Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's Saturday night, this is Tonight's The Night, please welcome | :00:28. | :00:37. | |
:00:38. | :00:45. | ||
your host, John Barrowman! # I gotta feeling that tonight's | :00:45. | :00:48. | |
gonna be a good night. # That tonight's gonna be a good | :00:48. | :00:50. | |
night. # That tonight's gonna be a good, | :00:50. | :00:52. | |
good night. # A feeling that tonight's gonna be | :00:52. | :00:54. | |
a good night. # That tonight's gonna be a good | :00:54. | :00:56. | |
night. # That tonight's gonna be a good, | :00:56. | :00:58. | |
good night. # A feeling, woohoo, that tonight's | :00:58. | :01:01. | |
gonna be a good night. # That tonight's gonna be a good | :01:01. | :01:03. | |
night. # That tonight's gonna be a good, | :01:03. | :01:13. | |
:01:13. | :01:26. | ||
good night. Welcome to Tonight's The Night! You | :01:26. | :01:30. | |
know how the show works. Along with my trusty team, I travel here, | :01:30. | :01:34. | |
there and everywhere, hunting down people with big plans. When I find | :01:34. | :01:40. | |
them, I eliminate them. No, sorry, that his Torchwood! On the show, | :01:40. | :01:44. | |
along with my trusty team, I travelled here, there, and | :01:44. | :01:48. | |
everywhere, hunting down people with big dreams, and I make those | :01:48. | :01:53. | |
dreams come true. I do a lot of stuff in disguise so if you see me | :01:53. | :01:57. | |
in a leather waistcoat and platform shoes, I am surprising somebody for | :01:57. | :02:02. | |
the show, or I am off to a really good party. Let's see what | :02:02. | :02:07. | |
surprises and despises are on the way. Sophie Ellis-Bextor joins us - | :02:07. | :02:12. | |
- disguises. The band of Her Majesty's Royal Marines get a brand | :02:12. | :02:18. | |
new conductor. Billy Elliott is back to boogie, and Matt Baker | :02:18. | :02:23. | |
helps Glee pars biggest fan meet its biggest laugh. I am going to be | :02:23. | :02:31. | |
springing a show -- ace of surprise on a special goal. Mad as a special | :02:31. | :02:40. | |
Let's get on with our first surprise. We have all dealt with | :02:40. | :02:49. | |
call centres, right? A call for you, John. Thanks! Press one if you wish | :02:50. | :02:54. | |
to change and order. Pressed to if you have a question regarding | :02:54. | :02:59. | |
delivery. Press three if you are a nightmare call with a list of | :02:59. | :03:04. | |
impossible demands. That will be three, then. Here is what happened | :03:04. | :03:10. | |
when I became that caller. We are here at a call centre in Newton | :03:10. | :03:14. | |
Abbot, Devon, to surprise one of its telephone operators, 20-year- | :03:14. | :03:18. | |
old Bobby Watts. I am in the warehouse of the call centre where | :03:18. | :03:23. | |
Bobby works. She normally takes catalogue orders but today, | :03:23. | :03:27. | |
Tonight's The Night is calling. Bobby could soon be court -- before | :03:27. | :03:32. | |
she could walk. She loves all music and can belt out anything from | :03:32. | :03:37. | |
classical numbers to golden oldies and pure pop. A mother is never far | :03:37. | :03:41. | |
from a performance. She is always singing, she will sing in the | :03:41. | :03:45. | |
supermarket, in any shop, any street. Bobby was set on going to | :03:45. | :03:48. | |
college to study performing arts, but when her older brother was | :03:48. | :03:52. | |
tragically killed in a road traffic accident, she lost her best friend | :03:52. | :03:56. | |
and biggest supporter. No really encouraged with her singing because | :03:56. | :04:00. | |
he would take care to all the auditions, he would find auditions | :04:01. | :04:05. | |
were to go to, and support her. Bobby found the courage to sing | :04:05. | :04:09. | |
that a brother's funeral, but his death left her dream shattered. A | :04:09. | :04:14. | |
granddad noticed a big change. seemed to knock her sideways and | :04:14. | :04:19. | |
took the wind completely out of the sales, she was devastated. | :04:19. | :04:23. | |
years on, Bobby's family feels she is slowly getting back on track and | :04:23. | :04:27. | |
could be ready to pursue her dream. All she needs is a confidence boost. | :04:28. | :04:32. | |
It seems recently that the pack -- the Passion is there and the fire | :04:32. | :04:37. | |
is coming back. She deserves to have it back. She gives so much to | :04:37. | :04:43. | |
others, it is time to have it there. She takes orders for a gift | :04:43. | :04:46. | |
catalogue. She is about to deal with some very eccentric customers, | :04:47. | :04:51. | |
who are all me. Bobby has arrived at work, we have everything set up, | :04:51. | :04:57. | |
she is ready to go, it is time to make a dream come true. How can I | :04:57. | :05:05. | |
help you? I am looking at a turban. I have problems with my hair. | :05:05. | :05:13. | |
have the page number? It is 19. I prefer the smile of the lady with | :05:13. | :05:20. | |
the floral turban. The wrinkles on me, I can tell you. Not wrinkles! | :05:20. | :05:25. | |
What are they? They show you have had a very fulfilling life. I have | :05:25. | :05:30. | |
never thought of it that way. I hope that one day, you have a very | :05:30. | :05:35. | |
wrinkly face! Thank you! I will take that as a compliment. I could | :05:35. | :05:40. | |
talk with you all afternoon. Come round with a cup of tea and a nice | :05:40. | :05:43. | |
Victoria sponge! A strong builder's tea, especially when it is | :05:43. | :05:48. | |
delivered by a builder! Tell me about it, I wouldn't mind a good | :05:48. | :05:52. | |
looking one coming about right now! Feisty! The first one has gone | :05:52. | :05:56. | |
brilliantly, she has fallen for it, she has described the whole | :05:56. | :06:03. | |
conversation to her boss. It seems like every on board in the | :06:03. | :06:09. | |
