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It's Saturday night. This is Tonight's The Night. Please welcome | :01:27. | :01:36. | |
:01:37. | :01:43. | ||
your host, John Barrowman. CHEERING AND APPLAUSE | :01:43. | :01:46. | |
# I gotta feeling that tonight's gonna be a good night | :01:46. | :01:48. | |
# That tonight's gonna be a good night | :01:48. | :01:58. | |
:01:58. | :01:59. | ||
# That tonight's gonna be a good, good night # A feeling that | :01:59. | :02:03. | |
tonight's gonna be a good night # That tonight's gonna be a good | :02:03. | :02:05. | |
night # That tonight's gonna be a good, | :02:05. | :02:10. | |
good night # A feeling, woohoo, that tonight's | :02:10. | :02:20. | |
:02:20. | :02:22. | ||
gonna be a good night CHEERING AND APPLAUSE | :02:22. | :02:24. | |
Hell and welcome to Tonight's The Night. The show where we make | :02:24. | :02:30. | |
dreams come true. And you know what, I still have dreams. On my last | :02:30. | :02:33. | |
birthday I made a wish and I blew out the candles on my cake. You | :02:33. | :02:39. | |
know what I wished for? Fewer candles! | :02:39. | :02:43. | |
LAUGHTER Yes, it is difficult blowing out 31. | :02:43. | :02:48. | |
Oh dear -- how dare you! Listen, but I don't need to wish | :02:48. | :02:53. | |
for a great show tonight with a guaranteed line-up like this. | :02:53. | :02:56. | |
I'm heading back to school to surprise one talented young girl | :02:56. | :03:03. | |
who will be performing with rick cla Roberts -- Nicola Roberts. | :03:03. | :03:08. | |
A local local community hero gets a welcome. | :03:08. | :03:13. | |
Jodie Prenger will be helping me make this young girl's dream come | :03:13. | :03:18. | |
true. I'm Nicole Scherzinger. Later two | :03:18. | :03:28. | |
:03:28. | :03:36. | ||
boys will be performing Jaio Ho. Someone is going to be whisked from | :03:36. | :03:39. | |
their seat. Let's make our first dream true. Now remember when you | :03:39. | :03:42. | |
were at school and the teachers hated you mucking about in assembly, | :03:43. | :03:52. | |
:03:53. | :03:54. | ||
well I am about to set a very bad I'm on my way to Norfolk to make a | :03:54. | :04:01. | |
very ordinary day extraordinary for a little girl. Ten-year-old Leal is | :04:01. | :04:07. | |
a -- Leah is a star at her show. Always singing and dancing. Her | :04:08. | :04:10. | |
drama teachers knows. She is an amazing little girl and | :04:10. | :04:16. | |
right from an early age her talent shown through. She gives so much in | :04:16. | :04:20. | |
every performance and can't do isn't in her vocabulary. | :04:21. | :04:27. | |
Well, can do is in mine and I have come to Lea's school. | :04:27. | :04:34. | |
I am heading towards the classroom. Neither Leah or her her classmates | :04:34. | :04:37. | |
know I am about to call an aassembly. | :04:37. | :04:43. | |
At the age of six, Leah was diagnosed with type one diabetes. | :04:43. | :04:48. | |
This is a condition that will affect her for the rest of her life. | :04:48. | :04:53. | |
This huge responsibility has never phased Leah. Her teacher thinks she | :04:53. | :05:01. | |
is a brilliant example to others. She is a great ambassador. She She | :05:01. | :05:06. | |
controls her diabetes and manages it and it is less of an impact and | :05:06. | :05:10. | |
she is the person in control. Hello everybody. I am sorry to | :05:10. | :05:14. | |
interrupt, but can you all stand-up, please. My name is John Barrowman | :05:14. | :05:19. | |
from the BBC. I need you all to make your way in an orderly fashion | :05:19. | :05:26. | |
to the assembly room. Thank you very much. I will see you in there! | :05:26. | :05:29. | |
Leah's Mum Helen asked me to give her little entertainer a dream | :05:29. | :05:35. | |
performance. I have set it up for her to sing with Nicola Roberts | :05:35. | :05:38. | |
from Girls Aloud. Performing on the TV with a major | :05:38. | :05:46. | |
star will be Leah's dream come true. Time for JB to take assembly. None | :05:46. | :05:51. | |
of the students know where I am here. I am throwing a talent show | :05:51. | :05:56. | |
for for everyone including the teachers. What have you got Miss? | :05:56. | :06:05. | |
Hannah and Becky, who would like to go first? | :06:05. | :06:13. | |
Be careful. Keep swimming! | :06:13. | :06:20. | |
It is all good. But let's make another dream come true. Do we have | :06:20. | :06:30. | |
:06:30. | :06:38. | ||
someone who might be able to sing? Do you have any music? Well, I have | :06:38. | :06:41. | |
Adele. Do you know any Adele stuff? Yes. | :06:41. | :06:51. | |
:06:51. | :06:51. | ||
Do you guys know Adele? ALL: Yes. | :06:51. | :06:54. | |
OK, hold on one second, I have to tell you something. | :06:54. | :06:57. | |
You know my name is John Barrowman. Yes. | :06:57. | :07:03. | |
But I am actually from BBC One's Tonight tonne and I am here to make | :07:03. | :07:09. | |
your dream come true. Yes, this was all a big set-up. It is, you love | :07:09. | :07:15. | |
to sing. Yes. How would you like to come to the Tonight's The Night | :07:15. | :07:25. | |
studio and we want you to sing on television with Nicola Roberts from | :07:25. | :07:35. | |
:07:35. | :07:43. | ||
Girls Aloud. CHEERING AND APPLAUSE | :07:43. | :07:45. | |
But the person who has nominated you thinks you are marvellous, you | :07:45. | :07:48. | |
are wonder wonderful, you are the most special. Would you like to | :07:48. | :07:52. | |
know who got in touch with us? Can you bring in mum? Come on over mum. | :07:52. | :07:57. | |
Come on up. There you go. I think we need a mum. We need a | :07:57. | :08:04. | |
mum. There you are. Surprise! Supplies. | :08:04. | :08:10. | |
Nicola is really gorgeous and she is always come across as an idol to | :08:10. | :08:13. | |
me and I just, I can't believe, I would never imagine that I would be | :08:13. | :08:18. | |
singing with her. I can't wait. It is going to be so good. | :08:18. | :08:24. | |
It is the night before the big performance and Leah is about to | :08:24. | :08:31. | |
