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'This is Tonight's The Night. | 0:00:24 | 0:00:27 | |
'Please welcome your host, John Barrowman!' | 0:00:27 | 0:00:32 | |
CHEERING | 0:00:32 | 0:00:35 | |
# I got a feeling | 0:00:36 | 0:00:38 | |
# That tonight's gonna be a good night | 0:00:40 | 0:00:44 | |
# That tonight's gonna be a good night | 0:00:44 | 0:00:47 | |
# That tonight's gonna be a good, good night | 0:00:47 | 0:00:52 | |
# I got a feeling, ooh, ooh | 0:00:52 | 0:00:56 | |
# That tonight's gonna be a good night | 0:00:56 | 0:00:59 | |
# That tonight's gonna be a good night | 0:00:59 | 0:01:03 | |
# That tonight's gonna be a good, good night | 0:01:03 | 0:01:08 | |
-# I got a feeling -# Ooh, ooh | 0:01:08 | 0:01:12 | |
CHEERING AND APPLAUSE | 0:01:12 | 0:01:16 | |
Welcome to the very best of Tonight's The Night! | 0:01:24 | 0:01:28 | |
-CHEERING AND APPLAUSE -Everyone has dreams and on this show, | 0:01:28 | 0:01:31 | |
I actually make your dreams come true. | 0:01:31 | 0:01:34 | |
From Lands End to John O'Groats and everywhere in between. | 0:01:34 | 0:01:38 | |
So tonight I'm going to revisit some of my favourite moments from the last two series. | 0:01:38 | 0:01:42 | |
Plus, just for tonight, some brand new surprises you've never seen before. | 0:01:42 | 0:01:47 | |
Along the way, I've surprised people in a variety of weird and wonderful disguises, | 0:01:47 | 0:01:52 | |
including a loud-mouth tourist, | 0:01:52 | 0:01:54 | |
a hopeless theatre usher, an eccentric Spanish choreographer | 0:01:54 | 0:01:58 | |
and a grinning idiot in a T-shirt and jeans. | 0:01:58 | 0:02:02 | |
-Hey, hold on a minute, that's me. -LAUGHTER | 0:02:02 | 0:02:06 | |
-So here's what's in our dream line-up tonight. -APPLAUSE | 0:02:06 | 0:02:09 | |
'When we make dreams come true, we bring out the biggest names. | 0:02:09 | 0:02:13 | |
'From Dionne Warwick to Barry Manilow. | 0:02:13 | 0:02:17 | |
'And tonight you'll find out how this lady got herself a dream duet with Michael Bolton. | 0:02:17 | 0:02:21 | |
'And when top girl band The Saturdays got a new member. | 0:02:23 | 0:02:26 | |
'We love all kinds of musical dreams, from military bands to opera. | 0:02:27 | 0:02:31 | |
'Later we'll remember how one deserving girl came to sing with Dame Kiri Te Kanawa. | 0:02:31 | 0:02:36 | |
'And there's a never-before-seen surprise for a girl | 0:02:36 | 0:02:39 | |
'who found herself in a masterclass with Andrea Bocelli. | 0:02:39 | 0:02:43 | |
'Plus, we've got some of our very best dancing dreams and audience surprises, | 0:02:43 | 0:02:47 | |
'like the amazing Pearl, our daredevil granny! | 0:02:47 | 0:02:50 | |
'So let's get this show on the road | 0:02:50 | 0:02:53 | |
'and take a look back at the time I became a diva detective with jazz hands and a hidden agenda. | 0:02:53 | 0:02:58 | |
'22-year-old Hayley Ruck is always there for her friends and family, | 0:03:00 | 0:03:03 | |
'so her best friend Jade thought Hayley deserved a surprise she'd never forget.' | 0:03:03 | 0:03:08 | |
Hayley is definitely a larger-than-life character | 0:03:08 | 0:03:12 | |
and she is probably the most reliable person that I know | 0:03:12 | 0:03:15 | |
and I want everybody else to see that she's deserving, as well. | 0:03:15 | 0:03:19 | |
'Hayley makes extra cash as an extra, | 0:03:19 | 0:03:22 | |
'so she's here on set with best friend Jade for my pretend police series. | 0:03:22 | 0:03:26 | |
'But as the crew get ready to record, the crime-fighting detective becomes a foot-stomping diva.' | 0:03:26 | 0:03:32 | |
-Thank you. Did you guys get stuff? Are you all right? -Yeah. -You want water or anything? | 0:03:32 | 0:03:36 | |
-No. -You OK? -I'm fine. I had a hot chocolate earlier. | 0:03:36 | 0:03:39 | |
Oh, my... That is awful! What is in there? | 0:03:41 | 0:03:45 | |
-Can you get John another coffee? -That's what I think of that coffee. | 0:03:45 | 0:03:49 | |
'Whoops! Both the coffee and Hayley are completely thrown. | 0:03:49 | 0:03:53 | |
'She does not know where to look. And now I get all organic on set with some pre-filming meditation. | 0:03:53 | 0:03:59 | |
'Get ready for this!' | 0:03:59 | 0:04:01 | |
So I want everyone to feel your chakra. | 0:04:01 | 0:04:05 | |
All right? Feel your chakra. OK? | 0:04:05 | 0:04:08 | |
Everybody. Cameramen and everything. | 0:04:08 | 0:04:12 | |
I am employing everybody. Come on. | 0:04:12 | 0:04:14 | |
Chakra! | 0:04:14 | 0:04:17 | |
ALL: Chakra! | 0:04:17 | 0:04:19 | |
-Are we ready? -No, no, just a minute. -SHE LAUGHS | 0:04:20 | 0:04:24 | |
-Chakra mocha frappe! -LAUGHTER | 0:04:24 | 0:04:27 | |
-SHE LAUGHS -Sorry. | 0:04:27 | 0:04:29 | |
Brilliant. Are we ready? Everybody, one more time, and then you end with a leap, right? | 0:04:29 | 0:04:34 | |
Totally focused. Here we go. | 0:04:34 | 0:04:37 | |
ALL: Chakra mocha frappe! | 0:04:38 | 0:04:40 | |
-Oh. -Brilliant. -I've lost the... -John, set? | 0:04:40 | 0:04:43 | |
-Are you ready? -Not ready yet. Just a minute. Ready? | 0:04:43 | 0:04:46 | |
-Now I'm ready. -OK. | 0:04:47 | 0:04:50 | |
'Having seen my temperamental side, Hayley's come up with an extreme way to stop her giggles during filming.' | 0:04:50 | 0:04:55 | |
Puppies dying, puppies dying. I'm thinking about puppies dying so it doesn't make me laugh. Puppies. | 0:04:55 | 0:05:01 | |
Puppies dying. To get my laughter out. | 0:05:01 | 0:05:03 | |
-'Really, Hayley?' -Puppies dying, puppies dying. That dog over there getting shot. | 0:05:03 | 0:05:07 | |
-'Oh, no!' -LAUGHTER | 0:05:07 | 0:05:11 | |
-Cos I get the giggles really bad. -'Don't crack a smile.' | 0:05:11 | 0:05:15 | |
I'm sorry. I'm sorry. | 0:05:15 | 0:05:17 | |
'How will Hayley cope when I start picking on our elderly actress?' | 0:05:17 | 0:05:21 | |
We're going to have to go... | 0:05:21 | 0:05:23 | |
While we're waiting, do you mind if we just go sit and talk about the next bit? | 0:05:23 | 0:05:28 | |
Cos you guys are going to be right here. Come on over. | 0:05:28 | 0:05:31 | |
Do you mind if we have this seat, love? | 0:05:31 | 0:05:34 | |
Do you mind? All right, dear, come on. Go on. There you go. You sit there. | 0:05:34 | 0:05:38 | |
-No, it's all right. -Come on. -No, do you want to sit here? | 0:05:38 | 0:05:41 | |
-I don't... -She's all right. Don't worry. | 0:05:41 | 0:05:44 | |
So, with the, erm... | 0:05:44 | 0:05:48 | |
With everything that goes on and all that stuff, you were talking about... | 0:05:48 | 0:05:52 | |
'Pushing out a pensioner may have been the final straw. | 0:05:52 | 0:05:55 | |
'I think it's time to tell Hayley the real story and show her the real me.' | 0:05:55 | 0:05:59 | |
OK, fine, fine. You know what? Are you cool with this? | 0:05:59 | 0:06:02 | |
-Like what I said about being organic and natural? -Yeah. -I'm just going to ad-lib something. -OK. -OK. | 0:06:02 | 0:06:08 | |
Because actually, I am John Barrowman | 0:06:08 | 0:06:10 | |
and I'm from BBC One's Tonight's The Night | 0:06:10 | 0:06:13 | |
and I'm going to make your dream come true, because this is all a big set-up. | 0:06:13 | 0:06:17 | |
You are the star of this show, not me. | 0:06:17 | 0:06:19 | |
-Yeah. -What the hell? | 0:06:19 | 0:06:22 | |
-No. -Yes! | 0:06:22 | 0:06:24 | |
Yes. And all the stuff I already know about you... I'm really not that mean to old people. | 0:06:24 | 0:06:29 | |
She's OK. See? She's fine. | 0:06:29 | 0:06:32 | |
How would you like to perform to the nation | 0:06:32 | 0:06:35 | |
and a big live audience, | 0:06:35 | 0:06:38 | |
prime time Saturday night on Tonight's The Night? | 0:06:38 | 0:06:41 | |
-I would love to, please. -You would? | 0:06:41 | 0:06:44 | |
-That would be nice. -Awesome! -SHE LAUGHS | 0:06:44 | 0:06:46 | |
Oh, my God! I thought you were really mean. | 0:06:46 | 0:06:51 | |
