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'Now on Top Gear...' | 0:00:02 | 0:00:04 | |
Even better than I could've thought. | 0:00:04 | 0:00:06 | |
'..it's Grey Poupon time as we compete to build the best one-of-a-kind limos | 0:00:06 | 0:00:12 | |
'and then drive three unsuspecting celebrities to the Primetime Emmys.' | 0:00:12 | 0:00:17 | |
-I'm going to turn around right here. Is this what you want? -Let me out of here! | 0:00:17 | 0:00:21 | |
'The first stretch limousine was built in 1928 | 0:00:40 | 0:00:44 | |
'at Fort Smith, Arkansas, | 0:00:44 | 0:00:47 | |
'and they quickly came to represent sophistication and accomplishment. | 0:00:47 | 0:00:50 | |
'But these days, they're being built from just about any kind of car | 0:00:50 | 0:00:54 | |
'and are more about the excesses of bachelor parties and proms. | 0:00:54 | 0:00:57 | |
'So we thought we should try to get some of the excitement back by making our own. | 0:00:58 | 0:01:04 | |
'And to prove how good they were, we'd each chauffeur a major celebrity | 0:01:04 | 0:01:07 | |
'to one of the biggest Hollywood events of the year. | 0:01:07 | 0:01:10 | |
'The Emmys. | 0:01:10 | 0:01:13 | |
'The car I picked to transform into a limo... | 0:01:13 | 0:01:16 | |
'..deserved to get an extension.' | 0:01:18 | 0:01:21 | |
I give you the 1987 Corvette. | 0:01:21 | 0:01:23 | |
350 cubic inches of mid-life crisis fury. | 0:01:23 | 0:01:27 | |
The problem with a limo is it's basically like a couch on wheels and that's boring. | 0:01:30 | 0:01:36 | |
My limo is going to be all about performance. | 0:01:37 | 0:01:39 | |
This is going to be able to accelerate, brake and corner. | 0:01:39 | 0:01:43 | |
And it's going to be able to do a burn-out, | 0:01:43 | 0:01:45 | |
which is the minimum design specification I've laid out. | 0:01:45 | 0:01:48 | |
-THUNDER BOOMS -I know what you're thinking. | 0:01:54 | 0:01:57 | |
Why would you want to make a limo | 0:01:57 | 0:02:00 | |
out of an '81 Volkswagen Rabbit pickup? | 0:02:00 | 0:02:03 | |
Well, frankly, I love it. | 0:02:03 | 0:02:06 | |
It's one of my favourite cars ever | 0:02:06 | 0:02:08 | |
and since it was my first car, it has a special place in my heart. | 0:02:08 | 0:02:12 | |
Also, I don't think it deserved to suffer the death | 0:02:12 | 0:02:16 | |
at the hands of Adam and Tanner that it did. | 0:02:16 | 0:02:19 | |
TYRES SCREECH | 0:02:20 | 0:02:23 | |
ALL: Ohh! | 0:02:23 | 0:02:25 | |
-Is this yours? -Oh, just put that in the truck. | 0:02:25 | 0:02:28 | |
Normally in limousines, you see presidents or dignitaries. | 0:02:31 | 0:02:36 | |
There's no blue-class limo. | 0:02:36 | 0:02:38 | |
I really think there should be. And that's what I'm going to make. | 0:02:38 | 0:02:42 | |
This is the 1969 Lincoln Mark III, a personal luxury car. | 0:02:47 | 0:02:52 | |
With a Rolls Royce grill on the front and full spare-tyre hump in the back. | 0:02:52 | 0:02:57 | |
The clock is a Cartier. That's how elegant this is. Cartier. | 0:02:57 | 0:03:02 | |
Picking a Lincoln to make a limousine is a pretty safe choice. | 0:03:02 | 0:03:05 | |
I mean, Lincoln's been making limousines forever. | 0:03:05 | 0:03:08 | |
The most popular one was the '61 Lincoln, | 0:03:08 | 0:03:10 | |
that Lee Harvey Oswald put an end to in '63. | 0:03:10 | 0:03:14 | |
'After choosing our cars, it was time | 0:03:15 | 0:03:18 | |
'to turn them into what we thought would be the best limo for the Emmys.' | 0:03:18 | 0:03:22 | |
We are going to make...that. | 0:03:23 | 0:03:28 | |
'All I wanted to do was enhance the beauty of my beloved VW. | 0:03:29 | 0:03:34 | |
'Tanner, of course, took his to a place that specialises in modifying exotic cars.' | 0:03:34 | 0:03:40 | |
Tanner, what brings you here? | 0:03:40 | 0:03:42 | |
-I brought a toy. -Porsche? Ferrari? What are you driving these days? -An '87 Corvette. | 0:03:42 | 0:03:47 | |
-HE LAUGHS -Let's drive it. | 0:03:51 | 0:03:54 | |
ENGINE REVS AND TYRES SCREECH | 0:03:54 | 0:03:58 | |
HE LAUGHS | 0:03:58 | 0:04:01 | |
It's weird! It's a little bit hard to steer like this. | 0:04:05 | 0:04:08 | |
HE LAUGHS | 0:04:11 | 0:04:15 | |
Ohh! | 0:04:15 | 0:04:18 | |
'Fuelled by a night of energy drinks and power tools, our limos were finally ready. | 0:04:19 | 0:04:23 | |
'So we headed to the Top Gear test track to put them through their paces.' | 0:04:23 | 0:04:27 | |
'My design was all about Southern hospitality. | 0:04:33 | 0:04:37 | |
'What celebrity wouldn't want to get to the red carpet in this?' | 0:04:37 | 0:04:40 | |
So how do you make a Volkswagen Rabbit pickup better? | 0:04:42 | 0:04:45 | |
You just double it and add another Volkswagen Rabbit pickup. | 0:04:45 | 0:04:49 | |
I've got my tailgate set up in there, I've got a grill, a cooler, a nice table. | 0:04:49 | 0:04:54 | |
This is what a limo should be about, making something extraordinary | 0:04:54 | 0:04:58 | |
out of something...very ordinary. | 0:04:58 | 0:05:01 | |
'Tanner's design was the exact opposite. | 0:05:02 | 0:05:06 | |
'His limo represented the thing every Corvette owner wants - more length.' | 0:05:07 | 0:05:12 | |
TYRES SCREECH | 0:05:19 | 0:05:22 | |
-Oh, yeah! -And people think I'm the redneck of this show. | 0:05:22 | 0:05:27 | |
Oh, this thing is awesome. | 0:05:27 | 0:05:29 | |
-You cut and stretched... a Corvette. -You're damn straight I did. | 0:05:29 | 0:05:33 | |
-35 feet of Corvette. -I like how you finished it inside. | 0:05:33 | 0:05:37 | |
'Like a true race-car driver, Tanner had spent zero time on his interior. | 0:05:37 | 0:05:42 | |
'He had a racing seat on rails for his celebrity, no air-conditioning, | 0:05:42 | 0:05:47 | |
'and in the rear, the drive train and the tail pipe were exposed. | 0:05:47 | 0:05:50 | |
'It wasn't so much a limo as a rolling sauna of exhaust fumes.' | 0:05:50 | 0:05:54 | |
The problem with limos is that they're boring. | 0:05:54 | 0:05:56 | |
They get you from A to B and then you just arrive. | 0:05:56 | 0:05:59 | |
