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He hit it is Saturday night. But this is Tonight's The Night. Please | :00:34. | :00:43. | |
welcome your host, John Barrowman! # I gotta feeling that tonight's | :00:43. | :00:46. | |
gonna be a good night. # That tonight's gonna be a good | :00:46. | :00:48. | |
night. # That tonight's gonna be a good, | :00:48. | :00:58. | |
:00:58. | :00:59. | ||
good night. # A feeling that tonight's gonna be | :00:59. | :01:02. | |
a good night. # That tonight's gonna be a good | :01:03. | :01:08. | |
night. # That tonight's gonna be a good, | :01:08. | :01:18. | |
:01:18. | :01:31. | ||
Good evening! Welcome to Tonight's The Night, the show that turns | :01:31. | :01:36. | |
dreams into reality. In fact, this show reminds me of the one where a | :01:36. | :01:41. | |
guy finds an ancient Lamp and rubs it, and then he is rich, right? Oh, | :01:41. | :01:47. | |
that is the Antiques Roadshow, sorry. No, I'm in Aladdin. Think of | :01:47. | :01:52. | |
me as the genie. I appear out of nowhere, make dreams come true, | :01:52. | :01:56. | |
although I do not walk around in a turban, toppers with curly gold | :01:56. | :02:03. | |
slippers. At least not on week nights. I thought it was funny. So, | :02:03. | :02:07. | |
here is what is on the way. Surprising schemes and amazing | :02:07. | :02:11. | |
dreams. I Andy Murray serves up an ace of a | :02:11. | :02:15. | |
time for a deserving teenager. The Overtones make a dream come | :02:15. | :02:19. | |
true for their number one fan. The one and only Melanie C gives | :02:19. | :02:24. | |
someone a duet to remember. Plus: of I'm Debra Stephenson, and | :02:24. | :02:28. | |
I'm on the Isle of Wight to help make a special teacher's dream come | :02:28. | :02:36. | |
true. On with the dreams. I am a very | :02:36. | :02:46. | |
:02:46. | :02:46. | ||
quiet, retiring... Kind of person. I am also a wallflower. Oh, please! | :02:46. | :02:53. | |
Those qualities made me perfect for this first surprise, a library. | :02:53. | :03:00. | |
Would you like to see my impersonation of a librarian? Shh! | :03:00. | :03:09. | |
Check this out. I am in Liverpool to meet Lisa | :03:09. | :03:13. | |
Dalton, A special singing teacher. This is Lisa's local library, but | :03:13. | :03:17. | |
today's visit will be like no other, because I am about to make a dream | :03:17. | :03:21. | |
come true. When 29-year-old Lisa was as younger, she loved singing. | :03:22. | :03:25. | |
Now she uses that passion to inspire others as a performing arts | :03:25. | :03:28. | |
teacher. But her mum thinks Lisa still harbours a dream of | :03:28. | :03:32. | |
performing in front of millions. She has always wanted to sing, | :03:32. | :03:41. | |
especially on TV or with a band. That must be her dream. A Lisa's | :03:41. | :03:44. | |
sister Sharon thinks that dream deserves to come true, because Lisa | :03:44. | :03:49. | |
is a tower of strength to those closest to her. Her Lisa is so | :03:49. | :03:54. | |
supportive. She is a fabulous sister. It was Lisa that Sharon | :03:54. | :03:57. | |
turned to when she tragically lost her baby daughter three years ago. | :03:57. | :04:02. | |
Lisa did a lot of nice things for me. She was always at the end of | :04:02. | :04:06. | |
the telephone. She sang at my daughter's funeral. I don't know | :04:06. | :04:12. | |
how she did it, but she was and still is amazing. That is why I | :04:12. | :04:17. | |
wanted to thank her. So to thank this loyal Liver Bird for being an | :04:17. | :04:20. | |
outstanding friend and sister, Sharon would like to arrange for | :04:20. | :04:28. | |
Lisa's singing dream to come true. This has been her dream for so long, | :04:28. | :04:35. | |
to sing on television and to be made a star for the day would be | :04:35. | :04:40. | |
brilliant. She would be so happy. To help a spring a surprise on Lisa, | :04:40. | :04:44. | |
we have commanded her local library. I am pretending to make a CBBC | :04:45. | :04:49. | |
documentary. My sound man is going to have a problem, and Lisa will be | :04:49. | :04:53. | |
left holding the boom. Sister Sharon and unsuspectingly so arrive | :04:53. | :05:00. | |
at the library. Would you mind? before they begin browsing, we | :05:00. | :05:03. | |
persuade them to take part in our programme. | :05:03. | :05:08. | |
I am John Barrowman, and I am here for the library revolution for CBBC. | :05:08. | :05:12. | |
Sharon is in on the act, but can I wrote this into topping out when | :05:12. | :05:19. | |
our fake Sound man gets struck by fake food poisoning? John, | :05:19. | :05:28. | |
something is not right. I have to go. Lisa looks concerned about our | :05:28. | :05:34. | |
sound man, but will she help? Hi, I am John. Could you do me a | :05:34. | :05:40. | |
favour? I am sorry to ask, but could you help? Keep this a hand's | :05:40. | :05:46. | |
wit above my head. Bring it down a bit. Hold it there. I will be as | :05:46. | :05:49. | |
quick as I can. I am going to talk about how | :05:49. | :05:53. | |
important books are in my life, but will Lisa realise my memories are | :05:53. | :05:58. | |
actually from her life? First, Lisa's favourite author as a child. | :05:58. | :06:02. | |
My favourite author was Roald Dahl, and I had a brilliant time reading | :06:02. | :06:08. | |
his books. Hint of recognition? How about her limited use of a Spanish | :06:08. | :06:12. | |
Dictionary? I was in bad enough on one of my | :06:12. | :06:19. | |
first trip to Spain. I only learnt have to ask where the Biro was. | :06:19. | :06:26. | |
That worked. Will she now recognise her own showbiz biography? | :06:26. | :06:31. | |
I won the north-west Variety Club North entertain of the year in 1997. | :06:31. | :06:36. | |
It was amazing. Lisa looks like she has played! But | :06:36. | :06:39. | |
does she know this story will end with the surprise of her life? | :06:39. | :06:44. | |
It is not just about libraries, it is about you, Lisa. I am from | :06:44. | :06:50. | |
Tonight's The Night, and I am here to make your dream come true. | :06:50. | :06:56. | |
thought it was weird! Oh, my goodness. Yes. I am going to stand | :06:56. | :07:00. | |