UK is calling. -- every odd person in the UK. I don't move as quickly | :06:09. | :06:15. | |
as I used to. Hold on! What she doesn't know is that I am a | :06:15. | :06:19. | |
distraught caller, because I think that is my dog that has gone | :06:19. | :06:26. | |
missing. The dog in their, that is my dog that has been missing for | :06:26. | :06:30. | |
two months, it is Princess chocolate buttons! Can you bear | :06:30. | :06:37. | |
with me one moment. What was your name? Gavin, Gavin Barker. She is | :06:37. | :06:42. | |
talking to the supervisor. She is not sure what to do. This man is | :06:42. | :06:47. | |
claiming that is his dog. Hello, Gavin. I am ever so sorry, I have | :06:47. | :06:52. | |
spoken to my sales manager. I am afraid that is not your dog. We are | :06:52. | :06:59. | |
told it is our breeders dog. Right, I feel very embarrassed. I am so | :06:59. | :07:09. | |
:07:09. | :07:11. | ||
sorry. I am sorry for your loss. Hook, line and sinker! Now it is | :07:11. | :07:16. | |
time to reveal who is really behind the phone! Good morning, what is | :07:16. | :07:25. | |
your first name, please? John. your last name? Baron and. He -- | :07:25. | :07:30. | |
John Barrowman. I am right here, talking to you, because I am from | :07:30. | :07:35. | |
Tonight's The Night and I am here to make your dream come true. It | :07:35. | :07:44. | |
was all me! And everybody here is in on it! I have been hiding over | :07:44. | :07:50. | |
there. We -- you have had a tough time of late. I am going to whisk | :07:50. | :07:54. | |
you off, and you are going to go to the Tonight's The Night studio, and | :07:54. | :08:00. | |
you are going to sing in front of the nation, on television... Prime | :08:00. | :08:10. | |
:08:10. | :08:11. | ||
A couple of weeks later, Bobby is in Glasgow rehearsing her big | :08:11. | :08:15. | |
number and she has no idea she is singing with a pop idol, Sophie | :08:15. | :08:20. | |
Ellis-Bextor. She is about to get the surprise of her life. I had to | :08:20. | :08:26. | |
come and say hello. I will be singing with you later. Hello. Nice | :08:26. | :08:29. | |
to meet you. I was going to ask you if you are nervous but you are | :08:29. | :08:34. | |
clearly not, because your voice is incredible, it sounds amazing. I | :08:34. | :08:38. | |
think we are going do have lots of fun. I hope you are excited. Yes, I | :08:38. | :08:45. | |
am. I was extremely shocked to see surface -- Sophie Ellis-Bextor, it | :08:45. | :08:53. | |
was a wicked surprise. I am really looking forward to tonight, we are | :08:53. | :08:57. | |
going to have lots of fun. I knew that I love this song, it is really | :08:57. | :09:02. | |
pretty, it has a wistfulness, it is optimistic. Now I know how good her | :09:02. | :09:08. | |
voice is, I think she will steal the show. In a good way. | :09:08. | :09:18. | |
:09:18. | :09:23. | ||
Linda, you nominated body. We know you guys have had a tough time | :09:23. | :09:28. | |
since you lost your son -- nominated Bobby. What will this | :09:28. | :09:32. | |
mean to her? It will give her the confidence back and allow her to go | :09:32. | :09:37. | |
forward in the future, so she can fulfil her other dreams. Dad, Bobby | :09:37. | :09:42. | |
was really patient with those callers, is she normally like that? | :09:42. | :09:46. | |
She is school with everything that goes on. She has that kind of | :09:46. | :09:52. | |
patience -- she is cool. All the time. The moment is here. Dreaming | :09:52. | :09:56. | |
a little dream with Sophie Ellis- Bextor, Bobby what's, tonight is | :09:56. | :10:06. | |
:10:06. | :10:15. | ||
# Stars shining bright above you. # Night breezes seem to whisper "I | :10:15. | :10:17. | |
love you". # Birds singing in the sycamore | :10:17. | :10:26. | |
tree. # Dream a little dream of me. | :10:26. | :10:33. | |
# Say "nighty-night" and kiss me. # Just hold me tight and tell me | :10:33. | :10:38. | |
you'll miss me. # While I'm alone and blue as can | :10:39. | :10:48. | |
:10:49. | :10:51. | ||
# Dream a little dream of me. It is my great honour to introduce, | :10:51. | :10:59. | |
the hugely talented Bobby Watts, to the stage. # Stars fading but I | :10:59. | :11:09. | |
linger on dear. CHEERING # Still craving your kiss. | :11:09. | :11:13. | |
# I'm longing to linger till dawn dear. | :11:13. | :11:23. | |
# Just saying this. # Sweet dreams till sun beams find | :11:23. | :11:26. | |
you. # Sweet dreams that leave all | :11:26. | :11:32. | |
worries behind you. # But in your dreams, whatever they | :11:32. | :11:42. | |
:11:42. | :12:14. | ||
Beautiful, it really beautiful. You have all the confidence in the | :12:14. | :12:18. | |
world now. You came out there like a true star, you were absolutely | :12:18. | :12:26. | |
shining. Mum and dad, everything you hope for? Absolutely. Proud? | :12:26. | :12:32. | |
Very. How do you feel? I am over the moon, but I am shaking. It is a | :12:32. | :12:37. | |
good shake. I loved it. Sophie, what can you say? She was | :12:37. | :12:41. | |
magnificent. She came out there, you took your moment, I think you | :12:41. | :12:45. | |
are going to be singing for the rest of your days. That voice is | :12:45. | :12:55. | |
:12:55. | :12:58. | ||
amazing. So good. I want a cuddle! Also! -- awesome! Please give it up | :12:58. | :13:07. | |
for the always singing, Bobby What a great start to the show, | :13:07. | :13:12. | |
there is more on the way. Band of Her Majesty's Royal Marines is here | :13:12. | :13:20. | |
with a one night only conductor. Glee start Matthew Morrison has a | :13:20. | :13:27. | |
dream day out for a deserving goal. And a Billy Elliot dance that will | :13:27. | :13:32. | |
end the -- bring the house down. I can draw the line and a campaign | :13:32. | :13:37. | |