But this, this is actually a driver's limo. | 0:05:59 | 0:06:03 | |
You can't get over a speed bump, I bet. | 0:06:03 | 0:06:05 | |
Speed bumps are the enemy, but you can avoid most speed bumps if you map them out on your route. | 0:06:05 | 0:06:09 | |
Shouldn't that be at a wedding in Panama City? | 0:06:09 | 0:06:12 | |
Is that a barbecue stuffed between two Rabbits? | 0:06:13 | 0:06:16 | |
This is the ultimate limo. | 0:06:16 | 0:06:18 | |
You've got Siamese Rabbits fused together in some sort of crazy experiment. | 0:06:18 | 0:06:23 | |
What happens if you need to turn around, real sharp turn? | 0:06:23 | 0:06:27 | |
-You plan ahead. -Hm. You know what I'd do? | 0:06:27 | 0:06:29 | |
I'd just switch ends. | 0:06:29 | 0:06:32 | |
I'll drive here, I'll drive there, I'll drive anywhere. | 0:06:32 | 0:06:35 | |
-Wow. -It's amazing! | 0:06:35 | 0:06:38 | |
-I don't know what to expect from Adam after seeing that. -Maybe it's a Model A. | 0:06:38 | 0:06:42 | |
-Oh, my lord, it's a Popemobile! -Ohh! | 0:06:53 | 0:06:58 | |
-SIREN WAILS -Even better than I could've thought. | 0:06:58 | 0:07:02 | |
-Ha-ha! -Wow, a Mark III Lincoln! | 0:07:03 | 0:07:08 | |
-That's it, baby! -Wow! -With a chair sitting on it. | 0:07:08 | 0:07:11 | |
Highly exclusive. I carry one passenger. | 0:07:11 | 0:07:14 | |
-This is a terrible idea. -Get in. | 0:07:14 | 0:07:17 | |
-I cannot... -Come on. | 0:07:17 | 0:07:20 | |
-Right this way, Mr Foust. -It's plywood. | 0:07:20 | 0:07:22 | |
-It's like a clear box of death. -It's a prototype. Eventually this will be bulletproof. | 0:07:22 | 0:07:27 | |
-OK, get in there. -That is nasty. -Sit down! | 0:07:27 | 0:07:31 | |
-Where did you get the chair? It smells bad. -Tanner! This seems like a terrible idea! | 0:07:31 | 0:07:36 | |
This is going to fall off of this car when you crash. | 0:07:36 | 0:07:39 | |
I'm not going to crash. Let me guess. | 0:07:39 | 0:07:42 | |
-That's you. -Oh, yeah. You know that thing is awesome. | 0:07:43 | 0:07:46 | |
-That's "louchey". -Look at that! -That's long and douchey. | 0:07:46 | 0:07:50 | |
-You see the skid marks? That thing does burn-outs like you read about. -It's terrible! | 0:07:50 | 0:07:54 | |
Not the first time he's asked someone if they've seen his skid marks. | 0:07:54 | 0:07:57 | |
It is just terrible. And you've just made it longer. | 0:07:57 | 0:08:00 | |
-It's quick. I had to modify the suspension. -It's awful! | 0:08:00 | 0:08:03 | |
See the way the suspension has no flex? See that? | 0:08:03 | 0:08:06 | |
-It's quick, it rides like a brick. -ADAM LAUGHS | 0:08:06 | 0:08:09 | |
It's not made for comfort, it's built for speed. | 0:08:09 | 0:08:12 | |
It's built for stupidity. Wait a minute. Let me guess. | 0:08:12 | 0:08:15 | |
You're going for the two-headed German hillbilly market. | 0:08:15 | 0:08:19 | |
-I'm going for the working man with this. -It's an automotive push-me-pull-you. | 0:08:19 | 0:08:23 | |
This thing's ugly coming and going. | 0:08:23 | 0:08:25 | |
OK, you have an unnatural attraction to Rabbits. | 0:08:25 | 0:08:29 | |
You're like Lennie from Mice And Men. | 0:08:29 | 0:08:31 | |
'We each thought our limos were the perfect way to make a grand entrance at the Emmys. | 0:08:33 | 0:08:37 | |
'But before we could deliver our celebrities to the red carpet, | 0:08:37 | 0:08:40 | |
'we needed to put them through some rigorous testing. | 0:08:40 | 0:08:43 | |
'The first challenge for our homemade limos was a quarter-mile race to the end of our test track and back.' | 0:08:43 | 0:08:49 | |
See, this is how you tell what a good limo is. | 0:08:49 | 0:08:52 | |
-You race it. It's about being on time. -No, it's not. | 0:08:52 | 0:08:55 | |
-Let's do this. Come on. -It's going to take you an hour and a half to walk to your driver's seat. | 0:08:55 | 0:09:00 | |
-I'm going to go to this side cos it's closer. -You can go to that side. | 0:09:00 | 0:09:03 | |
-Don't be jealous of my length. -I bet you've never said that before. | 0:09:03 | 0:09:07 | |
TYRES SCREECH | 0:09:07 | 0:09:11 | |
-"OK, you guys ready?" -I'm ready. Are you ready? -Let's do it! | 0:09:13 | 0:09:16 | |
-Why does he do this? -TYRES SCREECH | 0:09:20 | 0:09:22 | |
-Why does he do this? -Three, two, one, go! | 0:09:22 | 0:09:25 | |
TYRES SCREECH | 0:09:25 | 0:09:28 | |
Yeah! That's a limo burn-out right there! | 0:09:28 | 0:09:32 | |
Come on, baby. Come on, baby, that's it! | 0:09:33 | 0:09:35 | |
All right! | 0:09:35 | 0:09:37 | |
Aw, really? Come on, damn it! Damn it! | 0:09:38 | 0:09:43 | |
We're good. Now we've just got to make the turn. | 0:09:44 | 0:09:47 | |
Oh, here comes Adam. | 0:09:49 | 0:09:51 | |
OK. Keep it in neutral. Lock the wheel. | 0:09:54 | 0:09:59 | |
'I'd taken an early lead, but quickly realised one of the design flaws of a 35-foot car.' | 0:10:01 | 0:10:07 | |
A little bit of off-roading! 'The turning radius.' | 0:10:07 | 0:10:10 | |
No! The Popemobile's winning! | 0:10:12 | 0:10:16 | |
Come on, Corvette! You got it! | 0:10:16 | 0:10:18 | |
Ha-ha! That's right! | 0:10:22 | 0:10:25 | |
Ha-ha! Yes! | 0:10:28 | 0:10:32 | |
Ohh. | 0:10:32 | 0:10:34 | |
CHEERING AND APPLAUSE | 0:10:42 | 0:10:44 | |
Welcome back to Top Gear. We were trying to make the perfect limo to take celebrities to the Emmys. | 0:10:44 | 0:10:50 | |
And as you can see, Rut was aiming for celebrities like the Swamp People. | 0:10:50 | 0:10:55 | |
I love the Swamp People and you know that. | 0:10:55 | 0:10:58 | |
Of course you do, they're your neighbours, you live right up the street. | 0:10:58 | 0:11:01 | |
On the other hand, I took a beautiful sports car | 0:11:01 | 0:11:04 | |
and turned it into a 35-foot piece of art. | 0:11:04 | 0:11:07 | |
-Piece of what? -Art. -Oh. -LAUGHTER | 0:11:07 | 0:11:10 | |
What kind of sports car is it when my Lincoln just dusted it in the drag race? | 0:11:10 | 0:11:16 | |
Yeah, that's true, except that limos aren't all about speed, | 0:11:16 | 0:11:19 | |
they're all about comfort and how you ride. | 0:11:19 | 0:11:21 | |
