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This it's Saturday night. It's Tonight's The Night. Please welcome | :02:34. | :02:44. | |
:02:44. | :02:45. | ||
# I gotta feeling that tonight's gonna be a good night | :02:45. | :02:47. | |
# That tonight's gonna be a good night | :02:47. | :02:49. | |
# That tonight's gonna be a good, good night | :02:49. | :02:52. | |
# A feeling that tonight's gonna be a good night | :02:52. | :02:54. | |
# That tonight's gonna be a good night | :02:54. | :02:57. | |
# That tonight's gonna be a good, good night | :02:57. | :03:07. | |
:03:07. | :03:22. | ||
# A feeling, woohoo, that tonight's CHEERING AND APPLAUSE | :03:22. | :03:27. | |
Hello and welcome to Tonight's The Night. | :03:27. | :03:32. | |
Yes, on this show, I go up and down the UK to make dreams come true for | :03:32. | :03:35. | |
some very deserving people. They've all been nominated by friends and | :03:35. | :03:42. | |
family. In fact, I've got an e-mail here to let you see what kind we | :03:42. | :03:46. | |
get here. It says "dear Tonight's The Night, could you please fulfil | :03:46. | :03:51. | |
my son's dream of flying to New York, performing as the lead in rez | :03:51. | :03:55. | |
miserables and meeting David Beckham". Mother, I've told you to | :03:55. | :04:02. | |
stop e-mailing! I'm doing all right, mom! | :04:02. | :04:05. | |
Anyway, here is a taste of the journeys I'm taking and the dreams | :04:06. | :04:15. | |
:04:16. | :04:17. | ||
I'm making come true. Beverley Knight is here. We revisit | :04:17. | :04:23. | |
the west efpbd with Ruthy Henshall. A brave mom goes sky high and | :04:23. | :04:27. | |
Strictly Come Dancing's Craig Revel Horwood turns a lady into a leading | :04:27. | :04:33. | |
lady. So, let's start delivering some | :04:33. | :04:37. | |
dreams. Shakespeare once wrote "the course | :04:37. | :04:42. | |
of true love never did run smooth", especially when you combine true | :04:42. | :04:47. | |
love, a Renault Laguna and a flat tyre. So what happens when you have | :04:47. | :04:51. | |
a broken down relationship and a broken down car? You need to call | :04:52. | :04:55. | |
an expert. I've come home to Glasgow, the City | :04:55. | :05:00. | |
of my birth, to surprise Gavin Cooper, a family man through and | :05:00. | :05:08. | |
through. Gavin is used to repairing broken | :05:08. | :05:17. | |
cars, but we are asking him to repair a broken hearted bride. Jump, | :05:17. | :05:24. | |
cough, sing.... Laaaar. Gavin a breakdown patrolman and his | :05:24. | :05:27. | |
wife says he'll always go the extra mile for his family. Family to | :05:27. | :05:33. | |
Gavin is very important. That's what Gavin says is his main love in | :05:33. | :05:38. | |
life is his family making sure we're OK. Gavin is the first to | :05:38. | :05:44. | |
offer to assist in any way. Gavin's mother-in-law was diagnosed with | :05:44. | :05:52. | |
cancer, since then he's been a tower of strength for the family. | :05:52. | :05:57. | |
Since I've been in a wheelchair, he's been a superb help whenever | :05:57. | :06:01. | |
here or on holiday. Nothing is a problem to him and it's wonderful | :06:01. | :06:08. | |
to have a person like that in your family. When he's not helping his | :06:08. | :06:13. | |
family, his son Jordan is his number one fan. He's a bit of a | :06:13. | :06:17. | |
rock star. His dream is to sing with Britain's platinum selling | :06:17. | :06:20. | |
Queen of soul, Beverley Knight. So I'm going to make that dream come | :06:20. | :06:24. | |
true. Dearly beloved, we are gathered | :06:24. | :06:28. | |
here today... Outside Gavin's in laws to fit the place out with | :06:28. | :06:31. | |
hidden cameras and to watch the meeting of two people, Gavin and | :06:31. | :06:37. | |
our pretend bride. Hmm. I'll be instructing her from inside the | :06:37. | :06:41. | |
house. Her first job is to tell ga vin she's got a flat tyre and cold | :06:41. | :06:45. | |
feet on the way to the altar -- Gavin. OK, the bride is set, I'm | :06:45. | :06:50. | |
going to be speaking to her through this into her ear piece. Let the | :06:50. | :07:00. | |
:07:00. | :07:01. | ||
madness begin. This is him. Come on. The recoveryman wastes no time | :07:01. | :07:07. | |
getting to work. But it's more than the tyre looking for attention. | :07:07. | :07:11. | |
supposed to be getting married today. I think I've made a big | :07:11. | :07:15. | |
mistake. Don't panic, you know, you'll look back and laugh 679 | :07:15. | :07:20. | |
not just a car breakdown, I feel like I'm having a nervous breakdown | :07:20. | :07:27. | |
today. Can you just hold my hand a minute, please. It's all right, | :07:27. | :07:34. | |
just sit down. Say to him, I was supposed to sing my song today. | :07:34. | :07:44. | |
:07:44. | :07:45. | ||
you know that se sleen Dionne song, -- Celine Dionne song, here, far, | :07:45. | :07:49. | |
wherever you are, I believe that the heart will go on. Gavin's too | :07:49. | :07:53. | |
polite to point out that it's not just the tyre that's flat, but how | :07:53. | :08:00. | |
will he cope with this next challenge. Can you say that? Do you | :08:00. | :08:08. | |
take David Jebediah, is that it, Robinson Duckford to be your lawful | :08:08. | :08:14. | |
wedded husband. I do. You say I do. Is it that easy? It's that easy. | :08:14. | :08:22. | |
it like "I do" or "I do". Say it with distinction "I do!". I do. | :08:23. | :08:30. | |
Louder, I do. I do. OK, I'm going to call and pretend to be David, | :08:30. | :08:33. | |
the groom. Oh, my God, that's him on the phone. | :08:33. | :08:37. | |
My goodness. I can't talk, I'll pass you over, please, I can't talk | :08:37. | :08:43. | |
