Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's Saturday night. This is Tonight's The Night. Please welcome | :01:32. | :01:42. | |
:01:42. | :01:42. | ||
your host, on Barrowman. # I gotta feeling that tonight's | :01:42. | :01:45. | |
gonna be a good night # That tonight's gonna be a good | :01:45. | :01:47. | |
night # That tonight's gonna be a good | :01:47. | :01:49. | |
good night # Tonight's the night night | :01:49. | :01:52. | |
# Let's live it up # I got my money | :01:52. | :01:54. | |
# Let's spend it up # Go out and smash it | :01:54. | :01:57. | |
# Like Oh My God # Jump off that sofa | :01:57. | :02:07. | |
:02:07. | :02:16. | ||
# Let's get get OFF # I got a feeling. | :02:16. | :02:24. | |
CHEERING AND APPLAUSE Good evening and welcome to | :02:25. | :02:28. | |
Tonight's The Night. The show which makes dreams come true. It is the | :02:28. | :02:38. | |
:02:38. | :02:41. | ||
last show of the series already! Audience AH! SNL I STILL HAVE SO | :02:41. | :02:47. | |
MANY I still have so many dreams to make come true. And the winner of | :02:47. | :02:56. | |
best actor is... John Barrowman. CHEERING | :02:56. | :03:01. | |
Thank you so much. I'd like to thank Mr Spielberg and my | :03:01. | :03:07. | |
supporting cast, Brad, Tom, Colin. This is for you guys! What am I | :03:07. | :03:17. | |
:03:17. | :03:20. | ||
saying? It's for me! Me! Me! Me! Me... John, What? Hold on, did I | :03:20. | :03:26. | |
just have one of my secret private dreams? Did you see it? Yeah. | :03:26. | :03:36. | |
:03:36. | :03:37. | ||
it the best actor one? Yes! Whoa! Thank goodness. Anyway... My dreams | :03:37. | :03:41. | |
don't always come true but I have plenty that will for some very | :03:41. | :03:45. | |
deserving people. Here's what's on the way. Top girl band The | :03:46. | :03:53. | |
Saturdays are here with a brand new member. Dame Dame Kiri Te Kanawa | :03:53. | :03:59. | |
makes operatic dream come true. Jodie Prenger goes to south Pacific | :03:59. | :04:07. | |
with its star Samantha Womack. Plus, I'm Jay Sean. I'll be gate crashing | :04:07. | :04:13. | |
a party to surprise is very special person. So stay where you are. | :04:13. | :04:18. | |
Right now, we've all left something valuable in a taxi, haven't we? | :04:18. | :04:23. | |
Just last week I left my bag, phone and personal items in the back of a | :04:23. | :04:27. | |
cab. But I also left some hidden cameras and microphones in there | :04:27. | :04:31. | |
too. You're about to see for the first time on national television, | :04:31. | :04:39. | |
my pants being flashed in the back of a cab. Today, I'm in Guildford | :04:39. | :04:43. | |
to surprise Connie Nash, a tower of strength to her friends and family. | :04:44. | :04:48. | |
We're going to pick up Connie in our cab. Little does she know, it | :04:49. | :04:58. | |
is hidden with cameras. When she gets into the cab, she'll notice my | :04:58. | :05:02. | |
man bag's inside. My phone's in there, a wallet and other things. | :05:02. | :05:08. | |
It is time now to go get Connie and make her dream come true. Connie | :05:08. | :05:14. | |
has a passion for singing. She'll belt out a tune any time, place or | :05:14. | :05:21. | |
anywhere. It can be hard rock, country naiing. Singing has always | :05:21. | :05:26. | |
been her life. She sings in the old people in the village. She'll sing | :05:26. | :05:32. | |
anywhere. Give her a stage and Mick row phone and she's away. When | :05:32. | :05:36. | |
she's not singing, she's helping mum who has health problems. She | :05:36. | :05:41. | |
runs the house and has everything they need. She's my brick. She's | :05:41. | :05:45. | |
there for me. It is not just her family she's there for. Her best | :05:45. | :05:49. | |
friend says Connie is the first person they'll turn to in their | :05:49. | :05:54. | |
hour of need. Connie is so selfless. She'd do anything for anyone at any | :05:54. | :05:59. | |
time. She's an amazing person. Because of that loyalty and support, | :05:59. | :06:03. | |
I've arranged for Connie to sing live in the studio as a new member | :06:03. | :06:06. | |
of the chart topping girl band, The Saturdays. | :06:06. | :06:12. | |
I will be the proud est mother in the whole wild world when Connie | :06:12. | :06:16. | |
appears on stage. I'm going to monitor everything from this | :06:16. | :06:20. | |
vehicle. I can see what's happening in the cab on the screens. I can | :06:20. | :06:23. | |
hear what's happening on this ear piece. I can also talk to the cab | :06:23. | :06:27. | |
driver on this microphone. Connie thinks she's going out for a night | :06:27. | :06:32. | |
out on the town. We're about to make they are dream come true. The | :06:32. | :06:38. | |
taxi ace arrived. Connie and her friend will hit the town. You look | :06:38. | :06:43. | |
beautiful. Thank you. Everything all right? Yes, thank you. What do | :06:43. | :06:51. | |
you two do? Study? We study musical theatre. All singing and dancing? | :06:51. | :06:55. | |
That's us. I ain't agot a dancing license in here tonight. Whatever | :06:55. | :07:02. | |
you do. Oi!, Johnny, stick to the script. What's that on the back? Is | :07:02. | :07:09. | |
that yours? Don't know. Is there a name or telephone number on it. | :07:09. | :07:14. | |
Have you got the number there or anything? Hey, watch my lucky | :07:14. | :07:20. | |
pants! Hello, I'm Connie, I'm in the taxi. I've found your bag and | :07:20. | :07:26. | |
phone. Thank you so much. I left it. I can't believe I got out of a taxi | :07:26. | :07:32. | |
and left it. Is there any way you can drop it off to me. I'll pay for | :07:32. | :07:40. | |
your fare. Who's going to pay? You or them? Them. That's handy. I'm at | :07:40. | :07:50. | |
:07:50. | :07:51. | ||
guild for Castle. At the skal royal Oak. Thank you. He's American. | :07:51. | :07:55. | |
Connie has no idea it is me calling. Until she starts snooping in my | :07:55. | :08:05. | |