LAUGHTER | 0:06:51 | 0:06:54 | |
I was really upset because I really liked you. | 0:06:54 | 0:06:58 | |
LAUGHTER | 0:06:58 | 0:07:01 | |
Listen, it's about making your dream come true | 0:07:01 | 0:07:04 | |
and I know you love to sing | 0:07:04 | 0:07:06 | |
and I know that you've been supportive of your family | 0:07:06 | 0:07:09 | |
and your dad and everything that you've been through | 0:07:09 | 0:07:12 | |
and we're going to make that dream come true and it's all thanks to your friend Jade. | 0:07:12 | 0:07:16 | |
'So Hayley went from a background extra to a centre-stage star when she became the envy of millions | 0:07:16 | 0:07:21 | |
'as she sang with the huge boy band The Wanted.' | 0:07:21 | 0:07:24 | |
# Praying won't do it, hating won't do it | 0:07:24 | 0:07:28 | |
# Drinking won't do it, fighting won't knock you out | 0:07:28 | 0:07:32 | |
# Of my head | 0:07:34 | 0:07:35 | |
# Hiding won't hide it, smiling won't hide it | 0:07:38 | 0:07:42 | |
# Like I ain't tried it, everyone's tried it now | 0:07:42 | 0:07:46 | |
# And failed somehow | 0:07:48 | 0:07:50 | |
# So when you gonna let me, when you gonna let me out? | 0:07:52 | 0:07:57 | |
# Out | 0:07:58 | 0:07:59 | |
ALL: # And if you know | 0:07:59 | 0:08:01 | |
# How do you get up from an all time low? | 0:08:01 | 0:08:04 | |
# I'm in pieces, it seems like peace is | 0:08:04 | 0:08:09 | |
# The only think I'll never know | 0:08:09 | 0:08:11 | |
# How do you get up, get out? | 0:08:11 | 0:08:14 | |
Please give it up for Miss Hayley Ruck! | 0:08:14 | 0:08:18 | |
CHEERING | 0:08:18 | 0:08:20 | |
# Cos driving won't do it, flying won't do it | 0:08:21 | 0:08:25 | |
# Denying won't do it, crying won't drown it out | 0:08:25 | 0:08:30 | |
# What you said | 0:08:31 | 0:08:35 | |
BOTH: # When I'm standing on the yellow line | 0:08:35 | 0:08:37 | |
# Waiting at the station | 0:08:37 | 0:08:39 | |
# Or I'm late for work, a vital presentation | 0:08:39 | 0:08:43 | |
# If you call me now, though, without reservation | 0:08:43 | 0:08:46 | |
# I would try to break through | 0:08:46 | 0:08:49 | |
ALL: # But if you know | 0:08:49 | 0:08:51 | |
# How do you get up from an all time low? | 0:08:51 | 0:08:54 | |
# I'm in pieces, it seems like peace is | 0:08:54 | 0:08:58 | |
# The only think I'll never know | 0:08:58 | 0:09:02 | |
# How do you get up from an all time low? | 0:09:02 | 0:09:05 | |
# Low, low, low, low, low low, low | 0:09:05 | 0:09:10 | |
# Can you hear me? | 0:09:10 | 0:09:12 | |
# Low, low, low, low, low, low, low | 0:09:12 | 0:09:17 | |
# And if you know | 0:09:18 | 0:09:20 | |
# How do you get up from an all time low? | 0:09:20 | 0:09:23 | |
# I'm in pieces, it seems like peace is | 0:09:23 | 0:09:27 | |
# The only think I'll never know | 0:09:27 | 0:09:30 | |
# How do you get up from an all time low? | 0:09:30 | 0:09:33 | |
# I can't even find a place to start | 0:09:33 | 0:09:38 | |
# How do I choose between my head and heart? | 0:09:38 | 0:09:41 | |
# Till it ceases I'll never know | 0:09:41 | 0:09:45 | |
# How do you get up from an all time low? | 0:09:45 | 0:09:49 | |
CHEERING AND APPLAUSE | 0:09:49 | 0:09:52 | |
'Smooches and kisses? Yeah, that's what we do.' | 0:09:52 | 0:09:56 | |
Here I put together big dreams with big starts. | 0:09:57 | 0:10:00 | |
Want a singing lesson from Dolly Parton? Done. | 0:10:00 | 0:10:03 | |
Fancy duet with Dionne Warwick? Piece of cake! | 0:10:03 | 0:10:05 | |
As long as you deserve it, I deliver it. | 0:10:05 | 0:10:08 | |
And how does it feel to suddenly find yourself up close and personal with your idol? | 0:10:08 | 0:10:12 | |
-Well, here's flight attendant Carol McIntyre to spill the beans. -APPLAUSE | 0:10:12 | 0:10:16 | |
'Last year, I transformed into a toothy Ted and completely hopeless air steward | 0:10:16 | 0:10:21 | |
'to surprise cabin manager Carol McIntyre. | 0:10:21 | 0:10:24 | |
'Her husband Colin knows she's swapped her showbiz dreams for time with her family.' | 0:10:24 | 0:10:28 | |
I just feel deep down in my heart that it's an opportunity | 0:10:28 | 0:10:32 | |
that she's put aside and sacrificed to be with me. | 0:10:32 | 0:10:36 | |
To help try and make her wish come true | 0:10:36 | 0:10:39 | |
through this programme is absolutely fantastic for me | 0:10:39 | 0:10:42 | |
because it's a way for me to give back to Carol that fantastic wish that really money can't buy. | 0:10:42 | 0:10:48 | |
On the day of the hit, I was told by my boss and by my husband Colin | 0:10:48 | 0:10:53 | |
I was presenting a DVD for the airline. | 0:10:53 | 0:10:56 | |
So when I actually got to the airport and I saw the camera crew there, | 0:10:56 | 0:11:00 | |
I just thought it was a normal DVD company. | 0:11:00 | 0:11:02 | |
I'm now going to hand you over to the boys who are going to carry out the manual demonstration. | 0:11:02 | 0:11:07 | |
James will read and Francis will carry out the demonstration. | 0:11:07 | 0:11:10 | |
It wasn't until we had the incident with the lifejackets | 0:11:10 | 0:11:13 | |
that I thought, "Something is not right here". | 0:11:13 | 0:11:16 | |
Place it over your head, pass this strap around your waist... | 0:11:16 | 0:11:19 | |
LAUGHTER | 0:11:19 | 0:11:22 | |
THEY LAUGH | 0:11:24 | 0:11:27 | |
-Take my glasses off! -Sorry. Take your... | 0:11:27 | 0:11:30 | |
People ask me, "How did you not recognise him?" | 0:11:30 | 0:11:32 | |
But in the context of the whole scenario, no, I didn't recognise him. | 0:11:32 | 0:11:36 | |
-Please pull the red toggle sharply downward... -AIR HISSES | 0:11:36 | 0:11:39 | |
-Ohh! -LAUGHTER | 0:11:39 | 0:11:43 | |
SHE LAUGHS | 0:11:43 | 0:11:45 | |
-You... -If the lifejacket fails to inflate or needs topping up, | 0:11:45 | 0:11:50 | |
please blow into this tube. | 0:11:50 | 0:11:52 | |
We need to stop this. | 0:11:52 | 0:11:56 | |
He then proceeded to take the wig off and the goofy teeth out | 0:11:56 | 0:12:00 | |
and I thought, "Oh, my goodness". | 0:12:00 | 0:12:03 | |
-I'm actually... -No, I don't believe it. -..John Barrowman... | 0:12:03 | 0:12:06 | |
-SHE LAUGHS -..from BBC One's Tonight's The Night | 0:12:06 | 0:12:08 | |
and I'm going to make your dream come true. | 0:12:08 | 0:12:11 | |
-Oh, my God! -SHE LAUGHS | 0:12:11 | 0:12:15 | |
My mind was racing at this point. There was a thousand questions going through my head. | 0:12:15 | 0:12:20 | |
-I thought I... -I was very surprised that all my work colleagues, family and friends | 0:12:20 | 0:12:25 | |
managed to keep this a huge secret from me. | 0:12:25 | 0:12:27 | |
Not once did anybody let anything slip out, | 0:12:27 | 0:12:29 | |
so ten out of ten for all those folks involved. | 0:12:29 | 0:12:33 | |
# You are the wind beneath my wings | 0:12:33 | 0:12:38 | |
When I went along for the rehearsal, there was a gentleman standing by the piano | 0:12:39 | 0:12:44 | |
and I looked and I thought, "It can't be him". It was Michael Bolton. | 0:12:44 | 0:12:47 | |
-Hi, Carol. -He was genuine, he was so kind. | 0:12:47 | 0:12:50 | |
What an experience. What a moment that was for me. | 0:12:50 | 0:12:53 | |
The day of the show, the whole atmosphere was electric. | 0:12:53 | 0:12:56 | |
Friends and family were going to be coming into the studio. | 0:12:56 | 0:12:59 | |
As soon as the doors opened, the nerves seemed to disappear and it just felt as if I was at home. | 0:12:59 | 0:13:05 | |
BOTH: # Tell me, how am I supposed to live without you? | 0:13:05 | 0:13:12 | |
# Now that I've been loving you so long | 0:13:13 | 0:13:19 | |
I never thought I would be able to stand up there and sing in front of millions of people. | 0:13:19 | 0:13:23 | |
It boosted my confidence. It gave me a belief in myself | 0:13:23 | 0:13:27 | |
that I thought had gone 20-odd years ago. | 0:13:27 | 0:13:30 | |
