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Tonight, Richard wears a towel. | 0:00:12 | 0:00:14 | |
James and I eat some crisps. | 0:00:15 | 0:00:17 | |
And The Fly is in our reasonably priced car. | 0:00:18 | 0:00:21 | |
CHEERING | 0:00:27 | 0:00:28 | |
Hello! Hello! Thank you. | 0:00:28 | 0:00:31 | |
Thank you so much. Thank you very much. | 0:00:31 | 0:00:33 | |
Now, there's a new Ferrari that has come out | 0:00:33 | 0:00:38 | |
and the obvious person to test it is, of course, James May, because he actually owns a Ferrari. | 0:00:38 | 0:00:43 | |
Um... | 0:00:43 | 0:00:45 | |
He does. He doesn't like to tell people. Oh no, I have, I just told everyone. OK, anyway. | 0:00:45 | 0:00:49 | |
Because he likes to keep it a secret, someone else had to do it. | 0:00:49 | 0:00:54 | |
DRAMATIC MUSIC | 0:00:56 | 0:00:59 | |
ENGINE REVS | 0:01:13 | 0:01:16 | |
This is all a bit strange. | 0:01:19 | 0:01:21 | |
Because the 458 has a paddle-operated gearbox, | 0:01:22 | 0:01:27 | |
someone obviously thought that life back here would be a bit complicated | 0:01:27 | 0:01:32 | |
if there were traditional indicator and wiper stalks as well, | 0:01:32 | 0:01:36 | |
so they've got rid of them. | 0:01:36 | 0:01:39 | |
The buttons which control these things | 0:01:39 | 0:01:42 | |
are now on the steering wheel, | 0:01:42 | 0:01:44 | |
along with other buttons for the headlights, the suspension settings, the dim dip, | 0:01:44 | 0:01:48 | |
the sidelights, the traction control, and the starter motor. | 0:01:48 | 0:01:52 | |
And you don't have to drive very far to realise the problem this creates. | 0:01:55 | 0:01:58 | |
The thing about a steering wheel is, it moves. | 0:02:00 | 0:02:04 | |
So none of the buttons are ever where you left them. | 0:02:04 | 0:02:07 | |
I mean, if I want to turn left now, I have to push this one on the right. | 0:02:07 | 0:02:12 | |
There, that's the left-hand indicator. | 0:02:12 | 0:02:15 | |
And if I want to turn on the lights... | 0:02:15 | 0:02:18 | |
er... | 0:02:18 | 0:02:20 | |
No, that's not it. | 0:02:21 | 0:02:23 | |
This isn't like driving. It's like playing Pelmanism. | 0:02:23 | 0:02:27 | |
And there's more. | 0:02:27 | 0:02:29 | |
You see, there are two screens on either side of the rev counter, | 0:02:29 | 0:02:32 | |
so the one on the left tells me all sorts of things I'm not | 0:02:32 | 0:02:34 | |
really very interested in and the one on the right is a speedo or a satnav screen. | 0:02:34 | 0:02:42 | |
You can't have both at the same time, so, | 0:02:42 | 0:02:45 | |
you know where you are, you just don't know how fast you're going. | 0:02:45 | 0:02:49 | |
This is likely to make life a bit botty-clenching when you go past a speed camera. | 0:02:50 | 0:02:56 | |
Still, at least when you do, and they send you a snap, | 0:02:57 | 0:02:59 | |
you'll be able to pin it on the wall, and that will be nice, because my God, this car is pretty. | 0:02:59 | 0:03:06 | |
Of course, you probably think all Ferraris are pretty. | 0:03:08 | 0:03:11 | |
But truth be told, the majority aren't, not really. Striking, yes. But pretty? | 0:03:11 | 0:03:17 | |
No. | 0:03:17 | 0:03:19 | |
This one, for example, is just vulgar. | 0:03:19 | 0:03:22 | |
And even James's Ferrari, the 430, was a bit wrong. | 0:03:22 | 0:03:27 | |
That smiling front end - it looked like a simpleton. | 0:03:27 | 0:03:30 | |
This, though... | 0:03:33 | 0:03:34 | |
I think this is the first properly pretty Ferrari since the 308 came along | 0:03:34 | 0:03:39 | |
back in 1975. | 0:03:39 | 0:03:41 | |
Interestingly, though, Ferrari say it isn't art. They say it's science. | 0:03:44 | 0:03:49 | |
For example, they say that when a wheel is turning, | 0:03:49 | 0:03:52 | |
it forces air to move around in here, creating a high pressure, so, | 0:03:52 | 0:03:56 | |
they fitted these vents here which channel air along here, | 0:03:56 | 0:04:00 | |
pushing the car back down again. | 0:04:00 | 0:04:03 | |
They say, too, that these veins here on the front are forced down when the car is going quickly | 0:04:03 | 0:04:08 | |
by 20mm and that channels more air underneath the car, creating more downforce. | 0:04:08 | 0:04:15 | |
All that may be true, but I still maintain that those chiselled front wings, the way they go... | 0:04:16 | 0:04:22 | |
They're like Kristin Scott Thomas's cheekbones. | 0:04:22 | 0:04:26 | |
And it isn't just looks where it leaps ahead of the old 430. | 0:04:29 | 0:04:33 | |
That car produced 483 horsepower, so, of course, you'd expect this to produce a bit more. | 0:04:34 | 0:04:41 | |
490. | 0:04:41 | 0:04:42 | |
Maybe 495. | 0:04:42 | 0:04:45 | |
But you'd be wrong. | 0:04:45 | 0:04:48 | |
Because this produces a stratospheric 562 horsepower. | 0:04:51 | 0:04:57 | |
It would be interesting, therefore, to see how much faster this is | 0:04:59 | 0:05:03 | |
than the now defunct 430, but there's a problem. | 0:05:03 | 0:05:06 | |
You see, this is James's actual car. | 0:05:06 | 0:05:08 | |
The car in which he keeps a little brush for cleaning the air vents. | 0:05:08 | 0:05:12 | |
And he said we could borrow it providing we didn't fiddle with any of the settings or make it dirty | 0:05:12 | 0:05:17 | |
in any way. | 0:05:17 | 0:05:19 | |
These chocolate bars just go everywhere. | 0:05:22 | 0:05:26 | |
Um...anyway, he also said I wasn't to... | 0:05:26 | 0:05:31 | |
drive it quickly. He made me promise that I wouldn't, for instance, do a drag race with it and I said, | 0:05:31 | 0:05:37 | |
"James, I give you my word, I will not drive your car fast at all." | 0:05:37 | 0:05:43 | |
I didn't, however, say anything about HIM. | 0:05:45 | 0:05:48 | |
OK, we're both going to use launch control. | 0:05:51 | 0:05:55 | |
Push that button there. That absolutely knackers the clutch in a 430. | 0:05:55 | 0:06:00 | |
It will be OK in this, cos it has a double-clutch system. | 0:06:02 | 0:06:04 | |
3, 2, 1, go! | 0:06:07 | 0:06:10 | |
Whoa! That is nought to 60 in 3.4 seconds. | 0:06:16 | 0:06:20 | |
James's car is gone! | 0:06:22 | 0:06:24 | |
It's just a humiliation! | 0:06:25 | 0:06:27 | |
4.5 litres of V8 revving to 9,000! | 0:06:29 | 0:06:34 | |
I have no idea how fast I'm going now. | 0:06:42 | 0:06:44 | |
I just know I'm somewhere near Guildford. | 0:06:46 | 0:06:50 | |
So, the new car doesn't just beat the old one, it humiliates it. | 0:06:56 | 0:07:01 | |
Destroys it. Crushes it. | 0:07:01 | 0:07:05 | |
I think if I'd just bought a 430, I'd be feeling suicidal now. | 0:07:05 | 0:07:09 | |
That sense that you could never drive it again, that you'd just look like such an idiot. | 0:07:09 | 0:07:14 | |
Oh. | 0:07:16 | 0:07:17 | |
But now it's time to answer the big one. | 0:07:17 | 0:07:20 | |
What's the 458 like as a driver's car? | 0:07:20 | 0:07:23 | |
What's it like when you show that glorious, finely-boned nose a whiff of track? | 0:07:23 | 0:07:29 | |
You probably think it'll be brilliant. | 0:07:30 | 0:07:33 | |
You probably imagine all Ferraris are magnificent | 0:07:33 | 0:07:36 | |
when you put the hammer down, but again, the truth is, they aren't. | 0:07:36 | 0:07:42 | |
The 348, for example, felt like it had tyres made from wood. | 0:07:43 | 0:07:47 | |
The 275 had milk-bottle tops for brakes. | 0:07:47 | 0:07:51 | |
The engine in an F50 felt like it was bolted directly to your spine. | 0:07:51 | 0:07:56 | |
And the 400 was simply awful in every way. | 0:07:57 | 0:08:02 | |
So, the 458, then. | 0:08:04 | 0:08:06 | |
All face and no trousers? | 0:08:08 | 0:08:10 | |
Let's find out. | 0:08:12 | 0:08:14 | |
ENGINE ROARS | 0:08:14 | 0:08:17 | |
Oh, my God! | 0:08:21 | 0:08:23 | |
This is incredible! | 0:08:26 | 0:08:28 | |
It just feels so light. | 0:08:30 | 0:08:33 | |
HE CHORTLES | 0:08:34 | 0:08:36 | |