to you. Hello there. Listen, pal, she's my sweetheart, go down on | :08:43. | :08:50. | |
your knee, calm her down, would you just do it for me. Thanks, pal, | :08:50. | :08:55. | |
you're brilliant. I have to get down on one knee and say to him | :08:55. | :09:01. | |
that you're his sweetheart. There you go, she loves you. That's | :09:01. | :09:07. | |
brilliant. I'm here, if you look right behind you. I'm John | :09:07. | :09:11. | |
Barrowman from BBC One Eastonite's the night, Gavin and Higham to make | :09:11. | :09:16. | |
your dream come true. As we can sigh from what you have been doing | :09:16. | :09:22. | |
here today, our man who likes to help people. Of course. We are here | :09:22. | :09:25. | |
tonight because someone contacted us to say you love singing. How | :09:25. | :09:30. | |
would you like us to take you to the Tonight's The Night studio and | :09:30. | :09:34. | |
you are going to be singing with Beverley Knight. I've just been | :09:34. | :09:44. | |
:09:44. | :09:45. | ||
watching her on the telly. Everyone's in on this. Traux, Trace. | :09:45. | :09:49. | |
-- thanks, Trace. The fact that it will be happening very, very soon, | :09:50. | :09:55. | |
I never expected it in my wildest dreams. We have whisked Gavin off | :09:56. | :10:04. | |
for his big night and a surprise visitor is going to drop in. # It | :10:04. | :10:14. | |
:10:14. | :10:22. | ||
Hello, Gavin. Hi, how are you? good. Great to meet you. Sorry, you | :10:22. | :10:29. | |
put me off my stride there. Her voice is absolutely amazing, can't | :10:29. | :10:37. | |
believe how good she is live. sound good together. We do do. | :10:37. | :10:41. | |
think Gavin is so sweet, he seems to be just rock solid, so I think | :10:41. | :10:44. | |
as long as he relaxes, he's going to have a great night. To perform | :10:44. | :10:54. | |
:10:54. | :11:06. | ||
with her live on stage is a dream Looking forward to this? Yes. | :11:06. | :11:10. | |
deserves this, takes care of everybody? Yes. Tracey, you set him | :11:10. | :11:13. | |
up for this, are you looking forward to this like he is? Can't | :11:13. | :11:18. | |
wait to see him on stage, amazing. This is his big dream. The fact | :11:18. | :11:24. | |
he's a massive fan. It's a dream come true for him and he deserves | :11:24. | :11:29. | |
it. Jordan, what makes your dad so special? Whenever my friends need | :11:29. | :11:32. | |
their bikes fixed, he's always there to do it and Health and | :11:32. | :11:37. | |
Safety a very loving dad. Ah. We all need a loving dad, I'll | :11:37. | :11:42. | |
tell you. That's great to hear. Well, with Beverley Knight, a night | :11:42. | :11:52. | |
:11:52. | :12:02. | ||
of the road, Gavin Cooper, # One can have a dream baby | :12:02. | :12:08. | |
# Two can make a dream so real # One can talk about being in love | :12:08. | :12:15. | |
# Two can see how it really feels # It Takes Two, baby | :12:15. | :12:22. | |
# Just me and you # You know It Takes Two | :12:22. | :12:32. | |
:12:32. | :12:37. | ||
# One ladies and gentlemen, introducing on stage, Gavin! | :12:37. | :12:43. | |
# One can wish upon a star # Two can make a wish come true, | :12:43. | :12:46. | |
yeah # One can stand alone in the dark | :12:46. | :12:49. | |
# Two can make a light shine through | :12:49. | :12:54. | |
# It Takes Two, baby # Just me and you | :12:54. | :13:04. | |
:13:04. | :13:06. | ||
# You know It Takes Two # One can go out to a movie | :13:06. | :13:16. | |
:13:16. | :13:16. | ||
# Looking for a special treat # Two can make that single movie | :13:16. | :13:22. | |
# Something really kind of sweet # And one can take a walk in the | :13:22. | :13:24. | |
moonlight thinking that it's really nice | :13:24. | :13:29. | |
# But two lovers walking hand in hand is like adding a pinch of | :13:29. | :13:32. | |
space, yeah # It Takes Two, baby | :13:32. | :13:41. | |
# Just me and you # Just takes two | :13:41. | :13:50. | |
# It Takes Two, baby # Just me and you | :13:50. | :14:00. | |
:14:00. | :14:12. | ||
CHEERING AND APPLAUSE What was this? What was this? This | :14:12. | :14:17. | |
is fantastic? You wanted a show. Totally found your groove! Thank | :14:17. | :14:21. | |
you. What do you think? Sigh pesh. Unbelievable. Everything you | :14:21. | :14:27. | |
thought it was going to be? Yes, and more. -- superb. Bev made it | :14:27. | :14:33. | |
perfect. Listen, did you enjoy it with Gavin? I loved it, thought he | :14:34. | :14:38. | |
had all the swagger when he came out. You know all the confidence. | :14:38. | :14:48. | |
:14:48. | :14:49. | ||
And you relaxed and you loved it. You guys loved him, right? Are you | :14:49. | :14:53. | |
glad you nominated him? So happy to have nominated him, he deserves | :14:53. | :14:59. | |
this and so much more. Well done, Gavin. | :14:59. | :15:04. | |
Jordan? Sure you heard what he said about you backstage. But what do | :15:04. | :15:10. | |
you think about him right now? Oorbgs very good and the best I've | :15:10. | :15:16. | |
seen him sing -- very good. Better than around the house! Awesome. | :15:16. | :15:21. | |
Beverley will be back later with a track from her new album. Give it | :15:21. | :15:31. | |
:15:31. | :15:34. | ||
up four our soulman, patrolman. Well, that's Dream Number one | :15:34. | :15:39. | |
fulfilled and we have loads more on the way. | :15:39. | :15:43. | |
West End's Ruthy Henshall is here with musical cabaret. One mum is | :15:43. | :15:48. | |
dropping into a dream. And Craig Revel Horwood helps us | :15:48. | :15:53. | |
surprise a deserving Belfast lass. Time for another surprise now. | :15:53. | :15:57. | |
Imagine coming home to discover someone has got a little too comfy | :15:57. | :16:00. | |