get a very special visitor. She sounds amazing. | :08:31. | :08:37. | |
Let's surprise her. # It is the best I can do # | :08:37. | :08:41. | |
Hello. High pressure # My gift is my song | :08:41. | :08:47. | |
and this one's for you # Hello. | :08:47. | :08:51. | |
You sounded amazing from souds. Outside. | :08:51. | :08:57. | |
Thank you. I was really impressed. Yeah, the girl can sing! So how do | :08:57. | :09:04. | |
you feel about the performance? Are you excited? Are you nervous? | :09:04. | :09:08. | |
more excited than nervous, I think. It is going to be good. We will be | :09:08. | :09:12. | |
in it together. The girls have one last rehearsal | :09:12. | :09:19. | |
before their big night. I was shocked at Leah's ability. | :09:19. | :09:24. | |
She has got a lovely voice. I am really looking forward to the | :09:24. | :09:29. | |
performance. High five, sister. | :09:29. | :09:39. | |
:09:39. | :09:39. | ||
CHEERING AND APPLAUSE I'm here with Leah's mum, the tears | :09:39. | :09:41. | |
have started already, haven't they? But good tears. Has she been | :09:41. | :09:45. | |
difficult to live with since that happened? She has been very, very | :09:45. | :09:48. | |
excited, but we have just about managed to keep her under control. | :09:48. | :09:58. | |
This is a one night dream only duet, singing the Elton John classic Your | :09:58. | :10:08. | |
:10:08. | :10:22. | ||
Song with Nicola Roberts, Leah, # It's a little bit funny this | :10:22. | :10:24. | |
feeling inside # I'm not one of those who can | :10:24. | :10:27. | |
easily hide # I don't have much money but boy | :10:27. | :10:30. | |
if I did # I'd buy a big house where we both | :10:30. | :10:37. | |
could live Ladies and gentlemen, please invite | :10:37. | :10:47. | |
:10:47. | :11:00. | ||
Leah. APPLAUSE | :11:00. | :11:02. | |
# And you can tell everybody this is the song | :11:02. | :11:04. | |
# It maybe quite simple, but this one's for you. | :11:04. | :11:09. | |
# I hope you don't mind that I put down in words | :11:09. | :11:13. | |
# How wonderful life is while you're in the world. | :11:13. | :11:18. | |
# If I was a sculptor, but then again no. | :11:18. | :11:25. | |
# Or a girl who makes potionss in a traveller's show | :11:25. | :11:31. | |
# I know it's not much but, it's the best I can do | :11:31. | :11:41. | |
:11:41. | :11:42. | ||
# My gift is my song and this one's for you | :11:42. | :11:50. | |
# And you can tell everybody that this is your song | :11:50. | :11:55. | |
It might be quite simple, but now that it's done | :11:55. | :11:59. | |
# I hope you don't mind # I hope you don't mind that I put | :12:00. | :12:09. | |
:12:10. | :12:10. | ||
down in words # How wonderful life is while | :12:10. | :12:20. | |
:12:20. | :12:24. | ||
you're in the world CHEERING AND APPLAUSE | :12:25. | :12:31. | |
That was awesome. That was absolutely awesome. A | :12:31. | :12:38. | |
standing ovation. So I have to ask you how did it feel? | :12:38. | :12:42. | |
It was just one of the highlights of my life really. It is all I ever | :12:42. | :12:45. | |
wanted to do. Sweetheart, I think you have got a | :12:45. | :12:50. | |
long life ahead of you and you will have a lot more highlights. Nicola, | :12:50. | :12:55. | |
impressive. Absolutely gobsmacked. It is | :12:55. | :12:58. | |
slightly emotional that she is so good. I am trying to imagine that | :12:58. | :13:02. | |
she is not there to hold it all in. I'm so proud of her. | :13:02. | :13:08. | |
Ladies and gentlemen, a huge round of applause for Nicola Roberts and | :13:08. | :13:11. | |
Leah. We'll have more from Nicola Roberts | :13:11. | :13:21. | |
:13:21. | :13:24. | ||
Now, I've already told someone, someone is dreaming of becoming an | :13:24. | :13:29. | |
action hero so I'm looking for someone with a sense of adventure. | :13:29. | :13:39. | |
:13:39. | :13:42. | ||
Someone who is game for anything. Guess what? It's you, Paul. -- | :13:42. | :13:52. | |
:13:52. | :13:53. | ||
Pearl. You have to talk into it. No one will hear you if you don't. Are | :13:53. | :13:59. | |
you shocked? A bit. LAUGHTER | :13:59. | :14:03. | |
Pearl is not going to talk! Your friends and your family said | :14:03. | :14:07. | |
that you are the support of them, you are the backbone. You have been | :14:08. | :14:12. | |
extremely supportive when your husband, Peter, was ill. You were | :14:12. | :14:17. | |
the tower of strength and you have always wanted to do something | :14:17. | :14:20. | |
spectacular for your grandchildren, right? | :14:20. | :14:24. | |
Yeah. You are still not going to talk, are you? I think she is so | :14:24. | :14:34. | |
:14:34. | :14:38. | ||
shocked. It is unusual for me. | :14:39. | :14:40. | |
LAUGHTER She says it is unusual for her | :14:40. | :14:42. | |
because she talks for Scotland well talk now, it's television! | :14:42. | :14:45. | |
Anyway, I hope you have nerves of steel and pants of iron because in | :14:45. | :14:50. | |
the next 40 minutes your dream could come true. Your mission | :14:50. | :14:54. | |
should you choose to accept it is first, you will be hoisted by crane | :14:54. | :14:57. | |
120 feet in the air. Once at the top, you will be carefully attached | :14:57. | :15:05. | |
to a cable. Before hurtling 800 feet across the River Clyde. Where | :15:05. | :15:15. | |
:15:15. | :15:16. | ||
you will reach speeds of over 40mph. APPLAUSE | :15:16. | :15:18. | |
Pearl, you do this, and your grandchildren's children's, will be | :15:18. | :15:20. | |
talking about it forever. But listen, you don't have to decide | :15:20. | :15:24. | |
now. Why don't you go with the lovely Randle and he is going to | :15:24. | :15:28. | |
take you to check it out and see how you feel and we will check back | :15:28. | :15:31. | |
with Pearl later. Ladies and gentlemen, give it up for Pearl | :15:31. | :15:39. | |
Mason. Coming up, we're taking a trip to | :15:39. | :15:42. | |
Bollywood and we have an unforgettable performance of a | :15:42. | :15:49. | |
movie musical classic, first it is off to Berkhamsted where a member | :15:49. | :15:52. | |