over here. I know you have been a pillar of strength to your family, | :07:00. | :07:07. | |
and in particular to Sharon. I know you love to sing. Yes, you do. I | :07:07. | :07:11. | |
would like to take you to the Tonight's The Night studio, and I | :07:11. | :07:16. | |
would like you to sing to an audience. But not just any audience. | :07:16. | :07:22. | |
Not just the studio. I want you to sing to the nation on Saturday | :07:22. | :07:28. | |
night prime-time BBC One, Tonight's The Night. Yes, please! | :07:28. | :07:34. | |
I don't know what to say. I really am in shock. I am never usually | :07:34. | :07:44. | |
:07:44. | :07:45. | ||
speechless! Would you screen really To sing with a live band and meet | :07:45. | :07:49. | |
John Barrowman and being a BBC studio, it is everything I have | :07:49. | :07:53. | |
dreamed of. A couple of weeks later, Lisa is getting ready for her | :07:54. | :07:58. | |
performance. But she will not sing alone. Lisa is a big fan of the | :07:58. | :08:03. | |
Spice Girls, so average for her to sing a duet with fellow Liverpool | :08:03. | :08:11. | |
last Melanie C. Oh, my goodness. I can't believe it. It has been | :08:11. | :08:19. | |
surprise after surprise. I can't wait. She has given me some wise | :08:19. | :08:26. | |
words. I will do my best to impress Mel and my family and friends. | :08:26. | :08:30. | |
sounds fantastic. If she can keep that confidence tonight, she will | :08:30. | :08:40. | |
:08:40. | :08:45. | ||
blow everyone away. I know this means the world to you. Lisa was a | :08:45. | :08:49. | |
fan of the Spice Girls when she was younger. So she is getting a two | :08:49. | :08:54. | |
for one deal. Childhood dream, plus the dream of performing in front of | :08:54. | :08:59. | |
the nation. How will she be feeling? She will be so excited. It | :08:59. | :09:04. | |
is her dream come true, and it is a dream come true for me to see her. | :09:04. | :09:11. | |
And mum? We are going to need a lot of tissues here tonight. She does | :09:11. | :09:15. | |
not strike me as being someone who lets things stand in her away. She | :09:16. | :09:22. | |
seems like a go-getter. Yes, but she is still nervous. It will give | :09:22. | :09:26. | |
her the confidence she needs. tonight she is going to shine. Here | :09:26. | :09:36. | |
:09:36. | :09:38. | ||
with Melanie C, Lisa Dalton. Tonight's The Night. | :09:38. | :09:41. | |
# I've been wandering around the house all night. Wondering what the | :09:42. | :09:46. | |
hell to do. # Yeah, I'm trying to concentrate. | :09:46. | :09:54. | |
# But all I can think of is you. # Well, the phone don't ring cos my | :09:54. | :09:59. | |
friends ain't home. # I'm tired of being all alone. | :09:59. | :10:02. | |
# Got the TV on. # Cos the radio's playing songs | :10:02. | :10:12. | |
:10:12. | :10:14. | ||
that remind me of you. Ladies and do come in, it gives me | :10:14. | :10:24. | |
:10:24. | :10:29. | ||
great pleasure to introduce least # Baby, when you're gone. | :10:29. | :10:32. | |
# I realise I'm in love. # Days go on and on. | :10:32. | :10:39. | |
# And the nights just seem so long. # Even food don't taste that good. | :10:39. | :10:47. | |
# Drink ain't doing what it should. # Things just feel so wrong. | :10:47. | :10:53. | |
# Baby, when you're gone. # I've been driving up and down | :10:54. | :10:59. | |
these streets. # Trying to find somewhere to go. | :10:59. | :11:02. | |
# Yeah, I'm looking for a familiar face. | :11:02. | :11:10. | |
# But there's no one I know. # Oh, this is torture, this is pain. | :11:10. | :11:16. | |
# It feels like I'm gonna go insane. # I hope you're coming back real | :11:16. | :11:21. | |
soon. # Cos I don't know what to do. | :11:21. | :11:25. | |
# Baby, when you're gone (When you're gone). | :11:25. | :11:32. | |
# I realise I'm in love. # Days go on and on (On and on). | :11:32. | :11:39. | |
# And the nights just seem so long. # Even food don't taste that good. | :11:39. | :11:47. | |
# Drink ain't doing what it should. # Things just feel so wrong. | :11:47. | :11:57. | |
:11:57. | :12:15. | ||
Lisa, Sharon nominated you because you have been a pillar of strength | :12:15. | :12:18. | |
and so supportive. Is there anything you would like to say to | :12:18. | :12:23. | |
her? Her I would like to say, you are such an inspiration to me. You | :12:23. | :12:33. | |
:12:33. | :12:36. | ||
are the best sister. Thank you so much for being a great big sister. | :12:36. | :12:40. | |
Many, you have had a lot of your dreams come true, so you know how | :12:40. | :12:45. | |
she is feeling? She is amazing. All day, she has been singing | :12:45. | :12:50. | |
fantastically. No matter how much experience you have, it is so | :12:50. | :12:52. | |
nerve-racking to perform in front of this audience. She was | :12:52. | :13:02. | |
incredible. Thank you! Many will be back later with her new single. But | :13:02. | :13:10. | |
for now, ladies and gentlemen, Lisa Dalton! | :13:10. | :13:15. | |
Well, we have a show fit to burst. Here is what is still on the way. | :13:15. | :13:19. | |
Andy Murray surprises a tennis mad teenager. | :13:19. | :13:24. | |
A dream from Cleveland sings with the Overtones. | :13:24. | :13:28. | |
And Les Miserables start at Alfie Boe is here to make a West End | :13:28. | :13:32. | |
dream come true. This next surprise takes place in a | :13:32. | :13:36. | |
bingo hall, so eyes down for a full house and let's test you guys out. | :13:36. | :13:45. | |
If I were to say... Kicker ticket, what would that be? 66! That's | :13:45. | :13:55. | |
:13:55. | :14:02. | ||
right. And if I said, two little Watch the teeth! And if I said two | :14:02. | :14:09. | |
Fat Ladies? No, it would be politically incorrect! Talking of | :14:09. | :14:13. | |
ladies, here comes the debut appearance of a rather attractive | :14:13. | :14:19. | |
older woman. In a-type first, I finally got to put my stockings on. | :14:19. | :14:26. | |
Talk about legs Eleven. I am in Stockton on Tees to | :14:26. | :14:29. | |
surprise a very special lady, Lisa Campbell. She and her Mama on their | :14:29. | :14:33. | |
way for a night of bingo. But she does not know that I have got her | :14:33. | :14:36. | |