:08:05. | :08:05. | ||
wallet. That can't be true! SCREAMING It is John Barrowman. I | :08:05. | :08:12. | |
just spoke for John Barrowman on the phone. Who's he? He's famous. | :08:12. | :08:16. | |
For what? Musical theatre. So, what part of my life are they really | :08:16. | :08:25. | |
interested?. Let's take pictures with his pants. They're taking | :08:25. | :08:35. | |
:08:35. | :08:41. | ||
pictures with my pants! Hilarious! Genius. They've put my sunglasses | :08:41. | :08:48. | |
on. Are we drooping off now? We're nearly there. Are we going to meet | :08:48. | :08:54. | |
John Barrowman? SCREAMING I'm so pleased. Thank you so much. Connie, | :08:54. | :08:59. | |
I'm actual ji John Barrowman from BBC One's Tonight's The Night. I'm | :08:59. | :09:04. | |
here to make your dream come true. You put on my sunglasses, took | :09:04. | :09:10. | |
pictures with my pants! You're so busted! You're so busted! This has | :09:10. | :09:17. | |
all been a set-up because I know that you've, you're a pillar of | :09:17. | :09:20. | |
strength for your family. You do things to help out your mother in | :09:21. | :09:24. | |
particular. We know you have a dream to sing in front of millions | :09:24. | :09:30. | |
of people? Yes? Yes. Would you like to come to the studio and we'll get | :09:30. | :09:33. | |
you up on the tonight's the night stage and you can sing to the | :09:33. | :09:39. | |
nation. Awesome? Yes! Thank you very much. You're welcome! There | :09:39. | :09:47. | |
you go. So surprised. Nothing like this ever happens to me. This is | :09:47. | :09:53. | |
amazing. A complete dream come true. Can I say, these are not my pants! | :09:53. | :10:00. | |
They are not my pants. Mine are much bigger! It's the day before | :10:00. | :10:05. | |
her dream performance and Connie's in Manchester rehearsing her big | :10:05. | :10:12. | |
number Higher. She's about to get some visitors. Much cos you keep on | :10:12. | :10:15. | |
pushing # Like I need permission to be | :10:15. | :10:23. | |
heard # Hi, When The Saturdays walked in, they were so friendly. | :10:23. | :10:27. | |
Every one gave me a hug. They are really lovely girls. Maybe she | :10:28. | :10:33. | |
should join the band. # When I keep listening | :10:33. | :10:39. | |
# Cos you keep on pushing #... Snl She has a powerful voice. I think | :10:39. | :10:47. | |
she will be really, really good. # I'm gonna lift it higher # | :10:47. | :10:57. | |
:10:57. | :10:59. | ||
When the doors open I'll be nervous. But it will be amazing. | :10:59. | :11:03. | |
Connie's not just there for you but everybody, isn't she? She's always | :11:03. | :11:07. | |
there for friends and family. Always goes that extra mile for | :11:07. | :11:14. | |
them. Joanna, you guys look like you have a good time together? | :11:14. | :11:20. | |
little bit. She's always up for a laugh. Put a smile on anyone's face. | :11:20. | :11:29. | |
She's brilliant. Christopher, dad... I believe so! You believe so! A | :11:29. | :11:35. | |
first on Tonight's The Night. I feel like I'm watching Trisha. | :11:35. | :11:39. | |
Christopher, she's about to perform with Britain's biggest girl band. | :11:39. | :11:44. | |
She has a lot of confidence but will she be nervous before walking | :11:44. | :11:49. | |
on? She's bound to be. But she'll be bursting to get out there and go | :11:50. | :11:53. | |
for it. Here with Britain's hottest girl band, The Saturdays singing | :11:53. | :12:03. | |
:12:03. | :12:09. | ||
one of their biggest hits, Higher, Connie Nash, Tonight's The Night. | :12:09. | :12:14. | |
# I'm doing nothing # Kauz then at least I'm doing | :12:14. | :12:18. | |
nothing wrong # And I'm staying on my own | :12:18. | :12:22. | |
# Then turn off my telephone # If nothing's gained, nothing's | :12:22. | :12:28. | |
# And you can tell them # # Yeah, you can say whatever I | :12:28. | :12:34. | |
don't care # And if you wanna play it cool | :12:34. | :12:40. | |
# Then I got news for you # It's getting hotter, hotter over | :12:40. | :12:44. | |
here. Please welcome on stage our sixth | :12:44. | :12:49. | |
Memon stage tonight, it's Connie. CHEERING AND APPLAUSE. | :12:49. | :12:58. | |
# SO WHEN I KEEP LISTENING # AND YOU KEEP ON MESSING UP THE | :12:58. | :13:03. | |
WORDS. # SO WHEN I SPEAK, LISTEN CAUSE YOU | :13:03. | :13:09. | |
KEEP ON PUSHING # I'M GONNA LIFT YOU HIGHER. | :13:09. | :13:16. | |
# I'M GONNA LIFT IT, LIFT IT HIGHER. # SO WHEN I SPEAK, LISTEN, THIS IS | :13:16. | :13:20. | |
MY DECISION # AND YOU KEEP ON MESSING UP THE | :13:20. | :13:24. | |
WORDS. # I'M GETTING CLOSER | :13:24. | :13:29. | |
# I'M MOVING IN AND NEAR, I THINK YOU KNOW | :13:29. | :13:34. | |
# COS I'M SICK OFF PLAYING GAMES # AND I'M NOT GONNA SAY NO NAMES | :13:34. | :13:41. | |
# BUT YOU KNOW I KNOW WHO TO BLAME # SO YOU CAN TELL THEM | :13:41. | :13:44. | |
# YEAH, YOU CAN GO AHEAD AND PUTTED IT STRAIGHT | :13:44. | :13:50. | |
# I'M A FINISHING MYSELF # AND I DO NOT NEED YOUR HELP | :13:50. | :13:56. | |
# I'M GONNA DO THIS TONIGHT. # SO WHEN I SPEAK, LISTEN | :13:56. | :14:00. | |
# THIS IS MY DECISION # AND YOU KEEP ON MESSING UP THE | :14:00. | :14:04. | |
WORDS. # SO WHEN I SPEAK, LISTEN CAUSE YOU | :14:04. | :14:08. | |
KEEP ON PUSHING # LIKE I NEED PERMISSION TO BE | :14:08. | :14:14. | |
HEARD. # I'M GONNA LIFT IT HIGHER. | :14:14. | :14:21. | |
NING.$$NEWLINE # I'M GONNA LIFT IT HIGHER | :14:21. | :14:25. | |
# So when I speak, listen, this is my decision. | :14:25. | :14:31. | |
# And you keep on messing up the world. | :14:31. | :14:39. | |
CHEERING AND APPLAUSE That was really awesome. Girls, how | :14:40. | :14:44. | |
did you feel to have a sixth member? Amazing. She's so good. | :14:45. | :14:50. | |
Connie, how was it standing behind those doors waiting to come on? | :14:50. | :14:54. | |
Scared. I was really nervous but excited. I just wanted them to open. | :14:54. | :15:01. | |