in your living room and helped yourself to your coffee and ginger | :16:00. | :16:05. | |
nuts. What would you do? This is what happened when Karen Martin | :16:05. | :16:09. | |
stumbled across a very unexpected visitor. | :16:09. | :16:14. | |
We are in Northamptonshire to surprise Karen Martin, always | :16:14. | :16:17. | |
dreamt of skydiving. We are going to make that dream come true. First, | :16:17. | :16:23. | |
we are going to ease her in gently. Karen is on her way home from work | :16:23. | :16:26. | |
and on her way home she's going to find a special guest and I'm going | :16:26. | :16:31. | |
to help her reach for the sky. James Bond's not the only spy with | :16:31. | :16:37. | |
the initials JB! The name's Barrowman, John | :16:37. | :16:47. | |
:16:47. | :16:48. | ||
48-year-old Karen is a student manager who goes beyond the call of | :16:48. | :16:55. | |
duty for her pupils. She has been nominated by Michelle. Karen is | :16:55. | :16:59. | |
very caring. Very genuine. Extremely open with whoever she | :16:59. | :17:03. | |
meets. Last year Karen was diagnosed with breast cancer. | :17:03. | :17:11. | |
Despite facing treatment, she still put others first. Her boss, Peter, | :17:11. | :17:16. | |
explains. She is the first person I have known who has gone through | :17:16. | :17:19. | |
chemotherapy. To lose your hair in front of the student and still come | :17:19. | :17:24. | |
in and support them and put their needs first is just amazing. I | :17:24. | :17:30. | |
think she is an inspiration to all of us in school. Karen's been given | :17:30. | :17:36. | |
the all-clear and can put the dark days behind her. She has always | :17:36. | :17:44. | |
dreamed of sky dyeing -- diving. She deserves a treat like this. I | :17:44. | :17:51. | |
wish her every happiness with it. I wish I was doing it. But I'm too | :17:51. | :17:59. | |
old. I don't know. Back at Karen's I'm making myself at home. I'm | :17:59. | :18:05. | |
going to let you in on a secret, I'm going to tell Karen that we're | :18:05. | :18:11. | |
going flying in a wind tunnel. But this is a rehearsal for a bigger | :18:11. | :18:17. | |
surprise. She is arriving. She has pulled up. I hope she is ready for | :18:17. | :18:23. | |
louse guests. Hi Karen. -- house guests. Hi Karen. I'm John | :18:23. | :18:30. | |
Barrowman from the BBC and I'm here to make your extreme come -- dream | :18:30. | :18:33. | |
come Frew true. I have been told you have been through a lot and | :18:33. | :18:39. | |
come out of the other side of the tunnel. Hopefully. You're a bit of | :18:39. | :18:43. | |
a daredevil. We're going to free fly in a wind tunnel. OK. Who is | :18:43. | :18:53. | |
responsible for this? You want too know? Michelle? Michelle! Come on | :18:53. | :19:03. | |
:19:03. | :19:07. | ||
over, Michelle. You shocked? Yeah I am. I'm really excited, because I | :19:07. | :19:12. | |
have always wanted to jump out after a plane, this is the closest | :19:12. | :19:19. | |
I'm going to get. She thinks this is the closest she will get? Let's | :19:19. | :19:26. | |
wait and see. There is a knack to this, it is about the body shape. | :19:26. | :19:32. | |
You want your arms feeling like they're resting on the floor. | :19:32. | :19:39. | |
the signals. Straighten your legs. Relax. Look it is the Pet Shop | :19:39. | :19:49. | |
:19:49. | :20:04. | ||
Awesome! She is eaway. Now it's my turn. Look Karen, I'm flying! | :20:04. | :20:09. | |
Having wind's never been so much fun. Oh sorry, that came out wrong. | :20:09. | :20:14. | |
What is the verdict? It is fantastic. I didn't know where I | :20:14. | :20:20. | |
was half of the time. But my goodness. Awesome. Karen's had the | :20:20. | :20:25. | |
time of her life. But I'm about to knock her off her feet with the big | :20:25. | :20:29. | |
surprise. Was that all you thought it would be? Yes and more. What was | :20:30. | :20:34. | |
the best bit? All of it. All of it was fantastic. Well I have to tell | :20:34. | :20:38. | |
you that is only a rest hearseal. Because there is something else | :20:38. | :20:45. | |
we're going to let you do. You're going to sky dive. Really? You're | :20:45. | :20:53. | |
going jump out after a plane baby. Oh my God. You are. You certainly | :20:53. | :20:59. | |
are. The day has arrived for Karen to live her dream and jump from | :20:59. | :21:07. | |
13,000 feet and you notice I'm not with her. Because I was busy. | :21:07. | :21:15. | |
beginning to sink in. She will jump with Jeff, an experienced sky diver. | :21:15. | :21:20. | |
We will free fall at 120mph. fast? Are you sure you want to do | :21:20. | :21:24. | |
this? This is my dream and something that recently perhaps I | :21:24. | :21:30. | |
thought wasn't going to happen. But I'm worried a about the landing. | :21:30. | :21:36. | |
Will end up on my bottom but I want to be graceful. Since John turned | :21:36. | :21:40. | |
up, it has been one big rollercoaster. This is it now. I | :21:40. | :21:50. | |
:21:50. | :21:54. | ||
can't wait. Here we go then. Up, up and away. What goes up, must come | :21:54. | :22:04. | |
:22:04. | :22:11. | ||
# Jump, might as well jump! Go ahead and jump! Amazing. Tonight's | :22:11. | :22:21. | |
:22:21. | :22:37. | ||
The Night to you too, Karen. That's It was amazing. It was awesome. I | :22:37. | :22:44. | |
just, I'm so elated. Thank you Tonight's The Night. Thank you very | :22:44. | :22:54. | |
:22:54. | :22:56. | ||
much. APPLAUSE. You landed on your feet! That is the best. Fantastic. | :22:56. | :23:02. | |
You have had a tough last couple of years. Yes. How exhilarating was | :23:02. | :23:06. | |
that? Really to be honest from when you turned up to jumping out of the | :23:06. | :23:12. | |