of the community was about to receive a very large package. So | :15:53. | :16:02. | |
:16:03. | :16:04. | ||
We're here in Hertfordshire to make Clare Muir's dream come true and we | :16:04. | :16:08. | |
have we have got a very special delivery for her. Clare, get ready | :16:08. | :16:15. | |
for the biggest package you've ever received. Youth worker Clare from | :16:15. | :16:20. | |
Berkhamsted, helps the homeless and cares for the elderly and teaches | :16:20. | :16:24. | |
kids cycle. She cares about everyone and very | :16:24. | :16:29. | |
little about herself. She thinks about us constantly. We need people | :16:29. | :16:32. | |
like like Clare. She is the one that makes the nice things for a | :16:32. | :16:35. | |
lot of people. That's what she does. That's Clare. | :16:35. | :16:40. | |
Even on holiday in Kenya she set-up a charity for the locals. She went | :16:40. | :16:43. | |
out there and saw a lot of people that needed help and knew that she | :16:43. | :16:48. | |
was the person to give that help. Most of us buy postcards on holiday, | :16:48. | :16:52. | |
but Clare's charity bought a school, medical equipment and water pipes. | :16:52. | :17:01. | |
Her main work is at the Swan Centre where she is a mother figure to | :17:01. | :17:08. | |
everyone including Ailish. nominated Clare waus I want -- | :17:08. | :17:13. | |
because I want her to get some recognition. For once in her life, | :17:13. | :17:15. | |
she needs someone to think about her. | :17:15. | :17:21. | |
I have arranged for Clare to cycle with Chris Boardman. | :17:21. | :17:27. | |
Clare loves cycling and that would be a dream for her. The Tonight's | :17:27. | :17:30. | |
The Night's van arrived at Clare's youth centre. We won't miss a thing | :17:30. | :17:35. | |
as our secret cameras are everywhere. Inside the van is a | :17:35. | :17:40. | |
special delivery - a box of John. This is where I'm going. In here. | :17:40. | :17:44. | |
We will turn the little light on so you can see hee. Bye. | :17:44. | :17:46. | |
-- me. Bye. | :17:46. | :17:51. | |
I will be recording everything on my package cam. | :17:51. | :17:55. | |
What I do to make dreams come true. Clare is pulled out of an important | :17:55. | :17:59. | |
meet to go sign for the mysterious package and I'm not going to be | :17:59. | :18:03. | |
left in the dark thanks to my trusty earpiece. | :18:03. | :18:08. | |
Is that it? That box? Yes. What is it? I don't know. | :18:08. | :18:12. | |
We have been having a little debate and we didn't know what it was | :18:12. | :18:22. | |
either. Don't forget I'm in here. | :18:22. | :18:23. | |
LAUGHTER We have just been sent down here. | :18:23. | :18:28. | |
I have no idea what it is. OK. What I can do is I can ring the head | :18:28. | :18:32. | |
office for you, is that all right? I can take it from there. | :18:32. | :18:37. | |
I swear I haven't ordered anything. I'm going down. | :18:37. | :18:41. | |
So Clare is put through to head office, that's me and it is time | :18:41. | :18:45. | |
for some persuasive acting to get her to open the box before I | :18:45. | :18:49. | |
suffocate. # Sign, sealed delivered, I'm yours | :18:49. | :18:57. | |
I'm in receipt of a package, but I have no idea what it is. | :18:57. | :19:01. | |
Well, you can just sign the papers that the driver will be giving you. | :19:01. | :19:08. | |
No, hold on, hold on. This is a huge delivery. I just want to know | :19:08. | :19:13. | |
what's inside it. Once you sign the paperwork you can check what is | :19:13. | :19:18. | |
inside. That is not a problem. But there is a problem, Clare's moved | :19:18. | :19:22. | |
and is standing so close to the box that she might hear my voice so I | :19:22. | :19:27. | |
am going to have to hang up. I need to listen very carefully to hear if | :19:27. | :19:30. | |
Clare is going to sign up for the surprise of her life. | :19:30. | :19:34. | |
He said if I sign it, I can open it and check the contents and if I | :19:34. | :19:38. | |
don't want it, you take it away. All right then. | :19:38. | :19:45. | |
That's going to be it. 100%. 100%. | :19:45. | :19:52. | |
SCREAMING LAUGHTER | :19:52. | :20:00. | |
Clare, I'm John Barrowman from BBC One's tonne Tonight. I'm here to -- | :20:00. | :20:04. | |
Tonight's The Night. I'm here to make your dream come true. | :20:04. | :20:08. | |
If I had of known this was going to happen. That's the point, we don't | :20:08. | :20:12. | |
want you to know. I've got me cycling top on. | :20:12. | :20:18. | |
We have arranged it to make one of your dreams come through and that's | :20:18. | :20:23. | |
-- true and that's to cycle with Chris Boardman. I take it you are | :20:23. | :20:25. | |
excited about Chris Boardman. love Chris Boardman. | :20:25. | :20:30. | |
You are going to be racing against Olympic Gold Medallist, Chris | :20:30. | :20:33. | |
Boardman is it a go on the race? my god. | :20:33. | :20:37. | |
Fantastic. It is a go. There is a person who is responsible for this. | :20:37. | :20:44. | |
Yeah. It's Ailish. | :20:44. | :20:48. | |
I'm just so excited. My legs are shaking. I will probably have a | :20:48. | :20:53. | |
little cry tonight when I go home, but I will try not to cry now. | :20:53. | :20:57. | |
And when the big day arrives, I have got another surprise for Clare. | :20:57. | :21:00. | |
Hello. Clare. Hello. | :21:00. | :21:08. | |
Hello, how are you? I'm fine. You are being taken to the brand- | :21:08. | :21:12. | |
new Olympic Velodrome. Clare won't have to wait until 2012 | :21:12. | :21:16. | |
like everyone else because she is off to the Olympic Velodrome now. | :21:16. | :21:20. | |
I can't believe this is happening to me. I'm going to be the envy of | :21:20. | :21:24. | |
all my friends. Clare dreamt of meeting Chris Chris | :21:24. | :21:28. | |
for over 20 years and today she is living the dream. | :21:28. | :21:32. | |
Lovely to meet you. Lovely to meet you too. | :21:32. | :21:35. | |
What do you think of the building? Wow, amazing. | :21:35. | :21:39. | |
Let's go and get on our bikes. Clare has the opportunity to ride | :21:39. | :21:43. | |