Girls, she looked and sounded the part? She did. Are you surprised? | :15:01. | :15:08. | |
The girls said cos she's blonde, if I feel sick or want to leave she's | :15:09. | :15:14. | |
in. If she's not pulling her weight! Do you need a brunette? | :15:14. | :15:18. | |
Connie, make me a promise. If you do find a pair of pants in the | :15:18. | :15:26. | |
backs of a taxi, don't put them on your head. That's a moment entoe! | :15:26. | :15:30. | |
Thank you. Ladies and gentlemen, The Saturdays will be back later | :15:30. | :15:35. | |
with their new single. For now, everybody, Connie Nash. CHEERING | :15:35. | :15:42. | |
AND APPLAUSE We've only just begun. There's | :15:42. | :15:51. | |
still plenty more on the way. R&B star Jay Sean gives one lady a | :15:51. | :15:58. | |
party she'll never forget. Samantha Womack, the new star of South | :15:58. | :16:03. | |
passiveic meets a crazy hairdresser. It can only happen on Tonight's The | :16:03. | :16:07. | |
Night. Time to deliver another dream. I was born and raised in | :16:07. | :16:12. | |
this city. I know very little about the countryside. The nearest I've | :16:12. | :16:17. | |
been to a farm was playing the rear end of a pantomime cow! The pay was | :16:17. | :16:22. | |
good but the view was lousey. So, for this next dream, I had to | :16:22. | :16:28. | |
discover my rural side. Let's see how I do in the wild, Wild West... | :16:28. | :16:38. | |
:16:38. | :16:38. | ||
Of Somerset! I'm here at the royal Bath and West show. To see Teresa. | :16:38. | :16:45. | |
She's no idea we're here to make her dreams come true. 19-year-old | :16:45. | :16:49. | |
Theresa is here to sing for the Royal British Legion. According to | :16:49. | :16:55. | |
her best friend Hannah, it is one of the meant charity gigs she does. | :16:55. | :16:59. | |
Teresa loves singing. If she can sing and work at the same time, it | :16:59. | :17:05. | |
is perfect for her. After performing, Teresa donates any fees | :17:05. | :17:09. | |
to charity. And even sleeps on transfor the between gigs. | :17:09. | :17:14. | |
gives up all of her time. She travels back and forth from London | :17:14. | :17:19. | |
at her own expense to do things for the legion. She does it because she | :17:19. | :17:24. | |
wants to, not because she wants anything out of it. Mum lily wants | :17:24. | :17:28. | |
Teresa's dreams to come true so I've arranged for her to sing with | :17:29. | :17:38. | |
her hero, the internationally famous Dame Kiri Te Kanawa. It will | :17:38. | :17:43. | |
be shock initially. Then she'll scream and be excited. Performing | :17:43. | :17:48. | |
on stage and on television would make her dreams come true. Back at | :17:48. | :17:54. | |
the country show, Theresa is getting ready for her performance. | :17:54. | :17:58. | |
I'm throwing myself into the rural ways. So I really am one of the | :17:58. | :18:06. | |
skal village People. I'm getting to terms with this countryside. What | :18:06. | :18:16. | |
:18:16. | :18:21. | ||
do you think baa, bra. I never want to say I milked a performance! | :18:21. | :18:26. | |
While Theresa takes the stage, I'll find out what dashing uniform the | :18:26. | :18:31. | |
legion have for my disguise. I heard you've something for me. What | :18:31. | :18:37. | |
is it? I have the British Legion poppy mascot. This is awesome. | :18:37. | :18:43. | |
Let's get my poppy on. Thanks. Theresa has been told when she's | :18:43. | :18:48. | |
finished, there will be a photocall with the poppy mascot. She's no | :18:48. | :18:52. | |
idea it will be me inside the costume. I'm ready to go in. Poppy- | :18:52. | :19:02. | |
:19:02. | :19:05. | ||
power! Theresa's finished and here I come. This is really a long way | :19:05. | :19:15. | |
:19:15. | :19:16. | ||
from Captain Jack. CHEERING This is one hot and sweaty costume. | :19:16. | :19:22. | |
It is stuck to me. I'll have to get Theresa to help me get it off. I'll | :19:22. | :19:27. | |
not really a mascot. I'm John Parr Oman and I'm here to make your | :19:27. | :19:34. | |
dream come true! Whoa. Hello. I would like you to come to the | :19:34. | :19:38. | |
Tonight's The Night studio and sing on television to millions of people | :19:38. | :19:44. | |
out there in the nation. Will you do that? Yeah! I tell you, the | :19:45. | :19:51. | |
things I do for showbiz. This young lady does an incredible amount for | :19:51. | :19:57. | |
charity in her local area and she's what I would call a self-less young | :19:57. | :20:02. | |
lady. She's always offered to get paid for performances and you do | :20:02. | :20:06. | |
what? Tell us? I do it for free because I love it. If she gets | :20:06. | :20:11. | |
money, she gives it back to the community or charities but I've got | :20:11. | :20:21. | |
:20:21. | :20:22. | ||
a surprise for you, you will awe' be singing with Dame Kiri Te Kanawa, | :20:22. | :20:29. | |
CHEERING I don't want to say I'll be star struck. That will be | :20:29. | :20:34. | |
embarrassing. But I probably will be. Would your mum come up? Before | :20:34. | :20:39. | |
she meets Dame Kiri, I've another surprise. Meeting Sophie, Countess | :20:39. | :20:45. | |
of Wessex. Have you got over the shock yet? Yeah, this is just | :20:45. | :20:51. | |
another one. I'm sorry to do this to you. She's getting to sing with | :20:51. | :20:55. | |
dame Kiri. You'll have to tune in. I will definitely do that. It is | :20:55. | :21:02. | |
such a pleasure to meet you are. Thank you, appreciate it. Thank you. | :21:02. | :21:10. | |
Now we're down with the royals. You and me. Will and Kate look out. It | :21:10. | :21:13. | |
is Theresa and John on their way. Watch this space. Thank you for | :21:13. | :21:19. | |
making my dreams come true is all I can say. You're welcome, sweetheart. | :21:19. | :21:23. | |
Thank you. A few weeks later, Theresa is practising with the show | :21:23. | :21:30. | |
when her duet partner props in for an unexpected rehearsal. # To be | :21:30. | :21:40. | |