For anyone who has a dream, don't give up on it. | 0:13:30 | 0:13:32 | |
Grasp it with both hands. I did. I never thought in a million years | 0:13:32 | 0:13:36 | |
I would be able to walk on a stage, sing in front of millions of people | 0:13:36 | 0:13:41 | |
and sing with Michael Bolton. What an experience and one I'll never forget. | 0:13:41 | 0:13:46 | |
CHEERING AND APPLAUSE | 0:13:46 | 0:13:49 | |
'What happens when you combine a taxi, a missing bag and a pair of my pants? | 0:13:51 | 0:13:55 | |
'It's either my average Saturday night or a priceless surprise on 21-year-old Connie Nash. | 0:13:55 | 0:14:00 | |
'She's a born performer and Mum Rosemary is her biggest fan.' | 0:14:00 | 0:14:03 | |
Singing has always been her life. | 0:14:03 | 0:14:05 | |
She comes and sings to the old people in the village for us, | 0:14:05 | 0:14:08 | |
she'll sing anywhere. Give her a stage and a microphone and she's away. | 0:14:08 | 0:14:12 | |
'But when Connie's not singing, she's busy helping Mum, who has health problems. | 0:14:12 | 0:14:16 | |
'Connie runs the house and makes sure the family have everything they need.' | 0:14:16 | 0:14:20 | |
She's just my brick. She's just there for me. | 0:14:20 | 0:14:24 | |
'And it's not just her family she's there for. | 0:14:24 | 0:14:26 | |
'Her best friend Joanna says Connie is the first person her friends will turn to in their hour of need.' | 0:14:26 | 0:14:32 | |
Connie is an amazing friend cos she's so selfless. | 0:14:32 | 0:14:35 | |
She would do anything for anyone at any time. She's an amazing person. | 0:14:35 | 0:14:40 | |
'Connie's heading into town with best friend Joanna. | 0:14:41 | 0:14:44 | |
'But she has no idea this cab is rigged with hidden cameras | 0:14:44 | 0:14:47 | |
'and I'm watching their every move. | 0:14:47 | 0:14:49 | |
'Inside the cab, I've planted my man bag which is filled with a few surprises.' | 0:14:49 | 0:14:55 | |
-What's that at the back? Is that yours? -Oh, I don't know. | 0:14:55 | 0:14:58 | |
Can you open it for us and see what's happening? Is there a name or a telephone number or something? | 0:14:58 | 0:15:04 | |
Have you got his number there? THEY LAUGH | 0:15:04 | 0:15:06 | |
-'Hey, watch my lucky pants!' -It's ringing. | 0:15:06 | 0:15:09 | |
-Hello? -Hello, who's this? -Hello, my name's Connie. I'm in the taxi and I've just found your bag | 0:15:09 | 0:15:14 | |
-and your phone. -Ohh, thank you so much! | 0:15:14 | 0:15:18 | |
I left it. I can't believe that I've actually got out of a taxi and left it. | 0:15:18 | 0:15:22 | |
-OK. -Is there any way you could drop it off to me? | 0:15:22 | 0:15:25 | |
-I'll cover your fare, I'll do all that. -Yeah, cool. If we just take your address. | 0:15:25 | 0:15:29 | |
-Who's going to pay, you or them? -Them. | 0:15:29 | 0:15:31 | |
-Oh, that's handy, isn't it? -I'm over at Guildford Castle. | 0:15:31 | 0:15:35 | |
-Did he drop you there about an hour ago? -Yeah. -Is it the Royal Oak? | 0:15:35 | 0:15:38 | |
-The Royal Oak. -That's brilliant, yeah. Thank you! -Thank you! Bye! -Bye! | 0:15:38 | 0:15:43 | |
-Oh, thank you very much. -He's lovely! He's American. -'Connie has no idea it's me calling.' | 0:15:43 | 0:15:47 | |
-THEY LAUGH -'Until she starts snooping in my wallet!' | 0:15:47 | 0:15:51 | |
That can't be true! | 0:15:51 | 0:15:54 | |
-That's John Barrowman. -THEY SCREAM | 0:15:56 | 0:15:59 | |
-As if it's John Barrowman! -Who is it? | 0:15:59 | 0:16:01 | |
-I just spoke to John Barrowman on the phone! -Who's he? | 0:16:01 | 0:16:04 | |
-He's famous! -Famous for what? -Musical theatre! | 0:16:04 | 0:16:08 | |
'So what part of my life are they really interested in?' | 0:16:08 | 0:16:11 | |
John Barrowman's pants! John Barrowman's pants! | 0:16:11 | 0:16:14 | |
-We need a picture! -LAUGHTER | 0:16:14 | 0:16:16 | |
-They're taking pictures with my pants. -HE LAUGHS | 0:16:16 | 0:16:19 | |
They're taking pictures with my pants! | 0:16:19 | 0:16:22 | |
This is brilliant! | 0:16:22 | 0:16:24 | |
He's, like, really famous. | 0:16:24 | 0:16:26 | |
Absolutely genius. | 0:16:26 | 0:16:30 | |
-As if you were wearing John Barrowman's sunglasses just now! -THEY SCREAM | 0:16:31 | 0:16:35 | |
They put my sunglasses on. | 0:16:35 | 0:16:37 | |
-Are we dropping it off now? -Can we go there first? -I think we're nearly there. | 0:16:37 | 0:16:41 | |
Are we going to meet John Barrowman? | 0:16:41 | 0:16:44 | |
-SHE SCREAMS -Oh, my God! | 0:16:44 | 0:16:48 | |
I'm so pleased! Thank you so much! | 0:16:48 | 0:16:51 | |
Connie, I'm John Barrowman from Tonight's The Night. I'm here to make your dream come true. | 0:16:51 | 0:16:55 | |
I know that you put on my sunglasses. You took pictures with my pants. | 0:16:55 | 0:17:00 | |
-THEY LAUGH -You're so busted! | 0:17:00 | 0:17:04 | |
-You're so busted! This has all been a set-up. -OK. | 0:17:04 | 0:17:09 | |
Because I know that you're a pillar of strength for your family | 0:17:09 | 0:17:14 | |
and you help out your mother in particular. | 0:17:14 | 0:17:17 | |
We know you have a dream to sing in front of millions of people. Yes? | 0:17:17 | 0:17:21 | |
-Yes. -So would you like to come to the Tonight's The Night studio? -Yes, please. -Good. | 0:17:21 | 0:17:25 | |
We will get you up on the Tonight's The Night stage and you can sing to the nation. | 0:17:25 | 0:17:30 | |
-Awesome? -Yes! Thank you so much! -You're welcome. | 0:17:30 | 0:17:35 | |
'And so for one big night, Connie became the sixth member of top girl band The Saturdays.' | 0:17:35 | 0:17:40 | |
# I'm doing nothing | 0:17:42 | 0:17:43 | |
# Cos then at least I'm doing nothing wrong | 0:17:45 | 0:17:48 | |
# And I'm staying on my own | 0:17:50 | 0:17:52 | |
# And turn off my telephone | 0:17:52 | 0:17:55 | |
# If nothing's gained then nothing's won | 0:17:55 | 0:17:57 | |
# And you can tell 'em | 0:17:58 | 0:18:00 | |
# Yeah, you can say whatever, I don't care | 0:18:01 | 0:18:05 | |
# Yeah | 0:18:05 | 0:18:06 | |
# And if you wanna play it cool then I got news for you | 0:18:06 | 0:18:10 | |
# It's getting hotter, hotter in here | 0:18:10 | 0:18:14 | |
Ladies and gentlemen, please welcome on stage our sixth member for tonight, | 0:18:14 | 0:18:18 | |
it's Connie! CHEERING AND APPLAUSE | 0:18:18 | 0:18:21 | |
# So when I speak, listen, this is my decision | 0:18:23 | 0:18:27 | |
-# And you keep on messing up the words -# Oh, oh, oh | 0:18:27 | 0:18:31 | |
# So when I speak, listen, cos you keep on pushing | 0:18:31 | 0:18:36 | |
-# Like I need permission to be heard -# Oh, oh | 0:18:36 | 0:18:40 | |
ALL: # I'm gonna lift it, lift it higher | 0:18:40 | 0:18:43 | |
# I'm gonna lift it, lift it higher | 0:18:43 | 0:18:48 | |
# So when I speak, listen, this is my decision | 0:18:48 | 0:18:52 | |
# And you keep on messing up the words | 0:18:52 | 0:18:55 | |
# I'm getting closer | 0:18:55 | 0:18:57 | |
# I'm moving in and, yeah, I think you know | 0:18:59 | 0:19:02 | |
BOTH: # Cos I am sick of playing games and I'm not gon' say no names | 0:19:04 | 0:19:08 | |
# But you and I know who to blame | 0:19:08 | 0:19:11 | |
# So you can tell 'em | 0:19:12 | 0:19:14 | |
# Yeah, you can go ahead and put it straight | 0:19:15 | 0:19:19 | |
# Cos I am finishing myself and I do not need your help | 0:19:20 | 0:19:25 | |
# I'm gonna do this, do it right | 0:19:25 | 0:19:28 | |
ALL: # So when I speak, listen, this is my decision | 0:19:29 | 0:19:33 | |
# And you keep on messing up the words, oh, oh, oh | 0:19:33 | 0:19:37 | |
# So when I speak, listen, cos you keep on pushing | 0:19:37 | 0:19:41 | |
# Like I need permission to be heard, oh, oh | 0:19:41 | 0:19:45 | |
# I'm gonna lift it, lift it higher | 0:19:45 | 0:19:49 | |
# I'm gonna lift it, lift it higher | 0:19:49 | 0:19:53 | |
# So when I speak, listen, this is my decision | 0:19:53 | 0:19:58 | |
-# And you keep on -# Messing up the words | 0:19:58 | 0:20:01 | |