I never used to like flappy-panel gearboxes, but this is just sensational. | 0:08:39 | 0:08:43 | |
What an astonishing car! | 0:08:47 | 0:08:49 | |
Because the rear of the car is so planted, | 0:08:51 | 0:08:55 | |
thanks to its new suspension system, they've been able to fit super-fast steering. | 0:08:55 | 0:09:02 | |
Bang! The nose just darts in. | 0:09:02 | 0:09:05 | |
Ahhh! | 0:09:08 | 0:09:11 | |
What a machine! | 0:09:11 | 0:09:13 | |
This is beyond anything. | 0:09:16 | 0:09:18 | |
And listen to that noise. | 0:09:20 | 0:09:22 | |
ENGINE ROARS | 0:09:22 | 0:09:24 | |
It sounds like a bear, a burning bear. | 0:09:24 | 0:09:27 | |
I know this is £170,000, and that's a lot even by Ferrari standards... | 0:09:35 | 0:09:42 | |
..but I don't care. | 0:09:43 | 0:09:45 | |
I don't care about the bonkers dash, I wouldn't even care if this thing ate one of my legs. | 0:09:45 | 0:09:50 | |
The 458 is one of the all-time greats and I promise I'm not saying that just to upset James. | 0:09:53 | 0:10:01 | |
It really is absolutely, | 0:10:06 | 0:10:09 | |
unbelievably, mesmerisingly brilliant. | 0:10:09 | 0:10:15 | |
CHEERING | 0:10:18 | 0:10:20 | |
I think that might have been a bit ambiguous, that's the problem. | 0:10:23 | 0:10:26 | |
-Yeah. -I really, genuinely | 0:10:26 | 0:10:28 | |
believe this. I think this is better than an F40. | 0:10:28 | 0:10:33 | |
I never thought I'd say that, but it is unbelievably good. | 0:10:33 | 0:10:37 | |
-Let me just get this straight, in evolutionary terms, Ferrari started with, like, an amoeba. -Yeah. | 0:10:37 | 0:10:43 | |
Then they evolved a bit to plankton. | 0:10:43 | 0:10:44 | |
Then some sort of creature that crawled out of the slime, that's where James bought in. | 0:10:44 | 0:10:49 | |
Yeah, he jumped in. Then they leapt forward, really, | 0:10:49 | 0:10:51 | |
-and what we ended up with is Stephen Fry with Keira Knightley's face. -So one massive leap. | 0:10:51 | 0:10:56 | |
-One massive leap... -From where James's was to the next one. | 0:10:56 | 0:10:59 | |
-Are you finished? -No, you are. -Completely. | 0:10:59 | 0:11:02 | |
-Can never drive your car again. -Not in the hours of daylight anyway, mate, no. -No, you can't. | 0:11:02 | 0:11:06 | |
You ate a chocolate bar in my car. | 0:11:06 | 0:11:10 | |
It doesn't matter, you can't drive it anymore. | 0:11:10 | 0:11:12 | |
Anyway, we must now find out how fast, how much faster, this goes | 0:11:12 | 0:11:17 | |
around our track then your useless old car that you can't drive any more. | 0:11:17 | 0:11:22 | |
That, of course, means handing it over to our team racing driver. | 0:11:22 | 0:11:25 | |
Some say that he's recently been releasing pop records under the pseudonym of Lady Gaga. | 0:11:25 | 0:11:32 | |
And that under his race suit, he also wears a red G-string and suspenders. | 0:11:32 | 0:11:39 | |
All we know is, he's called The Stig! | 0:11:40 | 0:11:43 | |
And, he's off. No drama, no fuss, launch control taking care of everything. | 0:11:44 | 0:11:51 | |
Already looking better than a 430, or the "idiot's Ferrari", as it's now known. | 0:11:51 | 0:11:55 | |
Smoothly through the first corner, very nice indeed. | 0:11:55 | 0:11:59 | |
# More than a woman... # | 0:11:59 | 0:12:02 | |
Was that "bald-headed woman"? Weird lyric. Right, OK. | 0:12:02 | 0:12:07 | |
Out of Chicago, still looking pretty tidy and very pretty indeed. | 0:12:07 | 0:12:12 | |
And ahead, will this expose any problems? | 0:12:12 | 0:12:15 | |
Not a bit of it. If I had a criticism, it's this car is almost too technical, too precise. | 0:12:16 | 0:12:22 | |
# ..people so in love like you... # | 0:12:22 | 0:12:24 | |
Still, better than a 430. | 0:12:24 | 0:12:27 | |
Now, follow-through, yeah, lovely, around 570 horsepower working hard. | 0:12:27 | 0:12:31 | |
Quick through the tyres and sounding good. | 0:12:31 | 0:12:34 | |
Two corners left. Like Tom Cruise in IKEA, this car is so smooth, it makes it look effortless. | 0:12:34 | 0:12:40 | |
Through Gambon on all four wheels. Across the line! | 0:12:40 | 0:12:43 | |
OK. Now... | 0:12:45 | 0:12:47 | |
Here's James's car, look, the Ferrari 430. | 0:12:51 | 0:12:54 | |
One month, 22 days, uh...and nine hours. | 0:12:54 | 0:12:58 | |
458, 119.1. | 0:12:58 | 0:13:00 | |
So look at that. | 0:13:00 | 0:13:02 | |
Almost exactly the same time as an Enzo. | 0:13:02 | 0:13:08 | |
Kind of makes the Enzo look a bit silly, doesn't it? | 0:13:10 | 0:13:14 | |
Maybe James should get an Enzo now? | 0:13:14 | 0:13:16 | |
Could be the right car. | 0:13:16 | 0:13:18 | |
Now, just briefly, has anybody this week seen this in the newspapers? | 0:13:18 | 0:13:22 | |
It's the most ridiculous...I think it was actually an accent thing, | 0:13:22 | 0:13:27 | |
because what she actually said was "revolting", but it came out like "fantastic". | 0:13:27 | 0:13:31 | |
No, I think actually what's happened here is | 0:13:31 | 0:13:34 | |
they've had to cut the quote to make it fit on the newspaper and they've had to take out | 0:13:34 | 0:13:39 | |
"an imbecile but James May is..." | 0:13:39 | 0:13:42 | |
No, she didn't say that, James, because you didn't say one word to her when she was here. Or you! | 0:13:42 | 0:13:48 | |
Tom Cruise arrived last week, these two, "Oh, Tom, I've got a motorbike as well, | 0:13:48 | 0:13:53 | |
"would you like to buy leather trousers and go off into the countryside any drink orange juice?" | 0:13:53 | 0:13:58 | |
We couldn't get near to Cameron because she was entirely surrounded by you. | 0:13:58 | 0:14:03 | |
She hugged me three times. | 0:14:03 | 0:14:05 | |
She's an actress, she was pretending, you Muppet. | 0:14:05 | 0:14:09 | |
-Not in my mind, she wasn't. -She was remembering the advice. | 0:14:09 | 0:14:13 | |
"Now, Cameron, hug the big monster and pretend it's not scary". | 0:14:13 | 0:14:18 | |
I'm now on her to-do list. | 0:14:18 | 0:14:21 | |
You're on her restraining order list, it's the only list you're on. | 0:14:24 | 0:14:27 | |
Anyway, the news. As you probably saw if you were watching the Grand Prix coverage last weekend, | 0:14:27 | 0:14:32 | |
the Williams team bought Rubens Barrichello a T-shirt. | 0:14:32 | 0:14:35 | |
Here he is wearing it. | 0:14:35 | 0:14:37 | |
LAUGHTER | 0:14:37 | 0:14:38 | |
He looks really happy there. | 0:14:38 | 0:14:40 | |
He is really happy. | 0:14:40 | 0:14:41 | |
He's so happy, he's bought the other Grand Prix drivers who have been down to Top Gear T-shirts. | 0:14:41 | 0:14:46 | |
And here's Jenson Button wearing his. | 0:14:46 | 0:14:48 | |
Aw! LAUGHTER | 0:14:48 | 0:14:50 | |
I think that demonstrates that somebody in Formula One has got a sense of humour. | 0:14:50 | 0:14:55 | |
Now, Peter Mandelson, you may remember, he introduced | 0:14:55 | 0:14:58 | |
the scrappage scheme, the idea being that, if you bought a new car, | 0:14:58 | 0:15:01 | |
you could get £2,000 for your old one, irrespective of its actual value. | 0:15:01 | 0:15:06 | |
So many people took him up on his offer, they couldn't crush the cars fast enough. | 0:15:06 | 0:15:10 | |
They were building up on airfields. | 0:15:10 | 0:15:12 | |
We've got a picture of the scale of the problem. I kid you not. | 0:15:12 | 0:15:16 | |
If you zoom in on the cars here that we are talking about, look at this. | 0:15:16 | 0:15:20 | |
-That's a Mercedes A-class. -There's a Mercedes E-class here. | 0:15:20 | 0:15:23 | |
-That's a nice Freelander there. -I know. -These are just cars. | 0:15:23 | 0:15:25 | |
There's another picture here with some 4x4s. | 0:15:25 | 0:15:29 | |
I'm sorry, but look at that - there are Cherokees and Shoguns. | 0:15:29 | 0:15:32 | |
I know, a Land Rover as well. | 0:15:32 | 0:15:34 | |
The thing is, why didn't they just ring the Taliban and say, | 0:15:34 | 0:15:38 | |
"Look, if you stop shooting at us, we'll give you a 1997 Shogun we've got parked." | 0:15:38 | 0:15:44 | |
