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APPLAUSE | 0:00:16 | 0:00:19 | |
University Challenge. | 0:00:19 | 0:00:21 | |
Asking the questions, Jeremy Paxman. | 0:00:21 | 0:00:24 | |
Hello. 28 teams qualified to appear in this series, | 0:00:28 | 0:00:32 | |
12 left with prudent haste after the first round, and so far, | 0:00:32 | 0:00:36 | |
seven have fallen by the wayside in round two, which ends tonight. | 0:00:36 | 0:00:41 | |
Whichever team wins this match | 0:00:41 | 0:00:42 | |
will take the last of the quarterfinal places. | 0:00:42 | 0:00:45 | |
The team from Peterhouse, Cambridge beat Queens' College, Cambridge | 0:00:45 | 0:00:49 | |
in the first round, but only by the skin of their teeth. | 0:00:49 | 0:00:52 | |
They had a comfortable lead for most of the match, | 0:00:52 | 0:00:54 | |
but then fell strangely silent for the final third, | 0:00:54 | 0:00:57 | |
allowing Queens' to come within ten points of them, | 0:00:57 | 0:01:00 | |
and they were doubtless relieved to hear the gong | 0:01:00 | 0:01:02 | |
silence their opponents during a bonus set on recent fiction. | 0:01:02 | 0:01:06 | |
With an average age of 19 | 0:01:06 | 0:01:08 | |
and representing the reigning University Challenge champions, | 0:01:08 | 0:01:11 | |
let's meet the Peterhouse team again. | 0:01:11 | 0:01:14 | |
Hello, my name's Ephraim Jacob Jacobus Levinson. | 0:01:14 | 0:01:17 | |
I'm from North London and I'm reading English. | 0:01:17 | 0:01:21 | |
Hello, my name's Oliver Sweetenham. | 0:01:21 | 0:01:23 | |
I'm from Hinksey in Oxfordshire and I'm also reading English Literature. | 0:01:23 | 0:01:26 | |
-And this is their captain. -Hello, I'm Natasha Voake. | 0:01:26 | 0:01:29 | |
I'm originally from New York and I'm reading Linguistics. | 0:01:29 | 0:01:32 | |
And I'm Xiao Lin. I grew up in Newcastle upon Tyne and Belfast, | 0:01:32 | 0:01:35 | |
and I'm reading Chemical Engineering. | 0:01:35 | 0:01:37 | |
APPLAUSE | 0:01:37 | 0:01:41 | |
Now, the team representing Corpus Christi College, Oxford, | 0:01:41 | 0:01:45 | |
had a close first-round match against Jesus College, Cambridge, | 0:01:45 | 0:01:49 | |
and were neck and neck until the final minutes | 0:01:49 | 0:01:51 | |
when they finally managed to pull into the lead | 0:01:51 | 0:01:53 | |
and keep it until the gong, winning by 200 points to 175. | 0:01:53 | 0:01:57 | |
With an average age of 21, let's meet the Corpus Christi team again. | 0:01:57 | 0:02:02 | |
Hello, I'm Tom Fleet. | 0:02:02 | 0:02:03 | |
I'm from Pendoggett in Cornwall and I study English. | 0:02:03 | 0:02:06 | |
Hi, I'm Emma Johnson. I'm from North London and I study Medicine. | 0:02:06 | 0:02:09 | |
-And this is their captain. -Hi, I'm Nikhil Venkatesh. | 0:02:09 | 0:02:12 | |
I'm from Derby and I study Philosophy, Politics and Economics. | 0:02:12 | 0:02:16 | |
Hi, I'm Adam Wright from Winnersh in Berkshire | 0:02:16 | 0:02:19 | |
and I'm studying for a DPhil in Physics. | 0:02:19 | 0:02:21 | |
APPLAUSE | 0:02:21 | 0:02:26 | |
Shall we skip the recitation of the rules? Fingers on the buzzers. | 0:02:26 | 0:02:29 | |
Here's your first starter for ten. | 0:02:29 | 0:02:32 | |
"The reasonable man adapts himself to the world. | 0:02:32 | 0:02:35 | |
"The unreasonable one persists | 0:02:35 | 0:02:37 | |