myself into the corner, but that is far as might autistic -- artistic | :13:37. | :13:41. | |
ability goes. I had to inspire young people to create fine art, | :13:41. | :13:45. | |
and I had just the man for the job. From gloopy to, Countryfile and the | :13:45. | :13:55. | |
:13:55. | :13:59. | ||
one show, Matt Baker -- from Blue Welcome back. You have become an | :13:59. | :14:04. | |
art expert for this whole thing. Well, yeah, I tried. Not very | :14:04. | :14:08. | |
successfully. Were you able to use any of your experience from Blue | :14:08. | :14:13. | |
Peter? That was about toilet roll tubes and sticky-back plastic and | :14:13. | :14:18. | |
there was none of that, but I made use of my environment. Well, for | :14:18. | :14:22. | |
this surprise, Matt had to pull off three things, to become a | :14:22. | :14:26. | |
believable art teacher, to know his way around a canvas and to look | :14:26. | :14:33. | |
cool in a goatee beard. Two out of three ain't bad! | :14:33. | :14:37. | |
John has sent me to Bexhill in East Sussex, to surprise 12-year-old | :14:37. | :14:41. | |
Lauren, who helps raise money for charity, despite having an her own | :14:41. | :14:51. | |
:14:51. | :14:52. | ||
problems to cope with, as her mum Lauren was bump with a lump on her | :14:52. | :15:00. | |
back, it was diagnosed as spina bifida. The doctors told me she may | :15:00. | :15:04. | |
never walk or walk with a disability. She has grown up with | :15:04. | :15:08. | |
the lump on her back. Because she is aware she is different, this is | :15:08. | :15:12. | |
why she likes to help other children. When Lauren is not | :15:12. | :15:18. | |
raising money, her passions are singing, dancing and painting. I'm | :15:18. | :15:22. | |
here to surprise Lauren, norpblly, she is taught art by her teacher, | :15:22. | :15:26. | |
today she is being told that a special artist is in town to give | :15:26. | :15:34. | |
her a very special lesson. Enter Felix. Into disguise. I'm starting | :15:34. | :15:39. | |
to resemble a movie star. I look like the guy off Wayne's company | :15:39. | :15:46. | |
World. I will do in a second shall I have red glasses somewhere. We | :15:46. | :15:52. | |
rig the studio with hidden cameras and microphones. Now I'm nervous. | :15:52. | :15:56. | |
My heart is racing. Lauren doesn't let her condition hold her back. | :15:56. | :16:01. | |
She focuss on other children. She has helped to raise over �75,000 | :16:01. | :16:05. | |
for various good causes, including the Tree of Hope. Injury any from | :16:05. | :16:11. | |
the charity thinks she is an inspiration for all. I have never | :16:11. | :16:16. | |
met such a young girl with inner goodness and boundless energy. She | :16:16. | :16:21. | |
is always helping to help in some way. One major events that she | :16:21. | :16:28. | |
thought up herself was a glider flight. She raised �1500. She was | :16:28. | :16:35. | |
oogt eight years old. If she thought the sky was the limit, she | :16:35. | :16:41. | |
was wrong. As mum watches the art glass begins. It's not still life. | :16:41. | :16:51. | |
What I never do, ever, is approach an a painting without warming up. A | :16:51. | :17:01. | |
:17:01. | :17:01. | ||
jog, around we go. And then, "ha, ha". Weirder than Van Gogh. Felix | :17:01. | :17:07. | |
singles out lawyeren for his painting masterclass. Stop. I want | :17:08. | :17:17. | |
:17:18. | :17:18. | ||
silence. When I say, Felix, I want you to throw paint at the canvas. | :17:18. | :17:28. | |
:17:28. | :17:30. | ||
FELIX. Stop. APPLAUSE | :17:30. | :17:39. | |
That is amazing. To conclude the lesson, Felix has brought along a | :17:39. | :17:44. | |
special piece of art. What a piece of work it is. 1, 2, 3, reveal the | :17:44. | :17:53. | |
masterpiece. That is... Do you know who that is? That's John Barrowman. | :17:53. | :17:58. | |
Yeah. I'm not Felix at all. I'm actually Matt Baker from Tonight's | :17:58. | :18:04. | |
The Night. We are here to make your dreams come true. John asked me to | :18:04. | :18:09. | |
come along and surprise you. What do you think? Oh, my God. OK. Is it | :18:09. | :18:19. | |
right you are a big fan of Glee? Yeah. Who is the singing teacher. | :18:19. | :18:26. | |
Matthew Morrison. He wants to meet with you. One-on-one. I feel so | :18:26. | :18:33. | |
excited and shocked. I didn't even know it was going on. I'm in | :18:33. | :18:37. | |
amazement. Talk about Glee, Lauren doesn't doesn't have long to get | :18:37. | :18:42. | |
over the shock before she is sent to London to see Matthew Morrison | :18:42. | :18:51. | |
in concert. It's a quick stop off at a posh hotel. Hi. Hello. Hello. | :18:51. | :18:59. | |
Can I give you a hug. All right. Very nice to meet you. Hi. You are | :18:59. | :19:04. | |
crying already. Sit here. Why are you crying? I'm really happy. | :19:04. | :19:13. | |
are a big Glee fan? Yeah. I have three favourite characters. You, | :19:13. | :19:21. | |
Quin and Emma. Usually the standard answer is ear Fl ynn or Rachel. You | :19:21. | :19:31. | |
are smarter than most people. Good taste too. Thank you. With Glee | :19:31. | :19:35. | |
momentos she set up for the concert. She is invited backstage to help | :19:35. | :19:42. | |
Matthew out with a sound check. How cool is that?! It's all happening. | :19:42. | :19:50. | |
How are you? Hi. Good to see you. Welcome to the Hammersmith Appal | :19:50. | :19:57. | |
owe Theatre. It's 3500 seats. So, have you been listening to the | :19:58. | :20:03. | |
album? Yes. Any favourite songs on it? I have three. I like Summer | :20:03. | :20:11. | |
Rain. My favourite. My Name. And sp somewhere Over The Rainbow. | :20:11. | :20:19. | |
Fantastic. Do you want to sing with me. Yeah. Are you ready? | :20:19. | :20:29. | |
:20:29. | :20:32. | ||
# Somewhere over the rainbow # Way up high | :20:32. | :20:42. | |
:20:42. | :20:49. | ||