We ought to make it clear, that under the scrappage scheme, | 0:15:44 | 0:15:47 | |
the cars that were taken off the road have to be scrapped. They can't be sold. | 0:15:47 | 0:15:51 | |
All these cars HAVE to be scrapped. | 0:15:51 | 0:15:54 | |
All the energy that went into making these cars, now all the energy that's going into crushing them, | 0:15:54 | 0:16:00 | |
then the energy that goes into making new cars for people | 0:16:00 | 0:16:03 | |
who wouldn't have bought new cars if it wasn't for this scheme. | 0:16:03 | 0:16:06 | |
All true. The BBC got some stick this week for allegedly | 0:16:06 | 0:16:09 | |
over-promoting Peter Mandelson's new book, | 0:16:09 | 0:16:12 | |
so let's redress that balance. Don't buy it. | 0:16:12 | 0:16:14 | |
Nice. That's balanced it up a treat. That's even, it's fair. | 0:16:14 | 0:16:18 | |
APPLAUSE | 0:16:18 | 0:16:19 | |
HE MOUTHS | 0:16:22 | 0:16:25 | |
Now, there's a new Nissan Micra out. | 0:16:25 | 0:16:27 | |
And that is the end of the news. | 0:16:27 | 0:16:29 | |
Now, a while back, our producers said to us that we ought to make a film explaining why | 0:16:31 | 0:16:36 | |
classic British sports cars like these were so awful and terrible and horrible in every way | 0:16:36 | 0:16:42 | |
that people went out and bought hot hatchbacks instead. | 0:16:42 | 0:16:46 | |
But we didn't agree. We said, "British sports cars weren't horrible." | 0:16:46 | 0:16:49 | |
-And then there was a bit of a row. -Huge row, massive. | 0:16:49 | 0:16:53 | |
What we said to the producers was, "Top Gear is shown all over the world. | 0:16:53 | 0:16:57 | |
-"And even if British cars were terrible..." -Which they're not. | 0:16:57 | 0:17:01 | |
"..Even if British sports cars were terrible, | 0:17:01 | 0:17:04 | |
"we're not rushing around the country saying, "Everything's horrible here."" | 0:17:04 | 0:17:08 | |
Crocodile Dundee never went into the outback and said, "It's too hot and it's full of spiders." | 0:17:08 | 0:17:13 | |
Jack Bauer doesn't run around America saying, "Don't come, it's full of terrorists", does he? | 0:17:13 | 0:17:18 | |
The producers, though, were most insistent. | 0:17:18 | 0:17:21 | |
So they gave each of us £5,000 and told us to buy a classic British sports car with it. | 0:17:21 | 0:17:26 | |
And then we were told to report with our cars to the Lotus factory | 0:17:26 | 0:17:30 | |
in Norfolk where, as usual, we would be given some challenges. | 0:17:30 | 0:17:35 | |
'I was the first to arrive in a car from my era - the superb Jensen Healey.' | 0:17:38 | 0:17:45 | |
This is a beauty. | 0:17:45 | 0:17:48 | |
Built by Jensen, designed by the father-and-son team that brought us the Healey 3-litre, | 0:17:48 | 0:17:55 | |
styled by the same man who did the Aston Martin Lagonda, and powered by a twin-cam Lotus engine. | 0:17:55 | 0:18:03 | |
You really can think of this, then, as being like one of those old '70s supergroups - | 0:18:03 | 0:18:08 | |
Crosby, Stills, Nash and Young. | 0:18:08 | 0:18:11 | |
Will Young, but... | 0:18:11 | 0:18:13 | |
Oh, hey up. Here we go. Speak of the devil. | 0:18:13 | 0:18:16 | |
James, that is magnificent! | 0:18:16 | 0:18:20 | |
-A TVR-S from your period. -It is. It's the TVR S2, actually. | 0:18:20 | 0:18:23 | |
-S2? -Yeah, 170 horsepower, Cologne Ford V6 from Granada. -Absolutely. | 0:18:23 | 0:18:29 | |
No, this was superb. And the other thing about these... Can you open the boot? | 0:18:29 | 0:18:34 | |
-Yes. Yes, I can. -You know on the Antiques Roadshow? -Yes. | 0:18:34 | 0:18:37 | |
They always look behind the clock face and they can tell who made it. | 0:18:37 | 0:18:41 | |
Yes, the maker's mark. | 0:18:41 | 0:18:43 | |
Yeah, well, normally on a TVR, if you look underneath the carpets or the roof lining or something | 0:18:43 | 0:18:48 | |
like that, you often find a clue as to who built the car. | 0:18:48 | 0:18:51 | |
-Have you got something? -Yes. There you go. | 0:18:51 | 0:18:54 | |
This was made by a man called... | 0:18:54 | 0:18:56 | |
-Nobby? -Nobby, I think. Yes, Nobby. | 0:18:56 | 0:18:58 | |
You just don't get that on a... | 0:18:58 | 0:19:00 | |
-On a Golf, say. -Or a Ferrari. -No. | 0:19:00 | 0:19:02 | |
'As we admired our wonderful cars, | 0:19:02 | 0:19:05 | |
'Richard arrived in a little gem from his youth - a Lotus Elan.' | 0:19:05 | 0:19:12 | |
Oh, yes! | 0:19:12 | 0:19:14 | |
Oh, ho-ho! | 0:19:14 | 0:19:16 | |
It's come back, it's come home! | 0:19:16 | 0:19:19 | |
Yep, it has. It's a poetic moment, actually. | 0:19:19 | 0:19:22 | |
-The last Elan, here, back at Lotus. -That's terrific. | 0:19:22 | 0:19:25 | |
-It is. -I remember when this came out, that square stance it had. Nobody had built a square car before. | 0:19:25 | 0:19:31 | |
No, nobody had done that. Yeah, there were reasons for that. | 0:19:31 | 0:19:34 | |
The plastic used to shrink and they didn't know | 0:19:34 | 0:19:37 | |
that the suppliers had come up with a new plastic | 0:19:37 | 0:19:39 | |
that didn't shrink. So it was wider than expected. | 0:19:39 | 0:19:42 | |
-This is ingenuity, making the best of it. -It was the same, the TVR - plastic. -There's something | 0:19:42 | 0:19:47 | |
-about the plastic body. -The engine in this wasn't Lotus. | 0:19:47 | 0:19:50 | |
No, it's Isuzu. But that's Japanese - reliable. When they tested one of these, | 0:19:50 | 0:19:55 | |
they ran it round a racetrack for 24 hours straight. | 0:19:55 | 0:19:58 | |
-And for 22 of those hours, it didn't break down. -Seriously? | 0:19:58 | 0:20:01 | |
'As we chatted, a challenge arrived.' | 0:20:01 | 0:20:04 | |
You read it, Hammond. | 0:20:04 | 0:20:06 | |
"You will now race around the Lotus test track to see which of your ridiculous cars is best..." | 0:20:06 | 0:20:11 | |
"Ridiculous"? Steady on. | 0:20:11 | 0:20:13 | |
It actually says "ridiculous". | 0:20:13 | 0:20:15 | |
It goes on. "..and then you must put The Stig in a car that wiped your British sports cars off the map - | 0:20:15 | 0:20:22 | |
"a Peugeot 205 GTI - and set a time." | 0:20:22 | 0:20:25 | |
What, he seriously thinks a crummy little French hatchback can beat these purpose-built cars? | 0:20:25 | 0:20:32 | |
-Have we got to get the Peugeot? -It says we've got to put him in it, yes. | 0:20:32 | 0:20:35 | |
'First, though, we did some laps in our classic British sports cars.' | 0:20:35 | 0:20:40 | |
Oh, that this is a stirring scene - three great British sports cars haring across the British landscape. | 0:20:45 | 0:20:52 | |
I love the sound of a twin-cam. | 0:20:54 | 0:20:56 | |
It's engine noise you're hearing. | 0:20:57 | 0:21:00 | |
MECHANICAL GRINDING | 0:21:00 | 0:21:01 | |
That's not... Oh, deary me. | 0:21:01 | 0:21:04 | |
-CLICK -There we go! | 0:21:04 | 0:21:05 | |
Yes! I knew there'd be one there if I looked hard enough. | 0:21:05 | 0:21:09 | |
This car is, of course, very light. | 0:21:10 | 0:21:12 | |
It weighs just 987 kilograms because it's made from canoe-building materials. | 0:21:12 | 0:21:18 | |
Sorry, scrap that. Because it's made from composites. | 0:21:18 | 0:21:21 | |
Critically, the Elan is front-wheel drive because it's just better. | 0:21:21 | 0:21:28 | |
At the same time this car was coming out, | 0:21:30 | 0:21:32 | |
Mazda were bringing out the MX-5. Rear-wheel drive, old-fashioned. | 0:21:32 | 0:21:36 | |
As a result, the MX-5 never REALLY caught on. | 0:21:36 | 0:21:40 | |
I mean it sold in MASSIVE numbers for decades, | 0:21:40 | 0:21:43 | |
but it didn't have the same exclusivity that the Elan did, | 0:21:43 | 0:21:47 | |
which never sold in the same vulgar, brash numbers. | 0:21:47 | 0:21:52 | |
Sometimes with this engine, you do notice that the oil pressure could drop alarmingly in a fast corner. | 0:21:54 | 0:22:00 | |