:21:40. | :21:40. | ||
the best I can #... # If I win... # I was shocked when I heard her | :21:40. | :21:44. | |
singing. I thought, oh, my God, it's the voice, the voice of Dame | :21:44. | :21:54. | |
:21:54. | :22:03. | ||
Kiri. Well done. Hello. Hello! Oh, God. This will be fun, isn't it? | :22:03. | :22:06. | |
Thank you so much. I didn't think something like this could happen to | :22:06. | :22:11. | |
me. It has been amazing. Absolutely amazing. | :22:11. | :22:19. | |
CHEERING AND APPLAUSE I know you're nervous and he and excited. What | :22:19. | :22:23. | |
kind of sacrifices has Theresa made for others? She does so much. | :22:23. | :22:27. | |
She'll have parties of her own to go to her own social events. She'll | :22:27. | :22:33. | |
give all that up to be there to sing at the charities. She will not | :22:33. | :22:37. | |
put herself first, she always puts the charities first. She gives | :22:37. | :22:44. | |
everything back to them. Epbg low, you're dad?, she's a one-off? | :22:44. | :22:50. | |
proud of her. She's my little star. Theresa is now getting something | :22:50. | :22:58. | |
for herself. Singing World In Union with Dame Kiri Te Kanawa, Theresa | :22:58. | :23:08. | |
:23:08. | :23:11. | ||
sings on Tonight's The Night. # There's a dream I feel so rare, | :23:11. | :23:18. | |
so real # All the world in union | :23:19. | :23:28. | |
:23:29. | :23:30. | ||
# The world as one # Gathering together | :23:30. | :23:40. | |
:23:40. | :23:41. | ||
# One mind, one heart # Every creed, every colour | :23:41. | :23:51. | |
# Once joined, never apart # Ladies and gentlemen, please | :23:51. | :24:01. | |
:24:01. | :24:10. | ||
welcome Theresa. CHEERING AND APPLAUSE | :24:10. | :24:20. | |
:24:20. | :24:25. | ||
# We must take our place in history # And live with dignity | :24:25. | :24:32. | |
Just to be the best I can # Sets the goal for every man | :24:32. | :24:42. | |
:24:42. | :24:43. | ||
# If I win, lose or draw # It's a victory for all | :24:43. | :24:53. | |
:24:53. | :24:54. | ||
It's the world in union # The world as one | :24:54. | :25:04. | |
:25:04. | :25:20. | ||
# As we climb to reach our destiny # A new age has bee gun -- begun | :25:20. | :25:30. | |
:25:30. | :25:35. | ||
# It's the world in union # A new age has begun # | :25:35. | :25:45. | |
:25:45. | :25:49. | ||
CHEERING AND APPLAUSE That was amazing. Absolutely | :25:50. | :25:56. | |
amazing. Theresa, this has been your dream for a long time. Come on. | :25:56. | :26:01. | |
How does it feel now you've fulfilled it? Amazing. I want to do | :26:01. | :26:06. | |
it again and again. I would scream but it's not good for my voice! | :26:06. | :26:13. | |
Don't scream. For someone so young. What an instrument, what a voice. | :26:13. | :26:17. | |
Lovely, but a lot of work to go forward with. The show's wonderful. | :26:17. | :26:22. | |
Thank you very much for making this possible for her. Thank you. No, | :26:22. | :26:30. | |
thank you. Mum, dad, it was also a dream for you. How do you feel? | :26:30. | :26:35. | |
Absolutely so proud of her. Fantastic. Thank you. I'm coming | :26:35. | :26:42. | |
over for pasta. Ladies and gentlemen, Dame Kiri Te Kanawa and | :26:42. | :26:50. | |
Theresa DI i Roberto. Here I am again surrounded by the great and | :26:50. | :26:54. | |
good but only one of you is in for a surprise tonight. Let's get | :26:54. | :26:58. | |
searching. I'm looking for someone who's taken a whole new direction | :26:58. | :27:02. | |
in their life. Loves the roar of the Grace paint, the smell of the | :27:02. | :27:07. | |
crowd. Somebody who is a one- Mangham tuer dramatics group. | :27:07. | :27:17. | |
:27:17. | :27:19. | ||
Someone like you Keith Lee. that's not me. Someone like you, | :27:19. | :27:29. | |
:27:29. | :27:30. | ||
Keith Lee? No. Wait a minute. Let me just check something. You're | :27:30. | :27:40. | |
:27:40. | :27:41. | ||
like Keith Lea. Oh, it's someone who works in Keighley Yorkshire, | :27:41. | :27:51. | |
:27:51. | :27:53. | ||
like you, Peter Whitley! CHEERING You thought I'd messed up there, | :27:53. | :27:57. | |
didn't you, Peter? Yes. You and your daughter come with me while | :27:57. | :28:04. | |
the rest of you take a look at this. I've been married to Peter for 14 | :28:04. | :28:10. | |
years. He's very fun-loving. Always looks on the good side of things. | :28:10. | :28:15. | |
My dad's special. He's always there for everybody else. Feeter as a | :28:15. | :28:20. | |
father-in-law is qairing. Loves his kids and granddaughter. Recently | :28:20. | :28:25. | |
he's done a concert, Help the Heroes. He does things for | :28:25. | :28:31. | |
MacMillan cancer care. He's due to do a parachute jump. Over the years, | :28:31. | :28:35. | |
Peter's raised thousands of pounds for his charities. New Year's Day, | :28:35. | :28:39. | |
at 26 weeks pregnant, I was rushed into hospital. I didn't know what | :28:40. | :28:45. | |
had happened until I woke up ten days later when I found out I'd | :28:45. | :28:50. | |
Swine Flu. I had to ring Peter tell him there was always a chance he'd | :28:50. | :28:55. | |
lose his granddaughter and daughter. He was extremely worried and | :28:55. | :28:58. | |
anxious. Our priority was to support Hannah and to support Dan, | :28:58. | :29:04. | |
her husband. Even though what he were going through, Peter was | :29:04. | :29:08. | |
strong, always there for meself. Giving lifts to the hospital. | :29:08. | :29:13. | |
Always at his daughter's bedside. Having dad there meant so much to | :29:13. | :29:19. | |
me. He's a very special person. dad gets his energy from making | :29:19. | :29:24. | |
other people smile. Other people happy. Peter, have a wonderful | :29:24. | :29:28. | |
evening. I'm proud to know you. You're a very special person. I | :29:28. | :29:33. | |
want you to enjoy tonight. I love you. Dad, I want to say a huge | :29:33. | :29:37. | |