# There's a land that I dreamed of once a lullaby... # | :20:49. | :20:58. | |
Very good. Thank you. Thank you for singing with me. You are welcome. | :20:58. | :21:01. | |
APPLAUSE That was absolutely amazing, wasn't | :21:01. | :21:08. | |
it? Yes. I mean, they are not tears of sadness, they are tears of | :21:08. | :21:12. | |
happiness. You are going to make me cry. I'm glad we could do this for | :21:12. | :21:17. | |
you. Did you have a nice time? Amazing. It was amazing. Mum, you | :21:17. | :21:22. | |
know, she's raised - She is starting me off. There is a tissue. | :21:22. | :21:27. | |
Pass that on to Matt too. She raised so much money. Some of the | :21:27. | :21:32. | |
things she has done is incredible. How proud are you of her? Very | :21:32. | :21:37. | |
proud. The reaction? Incredible. You say tears of joy. You are very | :21:37. | :21:42. | |
happy at the moment. Like you say, she does so many amazing things for | :21:42. | :21:46. | |
so many children and she gets a treat for herself. It's well, well | :21:46. | :21:50. | |
deserved. It definitely. Is you deserve it every single day. I hope | :21:50. | :21:53. | |
all your dreams come true. Thank you. Ladies and gentlemen, let's | :21:53. | :21:58. | |
hear it for Lauren! APPLAUSE | :21:58. | :22:04. | |
And the surprises keep on coming. I have one right now for someone in | :22:04. | :22:10. | |
the audience. But, who? Who, who? OK. So I need you to put your hand | :22:10. | :22:15. | |
up if you have ever dreamed of meeting your favourite celebrity or | :22:15. | :22:19. | |
star. Put your hand up if you have dreamed of that. Keep your hands up | :22:19. | :22:24. | |
if you have dreamed of getting on stage and letting all your | :22:25. | :22:29. | |
inhabitations go. That narrowed it down. Keep your hands up if you | :22:29. | :22:37. | |
wanted to jump into a giant cream cake while singing - I guess that | :22:37. | :22:41. | |
leaves me then. I'm looking for someone who is a pillar of the | :22:41. | :22:46. | |
community. Yes. Someone who has organised everything from spring | :22:46. | :22:51. | |
cleans to fun days, parades and tea dances. I'm surprised if they have | :22:51. | :22:57. | |
time to do anything and be here tonight. I'm glad you came, Carol | :22:57. | :23:02. | |
Hendry. How are you? Fine, now that you are here. Are you ready? You | :23:02. | :23:08. | |
have to come with me. Hold on a second. I need you to come with me | :23:08. | :23:14. | |
too. Yes, Kym. That is you. One more second. I need Mary. You are | :23:14. | :23:19. | |
going to come with me also. Let's go, guys. Wait a minute, I need | :23:19. | :23:26. | |
Anne, yeah. I need you all to come. I can't forget Clare. We can't | :23:26. | :23:31. | |
leave out Fiona. Everybody. You guys come with me, while the rest | :23:31. | :23:41. | |
:23:41. | :23:44. | ||
of you watch this. Come on. About a year ago my wife Carol started the | :23:44. | :23:49. | |
charity. I worked at the nursery class. They helped not only the | :23:49. | :23:52. | |
nursery class but different. They have done different events to help | :23:52. | :24:02. | |
people in the community. They gave out raffle prize, tided up -- | :24:02. | :24:07. | |
tidyed up the community. They done an event to help raise money for | :24:07. | :24:11. | |
York Hill Hospital. One of the children from the nursery had | :24:11. | :24:15. | |
leukaemia. When they found out what happened to Charlie they got | :24:15. | :24:22. | |
together and said they would raise money for him. It restores your | :24:22. | :24:31. | |
naith humanity. Amazing. I have known them for three years. I'm the | :24:31. | :24:38. | |
local councillor. They offered their services and I accepted. | :24:38. | :24:44. | |
of it is paid. It's their own time. They have 100% commitment. They do | :24:44. | :24:49. | |
it for everyone. They are great for the community as well. Have a great | :24:49. | :24:52. | |
night tonight. You really deserve it. Thank you so much for | :24:52. | :24:55. | |
everything you have done for us as a family and Charlie and everything | :24:55. | :25:00. | |
you have done for the community. Thank you so much. This is for you. | :25:00. | :25:04. | |
I hope it is a big surprise for you. You and your girls deserve this. I | :25:04. | :25:08. | |
love you. I hope have you a great time tonight. You deserve it. | :25:08. | :25:18. | |
love you. Carol, how much money have you raised thus far? The first | :25:18. | :25:27. | |
night we raised �28,500 for the Love of Charlie. Wow! If I were to | :25:27. | :25:30. | |
ask who is the boss of the organisation, who would it be? | :25:30. | :25:35. | |
There is no boss. Everybody is equal? Yeah. Nice to hear. Mary, is | :25:35. | :25:41. | |
it rewarding for you to do this kind of stuff? Yes, very. What is | :25:41. | :25:43. | |
your most favourite part of the whole thing? Being involved with | :25:43. | :25:47. | |
the community and getting the community together. We had a Fun | :25:47. | :25:51. | |
Day which was was attended by hundreds of people in the village. | :25:51. | :25:54. | |
It was brilliant getting everybody involved. Somebody told me to ask | :25:54. | :26:01. | |
you, what is the most ridiculous thing that you have ever done as a | :26:01. | :26:10. | |
Hill Raiser? Don't give those secrets away? Santa Claus going | :26:10. | :26:18. | |
around the village. We built a Santa sleigh and took it around the | :26:18. | :26:21. | |
village. There is a sheltered housing complex near us. The snow | :26:21. | :26:29. | |
was four or five feet deep much we got spades and dug it out. Then we | :26:29. | :26:33. | |
delivered food around the village as well. That is what I like, good | :26:33. | :26:38. | |
Samaritans. Laidiedies, I want to perform a song that sums up your | :26:38. | :26:42. | |