So for our next challenge, we went around the Top Gear test track while trying to make martinis. | 0:11:21 | 0:11:26 | |
Yeah. The problem is, this time we weren't doing the driving. | 0:11:27 | 0:11:32 | |
Ah, this isn't good. | 0:11:34 | 0:11:36 | |
I should've thought to put a bar in here. | 0:11:36 | 0:11:39 | |
Go! | 0:11:41 | 0:11:42 | |
TYRES SCREECH / GLASS SMASHES | 0:11:42 | 0:11:45 | |
-Agh! -THEY LAUGH | 0:11:45 | 0:11:48 | |
Ohh. | 0:11:48 | 0:11:50 | |
I like my martinis very dry, so I'm just going to wave the vermouth. | 0:11:53 | 0:11:58 | |
-Oh, that has to be so scary. -You could not pay me enough. | 0:12:05 | 0:12:09 | |
One, two, three. | 0:12:10 | 0:12:12 | |
Oh, no. | 0:12:17 | 0:12:19 | |
Oh, that's cheap gin! | 0:12:24 | 0:12:26 | |
Here he comes. Oh, my gosh. | 0:12:26 | 0:12:28 | |
Did you see the look on his face? | 0:12:33 | 0:12:36 | |
He's got one made! What? | 0:12:37 | 0:12:40 | |
-Are you OK? -You all right? -Very good. | 0:12:41 | 0:12:45 | |
-Is that an actual martini? -I have four. -You do not! -Come on in, folks. | 0:12:45 | 0:12:50 | |
-I had to lock myself in. -It doesn't seem very safe. | 0:12:50 | 0:12:53 | |
OK. That's for you. | 0:12:53 | 0:12:56 | |
-There you go. -How is it? | 0:12:56 | 0:12:59 | |
-I had four. -One. | 0:13:00 | 0:13:02 | |
One? He's got one right there, I've got one, you've got one. That's three. | 0:13:02 | 0:13:06 | |
Stig, you don't get any. | 0:13:06 | 0:13:08 | |
'Somehow, Adam was able to mix three martinis. | 0:13:08 | 0:13:12 | |
'Tanner and his lipstick limo were up next.' | 0:13:12 | 0:13:15 | |
There you go. Keep going. | 0:13:15 | 0:13:17 | |
-Are you back there? -I'm back here! | 0:13:17 | 0:13:21 | |
Three, two, one, go! | 0:13:22 | 0:13:24 | |
TYRES SCREECH Oh, my God! | 0:13:24 | 0:13:28 | |
The Stig spun a tyre. | 0:13:28 | 0:13:30 | |
Come on! | 0:13:32 | 0:13:33 | |
I like it shaken. | 0:13:35 | 0:13:37 | |
Oh, God! | 0:13:38 | 0:13:41 | |
They might pull it off. | 0:13:44 | 0:13:46 | |
No! No! The G forces are too much! | 0:13:48 | 0:13:52 | |
Aghh! | 0:13:53 | 0:13:56 | |
Is he going to make the turn? | 0:13:59 | 0:14:01 | |
Wow! It's so stupid-looking! | 0:14:05 | 0:14:08 | |
Are you freaking kidding me? | 0:14:08 | 0:14:10 | |
-Wow, you're a mess. -Did you try to make it in the ice bucket? | 0:14:15 | 0:14:19 | |
I made them all in the ice bucket. I'm just going to pour it out into the glasses. | 0:14:19 | 0:14:24 | |
You didn't make them all in the ice bucket. | 0:14:24 | 0:14:27 | |
Agh! No! Come on! | 0:14:27 | 0:14:30 | |
Really? | 0:14:30 | 0:14:32 | |
-There was so much hard work and death-defying... -That one doesn't have anything in there. | 0:14:32 | 0:14:37 | |
You're still shaking. How bad was the ride? Honestly, how bad was that ride? | 0:14:37 | 0:14:41 | |
-Was it scary? -I don't want to talk about it. | 0:14:41 | 0:14:43 | |
-How's your stomach? -That was the scariest freaking thing I've ever done. | 0:14:43 | 0:14:46 | |
OK, you didn't get any. Your number to beat is three. | 0:14:46 | 0:14:49 | |
-I don't care. I'm just glad to be back. -OK. | 0:14:49 | 0:14:51 | |
-Nice to see him scared. -Whatever. | 0:14:51 | 0:14:54 | |
'Tanner made zero martinis. But I would have no problem in my limo. | 0:14:54 | 0:14:57 | |
'It was made for hospitality.' | 0:14:57 | 0:15:00 | |
-Rut, are you ready? -You bet I'm ready. -Stig, three, two, one, go! | 0:15:00 | 0:15:07 | |
-Look at this. -Oh, crap. There I go. All right. -That's so sad on the acceleration. | 0:15:08 | 0:15:13 | |
Oh, the wind is picking up, the wind is really picking up! | 0:15:16 | 0:15:19 | |
Look at that. It's so ugly. | 0:15:21 | 0:15:24 | |
It looks like a puppy getting pulled by its tail. | 0:15:24 | 0:15:26 | |
Ohh! | 0:15:27 | 0:15:31 | |
Oh, it's so cold! | 0:15:31 | 0:15:33 | |
I need more vermouth. Come on. | 0:15:33 | 0:15:36 | |
-There's one. Oh. Oh, God. -CLATTERING | 0:15:41 | 0:15:45 | |
This is so comfortable! This is an amazing ride! | 0:15:45 | 0:15:48 | |
-Oh! Oh! -The Stig's working him pretty good now. -Yeah. | 0:15:50 | 0:15:53 | |
-Holy... -TYRES SCREECH | 0:15:53 | 0:15:55 | |
THEY LAUGH | 0:15:55 | 0:15:58 | |
Oh, God, this is going to be bad. | 0:15:58 | 0:16:01 | |
Whoa! | 0:16:01 | 0:16:03 | |
Ohh! Ohh, thank God. | 0:16:03 | 0:16:07 | |
-You've got to be kidding me. -Oh, he's a mess! | 0:16:07 | 0:16:09 | |
ADAM LAUGHS | 0:16:09 | 0:16:12 | |
-Stop eating the olives. -ADAM LAUGHS | 0:16:12 | 0:16:16 | |
-Did you throw up? -I did not throw up. I don't feel very good. | 0:16:16 | 0:16:19 | |
So, you got none. Let's review real quickly. | 0:16:19 | 0:16:23 | |
I won the first one, I won the second one. What's next? | 0:16:23 | 0:16:27 | |
'Adam's human aquarium may have excelled in the first two training sessions, | 0:16:28 | 0:16:32 | |
'but the next challenge for our celebrity chariots | 0:16:32 | 0:16:35 | |
'was an obstacle course. The ultimate handling test. | 0:16:35 | 0:16:40 | |
'We had to slalom through parked cars, parallel park and pick up a passenger | 0:16:40 | 0:16:44 | |
'while being shot at by tennis balls, navigate through the paparazzi | 0:16:44 | 0:16:48 | |
'and make it past a water cannon. | 0:16:48 | 0:16:51 | |
'The fastest time would win.' | 0:16:51 | 0:16:54 | |
-All right, I've got a stopwatch. This is the start/finish line. You ready? -I'm ready. | 0:16:54 | 0:16:58 | |
Three, two, one, go! | 0:16:58 | 0:17:02 | |
-And he's off. -THEY LAUGH | 0:17:03 | 0:17:05 | |
-It's so terrible. -Come on, baby. | 0:17:05 | 0:17:09 | |
-Whoa! -It's surprisingly manoeuvrable. | 0:17:12 | 0:17:15 | |
Oh, lord, here we go. OK, I'm through there. | 0:17:15 | 0:17:19 | |
Now time for parallel parking. Oh, jeez, I'm getting hit! I'm getting hit! | 0:17:19 | 0:17:23 | |
-Ow! Oh! -THEY LAUGH | 0:17:25 | 0:17:30 | |
Come on. Come on, power steering. OK. | 0:17:30 | 0:17:33 | |
-OK. -He just hit the Cad! -All right, tennis balls. | 0:17:33 | 0:17:36 | |