CHEERING AND APPLAUSE | 0:20:01 | 0:20:04 | |
'There's still loads more amazing dreams and surprises on the way, | 0:20:04 | 0:20:07 | |
'including a show-stopping performance from a truly giving girl and Dame Kiri Te Kanawa. | 0:20:07 | 0:20:13 | |
'A daredevil granny takes to the skies. | 0:20:13 | 0:20:16 | |
'And we remember some dancing dreams with Diversity and a trip to Bollywood.' | 0:20:16 | 0:20:22 | |
One of my favourite bits of the show is when I get to surprise someone in the studio audience. | 0:20:23 | 0:20:28 | |
Most people think they're here to watch a show, but for a lucky few, | 0:20:28 | 0:20:32 | |
they're not just here to be entertained, they are the entertainment. | 0:20:32 | 0:20:36 | |
Does anybody recognise these shoes? | 0:20:37 | 0:20:40 | |
No? Anybody? Well, it's you, Linda Baker. | 0:20:40 | 0:20:44 | |
-Ohh. -Ohh! -LAUGHTER | 0:20:44 | 0:20:47 | |
-Linda. -Hello. -Come with me. Come on. | 0:20:47 | 0:20:50 | |
APPLAUSE | 0:20:50 | 0:20:53 | |
We're about to make all your dreams come true. You work with special needs children in Dorset. | 0:21:00 | 0:21:05 | |
-How rewarding is that? -It's brilliant. Every day is just lovely. Really, really rewarding. | 0:21:05 | 0:21:12 | |
-Now, it's been your dream to dance. Is that right? -Yes. | 0:21:12 | 0:21:16 | |
I know that and I hear you're quite good. | 0:21:16 | 0:21:19 | |
-Not bad. -Not bad. Your friends and family think you deserve | 0:21:19 | 0:21:23 | |
a dream of becoming a ballroom bombshell. | 0:21:23 | 0:21:26 | |
And we're going to make sure that happens tonight. | 0:21:26 | 0:21:29 | |
-You ready for that? -OK. -But you can't do it alone. -No. | 0:21:29 | 0:21:32 | |
Because every foxy foxtrotter needs a partner. | 0:21:32 | 0:21:35 | |
And Linda, stay calm, here he is, last year's Strictly Come Dancing champion, Artem Chigvintsev! | 0:21:35 | 0:21:41 | |
CHEERING AND APPLAUSE | 0:21:41 | 0:21:44 | |
-Artem. -Yeah. -You've trained a lot of stars. | 0:21:52 | 0:21:56 | |
-Can you whip Linda into shape? -Of course, absolutely. | 0:21:56 | 0:22:01 | |
-Good. -Not a problem. -That's what I like, positive. | 0:22:01 | 0:22:04 | |
Is there a phrase or a piece of advice you can give her right now | 0:22:04 | 0:22:07 | |
that's going to help and would make it a lot easier? | 0:22:07 | 0:22:10 | |
-Don't be nervous. Good luck. And just enjoy it. -OK. | 0:22:10 | 0:22:15 | |
I think "move your feet" would be a good one. | 0:22:15 | 0:22:18 | |
-LAUGHTER -All right, Artem, Linda, you've got 40 minutes | 0:22:18 | 0:22:23 | |
to perfect your routine. | 0:22:23 | 0:22:25 | |
So, guys, go ahead, get practising and we will catch up with you in a while. | 0:22:25 | 0:22:29 | |
Ladies and gentlemen, Artem and our very surprised dreamer, Linda Baker! | 0:22:29 | 0:22:34 | |
CHEERING AND APPLAUSE | 0:22:34 | 0:22:37 | |
'And just 40 minutes later, Linda got to show off her new moves.' | 0:22:37 | 0:22:41 | |
MUSIC: "Conga" by Gloria Estefan | 0:22:41 | 0:22:45 | |
# Come on, shake your body, baby, do that conga, I know you can't control yourself any longer | 0:23:04 | 0:23:08 | |
# Feel the rhythm of the music getting stronger, don't you fight it till you try to do that conga | 0:23:08 | 0:23:12 | |
# Come on, shake your body, baby, do that conga, I know you can't control yourself any longer | 0:23:12 | 0:23:16 | |
# Feel the rhythm of the music getting stronger, don't you fight it till you try to do that conga | 0:23:16 | 0:23:20 | |
# Come on, shake your body, baby, do that conga | 0:23:20 | 0:23:23 | |
CHEERING AND APPLAUSE | 0:23:23 | 0:23:25 | |
'Smashing work, Linda! And who could forget the time I made a gobsmacked granny speechless? Literally.' | 0:23:26 | 0:23:32 | |
-It's you, Pearl! -SHE SCREAMS | 0:23:32 | 0:23:36 | |
APPLAUSE | 0:23:36 | 0:23:39 | |
Pearl... | 0:23:44 | 0:23:46 | |
-I don't want to talk into it. -What? Are you excited? You have to talk into it. | 0:23:47 | 0:23:52 | |
No-one will hear you if you don't. Are you shocked? | 0:23:52 | 0:23:56 | |
-A bit? -LAUGHTER | 0:23:57 | 0:24:00 | |
Pearl's not going to talk. Listen, Pearl, your friends and family have said you're the support of them, | 0:24:00 | 0:24:06 | |
you're their backbone, you've been extremely supportive when your husband Peter was ill. | 0:24:06 | 0:24:12 | |
You were the tower of strength. | 0:24:12 | 0:24:15 | |
And you've always wanted to do something spectacular | 0:24:15 | 0:24:19 | |
for your grandchildren, right? | 0:24:19 | 0:24:21 | |
-Yeah? You're still not going to talk, are you? -LAUGHTER | 0:24:21 | 0:24:25 | |
-I think she's so shocked. -Which is unusual for me. | 0:24:25 | 0:24:28 | |
LAUGHTER AND APPLAUSE | 0:24:28 | 0:24:31 | |
She says it's unusual for her because she talks for Scotland. | 0:24:33 | 0:24:38 | |
-Well, talk now! It's television! -LAUGHTER | 0:24:38 | 0:24:41 | |
Anyway, I hope you have nerves of steel and pants of iron because in the next 40 minutes, | 0:24:41 | 0:24:47 | |
your dream could come true. Your mission, | 0:24:47 | 0:24:50 | |
should you choose to accept it, is... | 0:24:50 | 0:24:54 | |
First, you'll be hoisted by crane 120 feet in the air. | 0:24:54 | 0:24:57 | |
Once at the top, you'll be carefully attached to a cable | 0:24:57 | 0:25:01 | |
-before hurtling 800 feet across the River Clyde! -CHEERING AND APPLAUSE | 0:25:01 | 0:25:05 | |
Where you will reach speeds of over 40 miles per hour! | 0:25:05 | 0:25:09 | |
Pearl, you do this | 0:25:11 | 0:25:14 | |
and your grandchildren's grandchildren's grandchildren will be talking about it forever! | 0:25:14 | 0:25:19 | |
But you don't have to decide now. Why don't you go with the lovely Randal | 0:25:19 | 0:25:23 | |
and he's going to take you to check it all out and see how you feel and we will check back with Pearl later. | 0:25:23 | 0:25:29 | |
Ladies and gentlemen, give it up for Pearl! | 0:25:29 | 0:25:33 | |
'She didn't talk much, but actions speak louder than words. Check this out.' | 0:25:33 | 0:25:37 | |
Pearl, how are you? | 0:25:37 | 0:25:40 | |
-Are you speaking to me? -Yeah. | 0:25:40 | 0:25:42 | |
Your name's Pearl, I'm speaking to you, honey. | 0:25:42 | 0:25:45 | |
-Right. I'm fine. -You're fine? OK. | 0:25:45 | 0:25:48 | |
Listen, I'd love to be up there with you. | 0:25:48 | 0:25:50 | |
-I wish you were, as well. -That's a lie. There's no way you're getting me up there! | 0:25:50 | 0:25:55 | |
-No, no. -Pearl, do you realise, | 0:25:55 | 0:25:59 | |
you're going to be one of the oldest people | 0:25:59 | 0:26:01 | |
to zip wire ever across the River Clyde? | 0:26:01 | 0:26:05 | |
-Wowwy! -LAUGHTER | 0:26:05 | 0:26:08 | |
-Am I getting paid for this? -No, you're not getting paid for it! -LAUGHTER | 0:26:08 | 0:26:13 | |
-It's a dream come true! -Oh, right, sorry. -APPLAUSE | 0:26:13 | 0:26:16 | |
-That's my dream. -OK. Are you ready, Pearl? | 0:26:16 | 0:26:22 | |
-Yes! -LAUGHTER | 0:26:23 | 0:26:25 | |
-Yes! -I think. I think. | 0:26:25 | 0:26:28 | |
-You think? -I think. -Pearl, don't think. | 0:26:28 | 0:26:32 | |
-LAUGHTER -It's the only time I'll ever say this to somebody. Just jump! | 0:26:32 | 0:26:36 | |
-LAUGHTER -All right, studio, | 0:26:36 | 0:26:39 | |
start the countdown! | 0:26:39 | 0:26:41 | |
ALL: Three! Two! One! | 0:26:41 | 0:26:45 | |
Go, Pearl! | 0:26:45 | 0:26:47 | |
Whoo! | 0:26:52 | 0:26:54 | |
Amazing! | 0:26:55 | 0:26:57 | |
That's amazing! | 0:26:58 | 0:27:01 | |
-Whoo! -Go, Pearl! | 0:27:03 | 0:27:06 | |
CHEERING AND APPLAUSE | 0:27:12 | 0:27:16 | |
That was brilliant! | 0:27:16 | 0:27:18 | |
-I want to do it again! -LAUGHTER | 0:27:18 | 0:27:21 | |
