :42:38. | :42:41. | |
venture was this charity single he recorded with his daughter last | :42:41. | :42:46. | |
Christmas, in aid of a local children's special needs charity | :42:46. | :42:52. | |
called Snappy and the manager Anne is truly grateful. Richard came in, | :42:52. | :42:56. | |
he went out to meet the need, involving the whole family, his | :42:56. | :43:00. | |
friends, everyone. Everyone wants to do it because it's Richard. | :43:00. | :43:06. | |
So what is Richard's big wish? According to wife Jane, it might be | :43:06. | :43:11. | |
quite tricky. His big wish, he'd love Elvis to come back to life to | :43:11. | :43:19. | |
sing with him. Yep, that's going to be hard. But we've got a solution. | :43:19. | :43:24. | |
To help Jane and Emily say thank you, we have arranged for him to | :43:24. | :43:29. | |
sing with Elvis, one of the stars of the Million Dollar Quartet. | :43:29. | :43:33. | |
Looking forward to seeing him on stage and he deserves it very much | :43:33. | :43:36. | |
because he's helped loads of other people. Things like this just don't | :43:36. | :43:40. | |
happen to people like us so I think he'll be extremely amazed but | :43:40. | :43:46. | |
thrilled at the same time. Black-and-white through and through, | :43:46. | :43:52. | |
my name's Keith Magpie, who are you. Another great catch phrase in. York, | :43:52. | :43:55. | |
Richard's all primed to answer questions about his charity work, | :43:55. | :44:02. | |
but dozey DJ Keith's got his guests mixed up and mistaken Richard for | :44:02. | :44:06. | |
his next guest who is an expert on beaches, Mr Richards. With the | :44:06. | :44:09. | |
family watching next door, here comes the phone-in from hell. But | :44:09. | :44:13. | |
the show is not being broadcast and it's our team who're calling in. | :44:13. | :44:19. | |
OK, tell you what, let's go to the lines. Who've we got on line three. | :44:19. | :44:24. | |
How you doing, pet? Who are you and where are you calling from? Susan | :44:24. | :44:28. | |
from Leeds. Listen, we've got our beach expert here, Mr Richards. | :44:28. | :44:38. | |
:44:38. | :44:44. | ||
Mr Richards, are the coastlines and beaches more windy now? Have you | :44:44. | :44:51. | |
noticed more wind? We will be right back. It is the weather coming into | :44:51. | :44:57. | |
microseconds. We will be right back. I am not Mr Richards. Just go with | :44:57. | :45:03. | |
it, I will make it easy. So the question we are asking here is how | :45:03. | :45:09. | |
we noticed the beaches are getting breezier, fresh wind coming in from | :45:09. | :45:15. | |
the east? I think we have, yes. is good kite flying weather at the | :45:15. | :45:22. | |
moment. Definitely. Why? easterly wind is a lot higher now, | :45:22. | :45:32. | |
:45:32. | :45:37. | ||
and taking them a lot further. you know what this next song is? He | :45:37. | :45:42. | |
is obviously keen to learn, so I am going to put him in the hot seat. I | :45:42. | :45:52. | |
:45:52. | :45:53. | ||
am going to make out, but just sit here and press go. Things will take | :45:54. | :45:59. | |
a turn for the weird for Richard because the next song lined up is | :45:59. | :46:05. | |
the charity record he made with his daughter, Emily. I can't keep the | :46:05. | :46:15. | |
moustache on any more! Listen, I am not keep Magpie, I am actually Matt | :46:15. | :46:24. | |
Baker from Tonight's The Night. John has sent me to make your | :46:24. | :46:32. | |
dreams come true. How do you feel? Nervous. Shocked! The were you | :46:32. | :46:37. | |
thinking what is going on? Yes. would it feel to sing with the West | :46:37. | :46:43. | |
End cast of Million Dollar Quartet? Will you do it? Yes. Who do you | :46:43. | :46:49. | |
think put you up for this? I are have got a feeling it was my wife. | :46:49. | :46:58. | |