-HE LAUGHS -Holy... Oh! Holy... | 0:17:41 | 0:17:45 | |
THEY LAUGH | 0:17:45 | 0:17:47 | |
Oh! Ow! | 0:17:49 | 0:17:51 | |
Agh! Agh! Get in there! | 0:17:51 | 0:17:55 | |
-THEY LAUGH -Holy... | 0:17:55 | 0:17:59 | |
Oh, my gosh, this is so satisfying. I don't know why. ADAM LAUGHS | 0:17:59 | 0:18:04 | |
Ohh! Uh-oh. Paparazzi. | 0:18:04 | 0:18:08 | |
Ohh! Oh. That hurts. | 0:18:09 | 0:18:13 | |
-Ohh! Oh, no! -Crank that water cannon. -Agh, water cannon! | 0:18:13 | 0:18:18 | |
There is goes. Ohh! | 0:18:18 | 0:18:20 | |
And across the line. | 0:18:21 | 0:18:24 | |
-Holy -BLEEP! -Holy -BLEEP! | 0:18:24 | 0:18:27 | |
-How did he do? -It's a 1:52. Is that good? Who knows if that's good. | 0:18:27 | 0:18:32 | |
Did you see that tennis ball? | 0:18:32 | 0:18:35 | |
-Kind of, but... -It was like a heat-seeker! | 0:18:35 | 0:18:38 | |
I barely missed it! | 0:18:38 | 0:18:41 | |
-Oh, my God! -You're very nimble. | 0:18:41 | 0:18:43 | |
I don't know if 1:52 is a good time, but... | 0:18:43 | 0:18:45 | |
What did you set the tennis ball shooter at? | 0:18:45 | 0:18:48 | |
-85. -Holy -BLEEP! | 0:18:48 | 0:18:52 | |
-This can't be good. -Wow, your heart is racing, isn't it? | 0:18:52 | 0:18:54 | |
-Five it! Five that! -Good job. | 0:18:54 | 0:18:57 | |
-CHEERING AND APPLAUSE -When I heard that we would be building custom limousines, | 0:18:57 | 0:19:01 | |
I assumed it would be all champagne and caviar. | 0:19:01 | 0:19:04 | |
Instead, it's water cannons and tennis balls being launched at my head. | 0:19:04 | 0:19:09 | |
Really? What about this show has ever been champagne and caviar? | 0:19:09 | 0:19:12 | |
-Hm. Nothing. -Yeah. LAUGHTER | 0:19:12 | 0:19:15 | |
It kind of serves you right for building a car that goes 12 miles an hour. | 0:19:15 | 0:19:18 | |
I mean, let me get this straight. You've got two engines. Can you even use them both at the same time? | 0:19:18 | 0:19:23 | |
-Well, not with one driver, no. -OK. | 0:19:23 | 0:19:26 | |
So you've doubled the weight, and by only using one engine, you've cut the horsepower in half. | 0:19:26 | 0:19:31 | |
-It sounds different on paper, I think. -Yeah. LAUGHTER | 0:19:31 | 0:19:36 | |
I don't think you'll do much better because you're up next and with this mid-life-crisis-mobile, | 0:19:36 | 0:19:41 | |
35-foot car, slalom, braking? Good luck. | 0:19:41 | 0:19:46 | |
I'll count you down. Are you ready? | 0:19:46 | 0:19:48 | |
-ENGINE REVS -Three, two, one, go! | 0:19:48 | 0:19:52 | |
TYRES SCREECH | 0:19:53 | 0:19:55 | |
-RUTLEDGE LAUGHS -Are you kidding? | 0:19:55 | 0:19:57 | |
Oh, my gosh. | 0:19:59 | 0:20:01 | |
-How is he making that? -I got this. | 0:20:01 | 0:20:05 | |
-Ohh! -Window up. | 0:20:08 | 0:20:10 | |
-That's not a parallel park! -No! | 0:20:10 | 0:20:12 | |
Ow! | 0:20:14 | 0:20:15 | |
This doesn't count. | 0:20:16 | 0:20:18 | |
-Come on! -He is getting nailed! | 0:20:18 | 0:20:21 | |
-He's getting the tennis balls! -Oh, here he comes. | 0:20:21 | 0:20:24 | |
Watch it! ADAM LAUGHS | 0:20:24 | 0:20:28 | |
Oh, this is fast! | 0:20:28 | 0:20:30 | |
-Oh, he's using him like a shield! -Human shield! | 0:20:30 | 0:20:34 | |
-Ow! -He lost the hand! | 0:20:35 | 0:20:38 | |
-Agh! -The hand's fallen off! | 0:20:38 | 0:20:41 | |
-THEY LAUGH -He's throwing him in the trunk! | 0:20:41 | 0:20:45 | |
-THEY LAUGH -He just left his arms! | 0:20:45 | 0:20:47 | |
-Take that! -Oh, he's throwing the tennis balls back! -Fight! Fight! | 0:20:49 | 0:20:54 | |
TYRES SCREECH Come on, come on, come on! | 0:20:54 | 0:20:57 | |
-Come on, big guy. -Oh, he's not going to make that. -Here's the water cannon. | 0:20:57 | 0:21:01 | |
-Coming through! -Ohh! | 0:21:01 | 0:21:05 | |
-Look out! A little wet. -Ohh! Ohh! | 0:21:06 | 0:21:10 | |
-THEY LAUGH -What the -BLEEP? | 0:21:14 | 0:21:17 | |
-THEY LAUGH -There's a cone underneath | 0:21:17 | 0:21:20 | |
and there are legs hanging out. | 0:21:20 | 0:21:23 | |
TYRES SCREECH | 0:21:24 | 0:21:27 | |
What's the time? | 0:21:30 | 0:21:32 | |
-What happened to your guy? -He's fine. -He's fine? | 0:21:34 | 0:21:39 | |
-Where's his arms? -He has no arms. -I think he was like that. | 0:21:39 | 0:21:42 | |
-No, he wasn't. -Oh, shit. THEY LAUGH | 0:21:42 | 0:21:46 | |
-Oh, wow. -Is he alive? | 0:21:46 | 0:21:48 | |
I hope he didn't get chopped up by the drive shaft. | 0:21:48 | 0:21:51 | |
-Oh, no! -Look at his head! Look at his head! | 0:21:51 | 0:21:54 | |
-There's a stain here. -He pissed himself. | 0:21:54 | 0:21:57 | |
THEY LAUGH | 0:21:57 | 0:21:59 | |
-What time did he do? -You got, on the clock, a 1:35. | 0:21:59 | 0:22:04 | |
-Oh, my gosh! -Oh, but there's more. -I figure there's at least ten seconds penalty... -For this. -..for the arms. | 0:22:04 | 0:22:11 | |
-He didn't keep him safe. -I can live with that. | 0:22:11 | 0:22:13 | |
-Ten seconds for the parallel parking. -I... -You came in the back way. | 0:22:13 | 0:22:18 | |
And ten seconds for the paparazzi you hit. | 0:22:18 | 0:22:20 | |
You killed a guy, you only got ten seconds. | 0:22:20 | 0:22:23 | |
That's 30 seconds tacked on. That means you were 2:05. | 0:22:23 | 0:22:25 | |
-2:05. -No way! | 0:22:25 | 0:22:28 | |
Democratic. Who thinks it should be 2:05? | 0:22:28 | 0:22:30 | |
The ayes have it. I'll go next. | 0:22:30 | 0:22:32 | |
-Good luck. -Love democracy. | 0:22:32 | 0:22:35 | |
-OK, time to beat, 1:52. -1:52. -Are you ready? -Let's do this. | 0:22:36 | 0:22:41 | |
-Stand back. -ENGINE REVS Whoa! Hear the Lincoln! | 0:22:41 | 0:22:46 | |
On your marks, get set, go! | 0:22:46 | 0:22:49 | |
TYRES SCREECH | 0:22:49 | 0:22:52 | |
-Whoa! That thing is fast! -Squealing tyres! | 0:22:52 | 0:22:54 | |
-Throttle hung! -Holy... | 0:23:07 | 0:23:09 | |
-Are you OK? -You all right? | 0:23:11 | 0:23:13 | |
Remember when I told you the accelerator sticks? | 0:23:13 | 0:23:17 | |
THEY LAUGH | 0:23:17 | 0:23:19 | |
-Did you hear the Mercedes just hit the wall? -Yeah. | 0:23:19 | 0:23:23 | |
-It was a fairly substantial hit. -I had to make a choice. | 0:23:23 | 0:23:25 | |