on the same boards as the Olympic athletes are going to go around. | :21:43. | :21:47. | |
Not many people are going to be able to say that. | :21:47. | :21:52. | |
# Bicycle # I want to ride my bicycle # | :21:52. | :21:55. | |
This cycling track is one of the fastest in the world. You go, Clare. | :21:55. | :22:00. | |
It feels really fast. # Bicycle # | :22:00. | :22:05. | |
I think you have done incredibly well to have just got on in the | :22:05. | :22:09. | |
space of two laps and ride around the track. | :22:09. | :22:11. | |
Thank you. Thank you so much. | :22:11. | :22:15. | |
Thank you. It was a great experience for me as | :22:15. | :22:17. | |
well. That was the best experience I ever | :22:17. | :22:22. | |
had. If I was not married and he wasn't married, I think I would | :22:22. | :22:32. | |
:22:32. | :22:39. | ||
cycle off into the distance. Amazing. | :22:39. | :22:40. | |
APPLAUSE Clare, did I sense a little bit of | :22:41. | :22:42. | |
flirting going on there? He is gorgeous. | :22:42. | :22:47. | |
Not only gid you get -- did you get to cycle with Chris, but you were | :22:47. | :22:52. | |
also one of the first to cycle at the Olympic Velodrome. It must have | :22:52. | :22:58. | |
been a tan tastic day -- fantastic day? It was a privilege and honour | :22:58. | :23:02. | |
to cycle at the velodrome and to meet Chris Boardman. | :23:02. | :23:08. | |
But it wouldn't have been without Ailish, you really wanted this to | :23:08. | :23:12. | |
happen for Clare. Why was it important? Clare does so much for | :23:12. | :23:16. | |
the community and for the young people in Berkhamsted. She is an | :23:16. | :23:20. | |
amazing person and always positive and deserves it all. | :23:20. | :23:24. | |
We think she deserves it too and she is a big flirt! | :23:24. | :23:34. | |
:23:34. | :23:47. | ||
Ladies and gentlemen, our cycle tastic star, Clare Muir. | :23:47. | :23:49. | |
APPLAUSE Earlier, I surprised action granny | :23:49. | :23:51. | |
Pearl Manceon with the news she could be living out her dream of | :23:51. | :23:53. | |
doing something spectacular for her grandchildren by zip wiring across | :23:53. | :24:03. | |
:24:03. | :24:07. | ||
the Clyde. So Pearl, tell me, Pearl, is it a yes or is it a no? | :24:07. | :24:10. | |
Well, listen, oh, she is off. Wait, she is off. Oh my goodness, she is | :24:10. | :24:17. | |
really going to go for it. LAUGHTER | :24:17. | :24:19. | |
Pearl, are you going to talk because thumbs don't say anything? | :24:19. | :24:22. | |
Pearl, are you excited? Yes. Yes. Yes. | :24:22. | :24:27. | |
She spoke! Bring it on. Pearl, go ahead, we | :24:27. | :24:37. | |
:24:37. | :24:38. | ||
will see you at the top, OK? And off she goes. | :24:38. | :24:43. | |
Amazing. All right. I have something here, excuse me a moment, | :24:43. | :24:50. | |
my dear. I have got to reach under here. I will keep going. I have got | :24:50. | :24:57. | |
something very heavy. Now, does this rock remind you of anyone? | :24:57. | :25:01. | |
Anyone? Is there a person who is a rock to their family. Roger, take | :25:01. | :25:11. | |
:25:11. | :25:12. | ||
care of that. I love this show! And also do they have - it is not | :25:12. | :25:16. | |
working! LAUGHTER | :25:16. | :25:22. | |
A very bubbly personality? There is a present for you. And do they also | :25:22. | :25:29. | |
have a big heart? I am talk being you, Paula Banks. | :25:29. | :25:39. | |
:25:39. | :25:44. | ||
Oh my god. Here is your heart, Paula. | :25:44. | :25:46. | |
APPLAUSE Now Paula, you do a lot of things | :25:46. | :25:49. | |
for a lot of people and they want to say thank you. So Paula, you and | :25:49. | :25:53. | |
your husband, you guys come with me and the rest of you take a look at | :25:53. | :25:57. | |
this. I have been married to Paula now | :25:57. | :26:02. | |
for 22 22 years. She is the mother to my children. She will do | :26:02. | :26:05. | |
anything for anybody. She is fantastic. She is the love of my | :26:05. | :26:12. | |
life. She is absolutely great. Noah is our third son. She has ADHT, she | :26:12. | :26:17. | |
will sit through of a night and go through his homework and give him | :26:17. | :26:20. | |
support. Paula works as a learning mentor | :26:21. | :26:24. | |
assistant. She knows what the children need by making them | :26:24. | :26:28. | |
special and important. Having gone through it, you | :26:28. | :26:31. | |
understand what other parents are going through. She can put that | :26:31. | :26:35. | |
energy into other kids. I think what my mum does at school | :26:35. | :26:40. | |
is a very difficult profession. Whatever They go, she takes the | :26:40. | :26:47. | |
journey with them. In March my mum dad and eight months later, my dad | :26:47. | :26:50. | |
passed away. She held the family together and she held me together. | :26:50. | :26:57. | |
She is always thanking us for little little things that we do. | :26:57. | :27:02. | |
It will be a strange situation to be in, but at the same time, unique. | :27:02. | :27:08. | |
By letting John dedicate a song to her tonight, she will feel great | :27:08. | :27:12. | |
being there and feel that a lot of people think so much of her. Paula, | :27:12. | :27:16. | |
you are a great friend and a great work colleague. Have a great night | :27:17. | :27:20. | |
tonight. We love you lots and lots, have a | :27:20. | :27:26. | |
great night, mum. Paula, we love you to bits. Enjoy | :27:26. | :27:36. | |
:27:36. | :27:37. | ||
tonight. APPLAUSE | :27:37. | :27:40. | |
Paula, there is a lot of love for you in this room tonight. You do | :27:40. | :27:42. | |
incredible work for both your family and a lot of other people. | :27:42. | :27:45. | |
It must make you feel really good inside and also to see that up | :27:45. | :27:49. | |
there in the screen, doesn't it? Gosh, I'm shocked. | :27:49. | :27:55. | |
You're shocked? Yes. Speechless? Which is very unusual. | :27:55. | :27:59. | |
Karl, there is is a song that's special to you, tell us why? It is | :27:59. | :28:06. | |