'Let's see Pearl in action again.' | 0:27:22 | 0:27:24 | |
Whoo! | 0:27:24 | 0:27:26 | |
Whoo! | 0:27:31 | 0:27:33 | |
Pearl, I'm right behind you. I'll give you a hand down. | 0:27:34 | 0:27:38 | |
Oh, right! I'm going to go up again. | 0:27:38 | 0:27:40 | |
-I'm coming down again! -LAUGHTER | 0:27:40 | 0:27:43 | |
APPLAUSE | 0:27:43 | 0:27:45 | |
CHEERING AND APPLAUSE | 0:27:47 | 0:27:50 | |
That was amazing! Let me just take the hat off you. That'll be easier. | 0:27:53 | 0:27:57 | |
Then you can put your glasses on. There go you. | 0:27:57 | 0:28:00 | |
-Let me just put that down. -Is my hair all right? | 0:28:00 | 0:28:02 | |
-Yep. -LAUGHTER | 0:28:02 | 0:28:05 | |
-Looks brilliant! -Oh! -Here are your grandkids. Bring them on in. | 0:28:05 | 0:28:09 | |
-Come on in, guys! -CHEERING AND APPLAUSE | 0:28:09 | 0:28:11 | |
Give them a big cuddle. | 0:28:14 | 0:28:16 | |
-How did it feel really? -Fabulous! You know, the only thing, | 0:28:22 | 0:28:25 | |
I was facing that way and I couldn't turn to face out this way. | 0:28:25 | 0:28:30 | |
-Do it again? -Aye, nee bother. -LAUGHTER | 0:28:30 | 0:28:33 | |
Listen, this has been absolutely incredible, it's amazing, thank you. | 0:28:33 | 0:28:37 | |
We are glad to make this kind of dream come true. | 0:28:37 | 0:28:40 | |
You kids are going to remember it for a long time, aren't you? | 0:28:40 | 0:28:44 | |
Yeah? What is it like to have a stunt gran? | 0:28:44 | 0:28:47 | |
-Brilliant. -Do you love her? -Yeah. -That's it, they love their gran | 0:28:47 | 0:28:51 | |
-and she'll never want to travel by dial-a-ride ever again. -LAUGHTER | 0:28:51 | 0:28:55 | |
Ladies and gentlemen, give it up for our resident Tonight's The Night stunt woman, Pearl Manson! | 0:28:55 | 0:29:01 | |
CHEERING AND APPLAUSE | 0:29:01 | 0:29:03 | |
'Still to come, for the very first time, | 0:29:03 | 0:29:05 | |
'you'll see how this girl's dream of meeting Andrea Bocelli came true. | 0:29:05 | 0:29:09 | |
'We remember when this dance-crazy teenager got the chance to perform with his heroes, Diversity. | 0:29:10 | 0:29:16 | |
'And Tonight's The Night goes Bollywood.' | 0:29:16 | 0:29:19 | |
This show can go from the dance floor to the opera house in a heartbeat. | 0:29:20 | 0:29:24 | |
Classy songs deserve classy performances | 0:29:24 | 0:29:26 | |
and one of the most memorable was when a young woman from Somerset | 0:29:26 | 0:29:30 | |
duetted with soprano Dame Kiri Te Kanawa. | 0:29:30 | 0:29:32 | |
I'm at the Royal Bath and West Show to surprise Teresa, our teenage fundraiser. | 0:29:36 | 0:29:40 | |
She has no idea we're here to make her dreams come true. | 0:29:40 | 0:29:44 | |
'29-year-old Teresa De Roberto from Somerset is at the show to sing for the Royal British Legion. | 0:29:44 | 0:29:49 | |
'According to her best friend Hannah, it's just one of the many charity gigs she does every year.' | 0:29:49 | 0:29:55 | |
Teresa lives for singing and if she can sing and do work for charity | 0:29:55 | 0:29:59 | |
at the same time then it's perfect for her. | 0:29:59 | 0:30:01 | |
'Teresa's been told when she finishes there will be a photo call with the poppy mascot. | 0:30:01 | 0:30:06 | |
'But she has no idea that it's going to be me inside the costume!' | 0:30:06 | 0:30:10 | |
OK, I'm ready to go in. Poppy power. | 0:30:10 | 0:30:14 | |
SHE SINGS NESSUN DORMA | 0:30:14 | 0:30:17 | |
'Teresa's finished and here I come! | 0:30:22 | 0:30:25 | |
'Oh, this is really a long way from Captain Jack.' | 0:30:25 | 0:30:28 | |
APPLAUSE | 0:30:28 | 0:30:30 | |
-Bravo! -'This is one hot and sweaty costume. | 0:30:32 | 0:30:36 | |
'It's stuck to me! I'll have to get Teresa to help me get it off.' | 0:30:36 | 0:30:39 | |
I'm not really a mascot, I'm John Barrowman from BBC One's Tonight's The Night | 0:30:39 | 0:30:44 | |
and I am here to make your dream come true. | 0:30:44 | 0:30:48 | |
Whoo! | 0:30:48 | 0:30:50 | |
APPLAUSE | 0:30:50 | 0:30:52 | |
-Hi! -Hello. -SHE LAUGHS | 0:30:52 | 0:30:54 | |
I would like you come to the Tonight's The Night studio | 0:30:54 | 0:30:58 | |
and sing on television to millions of people out there in the nation. | 0:30:58 | 0:31:02 | |
-Would you do that? -Yeah! -SHE LAUGHS | 0:31:02 | 0:31:05 | |
I tell you, the things I do for showbiz! | 0:31:05 | 0:31:08 | |
Hey! This young lady does an incredible amount for charity | 0:31:08 | 0:31:14 | |
in her local area and she's what I would call a selfless young lady. | 0:31:14 | 0:31:19 | |
She is always offered to get paid for the performances and things and you do what? Tell us. | 0:31:19 | 0:31:25 | |
I just do it for free cos I love it. | 0:31:25 | 0:31:27 | |
If she gets money, she gives it back to the community or the charities. | 0:31:27 | 0:31:32 | |
But I've got a surprise for you, | 0:31:32 | 0:31:34 | |
because you're going to be singing with Dame Kiri Te Kanawa. | 0:31:34 | 0:31:37 | |
CHEERING AND APPLAUSE | 0:31:37 | 0:31:40 | |
-SHE LAUGHS -I can't believe this! | 0:31:40 | 0:31:43 | |
'Teresa managed to calm down in time for an amazing duet with Dame Kiri.' | 0:31:44 | 0:31:49 | |
# There's a dream | 0:31:51 | 0:31:54 | |
# I feel | 0:31:54 | 0:31:56 | |
# So rare | 0:31:56 | 0:31:59 | |
# So real | 0:31:59 | 0:32:02 | |
# All the world | 0:32:02 | 0:32:04 | |
# In union | 0:32:04 | 0:32:07 | |
# The world | 0:32:07 | 0:32:10 | |
# As one | 0:32:10 | 0:32:13 | |
# Gathering | 0:32:13 | 0:32:16 | |
# Together | 0:32:16 | 0:32:19 | |
# One mind | 0:32:19 | 0:32:21 | |
# One heart | 0:32:21 | 0:32:24 | |
# Every creed | 0:32:24 | 0:32:27 | |
# Every colour | 0:32:27 | 0:32:30 | |
# Once joined, never apart | 0:32:30 | 0:32:35 | |
Ladies and gentlemen, please welcome Teresa. | 0:32:35 | 0:32:39 | |
CHEERING AND APPLAUSE | 0:32:39 | 0:32:42 | |
# We face | 0:32:47 | 0:32:49 | |
# High mountains | 0:32:49 | 0:32:52 | |
# Must cross | 0:32:52 | 0:32:55 | |
# Rough seas | 0:32:55 | 0:32:58 | |
# We must take | 0:32:58 | 0:33:00 | |
# Our place in history | 0:33:00 | 0:33:03 | |
# And live with dignity | 0:33:03 | 0:33:09 | |
# Just to be | 0:33:09 | 0:33:12 | |
# The best I can | 0:33:12 | 0:33:14 | |
# Sets the goals | 0:33:14 | 0:33:17 | |
# For every man | 0:33:17 | 0:33:20 | |
# If I win, lose or draw | 0:33:20 | 0:33:25 | |
# It's a victory for all | 0:33:25 | 0:33:31 | |
BOTH: # It's the world | 0:33:31 | 0:33:34 | |
# In union | 0:33:34 | 0:33:37 | |
# The world | 0:33:37 | 0:33:40 | |
# As one | 0:33:40 | 0:33:42 | |
# As we climb | 0:33:42 | 0:33:45 | |
# To reach our destiny | 0:33:45 | 0:33:48 | |
# A new age | 0:33:48 | 0:33:52 | |
# Has begun | 0:33:52 | 0:33:57 | |
# It's the world | 0:34:05 | 0:34:07 | |
# The world in union | 0:34:07 | 0:34:11 | |
# A new age | 0:34:11 | 0:34:14 | |
# Has begun | 0:34:14 | 0:34:20 | |
CHEERING AND APPLAUSE | 0:34:21 | 0:34:24 | |
'Now that's what I call a show-stopper.' | 0:34:24 | 0:34:27 | |
For this next surprise, myself and the Tonight's The Night team | 0:34:29 | 0:34:32 | |
used what we know best, the TV screen. | 0:34:32 | 0:34:35 | |
-Hey! Not too close. We're in HD, OK? -LAUGHTER | 0:34:35 | 0:34:40 | |
I was with a bunch of TV professionals putting on a TV show in a TV shop. | 0:34:40 | 0:34:44 | |
-What could possibly go wrong? Apart from everything! -APPLAUSE | 0:34:44 | 0:34:50 | |
'Somerset girl Sarah Lowry has come to London today | 0:34:55 | 0:34:58 | |
'for a spot of shopping with her mum and Nana Rose.' | 0:34:58 | 0:35:01 | |
Or so she thinks. Now, her mum and her nan are in on this | 0:35:02 | 0:35:05 | |
and are waiting round the corner for our call so we can get started. | 0:35:05 | 0:35:09 | |
'23-year-old Sarah works in a care home and lives with her mum and nana in Yeovil. | 0:35:09 | 0:35:14 | |
'And the whole family shares a passion for singing.' | 0:35:14 | 0:35:17 | |