number and I am about to give her as the surprise of her life. Lisa | :14:36. | :14:40. | |
has been singing and dancing since she was little, and mum and dad are | :14:40. | :14:44. | |
her biggest fans. She has always performed since she was at school. | :14:44. | :14:48. | |
If there was a concert on, she would want to be in it. But five | :14:48. | :14:53. | |
years ago, Lisa's life was turned upside down when she suffered | :14:53. | :14:59. | |
complications during minor surgery. Lisa's medical problems started | :14:59. | :15:03. | |
after a simple operation, and ended with blood clots on her lung. Then | :15:03. | :15:08. | |
she had a further operation. She has to be careful, because she | :15:08. | :15:13. | |
bleeds easily. But Lisa being Lisa, she has got on with life. Lisa's | :15:13. | :15:17. | |
condition means she is on Mechan Dick -- medication for life and | :15:17. | :15:20. | |
closely monitored by the hospital. It also means she has been forced | :15:20. | :15:25. | |
to hang up her dancing stews, but she has remained positive and is an | :15:25. | :15:28. | |
inspiration to her best friend, Rich Hall. It Lisa has been such a | :15:28. | :15:33. | |
good friend to me. I think her medical problems have got her down | :15:33. | :15:36. | |
sometimes, but she is a fighter and keeps coming back. This fighter | :15:36. | :15:41. | |
deserves to have a dream come true. Lisa will be singing live in the | :15:41. | :15:44. | |
tonight's the Night studio in front of millions, but she will not be | :15:44. | :15:48. | |
alone. I have arranged for her to sing with her favourite band, the | :15:48. | :15:54. | |
Overtones. She has always said, I would love to sing with the | :15:54. | :15:58. | |
Overtones. She said they are her favourite band. She has suffered so | :15:58. | :16:04. | |
much in such a short time that she deserves some good luck. She might | :16:04. | :16:07. | |
be lucky at the bingo, but in life she is not the key. We have read | :16:07. | :16:11. | |
the bingo hall with hidden cameras. Bad and Rachel are watching | :16:11. | :16:14. | |
Upstairs, but there are a lot of Tonight's The Night fans in the | :16:14. | :16:20. | |
hall. So disguising myself will not be enough. But I yourself a bit | :16:20. | :16:30. | |
:16:30. | :16:31. | ||
Bridge etd Jones eat your heart out. Does my bum look big in this. | :16:31. | :16:36. | |
Pleased to make your acquaintence. I might look like a lady on the | :16:36. | :16:44. | |
outside, but I'm all man inside. For get Mrs Doubtfire, more like | :16:44. | :16:47. | |
Mrs Doubtful. Lisa's in her regular seat for what she think sz a | :16:47. | :16:51. | |
regular Monday at the bingo. Let's see if Betty can put her off her | :16:51. | :17:01. | |
:17:01. | :17:02. | ||
game. Six and seven, 67. The year I was born. Oh, 11. Betty's lucky | :17:02. | :17:08. | |
number. Eyes down for Full House. Lisa don't be put off by the mad | :17:08. | :17:18. | |
:17:18. | :17:18. | ||
woman behind you. Oh, no, now I've got the giggles. 41, as old as I am. | :17:19. | :17:27. | |
62. That's more like it. 8 and -- Eight and one, 81. He's calling | :17:27. | :17:33. | |
them very quick. �50 I could use a good 50. Now it's time for national | :17:33. | :17:42. | |
bingo hall live link up. I'm about to announce a new game, Barrowman's | :17:42. | :17:46. | |
big bingo bonanza. There will be a lucky winner. Welcome to Monday | :17:46. | :17:51. | |
night at the bingo with me John Barrowman. He's very handsome isn't | :17:51. | :17:59. | |
he? If I were to say to you, cup of tea, you say number? Three. Yeah | :17:59. | :18:03. | |
you got. It brilliant. Here's a more difficult one. What do you | :18:03. | :18:09. | |
call a Beatle who likes playing bingo? Bingo star. I don't write | :18:09. | :18:12. | |
them. Tonight we're going it find one lucky player from the hundreds | :18:12. | :18:16. | |
of bingo hall that's I'm talking to live right now. You could be that | :18:16. | :18:23. | |
lucky person. Are you excited to find out? Yes! Good, so am I. This | :18:23. | :18:27. | |
lucky person has an envelope taped to the bottom of their seat. So all | :18:27. | :18:37. | |
of you look under your seats - now! Have a good dig. Come on. Do we | :18:37. | :18:45. | |
have someone? Where are you? Awesome. Congratulations. Look out | :18:45. | :18:50. | |
Lisa, Betty's on your tail and about to claim the big prize. | :18:50. | :18:55. | |
What's your name? Lisa. Are you excited? I'm sorry dear, there's | :18:56. | :19:00. | |
confusion. I was supposed to have that saet. I can have that ticket | :19:00. | :19:05. | |
and I have another surprise for you because I'm actually John Barrowman | :19:05. | :19:09. | |
from BBC One's Tonight's The Night. And Lisa, I'm here to make your | :19:09. | :19:18. | |
dream come true. Bingo! APPLAUSE | :19:18. | :19:23. | |
Lease ya, I know that you -- Lisa, I know that you have been through | :19:23. | :19:28. | |
an awful lot in your life thus far. A few highs and a few lows, maybe a | :19:28. | :19:33. | |
lot of lows. But you've always bounced back. How would you like to | :19:33. | :19:37. | |
come to the Tonight's The Night studio and sing, for the nation, | :19:37. | :19:45. | |
prime time Saturday night? Yes, please. Yes? Good. But that's not | :19:45. | :19:50. | |
all. You'll be singing with The Overtones! | :19:50. | :19:56. | |
APPLAUSE I've watched the last couple of | :19:56. | :20:02. | |
series and always thought "I wish that was me." I'm a huge fan of | :20:02. | :20:06. | |
John, seen him in concert. I think he's amazing. I love the work that | :20:06. | :20:10. | |
he does. I think it's brilliant that he can help people like me. | :20:10. | :20:14. | |
It's the day of her big performance. Lisa is in full swing. She's about | :20:14. | :20:23. | |
to get some company. When The Overtones walked in, I was so | :20:23. | :20:28. | |
shocked. I didn't expect them. I think it showed on my face. How are | :20:28. | :20:32. | |
you? All right. Lisa might be star struck, but she wastes into time | :20:32. | :20:38. | |
getting in practice with the boys. The most challenging part of the | :20:38. | :20:42. | |