Let me take a step to the side and see - is your wife here? I love it! | :46:58. | :47:04. | |
I can't believe my wife put me up to this. I love her to bits, I have | :47:04. | :47:10. | |
got to forgive her. A one week later, and a very nervous Richard | :47:10. | :47:14. | |
is in London's West End to meet the Million Dollar Quartet cast and | :47:14. | :47:24. | |
:47:24. | :47:27. | ||
they are keen to get rehearsing We are going to be out of our | :47:28. | :47:32. | |
comfort zone as well. This is where we belong, and because of your wife | :47:32. | :47:37. | |
we have now got to go to the television studio and show off on | :47:37. | :47:42. | |
television so we will probably be as nervous as you! We are all in it | :47:42. | :47:47. | |
together, all in the same boat. once the music starts, we are just | :47:47. | :47:54. | |
going to go for it. Some people like to rock, some people like to | :47:54. | :47:59. | |
roll. We are moving and grooving, let's have a party. Once I was on | :47:59. | :48:03. | |
the stage with the guys, watching them play and listening to them | :48:03. | :48:10. | |
saying, it was fantastic. Made me feel a lot more comfortable. It is | :48:10. | :48:14. | |
that great transition from feeling nervous to realising you are having | :48:14. | :48:19. | |
the best time. I think Richard will get that within the first couple of | :48:19. | :48:29. | |
:48:29. | :48:32. | ||
beats of the song. You are going to be great. Thank you very much! | :48:32. | :48:39. | |
he got over the shock yet? I think so. He has taken a couple of weeks | :48:39. | :48:46. | |
but it has finally hit home. He had such confidence. He knew nothing | :48:46. | :48:49. | |
about the weather, knew nothing about which way the wind was coming | :48:49. | :48:54. | |
from and how to fly a kite! What ever I threw at him, he just kept | :48:54. | :48:59. | |
going. We can't wait for him, he will be brilliant. I have also had | :49:00. | :49:09. | |
some experience in time travel so I am sending Richard back to the 19 | :49:09. | :49:14. | |
50s. It is the cast of the West End musical, Million Dollar Quartet. | :49:14. | :49:24. | |
:49:24. | :49:43. | ||
# Some people like to rock, some people like to roll. We are moving | :49:43. | :49:51. | |
and grooving to satisfy your soul. # Let's have a party # Let's have a | :49:51. | :50:00. | |
party. Let's have a party tonight. | :50:00. | :50:04. | |
I never kissed her there but I can shake a chicken in the middle of | :50:04. | :50:14. | |
:50:14. | :50:14. | ||
the room. # Let's have a party. | :50:14. | :50:19. | |
# Let's have a party tonight. Ladies and gentlemen, Mr Richard | :50:19. | :50:29. | |
:50:29. | :50:38. | ||
# Let's have a party. Let's have a party. Let's have a party will | :50:38. | :50:48. | |
:50:48. | :50:49. | ||
start let's have a party tonight. # Bring a shovel if you really want | :50:49. | :50:59. | |
:50:59. | :51:04. | ||
# Let's have a party tonight. dinner is on the stairs, the bread | :51:04. | :51:14. | |
:51:14. | :51:18. | ||
is getting hot. # Let's have a party. | :51:18. | :51:28. | |
:51:28. | :52:00. | ||
# Let's have a party tonight. There you go! Richard, I have to | :52:00. | :52:07. | |
ask, how was it? The dream came true, you were your idol for the | :52:08. | :52:16. | |
night. Fantastic. Love it. That is what we like to see, that kind of | :52:16. | :52:23. | |
smile. How was it for you guys performing with someone you? Great. | :52:23. | :52:28. | |
Some competition? He took my girl. We will talk about that afterwards. | :52:28. | :52:37. | |
Jane, did you enjoy it? Fantastic, I am so proud. We all laugh. You | :52:37. | :52:40. | |
must be particularly proud making his dream come true. I don't think | :52:40. | :52:47. | |