It's OK, the engine would never blow up because normally the water pump would go first. | 0:22:00 | 0:22:05 | |
A very useful feature, that. | 0:22:05 | 0:22:07 | |
When you press the throttle in the TVR, there is a slight delay before anything happens. | 0:22:09 | 0:22:14 | |
A lot of people thought this was a fault, but actually it's a very innovative safety feature. | 0:22:14 | 0:22:19 | |
I'll demonstrate. | 0:22:19 | 0:22:20 | |
You're driving along, you press the throttle, the car says, "Are you sure? | 0:22:20 | 0:22:24 | |
-ENGINE REVS -"Oh, all right, then." | 0:22:24 | 0:22:27 | |
Look at that TVR in my mirror. | 0:22:27 | 0:22:31 | |
And that Jensen, cornering so flat. | 0:22:31 | 0:22:34 | |
A little bit of history for you. | 0:22:38 | 0:22:40 | |
After the Second World War, which we won, | 0:22:40 | 0:22:43 | |
Britain was littered with disused airfields, | 0:22:43 | 0:22:47 | |
and many of them - like this one, in fact - were converted into racetracks. | 0:22:47 | 0:22:52 | |
And it was on these twisting, turning racetracks | 0:22:52 | 0:22:56 | |
that the lightweight, nimble British sports car | 0:22:56 | 0:22:59 | |
was sort of developed and honed. | 0:22:59 | 0:23:02 | |
HE LAUGHS | 0:23:02 | 0:23:04 | |
'We could have gone round all day. | 0:23:04 | 0:23:07 | |
'But the producers said we must pull in and post our lap times.' | 0:23:07 | 0:23:12 | |
The time has come, Hammond. | 0:23:12 | 0:23:14 | |
Would you reveal your fastest lap? | 0:23:14 | 0:23:17 | |
-My fastest lap in my Lotus Elan was 2:09. -2:09. -Blistering. | 0:23:17 | 0:23:22 | |
-That is. There's no other word. -It felt right here. | 0:23:22 | 0:23:26 | |
-James. -TVR S2, my fastest lap time was 2:15.9. | 0:23:26 | 0:23:31 | |
2:15.9. And here, the 1970s Jensen Healey, 2:17.9. So what we can see here is progress. | 0:23:31 | 0:23:37 | |
As you'd expect from the British sports car industry. That's very good, That's even better... | 0:23:37 | 0:23:43 | |
The cars have come on, decade by decade. | 0:23:43 | 0:23:45 | |
And now it's time to find out how fast The Stig can go round in this Peugeot 205 GTI. | 0:23:45 | 0:23:51 | |
-It doesn't look like a GTI. -No, no, I couldn't get a GTI, so I got a diesel. | 0:23:51 | 0:23:55 | |
-And they're basically the same. -Yeah, same thing, pretty much. -OK, Stig, start it up. | 0:23:55 | 0:24:00 | |
ENGINE REVS | 0:24:00 | 0:24:02 | |
TYRES SCREECH | 0:24:02 | 0:24:04 | |
'The Stig wound up the Peugeot and began his flying lap. | 0:24:04 | 0:24:08 | |
-'Here we go, and... -Timing! -..go! | 0:24:08 | 0:24:11 | |
OK, we're off. I think the reason I couldn't get a GTI, I suspect, | 0:24:11 | 0:24:18 | |
is because they've all rusted away or been crashed or fallen to pieces. | 0:24:18 | 0:24:23 | |
The handling was terrible on those. They were crashed a lot. | 0:24:23 | 0:24:26 | |
-Any faults with your car? -No. -Any faults with yours? -No. | 0:24:26 | 0:24:30 | |
Did you know, in the whole history of TVR, there is no recorded incident of one ever breaking down? | 0:24:30 | 0:24:35 | |
I've heard that. | 0:24:35 | 0:24:37 | |
And here he comes... | 0:24:37 | 0:24:39 | |
-Yes! -2:09, 2:15, 2:17 for us. | 0:24:39 | 0:24:42 | |
RICHARD LAUGHS | 0:24:42 | 0:24:45 | |
-2:22.0. -Point, I think, proven. -I don't think we need to go on. | 0:24:45 | 0:24:51 | |
Well, we seem to have another challenge. I don't know what it can possibly say. | 0:24:51 | 0:24:56 | |
"You will drive from the Lotus factory, now owned by the Malaysians | 0:24:56 | 0:25:00 | |
-"because the British made such a mess of everything when they were in charge..." -Come on! | 0:25:00 | 0:25:05 | |
That's not strictly true. | 0:25:05 | 0:25:07 | |
"..to the grave of TVR in Blackpool, via the site of the long-gone Jensen factory in the West Midlands. | 0:25:07 | 0:25:13 | |
"This is a journey of 280 miles..." | 0:25:13 | 0:25:15 | |
And that, in kilometres, is 5,000. | 0:25:15 | 0:25:19 | |
-Just over. -"..which is impossible in your cars, but no problem at all for The Stig, | 0:25:19 | 0:25:24 | |
"who will be shadowing you in a practical, well-made, much-faster Vauxhall Astra GSi." | 0:25:24 | 0:25:30 | |
'We lined up on the start line | 0:25:35 | 0:25:38 | |
'for our trip across Britain's historic and beautiful Midlands.' | 0:25:38 | 0:25:42 | |
I've never looked forward to a journey more. | 0:25:42 | 0:25:45 | |
We do have a magnificent flag in Britain. | 0:25:46 | 0:25:49 | |
I mean, that one's on upside-down, but... | 0:25:49 | 0:25:53 | |
beautiful flag. | 0:25:53 | 0:25:54 | |
OK, let the journey commence. | 0:25:54 | 0:25:57 | |
Oh, Lord! | 0:26:01 | 0:26:03 | |
Oh, dear! Is that the Astra? | 0:26:07 | 0:26:09 | |
-That was a known fault, that they would blow up sometimes. Don't you remember that? -Yeah. | 0:26:09 | 0:26:14 | |
I had two friends who had those and they blew up. | 0:26:14 | 0:26:17 | |
Annoying, because if you're late and you think, "I'll get in the car." Bang! Oh, dear. | 0:26:17 | 0:26:21 | |
So there we are. What we can deduce here is the GERMAN-made hatchback - | 0:26:21 | 0:26:27 | |
the GERMAN-made hatchback - has exploded. | 0:26:27 | 0:26:30 | |
And all the BRITISH-made sports cars are working perfectly. | 0:26:30 | 0:26:34 | |
-Hang on. -What? | 0:26:34 | 0:26:36 | |
-It won't start. -Oh! | 0:26:36 | 0:26:38 | |
'In a jiffy, though, we got the fabulous TVR going again and set off.' | 0:26:39 | 0:26:44 | |
It is extraordinary, when you look at the British car industry today, | 0:26:47 | 0:26:52 | |
to think what it was like in the past. I mean, | 0:26:52 | 0:26:56 | |
in 1913, there were 140 different car makers in Britain. 140. | 0:26:56 | 0:27:03 | |
In 1946, we exported 98,000 cars | 0:27:04 | 0:27:10 | |
and imported 63. Not 63,000 - 63 in total. | 0:27:10 | 0:27:16 | |
It just beggars belief that it's all gone so wrong so fast. | 0:27:16 | 0:27:21 | |
Ah. | 0:27:25 | 0:27:26 | |
Yeah, that's one of the clips | 0:27:26 | 0:27:29 | |
that holds the roof on at the front. Fallen off. | 0:27:29 | 0:27:35 | |
Here's the thing, Lotus has always been about lightness, | 0:27:35 | 0:27:41 | |
and by shedding parts like this roof clip that's proven to be extraneous - it can survive perfectly well | 0:27:41 | 0:27:48 | |
with just one on this side - it's making itself lighter. | 0:27:48 | 0:27:52 | |
Look at England. It's beautiful. I'll just wipe the windscreen so you can have a better look at it. | 0:27:56 | 0:28:03 | |
It's marvellous. | 0:28:05 | 0:28:07 | |
I've just noticed Richard Hammond's number plate, it's an anagram of "liar". | 0:28:10 | 0:28:15 | |
Which today is very appropriate. | 0:28:15 | 0:28:18 | |
Oh, and James's, look. | 0:28:18 | 0:28:20 | |
That's an anagram of "gosh". | 0:28:20 | 0:28:23 | |
That fits as well. A lot of anagrams going on here. | 0:28:23 | 0:28:26 | |
This is very clever. | 0:28:31 | 0:28:34 | |
The neat venting system around the driver's window here | 0:28:34 | 0:28:38 | |
that allows the cooling, refreshing breeze in to keep you alert | 0:28:38 | 0:28:42 | |
also allows just enough rain to come in, just to splash gently | 0:28:42 | 0:28:46 | |
against your face and let you know, "It's raining, be careful." | 0:28:46 | 0:28:51 | |
That's a safety feature. | 0:28:51 | 0:28:53 | |
'Another safety feature were the fantastically uncomfortable seats | 0:28:53 | 0:28:58 | |
'fitted to a Jensen, which meant you couldn't drive too far without taking a break.' | 0:28:58 | 0:29:05 | |
Ah! | 0:29:05 | 0:29:08 | |
Yep, yep, yep. | 0:29:09 | 0:29:11 | |
There you go. | 0:29:11 | 0:29:13 | |
We've done about 20 miles which, if you're watching abroad, is about 700 or 800 kilometres. | 0:29:13 | 0:29:17 | |
Oh, do come on! | 0:29:19 | 0:29:22 | |
And my back... I mean, after a distance like that, your back is going to suffer a bit. | 0:29:22 | 0:29:28 | |