thank you for everything you do. Have a great night. Love you, love | :29:37. | :29:43. | |
you granddad. CHEERING AND APPLAUSE N Hand in a, | :29:43. | :29:49. | |
how much of a support was your dad through your illness? A huge | :29:49. | :29:54. | |
support. He was there by my bedside while I were on life support and | :29:54. | :29:59. | |
through my recovery. He was there for Dan and the rest of my family. | :29:59. | :30:02. | |
Peter, throughout everything, you seem to be able to put a smile on | :30:02. | :30:08. | |
people's faces. What makes you want to do that? Laughter's The Best | :30:08. | :30:15. | |
Medicine for anybody. I just love making people laugh. I could sit | :30:15. | :30:19. | |
with you all night and giggle. I could. I just like seeing people | :30:19. | :30:25. | |
enjoy themselves. I get a lot of pleasure out of it. Peter, you've | :30:25. | :30:30. | |
brought so many smiles to so many people. You've done so much for | :30:31. | :30:36. | |
your family and community. I'd like to put a smile on your face tonight | :30:36. | :30:46. | |
:30:46. | :30:47. | ||
by singing this song just for you. # You know I can't smile without | :30:47. | :30:57. | |
:30:57. | :30:57. | ||
# I can't smile without you # I can't laugh and I can't sing | :30:57. | :31:02. | |
# I'm finding it hard to do anything | :31:02. | :31:11. | |
# You see I feel sad when you're # I feel glad when you're glad | :31:11. | :31:15. | |
# If you only new what I'm going through | :31:15. | :31:24. | |
# If I just can't smile without you # Some people say | :31:24. | :31:29. | |
# Happiness takes # So very long to find | :31:29. | :31:39. | |
:31:39. | :31:40. | ||
# Well, I'm finding it hard leaving your love behind me | :31:40. | :31:44. | |
# Peter, it's time to bring out some of the people who you made | :31:44. | :31:48. | |
smile over the years. The people who love you, your friends and | :31:48. | :31:53. | |
family, your colleagues. Come on over here, Peter. CHEERING AND | :31:53. | :31:59. | |
APPLAUSE # YOU KNOW I CAN'T SMILE WITHOUT | :31:59. | :32:09. | |
:32:09. | :32:09. | ||
# I can't smile without you # I can't laugh and I can't sing | :32:09. | :32:13. | |
# I'm finding it hard to do anything | :32:13. | :32:19. | |
# You see I feel glad when you're glad | :32:19. | :32:26. | |
# I feel sad when you're sad # If you only knew what I am going | :32:26. | :32:36. | |
:32:36. | :32:42. | ||
through # I just can't smile without you # | :32:42. | :32:46. | |
CHEERING AND APPLAUSE Did you ever realise how much you | :32:46. | :32:55. | |
mean to everybody? No. No, I didn't. I love everybody. Thank you. | :32:55. | :33:00. | |
you suspect anybody was planning anything? Not a thing. Not a thing. | :33:00. | :33:04. | |
Debbie didn't even tell me which shirt to wear! You were left on | :33:04. | :33:08. | |
your own? Let me tell you, you made a good choice. Ladies and gentlemen, | :33:08. | :33:13. | |
a big round of applause and a big smile for Peter Whitley. | :33:13. | :33:20. | |
CHEERING AND APPLAUSE We've plenty more lined up. Here's | :33:20. | :33:29. | |
what's on the way. R&B star Jay Sean makes a surprise for one lady. | :33:29. | :33:35. | |
The cast of South Pacific are here and The Saturdays return. OK dudes. | :33:35. | :33:44. | |
It is the last show of the series. Do you want to party? AUDIENCE: Yes. | :33:44. | :33:54. | |
:33:54. | :33:55. | ||
Can you feel it? Here we go. Get ready. It's coming. # I got you | :33:55. | :34:05. | |
# I got you # Agadoo... # | :34:05. | :34:10. | |
Guess I'm not street enough to be a super star DJ. For this next | :34:10. | :34:20. | |
surprise, that was a good thing. I'm in London to meet mum z Taz. | :34:20. | :34:23. | |
She's coming here for what she thinks is a regular gathering but | :34:23. | :34:28. | |
I'm about to make it a party of a lifetime. And, of course, we've | :34:28. | :34:32. | |
rigged that party with our sneaky secret cameras. What are we like? | :34:32. | :34:37. | |
We all know a party isn't complete without a DJ. Calm down, ladies, it | :34:37. | :34:43. | |
is DJ Roger with wheels of steel and pants the polyester. Feel that | :34:43. | :34:47. | |
static electricity! And the party has another surprise. Performer on | :34:47. | :34:54. | |
the way, international star Jay Sean. That's a gate-crasher she can | :34:54. | :35:00. | |
deal W while Mumtaz arrives at what shis is a family get together Jay | :35:01. | :35:05. | |
Sean is behind the scenes. It is especially for her and she deserves | :35:05. | :35:11. | |
it. Since Mumtaz's dad died tragically in 2004, the 25-year-old | :35:11. | :35:15. | |
care assistant's kept the family together. Her brother explains. | :35:15. | :35:21. | |
father was the add heeive. Gelling figure. Mumtaz took on that. She's | :35:21. | :35:25. | |
the first programme to help us resolve any problems. If we are sad, | :35:25. | :35:31. | |
she's the first person to make us happy. She's the person we look to | :35:31. | :35:37. | |
But Mumtaz has had struggles of her own since she was diagnosed with | :35:37. | :35:43. | |
arthritis. It hasn't been easy. Mumtaz was diagnosed with arthritis | :35:43. | :35:46. | |
for two years now. There are days when she can't moval ought. She's | :35:46. | :35:50. | |
gone through tough times. So, now it is time for Mumtaz to become the | :35:50. | :35:54. | |
centre of attention with a big thank you from sister and the rest | :35:54. | :35:58. | |
of the family. Mumtaz Lynx to put others first rather than herself. | :35:58. | :36:02. | |
She likes to see people smile. We think this time, we want to make | :36:02. | :36:06. | |
her happy and give her a big surprise. So, after the family got | :36:06. | :36:11. | |
in touch, I knew the surprise to give Mumtaz. A personal party | :36:11. | :36:20. | |
performance from her idol, Jay Sean. Much Back at the social club, DJ | :36:20. | :36:27. | |