song is when I have to hit the high notes. I'm scared I won't do it on | :20:42. | :20:45. | |
the night. Lisa has a beautiful voice. We told her to relax and | :20:45. | :20:49. | |
have a good time. To perform with the overtones will be amazing. | :20:49. | :20:59. | |
:20:59. | :21:08. | ||
They're my favourite group. It's a dream come true. | :21:08. | :21:11. | |
Lisa has always put everyone first, hasn't she? She has. She's had to | :21:11. | :21:15. | |
cope with so much over the years, where do you think she's got that | :21:15. | :21:19. | |
strength from? She's got an iner is strength. Because she's had such a | :21:19. | :21:24. | |
rough time with her health, but she always thinks of what's to come, | :21:24. | :21:31. | |
the future. That's what this is all about, it's her future. Rachel, you | :21:31. | :21:36. | |
said you're nervous, you're excited. How do you think she's feeling | :21:37. | :21:41. | |
right now? I think she's probably going to be nervous as well. But | :21:41. | :21:46. | |
she'll be more excited and happy that tonight's finally here. Mum, | :21:46. | :21:51. | |
why do you think she likes The Overtones? She likes, she loves | :21:51. | :21:56. | |
their type of music. She always says she'd love to sing with The | :21:56. | :22:00. | |
Overtones and this would be her dream come true. Are you sure it's | :22:00. | :22:04. | |
just the music. They're all pretty handsome, if you ask me. No, it's | :22:04. | :22:11. | |
not just the music! I got the truth out of you finally. Performing Come | :22:11. | :22:18. | |
Back My Love with her favourites, The Overtones, Lisa Campbell, | :22:18. | :22:28. | |
:22:28. | :22:28. | ||
Tonight's The Night! # Come back my love, don't go away | :22:28. | :22:35. | |
# Come back my love, come back to stay. | :22:35. | :22:42. | |
# I love you so, # Well I want you to know | :22:42. | :22:52. | |
:22:52. | :22:52. | ||
# I need your love so badly. # Du-da-wop, du-da-wang. | :22:52. | :22:55. | |
# Du-da-wop, du-da-wang # Du-da-wop. | :22:55. | :22:58. | |
# Oh, won't you come back my love, # Don't go away | :22:58. | :23:03. | |
# I need your loving every day. # I love you so | :23:04. | :23:11. | |
# Well I want you to know. # I need your love so badly. | :23:11. | :23:15. | |
Ladies and gentleman, she's got her dancing shoes on. Please give it up | :23:15. | :23:20. | |
for Lisa! # You said goodbye, I wonder why, | :23:20. | :23:24. | |
# All because of those silly lies # I love you so, | :23:24. | :23:30. | |
# And I want you to know # I need your love so badly. | :23:30. | :23:37. | |
# Everybody makes big mistakes # In this game of romance. | :23:37. | :23:42. | |
# I'm asking you darling # Why don't you come back and give | :23:42. | :23:46. | |
me a chance? # Come back my love, yeah don't go | :23:46. | :23:51. | |
away. # I need your loving every day | :23:51. | :23:54. | |
# I love you so, # Well I want you to know | :23:54. | :24:03. | |
# I need your love so badly. # Everybody makes big mistakes | :24:03. | :24:09. | |
# In this game of romance. # Now I'm asking you darling | :24:09. | :24:12. | |
# Why don't you come back and give me a chance? | :24:12. | :24:15. | |
# Come back my love, yeah don't go away. | :24:15. | :24:20. | |
# I need your loving everyday # I love you so, | :24:20. | :24:28. | |
# Well I want you to know # I need your love so badly. | :24:28. | :24:38. | |
:24:38. | :24:51. | ||
# I need your love so badly # Guys, I have to ask, what did you | :24:51. | :24:56. | |
make of that? I absolutely just have to say how well she has done | :24:56. | :25:00. | |
from start today, to rehearsals, she was so, you know, grateful as | :25:00. | :25:04. | |
well to meet a fan and come on a show and sing a song from the album | :25:04. | :25:08. | |
has been amazing. Well done. It's Lisa and The Overtones now, isn't | :25:08. | :25:16. | |
it? You said if you could have a moment like this, it would mean | :25:16. | :25:20. | |
everything to you. Does it? means absolutely everything. I'm | :25:20. | :25:23. | |
never going to experience this ever again. It's been amazing. Ladies | :25:23. | :25:26. | |
and gentleman, big round of applause for the overtones and Lisa | :25:26. | :25:36. | |
Campbell! APPLAUSE | :25:36. | :25:39. | |
This show is all about fantastic surprises and amazing dreams. | :25:39. | :25:45. | |
There's plenty more on the way. We bring the West End to our stage | :25:45. | :25:50. | |
as Les Miserables star Alfie Bow gives that star a new leading man | :25:50. | :25:55. | |
and we welcome back Melanie C. As you know for some of these | :25:55. | :25:58. | |
surprises I have to go undercover. For this one I had to become a | :25:58. | :26:04. | |
tennis coach, which meant finding my inner sportsman. | :26:04. | :26:14. | |
Yes, so, ball one 15-0, ball two 30-0. Ball four, 40-0. Whoa, watch | :26:14. | :26:18. | |
the face! What is it with the balls tonight! | :26:18. | :26:26. | |
LAUGHTER I'm at a tennis centre in Edinburgh | :26:26. | :26:32. | |
to serve up another dream for a brave young man called Phillip. | :26:32. | :26:37. | |
13-year-old Phillip has always been tennis mad. Mum Jennie knows only | :26:37. | :26:43. | |
too well. Ever since Phillip was a baby, he's been obsessed with | :26:43. | :26:47. | |
tennis. Phillip sometimes go to -- goes to bed with his rack wet, | :26:47. | :26:52. | |
seriously he does. Five years ago he was diagnosed with lieu keemya. | :26:52. | :26:56. | |
His consultant remembers the sport that helped him cope with the | :26:56. | :27:00. | |
treatment. It was tennis which kept him going through what is really a | :27:00. | :27:04. | |
very difficult time. After recovering from leukaemia, Phillip | :27:04. | :27:08. | |
decided to get involved with charity work with his coach. | :27:08. | :27:12. | |
Phillip's done a great job fundraising. He's been fundraising | :27:12. | :27:18. | |
to help other kids with leukaemia and other forms of cancer. To say | :27:18. | :27:22. | |
thanks, his mum's asked me to arrange a special surprise, a face | :27:22. | :27:26. | |
to face with his hero Andy Murray. When Phillip finds out the surprise | :27:26. | :27:32. | |
in store for him, I think he will be, he will go through the roof. | :27:32. | :27:37. | |