1989, this car had a mobile phone fitted. | 0:29:28 | 0:29:31 | |
I imagine it was enormous. | 0:29:31 | 0:29:35 | |
£37, £38 to fill it up. | 0:29:35 | 0:29:38 | |
That's about 50 US cents to fill it. | 0:29:38 | 0:29:42 | |
Just pop that shut. | 0:29:43 | 0:29:45 | |
While they attempt to close my petrol filler cap, | 0:30:08 | 0:30:11 | |
I'm going to choose some music for the next leg of the journey. | 0:30:11 | 0:30:15 | |
And a good thing about having an eight-track is that | 0:30:15 | 0:30:18 | |
you can't get N-Dubz in this format, or Basement Jaxx. | 0:30:18 | 0:30:23 | |
It's just good stuff - Blue Oyster Cult, Elton John, Bowie. | 0:30:23 | 0:30:28 | |
# They call them the diamond dogs | 0:30:31 | 0:30:35 | |
# Young girl... # | 0:30:36 | 0:30:38 | |
'We ploughed on and soon we reached the beautiful city of Birmingham.' | 0:30:38 | 0:30:44 | |
There are more shopping trolleys in the canals here than there are in Venice. | 0:30:44 | 0:30:48 | |
This is right in the heart of car-building territory. | 0:30:49 | 0:30:52 | |
I mean, my grandfather was in the car-building business, everybody was. | 0:30:52 | 0:30:58 | |
'Eventually, we arrived in the beauty spot that is Carters Green, West Bromwich. | 0:31:00 | 0:31:07 | |
'And it was here in this very factory that Jeremy's Jensen was born.' | 0:31:07 | 0:31:15 | |
Think of all the people you've got ramming through doors, | 0:31:15 | 0:31:18 | |
full of optimism, "I've got a brilliant idea!" | 0:31:18 | 0:31:21 | |
-Through there. -Yeah. | 0:31:21 | 0:31:22 | |
'They also made the Interceptor FF here, the first ever four-wheel drive production car. | 0:31:24 | 0:31:31 | |
'It was the brainchild of this man, Major Tony Rolt, | 0:31:31 | 0:31:36 | |
'one of the team behind the glider that was built in Colditz.' | 0:31:36 | 0:31:40 | |
I wonder what he'd actually feel if he could see this place now? | 0:31:40 | 0:31:46 | |
He'd probably wonder why he ever bothered trying to escape from Colditz, to be honest. | 0:31:46 | 0:31:51 | |
In the mid-1970s, 26% of the British workforce was employed in some way | 0:31:55 | 0:32:00 | |
by the manufacturing sector. | 0:32:00 | 0:32:03 | |
Today, it's 9%. | 0:32:03 | 0:32:06 | |
It's not that we don't make sports cars any more... | 0:32:06 | 0:32:09 | |
..we don't make anything. | 0:32:10 | 0:32:12 | |
'As darkness fell, we headed on to our overnight stop.' | 0:32:19 | 0:32:22 | |
I've just realised something, it probably looks as though I'm driving along huddled in a towel | 0:32:24 | 0:32:31 | |
to keep warm and dry because the window won't shut and it's raining in, but that's not the case. | 0:32:31 | 0:32:37 | |
The window's open | 0:32:37 | 0:32:38 | |
because it's so warm, and the little bit of drizzle - let's not call it rain - is keeping me cool. | 0:32:38 | 0:32:44 | |
'Eventually I became so hot I decided I had to pull over to try to seal the gap.' | 0:32:44 | 0:32:50 | |
Hammond, why are we stopping here? | 0:32:50 | 0:32:53 | |
'Fearful the producers might be listening, Hammond had to think fast.' | 0:32:53 | 0:32:56 | |
Picnic! I fancied a picnic. | 0:32:56 | 0:33:00 | |
Just soak it in, enjoy the view. | 0:33:00 | 0:33:03 | |
-Do you want some crisps? -Yes, please. | 0:33:03 | 0:33:05 | |
-Cornish pasty? -Lovely. | 0:33:05 | 0:33:07 | |
-See that church? -Mmm? -That was built in the Italian Renaissance. | 0:33:07 | 0:33:13 | |
-Really? -You should see the frescoes inside. | 0:33:13 | 0:33:16 | |
HE SIGHS | 0:33:18 | 0:33:19 | |
LAUGHTER | 0:33:26 | 0:33:28 | |
-TAPE DECK CLICKS -# All night long You've been looking at me... # | 0:33:28 | 0:33:33 | |
'Picnic over, we cruised to our overnight halt with our cars still running beautifully.' | 0:33:33 | 0:33:39 | |
# Oh, well now... # | 0:33:39 | 0:33:40 | |
MECHANICAL GRINDING | 0:33:40 | 0:33:43 | |
OVER WALKIE-TALKIE: 'Have you just run something over?' | 0:33:44 | 0:33:47 | |
Just a warning noise to tell you you're on full lock. | 0:33:47 | 0:33:51 | |
OVER WALKIE-TALKIE: 'That's a safety feature.' | 0:33:51 | 0:33:55 | |
Edit that out. | 0:33:55 | 0:33:57 | |
CHEERING AND APPLAUSE | 0:33:58 | 0:34:00 | |
We'll pick that up later on. | 0:34:00 | 0:34:03 | |
But now it's time to put a star in our reasonably priced car. | 0:34:03 | 0:34:09 | |
A couple of weeks ago we had Andy Garcia, last week, Tom Cruise and Cameron Diaz, | 0:34:09 | 0:34:14 | |
so we were thinking, "Well, there's no way we'll be able to get a big Hollywood name this week." | 0:34:14 | 0:34:19 | |
But then we remembered, "Hang on, Jonathan Ross isn't on any more." | 0:34:19 | 0:34:23 | |
So, ladies and gentlemen, please welcome - | 0:34:23 | 0:34:26 | |
star of two of the highest-grossing films of all time - Jeff Goldblum! | 0:34:26 | 0:34:32 | |
CHEERING | 0:34:32 | 0:34:34 | |
What an honour! Another hug. | 0:34:36 | 0:34:41 | |
Not as good as Cameron's. | 0:34:41 | 0:34:42 | |
Jeff Goldblum, everybody, is here! | 0:34:42 | 0:34:45 | |
-On our poky motoring show! -Thank you. Thank you. | 0:34:45 | 0:34:49 | |
Wow! | 0:34:49 | 0:34:51 | |
What an absolute honour to find someone who's the right size. | 0:34:51 | 0:34:55 | |
LAUGHTER | 0:34:55 | 0:34:57 | |
The films we know you best for - well, there are three big ones, obviously, The Fly | 0:34:57 | 0:35:02 | |
and Jurassic Park and Independence Day - you play a boffin. | 0:35:02 | 0:35:05 | |
-A what? -A boffin, how do we say boffin in American? | 0:35:05 | 0:35:08 | |
-That must be British speak. -AUDIENCE: A geek. | 0:35:08 | 0:35:12 | |
But not really... don't say geek. You can't bring Jeff Goldblum on and call him a geek. | 0:35:12 | 0:35:16 | |
But boffin, that's the British term for... | 0:35:16 | 0:35:19 | |
-Boffin often means... -Techno person? -Mathematician. -Academic. | 0:35:19 | 0:35:25 | |
Yeah. I have to ask this, you know Independence Day, you get up there, | 0:35:25 | 0:35:29 | |
you insert the virus, how did you have the right lead? | 0:35:29 | 0:35:32 | |
Cos I never have the right lead for my computer, | 0:35:32 | 0:35:35 | |
and yet you're in this alien spaceship, and I thought that was pretty bloody clever. | 0:35:35 | 0:35:39 | |
-I was supposed to be very smart. -You were really smart. | 0:35:39 | 0:35:42 | |
-Figuring things out that you didn't even know I was figuring out. -I was very impressed with that. | 0:35:42 | 0:35:48 | |
So you are over here in London appearing in... | 0:35:48 | 0:35:50 | |
A lovely play by the great Neil Simon, called The Prisoner Of Second Avenue | 0:35:50 | 0:35:55 | |
at the Vaudeville Theatre eight times a week, 7:30 at night, 2:30 on Saturdays and Thursdays... | 0:35:55 | 0:36:01 | |
And ticket prices...? | 0:36:01 | 0:36:03 | |
Comfortable seats available? | 0:36:03 | 0:36:04 | |
Well within their reach. And we do it until the end of September. | 0:36:04 | 0:36:08 | |
One of the things I'm absolutely fascinated by is, you are a big name, OK? | 0:36:08 | 0:36:12 | |
You have appeared in, as I've said, two of the highest-grossing films of all time. | 0:36:12 | 0:36:17 | |
What is it that causes you to say, "I'm going to appear in a play in London?" | 0:36:17 | 0:36:21 | |
-Why do you want to do that? -Well, the theatre in London... | 0:36:21 | 0:36:24 | |
London is, first of all, one of the great cities of the world, | 0:36:24 | 0:36:28 | |
it's just a thrill to be here, and the theatre here has a tradition and a standard of excellence that is | 0:36:28 | 0:36:34 | |
-the highest anywhere. And so this is the height for me. -So it's acting is what we're talking about here, | 0:36:34 | 0:36:40 | |
-because you have a great love of acting? -I do. -Now, cars. What do you drive now? | 0:36:40 | 0:36:46 | |
I've got an SUV Mercedes M-Class. It's an interesting...not so interesting, but here's the story. | 0:36:46 | 0:36:51 | |