plane it has been amazing. All of it. I'm glad we could do that. You | :23:12. | :23:16. | |
such an inspirational person and the people around you love you, you | :23:16. | :23:22. | |
Michelle made it come true. Just pleased I could help. She is | :23:22. | :23:30. | |
amazing. An amazing person and so deserves it. Our high-flying Karen | :23:30. | :23:40. | |
:23:40. | :23:43. | ||
Martin! APPLAUSE. Now we have so many dreams to come true, I can't | :23:43. | :23:48. | |
be every where, but I have friends to help. When a dream dropped in, I | :23:48. | :23:53. | |
knew the guy to call. He has been around the West End more than a | :23:53. | :23:59. | |
taxi driver. I is Craig Revel Horwood! -- it is Craig Revel | :23:59. | :24:09. | |
Horwood! Craig, thank you for that. People see you as a shoot from the | :24:09. | :24:13. | |
hip, take no prisoners kind of guy. I have known you for a long time | :24:13. | :24:19. | |
and I know that he is actually a shoot from the hip no prisoners | :24:19. | :24:27. | |
kind of guy. So it must have been touf rein that in? Ha, ha, very | :24:27. | :24:33. | |
funny John. Actually, I had to work very hard and adapt to my | :24:33. | :24:38. | |
surroundings. So here is the plot for this next event. Enter stage | :24:38. | :24:44. | |
left an unsuspecting dreerm enter a devastatingly handsome lead | :24:44. | :24:50. | |
man. That is him by the way. And here is what laps when their eyes | :24:50. | :25:00. | |
:25:00. | :25:02. | ||
meet over an egg sandwich and a hot I'm in Belfast to surprise a | :25:02. | :25:08. | |
special lady. But I am going to make a real meal of it. Youth | :25:08. | :25:12. | |
worker Angela dreamed of a career in the west end and is still always | :25:12. | :25:18. | |
singing, according to her husband. She has my Three children singing. | :25:18. | :25:23. | |
I'm trying to give them a rugby ball, and she has them singing John | :25:23. | :25:27. | |
Barrowman songs. But Angela gave up her dreams to concentrate on her | :25:27. | :25:31. | |
family and her job at Barnardos, where she helps vulnerable young | :25:31. | :25:36. | |
people like Michelle to live independent lives. She changed my | :25:36. | :25:41. | |
life. I know now when I need her, whether it is night or day she will | :25:41. | :25:46. | |
be there. So sister-in-law Claire has asked us to make her dreams | :25:46. | :25:50. | |
come true and perform in front of the nation with the cast of hit | :25:50. | :25:58. | |
West End musical Dreamboats and Petticoats. I can't wait to see how | :25:58. | :26:03. | |
she reacts. She will laugh her legs off and she deserves this treat to | :26:03. | :26:13. | |
:26:13. | :26:14. | ||
have a go and shine. This is Angela's brother's sandwich shop. | :26:14. | :26:18. | |
But she doesn't know she is going to encounter the biggest diva the | :26:18. | :26:28. | |
:26:28. | :26:29. | ||
world has ever seen. Me! Easy Craig, don't peak Foo early. Angela is | :26:29. | :26:36. | |
unaware we have rigged the place with hidden cameras. Let's see how | :26:36. | :26:43. | |
she deals with my demand. Hello darling. How are we all here? Tell | :26:43. | :26:53. | |
:26:53. | :26:55. | ||
me, do you have a free range pick peas? -- chickpeas? No. Can I rope | :26:55. | :26:59. | |
Angela into helping with my ridiculous request, or will she | :26:59. | :27:06. | |
tell me to shove my sandwich. If I could have tomatos with that. I | :27:06. | :27:12. | |
don't suppose I could get you to just look through the tomato there, | :27:12. | :27:17. | |
because I'm concerned, because I can't have pips. Can you just go | :27:17. | :27:24. | |
through it and pick them out. out the pips? Yes, while your | :27:24. | :27:29. | |
making the sandwich, darling. That would be great. Who do you think I | :27:29. | :27:36. | |
am? I would love it. You pick the pips out of your tomatoes. No I | :27:36. | :27:42. | |
can't. I have sort of this bizarre fear of them oddly. Just three of | :27:42. | :27:47. | |
those would be good. Thank you. That will do you. A bit dry. | :27:47. | :27:55. | |
dear. Can you fold it a bit more neatly. Sorry. Oh we have a slight | :27:56. | :28:02. | |
problem. I don't... Carry money. I'm sort of like the Queen. So I | :28:03. | :28:08. | |
don't suppose... It would be possible at all to dance for my | :28:08. | :28:17. | |
sandwich? I do have a wonderful like costume here. Let's dry try it. | :28:17. | :28:23. | |
Oh look! Would you put it on, please? Oh I love a bit of bling. | :28:24. | :28:31. | |
Do you think this will pay for my sandwich? I think. So a wee shuffle. | :28:31. | :28:41. | |
:28:41. | :28:41. | ||
Let's do a polka. Kick and change. And flick. You're fabulous. You | :28:41. | :28:47. | |
should be on the stage. I am passed it Craig. No you're never passed it. | :28:47. | :28:55. | |
You are never passed it. I'm proof of that, I'm 25 and still dancing. | :28:55. | :29:03. | |
It is time to be honest. My love. My name is Craig Revel Horwood. I'm | :29:03. | :29:08. | |
from Tonight's The Night and John Barrowman has sent me down here to | :29:08. | :29:18. | |
:29:18. | :29:19. | ||
make your dreams come true. I know your dream is to go on stage. Well | :29:19. | :29:25. | |
how would you like to come to Tonight's The Night and sing in | :29:25. | :29:30. | |
front of the entire UK. How do you feel about that? Oh I don't know | :29:30. | :29:38. | |
what to say. Are you up for it. course I am. How brilliant. Oh I | :29:38. | :29:44. | |
knew you were up to something. I was dumbfounded. I am so excited. I | :29:44. | :29:52. | |
can't wait. My husband said you are wearing those leggings out. That is | :29:52. | :29:57. | |
why. Who do you think will have nominated you for such a thing? | :29:57. | :30:07. | |