a special song because when I feel low and Paula feels low, this is | :28:06. | :28:10. | |
one song we sing to each other to help us get back on the straight | :28:10. | :28:14. | |
and narrow again. Well, I hope this song puts a really big smile on | :28:14. | :28:24. | |
:28:24. | :28:38. | ||
# Why do birds suddenly appear # Every time you are near? | :28:38. | :28:47. | |
# Just like me, they long to be # Close to you | :28:48. | :28:57. | |
:28:58. | :28:59. | ||
# Why do stars fall down from the # On the day that you were born | :28:59. | :29:02. | |
# The angels got together # And decided to create a dream | :29:02. | :29:03. | |
come true # So they sprinkled moon-dust | :29:03. | :29:07. | |
# In your hair of gold # And starlight in your eyes of | :29:07. | :29:13. | |
blue Paula, you're smiling, we love that. | :29:13. | :29:17. | |
This is going to put a bigger smile on your face because here are some | :29:17. | :29:21. | |
of your family and your friends all here to make you smile. | :29:21. | :29:31. | |
:29:31. | :29:34. | ||
Come on. APPLAUSE | :29:34. | :29:40. | |
# On the day that you were born # The angels got together | :29:40. | :29:42. | |
# And decided to create a dream come true | :29:42. | :29:45. | |
# So they sprinkled moon-dust # In your hair of gold | :29:45. | :29:54. | |
# And starlight in your eyes of blue | :29:54. | :30:03. | |
# That is why all the girls in town # Follow you all around | :30:03. | :30:13. | |
:30:13. | :30:15. | ||
# Just like me, they long to be # Close to you | :30:15. | :30:25. | |
:30:25. | :30:37. | ||
CHEERING AND APPLAUSE Paula, is there anything you would | :30:37. | :30:40. | |
like to say to this coming bunch of family members and friends here? | :30:40. | :30:42. | |
love you all so very much. Ah, bless. | :30:42. | :30:51. | |
Ladies and gentlemen, Paula. CHEERING AND APPLAUSE | :30:51. | :30:54. | |
There a lot more dreams to come There a lot more dreams to come | :30:54. | :30:58. | |
tonight. Here is what's on the way. We will have a Bollywood dance | :30:58. | :31:03. | |
extravaganza with these two twins. Jodie Prenger sends this little | :31:03. | :31:09. | |
girl to follow the Yellow Brick Road and Nicole Scherzinger will be | :31:09. | :31:14. | |
back to perform her single. Now we have an appointment with the | :31:14. | :31:21. | |
flying pensioner! Earlier in the show I surprised Pearl Mans on | :31:21. | :31:24. | |
whose dream is to do something her grandchildren will remember forever. | :31:24. | :31:29. | |
This is it. Let's go outside. Pearl is 120 feet in the air and she is | :31:29. | :31:37. | |
about to zip 800 feet across -- zip wire 800 feet across the River | :31:37. | :31:41. | |
Clyde. Let's go and meet Pearl at the end of her trip of a lifetime. | :31:41. | :31:46. | |
Pearl, how are you? Are you speaking to me? Your name is Pearl, | :31:46. | :31:51. | |
I'm speaking to you honey? I'm fine. You're fine. Listen, I would love | :31:51. | :31:55. | |
to be up there? I wish you were as well! | :31:55. | :31:58. | |
That's a lie, there is no way you're getting me up there. | :31:59. | :32:04. | |
Pearl, do you realise you will be one of the oldest people to zip | :32:04. | :32:11. | |
wire ever across the River Clyde? Wowee. Am I getting paid for this? | :32:11. | :32:17. | |
No, you're not getting paid for it. It is a dream come true. | :32:17. | :32:21. | |
Sorry, sorry, sorry. LAUGHTER | :32:21. | :32:23. | |
LAUGHTER OK, are you ready, Pearl? | :32:23. | :32:26. | |
LAUGHTER Yes! | :32:26. | :32:28. | |
Yes! I | :32:28. | :32:28. | |
I think. | :32:28. | :32:29. | |
I think. You | :32:29. | :32:29. | |
You think? | :32:29. | :32:30. | |
You think? I | :32:30. | :32:30. | |
You think? I think. | :32:30. | :32:38. | |
You think? I think. Pearl, don't think. | :32:38. | :32:40. | |
LAUGHTER The only time I will ever say this | :32:40. | :32:42. | |
to somebody, just jump. Studio, start the countdown. | :32:42. | :32:52. | |
:32:52. | :33:19. | ||
INDIANA JONES THEME TUNE How brilliant. | :33:19. | :33:29. | |
:33:29. | :33:38. | ||
I want to do it again. Pearl, I'm right behind you, I will | :33:38. | :33:48. | |
:33:48. | :33:53. | ||
give you a hand down. I want to go up again. I'm coming down again. | :33:53. | :33:53. | |
LAUGHTER APPLAUSE | :33:53. | :33:56. | |
That was absolutely incredible. That was amazing. Let me just take | :33:56. | :34:00. | |
the hat off you, that will be easier and then you can put your | :34:00. | :34:06. | |
glasses on. Let me just put that down. Is me hair all right? | :34:06. | :34:08. | |
LAUGHTER It's brilliant. | :34:08. | :34:18. | |
:34:18. | :34:24. | ||
Here are your grand grand kids. Did you know all about this? | :34:24. | :34:28. | |
did it feel? Fabulous. The only thing, I was facing that way. I | :34:28. | :34:36. | |
couldn't have turned to face out this way. Do it again? Ah no bother. | :34:36. | :34:38. | |
LAUGHTER This has been incredible. It is | :34:38. | :34:41. | |
amazing. We are glad to make this kind of dream come true. You kids | :34:41. | :34:45. | |
are going to remember it for a long time, aren't you? Yeah. What is it | :34:46. | :34:49. | |
like to have a stunt gran? Brilliant. | :34:49. | :34:55. | |
Do you love her? Yes. They love their gran and she will | :34:55. | :35:01. | |
never want to travel by dial-a-ride ever again! | :35:01. | :35:06. | |
Give it up for Pearl. APPLAUSE | :35:06. | :35:11. | |
Now a tale of two brothers. They dream of perp forming in a hol -- | :35:11. | :35:14. | |
performing in a Bollywood extravaganza. Here is what happened | :35:14. | :35:24. | |
:35:24. | :35:26. | ||
when it was nearly ruined by a complete idiot, me! | :35:26. | :35:27. | |
APPLAUSE Today I'm going to surprise two | :35:27. | :35:30. | |
young men, twins. The boy frs Northamptonshire share everything | :35:30. | :35:34. | |
including their passion for dance. The twins dedicate their spare time | :35:34. | :35:40. | |
to to running workshops for teenagers, believing that dance can | :35:40. | :35:45. | |