-In 1990... Whenever the second Jurassic Park came out... -The Lost World. -The Lost World. | 0:36:51 | 0:36:56 | |
..they introduced the M-class, that SUV, Mercedes, in that film. | 0:36:56 | 0:37:00 | |
They were camouflaged and we took them on the adventure. | 0:37:00 | 0:37:03 | |
They told me a few months later, when the film came out, | 0:37:03 | 0:37:05 | |
"Hey, if you show up at one of our international sales meetings | 0:37:05 | 0:37:09 | |
"and say hello to everybody, we'll give you one." I said, "Oh, OK." | 0:37:09 | 0:37:14 | |
I did like that. They gave me one and that's the car I'm still driving. | 0:37:14 | 0:37:19 | |
So you just get a free car and then thought, "Just stick with it?" | 0:37:19 | 0:37:25 | |
That's correct. In the meantime... I know you have | 0:37:25 | 0:37:27 | |
strong feelings about this, but I got a Prius several years ago... | 0:37:27 | 0:37:32 | |
No, no, no... I want to make this quite... | 0:37:32 | 0:37:34 | |
Since Cameron came here last week, and she's very much in love with me, | 0:37:34 | 0:37:38 | |
she's converted me to environmentalism, and I like the Prius now because she's got one. | 0:37:38 | 0:37:44 | |
Sweet, sweet. | 0:37:44 | 0:37:46 | |
Just because she didn't fancy you lot! | 0:37:46 | 0:37:48 | |
But I want a new car maybe, and I'm open-minded to what | 0:37:48 | 0:37:52 | |
-is the most environmental - because I like that idea... -As do I. | 0:37:52 | 0:37:58 | |
-You know? But I want a fun car, too. -Let's see if we can't work out | 0:37:58 | 0:38:02 | |
what this car should be. What should Jeff drive? | 0:38:02 | 0:38:05 | |
AUDIENCE SHOUT OVER EACH OTHER | 0:38:05 | 0:38:07 | |
A Bugatti Veyron, I'm not sure that fulfils | 0:38:07 | 0:38:11 | |
the environmental side of it. I see you and something Italian. | 0:38:11 | 0:38:15 | |
My older brother had a love affair with the Lancia Aurelia years ago, and had one. | 0:38:15 | 0:38:20 | |
He was a car fanatic, and he was restoring it and tinkering with it every day. | 0:38:20 | 0:38:24 | |
"Tinkering with it" when you have a Lancia is another way of saying "trying to make it start." | 0:38:24 | 0:38:30 | |
You go to a Lancia and... "I'd better just tinker with it and see if I can coax some life into it!" | 0:38:30 | 0:38:35 | |
Has anyone else got any more thoughts? | 0:38:35 | 0:38:38 | |
An Evo?! | 0:38:38 | 0:38:40 | |
Do you... How stupid do you think he looks?! | 0:38:40 | 0:38:43 | |
-An Evo, what...? -An Evo, It's a car driven by people who look like this. | 0:38:43 | 0:38:48 | |
When you say to them, "What do you drive?," they go, | 0:38:49 | 0:38:52 | |
(NORTHERN ACCENT) "Got an Evo." | 0:38:52 | 0:38:54 | |
-"Evo." -"Evo." | 0:38:54 | 0:38:55 | |
That's it. You could have one, actually, you're very good at that. | 0:38:55 | 0:38:59 | |
Anyway, we get onto the whole business of the day here. | 0:39:00 | 0:39:03 | |
You arrived and you had, like Christopher Eccleston, | 0:39:03 | 0:39:09 | |
the actor, the former Dr Who who came down, he could not drive a manual car. | 0:39:09 | 0:39:13 | |
-So we found an automatic. You say it broke down? -Here's what happened. | 0:39:13 | 0:39:16 | |
They didn't tell me that the automatic, even at its best, would be slower. | 0:39:16 | 0:39:22 | |
-Did you not feel that? It's one second slower to 60. -I didn't know. I hadn't done the other one. | 0:39:22 | 0:39:26 | |
But anyway, luckily it broke down and I thought, "Oh, no, what do I do now?" | 0:39:26 | 0:39:31 | |
I had to learn the thing, and they told me, | 0:39:31 | 0:39:33 | |
"This is going to be a little faster car anyway," so I said, "Oh, that's good." | 0:39:33 | 0:39:37 | |
So you went to the manual. Here's what | 0:39:37 | 0:39:39 | |
a little bird has told me, you did the entire lap, apart from the start, in third gear? | 0:39:39 | 0:39:45 | |
Well, this is the first I've heard that that might not be advisable. | 0:39:46 | 0:39:51 | |
-I said I was... The great teacher... -Yeah. | 0:39:54 | 0:39:59 | |
-The wizard said... -The Stig, you mean? -Yes! | 0:39:59 | 0:40:02 | |
Is he a wizard as well? | 0:40:02 | 0:40:04 | |
He can do anything, he's a magical, magical man. | 0:40:04 | 0:40:06 | |
He got me through the first... "Here's first, second." | 0:40:06 | 0:40:09 | |
And I said, "And third?" He said, "Stay in third." | 0:40:09 | 0:40:12 | |
Now why would The Stig do that? | 0:40:12 | 0:40:15 | |
I'm sure he had his reasons. He was masterful and I adore him, but what happened? | 0:40:15 | 0:40:19 | |
It was not good to stay in third? | 0:40:19 | 0:40:22 | |
No. Really no, no, no. Coming down the back straight, | 0:40:22 | 0:40:25 | |
you need to be in fourth and even fifth because the car will go to 100 mph, | 0:40:25 | 0:40:29 | |
but not in third. Well, it will, but valves will come out. | 0:40:29 | 0:40:32 | |
I'm very upset, cos I was thinking... | 0:40:32 | 0:40:35 | |
I was enjoying it no end, and once I, you know, got the hang of what to do, | 0:40:35 | 0:40:38 | |
when you're really pressing it and you're going on, I went, "Jeez, | 0:40:38 | 0:40:42 | |
"I wish there was more car under me, I wish it would do more." | 0:40:42 | 0:40:47 | |
-Is it something you've done before ever, driving around a track? -No, no, never. | 0:40:47 | 0:40:51 | |
Never in your life? | 0:40:51 | 0:40:53 | |
Never in my life, no. | 0:40:53 | 0:40:54 | |
So who would like to see Jeff's lap, bearing in mind | 0:40:54 | 0:40:59 | |
he's never driven round a track before, and was in third the entire way? | 0:40:59 | 0:41:02 | |
AUDIENCE: Yeah! | 0:41:02 | 0:41:04 | |
-Come on, let's have a look here. -OK. | 0:41:04 | 0:41:06 | |
ENGINE REVS AND TYRES SCREECH | 0:41:06 | 0:41:08 | |
'You see there's first and second and third.' | 0:41:08 | 0:41:10 | |
-'I understand.' -'That's second, I saw it change.' | 0:41:10 | 0:41:13 | |
All right, baby. Feeling better with that, er, stick. | 0:41:13 | 0:41:18 | |
'Stick, that's gear lever. | 0:41:18 | 0:41:21 | |
'Oh, late brake. | 0:41:21 | 0:41:23 | |
-'Still in third.' -'Yes.' | 0:41:23 | 0:41:25 | |
'OK, well, there we are. | 0:41:25 | 0:41:27 | |
'Got round nicely,' | 0:41:27 | 0:41:28 | |
very nicely, actually. | 0:41:28 | 0:41:29 | |
-Really? -Yup. | 0:41:29 | 0:41:30 | |
Can you believe that? Now, watch this! | 0:41:30 | 0:41:34 | |
'Don't say "watch this". It's the precursor | 0:41:34 | 0:41:36 | |
-'to all big crashes when a man says, "Watch this!"' -'Really?' | 0:41:36 | 0:41:40 | |
'But you DIDN'T crash.' | 0:41:40 | 0:41:42 | |
I wish it was faster right here. I'm putting it to the floor but I wish I had more car. | 0:41:42 | 0:41:46 | |
-'That's what I said.' -'Go into fourth! | 0:41:46 | 0:41:48 | |
'Second gear here, or are you in third?' | 0:41:48 | 0:41:50 | |
-'Third. I didn't know fourth.' -LAUGHTER | 0:41:50 | 0:41:53 | |
I did not know fourth or fifth would give me more power. | 0:41:53 | 0:41:56 | |
'Up to third. You need to go in second and that would go a bit more.' | 0:41:56 | 0:42:00 | |
I wish I had more speed right now. | 0:42:00 | 0:42:03 | |
LAUGHTER | 0:42:03 | 0:42:05 | |
'The stick, pull the stick! Listen to it! | 0:42:05 | 0:42:09 | |
'Valves are bouncing out through the bonnet. | 0:42:09 | 0:42:13 | |
'Third gear, listen to the little thing! | 0:42:13 | 0:42:15 | |
'You must have been sitting with the revs right on the red line. | 0:42:15 | 0:42:18 | |
'That's a good run through that corner. That is third. | 0:42:18 | 0:42:21 | |
'And here we go, all four wheels? | 0:42:21 | 0:42:23 | |
'Yes! Very un-Tom Cruise-like and there we are, | 0:42:23 | 0:42:26 | |
'across the line, everybody!' | 0:42:26 | 0:42:27 | |
CHEERING | 0:42:27 | 0:42:30 | |
It's a whole new thing. Anyway. Here are the people who have been around so far. We have got | 0:42:36 | 0:42:42 | |
the 1:44.2 sitting at the top with Mr Cruise. | 0:42:42 | 0:42:44 | |