"in trying to adapt the world to himself. | 0:02:37 | 0:02:40 | |
"Therefore, all progress depends on the unreasonable man." | 0:02:40 | 0:02:44 | |
Those words appear in a work of 1903 by which literary figure? | 0:02:44 | 0:02:49 | |
-George Bernard Shaw. -Correct. | 0:02:52 | 0:02:54 | |
APPLAUSE | 0:02:54 | 0:02:56 | |
Maxims For Revolutionists. | 0:02:56 | 0:02:58 | |
You get the first set of bonuses, then, Corpus Christi. | 0:02:58 | 0:03:00 | |
They're on an animal. | 0:03:00 | 0:03:02 | |
In the monologue by Marriott Edgar recorded by Stanley Holloway, | 0:03:02 | 0:03:06 | |
Albert Ramsbottom falls foul of Wallace | 0:03:06 | 0:03:09 | |
after pushing his stick with its "'orse's 'ead 'andle" | 0:03:09 | 0:03:13 | |
into Wallace's ear. What species of animal is Wallace? | 0:03:13 | 0:03:17 | |
This is the lion, isn't it? | 0:03:17 | 0:03:18 | |
-Albert and the lion? -I have... -Go for it. -Yeah, sounds plausible. | 0:03:18 | 0:03:21 | |
-A lion. -Correct. | 0:03:21 | 0:03:23 | |
"If all evil were prevented, | 0:03:23 | 0:03:25 | |
"much good would be absent from the universe. | 0:03:25 | 0:03:27 | |
"A lion would cease to live if there were no slaying of animals." | 0:03:27 | 0:03:32 | |
Who wrote that in the 13th-century work Summa Theologica? | 0:03:32 | 0:03:36 | |
-Is that Aquinas? -Aquinas sounds possible. -Yeah? -Yeah. | 0:03:37 | 0:03:40 | |
-Aquinas. -Correct. | 0:03:40 | 0:03:42 | |
In a work of 1513, who wrote that a ruler must be a fox | 0:03:42 | 0:03:47 | |
"to recognise the traps, and a lion to frighten the wolves"? | 0:03:47 | 0:03:50 | |
-Machiavelli. -Yeah? | 0:03:50 | 0:03:51 | |
-Machiavelli. -Correct. | 0:03:51 | 0:03:53 | |
APPLAUSE Ten points for this. | 0:03:53 | 0:03:55 | |
After Russia and Iran, | 0:03:55 | 0:03:58 | |
which country has the third largest natural gas reserves in the world? | 0:03:58 | 0:04:03 | |
In 2015, Swiss federal prosecutors implicated it in an investigation | 0:04:03 | 0:04:08 | |
relating to irregularities in the allocation of the 20... | 0:04:08 | 0:04:11 | |
-Qatar. -Qatar is correct. | 0:04:13 | 0:04:15 | |
APPLAUSE | 0:04:15 | 0:04:18 | |
These bonuses are on ancient Greek scientists. | 0:04:18 | 0:04:22 | |
Firstly, for five points, born around 310 BC, | 0:04:22 | 0:04:26 | |
Aristarchus of Samos was an early proponent | 0:04:26 | 0:04:29 | |
of what astronomical theory | 0:04:29 | 0:04:30 | |
later upheld by the models of Copernicus, Kepler and Galileo? | 0:04:30 | 0:04:35 | |
-Heliocentrism. -Correct - the earth orbiting the sun. | 0:04:35 | 0:04:39 | |
Secondly, using correct geometry but inaccurate data, | 0:04:39 | 0:04:42 | |
Aristarchus said that the sun was about 18 to 20 times | 0:04:42 | 0:04:46 | |
further away from earth than the moon. | 0:04:46 | 0:04:48 | |
What is the actual multiple? You can have 10% either way. | 0:04:48 | 0:04:52 | |
The sun's 93 million miles away, | 0:04:52 | 0:04:54 | |
but I don't how far away the moon is. | 0:04:54 | 0:04:56 | |
-Cheers, mate. -I'd guess, like, ten. Something like ten. | 0:04:56 | 0:04:59 | |
-Ten? I thought it would be more. -Oh. -OK? No? | 0:04:59 | 0:05:02 | |
Try it. Try it. | 0:05:02 | 0:05:04 | |
OK, ten. | 0:05:04 | 0:05:06 | |
What a very odd world you live in. | 0:05:07 | 0:05:08 | |