Meanwhile, my team of rigged up secret cameras at Phillip's local | :27:37. | :27:41. | |
court. I'm rigged with a new nose to become a tennis star. Watch out | :27:41. | :27:47. | |
for the balls! Fill p and his friends think they're coming to | :27:47. | :27:51. | |
have a master class with that unknown Scottish tennis legend | :27:51. | :27:59. | |
called John macaroni. That's me. I know nothing about tennis. Except I | :27:59. | :28:06. | |
know how to make quite a racquet. So as the boys join me on court, | :28:06. | :28:13. | |
it's safe to say this lesson starts bad and gets worse. | :28:14. | :28:22. | |
Right in the Boris Beckers. John Macaroni has valuable tips. Lesson | :28:23. | :28:27. | |
one the air guitar warm up. I want you to get a wee bit of air guitar | :28:27. | :28:35. | |
going. Come on, there you go. You've got boring air guitars like | :28:35. | :28:43. | |
that. Come on, get a bit like that. OK... Lesson two, how to become one | :28:43. | :28:51. | |
with the ball. I'm going to stand, dead centre and blind fold. I want | :28:51. | :28:56. | |
you to hit the ball to me, all right? Psychology will make sure I | :28:56. | :29:06. | |
will connect with the ball. Here we go. Number three. Did I get it? Try | :29:06. | :29:16. | |
:29:16. | :29:19. | ||
again. Number two. Yes! Lesson three, using the coach for target | :29:19. | :29:24. | |
practice. You request not be serious! That was out. It was so | :29:24. | :29:33. | |
far all of them have been out. Come on, out. I'm winning. I'm winning. | :29:33. | :29:40. | |
Come on try and hit me. Hit me. Oh, that was a beauty. Come on, here | :29:40. | :29:46. | |
look. See this big smile, knock my teeth out. All right that's enough | :29:47. | :29:51. | |
clowning around, it's time to say goodbye to Macaroni and hello to | :29:51. | :29:55. | |
John Barrowman. I'm actually not really here to teach you how to | :29:55. | :30:01. | |
volley, because my name is John Barrowman and I'm from BBC One's | :30:01. | :30:04. | |
Tonight's The Night and I am here Phillip to make your dream come | :30:04. | :30:14. | |
:30:14. | :30:15. | ||
true. The person who is responsible for this is... Your mum Jennie. | :30:15. | :30:22. | |
There she is. Give a big old hug. Guess what, | :30:22. | :30:26. | |
we've got a very special treat for you. We're sending you to go meet | :30:26. | :30:31. | |
up with Andy Murray. Can I say it's a yes for you to play tennis with | :30:31. | :30:36. | |
Andy Murray? Yes. Awesome, high five. You're playing with Andy | :30:36. | :30:43. | |
Murray, I was like "Oh, my God." An amazing surprise. 24 hours later, | :30:43. | :30:46. | |
and Phillip's in Paisley. It's a community tennis day and the crowds | :30:46. | :30:50. | |
are out for Andy Murray. But only Phillip is getting the privilege of | :30:50. | :30:55. | |
having a hit with his hero. really excited. I'm quite shivers | :30:55. | :31:00. | |
with the nerves. I'm not cool at all. I'm just really excited to see | :31:00. | :31:03. | |
Andy and he's just over there, so I've never done anything like this. | :31:03. | :31:09. | |
It will be a great opportunity for me. Hi. How are you doing? Are you | :31:09. | :31:16. | |
all right? Good thanks. Big tennis fan? Yeah, huge. Where about do you | :31:16. | :31:23. | |
play? Craig Lockert. I played there when I was growing up. Do you have | :31:23. | :31:27. | |
advice? The most important thing is to enjoy it. Not to get too | :31:27. | :31:31. | |
stressed out by it. To work hard and listen to your coaches. With so | :31:31. | :31:35. | |
many fans about it's a struggle for Phillip and Andy to get on court. | :31:35. | :31:41. | |
It's time to improvise and time for me to hand over to your commentator | :31:41. | :31:45. | |
John Macaroni. Thanks there John. It's the Clash | :31:45. | :31:52. | |
Of The Titans, on one side a Scots lad and the other the other Phillip. | :31:52. | :31:57. | |
Here comes the ball and again and again. Andy's never played on dirt | :31:57. | :32:02. | |
before. And it's game, set, good work Phillip. I just had a hit with | :32:02. | :32:07. | |
Andy Murray. I was -- it was brilliant. Just a real le decent | :32:07. | :32:12. | |
guy. It's great. He's obviously a very brave boy and a very good | :32:12. | :32:15. | |
tennis player. He's a lot braver than I ever was, that's for sure. | :32:15. | :32:18. | |
Can't wait to get back on the tennis court because today's been a | :32:18. | :32:21. | |
real inspiration to me. And I've really enjoyed it. Thank you very | :32:21. | :32:31. | |
:32:31. | :32:35. | ||
Philip, come on. He said you were a better player than he was at that | :32:35. | :32:44. | |
age. I love that you are speechless. Probably a first. Richard, you are | :32:44. | :32:51. | |
bad. Why did you give up tennis a while back? Well, I thought I | :32:51. | :32:55. | |
cannot hit them any more, so time for a new sport. More um, you must | :32:55. | :33:01. | |
be proud of him. I am extremely proud. He has gone through an awful | :33:01. | :33:08. | |
lot for a boy of his age. We love that you had a great day and got to | :33:08. | :33:16. | |
meet your heroes. Ladies and gentlemen, give it up for Philip! | :33:16. | :33:21. | |
Now, this is where we put one of you guys in the frame. I am looking | :33:21. | :33:26. | |
for someone who is a theatre director. Someone who is putting on | :33:26. | :33:29. | |
a touring direction of the Jersey Boys, someone looking for a new | :33:29. | :33:33. | |
leading man. Not for the show, I am just generally looking for that | :33:33. | :33:38. | |
person because I might want to do a gig! Back to business. I am | :33:38. | :33:43. | |
actually looking for someone who is retired, someone who has been a | :33:43. | :33:48. | |
charity fundraiser for years, someone who lives in Yorkshire. In | :33:48. | :33:55. | |
fact, Wakefield, and that is you, Susan. But actually, Susan, I am | :33:55. | :33:59. | |
not looking for you, I am looking for your husband, Terry. How are | :34:00. | :34:09. | |
:34:10. | :34:09. | ||
you? Find! A view are speechless like Philip! Well, I hear you have | :34:10. | :34:17. | |