:30:07. | :30:07. | ||
Claire. Well great guess. It was Claire. Fantastic. A week later | :30:07. | :30:11. | |
Angela is in the west end to rehearse you don't know me, the | :30:11. | :30:21. | |
song she will sing with the stars of dream boats and petty coats. | :30:21. | :30:27. | |
Quite nerve-wracking. I still don't know my word. Why don't you do a | :30:27. | :30:33. | |
back-to-back sort of... Mother and daughter? They are so young and | :30:33. | :30:37. | |
they have so much energy. That bounced off me. # Every time you | :30:37. | :30:45. | |
pass me by # You don't know. Imimpressed, she picked it up | :30:45. | :30:53. | |
quickly and has not hit a single bum note. # How I wish the one with | :30:53. | :30:59. | |
you. She is nervous but you have to have nerves when you go on stage. | :30:59. | :31:05. | |
It will drive you through. On the night she will be fantastic. # But | :31:05. | :31:11. | |
you don't know. I know I will be nervous. But I think it will be all | :31:11. | :31:18. | |
right on the night. Claire, you're Angela's sister-in-law. How much is | :31:18. | :31:22. | |
she looking forward to this? She is going to be so excited and just | :31:23. | :31:28. | |
diing to get on wit. She said she was nervous. Do you think she will | :31:28. | :31:37. | |
be? She will pull it out of Dag bag. Daid, her husband, a a lot children | :31:37. | :31:40. | |
she helps, will they think it is special? Absolutely. I thing they | :31:40. | :31:47. | |
will see her in a different. I know they will be blown away. Craig she | :31:47. | :31:50. | |
has confidence. Because not many people will stand up to you and she | :31:50. | :31:55. | |
made you try to pick out your own pips. She gave me a run for my | :31:55. | :32:00. | |
money. I was petrified that day. She was brilliant. She just went | :32:00. | :32:06. | |
along with it and surprisingly. Here we go. Hope she goes along | :32:06. | :32:15. | |
with it tonight. With the stars of Dreamboats and Petticoats, Angela, | :32:15. | :32:25. | |
:32:25. | :32:33. | ||
# Woah, woah, woah, # Oh, yes, yes | :32:33. | :32:38. | |
# Woah, woah, woah, oh yeah, yeah, yeah | :32:38. | :32:44. | |
# All though I love you so # Oh you don't know | :32:45. | :32:51. | |
# You don't know just how I feel # For my love I darnt reveal | :32:51. | :32:59. | |
# I am so, so afraid # You might not care | :32:59. | :33:08. | |
# Every time you pass me by # Oh, you don't know, you don't | :33:08. | :33:16. | |
know # Every time you pass me by | :33:16. | :33:21. | |
# Oh, you don't know # You don't know what I've been | :33:21. | :33:25. | |
through # Seeing someone else with you | :33:25. | :33:35. | |
:33:35. | :33:36. | ||
# Oh, I wish the one with you, were # But you don't know | :33:36. | :33:45. | |
# I would tell you, if I believed # That you might care someday | :33:45. | :33:54. | |
# But until then I'll never give this away | :33:54. | :33:59. | |
# So, a secret it must stay # And you don't know, you don't | :33:59. | :34:02. | |
know # How hard to bear | :34:02. | :34:07. | |
# Is this one way love affair # For it breaks my heart to be in | :34:07. | :34:17. | |
:34:17. | :34:32. | ||
love CHEERING AND APPLAUSE | :34:33. | :34:42. | |
How was it? Loved it. It was fabulous. | :34:42. | :34:47. | |
Susanna, did she look or feel nervous? Not at all, I think she | :34:47. | :34:51. | |
was more composed than me. She was brave and did a fantastic job, well | :34:51. | :34:56. | |
done. Sam, you are new to the cast, how is it going? It's going well. | :34:56. | :34:59. | |
We started Monday ourselves so we are in the same position as you, | :34:59. | :35:04. | |
our hearts were going but you were fantastic. Craig, some shoot from | :35:04. | :35:09. | |
the hip advice or comment? disappointed I'm afraid because I | :35:09. | :35:16. | |
couldn't find one single thing wrong! Ten out of ten! | :35:17. | :35:22. | |
Ladies and gentlemen, our thanks to Craig, Susanna, Sam, ladies and | :35:22. | :35:31. | |
gentlemen Angela Montgomery. Now, there are plenty of dreamers | :35:31. | :35:35. | |
here in the audience but only one of them has been nominated to have | :35:35. | :35:40. | |
a dream come true tonight. So, it's time for me to track you down. What | :35:40. | :35:45. | |
I need is everybody on the end of each of these aisles to stand up. | :35:45. | :35:51. | |
Everybody up. Everybody up. Up, up, up. OK, Matt, can we have some | :35:51. | :35:55. | |
appropriate music? I need you all to step down here and to do this. | :35:55. | :36:03. | |
Ready, and, arm, and arm, and arm, come on. And arm, and arm, and arm, | :36:03. | :36:07. | |
and arm and point and point and point and point and turn around and | :36:07. | :36:13. | |
turn around. Come on. And then I want you to go down. It's like an | :36:13. | :36:20. | |
outtake from Black Swan, isn't it? OK, you can all sit down. You can | :36:20. | :36:25. | |
all sit down because I'm not cut out to be a dance teacher, unlike | :36:25. | :36:34. | |
you, Karen Yates. Karen. Yeah. Nicola, yes? Yes. You guys, come | :36:34. | :36:44. | |
:36:44. | :36:44. | ||
with me. And the rest of you, take a look at this. Karen is my big | :36:44. | :36:48. | |
sister, six years older than me. Karen's passion for dancing started | :36:48. | :36:53. | |
at a young age. She left school when she was 15 to pursue dancing | :36:53. | :36:58. | |
and it's just been her life ever since. The passion was there. She | :36:58. | :37:04. | |
lived for dancing. In 1988, she had a terrible car crash. When we saw | :37:04. | :37:08. | |
the state of the car that she'd had the accident in, we just wondered | :37:08. | :37:12. | |