LAUGHTER No, it's 390. | 0:05:08 | 0:05:11 | |
The main source for Aristarchus's heliocentric theory | 0:05:11 | 0:05:15 | |
is The Sand Reckoner, | 0:05:15 | 0:05:16 | |
a work by which Greek mathematician born in Sicily around 290 BC? | 0:05:16 | 0:05:21 | |
Who was born in Sicily? Was that...? | 0:05:21 | 0:05:23 | |
-Was Archimedes? -Yeah. I think so, yeah. | 0:05:23 | 0:05:26 | |
-Archimedes. -It was Archimedes, yes. | 0:05:26 | 0:05:28 | |
APPLAUSE Ten points for this. | 0:05:28 | 0:05:32 | |
Which three letters begin the names of an island | 0:05:32 | 0:05:34 | |
lying between North and South Uist, | 0:05:34 | 0:05:37 | |
a city in the Australian state of Victoria | 0:05:37 | 0:05:39 | |
that grew rapidly during the 1850s gold rush, | 0:05:39 | 0:05:42 | |
a region in the north-east of the Indian subcontinent, | 0:05:42 | 0:05:46 | |
and a tourist resort on the Costa Blanca? | 0:05:46 | 0:05:48 | |
-B-E-N. -Correct. | 0:05:53 | 0:05:55 | |
APPLAUSE | 0:05:55 | 0:05:59 | |
These bonuses are on World War II propaganda posters. | 0:05:59 | 0:06:03 | |
Firstly, for five, what three words appear on a poster | 0:06:03 | 0:06:06 | |
depicting a booted foot pushing a spade into the earth? | 0:06:06 | 0:06:10 | |
-Dig for Victory? -Dig for Victory. | 0:06:10 | 0:06:11 | |
-Dig for Victory. -Correct. | 0:06:11 | 0:06:13 | |
According to numerous posters, | 0:06:13 | 0:06:15 | |
the influence of which maligned creature | 0:06:15 | 0:06:17 | |
could be averted by buying war savings? | 0:06:17 | 0:06:20 | |
He's often depicted as an imp-like being covered with swastikas. | 0:06:20 | 0:06:23 | |
-HE SIGHS -Is it like...? | 0:06:23 | 0:06:26 | |
-It's the something bug. -I don't know. | 0:06:26 | 0:06:28 | |
-Squander Bug - have I made that up? -Try it. -Oh, yes! | 0:06:28 | 0:06:31 | |
-Yeah? Is that a thing? -I think that sounds right. | 0:06:31 | 0:06:33 | |
Is that from Dad's Army or...? | 0:06:33 | 0:06:34 | |
-The Squander Bug. -That's correct. LAUGHTER | 0:06:34 | 0:06:36 | |
Give the two words that complete this inscription | 0:06:36 | 0:06:39 | |
on a public information poster. | 0:06:39 | 0:06:41 | |
"Hitler will send no warning, so always carry your..." | 0:06:41 | 0:06:45 | |
-Gas mask. -Gas mask. | 0:06:45 | 0:06:46 | |
-Gas mask. -Correct. | 0:06:46 | 0:06:48 | |
APPLAUSE Right, ten points for this | 0:06:48 | 0:06:52 | |
starter question. | 0:06:52 | 0:06:53 | |
"Only boys accepting feminism get kissed meaningfully", | 0:06:53 | 0:06:57 | |
is a mnemonic representing the seven letters | 0:06:57 | 0:06:59 | |
in the so-called Harvard system used in the classification of what? | 0:06:59 | 0:07:04 | |
-Stars. -Stars is correct, yes. | 0:07:06 | 0:07:08 | |
APPLAUSE | 0:07:08 | 0:07:12 | |
Your first bonuses, Peterhouse, | 0:07:12 | 0:07:14 | |
are on the French Revolutionary Wars. | 0:07:14 | 0:07:16 | |
Firstly, for five, following the Treaty of Tolentino in 1796, | 0:07:16 | 0:07:21 | |
a work known as The Transfiguration by which Renaissance artist | 0:07:21 | 0:07:25 | |
was taken from Pope Pius VI and exhibited in the Louvre? | 0:07:25 | 0:07:29 | |
It was returned after 1815. | 0:07:29 | 0:07:32 | |
I have no idea. | 0:07:32 | 0:07:33 | |
Oh, maybe della Francesca might have done The Transfiguration. | 0:07:33 | 0:07:37 | |