Either take that Mercedes out or I'm going to end up killing one of those guys. | 0:23:25 | 0:23:29 | |
-You didn't make any choices there. -I'm telling you! | 0:23:29 | 0:23:31 | |
-I went like this! I'm like, -"BLEEP, -I'm dead." | 0:23:31 | 0:23:33 | |
You pushed my Mercedes all the way to the building. | 0:23:33 | 0:23:36 | |
And let that be a lesson to you. | 0:23:36 | 0:23:38 | |
I don't want to be the bearer of bad news. You did not pick up a passenger. | 0:23:38 | 0:23:41 | |
-You did not get hit by a tennis ball. -True. | 0:23:41 | 0:23:44 | |
And your car looks like it's totally fine. | 0:23:44 | 0:23:47 | |
-Yep. Other than that... -So, if we stop the clock right now, that's 2:04. How does that feel? | 0:23:47 | 0:23:52 | |
It feels terrible. Stop the clock when I hit the Mercedes. | 0:23:52 | 0:23:55 | |
-So I think I win. -I didn't say that. | 0:23:55 | 0:23:57 | |
-I didn't say that. -I'm fairly certain I win. | 0:23:57 | 0:24:00 | |
-No one got killed. The mannequin's safer than in your car. -That could be true. | 0:24:01 | 0:24:04 | |
I still won, but that's a good point. | 0:24:04 | 0:24:07 | |
-What's next? -THEY LAUGH | 0:24:07 | 0:24:10 | |
'Our day-long training course was over, | 0:24:11 | 0:24:15 | |
'and though there had been a few minor issues with comfort...' | 0:24:15 | 0:24:18 | |
Oh, it's so cold! It's so cold! | 0:24:18 | 0:24:20 | |
'..performance...' A little bit of off-roading! | 0:24:20 | 0:24:23 | |
'..and manoeuvrability, | 0:24:23 | 0:24:26 | |
'it was time to put them into service, | 0:24:26 | 0:24:28 | |
'driving three of television's elite to the red carpet | 0:24:28 | 0:24:32 | |
'at one of the most glamorous awards shows in the world.' | 0:24:32 | 0:24:35 | |
'The Primetime Emmys. Where image is everything | 0:24:37 | 0:24:41 | |
'and a grand entrance is crucial.' | 0:24:41 | 0:24:43 | |
-SCRAPING -Ow. | 0:24:45 | 0:24:48 | |
This is perfect for Hollywood. | 0:24:48 | 0:24:51 | |
You will never see another car like this. | 0:24:51 | 0:24:54 | |
The best celebrity I could get would be like an action star. | 0:24:57 | 0:25:01 | |
That'd be ideal. Somebody mellow but also...actiony. | 0:25:01 | 0:25:06 | |
I think when my celebrity sees this car, they're going to get it. | 0:25:12 | 0:25:17 | |
They're going to say, "This is it. This is broad appeal to all classes." | 0:25:17 | 0:25:22 | |
'We didn't know who our celebrities were. | 0:25:23 | 0:25:25 | |
'All we knew was where to pick them up and that we had to get them to the red carpet by 3:30 sharp. | 0:25:25 | 0:25:30 | |
'Adam was the first to arrive.' | 0:25:30 | 0:25:33 | |
It's Carl Reiner. No. Cloris Leachman. | 0:25:33 | 0:25:37 | |
'I couldn't believe it. I was going to be driving the legendary comedic actress | 0:25:37 | 0:25:41 | |
'and nine-time Emmy-winner Cloris Leachman.' | 0:25:41 | 0:25:45 | |
-SHE LAUGHS -'She was very excited.' | 0:25:45 | 0:25:49 | |
-SHE LAUGHS -That's the funniest thing I ever saw! | 0:25:49 | 0:25:52 | |
All for you. I'm going to set this up. | 0:25:52 | 0:25:55 | |
-Set it down. -Set that down, yes. Now I'm going to go open the door. | 0:25:56 | 0:26:00 | |
Now, this whole car is designed so you can make an entrance. | 0:26:00 | 0:26:03 | |
-Here I come. OK. -SHE LAUGHS | 0:26:03 | 0:26:07 | |
Knees... This is it. | 0:26:07 | 0:26:09 | |
-This is it? -That's as far as I go. | 0:26:09 | 0:26:12 | |
Oh, I'm nervous. Nervous. | 0:26:12 | 0:26:14 | |
'My passenger was next to emerge. | 0:26:14 | 0:26:16 | |
'Glamorous celebrity correspondent Terri Seymour from Extra. | 0:26:16 | 0:26:20 | |
'She was sure to love my Rabbits.' | 0:26:20 | 0:26:23 | |
-You're taking me to the Emmys in this? -Yes. | 0:26:23 | 0:26:25 | |
I have this beautiful seat, there's a nice racing harness and stuff for you, | 0:26:25 | 0:26:30 | |
but I don't... I don't know how that's going to work with your dress. | 0:26:30 | 0:26:34 | |
-You want me to sit in here? -Erm... | 0:26:34 | 0:26:36 | |
'Tanner had run into a small problem of his own at his pick-up location.' | 0:26:38 | 0:26:42 | |
GRINDING I'm stuck. | 0:26:42 | 0:26:46 | |
-Oh! -There we go. OK. | 0:26:46 | 0:26:48 | |
-SHE LAUGHS -I'm just going to put you down here for a minute. | 0:26:48 | 0:26:51 | |
-OK. Now I'll come round and get you on the other side. -Come around? | 0:26:52 | 0:26:56 | |
-OK. -Come on. -SHE LAUGHS | 0:26:56 | 0:27:00 | |
-OK. -There's glue or something on the back or spit. | 0:27:00 | 0:27:04 | |
-Yeah. -Looks like spit to me. -Yeah, we're going to have that fixed. | 0:27:04 | 0:27:07 | |
-It's a little insulation. Pay no attention to that. -Is that your gum? | 0:27:07 | 0:27:11 | |
-You could sit right here. -I'm not going to have to drive, am I? | 0:27:11 | 0:27:13 | |
-Probably not. -Just checking. -Probably not. | 0:27:13 | 0:27:16 | |
-There is a chance. -Oops. I'm caught in my dress. -Oh, goodness. | 0:27:16 | 0:27:20 | |
-Are you ready, Cloris? -I'm ready! | 0:27:20 | 0:27:22 | |
'With 30 minutes to go until the Emmys, | 0:27:22 | 0:27:24 | |
'Adam and I had picked up our VIPs.' There you go. | 0:27:24 | 0:27:28 | |
'While Tanner's length was still causing him problems.' | 0:27:28 | 0:27:32 | |
Oh, my God, I'm dying. This is so embarrassing. | 0:27:40 | 0:27:43 | |
Hey, now it's time for Big Star, Small Car, | 0:27:46 | 0:27:48 | |
and our star today is the star of True Blood, Mr Stephen Moyer! | 0:27:48 | 0:27:51 | |
-Thank you. -APPLAUSE | 0:27:51 | 0:27:54 | |
Are you ready to get out there and run some laps? | 0:27:56 | 0:27:59 | |
I am so excited. I hope they're going to get new tyres. | 0:27:59 | 0:28:02 | |
Don't you worry about that. We'll take care of it. | 0:28:02 | 0:28:04 | |
We'll see you in the hangar. Good luck. Stephen Moyer! | 0:28:04 | 0:28:06 | |
CHEERING AND APPLAUSE | 0:28:06 | 0:28:08 | |
-Come on, son. -TYRES SCREECH | 0:28:08 | 0:28:11 | |
'The time to beat is 1 minute 41 seconds, set by Patrick Warburton. | 0:28:11 | 0:28:15 | |