hung up your fund raising broods. Officially. You are wondering what | :34:17. | :34:22. | |
we are talking about, so you guys, come with me. And the rest of you, | :34:22. | :34:29. | |
look at this. We have been married 28 years. I | :34:29. | :34:34. | |
would describe Terry as a very outgoing, very easy to talk to. | :34:34. | :34:41. | |
Always happy. Terry is a joy to work with. When I walk into the | :34:41. | :34:44. | |
office in the morning, Terry will immediately stop whatever he is | :34:44. | :34:48. | |
doing and he will have a smile on his face. It gives a lift to the | :34:48. | :34:55. | |
day. Terry puts the fun in fund- raising. In the last five years, he | :34:55. | :35:00. | |
has raised approximately �1 million. That is testament to the fund- | :35:00. | :35:05. | |
raising team. I have no idea how he does it. He seems to have endless | :35:05. | :35:10. | |
amount of energy. He always encouraged us to take part in | :35:10. | :35:14. | |
events at the hospice as nursing staff. He would not ask you to do | :35:14. | :35:18. | |
anything he would not do himself. He is a great ambassador for the | :35:18. | :35:21. | |
hospice movement. You only had to mention a coffee morning or an | :35:21. | :35:27. | |
event in a pub, and he would be there. It just comes naturally. | :35:27. | :35:32. | |
fund old lady in the town would give a pound, he would treat that | :35:32. | :35:38. | |
person the same as if they gave �500. Everyone knows he does a good | :35:38. | :35:42. | |
job, but something out of the blue will make him realise how much | :35:42. | :35:46. | |
people think of him. Terry should enjoy tonight and be proud of his | :35:46. | :35:50. | |
achievements. Dad, you have done brilliant work for the hospice. | :35:50. | :35:54. | |
They will miss you. You have been a great dad. Enjoy tonight and enjoy | :35:54. | :36:00. | |
your retirement. Pure good egg. have a nice night, Terry. You | :36:00. | :36:03. | |
deserve it for the hard work and fund-raising you have done for the | :36:03. | :36:09. | |
patients. Terry, I love you. deserve to a special night, because | :36:09. | :36:19. | |
:36:19. | :36:21. | ||
the people you touch, you make Don't start. You are going to make | :36:21. | :36:27. | |
me go. Wonderful to hear. How do you feel when you hear stuff like | :36:27. | :36:31. | |
that said about you? Amazing. They are all friends anyway, but I have | :36:31. | :36:36. | |
worked with them for a long time. They are lovely to work with. For | :36:36. | :36:45. | |
them to say that tonight is just... Of amazing. Susan, the hospice is | :36:45. | :36:50. | |
Now 20 years old. How did Terry mark that event? It was last year | :36:50. | :36:55. | |
and they wanted to do something special, so he had the idea of | :36:55. | :37:00. | |
launching a rose. So they went to see a rose grower, him and another | :37:00. | :37:08. | |
fund raiser. And they got the rose grown. It is called the Wakefield | :37:08. | :37:12. | |
Hospice sun rise Rose, a beautiful rose. It is in the gardens of the | :37:12. | :37:18. | |
hospice and also in Wakefield Park. Terry and Susan, many others think | :37:18. | :37:23. | |
you deserve recognition for all you have done. We know how important | :37:23. | :37:26. | |
the rose is to you and the hospice. So I would like to sing this song | :37:26. | :37:36. | |
:37:36. | :37:42. | ||
and dedicate it especially to you. # Some say love, it is a river. | :37:42. | :37:52. | |
:37:52. | :37:57. | ||
# That drowns the tender reed. # Some say love, it is a razor. | :37:57. | :38:07. | |
:38:07. | :38:12. | ||
# That leaves your soul to bleed. # Some say love, it is a hunger. | :38:12. | :38:22. | |
:38:22. | :38:27. | ||
# An endless aching need. # I say love, it is a flower. | :38:27. | :38:37. | |
:38:37. | :38:44. | ||
Terry, you have helped so many people. Some of them are here | :38:44. | :38:49. | |
tonight. The ones that love you, your family, your friends and your | :38:49. | :38:59. | |
:38:59. | :39:01. | ||
fund-raising colleagues, come On Over! When the night has been too | :39:01. | :39:08. | |
lonely. # And the road has been too long. | :39:08. | :39:18. | |
:39:18. | :39:22. | ||
# And you think that love is only. # For the lucky and the strong. | :39:22. | :39:32. | |
:39:32. | :39:37. | ||
# Just remember in the winter. # Far beneath the bitter snows. | :39:37. | :39:45. | |
# Lies the seed that with the sun's love. | :39:45. | :39:55. | |
:39:55. | :40:14. | ||
Just for you. Terry, have you got anything you want to say to these | :40:14. | :40:24. | |
people? No. I was out with her last night! They are sneaky, aren't | :40:24. | :40:29. | |
they? I have to ask you one final question. Are you going to retire | :40:29. | :40:36. | |
now, finally? Probably not. That is what I like to hear! Ladies and | :40:37. | :40:46. | |
:40:47. | :40:49. | ||
As you know, I make dreams come true all over the UK, but I can't | :40:49. | :40:55. | |
be everywhere at once. So for this next surprise, my friend, Debra | :40:55. | :40:58. | |
Stephenson from the impressions show became a school inspector on | :40:58. | :41:02. | |
the Isle of Wight. Unfortunately for everyone, someone in the class | :41:02. | :41:11. | |
was very disruptive. I am Debra Stephenson, and I have been sent on | :41:11. | :41:16. | |
to the high seas - well, the Solent - on a special mission. I am on a | :41:16. | :41:22. | |
ferry on my way to the Isle of Wight, home of award-winning | :41:22. | :41:26. | |
beaches and singing maths teacher Paul Stephens. Paul is an aware | :41:26. | :41:31. | |
that I am coming to give him the surprise of his life. So hoist the | :41:31. | :41:37. | |
mainsail, Batten down the hatches, full steam ahead, captain. Do | :41:37. | :41:41. | |
excuse me. Paul's classroom has been rigged with hidden cameras, | :41:41. | :41:46. | |
and he will now be the one under examination. According to his wife, | :41:46. | :41:49. | |
he has always dreamed of swapping writing on the board for treading | :41:49. | :41:56. | |
the boards. Paul's biggest wish would be to sing with the cast of | :41:56. | :42:00. | |
Les Miserables. He loves the show and all the songs. Poor's | :42:00. | :42:03. | |