Roger's working the crowd while Jay Sean watchs from upstairs. Over to | :36:27. | :36:35. | |
you, R&B's top DJ. My name is Roger DJ by nature. I'm going to shout | :36:35. | :36:40. | |
over everybody, all right? crowd wants some hot R&B but Roger | :36:40. | :36:47. | |
has no idea what that is. Here we have a great R&B classic. Hit it me, | :36:47. | :36:53. | |
man! # I am the one and only... # Oops, that seems to have cleared | :36:53. | :36:58. | |
the dance floor. Surely Roger's singing will bring them back. | :36:58. | :37:06. | |
# I am the one and only # DJ Roger decides to get Mumtaz involved. | :37:06. | :37:13. | |
Time to get everyone on their feet for another R&B classic. Backstage, | :37:13. | :37:16. | |
Jay Sean's horrified but not for the reasons you might think. He's | :37:16. | :37:21. | |
gone and ruined it. I normally come out. This is my entrance song! | :37:21. | :37:27. | |
on, Jay, you'll make your entrance soon. First, it is time for the DJ | :37:27. | :37:32. | |
to give Mumtaz a surprise she'll never forget. Come over here, I'm | :37:32. | :37:37. | |
John Barrowman from BBC One's Tonight's The Night. And I'm here | :37:37. | :37:47. | |
:37:47. | :37:47. | ||
to make your dreams come true! ALL WHOOP Your brother got in touch and | :37:47. | :37:51. | |
wrote the letter because he loves you dearly. He thinks you're | :37:51. | :37:55. | |
wonderful and the pillar of strength for your family and he | :37:55. | :38:00. | |
thinks you deserve this. I know you like R&B music. How about a song | :38:00. | :38:06. | |
you can dance to with Amran by a Jay Sean, is that all right? I've | :38:06. | :38:16. | |
:38:16. | :38:24. | ||
got a better idea. Because, I've brought Jay Sean here today. | :38:24. | :38:29. | |
Whooping and cheering. It was lovely thinking, oh, my God, am I | :38:29. | :38:33. | |
dreaming. I'm happy and proud to be a part of this dream come true. I | :38:33. | :38:43. | |
:38:43. | :38:43. | ||
hope you enjoy it. It is lovely to be here with you and all of you. | :38:43. | :38:47. | |
# You ready for this? This song is especially for you. | :38:48. | :38:52. | |
# So just let it be # Come on and bring your body next | :38:52. | :38:57. | |
to me # I'll take you away, yeah | :38:57. | :39:02. | |
# And I'll turn this place into a private get away | :39:02. | :39:07. | |
# So leave it behind so we have a night to get away | :39:07. | :39:15. | |
# He's so fit! He's so good looking. I want my son to turn out like him! | :39:15. | :39:20. | |
I never thought I'd see him in real life. Today, he was in front of me, | :39:20. | :39:26. | |
singing for me. It was unbelievable. # And even if the sky is falling | :39:26. | :39:30. | |
down # You will be my only | :39:30. | :39:36. | |
# There's no need to worry # Frplt this is my dream come true. I can't | :39:36. | :39:42. | |
dream anything else apart from that. This is the best dream in my life. | :39:42. | :39:50. | |
Thank you so much to everybody. Said, even if the sky is falling | :39:50. | :39:59. | |
down # CHEERING AND APPLAUSE | :39:59. | :40:05. | |
Mumtaz, that was a very welcome gate crashing, wasn't it? Yes, it | :40:06. | :40:10. | |
was an amazing experience. I had a lovely time that day. Thank you for | :40:10. | :40:15. | |
what everybody done for me. You're very welcome. The reason was your | :40:15. | :40:20. | |
brother and when your father did die, Mumtaz was the glue that held | :40:20. | :40:24. | |
you all together? Absolutely. My father loved his family. Loved | :40:24. | :40:29. | |
everyone in his life. He was so self-less. We inherited that as a | :40:29. | :40:34. | |
family. But Mumtaz inherited what my father was. We are very proud to | :40:34. | :40:39. | |
have a sister like her. I believe every family should have a person | :40:39. | :40:43. | |
like mum it is a. Ladies and gentlemen, a devoted sister, | :40:43. | :40:49. | |
daughter and wife. Mumtaz. CHEERING AND APPLAUSE | :40:49. | :40:55. | |
So far tonight, I've been a hope pls DJ and aspiring poppy. | :40:56. | :41:02. | |
Sometimes I have to ask my mates to help. Welcome back my really good | :41:02. | :41:10. | |
friend, Jodie Prenger. Jodie, I really need to check out your suit | :41:10. | :41:14. | |
abimity for this hairdressing mission. We'll play a word game. | :41:14. | :41:18. | |
I'll say a word. You respond, the first thing that comes into your | :41:18. | :41:28. | |
mind. OK. I'm thinking of Bob, Monkhouse. Wedge, Heels. Curling? | :41:28. | :41:37. | |
Team. Do you know anything about hairdressing? No! This should go | :41:37. | :41:47. | |
:41:47. | :41:48. | ||
perfect then! I'm here in Doncaster to surprise Jessica Bolton, a | :41:48. | :41:53. | |
trainee hairdresser. Unsays pected Jessica's been roped into filming | :41:53. | :41:59. | |
part of a documentary about me returning to my roots as a | :41:59. | :42:04. | |
hairdresser. I don't know me Bob from my bow fant. I think it is | :42:04. | :42:09. | |
time to get this pre tense on the road. She's a hairdresser by trade | :42:09. | :42:14. | |
but Jessica's dad says her real passion since childhood has been | :42:14. | :42:18. | |
the theatre. She lifls for the theatre, breathes it, sleeps it. | :42:18. | :42:24. | |
When Jessica was ten, her mum had a serious fall. Jessica had to grow | :42:24. | :42:27. | |
up quickly. My wife had an accident which left her disabled. She | :42:28. | :42:32. | |
couldn't walk for a long time. Jessica had to do a lot of looking | :42:32. | :42:38. | |
after her brother and sister. Jessica's friends think she has a | :42:38. | :42:44. | |
childhood dream to fulfil. It would be to make it on to a West End | :42:44. | :42:50. | |
stage, a Broadway stage, any stage. So, to thank Jessica for all she's | :42:50. | :42:57. | |
done, she's asked her to sing with the star of South passiveic, | :42:57. | :43:01. | |
Samantha Womack. This will be enormous for Jessica. It will be a | :43:01. | :43:06. | |