how she got out alive. We had to rush up to the hospital. She was in | :37:12. | :37:17. | |
a really bad way. With her dancing being her one true love, I'm sure | :37:17. | :37:21. | |
at times she must have thought it's all come to an end. When the doctor | :37:21. | :37:26. | |
said that she probably wouldn't walk again... She said, I'm not | :37:26. | :37:29. | |
listening to them, I will walk again and yes I will dance again, | :37:29. | :37:33. | |
I'll prove them wrong. Since the accident, she's focused more on her | :37:33. | :37:38. | |
dance school and that's just become her love now and she's so good at | :37:38. | :37:42. | |
it. There are times when she really is poorly but she will go and carry | :37:42. | :37:48. | |
on with teaching. She won't let the pupils down. She just connects to | :37:48. | :37:52. | |
every single one of us. We are her children, we are there for her, | :37:52. | :37:57. | |
she's there for us, works both ways, we are like a big happy family. | :37:57. | :38:01. | |
Karen does a lot of found raising for local and national charities, | :38:02. | :38:07. | |
dance shows, pantomimes, a weekly lottery. She's raised well over | :38:07. | :38:11. | |
�40,000. She's an inspiration to everybody, she really is. I want to | :38:11. | :38:14. | |
say thanks for everything, thanks for the past 15 years, for being | :38:14. | :38:18. | |
you. Hope you are having a great night. Enjoy yourself. Have a great | :38:18. | :38:25. | |
night. You deserve this, you really do. Karen, this is your dad. Really | :38:25. | :38:33. | |
enjoy yourself and have the best night of your life! | :38:34. | :38:37. | |
Nicola, Karen's made a huge difference in lot of people's lives, | :38:37. | :38:43. | |
hasn't she? She learn si has, John. She's an inspiration to everybody - | :38:43. | :38:47. | |
- certainly has. She's my hero. She's done so much for charities, | :38:47. | :38:51. | |
for her dance pupils and for her family and friends. She's just the | :38:51. | :38:54. | |
best. Did you have any idea anything like this was going to | :38:54. | :39:02. | |
happen? No, I thought she'd won a competition. I've got dancing exams | :39:02. | :39:06. | |
tomorrow and I said to her, I'd better be back for 6 o'clock | :39:06. | :39:10. | |
tomorrow morning for my dancers. think you will be all right, you | :39:10. | :39:15. | |
will be there for the dancers, don't worry. Karen, because this is | :39:15. | :39:19. | |
your special night, and we wanted something special for you, and I | :39:19. | :39:23. | |
think you are an incredibly brave and special woman and I would like | :39:23. | :39:33. | |
:39:33. | :39:38. | ||
to sing this song, your favourite song for you. Thank you. Clsh | :39:38. | :39:41. | |
Girl when you hold me # How you control me | :39:41. | :39:49. | |
# You bend me and fold me any way you please | :39:49. | :39:54. | |
# It must be easy for you, the loving things that you do | :39:54. | :40:01. | |
# For just a pastime for you # I could never be and I never know | :40:01. | :40:06. | |
girl if I should stay or go # Cos the games that you play keep | :40:06. | :40:16. | |
:40:16. | :40:19. | ||
drieing me away - driving me away # Don't love me for fun girl | :40:20. | :40:24. | |
# Let me be the one girl # Love me for a reason | :40:24. | :40:28. | |
# Let the reason be love # Don't love me for fun girl | :40:28. | :40:35. | |
# Let me be the one girl # Love me for a reason | :40:35. | :40:45. | |
:40:45. | :40:46. | ||
# Let the reason be love ahen, you've taught so many people over | :40:46. | :40:49. | |
the years. Here tonight to celebrate that are some of your | :40:49. | :40:53. | |
students from over the years. Come on over here. | :40:53. | :40:58. | |
# Don't love me for fun girl # Let me be the one girl | :40:58. | :41:03. | |
# Love me for a reason # Let the reason be love | :41:03. | :41:07. | |
# Don't love me for fun girl # Let me be the one girl | :41:07. | :41:17. | |
# Love me for a reason # Let the reason be love | :41:17. | :41:21. | |
# Don't love me for fun girl # Let me be the one girl | :41:21. | :41:31. | |
:41:31. | :41:35. | ||
# Love me for a reason # Let the reason be love... # | :41:35. | :41:45. | |
:41:45. | :41:50. | ||
Thank you so much. You're very welcome. You're an inspiration, not | :41:50. | :41:53. | |
only to everybody here but to everybody watching tonight. What do | :41:53. | :41:57. | |
you have to say to these people who're sneaky but really care about | :41:57. | :42:01. | |
you an awful lot? Oh, I wondered where all my dancers were last | :42:01. | :42:07. | |
night. I got texts saying "I can't come exbeen called into work" and | :42:07. | :42:10. | |
I'm thinking, I'm on my own with new pupil. Are you going to pass | :42:10. | :42:17. | |
them all tomorrow? I will, yes. Ladies and gentlemen, our dance | :42:17. | :42:24. | |
teacher extraordinary Karen Yates. So much more to pack into the show. | :42:24. | :42:30. | |
Here is what is still on the way: West End star Ruthy Henshall is | :42:30. | :42:33. | |
here with a classic from the musical cabaret. | :42:33. | :42:38. | |
And Bevly Knight's back and will have us dancing In The Aisles. | :42:38. | :42:42. | |
Next, I'm surprising a theatre-goer in London's busy West End. We all | :42:42. | :42:47. | |
know a trip to the theatre is no easy feat. Sometimes it's tricky | :42:47. | :42:51. | |
getting a ticket, sometimes it's hard getting a parking spot. But | :42:51. | :42:59. | |
surely getting a drink would be easy, right? Oh... | :42:59. | :43:06. | |
Huh? Not when I'm the usher it isn't. | :43:06. | :43:14. | |
Woah. Roger? Roger, where's the end of the stage? Roger... | :43:14. | :43:19. | |
CRASH I'm on my way to the West End to | :43:19. | :43:23. | |