'Let's see if Stephen can top that. | 0:28:15 | 0:28:18 | |
'Now, this is a lot of speed for the first turn.' | 0:28:18 | 0:28:22 | |
-Too wide. -HE LAUGHS | 0:28:23 | 0:28:25 | |
'We call that using all the race track. And watch this! | 0:28:25 | 0:28:28 | |
-'So much speed coming through there, really getting everything he can.' -Not wide enough. | 0:28:28 | 0:28:33 | |
'Now, this is where it gets hard, coming down here into the teardrop.' | 0:28:33 | 0:28:37 | |
I hate this corner! Ease off. Slow and steady wins the race. | 0:28:37 | 0:28:43 | |
-'Except Stephen is neither of those.' -That's better. | 0:28:43 | 0:28:47 | |
'He is just blazing around the track. | 0:28:47 | 0:28:49 | |
'At the halfway point he's two seconds faster than Patrick Warburton. | 0:28:49 | 0:28:53 | |
'If he can keep this pace up, we could have a new leader.' | 0:28:54 | 0:28:58 | |
Come on, boy. Remember to brake. Remember to brake. | 0:28:58 | 0:29:02 | |
-TYRES SCREECH -'Look at that speed through there, all the tyres are singing now.' | 0:29:02 | 0:29:08 | |
No, you idiot! That's utter rubbish! | 0:29:10 | 0:29:12 | |
'He's going to turn right, come back in towards the esses.' | 0:29:12 | 0:29:16 | |
-Ahhhh! Come on, you -BLEEP! | 0:29:17 | 0:29:19 | |
'Oh, I think he's going to do it. He's going wide on the last turn, | 0:29:19 | 0:29:23 | |
'and look at that, he is across the line!' | 0:29:23 | 0:29:25 | |
CHEERING AND APPLAUSE | 0:29:25 | 0:29:28 | |
-Come on up, Stephen. -CHEERING AND APPLAUSE | 0:29:30 | 0:29:33 | |
-Stephen Moyer! How was it, buddy? -Great. | 0:29:34 | 0:29:38 | |
-Have a seat. -Thank you. | 0:29:38 | 0:29:41 | |
Now, I've got to be honest, | 0:29:43 | 0:29:45 | |
I did not know that vampires could drive cars, but you were hauling ass out there. | 0:29:45 | 0:29:51 | |
LAUGHTER | 0:29:51 | 0:29:54 | |
I even smashed up a car in True Blood. I've, sort of, become quite good at it. | 0:29:54 | 0:29:59 | |
Now, that's weird, because you haven't wrecked every car you've owned, | 0:29:59 | 0:30:04 | |
just almost every car you've owned, some of them twice. How does that happen? | 0:30:04 | 0:30:09 | |
I don't know. I like driving things as fast as they will go. | 0:30:09 | 0:30:12 | |
-Now, that's not the only car you've ever flipped, though. -No. | 0:30:12 | 0:30:16 | |
LAUGHTER | 0:30:16 | 0:30:18 | |
-Which one? Which one do you want to know about? -Yeah, that's funny, which one? | 0:30:18 | 0:30:21 | |
-Was it a Bug? A VW Beetle? -The Beetle, yeah. Blue. -How did that end up? | 0:30:21 | 0:30:26 | |
-HE LAUGHS -Erm... | 0:30:26 | 0:30:28 | |
-LAUGHTER -There's two ways of getting back to my mum's house, back in those days. | 0:30:28 | 0:30:33 | |
One was... Well, three ways, actually. | 0:30:33 | 0:30:36 | |
There's the back of the police car, which I forgot to add. | 0:30:36 | 0:30:40 | |
LAUGHTER | 0:30:40 | 0:30:42 | |
No, there's, like, the main roads back, | 0:30:42 | 0:30:44 | |
and then there's, like, country roads back, | 0:30:44 | 0:30:47 | |
and I always used to take the country roads, and, erm, | 0:30:47 | 0:30:50 | |
and I rolled the car, and took it over and put it in a ditch, and... | 0:30:50 | 0:30:55 | |
-..didn't know I was upside down until I undid the seat belt. -LAUGHTER | 0:30:56 | 0:31:01 | |
And then did what everybody does in that situation, run. | 0:31:01 | 0:31:06 | |
-LAUGHTER -And then I got about 100 yards away | 0:31:06 | 0:31:10 | |
and I could hear The Jam playing, which is a band from England, | 0:31:10 | 0:31:13 | |
-I could hear The Jam rocking out in the middle of the countryside. -LAUGHTER | 0:31:13 | 0:31:17 | |
And I realised that my stereo was still on. | 0:31:17 | 0:31:20 | |
-LAUGHTER -So, I ran back to try and find the car, | 0:31:20 | 0:31:24 | |
and I couldn't find it | 0:31:24 | 0:31:26 | |
because I'd landed in a ditch, which is curved like that, | 0:31:26 | 0:31:30 | |
which is exactly how a Beetle is curved. | 0:31:30 | 0:31:33 | |
So upside down, it was just part of the landscape. | 0:31:33 | 0:31:38 | |
And I, sort of, searched around until I could see, like, these little wheels... | 0:31:38 | 0:31:43 | |
-LAUGHTER -..and turned it off and then ran. | 0:31:43 | 0:31:48 | |
You have not had many speeding tickets, though, have you? | 0:31:48 | 0:31:52 | |
-Ah. -LAUGHTER | 0:31:52 | 0:31:54 | |
And here's what I am wondering. | 0:31:54 | 0:31:57 | |
You, on True Blood, have a very thick Southern accent, | 0:31:57 | 0:32:01 | |
more thick than mine and I grew up in Alabama. | 0:32:01 | 0:32:04 | |
So much so that I didn't know you were from the UK, watching the show, | 0:32:04 | 0:32:08 | |
and I wondered, do you try to turn on a little Southern charm | 0:32:08 | 0:32:11 | |
in an instance like that? What do you do? | 0:32:11 | 0:32:14 | |
There was this one particular occasion where I was in Wyoming, | 0:32:14 | 0:32:17 | |
and it was a beautiful full moon, like I'd never seen before, | 0:32:17 | 0:32:21 | |
so I decided to film it while I was driving along, | 0:32:21 | 0:32:23 | |
-and, er... -LAUGHTER | 0:32:23 | 0:32:26 | |
So I'm, like, out the window, like this, | 0:32:26 | 0:32:30 | |
-filming this thing. -HE MIMICS POLICE SIREN | 0:32:30 | 0:32:34 | |
And so I pull over and a guy goes, "What are you doing, son?" | 0:32:34 | 0:32:39 | |
-"I'm filming the moon." -LAUGHTER | 0:32:40 | 0:32:44 | |
-"Beautiful." But that's when you become really English. -Right. | 0:32:45 | 0:32:49 | |
"I'm so sorry, officer, I didn't know we couldn't do that." | 0:32:49 | 0:32:53 | |
-LAUGHTER -"Absolutely... | 0:32:53 | 0:32:55 | |
-"..beautiful." -APPLAUSE | 0:32:56 | 0:32:59 | |
So you lay on the English pretty thick. | 0:33:01 | 0:33:06 | |
And I was thinking, "I'm going to end up walking a line, getting to the thing," | 0:33:06 | 0:33:10 | |
and he said, "Yeah, it's pretty beautiful. | 0:33:10 | 0:33:13 | |
"If you drive down a couple of hundred yards and then turn right, | 0:33:13 | 0:33:16 | |
"there'll be like a little place you can pull over there, | 0:33:16 | 0:33:19 | |