real boost. She'll never forget it as long as she lives lives. She'll | :43:06. | :43:12. | |
feel the most excited ever in the her entire life. She'll be shocked. | :43:12. | :43:17. | |
Back at the salon, Jess is primed. I've got me slap on. The cameras | :43:17. | :43:22. | |
are in place. Our fake documentary about my hairdressing past is | :43:22. | :43:25. | |
really to role. First up, we get a member of the production team to | :43:25. | :43:32. | |
phone the salon. I get to perfect my telephone manner. Hiya. Good | :43:32. | :43:40. | |
morning, Pan ach. How may be help you? 9.30am. Is that all right? | :43:40. | :43:50. | |
:43:50. | :43:51. | ||
We're not open then. 9.30 will be all right. We're not open. | :43:51. | :43:57. | |
Afternoon. 4.00. OK. Booked. you get the name? The what? | :43:57. | :44:06. | |
name. Do you know what they want? Jessica calms me down. Thanks to a | :44:06. | :44:12. | |
hidden camera and mic I get to hear what she thinks of me so far. And, | :44:12. | :44:22. | |
:44:22. | :44:27. | ||
But we're watching you, Jessica. Things are about to get even more | :44:27. | :44:32. | |
hair raising when one of the salon's regular customers is in on | :44:32. | :44:42. | |
:44:42. | :44:44. | ||
the secret. Don't worry, you're in safe hands. Careful with it. Sorry! | :44:44. | :44:53. | |
Jodie! Keep your head back. Keep your head back. Let me swap this | :44:53. | :44:58. | |
towel for you. After her free facial, it is time for our plan to | :44:58. | :45:02. | |
get her prize locks trimmed. She only wants half an inch off but I'm | :45:02. | :45:09. | |
not great with measurements. Like that? Without cutting your finger. | :45:09. | :45:19. | |
I'll be fine. Just take a bit off. Just a tiny bit. About half an inch. | :45:19. | :45:29. | |
:45:29. | :45:34. | ||
Just about there. Yep. That's it. That's not half an inch. That's | :45:34. | :45:40. | |
about four inches. That's about four inches off my hair. De pends | :45:40. | :45:46. | |
what you're told an inch is. Can we make... Can we make it into hair | :45:46. | :45:51. | |
extensions. Glue it back on. I'm going to give you... I'll let you | :45:51. | :45:57. | |
hold that. With the boss left to deal with an unhappy customer, it | :45:57. | :46:01. | |
is time to let me clear things up with Jessica. You probably gathered | :46:01. | :46:07. | |
by now that I'm not here filming a documentary about me being a | :46:07. | :46:12. | |
hairdresser. I was never ever a hairdresser. What I am here, I'm | :46:12. | :46:16. | |
Jodie Prenger from the BBC and Tonight's The Night and John | :46:16. | :46:22. | |
Barrowman has sent me to make your dream come true. So what we're | :46:22. | :46:29. | |
going to do... Were you all in on this? What we're going to do, we've | :46:29. | :46:34. | |
arrange it had all so you can go sing a big hit musical song from | :46:34. | :46:38. | |
South Pacific in front of millions of viewers on Tonight's The Night. | :46:38. | :46:45. | |
How do you feel? I'm so scared. won't be on your own. We've | :46:45. | :46:50. | |
Samantha Womack, the star of South Pacific who will be singing a duet | :46:50. | :46:55. | |
with you on the night. How's that? It's amazing. This is most | :46:55. | :46:59. | |
definitely a dream come true. I never thought it would happen to me. | :46:59. | :47:06. | |
I would like to thank everyone involved. Jessica, I heard how | :47:06. | :47:10. | |
supportive and amazing you are to your family.Y ndz or clues as to | :47:10. | :47:17. | |
who you think has arranged this dream come true for you? Dad? | :47:17. | :47:22. | |
dad? Thank you. A week later, Jessica's in London learninging her | :47:22. | :47:28. | |
song and dance routine I'm in lover with a Wonderful Guy from South | :47:28. | :47:33. | |
Pacific. She'll perform with a professional cast and her duet | :47:33. | :47:43. | |
:47:43. | :47:46. | ||
partner Samantha woe mam. I've come to surprise you. Hello. How are | :47:46. | :47:50. | |
you? I'm good, thank you. walked through the door. I couldn't | :47:50. | :47:56. | |
continue. I've seen her on telly but to see her walk into the room | :47:56. | :48:01. | |
was fantastic. Much I'm in love, in love with a | :48:01. | :48:06. | |
Wonderful Guy # Jessica has a beautiful voice. I'm really excited | :48:06. | :48:10. | |
about singing with Sam. Lots of rehearsals, dance row teens. | :48:10. | :48:14. | |
Fingers crossed for that one. have a feeling Jessica under | :48:14. | :48:18. | |
pressure, under the lights will do brill yapbltly. I'll probably fall | :48:18. | :48:22. | |
to pieces. She looks really confident. I'm really excite about | :48:22. | :48:26. | |
going on the show. Big audience will probably make me nervous but | :48:27. | :48:30. | |
at the moment I'm buzzing, can't wait to do it. | :48:30. | :48:40. | |
:48:40. | :48:46. | ||
CHEERING AND APPLAUSE Jessica really stepped up to the plate | :48:46. | :48:53. | |
after your accident? I don't know what I'd have done without her. | :48:53. | :48:58. | |
She takes performing as an escape. Will she be excited about tonight? | :48:58. | :49:04. | |
She will be excited. A little bit nervous but I think she'll love it. | :49:04. | :49:12. | |
What was that again? Ooh ooh ooh nervous, like me! Are you guys | :49:12. | :49:22. | |
:49:22. | :49:22. | ||
nervous? Yeah. She'll be brilliant. Jodie, you are excited for her? | :49:23. | :49:26. | |
is really tough but she will be fabulous. She is. | :49:26. | :49:36. | |
:49:36. | :49:37. | ||
We're all sitting here excited and a little ooooh! So, here's Jessica | :49:38. | :49:43. | |
with Samantha Womack and the cast of South Pacific. | :49:43. | :49:52. | |
# I'm as horny as can SAS in August # I'm as norming a as blueberry pie | :49:52. | :49:56. | |
# No more a smart little girl with no heart | :49:56. | :50:01. | |
# I have found me a Wonderful Guy # Imin a conventional dither | :50:01. | :50:06. | |
# With a conventional star in my # And you will note there's a lump | :50:06. | :50:11. | |
in my throat # When I speak of that Wonderful | :50:11. | :50:21. | |