conspire the and your drive and your commitment because it's ladies | :26:42. | :26:47. | |
like that you that are heros to everybody. This song is for all of | :26:47. | :26:57. | |
:26:57. | :27:07. | ||
# Would you dance # If I asked you to dance? | :27:07. | :27:13. | |
# Would you run, # And never look back? | :27:13. | :27:21. | |
# Now, would you die # For the one you love | :27:21. | :27:31. | |
:27:31. | :27:34. | ||
# Hold me in your arms tonight # I can be your hero, baby | :27:34. | :27:44. | |
:27:44. | :27:47. | ||
# I can kiss away the pain # I will stand by you forever | :27:47. | :27:57. | |
:27:57. | :27:57. | ||
# You can take my breath away # Now, ladies you do so much for your | :27:57. | :28:01. | |
community, here to say thank you are friends and family and people | :28:01. | :28:05. | |
from your community. There are so many of them we could hardly fit | :28:05. | :28:12. | |
them on the stage. Come on over. # I can be your hero, baby | :28:12. | :28:20. | |
# I can kiss away the pain # Oh, yeah | :28:20. | :28:30. | |
:28:30. | :28:31. | ||
# I will stand by you forever # You can take my breath away | :28:31. | :28:38. | |
# Oh, yeah # I can be your hero, baby | :28:38. | :28:48. | |
:28:48. | :28:50. | ||
# I can kiss away the pain # I will stand by you forever | :28:50. | :29:00. | |
:29:00. | :29:11. | ||
# You can take my breath away # I can be your hero # | :29:11. | :29:21. | |
:29:21. | :29:27. | ||
Are you a bit RMS? It is good. It must be hard to take this in -- a | :29:27. | :29:34. | |
bit of a mess? It is very hard to take it in. Does it feel good? Yes. | :29:34. | :29:40. | |
To know that everybody feels this way about you guys, it must make | :29:40. | :29:44. | |
everything you do and the hard work worthwhile? It is nice to see the | :29:44. | :29:52. | |
kids faces, that makes it for us. Everyone, the Halle razors! Who -- | :29:52. | :30:02. | |
Pichot is as busy as the M25 on bank holiday and this is what is | :30:02. | :30:06. | |
still to come back - this show is as busy. Band of Her Majesty's | :30:06. | :30:10. | |
Royal Marines are here with a new commander-in-chief. And Sophie | :30:10. | :30:12. | |
Ellis-Bextor returns with a brand new single. | :30:12. | :30:18. | |
For some of my surprise is, I am in disguise. For others, I go as | :30:18. | :30:22. | |
myself. For this next one, although I was behind the scenes, I was | :30:22. | :30:27. | |
still causing havoc. This is when I became a puppet-master, with no | :30:27. | :30:34. | |
strings attached. I am in Wales, beautiful Lampeter, to meet Sally | :30:35. | :30:41. | |
Sanders, a woman who loves to boogie. Since she was a little girl, | :30:41. | :30:45. | |
Sally Sanders has been passionate about singing and dancing. Nowadays, | :30:45. | :30:49. | |
she runs a choir and community dance school in her village. Her | :30:49. | :30:55. | |
mum couldn't be more proud. She get so much joy from her dancing that I | :30:55. | :31:01. | |
think she wanted to impart that, to give the children something to do. | :31:01. | :31:05. | |
In between juggling her full-time teaching job and family of three, | :31:05. | :31:09. | |
she also does volunteer work with the children special care unit. | :31:10. | :31:13. | |
Sally gives so much time to everyone else that her friend Tina | :31:13. | :31:18. | |
decided it was time her dreams came true, and she took centre-stage. | :31:18. | :31:23. | |
She does a lot for the kids, and the community of lumber to. I | :31:23. | :31:27. | |
thought it would be an ideal way for everybody to say thank you for | :31:27. | :31:34. | |
her hard work. Her head mistress degrees. I think Sally diseuse this, | :31:34. | :31:37. | |
because she works ever so hard and gives so much to the children, she | :31:37. | :31:42. | |
deserves to get something back -- deserves this. She thinks she is | :31:42. | :31:46. | |
coming for a special birthday meal but we have arranged for her to be | :31:46. | :31:50. | |
served by this dancing fool, and it will be an experience she never | :31:50. | :31:57. | |
forgets. It is my show! Actually, it is Sally's show now. Sally's | :31:57. | :32:01. | |
friend Tina is in on the set up and hidden cameras will catch every | :32:01. | :32:06. | |
member of the meal, with the worst waiter in Wales, Johnny. I am | :32:06. | :32:13. | |
telling him what to do through my headset while I watched the mission. | :32:13. | :32:19. | |
For starters, let sweat the appetite by messing up the order. | :32:19. | :32:29. | |
:32:29. | :32:33. | ||
The beef, please. Two, ducks, then? No, two, B. Two ducks. Two cows! | :32:33. | :32:41. | |
Sallies hopes of a quiet relaxing lunch are about to be shattered. | :32:41. | :32:49. | |
Sorry, sorry. This is surreal. really enjoying this, getting into | :32:49. | :32:57. | |
the groove. Let's give Johnny some moves for the menu. Sorry about | :32:57. | :33:03. | |
that. I forgot to ask you how you wanted it could, hot, medium or | :33:03. | :33:13. | |
:33:13. | :33:18. | ||
rare? No blood? Yeah! For you? done, yeah, please. OK, called! -- | :33:18. | :33:27. | |
cool! She thinks you're drinking! For the main course, they are | :33:27. | :33:31. | |
finally getting their beef. One is on a pancake, but it is not rare, | :33:31. | :33:41. | |
:33:41. | :33:46. | ||
mistakes. This is to make up for the mistakes. Put it down, dance | :33:46. | :33:50. | |
around their table like that, do some sexy dancing. Not too much | :33:50. | :34:00. | |
:34:00. | :34:15. | ||
Excuse me, that one is not well done, and it looks different to | :34:15. | :34:25. | |
:34:25. | :34:27. | ||
that one. That just looks raw. them away, and said, I'll get | :34:27. | :34:37. | |
:34:37. | :34:41. | ||
I think Sally has handled her sloppy say this with remarkable | :34:41. | :34:51. | |