surprise a very special young woman who dreams of performing on stage. | :43:23. | :43:28. | |
And that's a dream Charlotte Bullen's had since childhood. Her | :43:28. | :43:31. | |
dance teacher and friend Paula is going to tell us more. | :43:31. | :43:35. | |
If Charlie got the chance to perform with a West End star, it | :43:35. | :43:39. | |
would just been everything to her. It's always been her dream. Just | :43:39. | :43:43. | |
over four years ago, everything changed for Charlotte. Her mum Jane | :43:43. | :43:45. | |
remembers how a life-threatening heart condition almost shattered | :43:45. | :43:49. | |
her daughter's West End dreams. This obviously affected her | :43:50. | :43:54. | |
performances, she had to give up dancing and singing and her | :43:54. | :43:56. | |
confidence really, really did suffer. | :43:56. | :43:59. | |
Despite taking time off college for regular treatment, she's kept the | :43:59. | :44:04. | |
childhood dreams alive and has even recorded a CD for charity. Over the | :44:04. | :44:08. | |
years, she's really suffered and kept it all to herself and she's | :44:08. | :44:11. | |
been really brave. But she's also managed to raise thousands of | :44:11. | :44:14. | |
pounds for the local charities and I just think it would be nice for | :44:14. | :44:19. | |
her to have a little surprise back. So that's where I come in. I've | :44:19. | :44:23. | |
arranged for Charlotte's musical dreams to come true by setting up a | :44:23. | :44:29. | |
duet with her idol, West End and Broadway star, Ruthy Henshall. | :44:29. | :44:34. | |
think she'll be absolutely blown away, to be honest. She absolutely | :44:34. | :44:40. | |
adores her. Charlie thinks she's coming to see | :44:41. | :44:44. | |
Chicago. She certainly is coming to see a show, but tonight, she's | :44:44. | :44:49. | |
going to be the star! Show time! The whole theatre has been rigged | :44:49. | :44:53. | |
with our secret cameras, including the VIP box. Charlie's getting pre- | :44:53. | :44:56. | |
show drinks there with her best friend Paula, but of course, | :44:56. | :45:00. | |
Paula's in on the set-up and the hospitality is not what you would | :45:00. | :45:03. | |
expect. Because I'm upstairs being transformed into the man who will | :45:03. | :45:09. | |
Kate tore their every need. Usher extraordinaire. Walter is a | :45:09. | :45:13. | |
frustrated performer who could have been a big star if only he'd had | :45:13. | :45:17. | |
the breaks. Well, it looks like he's broken | :45:17. | :45:19. | |
something. The girls are called up to their | :45:19. | :45:23. | |
VIP box, and with mum watching backstage, they are about to | :45:23. | :45:27. | |
experience Walter's unique pre-show hospitality. Excuse me a minute, | :45:28. | :45:35. | |
just going to ps oop, terribly sorry. I will get in a lot of | :45:35. | :45:41. | |
trouble for that. A little bit of... Sorry, that was orange. Oh dear! | :45:41. | :45:45. | |
I need another glass! And they need another usher. But | :45:45. | :45:52. | |
once Walter's popped, just can't stopment | :45:52. | :45:56. | |
Oops. Sorry. I just thought, Thwaiteer's being really strange, I | :45:56. | :46:02. | |
was saying to Paula, what's he doing, but honestly, I didn't have | :46:02. | :46:06. | |
any idea at all. I've actually opened an ice-cream and I'm not | :46:06. | :46:11. | |
supposed to unless you wanted one. Terrible, isn't it? Don't tell | :46:11. | :46:14. | |
anyone, I'm having a nice time talking to you, but don't worry, | :46:14. | :46:20. | |
I'm just going to... Mint chocolate chip, absolutely wonderful. What's | :46:20. | :46:27. | |
your favourite song from the show? Are you a naughty girl? Cell block | :46:27. | :46:31. | |
tango. You are a naughty one, yes you are. This is only the first act | :46:31. | :46:35. | |
of the surprise. Curtain down on Walter and curtain up on me. Listen, | :46:35. | :46:37. | |
darling, back after the show's started to make sure everything's | :46:37. | :46:41. | |
all right, you've got your champagne and remember, you have a | :46:41. | :46:44. | |
wonderful show, but they are not going to be the only ones in the | :46:44. | :46:49. | |
spotlight, my dear, because I'm John Barrowman from BBC One | :46:49. | :46:55. | |
Eastonite's the night and I am here to make your dream come true. | :46:55. | :47:01. | |
Stand up. Yay. Oh, my God. Overwhelmed really, | :47:01. | :47:07. | |
absolutely in shock at the moment. Needs to sink in. Would you please | :47:07. | :47:10. | |
come with me to the Tonight's The Night studio, where you are going | :47:10. | :47:19. | |
to perform in front of the nation... Sure... Are you sure? Totally | :47:19. | :47:23. | |
serious. Take a breath. You would? Yes. Would you sing with somebody | :47:24. | :47:31. | |
else? Yes. Would you sing with Ruthy Henshall? No way! Yes way. | :47:31. | :47:37. | |
Oh... Yes. OK? Brilliant. Oh, my God, I | :47:37. | :47:40. | |
was trying to pinch myself to see if I was dreaming ofrpbt. It's | :47:40. | :47:46. | |
amazing honestly, I can't wait to sing with her. Charlie rehearses | :47:47. | :47:51. | |
her song. Maybe this time from cabaret. And a surprise Eaves | :47:51. | :48:01. | |
:48:01. | :48:03. | ||
dropper is outside. Her duet Are you Charlotte. I was listening, | :48:03. | :48:09. | |
it is incredible. She has a beautiful innocent quality to her | :48:09. | :48:15. | |
voice. She seemed overwhelmed at first and then you could hear it | :48:15. | :48:24. | |
just blossoming. Ruthy's voice is what I want to be lake. It is | :48:24. | :48:30. | |
amazing to be able to sing like her. I think she will coal really well | :48:30. | :48:35. | |