we will be inviting him on Country File but I think we have found the | :52:47. | :52:53. | |
BBC One new Elvis correspondent! All I can say it is thank you to | :52:53. | :52:57. | |
Matt Baker, thank you to Million Dollar Quartet and thank you to | :52:57. | :53:06. | |
Richard Hines. Ladies and gentlemen, Richard Hines! Let's keep the party | :53:06. | :53:10. | |
going. They are wanted by fans, magazines and everyone but we have | :53:10. | :53:19. | |
got them. With their new single, it is The Wanted. | :53:19. | :53:29. | |
:53:29. | :53:29. | ||
# The stars come out. My universe will never be the same. I am glad | :53:29. | :53:39. | |
:53:39. | :53:56. | ||
# You cast a spell on me, you hit me like this guy fell on me. | :53:56. | :54:01. | |
# I decided you look well on me, so let's go somewhere no one else can | :54:01. | :54:07. | |
see, you and me. # Turn the lights out now, I will | :54:08. | :54:12. | |
take you by the hand. # Hand you another drink, drink it | :54:12. | :54:16. | |
if you can. # Can you spend a little time, time | :54:16. | :54:23. | |
is slipping away from us so stay. # The sun goes down, the stars come | :54:23. | :54:27. | |
out, and all that counts is here and now. | :54:27. | :54:32. | |
# My universe will never be the same. I am glad you came. | :54:32. | :54:42. | |
:54:42. | :54:55. | ||
# You cast a spell on me, you hit me like this guy fell on me, fell | :54:55. | :55:00. | |
on me. I decided you look well on me, so let's go somewhere no one | :55:00. | :55:07. | |
else can see, you and me. # Turn the light out now, I will | :55:07. | :55:11. | |
take you by the hand, and you another drink. | :55:11. | :55:17. | |
# Can you spend a little time, time is slipping away from us so stay. I | :55:17. | :55:24. | |
will make you glad you came. # The sun goes down, the stars come | :55:24. | :55:28. | |
out. All that counts is here and now. | :55:28. | :55:33. | |
# My universe will never be the same. | :55:33. | :55:43. | |
:55:43. | :55:57. | ||
# I am glad you came. # So glad you came. | :55:57. | :56:07. | |
:56:07. | :56:11. | ||
# I am glad you came. # The sun goes down, the stars come | :56:11. | :56:15. | |
out and all that counts is here and now. | :56:15. | :56:20. | |
# My universe will never be the same, I am glad you came. We are | :56:20. | :56:30. | |
:56:30. | :56:38. | ||
glad you came. Amazing! There will be plenty more | :56:38. | :56:42. | |
dreams coming true over the next five weeks so you never know, I | :56:42. | :56:46. | |
could come knocking. I will be back next week with an Olympic dream | :56:46. | :56:51. | |
there, someone will become a high- flying action hero, and we will | :56:51. | :57:01. | |
:57:01. | :57:13. | ||
find out who is getting a prize # Could you be a teenage idol, | :57:13. | :57:19. | |
could you be a movie star? When I turn on my TV, will you smile and | :57:19. | :57:24. | |
wave at me telling Oprah or who you laugh. | :57:24. | :57:34. | |
# So you want to be a rock star with blue-eyed unease in your bed. | :57:34. | :57:40. | |
# Remember when you are rich that you sold yourself for this, you | :57:40. | :57:47. | |
will be famous because you are dead. # So don't go higher for desire. | :57:47. | :57:52. | |
# Put it in your head, baby Hollywood is dead, you can find it | :57:53. | :57:59. | |
in yourself. # Keep it in your head, Hollywood | :57:59. | :58:09. | |
:58:09. | :58:19. | ||
is dead. By # But if you get a California, | :58:19. | :58:25. | |
say their piece of gold for May. # It is the only thing you will | :58:26. | :58:31. | |
save but I bet you will never wavered when I watch you on TV. | :58:31. | :58:41. | |
:58:41. | :58:42. | ||
# So don't go higher for desire. # Put it in your head, baby # | :58:42. | :58:47. | |
Hollywood is dead. You will find it in yourself. | :58:47. | :58:52. |