-Do you think? -Piero della Francesca, maybe. | 0:07:37 | 0:07:39 | |
-Piero della Francesca. -No, it was by Raphael. | 0:07:39 | 0:07:42 | |
Removed to Paris during the French occupation of Venice | 0:07:42 | 0:07:45 | |
and now displayed in the Louvre, | 0:07:45 | 0:07:47 | |
The Wedding Feast At Cana is a painting by which artist? | 0:07:47 | 0:07:50 | |
-Veronese. -Correct. | 0:07:50 | 0:07:51 | |
Four bronze horses taken from St Mark's Basilica | 0:07:51 | 0:07:55 | |
were used in the design of a triumphal arch in Paris. | 0:07:55 | 0:07:58 | |
The Venetians had earlier stolen them | 0:07:58 | 0:08:00 | |
during a sack of which city in 1204? | 0:08:00 | 0:08:03 | |
-Constantinople. -Correct. | 0:08:03 | 0:08:05 | |
APPLAUSE We're going to take a picture round. | 0:08:05 | 0:08:07 | |
For your picture starter, you're going to see a word cloud | 0:08:07 | 0:08:09 | |
with a selection of the most common words | 0:08:09 | 0:08:12 | |
in the speech of one of Shakespeare's characters, | 0:08:12 | 0:08:14 | |
with all proper nouns and their adjectival forms removed. | 0:08:14 | 0:08:18 | |
For ten points, I want you to identify the character. | 0:08:18 | 0:08:21 | |
-Shylock. -Shylock is right, yes. | 0:08:25 | 0:08:27 | |
APPLAUSE | 0:08:27 | 0:08:30 | |
So, for your picture bonuses, I want you to identify | 0:08:30 | 0:08:33 | |
three more Shakespearean characters | 0:08:33 | 0:08:35 | |
from some of their most commonly used words. | 0:08:35 | 0:08:38 | |
All are title characters, and again, | 0:08:38 | 0:08:41 | |
names and place names have been largely omitted. | 0:08:41 | 0:08:43 | |
Firstly, for five... | 0:08:43 | 0:08:45 | |
THEY WHISPER | 0:08:45 | 0:08:48 | |
-Cheek... -Eyes would make it Romeo, not Juliet. -No... | 0:08:48 | 0:08:52 | |
Who talks about poisoning? Who's the one who does the poisoning? | 0:08:52 | 0:08:55 | |
-Isn't that Juliet? -Um, yeah. -You may be right. | 0:08:55 | 0:08:58 | |
-Actually, is there a female...? -And "man". I think Juliet, maybe. | 0:08:58 | 0:09:02 | |
-I think... -OK, yes, go for Juliet. -Romeo or Juliet, but I'm not sure. | 0:09:02 | 0:09:06 | |
OK. Juliet. | 0:09:06 | 0:09:07 | |
No, it was Romeo. Bad luck. Secondly... | 0:09:07 | 0:09:11 | |
-Oh, it's Othello. -Oh, yes, of course. | 0:09:14 | 0:09:17 | |
-Othello. -Othello is right. | 0:09:17 | 0:09:19 | |
The handkerchief's the giveaway, of course. And finally... | 0:09:19 | 0:09:21 | |
-Could be Hamlet. -It could probably. | 0:09:25 | 0:09:27 | |
Actually, "mother", so it's definitely Hamlet. | 0:09:27 | 0:09:30 | |
-Hamlet. -Correct. | 0:09:30 | 0:09:31 | |
APPLAUSE Right, ten points for this. | 0:09:31 | 0:09:35 | |
What intense form of self-regard | 0:09:35 | 0:09:37 | |
derives its name from that of a Greek youth? | 0:09:37 | 0:09:40 | |
-Narcissism. -Correct. | 0:09:42 | 0:09:44 | |
APPLAUSE | 0:09:44 | 0:09:47 | |
Your bonuses, Corpus Christi, this time are on scientific units. | 0:09:47 | 0:09:51 | |
In each case, identify the unit from the description. | 0:09:51 | 0:09:53 | |
All three begin with the same letter. | 0:09:53 | 0:09:56 | |
Firstly, a unit of distance defined as the average distance | 0:09:56 | 0:09:59 | |
between the centre of the earth and the centre of the sun. | 0:09:59 | 0:10:03 | |