And then 1:49.9 was the slowest we've ever had round here, who is a man called Nick Robinson. | 0:42:44 | 0:42:52 | |
So, where do you think you have come? | 0:42:52 | 0:42:54 | |
I mean, I must come last. | 0:42:54 | 0:42:56 | |
I must be in last. | 0:42:56 | 0:42:58 | |
You, yeah, you, yeah. | 0:42:58 | 0:43:00 | |
-LAUGHTER -Oh, this is a bitter pill. | 0:43:00 | 0:43:03 | |
Because on the track they were saying, as I was doing another lap or two, | 0:43:03 | 0:43:08 | |
they were saying, "Jeez, and you just learned. | 0:43:08 | 0:43:11 | |
"This may be a very happy ending. | 0:43:11 | 0:43:13 | |
"Just fix another thing or two..." I thought I was breaking records or something. | 0:43:13 | 0:43:17 | |
-You were breaking records. -Uh-oh. Uh-oh. | 0:43:17 | 0:43:21 | |
No, no, no, you did it in third gear in one... | 0:43:21 | 0:43:28 | |
forty-... | 0:43:28 | 0:43:30 | |
nine dead. | 0:43:31 | 0:43:34 | |
CHEERING AND APPLAUSE | 0:43:34 | 0:43:36 | |
SPEECH DROWNED BY APPLAUSE | 0:43:36 | 0:43:38 | |
You're faster than Peta, 23, from Essex. | 0:43:38 | 0:43:43 | |
-Congratulations. -Thank you very much. | 0:43:45 | 0:43:49 | |
Are you pleased, are you proud? | 0:43:50 | 0:43:54 | |
Yes. Yes. | 0:43:54 | 0:43:56 | |
-I'm happy as a clam. -Excellent. | 0:43:56 | 0:43:58 | |
Ladies and gentlemen and what a huge pleasure to have you here, good luck with the play, Jeff Goldblum! | 0:43:58 | 0:44:04 | |
CHEERING | 0:44:04 | 0:44:06 | |
Excellent. | 0:44:06 | 0:44:09 | |
Now, tonight, we are on a quest | 0:44:09 | 0:44:12 | |
to prove that old British sports cars were brilliant. | 0:44:12 | 0:44:16 | |
Meanwhile, our producers are on a quest to prove that the reason | 0:44:16 | 0:44:20 | |
they were killed off by hot hatchbacks is because they were better. | 0:44:20 | 0:44:24 | |
So, we now rejoin the action for a safety test | 0:44:24 | 0:44:28 | |
at the top-secret Prodrive test track, | 0:44:28 | 0:44:30 | |
just off the A 4177 between Honiley and Baddesley Clinton. It's on the left. | 0:44:30 | 0:44:35 | |
'To try and show us that hot hatchbacks are safer than our cars, | 0:44:38 | 0:44:41 | |
'the producers asked The Stig to get into a Citroen AX GT, | 0:44:41 | 0:44:46 | |
'which would then be dragged by a special cable into the side of a lorry at 50 miles an hour.' | 0:44:46 | 0:44:51 | |
Didn't do well at all, did it? | 0:45:05 | 0:45:07 | |
-Well, there it is. That's the benchmark and that is a fail, isn't it? -That's a fail, yes. | 0:45:08 | 0:45:14 | |
'We then decided that because we are a team, only one of us actually needed to do this test.' | 0:45:16 | 0:45:21 | |
-Should I wear a crash helmet? -If anything goes wrong here, a crash helmet will make NO difference, mate. | 0:45:21 | 0:45:28 | |
-It'll make it easier to find his head. -It will keep the bits in one place. | 0:45:28 | 0:45:32 | |
This is the safest thing anyone has ever done. | 0:45:32 | 0:45:36 | |
Look at the inertia reel seat belt you get in a Jenson. | 0:45:36 | 0:45:39 | |
Could you just make that go a bit further in the back. | 0:45:39 | 0:45:42 | |
I don't want you to ever say that to me again! | 0:45:42 | 0:45:44 | |
-You see, how cheerful am I about what I am about to do? -Yeah. | 0:45:47 | 0:45:52 | |
# Sunrise | 0:45:53 | 0:45:55 | |
# This is the last day... # | 0:45:55 | 0:45:57 | |
I've got Tony Christie on my eight-track. | 0:45:57 | 0:46:00 | |
The seat belt is on, good, strong, dependable seat belt... Oh, I'm off! | 0:46:00 | 0:46:04 | |
Bye! I see a mean... | 0:46:09 | 0:46:12 | |
Oh, I'd better concentrate because I'm going into the lorry. Brace! | 0:46:12 | 0:46:16 | |
Brace! | 0:46:18 | 0:46:19 | |
How safe is this car? | 0:46:24 | 0:46:26 | |
-That's a pass. -That is a pass. | 0:46:26 | 0:46:29 | |
Thank God he wasn't in that little Citroen. | 0:46:29 | 0:46:31 | |
'Having proved, as a team, that our cars are safer than hot hatches, | 0:46:33 | 0:46:37 | |
'we continued onwards and soon, we were in a very special place.' | 0:46:37 | 0:46:41 | |
This is where Richard Hammond was actually born. | 0:46:41 | 0:46:46 | |
This is a beautiful town, Richard. | 0:46:48 | 0:46:50 | |
You are very lucky to have been born here, Hammond. | 0:46:50 | 0:46:53 | |
Am I ever? | 0:46:53 | 0:46:54 | |
Fond memories. | 0:46:54 | 0:46:56 | |
Usmania, "complete home furnishings". | 0:46:56 | 0:47:00 | |
That's where the Queen buys all her furniture. | 0:47:00 | 0:47:03 | |
Happy communities. | 0:47:03 | 0:47:05 | |
Man cleaning windows, or is he breaking in? No, he is cleaning them. | 0:47:05 | 0:47:10 | |
'Sadly, my trip down memory lane was interrupted by the producers, | 0:47:11 | 0:47:16 | |
'who said we must go to a petrol station where they would test our cars' waterproof-ness.' | 0:47:16 | 0:47:22 | |
Shakespeare country, this. | 0:47:22 | 0:47:24 | |
-I know. I noticed Shakespeare's Estate Agents. -Yes, very much. | 0:47:24 | 0:47:27 | |
I presume we're having to do the test of the waterproofing | 0:47:27 | 0:47:30 | |
of the cars at a car wash because it so rarely rains in Britain. | 0:47:30 | 0:47:34 | |
When would it happen? So we need to do that, yes. | 0:47:34 | 0:47:37 | |
-OK! -What is that? | 0:47:37 | 0:47:39 | |
Nothing, nothing. I've parked over an oil spill. | 0:47:39 | 0:47:42 | |
-Can I just check that? -Is it? | 0:47:42 | 0:47:44 | |
Yeah. | 0:47:44 | 0:47:45 | |
You've parked over a bit of hanging-off bodywork as well. | 0:47:45 | 0:47:48 | |
'To try and stop the producers endlessly filming the boring oil spill, James started the test.' | 0:47:48 | 0:47:54 | |
Do your worst. | 0:47:56 | 0:47:58 | |
A lot of people do like to turn up and watch cars being washed around Solihull and Shirley. | 0:47:58 | 0:48:03 | |
Edit that out. | 0:48:04 | 0:48:06 | |
'The TVR passed with flying colours.' | 0:48:06 | 0:48:09 | |
Death Valley. | 0:48:11 | 0:48:13 | |
'And so did the Jensen.' | 0:48:14 | 0:48:17 | |
Nuclear submarines have more leaks than this does. | 0:48:17 | 0:48:22 | |
'So, then, I lined up the Lotus.' | 0:48:23 | 0:48:25 | |
There is a bit coming in, I'll be honest - yeah, some. | 0:48:25 | 0:48:31 | |
-Let's have a look. -I'll be staggered if he's dry. | 0:48:32 | 0:48:36 | |
No, It's fine. I spilt my drink. | 0:48:36 | 0:48:39 | |
Not again? Was it just water? | 0:48:39 | 0:48:41 | |
Yeah. Just water and a bit of soap. | 0:48:41 | 0:48:44 | |
'To then prove, again, to the producers why hot hatchbacks were so poor, we asked The Stig | 0:48:45 | 0:48:51 | |
'to take a Ford Escort XR3i through the same car wash.' | 0:48:51 | 0:48:55 | |
-Has The Stig ever been to a car wash before? -No, it'll be a whole new experience for him. | 0:48:57 | 0:49:01 | |
What do you think? | 0:49:06 | 0:49:07 | |
Well, it's got a solid roof. | 0:49:07 | 0:49:10 | |
What is that coming out of the sky now? | 0:49:12 | 0:49:16 | |
That's a bit of over-spray from the car wash. | 0:49:16 | 0:49:18 | |
He's coming now, gentlemen. | 0:49:20 | 0:49:22 | |
-Here he comes now. -Oh, it's not gone well! | 0:49:25 | 0:49:28 | |
Oh, my God! | 0:49:28 | 0:49:31 | |
-MUFFLED: -Now I come to think of it, | 0:49:33 | 0:49:35 | |
this is the main reason I didn't buy an XR3. | 0:49:35 | 0:49:38 | |
I lost a couple of friends like this. | 0:49:38 | 0:49:40 | |
-MUFFLED: -It's one of the reasons | 0:49:40 | 0:49:43 | |
the insurance premiums were so high, it's because of this leaking issue. | 0:49:43 | 0:49:48 | |
'Buoyed by yet another victory, we rolled on up our equivalent of Highway 1 towards Blackpool.' | 0:49:54 | 0:50:00 | |
Oh, God. Now, this is something, if you're watching this abroad, | 0:50:00 | 0:50:04 | |
it's something I have never seen before, roadworks on a British motorway. | 0:50:04 | 0:50:11 | |
That is unusual. | 0:50:11 | 0:50:12 | |