:50:21. | :50:22. | ||
Guy # Ladies and gentlemen, Jessica. | :50:22. | :50:30. | |
# I'm bromidic and bright # As a moon happy night on the due. | :50:30. | :50:36. | |
# I'm as corny as Kansas in August # High as a tkphraing on the 4th | :50:36. | :50:40. | |
July # If you'll excuse an expression I | :50:40. | :50:50. | |
:50:50. | :51:15. | ||
# I'm in love, I'm in love # I'm in love with a Wonderful Guy | :51:15. | :51:23. | |
I'm as corny askance as in August # If you'll excuse and expression I | :51:23. | :51:33. | |
:51:33. | :51:47. | ||
# I'm in love, I'm in love # I'm in love with a Wonderful Guy | :51:47. | :51:57. | |
:51:57. | :51:59. | ||
CHEERING AND APPLAUSE Amazing. Take a deep breath. You | :51:59. | :52:04. | |
can breathe now. Take a deep breath. How does it feel Jessica to stand | :52:04. | :52:09. | |
centre stage? It's amazing. It's just a dream come true. It really | :52:09. | :52:14. | |
is. Sam, to have that dream come true, it's a really big deal | :52:14. | :52:20. | |
something like this? It's huge. We were all watching the VT backstage | :52:20. | :52:24. | |
in tears. It was so moving. We're so glad to be able to help you make | :52:24. | :52:29. | |
this dream come true. You're fantastic. Mum, dad, are you proud? | :52:29. | :52:37. | |
Amazed. Really, really proud. this girl can cope with anything? | :52:37. | :52:42. | |
She sure can. The West End would be proud to have you, girl, they | :52:42. | :52:51. | |
really would. Ladies and gentlemen. Jessica Bolton. | :52:52. | :52:57. | |
Earlier they made one girl's dream come true. Now they're back with | :52:57. | :53:07. | |
:53:07. | :53:07. | ||
their new single all fired up. It's The Saturdays. | :53:07. | :53:12. | |
# Blow my mind # DJ blow my mind | :53:12. | :53:15. | |
# Blow my mind # DJ blow my mind | :53:15. | :53:18. | |
# I put my hand against the speakers | :53:18. | :53:23. | |
# Singing blow my mind # DJ blow my mind | :53:23. | :53:28. | |
# I put my head to the speakers # Singing blow my mind | :53:28. | :53:33. | |
# DJ blow my mind # All fired up, I feel alive | :53:33. | :53:42. | |
# I feel alive, I feel alive. # All fired up, all fired up | :53:42. | :53:49. | |
# I feel alive. I feel alivele Rb we can make the party super | :53:49. | :53:51. | |
naughty. # Dancing on the bar | :53:51. | :53:56. | |
# We're dancing on the bar # We make the party super naughty | :53:56. | :54:04. | |
# Dancing on the bar # We're all animal | :54:04. | :54:08. | |
# We're all animal, animal, animal, animal | :54:08. | :54:15. | |
# We're all animal # So put your claws out. Get your | :54:15. | :54:24. | |
clause out # All fired up, I feel alive | :54:24. | :54:34. | |
:54:34. | :54:35. | ||
# We're so close to the edge of desire, we're so hot, hot got that | :54:35. | :54:38. | |
fire # We're so close to the edge of | :54:38. | :54:41. | |
desire # Feelts so hot, got that fire | :54:41. | :54:44. | |
# We're so close to the edge of desire | :54:44. | :54:54. | |
:54:54. | :54:56. | ||
# Feels so hot, got that fire # Blow my pined, DJ blow my mind | :54:56. | :55:00. | |
# Blow my mind # DJ blow my mind | :55:00. | :55:04. | |
# I put my head against the speakers | :55:04. | :55:07. | |
# Singing blow my mind # DJ blow my mind | :55:07. | :55:14. | |
# I put my head to the speakers # Singing blow my mind | :55:14. | :55:19. | |
# DJ blow my find ml # All fired up, I feel alive | :55:19. | :55:29. | |
:55:29. | :55:38. | ||
# All fired up, I feel alive # Give me keep me, keep me on your | :55:38. | :55:44. | |
radar # Keep me, keep me, keep me on your | :55:44. | :55:48. | |
radar # So keep me, keep me on your radar | :55:49. | :55:58. | |
# Keep me, keep me on your radar N # Keep me, keep me on your radar | :55:58. | :56:05. | |
# On your radar # CHEERING AND APPLAUSE | :56:05. | :56:14. | |
Thank you. Ladies and gentlemen, The Saturdays. | :56:14. | :56:20. | |
Unfortunately, that's it for tonight and for the series. | :56:21. | :56:28. | |
AUDIENCE A w! If you want to re- live any of tonight's dreams go to | :56:28. | :56:32. | |
our website. They say it is not over until the | :56:32. | :56:37. | |
fat lady sings but in this case, I'll have to do. Until next time, | :56:37. | :56:45. | |
thank you so much for watching and remember, please, keep dreaming. | :56:45. | :56:55. | |
:56:55. | :56:59. | ||
CHEERING AND APPLAUSE # If you wake up and don't want to | :57:00. | :57:03. | |
smile # If I takes you just a little | :57:03. | :57:07. | |
while # Open your eyes and look at the | :57:07. | :57:13. | |
# You'll see things in a different # Don't stop thinking about | :57:13. | :57:20. | |
tomorrow # Don't stop, it'll soon be here | :57:20. | :57:26. | |
# It'll be better than before # Yesterday's gone, yesterday's | :57:26. | :57:32. | |
gone # Don't stop thinking about | :57:32. | :57:36. | |
tomorrow # Don't stop | :57:36. | :57:40. | |
# Why not think about the times to come | :57:40. | :57:44. | |
# And not about the things that you've done | :57:44. | :57:51. | |
# If your life was bad to you # Just think what tomorrow will do | :57:51. | :57:55. | |
# Don't stop thinking about tomorrow | :57:55. | :58:02. | |
# Don't stop, it'll soon be here # It'll be better than before | :58:02. | :58:09. | |
# Yesterday's gone, yesterday's gone | :58:09. | :58:16. | |
# All I want is to see you mile # If it takes just a little while | :58:16. | :58:20. | |
# I know you don't believe that it's true | :58:20. | :58:28. | |
# I never meant any harm to you # Don't stop thinking about | :58:28. | :58:35. | |
tomorrow # Don't stop, it'll soon be here | :58:35. | :58:43. | |
# It'll be better than before # Yesterday's gone, yesterday's | :58:43. | :58:46. | |
gone # Don't stop thinking about | :58:46. | :58:51. |