help build self esteem and confidence. The boys mentor young | :35:45. | :35:51. | |
men in their area. If you have got issues, they will | :35:51. | :35:55. | |
try and help as much as possible. try and help as much as possible. | :35:55. | :35:59. | |
They are caring, kind and polite. The boys also help care for their | :35:59. | :36:03. | |
disabled dad. He would like to thank his sons by making their | :36:03. | :36:09. | |
dream of performing a big Bollywood dance number come true. I think | :36:09. | :36:15. | |
they will love every second and treasure every moment on this show. | :36:15. | :36:19. | |
The boys think they are here to audition for a Bollywood fitness | :36:19. | :36:23. | |
video. We have hired this dance studio to | :36:23. | :36:33. | |
:36:33. | :36:34. | ||
put the boys through their paces. They are going to be meet up with a | :36:34. | :36:44. | |
:36:44. | :36:46. | ||
choreographer. I am the og the choreographer's | :36:46. | :36:51. | |
Spanish assistant. The choreographer is in on the act | :36:51. | :36:58. | |
and she gets the dancers started. Their brother and dad are watching | :36:58. | :37:04. | |
all the action from the next room. The choreographer is off to check | :37:04. | :37:09. | |
on another group, leaving me in charge, a bad idea. Will the boys | :37:09. | :37:16. | |
realise that I am several strings short? I am sure she will be fine | :37:16. | :37:22. | |
with this when she comes back in. I know it is Bollywood, but let's | :37:22. | :37:27. | |
think Spanish. Pick of the grape. Bring in the laundry now. Pick of | :37:27. | :37:32. | |
the grape, bring in the laundry now. Climb the ladder to the top of the | :37:32. | :37:35. | |
building. Laundry and ladders, how far can I | :37:35. | :37:43. | |
push this? Sue ma wrestler. Then we are going up. Walk away like this. | :37:43. | :37:52. | |
Yeah. LAUGHTER | :37:52. | :37:54. | |
The choreographer is back and it is The choreographer is back and it is | :37:54. | :37:58. | |
a little different to what she had in mind. | :37:58. | :38:03. | |
Pulling the grape. Bring in the laundry now. | :38:03. | :38:13. | |
:38:13. | :38:20. | ||
Very good. I have no idea what the boys find | :38:20. | :38:25. | |
so funny. The choreography wasn't laughing. | :38:25. | :38:32. | |
There was none of my choreography in there. | :38:32. | :38:36. | |
The boys are worried. It is time for me to come clean. | :38:36. | :38:42. | |
I have to say this is not an awe audition because I'm actually John | :38:42. | :38:45. | |
Barrowman from BBC One's Tonight's The Night and boys I am here to | :38:45. | :38:53. | |
make your dreams come true. I know you have a dream and your | :38:54. | :38:58. | |
dream is to dance a big Bollywood number in front of loads of people, | :38:58. | :39:03. | |
isn't it? Yes. Here is what I'm going to do for | :39:03. | :39:06. | |
you. You are going to come to the Tonight's The Night. We are going | :39:06. | :39:09. | |
to get you with the top choreographers, you are going to | :39:09. | :39:12. | |
have a huge, big Bollywood number that you are going to star in. And | :39:12. | :39:16. | |
you are going to do it in the Tonight's The Night for millions of | :39:16. | :39:21. | |
people on television. Yes? | :39:21. | :39:30. | |
I still can't believe it. It is just just... I don't even know what | :39:30. | :39:35. | |
to say to be honest. You are never going to imagine an opportunity | :39:35. | :39:40. | |
like this to come to you. A once- in-a-lifetime opportunity, that's | :39:40. | :39:44. | |
what it is. And with the boy's dad, Ash, I'm | :39:44. | :39:48. | |
just going to call you dad. How excited do you think the boys are | :39:48. | :39:51. | |
behind the doors right now? Probably shaking like me. | :39:51. | :39:55. | |
Are you nervous? Yeah, I think I'm probably nervous than they are. | :39:55. | :39:59. | |
You think they are going to enjoy it? Absolutely, I think so. | :39:59. | :40:03. | |
I think they are going to enjoy it even more because we have a very | :40:03. | :40:07. | |
special message for them all the way from the one and only Nicole | :40:07. | :40:11. | |
Scherzinger. Hey, I have heard about the amazing work that you | :40:11. | :40:15. | |
have been doing in your local community. I am so proud of you. | :40:15. | :40:20. | |
You are such an inspiration to so many people. Make sure you keep up | :40:20. | :40:25. | |
the good work. I know you are huge Bollywood fans. I wish you the best | :40:25. | :40:31. | |
of luck tonight. Have fun and enjoy Amazing. Well, they have got the | :40:32. | :40:36. | |
message. They have got the nerves. There they are now. They don't look | :40:36. | :40:39. | |
nervous to me. They look ready and raring to go! | :40:40. | :40:44. | |
OK, let's see the amazing results. Let's bring a little bit of | :40:44. | :40:54. | |
:40:54. | :41:01. | ||
Bollywood to this stage because # Jai Ho | :41:01. | :41:08. | |
# I got (I got) shivers (shivers), # When you touch my face, | :41:08. | :41:18. | |
:41:18. | :41:30. | ||
# I'll make you hot, # You are the reason that I still | :41:31. | :41:32. | |
believe, # You are my destiny, | :41:32. | :41:35. | |
# Jai Oh! Oh-oh-oh-oh! # No there is nothing that can stop | :41:36. | :41:45. | |
:41:46. | :42:01. | ||
# Jai Ho! (oohh) # You are the reason that I still | :42:01. | :42:05. | |
believe # You are my destiny | :42:05. | :42:15. | |
:42:15. | :42:17. | ||
# Jai ho # No, there is nothing that can | :42:18. | :42:22. | |
come between us # So come and dance with me | :42:22. | :42:32. | |
:42:32. | :42:34. | ||
# Jai ho! # Jai Ho # | :42:34. | :42:38. | |
CHEERING AND APPLAUSE Awesome. Boys, you said it was an | :42:38. | :42:43. | |
opportunity of a lifetime, was it? Definitely to perform on a platform | :42:43. | :42:47. | |
like this, unbelievable. I can't really imagine it now. I still have | :42:47. | :42:51. | |
to pinch myself. What would you like to say to your | :42:51. | :42:59. | |
dad for putting you up for this? Thank you. Thank you is not enough | :42:59. | :43:02. | |