"there's no street lamps and you'll get a much better view." | 0:33:19 | 0:33:22 | |
-LAUGHTER -"Oh, OK. Thank you very much." | 0:33:22 | 0:33:26 | |
-No way! -Yeah. -That stuff doesn't happen to us! | 0:33:26 | 0:33:30 | |
-That's total opposite. Good for you. -It was cool. | 0:33:30 | 0:33:34 | |
How do you think you did on your lap in the Suzuki? | 0:33:34 | 0:33:36 | |
I don't know. I don't know. I enjoyed it. It was great. | 0:33:36 | 0:33:39 | |
I'd like to... I begged them to let me have another lap but they wouldn't let me. | 0:33:39 | 0:33:44 | |
Isn't that funny? Well, let's take a look. What in your mind would be a good time? | 0:33:44 | 0:33:48 | |
Because there's obviously... It's a pretty big margin. | 0:33:48 | 0:33:50 | |
Kid Rock's lap is probably THE lap there, isn't it? | 0:33:50 | 0:33:54 | |
-In the wet. -To do that in the wet. -Yeah, that's impressive. | 0:33:54 | 0:33:56 | |
So I'd love to be above that, but, I mean, I don't know. | 0:33:56 | 0:33:59 | |
Wow! First time out and you're just going to throw it out like that. | 0:33:59 | 0:34:02 | |
-Do you guys want to know the time? -AUDIENCE CHEER | 0:34:02 | 0:34:06 | |
-All right, are you ready? -Yep. | 0:34:09 | 0:34:11 | |
You did it in 1 minute... | 0:34:11 | 0:34:15 | |
-..39.3! -CHEERING | 0:34:16 | 0:34:20 | |
Top of the board! | 0:34:20 | 0:34:22 | |
-We have a new leader! -CHEERING AND APPLAUSE | 0:34:22 | 0:34:26 | |
Two seconds. More than two seconds. | 0:34:26 | 0:34:28 | |
Ladies and gentlemen, Stephen Moyer! | 0:34:28 | 0:34:31 | |
-Thank you. Thank you. -CHEERING AND APPLAUSE | 0:34:31 | 0:34:34 | |
'To try to restore some lost lustre to the ultimate luxury vehicle, | 0:34:37 | 0:34:40 | |
'we'd each designed one-of-a-kind limos. | 0:34:40 | 0:34:43 | |
'Rut's two-way Rabbit had won the manoeuvrability challenge | 0:34:43 | 0:34:46 | |
'and Adam's Lincoln Popemobile had taken a speed and comfort test. | 0:34:46 | 0:34:50 | |
'And he'd already picked up his celebrity for a final challenge of delivering A-listers to the Emmys. | 0:34:50 | 0:34:57 | |
'With only 25 minutes to show time, I was way behind | 0:34:57 | 0:35:00 | |
'and I'd only just arrived at my pick-up location.' | 0:35:00 | 0:35:02 | |
-We're just right over here. -Bloody hell, Tanner, you're a bit scruffy, aren't you? | 0:35:02 | 0:35:07 | |
-I'm... -You could have made an effort. It's the Emmys. | 0:35:07 | 0:35:11 | |
'My passenger was one of the judges from the Emmy-nominated Dancing With The Stars, | 0:35:11 | 0:35:15 | |
-'Bruno Tonioli.' -BLEEP -me! -'He loved his ride.' | 0:35:15 | 0:35:20 | |
-How am I supposed to go in there? -OK, so, it's a little bit awkward at first, | 0:35:20 | 0:35:24 | |
but basically, there's a seat right here and it's on sliders. | 0:35:24 | 0:35:28 | |
Very effortlessly it will slide you right back. | 0:35:28 | 0:35:32 | |
'All I needed to do was load him in and we'd be on our way.' | 0:35:32 | 0:35:35 | |
-Oh! -Watch your head. -I'm very hot. -Yeah. | 0:35:35 | 0:35:39 | |
-I've got to get the air conditioning going. -You make me go very hot, Tanner. | 0:35:39 | 0:35:42 | |
-Oh! -That's it. | 0:35:42 | 0:35:45 | |
OK, we'll try to get you there on time. Just enjoy the performance. | 0:35:47 | 0:35:51 | |
Agh! | 0:35:54 | 0:35:56 | |
'I was behind, but unlike the other two, my limo was built for speed.' | 0:35:58 | 0:36:02 | |
Safety! Safety! | 0:36:02 | 0:36:04 | |
'I designed my limo for comfort and Ms Leachman was loving it!' | 0:36:06 | 0:36:13 | |
-SHE LAUGHS -You doing all right? -Oh, yeah. | 0:36:13 | 0:36:17 | |
I have screen legend Cloris Leachman in this car. | 0:36:17 | 0:36:21 | |
-That's right. -SHE LAUGHS | 0:36:21 | 0:36:25 | |
Have you ever been in a Rabbit pickup before? You seem like a classy gal. | 0:36:26 | 0:36:30 | |
Yeah, I'm a classy girl, I've never been in one before. | 0:36:30 | 0:36:34 | |
-Hm. -And I'm never going in one again. | 0:36:34 | 0:36:37 | |
-Oh! -Ooh! | 0:36:37 | 0:36:39 | |
Agh! | 0:36:39 | 0:36:42 | |
'I was closing in fast. | 0:36:42 | 0:36:44 | |
-'Bruno may not have been the happiest passenger...' -Get me out of this. | 0:36:44 | 0:36:48 | |
'..but the Corvette was going to get him there on time.' | 0:36:48 | 0:36:50 | |
This is a mess. You haven't thought about the comfort of it. | 0:36:50 | 0:36:54 | |
Tanner! Why don't you get a Rolls Royce? | 0:36:54 | 0:36:58 | |
Anybody can have a Rolls Royce, this is a Corvette. | 0:36:58 | 0:37:02 | |
-It was either this or a Hummer. -A what? A hammer? | 0:37:02 | 0:37:07 | |
Well, I don't mind a hammer, actually. A hammer or two. | 0:37:07 | 0:37:12 | |
-Tanner! -Yes? | 0:37:12 | 0:37:14 | |
I think, when you did this car, | 0:37:14 | 0:37:17 | |
you were thinking about penis enlargement. | 0:37:17 | 0:37:21 | |
Because this really is the automotive equivalent | 0:37:22 | 0:37:27 | |
of a penis extension. | 0:37:27 | 0:37:30 | |
It may be bigger, | 0:37:30 | 0:37:32 | |
it may be throbbing, but it doesn't work! | 0:37:32 | 0:37:35 | |
'While Tanner and Bruno were getting to know each other...' | 0:37:36 | 0:37:39 | |
-I think you have to give me a massage after this. -Er... | 0:37:39 | 0:37:44 | |
'..Terri was getting the full experience of my VW.' | 0:37:44 | 0:37:47 | |
We're going the wrong way! You're on a one-way street! | 0:37:47 | 0:37:50 | |
'I may have made a wrong turn but I was hoping to impress Terri with my ingenious design.' | 0:37:50 | 0:37:57 | |
-We're on a one-way street. -Don't worry about that. | 0:37:57 | 0:38:00 | |
Don't worry about that. Here, come on with me. | 0:38:00 | 0:38:02 | |
-You're going the wrong way! -OK, you just hang tight. -I can't believe we're on a one-way street. | 0:38:02 | 0:38:06 | |
-I'm sorry about that. Just... Damn that door! OK, hang tight. -HORN BLARES | 0:38:06 | 0:38:11 | |
-OK, here we go. -Now we're going the right way. | 0:38:13 | 0:38:17 | |
'But the one-way roads hadn't been so easy to conquer in Adam's Lincoln. | 0:38:18 | 0:38:23 | |