performing skills have raised thousands for local charities over | :42:03. | :42:07. | |
the years. But since the tragic death of his son five years ago, | :42:07. | :42:13. | |
Paul now gives his time to one main charity, cardiac risk in the young. | :42:13. | :42:18. | |
Daughter Lucy explains. Andrew suddenly died of a heart condition | :42:18. | :42:23. | |
he did not know about. Since then, my dad has thrown himself into his | :42:23. | :42:27. | |
singing, using that as therapy to help him with his loss. So the | :42:27. | :42:31. | |
years, of Paul has sunk to help others. Now it is time to sing for | :42:31. | :42:38. | |
himself. And when knows which song he will want to perform. Paul loves | :42:38. | :42:41. | |
the song bring him home from Les Miserables. It is a very poignant | :42:41. | :42:48. | |
song to him. A very emotional song. He will be so shocked that it is | :42:48. | :42:53. | |
his turn. I don't think he has a clue that this is coming. | :42:53. | :42:57. | |
secret cameras are in place and my wig is in place as I become | :42:57. | :43:01. | |
hopeless school inspector and Jane Barrington. I feel like a young and | :43:01. | :43:09. | |
Robinson. So, John, see me after the class. In fact, and Robinson | :43:09. | :43:16. | |
may be preferable to Jane. At least Anne can do her job. And as wife | :43:16. | :43:20. | |
when watches from a secret room next door, super klutz Jane tries | :43:20. | :43:28. | |
to throw pour off his stride. -- tries to throw pour off his stride. | :43:28. | :43:34. | |
Don't mind me. Thank you very much. Everyone is on their best behaviour | :43:34. | :43:40. | |
for the inspector and does not react. How will they manage the | :43:40. | :43:44. | |
next distraction, Scotch eggs and flattery? Would you like a Scotch | :43:44. | :43:51. | |
egg? No, thanks. You should, you know. You could manage it with your | :43:51. | :43:56. | |
figure. I shouldn't, on the other hand. Here is a quick IT lesson for | :43:56. | :44:01. | |
you - expensive computers and liquids really don't mix. It wasn't | :44:01. | :44:05. | |
very expensive equipment, was it? Only a few thousand pounds. | :44:05. | :44:10. | |
Computer has often get bugs, so it is time for me to have one of my | :44:10. | :44:17. | |
own. Aaagh! Sorry. It is not that I am allergic, I just don't like bees. | :44:17. | :44:21. | |
In reality, there is no bumblebee, but I am about to give Paul the | :44:21. | :44:28. | |
buzz of his life. I am really sorry to make such a fuss. It is just... | :44:28. | :44:32. | |
Well, I think you are a great teacher. In fact, I know you are a | :44:32. | :44:37. | |
great teacher. And I know that you do a lot for charity. And the | :44:37. | :44:43. | |
reason that I know this is because... And Debra Stephenson | :44:43. | :44:48. | |
from Tonight's The Night. And John Barrowman has sent me to help make | :44:48. | :44:56. | |
your dreams come true. Right, yes? Yes. I understand that you are a | :44:56. | :45:00. | |
big fan of the musical Les Miserables. How would you like to | :45:00. | :45:04. | |
come down to the Tonight's The Night studio and sing a song from | :45:04. | :45:10. | |
that musical on the show? Love to. I was hoping you would say that. | :45:10. | :45:17. | |
I am frightened and excited and nervous. We will see how it goes. | :45:17. | :45:27. | |
:45:27. | :45:30. | ||
We've brought fuel London. It's prt place to inspire Paul ahead of his | :45:30. | :45:36. | |
big performance. Who better to ask for tips, than the star of the show, | :45:36. | :45:42. | |
Alfie Bow. Hello. Nice to meet you. Very nice to meet you indeed. Are | :45:42. | :45:47. | |
you OK. Excuse me. I'm overwhelmed. Looking out there. What do you | :45:47. | :45:52. | |
think. Give us a bit of a song, seriously. In front of you? Yeah, | :45:52. | :46:00. | |
in front of millions as well. # God on high | :46:00. | :46:04. | |
# Hear my prayer # In my need... # | :46:04. | :46:07. | |
I thought Paul's voice was wonderful, very nice. I only heard | :46:07. | :46:12. | |
a little bit, but I think he has a natural ability to sing. That song | :46:12. | :46:16. | |
gets them going. It's a great song to sing. I know it's close to her | :46:16. | :46:21. | |
heart and sentimental to you. yeah. I was going to ask you a | :46:21. | :46:27. | |
favour, if you'd mind if I sang the song with you. I'll be there. | :46:27. | :46:33. | |
I'm crying you can take over. give you the hard stuff to sing. | :46:33. | :46:38. | |
I'll do the easy bit. When Alfie told me he was performing, that's | :46:38. | :46:43. | |
amazing. I seem to be getting loads of surprises at the moment. With | :46:43. | :46:47. | |
Paul's story, it's enough as it is, but with the song added and well as | :46:47. | :46:51. | |
the sentiment behind the song and what it means for Paul, it's going | :46:51. | :47:00. | |
to be a very, very special moment. APPLAUSE | :47:00. | :47:04. | |
You're Paul's daughter, you must be very, very proud of your dad with | :47:04. | :47:08. | |
all that he does. Yes, we're very proud of him. He's worked really, | :47:08. | :47:11. | |
really hard. It's paying off because he sounds amazing. And he's | :47:11. | :47:18. | |
a great dad as well. How's he been since he was surprised by Debra? | :47:18. | :47:22. | |
He's been so excited. He hasn't stopped smiling. I think he can't | :47:22. | :47:28. | |
believe he's actually going to sing on TV. We know Paul's son died | :47:28. | :47:31. | |
tragically overseas. This is an important song for him. What does | :47:31. | :47:37. | |
it mean to him to sing this song tonight? He's always loved the song, | :47:37. | :47:43. | |
but obviously since an druep's death it's become more poignant. | :47:43. | :47:47. | |
Every (Andrew's death) Time he sing it's now, I think he feels he's | :47:47. | :47:53. | |
doing it for Andrew. It's curtain up on the performance of a life | :47:53. | :47:59. | |
time. With Alfie Bow, and Bring Him Home, Paul Stevens, Tonight's The | :47:59. | :48:09. | |
:48:09. | :48:17. | ||
Night. # God on high | :48:17. | :48:27. | |
:48:27. | :48:30. | ||
# Hear my prayer. # In my need | :48:30. | :48:40. | |
:48:40. | :48:40. | ||