on the big stage. It is one of those things if you have that in | :48:35. | :48:39. | |
your blood, as soon as the lights hit, it happens, you know and I | :48:39. | :48:47. | |
think she will just come out fighting. # Maybe this time I'll | :48:47. | :48:57. | |
:48:57. | :49:04. | ||
win! So mum, Charlotte has always wanted to perform with Ruthie | :49:04. | :49:08. | |
Henshall. This one the -- must be the biggest moment in her life. | :49:08. | :49:13. | |
she is really looking forward to it. Has her heart condition held her | :49:13. | :49:17. | |
back? Yes it has. She has been performing since she was about 10 | :49:17. | :49:22. | |
and it has held her back two or three years. She is now coming out | :49:22. | :49:29. | |
of it. It is wonderful to see. how is it going to be to see your | :49:29. | :49:36. | |
youngest up there. Fantastic. Like the lottery, better than winning | :49:36. | :49:41. | |
the lottery. Money can't buy these moments. Well, take your seats, for | :49:41. | :49:45. | |
a return to the West End, with Ruthie Henshall and a classic from | :49:46. | :49:55. | |
:49:56. | :49:56. | ||
the show Cabaret. Charlotte, Tonight's The Night. # Maybe this | :49:56. | :50:04. | |
time I'll be lucky. # Maybe this time he'll stay. | :50:04. | :50:11. | |
# Maybe this time for the first time. | :50:11. | :50:21. | |
:50:21. | :50:22. | ||
# Love won't hurry away. # He will hold me fast. | :50:22. | :50:32. | |
:50:32. | :50:34. | ||
# I'll be home at last. Ladies and gentlemen, please | :50:34. | :50:44. | |
:50:44. | :50:57. | ||
welcome the incredible Charlotte! Something's bound to begin. It's | :50:57. | :51:07. | |
:51:07. | :51:11. | ||
going to happen. # Happen some time # Maybe this time I'll win # | :51:11. | :51:20. | |
Everybodys loves a winner. So nobody loved me. # Lady peaceful. | :51:20. | :51:29. | |
# Lady happy. # That's what I long to be. | :51:29. | :51:34. | |
# Well, all the odds are, they're in my favour. | :51:35. | :51:43. | |
# Something's bound to begin. # It's gotta happen. | :51:43. | :51:53. | |
:51:53. | :51:56. | ||
# Happen sometime. # Maybe this time I'll win. | :51:56. | :52:06. | |
:52:06. | :52:32. | ||
Was that awesome. Thank you. have sung with your odd ol - idol. | :52:32. | :52:37. | |
I know. How was it? Incredible. it everything you thought it would | :52:37. | :52:43. | |
be. And more. Thank you. She has sung with a leading lady of the | :52:43. | :52:48. | |
west end. That must take a lot of guts. What was so special, I think | :52:48. | :52:54. | |
you saw it, as she came out, you lot went mad and your face just lit. | :52:54. | :53:01. | |
And then you started singing and they all started clapping and you | :53:01. | :53:10. | |
just blew us away. It was wonderful. Mum, and dad, your face says it all | :53:10. | :53:18. | |
right? Are you proud? Oh yes, thank you so much. I know what I can say, | :53:18. | :53:25. | |
incredible. Ladies and gentlemen, Ruthie Henshall and Charlotte | :53:25. | :53:34. | |
Bullen! I promised she would be back. With an 80s hit, momma used | :53:34. | :53:44. | |
:53:44. | :54:04. | ||
# Oh yes # Come on! That's it! # Said a small boy once asked: "When | :54:04. | :54:07. | |
will I grow up?" # When will I see what grownups do | :54:07. | :54:11. | |
see?" # In his strive to become a man, he | :54:11. | :54:17. | |
will act an older age to be recognised as man among the men. | :54:17. | :54:21. | |
# And mama used to say: "Take your time young man." | :54:21. | :54:25. | |
# And mama used to say: "Don't you rush to get old." | :54:26. | :54:30. | |
# And mama used to say: "Take it in your stride." | :54:30. | :54:36. | |
# And mama used to say: "Live your life." | :54:36. | :54:40. | |
# As the years where rushing by he will cut down on his age, tell his | :54:40. | :54:47. | |
girl of how it used to be. # Now, his mama past away but this | :54:47. | :54:52. | |
lines she would say at that time he couldn't understand. | :54:52. | :54:56. | |
# And mama used to say: "Take your time young man." | :54:56. | :55:01. | |
# And mama used to say: "Don't you rush to get old." | :55:01. | :55:06. | |
# And mama used to say: "Take it in your stride." | :55:06. | :55:10. | |
# And mama used to say: "Live your life." | :55:10. | :55:19. | |
# You're young, so young, so hold on back, do what you want to do. | :55:19. | :55:23. | |
# Now is the time for you to strive, For you to get better in what you | :55:23. | :55:33. | |
:55:33. | :55:47. | ||
are doing! Come on! Oh yeah! Got to listen to | :55:47. | :55:55. | |
your mamma, people. Take your time young man # Mamma used to say # | :55:55. | :56:03. | |
Don't you rush to get old # Mamma used to say, take it in your stride | :56:03. | :56:12. | |
# Live your life. # Take your time, take your time # Don't you rush to | :56:12. | :56:22. | |
get old # Take it all in your stride # Live your life # Come on | :56:22. | :56:29. | |
one more time # Mamma used to say it # She used to say it # Mamma | :56:29. | :56:39. | |
:56:39. | :56:39. | ||
used to say it # Mamma used to tell me # She used to say it # Live your | :56:39. | :56:49. | |
:56:49. | :56:53. | ||
The amazing Beverley Knight. We are all out of dreams. But we are back | :56:53. | :56:59. | |
next week with a surprise from the Billy Elliott. Matthew Morrisson | :56:59. | :57:05. | |
meets a big admirer and the band of the Royal Marines are here and | :57:05. | :57:09. | |
Sophie Ellis-Bextor has a new singing partner. Until then, keep | :57:09. | :57:19. | |
:57:19. | :57:30. | ||
dreaming. Today this could be the greatest day of hur lives. # Before | :57:30. | :57:40. | |
:57:40. | :57:40. | ||
it all ends # Before we run out of time # Stay close to me # Stay | :57:40. | :57:50. | |
:57:50. | :57:54. |