'But then, we were made to turn off Highway 1.' | 0:50:14 | 0:50:18 | |
I don't know why the producers have made us come THROUGH Stoke rather than round it. | 0:50:18 | 0:50:23 | |
But I'm mighty glad they did. | 0:50:23 | 0:50:25 | |
We three can count ourselves amongst the four million tourists visiting Stoke every year. | 0:50:25 | 0:50:32 | |
OK. | 0:50:33 | 0:50:35 | |
The car is beginning to smell like I need a picnic again. | 0:50:36 | 0:50:39 | |
What do you fancy? Oil - er, sorry, biscuits? | 0:50:39 | 0:50:42 | |
-No, I'm fine. -One of the more popular places in England, this, for a picnic. | 0:50:42 | 0:50:47 | |
The reason is, that house there, you see the lilac one, four along, can you see that? | 0:50:47 | 0:50:52 | |
Robbie Williams lives there. | 0:50:52 | 0:50:54 | |
-Have you admired it for long enough? -Yes, it's a good idea when you stop to check your engine is still there. | 0:50:54 | 0:51:00 | |
Just having a look, it's nice. | 0:51:00 | 0:51:02 | |
Lovely. Better for seeing that. | 0:51:02 | 0:51:04 | |
-Have you had your picnic? -I have had a lovely picnic. I am absolutely full again. | 0:51:04 | 0:51:09 | |
Would you be needing a picnic again? | 0:51:09 | 0:51:11 | |
Another hour or so and I'll want a quick picnic before Blackpool. | 0:51:11 | 0:51:14 | |
'Blackpool was just 15 miles away but the producers, infuriated by our good progress, | 0:51:17 | 0:51:22 | |
'ordered us to pull over at a garden centre for yet another challenge.' | 0:51:22 | 0:51:27 | |
JEREMY CLEARS THROAT | 0:51:28 | 0:51:30 | |
"One of the main reasons people switched from British sports cars | 0:51:30 | 0:51:33 | |
"to European hot hatchbacks, apart from reliability, price, comfort, speed, handling..." | 0:51:33 | 0:51:38 | |
I don't think so, as we have proved. "..is practicality. | 0:51:38 | 0:51:43 | |
"To prove this point, you will load up a Golf GTI with items | 0:51:43 | 0:51:46 | |
"from the garden centre and then you will see how much you can get in YOUR cars." | 0:51:46 | 0:51:52 | |
'This is a MkI GTI, the first of the breed, the breed that killed the British sports car. | 0:51:55 | 0:52:02 | |
'So, let's see what we can get into that boot.' | 0:52:02 | 0:52:05 | |
Whoa, careful. | 0:52:09 | 0:52:10 | |
I shall open the boot. | 0:52:10 | 0:52:12 | |
-We'll just... You need to take... -The parcel shelf down. | 0:52:12 | 0:52:15 | |
-There it is. -OK. There we are. | 0:52:17 | 0:52:21 | |
-No. -Ah. No, you see. | 0:52:24 | 0:52:27 | |
-If you can't get a rose arch into a Golf GTI... -What can you get in? | 0:52:27 | 0:52:31 | |
Exactly. | 0:52:31 | 0:52:32 | |
'After a quick shop, we hit the road and made our point.' | 0:52:34 | 0:52:39 | |
Here's the thing. If you had gone to the garden centre with a hot hatchback, | 0:52:47 | 0:52:52 | |
the biggest thing you could have brought home is a pansy. | 0:52:52 | 0:52:55 | |
I'm going home with a bamboo and a conifer. | 0:52:55 | 0:52:59 | |
TVR, the car that came out of the shed, now, underneath one. | 0:53:00 | 0:53:05 | |
This is awkward. | 0:53:08 | 0:53:10 | |
Her bottom is quite close to my face. | 0:53:10 | 0:53:14 | |
'There was, however, a serious point to be made here.' | 0:53:17 | 0:53:21 | |
We were all rather dazzled by the XR3i and the Golf GTI and so on, | 0:53:22 | 0:53:27 | |
but really, it was a bit of a fad. | 0:53:27 | 0:53:30 | |
Nobody these days is saying, "Oh, I'd love an old XR3." | 0:53:30 | 0:53:35 | |
But a Jensen Healey, a Lotus, a TVR, yes. | 0:53:35 | 0:53:39 | |
'As we neared journey's end, Richard became a bit emotional.' | 0:53:41 | 0:53:46 | |
I think driving to a British seaside resort, Blackpool, | 0:53:46 | 0:53:50 | |
in a funny little British sports car with a naked lady statue and a giant urn on the seat next to me, | 0:53:50 | 0:53:56 | |
is, above all else, fun. | 0:53:56 | 0:54:01 | |
And for all our serious side, the British have always been rather good at fun. | 0:54:01 | 0:54:05 | |
The whole experience is tinged at all times with the knowledge that we are doing something that has ended. | 0:54:05 | 0:54:13 | |
And finally, we end with James's TVR coming home. | 0:54:15 | 0:54:21 | |
'This is the home in question. | 0:54:27 | 0:54:30 | |
'The factory where it was made.' | 0:54:30 | 0:54:33 | |
This one, I remember. | 0:54:33 | 0:54:35 | |
I remember this. | 0:54:35 | 0:54:36 | |
Because they made them everywhere, didn't they? | 0:54:36 | 0:54:39 | |
They were in that one and that one and this one and this one. | 0:54:39 | 0:54:42 | |
-It was busy. -Everything got moved... It wasn't efficient. | 0:54:42 | 0:54:46 | |
No, but busy and they made stuff. | 0:54:46 | 0:54:48 | |
Oh, my God, look at that. | 0:54:48 | 0:54:50 | |
-Ooh, I remember those. -They were Tamsins. | 0:54:50 | 0:54:53 | |
And the grey one was a 3-litre. | 0:54:53 | 0:54:57 | |
That was the Taimar. | 0:54:57 | 0:54:59 | |
Because it wasn't a little burst, was it? | 0:54:59 | 0:55:02 | |
-It was a few decades. -1947, TVR started. | 0:55:02 | 0:55:05 | |
Same as Land Rover. | 0:55:05 | 0:55:07 | |
That is actually a part of the manufacturing process there dumped on the floor. | 0:55:07 | 0:55:12 | |
A huge amount of work went into making that. | 0:55:12 | 0:55:16 | |
Isn't that the mould for the bonnet of your car? | 0:55:21 | 0:55:24 | |
There's nothing quieter than a no-longer-functioning factory, is there? | 0:55:30 | 0:55:35 | |
It's particularly noticeable quiet. | 0:55:35 | 0:55:37 | |
I hate it. | 0:55:37 | 0:55:39 | |
-My car was in here once, though. -Yeah. | 0:55:41 | 0:55:44 | |
Going through here, being built. | 0:55:44 | 0:55:47 | |
And it was all new and somebody was very excited about it somewhere. | 0:55:47 | 0:55:51 | |
My TVR is coming next week, it's an S2. | 0:55:51 | 0:55:54 | |
What have you found? Some more Nobby work? | 0:56:02 | 0:56:05 | |
-Yeah! -Oh, really? | 0:56:05 | 0:56:06 | |
I'll lean on that bit. | 0:56:06 | 0:56:08 | |
JAMES LAUGHS | 0:56:08 | 0:56:11 | |
-Oh, that's really sad. -Let me just see what the word was? | 0:56:11 | 0:56:14 | |
I thought so! | 0:56:14 | 0:56:15 | |
'It was horrible to walk round this industrial wilderness. | 0:56:19 | 0:56:23 | |
'There were so many memories, | 0:56:23 | 0:56:25 | |
'so many thoughts of what might have been. | 0:56:25 | 0:56:27 | |
'There are, of course, good reasons why almost all these great names are gone. | 0:57:01 | 0:57:07 | |
'But after our journey across the width of Britain, | 0:57:11 | 0:57:16 | |
'we really couldn't remember what they were.' | 0:57:16 | 0:57:19 | |
CHEERING AND APPLAUSE | 0:57:27 | 0:57:29 | |
The weird thing is, I think, when you drive a car like that, | 0:57:33 | 0:57:39 | |
you actually can't help becoming a bit misty-eyed and wistful. | 0:57:39 | 0:57:43 | |
You drive them really with rose-tinted spectacles on. | 0:57:43 | 0:57:46 | |
Exactly, and there was a little piece of music in the first part of the film | 0:57:46 | 0:57:50 | |
that summed it up perfectly, they are diamond dogs. | 0:57:50 | 0:57:53 | |
You are exactly right. And I have to say...this hurts, but, Richard, I think yours was the best. | 0:57:53 | 0:57:58 | |
-No, I think James's was the best. -No, I have to disagree with both of you. | 0:57:58 | 0:58:02 | |
Your car was definitely the best. It was superb. | 0:58:02 | 0:58:06 | |
-Why don't we just say that they were all the best? -Let's agree on that. | 0:58:06 | 0:58:10 | |
And on that unusually harmonious bombshell, it is time to end, | 0:58:10 | 0:58:13 | |
not just the programme, but the whole series. | 0:58:13 | 0:58:16 | |
Thank you so much for watching. | 0:58:16 | 0:58:18 | |
Take care. See you soon. | 0:58:18 | 0:58:20 | |
CHEERING AND APPLAUSE | 0:58:20 | 0:58:22 | |
Subtitles by Red Bee Media Ltd | 0:58:39 | 0:58:42 | |
E-mail [email protected] | 0:58:42 | 0:58:46 |