:34:51. | :34:54. | ||
grace, so let's not try the Sally... I'm John Barrowman. BBC | :34:54. | :34:58. | |
One's Tonight's The Night, and I'm here to make your dream come true. | :34:58. | :35:04. | |
I'm so sorry about the service tonight. I love meeting other | :35:04. | :35:09. | |
people who have the passion to educate young people, not only | :35:09. | :35:13. | |
through normal education, but through the arts. I know you | :35:13. | :35:18. | |
believe that is important. You just want one night, a big performance. | :35:18. | :35:23. | |
That would be amazing. I am going to give you that opportunity. You | :35:23. | :35:27. | |
are going to come to the Tonight's The Night studio, you are going to | :35:27. | :35:33. | |
get dolled up, you're going to put on your best Welsh glad rags, that | :35:33. | :35:38. | |
is not all. You are not doing it alone. Because you will become, for | :35:38. | :35:44. | |
that one night, an official cast member of the show Billy Elliott. | :35:44. | :35:54. | |
Yes! I don't know what to say. do it. It is just the most surreal | :35:54. | :35:57. | |
thing that has ever happened to me. I couldn't believe it when he | :35:57. | :36:04. | |
walked through the door. Gobsmacked. Week, we sent Sally to London to | :36:04. | :36:09. | |
see the show, in preparation for her big performance. It was amazing, | :36:09. | :36:14. | |
really special. So inspirational, the amount of talent on the stage, | :36:14. | :36:18. | |
particularly the youngsters. I can't wait to get my chance to be a | :36:18. | :36:24. | |
tiny part of what I saw tonight. Time to rehearse for her big night, | :36:24. | :36:28. | |
but apart won't be as tiny as she thinks. This is Tonight's The Night | :36:28. | :36:34. | |
and we dream big. She will be singing the female lead. When I got | :36:34. | :36:38. | |
told the song I was going to do and be part of Mrs Wilkinson, I was | :36:38. | :36:42. | |
really excited that I would get the chance to sing and dance. Sally | :36:42. | :36:46. | |
will be performing alongside her very own Billy, star of the West | :36:46. | :36:50. | |
End show, Scott McKenzie. It has been years since she danced this | :36:50. | :36:55. | |
intensely, but it looks like it has never left her. We are getting | :36:55. | :36:58. | |
through quite Abbott, we have run the number a couple of times and it | :36:58. | :37:05. | |
has been great -- quite a lot. I think she is fantastic. I think she | :37:05. | :37:12. | |
I would say the only part is the stamina, it is so flat out from | :37:13. | :37:16. | |
start to finish. Making sure I have enough lung capacity to hit the | :37:16. | :37:20. | |
last note. It is hard to put it into words, how much I am looking | :37:20. | :37:23. | |
forward to performing on the stage, and a chance to perform in front of | :37:23. | :37:33. | |
:37:33. | :37:37. | ||
an audience and my family and You are a sneaky best friend, | :37:37. | :37:43. | |
aren't you? Yeah. I love you for that. How excited is Sally? | :37:43. | :37:49. | |
can't wait. I can't wait to see it. I can't wait either. Mark, you are | :37:49. | :37:53. | |
Sally's husband. Do you think she will be nervous? I am sure she will | :37:53. | :37:58. | |
be a bit nervous. Are you? A little bit, for her. The kids, gave a | :37:58. | :38:06. | |
thumbs up, or a wave. Awesome. Pam, you are mum, how proud are you | :38:06. | :38:11. | |
going to be when she comes right through those doors? Gobsmacked. | :38:11. | :38:17. | |
Thrilled to bits. Just feeling amazing. She has got the whole | :38:17. | :38:21. | |
family with her. I may have been behind the scenes for Sally, but | :38:21. | :38:25. | |
now she is in control. Dancing the dream with Billy Elliot Stark, | :38:25. | :38:30. | |
Scott McKenzie, Sally Saunders, tonight is the night Matt Busby | :38:30. | :38:40. | |
:38:40. | :38:47. | ||
# We weren't born to stand still. # Ain't a question of will. | :38:47. | :38:50. | |
# Gotta move it's a fact. # You were born to react. | :38:50. | :38:53. | |
# You weren't made to behave. # Like you will in the grave. | :38:53. | :38:56. | |
# Where music is played. # Oh the soul - will be swayed. | :38:56. | :39:00. | |
# And your feet they will move. # As if only to prove. | :39:00. | :39:05. | |
# That it wasn't by chance. # We were destined to dance. | :39:06. | :39:13. | |
# We were born to boogie. # It ain't a puzzle. | :39:13. | :39:18. | |
# Cos we're blood and muscle. # From the day of creation. | :39:18. | :39:28. | |
:39:28. | :39:33. | ||
# We were the dance sensation. # Come on and shake per bootie. | :39:34. | :39:36. | |
# Cos we were born to boogie. # Anyone can get it. | :39:37. | :39:42. | |
# Cos we're born kinetic. # We were Born To Boogie. | :39:42. | :39:52. | |
:39:52. | :40:05. | ||
# We are all Born To Boogie. # 5, 6, 7, 8. | :40:05. | :40:15. | |
:40:15. | :40:20. | ||
# We were Born To Boogie. # Boogie! | :40:20. | :40:30. | |
:40:30. | :40:49. | ||
How proud well her pupils be at the moment? Amazing, fantastic. | :40:49. | :40:56. | |
have got a little speechless. Did you enjoy it? Yes, it definitely. | :40:56. | :41:02. | |
Is it what you thought it was going to be? And so it -- so much more. | :41:02. | :41:09. | |
It was amazing. Was the teacher as good as the people? Definitely, | :41:09. | :41:15. | |
without a doubt. I think she is pretty good as well. Divvied up for | :41:15. | :41:21. | |
Scott, and Sally Saunders! -- give it up for. | :41:21. | :41:26. | |
As everybody laugh a band? I love a brass band -- does | :41:27. | :41:35. | |
everybody loves a band. This is the story of a musical maestro who gets | :41:35. | :41:45. | |
:41:45. | :41:47. | ||
I am winging my way to Devon to surprise musical maestro Steve | :41:47. | :41:52. | |
Graham. He eats and sleeps and breathes music. I am about to | :41:52. | :41:54. | |