-'He was miles off course.' -This doesn't look right. | 0:38:23 | 0:38:27 | |
-This doesn't look right. -Where the -BLEEP -are you taking me? | 0:38:27 | 0:38:30 | |
-Do you know where you're going? -'I had no idea.' | 0:38:31 | 0:38:35 | |
I just want to get there, Tanner. | 0:38:36 | 0:38:39 | |
And I hope I will never see you again! | 0:38:39 | 0:38:42 | |
'My ability to drive any direction on any street put us three blocks away from the Emmys. | 0:38:43 | 0:38:48 | |
'But the strain from the extra weight was beginning to take its toll on my Rabbit's tiny engine.' | 0:38:48 | 0:38:54 | |
-Can you smell that burning? -Something's burning? | 0:38:54 | 0:38:58 | |
Yeah, something's going on here. | 0:38:58 | 0:39:00 | |
OK, I just need to stop for just a minute and figure this out. | 0:39:00 | 0:39:05 | |
-Oh, no. -OK? -In the middle of the street? | 0:39:05 | 0:39:09 | |
'We managed to get out of Skid Row, | 0:39:10 | 0:39:13 | |
'but Cloris had lost confidence in my ability to get her to the Emmys on time.' | 0:39:13 | 0:39:17 | |
-Chop a left, right here! -All right, I'll turn around. | 0:39:17 | 0:39:20 | |
Let me see you turn! Start turning! | 0:39:20 | 0:39:23 | |
No, go right. Hurry up. Right! Right! | 0:39:23 | 0:39:27 | |
'Tanner was only a half a mile out and closing in.' | 0:39:27 | 0:39:30 | |
Just get me out of here. Right now! | 0:39:30 | 0:39:34 | |
'Rutledge was even closer, but his over-heated Rabbits would not be an easy fix.' | 0:39:34 | 0:39:39 | |
But how long will it take to fix it? | 0:39:39 | 0:39:42 | |
Probably, if I'm doing it, probably five or six hours. | 0:39:42 | 0:39:45 | |
-Guess I'll just hope I find a taxi. -Probably right... | 0:39:45 | 0:39:48 | |
I can't... I have to stay with the car. Probably over there. | 0:39:48 | 0:39:52 | |
Damn it, I blew it! | 0:39:52 | 0:39:55 | |
'Now it was Corvette versus Lincoln.' | 0:39:57 | 0:39:59 | |
-I think it's right over there. -No, it's not there. | 0:39:59 | 0:40:03 | |
We're just going in circles. | 0:40:03 | 0:40:05 | |
'We only had four minutes to get to the Emmys, | 0:40:05 | 0:40:07 | |
'so I took a risk and made a shortcut.' SCRAPING | 0:40:07 | 0:40:10 | |
Oh! Oh! | 0:40:10 | 0:40:12 | |
-Did you hear that? -No. | 0:40:13 | 0:40:15 | |
That was like the Titanic hitting an iceberg, | 0:40:15 | 0:40:18 | |
and we are going to sink, darling, we are going to sink. | 0:40:18 | 0:40:22 | |
-Turn left, you know what to do! -I'll turn around right here. | 0:40:22 | 0:40:25 | |
Fine! Fine! I'm going to turn around right here. This is what you want. | 0:40:25 | 0:40:29 | |
-CRASHING -Holy God! Holy God! | 0:40:29 | 0:40:33 | |
-You dumb -BLEEP! -Let me out of here! | 0:40:33 | 0:40:36 | |
-Oh, God. -Hold on. | 0:40:36 | 0:40:39 | |
Ah, that's not good. | 0:40:40 | 0:40:42 | |
-We ran into a little problem. -Get away from me! | 0:40:42 | 0:40:44 | |
-Hold on. -You don't even know how to... -Let me get the stairs for you. | 0:40:44 | 0:40:48 | |
-Wait a minute! -You get away from me. I don't want you anywhere near me! | 0:40:48 | 0:40:52 | |
Get away from me! Hurry up, get away from me! | 0:40:52 | 0:40:56 | |
-OK. -You can open the door and that's all. | 0:40:56 | 0:40:58 | |
-Back up! Back up! -I'm just opening the door. -You don't know what you're doing. You dumb stupid... | 0:40:58 | 0:41:04 | |
This isn't good. That's no way to make an entrance! | 0:41:04 | 0:41:08 | |
'With the Rabbit and the Lincoln out of the picture, | 0:41:11 | 0:41:13 | |
'there was only one more obstacle between me and victory. | 0:41:13 | 0:41:17 | |
'Security.' | 0:41:17 | 0:41:19 | |
-Do you have anybody back there? -Yes, I do. Can you open the trunk? | 0:41:20 | 0:41:23 | |
-How does it open? -Just pull the string on the back there. -Do what? | 0:41:23 | 0:41:27 | |
-All right. You can go. -We made it. | 0:41:36 | 0:41:38 | |
-We made it! We made it! -We made it! -That was close. | 0:41:38 | 0:41:41 | |
'I knew all along that the Corvette limo was a winner. | 0:41:44 | 0:41:49 | |
'My celebrity made it to the red carpet with two minutes to spare.' | 0:41:49 | 0:41:53 | |
-This is just for you, Bruno. -God! How am I going to get out? | 0:41:53 | 0:41:57 | |
-Pull it! Pull it hard! -I'm pulling, I'm pulling. | 0:41:57 | 0:42:00 | |
Pull it harder! Pull it harder! | 0:42:00 | 0:42:04 | |
Oh, my God! | 0:42:04 | 0:42:08 | |
Get me out of here! Somebody help me! | 0:42:08 | 0:42:11 | |
-Don't forget your ticket. -Oh, my ticket. Tanner... Ow! | 0:42:11 | 0:42:15 | |
-Watch your head. -Jesus! Oh! | 0:42:15 | 0:42:19 | |
-Oh! -Bruno, you better... | 0:42:20 | 0:42:24 | |
-Next time, rethink the car. -Tanner! -Have a good night! -Go to hell! | 0:42:24 | 0:42:29 | |
-Oh! -I know you enjoyed that. | 0:42:31 | 0:42:34 | |
I know you did. | 0:42:34 | 0:42:36 | |
He's secretly in denial. I know he is. | 0:42:38 | 0:42:40 | |
CHEERING AND APPLAUSE | 0:42:40 | 0:42:43 | |
I've got to admit, I wasn't sure that Corvette would make it, | 0:42:46 | 0:42:49 | |
-but it turns out, the limo ride of the future is the Corvette. -Oh, please. | 0:42:49 | 0:42:54 | |
You know, I may not have won but I do know I gave Terri a ride she will never forget. | 0:42:54 | 0:42:59 | |
-TANNER SNIGGERS -Yes, you did. You made her take a cab. | 0:42:59 | 0:43:04 | |
But I didn't almost kill my passenger like you did with poor Cloris. | 0:43:04 | 0:43:07 | |
I mean, you put her in that cage of death. | 0:43:07 | 0:43:09 | |
What cage of death? It's a seat of honour. | 0:43:09 | 0:43:12 | |
And poor Cloris? Do you know the language that woman used on me? | 0:43:12 | 0:43:16 | |
-It was just rude. -OK, we're losing focus here. | 0:43:16 | 0:43:19 | |
The fact is, Corvette made it to the Emmys, | 0:43:19 | 0:43:21 | |
that means it's the best limo, that's all we've got time for! | 0:43:21 | 0:43:24 | |
CHEERING AND APPLAUSE | 0:43:24 | 0:43:26 | |
Subtitles by Red Bee Media Ltd | 0:43:28 | 0:43:32 | |
. | 0:43:32 | 0:43:33 |