-Is that an astronomical unit? -OK. | 0:10:03 | 0:10:06 | |
-An astronomical unit. -That's correct. | 0:10:06 | 0:10:08 | |
Secondly, a unit of length equal to 0.1 nanometres | 0:10:08 | 0:10:12 | |
or ten to the minus 10m. | 0:10:12 | 0:10:14 | |
It's named after a 19th-century Swedish physicist. | 0:10:14 | 0:10:17 | |
-Angstrom. -Correct. | 0:10:17 | 0:10:19 | |
Finally, give the two-word term for the unit of angular measurement | 0:10:19 | 0:10:23 | |
equivalent to 1/60th of a degree. | 0:10:23 | 0:10:25 | |
-Arcsecond. -Oh, yeah. -Oh, yeah, arcminute. | 0:10:25 | 0:10:29 | |
Yeah, say arcminute. | 0:10:29 | 0:10:31 | |
-Arcminute. -Correct. | 0:10:31 | 0:10:32 | |
APPLAUSE Ten points for this. | 0:10:32 | 0:10:36 | |
Truth as subjectivity and the knight of faith | 0:10:36 | 0:10:40 | |
are among concepts associated with which Northern European philosopher | 0:10:40 | 0:10:45 | |
born in 1813? His works... | 0:10:45 | 0:10:47 | |
-Kierkegaard. -Kierkegaard is correct. | 0:10:48 | 0:10:50 | |
APPLAUSE | 0:10:50 | 0:10:53 | |
Your bonuses, Peterhouse, | 0:10:53 | 0:10:55 | |
this time are on people buried in Highgate Cemetery. | 0:10:55 | 0:10:58 | |
In each case, name the person from the description. | 0:10:58 | 0:11:00 | |
Firstly, a Marxist historian who died in 2012. | 0:11:00 | 0:11:04 | |
His works include Industry And Empire | 0:11:04 | 0:11:07 | |
and The Age Of Extremes - The Short 20th Century, 1914-1991. | 0:11:07 | 0:11:12 | |
-Eric Hobsbawm. -Correct. | 0:11:12 | 0:11:14 | |
Secondly, a novelist who died in 1882. | 0:11:14 | 0:11:16 | |
Her works include Daniel Deronda and Felix Holt, the Radical. | 0:11:16 | 0:11:20 | |
-George Eliot. -Correct. | 0:11:20 | 0:11:21 | |
And finally, an English scientist who died in 1867. | 0:11:21 | 0:11:25 | |
He invented the first electric motor and discovered diamagnetism. | 0:11:25 | 0:11:29 | |
-Faraday? -Maybe Faraday. -OK. | 0:11:32 | 0:11:33 | |
-Faraday. -Faraday is right. | 0:11:33 | 0:11:35 | |
APPLAUSE Ten points for this. | 0:11:35 | 0:11:39 | |
The French marquis Marie-Joseph Gilbert du Motier | 0:11:39 | 0:11:42 | |
is commonly known by what single-word name? | 0:11:42 | 0:11:45 | |
He fought in the American War of Independence, | 0:11:45 | 0:11:48 | |
commanded the national... | 0:11:48 | 0:11:49 | |
-Is it Lafayette? -It is Lafayette, yes. | 0:11:50 | 0:11:52 | |
APPLAUSE | 0:11:52 | 0:11:55 | |
Your bonuses are on ships in literature, Peterhouse. | 0:11:55 | 0:11:59 | |
The experiences of the crew of HMS Compass Rose | 0:11:59 | 0:12:02 | |
and HMS Saltash during the Second World War | 0:12:02 | 0:12:05 | |
are the subject of which novel by Nicholas Monsarrat? | 0:12:05 | 0:12:09 | |
Um... | 0:12:09 | 0:12:11 | |
-Do we even know who Nicholas Monsarrat is? -I've no idea. | 0:12:11 | 0:12:13 | |
-I don't know who he is, no. Just pass. -Pass. | 0:12:13 | 0:12:15 | |
That's The Cruel Sea, first published in 1951. | 0:12:15 | 0:12:19 | |
And secondly, in a poem of 1841 by Longfellow, | 0:12:19 | 0:12:22 | |
which schooner is wrecked in a storm with the captain's daughter | 0:12:22 | 0:12:26 | |
tied to the mast to prevent her from being swept overboard? | 0:12:26 | 0:12:29 | |
-The Hesperus? -I think so. -I think the Hesperus, isn't it? | 0:12:29 | 0:12:33 | |
-The Hesperus. -Correct. | 0:12:33 | 0:12:35 | |