because can you pinch me? Can I pinch you. | :43:02. | :43:12. | |
:43:12. | :43:28. | ||
Ladies and gentlemen, our Bollywood brothers. | :43:28. | :43:29. | |
APPLAUSE As you have seen in tonight's show, | :43:29. | :43:31. | |
I have been a hopeless choreographer, stuck in a box and | :43:31. | :43:34. | |
taking assembly, but this next surprise takes place at a butterfly | :43:34. | :43:37. | |
farm and hoe I like to -- though I like to try my hands at many things, | :43:37. | :43:40. | |
being a butterfly is not one of them. I needed style and a pair of | :43:40. | :43:43. | |
wings and there was only one name on my list, Jodie Prenger. | :43:43. | :43:46. | |
APPLAUSE When you said poise, I didn't think | :43:46. | :43:49. | |
you were talking about me. Listen, I drafted you in for a | :43:49. | :43:53. | |
reason, not because of the poise, but you are a leading lady so you | :43:53. | :43:56. | |
know how to play a character and I needed someone who could play a | :43:56. | :43:58. | |
character. Oh and that was a character, wasn't | :43:58. | :44:01. | |
it? They didn't let me keep the outfit. | :44:01. | :44:03. | |
I will see what I can do. Wait. Wait. | :44:04. | :44:10. | |
The stage is set. We are about to meet 12-year-old Bethany and she is | :44:10. | :44:20. | |
:44:20. | :44:23. | ||
about to meet Blackpool's most I am so excited. I have seen got | :44:23. | :44:29. | |
butterflies in my stomach. I am off to surprise a very very talented | :44:29. | :44:36. | |
girl called Bethany. 12-year-old Bethany didn't have a good start. | :44:36. | :44:41. | |
When Bethany was three years old, she was diagnosed with cancer. To | :44:41. | :44:48. | |
pacify her the nurses gave her a little toy which played Somewhere | :44:48. | :44:54. | |
Over The Rainbow. Bethany beat the cancer, but has been left having to | :44:54. | :44:59. | |
take medication. Yet her own difficulties haven't stopped | :44:59. | :45:03. | |
Bethany making life for her profoundly deaf parents as her mum | :45:03. | :45:13. | |
:45:13. | :45:22. | ||
profoundly deaf parents as her mum When Bethany is not helping her mum | :45:22. | :45:27. | |
and dad, she loves to sing. Bethany's passion for singing is | :45:27. | :45:31. | |
second to none and she said to her mum, I often dreamt I would like to | :45:31. | :45:34. | |
sing on stage. Well, we're going to make that | :45:34. | :45:38. | |
dream come true. First, I am going to give Bethany a special treat and | :45:39. | :45:43. | |
whisk her off to London to meet Danielle Hope, the star of The | :45:43. | :45:53. | |
:45:53. | :45:56. | ||
Because I love you, Bethany. Bethany's family are on a day-trip | :45:56. | :46:00. | |
out to butterfly world, but what they don't know is I'm going to be | :46:00. | :46:10. | |
:46:10. | :46:12. | ||
their butterfly tour guide. While I slip into costume, we have been | :46:12. | :46:19. | |
rigging the butterfly house with secret cameras. | :46:19. | :46:25. | |
I am not really a bug! The whole family are here so it is | :46:25. | :46:30. | |
time for me to get into character. And what a character it is. | :46:30. | :46:34. | |
Now I am going to be your tour guide today. Are you excited to be | :46:34. | :46:39. | |
here? So do you know what I got here? | :46:39. | :46:45. | |
I've got butterfly wings for everybody because we love | :46:45. | :46:55. | |
:46:55. | :46:55. | ||
butterflies. Butterflies, mum. Butterflies, dad. Oh dad, you look | :46:55. | :47:01. | |
look butterfly beautiful. They seem to be enjoying my tour | :47:01. | :47:04. | |
guide techniques. I know how to attract the | :47:04. | :47:09. | |
butterflies. The butterflies like to be talked to. And they like to | :47:09. | :47:14. | |
be talked in a delicate manner. You have got to copy me. Right, are you | :47:14. | :47:22. | |
ready? Are you ready? After three. One, | :47:22. | :47:32. | |
:47:32. | :47:35. | ||
But do you know what, legend has it, if you close your eyes, and a | :47:35. | :47:40. | |
butterfly lands on you, it brings you a lifetime of good luck. | :47:40. | :47:42. | |
Promise me, you won't open your eyes. | :47:42. | :47:44. | |
Promise. Promise. | :47:44. | :47:47. | |
Promise. I'm going to get mum and dad, give | :47:47. | :47:56. | |
me your hands. Are you ready? And sometimes those old legends are | :47:56. | :48:02. | |
true. Keep your eyes closed and something magical might happen. | :48:02. | :48:06. | |
Bethany, I'm Jodie Prenger and I've come from Tonight's The Night and | :48:06. | :48:11. | |
John Barrowman is going to grant you and make awe wish come true. I | :48:11. | :48:15. | |
heard you are so fantastic with your mum and your dad and you do so | :48:15. | :48:20. | |
many wonderful things, well how's about we make your wish come true | :48:20. | :48:27. | |
and we take you all the way to London to meet Danielle Hope, the | :48:27. | :48:30. | |
star of the Wizard of Oz. I am really amazed by it. I am | :48:30. | :48:34. | |
really excited and I really can't wait to go. | :48:34. | :48:38. | |
I can't believe her dream is going to come true. She is excited about | :48:38. | :48:40. | |
it it as well. Who do you think nominated you? | :48:41. | :48:46. | |
don't know. Mum. | :48:46. | :48:50. | |
A week later and Bethany and her family arrived at the London | :48:51. | :48:57. | |
Palladium to meet star of the show, Danielle Hope and Bethany wastes no | :48:57. | :49:02. | |
time in questioning her idol. What's it like to perform on the | :49:02. | :49:07. | |
West End stage? It is wonderful and the audiences are alive and magic | :49:07. | :49:10. | |
and they get to come on this adventure with you. Hopefully, you | :49:10. | :49:13. | |
will be able to do the same in a couple of years. | :49:13. | :49:17. | |
Thank you. This is backstage. This is the | :49:17. | :49:20. | |
wings. This is my house! It is lovely. | :49:20. | :49:28. | |
And this is where I sing Somewhere Over The Rainbow. | :49:28. | :49:33. | |
Would you like to meet toto. Yes. | :49:33. | :49:38. | |
This is Dazzle and she is very, very lovely. Oh, she likes you. | :49:38. | :49:42. | |