interrupt a dress rehearsal and given a surprise he will never | :41:54. | :41:59. | |
forget. His friends say he is the ultimate music man. He lives for | :41:59. | :42:03. | |
teaching music to kids and is an inspiration to everyone he meets. | :42:03. | :42:07. | |
Steve has no idea how important he has been to people, as his ex- | :42:07. | :42:12. | |
pupils explain. He doesn't realise how good a job he is doing and how | :42:12. | :42:16. | |
many people he has helped. The amount of children he has taught... | :42:16. | :42:21. | |
He is a bit of a local legend. is his special ingredients? His | :42:21. | :42:28. | |
colleagues in casinos. He is great fun and the kids love him. -- his | :42:28. | :42:32. | |
colleague thinks he knows. I don't think it would work at all if it | :42:33. | :42:37. | |
wasn't for the fact he was up front. He is amazing. Steve has loved | :42:37. | :42:41. | |
playing is it all his life and his talent was clear from a young age. | :42:41. | :42:47. | |
Steve joined the Royal Marines band when he was 15. That was his life | :42:47. | :42:50. | |
of music then. He came straight from the Marines and was teaching. | :42:50. | :42:55. | |
He has never had a break from it. Steve has always loved playing with | :42:55. | :42:58. | |
the Royal Marines, but his big dream would be to conduct them, and | :42:58. | :43:01. | |
I am going to make that dream come true. | :43:01. | :43:06. | |
Steve is a man who has dedicated his life to music. He is here to do | :43:06. | :43:10. | |
a dress rehearsal of the musical, singing in the rain. He thinks the | :43:10. | :43:15. | |
BBE here -- the BBC are here to film a documentary called John | :43:15. | :43:20. | |
Barrowman, musicals and me! I really must have less caffeine in | :43:20. | :43:26. | |
the morning! When I am that hyper, all I want to do is sing! Look, mum, | :43:26. | :43:36. | |
:43:36. | :43:36. | ||
it's me he! Really funny! We start filming our | :43:37. | :43:40. | |
fake TV show and we are ready to film an interview with Steve, who | :43:40. | :43:47. | |
has no idea it is a con. Hi, I am John Barrowman and welcome to my | :43:47. | :43:50. | |
new show, John Barrowman, musicals and me Mack Hicks we are backstage | :43:50. | :43:54. | |
at the moment at a theatre, the Pavilion Theatre, where they are | :43:54. | :44:04. | |
:44:04. | :44:06. | ||
doing the musical singing in the I have a minuscule amount of | :44:06. | :44:12. | |
experience with the food. Would you teach me some of the music from the | :44:12. | :44:20. | |
show? The Music man is teaching Caffeine has not worn off which | :44:20. | :44:25. | |
means I have overlooked something crucial in my flute lesson. I am | :44:25. | :44:29. | |
sitting here with Steve, and we are going to attempt to teach me how to | :44:29. | :44:34. | |
play some of the music from singing in the rain. First, I have to put | :44:34. | :44:40. | |
together my trusted flute, here. Make sure I have got the... See | :44:40. | :44:47. | |
that, I lined it up. Like I know what I'm doing. Do you want to take | :44:47. | :44:57. | |
:44:57. | :45:04. | ||
I have left the cleaner in the middle. Excuse me. All right, all | :45:04. | :45:08. | |
kidding aside, let's get the cast on stage and reveal to everybody | :45:08. | :45:13. | |
why we are here. Do you mind coming up? Come up. Bring your flute with | :45:13. | :45:22. | |
you. Let me, Steve, come on over here, I will position you over here. | :45:22. | :45:28. | |
Time to give Steve a surprise he will never forget. It's not a show | :45:28. | :45:32. | |
called John Barrowman Musicals And Me. I'm going to make your dreams | :45:32. | :45:38. | |
to come. You will be on Tonight's The Night. Yeah. Yeah. I know that | :45:38. | :45:43. | |
you love the Royal Marines. I did serve 25 years in the Royal Marines | :45:43. | :45:48. | |
from the age of 15. Yes. I'm going to hook you back up with the Royal | :45:48. | :45:54. | |
Marines, but you are going to come to the Tonight's The Night studio, | :45:54. | :45:57. | |
you are going to perform with them in front of millions of people on | :45:57. | :46:01. | |
the television, but you are not going to be playing. You are going | :46:02. | :46:11. | |
:46:12. | :46:12. | ||
to be conducting. Thank you. Thank you so much. You're welcome. | :46:12. | :46:17. | |
never thought, in a million years, that I would be conducting the | :46:17. | :46:22. | |
Royal Marines Band. It's an honour and a privilege to do so. With a | :46:22. | :46:25. | |
week to go before Steve conducting in front of the nation he heads off | :46:25. | :46:35. | |
:46:35. | :46:41. | ||
to Fife to meet up with his old Steve, will need to conduct with | :46:41. | :46:46. | |
military precision. There is no room for error according to the | :46:46. | :46:51. | |
leftenanant. If he does it wrong it will fall apart and we will all | :46:51. | :46:56. | |
look a fool. To be conducting after so many years of playing is a | :46:56. | :47:05. | |
wonderful experience. I'm looking forward to the challenge. Good luck, | :47:05. | :47:08. | |
Steve. APPLAUSE | :47:08. | :47:17. | |
Lauren, how do you think Steve is feeling right now? Very nervous. He | :47:17. | :47:21. | |
will be buzzing. I can't wait to see him out. There he'll love it. | :47:21. | :47:30. | |
You are as excited as he is? Just about. Well, here, conducting The | :47:30. | :47:40. | |
:47:40. | :47:57. | ||
Band of Her Majesty's Royal Marines, MUSIC: A LIFE ON THE OCEAN AND | :47:57. | :48:07. | |
:48:07. | :48:07. | ||
Apology for the loss of subtitles for 142 seconds | :48:07. | :50:29. | |
Thank you. Well done. Brilliant. Steve, it's been a long time coming. | :50:29. | :50:36. | |
The dream came true. Was it worth it? Definitely worth it. Still a | :50:36. | :50:42. | |