HMS Bellipotent, Rights of Man, the Jeroboam and the Pequod | 0:12:35 | 0:12:39 | |
are ships in the fiction of which American novelist? | 0:12:39 | 0:12:42 | |
-Herman Melville. -Herman Melville. -Correct. | 0:12:42 | 0:12:44 | |
APPLAUSE Ten points for this. In physics, | 0:12:44 | 0:12:46 | |
which curve forms the solution | 0:12:46 | 0:12:48 | |
to the so-called brachistochrone problem | 0:12:48 | 0:12:50 | |
as the trajectory of a point of mass | 0:12:50 | 0:12:52 | |
moving between two fixed points under the influence of gravity? | 0:12:52 | 0:12:56 | |
It's also the curve... | 0:12:56 | 0:12:57 | |
-Parabola. -No, I'm afraid you lose five points. | 0:12:58 | 0:13:01 | |
It's also the curve traced out | 0:13:01 | 0:13:03 | |
by a point on a wheel rolling on a flat surface. | 0:13:03 | 0:13:06 | |
-A circle. -A cycloid. Ten points for this. | 0:13:10 | 0:13:14 | |
On January the 1st, 1876, | 0:13:14 | 0:13:16 | |
the registration of trademarks began at the UK Patent Office. | 0:13:16 | 0:13:20 | |
Which company's trademark was the first to be registered? | 0:13:20 | 0:13:24 | |
It appears on Edouard Manet's A Bar At The Folies-Bergere | 0:13:24 | 0:13:27 | |
on a beer bottle in the bottom right-hand corner. | 0:13:27 | 0:13:30 | |
-Is it Guinness? -No. | 0:13:38 | 0:13:40 | |
One of you can have a punt. | 0:13:43 | 0:13:44 | |
Stella Artois. | 0:13:45 | 0:13:47 | |
No, it's the Bass red triangle from the Bass Brewery. | 0:13:47 | 0:13:50 | |
Ten points for this. | 0:13:50 | 0:13:51 | |
"If she had nothing more than her voice, | 0:13:51 | 0:13:54 | |
"she could break your heart with it." | 0:13:54 | 0:13:56 | |
Those words of Ernest Hemingway refer to which actress born in 1901? | 0:13:56 | 0:14:00 | |
She said of herself, "America took me into her bosom | 0:14:00 | 0:14:04 | |
"when I no longer had a native country worthy of the name." | 0:14:04 | 0:14:06 | |
-Marlene Dietrich. -Correct. | 0:14:08 | 0:14:10 | |
APPLAUSE | 0:14:10 | 0:14:13 | |
Your bonuses are on matriarchs, Corpus Christi. | 0:14:13 | 0:14:16 | |
The Dictionary Of National Biography gives the designation | 0:14:16 | 0:14:19 | |
Yorkist matriarch to two women. | 0:14:19 | 0:14:21 | |
One is Cecily Neville, the mother of which two kings? | 0:14:21 | 0:14:25 | |
Yorkists? It's Edward IV and V? | 0:14:28 | 0:14:33 | |
-Yeah, go for it. -Yeah? -I don't know, so... | 0:14:33 | 0:14:36 | |
Edward IV and V. | 0:14:36 | 0:14:38 | |
No, it's Edward IV and Richard III. | 0:14:38 | 0:14:41 | |
The second Yorkist matriarch is Margaret Tudor, | 0:14:41 | 0:14:44 | |
the daughter of Cecily Neville. | 0:14:44 | 0:14:46 | |
She's also known as Margaret of Burgundy, | 0:14:46 | 0:14:48 | |
after her marriage in 1468 to which duke? | 0:14:48 | 0:14:52 | |
The Duke of Burgundy, but I think he wants more than that. Er... | 0:14:53 | 0:14:58 | |
-I don't know. -I've got no clue. -I have absolutely nothing. | 0:14:58 | 0:15:01 | |
You're on your own. Say anything. | 0:15:01 | 0:15:03 | |
Henri of Burgundy. | 0:15:03 | 0:15:05 | |
No, it's Charles the Bold. | 0:15:05 | 0:15:07 | |
And finally, the DNB describes Margaret Beaufort | 0:15:07 | 0:15:10 | |
as a royal matriarch. | 0:15:10 | 0:15:12 | |
Born in 1443, she was the mother of which king of England? | 0:15:12 | 0:15:16 | |