If I'm really down in the dumps or stressed out, | 0:35:17 | 0:35:21 | |
she'll start singing and that just gives me a lift. | 0:35:21 | 0:35:26 | |
I get very emotional. It makes me cry but I try not to because I know she'll call me a wimp if she sees me. | 0:35:26 | 0:35:32 | |
'Complications at birth and cerebral palsy | 0:35:32 | 0:35:35 | |
'meant Sarah's first 18 years were spent in and out of hospital having major surgery, | 0:35:35 | 0:35:40 | |
'so she missed out on things other children take for granted.' | 0:35:40 | 0:35:44 | |
She couldn't go to things like ballet lessons like little girls do. | 0:35:44 | 0:35:47 | |
She couldn't sit on the beach because she was always in plaster. | 0:35:47 | 0:35:50 | |
She could never ride a bike. | 0:35:50 | 0:35:53 | |
Sarah never really complained about what she was going through. | 0:35:53 | 0:35:57 | |
You never hear Sarah talk about her problems. | 0:35:57 | 0:36:01 | |
And most of the people don't even know that she's been in hospital like she has. | 0:36:01 | 0:36:05 | |
'Despite her own challenges, Sarah volunteers at a hospice and helps to run the local youth theatre group. | 0:36:05 | 0:36:11 | |
'So to recognise her achievements, Mum and Nana Rose would like me | 0:36:11 | 0:36:14 | |
'to arrange for Sarah to sing live in the studio. But that's not all. | 0:36:14 | 0:36:19 | |
'I've set up a masterclass from opera legend Andrea Bocelli for tips on how to wow the nation.' | 0:36:19 | 0:36:25 | |
Seeing Sarah perform on Tonight's The Night | 0:36:25 | 0:36:28 | |
will make me the proudest grandmother in the world. | 0:36:28 | 0:36:32 | |
'Back in London, Sarah thinks Mum and Nana are taking her shopping for a new television. But guess what? | 0:36:33 | 0:36:38 | |
'We've filled the store with secret cameras. In true Tonight's The Night fashion | 0:36:38 | 0:36:43 | |
I'm going to spice things up and turn the cameras around on Sarah. Make that dream come true. | 0:36:43 | 0:36:48 | |
'When Sarah arrives, these screens will be playing my new cookery show, which is fake, | 0:36:48 | 0:36:53 | |
'and we'll have a special message for her. But before we even finish setting up, | 0:36:53 | 0:36:57 | |
'Sarah and her family arrive and we have to make a quick exit to avoid blowing the surprise.' | 0:36:57 | 0:37:02 | |
This is so by the skin of our teeth. Fabulous! | 0:37:02 | 0:37:05 | |
'But things are definitely not fabulous when some of the screens pack up!' | 0:37:05 | 0:37:09 | |
We're going, here we go! TV's are on. Well, some of them are. | 0:37:09 | 0:37:13 | |
'And then we accidentally put the Tonight's The Night logo on two of the screens.' | 0:37:13 | 0:37:17 | |
Oh, my goodness. It showed Tonight's The Night on the screen. | 0:37:17 | 0:37:20 | |
'Just as well none of us work in television, then. Oh, we do. D'oh!' | 0:37:20 | 0:37:25 | |
This is a bit of a disaster. 'Having almost blown it, | 0:37:25 | 0:37:28 | |
'we send in one of our team to make sure we get the show back on the road.' Here we go. | 0:37:28 | 0:37:32 | |
'My cookery programme containing Sarah's surprise message is now ready to go. Move over Ramsay!' | 0:37:32 | 0:37:37 | |
"Turn Up The Heat is a new cookery show | 0:37:37 | 0:37:39 | |
"with all the right ingredients to spice up your Saturday night. | 0:37:39 | 0:37:43 | |
"In our first show I travel to Somerset to meet an activities coordinator. | 0:37:43 | 0:37:48 | |
"This special young woman teaches at her local theatre group. | 0:37:48 | 0:37:51 | |
"She also finds time to look after her dog, Monty, and her two cats, Teddy Bear and Oliver. Aw! Meow! | 0:37:51 | 0:37:58 | |
"Woof!" She's clueing into it. "I'm talking about you, Sarah Lowry! | 0:37:58 | 0:38:04 | |
"Yes, it's you! Sarah Lowry!" | 0:38:04 | 0:38:06 | |
OK, let's go do the hit. Come on over, guys. "To make your dreams come true!" | 0:38:06 | 0:38:10 | |
-That's right, Sarah, it's me, John Barrowman. How are you? -I'm all right, thank you. | 0:38:10 | 0:38:15 | |
I'm from BBC One's Tonight's The Night and I'm here to make your dream come true. | 0:38:15 | 0:38:19 | |
I know that you do an incredible amount for your friends and your family. | 0:38:19 | 0:38:23 | |
I also know you're a very brave young lady and that your dream | 0:38:23 | 0:38:26 | |
is to sing on the big stage in front of millions of people. And we're going to let you do that. | 0:38:26 | 0:38:32 | |
We're going to take you to the Tonight's The Night studio and you are going to sing for the nation. | 0:38:32 | 0:38:38 | |
But before we do that, we've got a very special treat for you. | 0:38:38 | 0:38:42 | |
We're sending you to go meet up with...Andrea Bocelli! | 0:38:42 | 0:38:47 | |
-Oh, really? -Unbelievable! | 0:38:47 | 0:38:50 | |
-Oh, my God, thank you so much! -You're very welcome. | 0:38:50 | 0:38:53 | |
Can I take that big smile on your face as a thumbs-up that you're going to go and... | 0:38:53 | 0:38:59 | |
-Yes! -Yes, you are! Awesome! Whoo! | 0:38:59 | 0:39:03 | |
The surprise is just amazing. I'm still coming down from that. It just doesn't seem real right now. | 0:39:03 | 0:39:09 | |
'A week later and Sarah is back in London to get some singing tips from her opera idol, Andrea Bocelli.' | 0:39:12 | 0:39:18 | |
-Hello. -Hello. -Pleased to meet you. -Hi, nice to meet you. How are you? -I'm very well, thank you. | 0:39:18 | 0:39:23 | |
Meeting Andrea Bocelli was just a dream come true. | 0:39:23 | 0:39:27 | |
It was amazing. I couldn't have asked for anything better. | 0:39:27 | 0:39:30 | |
-I know that you're a singer. -Yes. | 0:39:30 | 0:39:33 | |
-And you love music. -I do. | 0:39:33 | 0:39:36 | |
I'm happy for you because it's a beautiful thing, no? | 0:39:36 | 0:39:38 | |
-He's very good-looking. He's lovely. -LAUGHTER | 0:39:38 | 0:39:42 | |
# There's a time for us | 0:39:42 | 0:39:49 | |
# A place and time for us | 0:39:50 | 0:39:55 | |
-You sing very well. Congratulations. -Thank you. | 0:39:55 | 0:39:58 | |
-And you have also a voice very strong. -Thank you. | 0:39:58 | 0:40:02 | |
I'm surprised. SHE LAUGHS The only advice that I can give you | 0:40:02 | 0:40:06 | |
in a few words, to study, to study, to study. | 0:40:06 | 0:40:11 | |
When I sang in front of him, I was hoping that I was going to remember the words, | 0:40:11 | 0:40:15 | |
and that I was going to sing the right notes. | 0:40:15 | 0:40:17 | |
# Hold my hand | 0:40:17 | 0:40:19 | |
In case in future you will have doubt, questions, for just improve your voice, | 0:40:19 | 0:40:26 | |
-call me, OK? -I will do, thank you very much. | 0:40:26 | 0:40:30 | |
# Somewhere | 0:40:30 | 0:40:34 | |
Great! | 0:40:34 | 0:40:36 | |
Meeting one of my idols has been the most amazing experience ever. | 0:40:36 | 0:40:40 | |
I don't think I'll ever forget it, it will always be there. | 0:40:40 | 0:40:43 | |
APPLAUSE | 0:40:43 | 0:40:46 | |
-Hi, Mum, hi, Nana. -I've got a tissue ready. -You've got a tissue ready? | 0:40:48 | 0:40:52 | |
Don't worry cos I brought extras for you, just in case. | 0:40:52 | 0:40:55 | |
Now, listen, Mum, Sarah, she was so surprised. Did she get over the shock of the surprise? | 0:40:55 | 0:41:01 | |
No. I think she's still shocked, actually. She's still on a high. | 0:41:01 | 0:41:05 | |
And how was it when she met Andrea Bocelli? Did she talk about it for ages? | 0:41:05 | 0:41:10 | |
She did, she's still talking about it. | 0:41:10 | 0:41:13 | |
-Well, Nana Rose, are you excited about this? -Very excited. | 0:41:13 | 0:41:16 | |
-Nervous? -Nervous. I'm shaking like a jelly. | 0:41:16 | 0:41:19 | |
LAUGHTER | 0:41:19 | 0:41:22 | |
-I love a bit of jelly. -LAUGHTER | 0:41:22 | 0:41:27 | |
Well, here we go. Sarah has met the legend, she's had the lessons and she's done the homework. | 0:41:27 | 0:41:34 | |