# You have always been there. Ladies and gentleman, please | :48:41. | :48:50. | |
:48:51. | :48:52. | ||
welcome Paul Stevens. APPLAUSE | :48:52. | :49:01. | |
He is # He is young. # He's afraid | :49:01. | :49:11. | |
:49:11. | :49:14. | ||
# Let him rest. # Heaven blessed. | :49:14. | :49:24. | |
:49:24. | :49:24. | ||
# Bring him home. # Bring him home | :49:24. | :49:34. | |
:49:34. | :49:35. | ||
# Bring him home. # He's like the son I might have | :49:35. | :49:41. | |
known # If God had granted me a son. | :49:41. | :49:44. | |
# The summers die # One by one. | :49:44. | :49:50. | |
# How soon they fly # On and on. | :49:50. | :50:00. | |
:50:00. | :50:08. | ||
# And I am old # And will be gone. | :50:08. | :50:12. | |
# You can take. # You can give | :50:12. | :50:22. | |
:50:22. | :50:24. | ||
# Let him be. # Let him live | :50:24. | :50:34. | |
:50:34. | :50:46. | ||
# If I die, let me die. # Let him live | :50:46. | :50:56. | |
# Bring him home. # Bring him home | :50:56. | :51:06. | |
:51:06. | :51:29. | ||
Paul, you've sung that song many times. Is it always an emotional | :51:29. | :51:37. | |
thing to sing? Absolutely, yeah. It is now, yeah. You were magnificent. | :51:37. | :51:42. | |
Thank you. If you could see everyone, they're in tears. Such a | :51:42. | :51:45. | |
beautiful song. Alfie will you be able to sing it now knowing the | :51:45. | :51:50. | |
story this man has behind it? was just incredible. He said he | :51:50. | :51:57. | |
would come down to the West End and take over the role. Only one song. | :51:57. | :52:00. | |
I'm glad you've enjoyed it and it was wonderful to have you here and | :52:00. | :52:04. | |
able to make this dream come true and Alfie also. Ladies and | :52:04. | :52:08. | |
gentleman, Alfie Bow and our West End dreamer, Paul Stevens! | :52:08. | :52:15. | |
APPLAUSE It's been an amazing show. It's not | :52:15. | :52:20. | |
over yet. On this stage the music doesn't stop. Back with her new | :52:20. | :52:30. | |
:52:30. | :52:31. | ||
single Think About It, it's Melanie # I know I shouldn't be doing this | :52:31. | :52:36. | |
# Why can't I stop? # Butterfly's, bloodrush, | :52:36. | :52:43. | |
everything'd telling me to run but I'm not | :52:43. | :52:48. | |
# Only regret what you don't do. # Why don't we do what we want to | :52:48. | :52:56. | |
now? # Don't give me time to back out. | :52:56. | :53:04. | |
# Cause I don't wanna think about frikin up. | :53:04. | :53:07. | |
# Trying to pretend that we didn't # What we're doing. | :53:07. | :53:09. | |
# I don't wanna think about # Giving up. | :53:09. | :53:12. | |
# Not tonight # I don't wanna think about anyone, | :53:12. | :53:16. | |
anything, anyway. # If there's a chance or break. | :53:16. | :53:24. | |
# I wanna smash into pieces # Let's make a big mistake. | :53:24. | :53:29. | |
# But I don't wanna think about it # I don't wanna think about it. | :53:29. | :53:33. | |
# My heart beats my head. # And I'm letting it | :53:33. | :53:36. | |
# Take me over. # I got to keep going | :53:36. | :53:44. | |
# Can't stop, can't sleep. # Cause tomorrow I'll be sober | :53:44. | :53:50. | |
# You only regret what you don't do. # Why don't we do what we want to | :53:50. | :54:00. | |
:54:00. | :54:00. | ||
now? # Don't give me time to back out. | :54:00. | :54:02. | |
# Cause I don't wanna think about frikin up | :54:02. | :54:05. | |
# Trying to pretend that we didn't # What we're doing | :54:05. | :54:08. | |
# I don't wanna think about. # Giving up | :54:08. | :54:10. | |
# Not tonight. # I don't wanna think about anyone, | :54:10. | :54:17. | |
anything, anyway # If there's a chance or break. | :54:17. | :54:25. | |
# I wanna smash into pieces # Let's make a big mistake. | :54:25. | :54:34. | |
# But I don't wanna think about it # I don't wanna think about it. | :54:34. | :54:39. | |
# I want to feel something I've never felt before | :54:39. | :54:46. | |
# And I don't care if it hurts # It's worth it. | :54:47. | :54:51. | |
# I want to be someone I've never been before | :54:51. | :54:57. | |
# So I'm gonna run. # I'm gonna close my eyes | :54:57. | :55:07. | |
:55:07. | :55:09. | ||
# I'm gonna jump into the fire. # I don't want to think about, not | :55:10. | :55:12. | |
tonight # I don't want to think about | :55:12. | :55:22. | |
anyone, anything, I don't want to think about it | :55:22. | :55:27. | |
# You only do what you want to # You only regret the things thaw | :55:27. | :55:37. | |
:55:37. | :55:38. | ||
don't do, do, do # Let's do what we want to # | :55:38. | :55:48. | |
:55:48. | :55:49. | ||
APPLAUSE Ladies and gentleman, Melanie C! If | :55:49. | :55:52. | |
you want to find out more about anything in tonight's show or just | :55:52. | :55:57. | |
enjoy those dreams once more, then log on to bbc.co.uk/Tonight's The | :55:57. | :56:02. | |
Night. I'm back next week for the final show of this series, when | :56:02. | :56:12. | |
:56:12. | :56:13. | ||
girl band the Saturdays get a new line up. Dame Town iri Tekanawa is | :56:13. | :56:19. | |
here. And R&B sensation Jay Sean gate crashes a party for a special | :56:19. | :56:29. | |
:56:29. | :56:35. | ||
# Don't you feel it growin', day by # People gettin' ready for the news | :56:35. | :56:45. | |
:56:45. | :56:46. | ||
# Some are happy, some are sad # Woah, gotta let the music play. | :56:46. | :56:49. | |
# What the people need is a way to make them smile | :56:49. | :56:55. | |
# Ain't so hard to do if you know # Gotta get a message, get it on | :56:55. | :57:03. | |
through # Oh now momma don't you ask me why. | :57:03. | :57:13. | |
:57:13. | :57:29. | ||
# Oh, oh, oh listen to the music, # When, I know you know baby, | :57:29. | :57:32. | |
everything I say, # Meet me in the country for a day. | :57:32. | :57:41. | |
# We'll be happy and we'll dance. # Oh, we're gonna dance our blues | :57:41. | :57:51. | |
:57:51. | :57:51. | ||
away. # Whoa, listen to the music, | :57:51. | :58:01. | |
:58:01. | :58:07. | ||
# Oh, oh, oh, listen to the music # All the time | :58:07. | :58:14. | |
# Like a lazy flowing river. # Surrounding castles in the sky | :58:14. | :58:20. | |
# And the crowd is growing bigger # Listening for the happy sounds | :58:20. | :58:27. |