I think Bethany is so intelligent and confident and so self-assured | :49:42. | :49:47. | |
and it is really, really refreshing to see in a 12-year-old and she is | :49:47. | :49:53. | |
a really inspiring little girl. I would be delighted if you would | :49:53. | :49:58. | |
perform with me live on stage. How would you feel about that? Yes, | :49:58. | :50:05. | |
thank you. I'm really excited. Really excited | :50:05. | :50:10. | |
would be an under statement. APPLAUSE | :50:10. | :50:12. | |
What does this mean to Bethany tonight? It means everything to | :50:12. | :50:17. | |
Bethany. To be on stage and to sing her dream, thank you. | :50:17. | :50:21. | |
No, thank you. Are you proud of her tonight? | :50:21. | :50:24. | |
very proud. You have been shedding some tears, | :50:24. | :50:27. | |
haven't you? Yes. Jodie, you have experienced the | :50:27. | :50:30. | |
West End stage, how do you think she is feeling right now? Do you | :50:30. | :50:40. | |
:50:40. | :50:42. | ||
know what, talking to her, but she is so excited and Somewhere Over | :50:42. | :50:48. | |
The Rainbow is her favourite song. Here with Danielle Hope, the star | :50:48. | :50:53. | |
of The Wizard of Oz, singing Over The Rainbow. Bethany, Tonight's The | :50:53. | :51:03. | |
:51:03. | :51:18. | ||
# Somewhere over the rainbow # Way up high | :51:18. | :51:28. | |
:51:28. | :51:30. | ||
# There's a land that I heard of once in a lullaby | :51:30. | :51:40. | |
:51:40. | :51:42. | ||
# Somewhere over the rainbow # Skies are blue | :51:42. | :51:52. | |
:51:52. | :51:57. | ||
# And the dreams that you dare to Ladies and gentlemen, I give you | :51:57. | :52:07. | |
:52:07. | :52:11. | ||
# Someday I'll wish upon a star # And wake up where the clouds are | :52:11. | :52:17. | |
far behind me # Where troubles melt like lemon | :52:17. | :52:24. | |
drops # A way above the chimney tops | :52:24. | :52:34. | |
:52:34. | :52:35. | ||
# That's where you'll find me # Somewhere over the rainbow | :52:35. | :52:45. | |
:52:45. | :52:47. | ||
# Blue birds fly # Birds fly over the rainbow | :52:47. | :52:57. | |
:52:57. | :52:57. | ||
# Why then oh why can't I? # If happy little blue birds fly | :52:57. | :53:07. | |
:53:07. | :53:19. | ||
beyond the rainbow # Why oh why can't I? # | :53:19. | :53:22. | |
CHEERING AND APPLAUSE Awesome. | :53:22. | :53:24. | |
Beautiful. Well done. | :53:24. | :53:34. | |
:53:34. | :53:36. | ||
CHEERING AND APPLAUSE So Bethany, now you are seasoned at | :53:36. | :53:39. | |
this, did you enjoy your big performance? Yeah, it was really | :53:39. | :53:42. | |
good. It was like all the little bits put together. | :53:42. | :53:47. | |
It looks like you have a future Dorothy here? I think so. You have | :53:47. | :53:51. | |
a big career ahead of you. Thank you so much. I am so proud to have | :53:51. | :53:55. | |
sung with you. Jodie, competition for you? Oh yeah, | :53:55. | :53:59. | |
I have got me eyes on you girl. LAUGHTER | :53:59. | :54:04. | |
Mum, thumbs-up? Thumbs-up. Thumbs- They are all proud of you. Ladies | :54:04. | :54:08. | |
and gentlemen, Jodie, thank you very much. Give it up for Danielle | :54:08. | :54:18. | |
:54:18. | :54:21. | ||
More from our resident girl aloud and I am a man of my word. Here | :54:21. | :54:31. | |
:54:31. | :54:41. | ||
with her single Beat Of My Drum, it # Once upon a time I pressed rewind | :54:41. | :54:45. | |
# Two left feet, I had no beat # Baby in the corner learning quick | :54:45. | :54:48. | |
# Keep up, keep up, keep up # Graduation take a bow | :54:48. | :54:52. | |
# See how strong you've made me now # Two steppin' all over me, then | :54:52. | :54:54. | |
cha cha cha cha # I'm in! | :54:54. | :55:03. | |
# Oohh don't it make your heart go # Oohh how I've turned this whole | :55:03. | :55:12. | |
thing round # L.O.V.E | :55:12. | :55:18. | |
# Dance to the beat of my drum # L.O.V.E | :55:18. | :55:27. | |
# Dance to the beat of my drum # Leader of the pack get on that | :55:27. | :55:31. | |
track # Swing your back and don't look | :55:31. | :55:33. | |
back # Captain attending, too much to | :55:33. | :55:36. | |
handle # Too hot, the pan goes pop | :55:36. | :55:40. | |
# Blow your trumpet like you do # I put on my marchin' boots | :55:40. | :55:44. | |
# I know we can work it out # Let's step into the groove | :55:44. | :55:50. | |
# Oohh don't it make your heart go # Oohh how I've turned this whole | :55:50. | :56:00. | |
:56:00. | :56:00. | ||
thing round # L.O.V.E | :56:00. | :56:09. | |
# Dance to the beat of my drum # L.O.V.E | :56:09. | :56:19. | |
:56:19. | :56:25. | ||
# Dance to the beat of my drum # Dance, dance, to the beat of my | :56:25. | :56:32. | |
drum Dance, dance, | :56:32. | :56:42. | |
:56:42. | :56:51. | ||
# Drum, drum, drum # L.O.V.E | :56:51. | :57:00. | |
# Dance to the beat of my drum # L.O.V.E | :57:00. | :57:10. | |
:57:10. | :57:21. | ||
# Dance to the beat of my drum # Dance to the beat of my drum # | :57:21. | :57:27. | |
CHEERING AND APPLAUSE Thank you. | :57:27. | :57:31. | |
Thanks, Nicola. We will be back in seven days for more incredible | :57:31. | :57:41. | |
:57:41. | :57:58. | ||
dreams and amazing performances. # Stay away from my window | :57:58. | :58:01. | |
# Stay away from my back door too # Disconnect the telephone line | :58:01. | :58:05. | |
# Relax baby and draw that blind # Kick off your shoes and sit right | :58:05. | :58:09. | |
down # Loosen up that pretty French gown | :58:09. | :58:15. | |
# Let me pour you a good long drink # Ooh baby don't you hesitate cause | :58:15. | :58:21. | |
# Tonight's the night # It's gonna be alright | :58:21. | :58:29. | |
# Cause I love you girl # Ain't nobody gonna stop us now | :58:29. | :58:34. | |
# Tonight's the night # It's going to be all right | :58:34. | :58:44. | |
:58:44. | :58:45. | ||
# Because I love you, girl # Ain't nobody going to stop us now | :58:45. | :58:55. | |
:58:55. | :58:56. | ||
# # Don't say a word my virgin child | :58:56. | :58:59. | |
# Just let your inhibitions run wild | :58:59. | :59:04. |