So now all that remains is to make the dream a reality. | 0:41:34 | 0:41:38 | |
Ready? Hold hands, cos here we go. Sarah Lowry, Tonight's The Night! | 0:41:38 | 0:41:43 | |
CHEERING AND APPLAUSE | 0:41:43 | 0:41:47 | |
# There's a place for us | 0:42:00 | 0:42:05 | |
# Somewhere a place for us | 0:42:07 | 0:42:11 | |
# Peace and quiet and open air | 0:42:12 | 0:42:18 | |
# Wait for us | 0:42:18 | 0:42:22 | |
# Somewhere | 0:42:22 | 0:42:25 | |
# There's a time for us | 0:42:25 | 0:42:31 | |
# Someday a time for us | 0:42:32 | 0:42:38 | |
# Time together | 0:42:38 | 0:42:41 | |
# With time to spare | 0:42:41 | 0:42:44 | |
# Time to learn | 0:42:44 | 0:42:47 | |
# Time to care | 0:42:47 | 0:42:51 | |
# Someday | 0:42:51 | 0:42:54 | |
# Somewhere | 0:42:54 | 0:42:56 | |
# We'll find a new way of living | 0:42:56 | 0:43:02 | |
# We'll find a way of forgiving | 0:43:03 | 0:43:09 | |
# Somewhere | 0:43:10 | 0:43:13 | |
# There's a place for us | 0:43:17 | 0:43:23 | |
# A time and place for us | 0:43:24 | 0:43:29 | |
# Hold my hand and we're halfway there | 0:43:29 | 0:43:36 | |
# Hold my hand and I'll take you there | 0:43:36 | 0:43:42 | |
# Somehow | 0:43:42 | 0:43:45 | |
# Someday | 0:43:45 | 0:43:50 | |
# Somewhere | 0:43:50 | 0:43:55 | |
CHEERING AND APPLAUSE | 0:43:55 | 0:43:59 | |
You made me go! I'm done! | 0:44:18 | 0:44:21 | |
I've completely gone. I sat and watched your mum and your nana and I have completely gone. | 0:44:21 | 0:44:26 | |
-So this is what you've dreamed of for such a long time. -I have. | 0:44:26 | 0:44:31 | |
Now that it has come true... I can't even talk! | 0:44:31 | 0:44:35 | |
-AUDIENCE: Aww! -How does it make you feel? | 0:44:35 | 0:44:37 | |
Absolutely amazing. | 0:44:37 | 0:44:40 | |
Mum and Nana, was it worth a trip to the TV shop? | 0:44:40 | 0:44:45 | |
Definitely. I think I've been forgiven. THEY LAUGH | 0:44:45 | 0:44:49 | |
And did you enjoy watching today? | 0:44:49 | 0:44:52 | |
-Loved every minute of it. -Good. Tissues gone? | 0:44:52 | 0:44:54 | |
-They're still here. -They're still here. I'm going to come and borrow them. | 0:44:54 | 0:44:59 | |
-Ladies and gentlemen, Sarah Lowry! -CHEERING AND APPLAUSE | 0:44:59 | 0:45:03 | |
I love to dance, with a little bit of a swivel of the hips, | 0:45:08 | 0:45:12 | |
and a kick-ball-change, and a turn, turn, turn, | 0:45:12 | 0:45:15 | |
and a lunge! Oh! Ow! | 0:45:15 | 0:45:17 | |
-All right, I just threw that together over the last few weeks. -CHEERING AND APPLAUSE | 0:45:17 | 0:45:22 | |
Thank you! Listen, I'm not alone. There are plenty of dance dreamers out there, | 0:45:22 | 0:45:27 | |
and when they hit this stage, the results can be spectacular. | 0:45:27 | 0:45:30 | |
Especially when dance group Diversity is involved. | 0:45:30 | 0:45:33 | |
Ow! | 0:45:33 | 0:45:36 | |
'Last year I went to Wolverhampton to surprise self-taught dancer Mitchell McDonald. | 0:45:36 | 0:45:40 | |
'A few years ago, Mitchell's world was shattered when his dad died in a road traffic accident.' | 0:45:40 | 0:45:46 | |
The way Mitchell dealt with my dad's death was to just shut out the world, | 0:45:46 | 0:45:51 | |
perhaps for a few weeks pretend it didn't happen, and just live in his own bubble. | 0:45:51 | 0:45:55 | |
'But Mitchell wasn't just shutting himself away, | 0:45:55 | 0:45:58 | |
'he was dealing with his grief by turning it into something positive. | 0:45:58 | 0:46:02 | |
'And up in his room, he was learning to dance. Mitchell's big dream was to meet dance group Diversity.' | 0:46:02 | 0:46:08 | |
I've always followed Diversity. I think they're out of this world. They're class. | 0:46:08 | 0:46:12 | |
'After his sister Jamie-Lee got in touch, I took my team to his school and fed Mitchell a big fat lie.' | 0:46:12 | 0:46:18 | |
On the day of the surprise, I got told that Wolverhampton University | 0:46:18 | 0:46:22 | |
was doing a video shoot for one of their courses. | 0:46:22 | 0:46:24 | |
But it wasn't really, it was the BBC and I didn't have a clue. | 0:46:24 | 0:46:29 | |
This kid is awesome! | 0:46:32 | 0:46:34 | |
Is that it? Ready? Stand by, here we go. | 0:46:38 | 0:46:40 | |
-APPLAUSE -Give it up for Mitchell, everybody! | 0:46:40 | 0:46:44 | |
John Barrowman came on the stage and I couldn't believe it. It was amazing. | 0:46:44 | 0:46:48 | |
-Hey, Mitchell, how are you? -I'm fine, thank you. | 0:46:48 | 0:46:52 | |
I'm John Barrowman from BBC One's Tonight's The Night, | 0:46:52 | 0:46:55 | |
and I'm going to make one of your dreams come true | 0:46:55 | 0:46:57 | |
and get you trained by... Ashley Banjo from Diversity! | 0:46:57 | 0:47:03 | |
SCREAMING | 0:47:03 | 0:47:05 | |
'Cut to a week later, and when Mitchell met his hero, he couldn't quite believe it.' | 0:47:07 | 0:47:12 | |
-Nice to meet you. -Good to meet you, man. | 0:47:13 | 0:47:15 | |
Ashley Banjo was standing right there and I was... It was unbelievable. | 0:47:15 | 0:47:19 | |
You see it on telly and you think, "Imagine if that happened to me." It actually is. | 0:47:19 | 0:47:23 | |
Sideways, yeah, good, good, good! | 0:47:24 | 0:47:27 | |
I've got a bit of a surprise for you. We're not just here to practice. | 0:47:27 | 0:47:31 | |
We're actually here to rehearse. We're rehearsing for Tonight's The Night. | 0:47:31 | 0:47:34 | |
-You'll be performing on Tonight's The Night. -Really? -But we've got one more surprise, | 0:47:34 | 0:47:39 | |
-you'll be performing with a few friends of mine called Diversity. -Oh, my... | 0:47:39 | 0:47:43 | |
-Oh, my gosh! Oh! -Here's the guys, Mitch! -Oh, my gosh! -It's for you, mate. | 0:47:45 | 0:47:52 | |
Diversity come out and he told me I was going to be dancing with them on the show. I couldn't believe it. | 0:47:52 | 0:47:58 | |
Picture yourself mentally here. Ready? | 0:47:58 | 0:48:00 | |
AUDIENCE GASP Yeah? | 0:48:03 | 0:48:06 | |
Mate, I'm only joking. LAUGHTER | 0:48:08 | 0:48:10 | |
'But there was no joking around when Mitchell hit my stage and blew everyone away.' | 0:48:10 | 0:48:15 | |
CHEERING | 0:48:22 | 0:48:24 | |
When I walked onto the stage I was going to be performing on, when I saw the lights and the music, | 0:48:24 | 0:48:31 | |
it's like a dream come true. Just amazing. | 0:48:31 | 0:48:33 | |
CHEERING AND APPLAUSE | 0:48:36 | 0:48:39 | |
CHEERING AND APPLAUSE | 0:48:45 | 0:48:48 | |
After being on Tonight's The Night I got recognised in services, | 0:49:04 | 0:49:08 | |
and on holiday and... Amazing, just like being a star. | 0:49:08 | 0:49:11 | |
CHEERING AND APPLAUSE | 0:49:26 | 0:49:29 | |
CHEERING AND APPLAUSE | 0:49:37 | 0:49:41 | |
'Totally amazing. Two more dance-crazy boys I surprised are deserving twins Sunny and Shyam. | 0:49:42 | 0:49:48 | |
'The twins dedicated their time to running workshops for teenagers, | 0:49:48 | 0:49:52 | |
'believing that dance can help build self-esteem and confidence. | 0:49:52 | 0:49:56 | |
'On top of their dedication to their community, the boys also help care for their disabled dad, Ash. | 0:49:56 | 0:50:01 | |
'He would like to thank his sons by making their dream of performing a Bollywood dance number come true.' | 0:50:01 | 0:50:08 | |
I think they will love every second. | 0:50:08 | 0:50:12 | |
And treasure every moment on this show. | 0:50:12 | 0:50:16 | |
'The boys think they're here to audition for a Bollywood fitness video.' | 0:50:16 | 0:50:19 | |
We've hired this dance studio in West London to put Sunny and Shyam through their paces. | 0:50:19 | 0:50:24 | |
They're going to meet with Bollywood choreographer extraordinaire Yinka Williams. | 0:50:24 | 0:50:29 | |
But this audition will be far from routine. | 0:50:29 | 0:50:33 | |
'Time for a quick change as I am transformed into Jorge, the choreographer's Spanish assistant. | 0:50:33 | 0:50:39 | |