bit shakey. Fabulous. Amazing experience. You enjoyed yourself? | :50:42. | :50:46. | |
Certainly have. Colonel, thank you for handing over your baton. You | :50:47. | :50:52. | |
guys have been busy? We have been. A lot of the Royal Marines are | :50:52. | :50:57. | |
currently on operations in Afghanistan, they are driving | :50:57. | :51:02. | |
ambulances as well as giving musical support. We are at the | :51:02. | :51:08. | |
Royal Edinburgh Military Ta too in August and we have a new album | :51:08. | :51:13. | |
coming out... Well, it all sounds good. On behalf of the nation, | :51:13. | :51:17. | |
thank you very much for looking after us, worldwide, we really | :51:17. | :51:20. | |
appreciate everything that you guys do for us. Thank you, amazing. | :51:20. | :51:27. | |
Ladies and gentlemen, The Band of Her Majesty's Royal Marines and | :51:27. | :51:34. | |
their guest conductor, Steve Grant. Earlier she helped me make a dream | :51:34. | :51:40. | |
come true. She's back to rip up the dancer, with her new single Off And | :51:40. | :51:50. | |
:51:50. | :51:50. | ||
# No, I can't get out # I'm trapped inside of it | :51:50. | :51:54. | |
# I won't let go # Pain keeps driving it | :51:54. | :51:59. | |
# I only hope and pray # That I can make you pay | :51:59. | :52:04. | |
# Keep pushing, keep pushing on # I did the best I could | :52:04. | :52:09. | |
# I learned to sacrifice # I've tried to make it work | :52:09. | :52:16. | |
# This time away has done me good # It's a change from you | :52:16. | :52:22. | |
# Keep switching me off and on be and off and on and off | :52:22. | :52:27. | |
# I've put myself back together # You've been gone too long beyond, | :52:27. | :52:33. | |
the love is gone # You thought I would feel forever | :52:33. | :52:37. | |
# Keep switching me off and on and off and on and off | :52:37. | :52:42. | |
# I've put myself back together # You've been gone too long beyond, | :52:42. | :52:46. | |
the love is gone # I've got my life back together | :52:46. | :52:52. | |
# No, I can't turn back # I'm sick and tired -- tired of it | :52:52. | :52:56. | |
# The love broke down # I've rewired it | :52:56. | :53:01. | |
# I'm om only human, babe # You let the feeling fade | :53:01. | :53:04. | |
# Keep pushing # Till I've reached the other | :53:04. | :53:07. | |
ground # I I've tried to make it back | :53:07. | :53:11. | |
# Whenever door was closed # Your love is all I had | :53:11. | :53:16. | |
# I tried to make an honest man, o- o-oh | :53:16. | :53:21. | |
# I refuse # Keeping me switching me off and | :53:21. | :53:26. | |
on and off and on and off # I've put myself back together | :53:26. | :53:30. | |
# You've been gone too long beyond, the love is gone | :53:30. | :53:33. | |
# You thought I would be free forever | :53:33. | :53:38. | |
# Keep switching me off and on and off and on and off | :53:38. | :53:43. | |
# I've put myself back together # You've been gone too long beyond, | :53:43. | :53:48. | |
the love is gone # You thought I'd be free forever | :53:48. | :53:51. | |
# Wired to the sun, like a laser beam | :53:51. | :54:00. | |
# Power surge, come feel the energy # And I'm let ready to shine, shine, | :54:00. | :54:05. | |
shine, and shine # And shine forever | :54:05. | :54:10. | |
# Put myself back together # You've been gone too long beyond, | :54:10. | :54:13. | |
the love is gone # You thought I'd be free forever | :54:13. | :54:18. | |
# Keep switching me off and on and off and on and off | :54:18. | :54:24. | |
# I've put myself back together # You've been gone too long and | :54:24. | :54:31. | |
beyond, the love is gone # You thought I'd be free forever | :54:31. | :54:37. | |
# I've put myself # I've Putin myself back together | :54:37. | :54:44. | |
# You thought I'd be # You thought I'd be free forever... | :54:44. | :54:54. | |
:54:54. | :54:56. | ||
CHEERING AND APPLAUSE Thank you. Everyone, Sophie Ellis- | :54:56. | :55:04. | |
Bextor. We have more wonderful wishes next Saturday night when | :55:04. | :55:09. | |
Andy Murray putting a 13-year-old on Centre Court. Melanie C is here | :55:09. | :55:19. | |
:55:19. | :55:20. | ||
with a brand new singing partner. Until then, keep dreaming. | :55:20. | :55:26. | |
# You ever feel like a plastic bag # Drifting through the wind | :55:26. | :55:30. | |
# Wanting to start again # Do you ever feel, feel so paper | :55:31. | :55:33. | |
thin # Like a house of cards | :55:33. | :55:39. | |
# One blow from caving in # Do you ever feel already buried | :55:39. | :55:41. | |
deep # Six feet under screams | :55:41. | :55:45. | |
# But no-one seems to hear a thing # Do you know that there's still a | :55:45. | :55:50. | |
chance for you # Cause there's a spark in you | :55:50. | :55:57. | |
# You just gotta ignite the light # And let it shine | :55:57. | :56:05. | |
# Just own the night # Like the 4th July | :56:05. | :56:12. | |
# Cause baby you're a firework # Come on show them what you're | :56:12. | :56:16. | |
worth # Make them go, high, high, high | :56:16. | :56:23. | |
# As you shoot across the sky-y-y # Baby, you're a firework | :56:23. | :56:33. | |
:56:33. | :56:35. | ||
# Come on let your colours burst # Make them go oh, oh, oh | :56:35. | :56:39. | |
# You're gonna leave them fallin down, down-own-own | :56:39. | :56:43. | |
# Boom, boom # Even brighter than the moon, moon | :56:43. | :56:46. | |
# It's always been inside of you, you, you | :56:46. | :56:52. | |
# And now it's time to let it through, through | :56:52. | :56:56. | |
# You've just got to ignite the light | :56:56. | :57:04. | |
# And let it shine # Just own the night | :57:04. | :57:10. | |
# Like the 4th July # Cause baby, you're a firework | :57:10. | :57:14. | |
# Come on show them what you're worth | :57:14. | :57:23. | |
# Make them go, oh, oh, oh # As you shoot across the sky-y-y | :57:23. | :57:30. |