-'Ready for action, boys?' -LAUGHTER | 0:50:39 | 0:50:41 | |
Cos Jorge is about to teach you how to do | 0:50:41 | 0:50:44 | |
-the moves of the future. -LAUGHTER | 0:50:44 | 0:50:47 | |
'Choreographer Yinka is in on the act and she gets the dancers started on their routine. | 0:50:47 | 0:50:53 | |
'Dad Ash and brother Jeet are watching all the action from the room next door.' | 0:50:53 | 0:50:58 | |
Good. I'm going to leave you in the capable hands of Jorge. | 0:50:58 | 0:51:01 | |
'Yinka is off to check on another group leaving, me in charge. | 0:51:01 | 0:51:05 | |
'Really bad idea. Will the boys realise Jorge is several strings short of a sitar?' | 0:51:05 | 0:51:10 | |
So we are going to do something stylistically a little different from the original. | 0:51:10 | 0:51:15 | |
I'm sure she will be fine with it when she come back, OK? Espanol! | 0:51:15 | 0:51:18 | |
OK? I know it's Bollywood but let's think a little Spanish. | 0:51:18 | 0:51:21 | |
Because you're going to do this. Pick-a-the-grape, pick-a-the-grape, bring in the laundry now. | 0:51:21 | 0:51:26 | |
Pick-a-the-grape, pick-a-the-grape, bring in the laundry now. | 0:51:26 | 0:51:31 | |
Climb the ladder to the top of the building... 'Laundry and ladders? How far can I push this?' | 0:51:31 | 0:51:36 | |
Sumo wrestler, and then we're going to go um-pah, um-pah, ah-ah-ah-ah! | 0:51:36 | 0:51:42 | |
-And walk away like this. -LAUGHTER | 0:51:42 | 0:51:46 | |
'Yinka's back to see the finished routine, and it's a little different to what she had in mind.' | 0:51:46 | 0:51:51 | |
-Facial expression and sexy! -LAUGHTER | 0:51:51 | 0:51:55 | |
-BOLLYWOOD MUSIC PLAYS -Hima-hima-hima-ha! | 0:51:55 | 0:51:59 | |
Pull in the grape, pull in the grape, bring in the laundry now! | 0:51:59 | 0:52:03 | |
Good boys! Shyam and Sunny. | 0:52:04 | 0:52:07 | |
Hey! Hey! Heeeee, hey! Very good! | 0:52:12 | 0:52:18 | |
'I have no idea what the boys find so funny. Yinka's certainly not laughing.' | 0:52:18 | 0:52:23 | |
-There was none of my choreography in there, apart from the beginning. -You told me to take it away and... | 0:52:23 | 0:52:29 | |
'The twins look worried. Have they blown the audition thanks to Jorge's crazy moves? | 0:52:29 | 0:52:33 | |
'It's time for me to come clean.' I have to be honest with you, this is... | 0:52:33 | 0:52:37 | |
My name is not Jorge, this is not an audition. | 0:52:37 | 0:52:40 | |
I'm actually John Barrowman from BBC One's Tonight's The Night, | 0:52:40 | 0:52:44 | |
and boys, I am here to make your dreams come true. | 0:52:44 | 0:52:48 | |
HE LAUGHS | 0:52:49 | 0:52:52 | |
I know you have a dream. | 0:52:52 | 0:52:54 | |
And your dream is to dance a big Bollywood number in front of loads of people, isn't it? | 0:52:54 | 0:53:00 | |
-Yes. -Yes. Here's what I'm going to do for you, you're going to come to the Tonight's The Night studio, | 0:53:00 | 0:53:06 | |
we're going to get you top choreographers, | 0:53:06 | 0:53:08 | |
you are going to have a big, huge Bollywood number that you are going to star in. | 0:53:08 | 0:53:12 | |
And you're going to do it in the Tonight's The Night studio for millions of people on television. | 0:53:12 | 0:53:18 | |
-Yes? -Flipping heck! | 0:53:19 | 0:53:23 | |
'Once the boys got over their shock, they got to perform their dream Bollywood routine.' | 0:53:23 | 0:53:27 | |
-# Jai ho -# I got shivers when you touch that way | 0:53:30 | 0:53:33 | |
# I'll make you hot, get all you got | 0:53:33 | 0:53:35 | |
-# I'll make you wanna say -# Jai ho | 0:53:35 | 0:53:38 | |
# Jai ho | 0:53:40 | 0:53:41 | |
CHEERING | 0:53:41 | 0:53:44 | |
-# Jai ho -# I keep it steady cos steady is how I do it | 0:53:44 | 0:53:48 | |
# This beat is heavy so heavy you're gonna feel it | 0:53:48 | 0:53:51 | |
-# Jai ho -# You are the reason that I breathe | 0:53:51 | 0:53:55 | |
-# Jai ho -# You are the reason that I still believe | 0:53:55 | 0:54:00 | |
# You are my destiny | 0:54:00 | 0:54:02 | |
# Jai ho, oh, oh, oh | 0:54:02 | 0:54:06 | |
# Catch me, catch me, catch me, come on, catch me, I want you now | 0:54:06 | 0:54:09 | |
# I know you can save me, come and save me, I need you now | 0:54:09 | 0:54:13 | |
# I am yours forever, yes, forever I will follow | 0:54:13 | 0:54:16 | |
# Any way and any day, never gonna let go | 0:54:16 | 0:54:19 | |
-# Jai ho -# I need you, gonna make it | 0:54:19 | 0:54:23 | |
-# Jai ho -# I'm ready so take it | 0:54:23 | 0:54:27 | |
-# Jai ho -# You are the reason that I breathe | 0:54:27 | 0:54:30 | |
-# Jai ho -# You are the reason that I still believe | 0:54:30 | 0:54:35 | |
# You are my destiny | 0:54:35 | 0:54:37 | |
# Jai ho, oh, oh, oh | 0:54:37 | 0:54:41 | |
-# Jai ho -# No, there is nothing that can stop us | 0:54:41 | 0:54:44 | |
-# Jai ho -# Nothing can ever come between us | 0:54:44 | 0:54:49 | |
# So come and dance with me | 0:54:49 | 0:54:51 | |
# Jai ho | 0:54:51 | 0:54:53 | |
# Jai ho | 0:54:55 | 0:54:56 | |
-# Jai ho -CHEERING AND APPLAUSE | 0:54:58 | 0:55:03 | |
Well, what a show it's been. Big stars, big surprises and big dreams, we've had it all. | 0:55:07 | 0:55:12 | |
We'll be back to put more deserving people in the spotlight soon, | 0:55:12 | 0:55:15 | |
so if something strange starts happening to you, | 0:55:15 | 0:55:18 | |
it might just be me coming to give you the dream of a lifetime. So keep your eyes open and keep dreaming. | 0:55:18 | 0:55:23 | |
CHEERING AND APPLAUSE | 0:55:23 | 0:55:26 | |
# Na-na-na-na-na | 0:55:28 | 0:55:30 | |
# Na-na-na-na-na | 0:55:32 | 0:55:34 | |
# Hey, baby | 0:55:37 | 0:55:38 | |
# You really got my tail in a spin | 0:55:39 | 0:55:43 | |
# Hey, baby | 0:55:44 | 0:55:46 | |
# I don't even know where to begin | 0:55:47 | 0:55:50 | |
# But, baby, I got one thing I want you to know | 0:55:52 | 0:55:58 | |
# Wherever you go | 0:56:00 | 0:56:02 | |
# Tell me cos I'm gonna go | 0:56:02 | 0:56:08 | |
# We found love | 0:56:08 | 0:56:10 | |
# So don't fight it | 0:56:12 | 0:56:14 | |
# Life is a rollercoaster | 0:56:16 | 0:56:19 | |
# Just gotta ride it | 0:56:19 | 0:56:21 | |
# I need you | 0:56:23 | 0:56:25 | |
# So stop hiding | 0:56:27 | 0:56:29 | |
# Our love is a mystery, girl, let's get beside it | 0:56:31 | 0:56:37 | |
# Hey, baby | 0:56:39 | 0:56:41 | |
-# You really got me flying tonight -# Flying tonight | 0:56:42 | 0:56:47 | |
# Hey, sugar | 0:56:47 | 0:56:49 | |
# You almost got us punched in a fight | 0:56:51 | 0:56:54 | |
# But, baby, you know | 0:56:55 | 0:56:58 | |
# One thing I gotta know | 0:56:58 | 0:57:01 | |
# Wherever you go | 0:57:03 | 0:57:05 | |
# Tell me cos I'm gonna show | 0:57:05 | 0:57:10 | |
# Can't you feel my heart? | 0:57:10 | 0:57:14 | |
# Can't you feel my heart? | 0:57:14 | 0:57:18 | |
# Can't you feel my heart? | 0:57:18 | 0:57:22 | |
# Can't you take my heart? | 0:57:22 | 0:57:27 | |
# We found love, hey! | 0:57:30 | 0:57:34 | |
# So don't fight it | 0:57:34 | 0:57:37 | |
# Life is a rollercoaster | 0:57:39 | 0:57:42 | |
# Just gotta ride it | 0:57:42 | 0:57:44 | |
# I need you | 0:57:46 | 0:57:48 | |
# So stop hiding | 0:57:50 | 0:57:52 | |
# Our love is a mystery, girl, let's get beside it | 0:57:55 | 0:58:00 | |
Here we go! | 0:58:00 | 0:58:02 | |
# Don't fight it, fight it, fight it | 0:58:02 | 0:58:06 | |
# Don't fight it, fight it, fight it | 0:58:06 | 0:58:10 | |
# Don't fight it, fight it, fight it | 0:58:10 | 0:58:14 | |
# Don't fight it, fight it, fight it | 0:58:14 | 0:58:18 | |
# Hey, baby | 0:58:18 | 0:58:21 | |
CHEERING AND APPLAUSE | 0:58:21 | 0:58:23 | |
-Good night! -CHEERING AND APPLAUSE | 0:58:25 | 0:58:29 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:37 | |
E-mail [email protected] | 0:58:37 | 0:58:41 | |
. | 0:58:41 | 0:58:42 |