-Henry the... -Henry VII? -Could be, yeah. -Yeah? -Yeah, go for it. | 0:15:16 | 0:15:20 | |
-Yeah, possible. -Yeah? -Yeah. | 0:15:20 | 0:15:22 | |
-Henry VII. -Correct. APPLAUSE | 0:15:22 | 0:15:24 | |
Right, we're going to take a music round now. | 0:15:24 | 0:15:26 | |
For your music starter, you'll hear a piece | 0:15:26 | 0:15:28 | |
of orchestral music by an American composer. | 0:15:28 | 0:15:30 | |
Ten points if you can identify the composer. | 0:15:30 | 0:15:33 | |
ORCHESTRAL MUSIC PLAYS | 0:15:33 | 0:15:35 | |
Philip Glass. | 0:15:36 | 0:15:37 | |
No. You can hear a little more, Peterhouse. | 0:15:37 | 0:15:39 | |
MUSIC CONTINUES | 0:15:39 | 0:15:41 | |
Adams. John Adams. | 0:15:41 | 0:15:43 | |
No, it's not. It's Steve Reich, | 0:15:43 | 0:15:46 | |
so we'll get the music bonuses in a moment or two, | 0:15:46 | 0:15:48 | |
when someone's got a starter question right. | 0:15:48 | 0:15:50 | |
Fingers on the buzzers. Ten points for this. | 0:15:50 | 0:15:53 | |
Give the three precise words that complete this quotation | 0:15:53 | 0:15:56 | |
from St Matthew's Gospel in the King James Bible. | 0:15:56 | 0:15:59 | |
"It is easier for a camel to go through the eye of a needle | 0:15:59 | 0:16:03 | |
"than for a rich man to enter into the..." | 0:16:03 | 0:16:05 | |
-Kingdom of God. -Correct. | 0:16:06 | 0:16:08 | |
APPLAUSE | 0:16:08 | 0:16:12 | |
OK, you'll recall, a moment ago, that we heard a piece | 0:16:12 | 0:16:15 | |
from Steve Reich's Different Trains, | 0:16:15 | 0:16:18 | |
a reflection on his travels across the US during World War II, | 0:16:18 | 0:16:22 | |
and on very different and enforced train journeys | 0:16:22 | 0:16:24 | |
being made in Europe at the same time. | 0:16:24 | 0:16:26 | |
Your music bonuses are three more classical pieces | 0:16:26 | 0:16:30 | |
inspired by railway travel. | 0:16:30 | 0:16:32 | |
Five points for each composer you can identify. | 0:16:32 | 0:16:34 | |
Firstly, for five, this French composer. | 0:16:34 | 0:16:38 | |
# C'est le grand jour, le jour de fete | 0:16:38 | 0:16:42 | |
# Jour du triomphe et des lauriers | 0:16:42 | 0:16:46 | |
# Pour vous ouvriers La couronne est prete | 0:16:46 | 0:16:49 | |
# La couronne est prete Soldats de la paix | 0:16:49 | 0:16:53 | |
# C'est votre victoire C'est a vous la gloire... # | 0:16:53 | 0:16:56 | |
-Bizet. -No, that's Berlioz. | 0:16:56 | 0:16:58 | |
That was written for the opening of the line | 0:16:58 | 0:17:01 | |
from Paris to Lille and Brussels. | 0:17:01 | 0:17:03 | |
Secondly, this American composer. | 0:17:03 | 0:17:06 | |
DISCORDANT CLASSICAL MUSIC PLAYS | 0:17:06 | 0:17:10 | |
THEY WHISPER | 0:17:14 | 0:17:20 | |
Copland. | 0:17:24 | 0:17:26 | |
It is Aaron Copland, his celebration of John Henry, | 0:17:26 | 0:17:28 | |
the Steel Drivin' Man. | 0:17:28 | 0:17:30 | |
And finally, this Austrian composer... | 0:17:30 | 0:17:32 | |
ORCHESTRAL MUSIC PLAYS | 0:17:32 | 0:17:36 | |
THEY WHISPER | 0:17:36 | 0:17:39 | |
-Mozart. -No. | 0:17:48 | 0:17:50 | |
That's Strauss the Elder. That was his Railway Delight Waltz. | 0:17:50 | 0:17:53 | |
Right, ten points for this. Which decade saw the start | 0:17:53 | 0:17:56 | |
of the shipment of the Elgin Marbles from Greece to the UK, | 0:17:56 | 0:18:00 | |
the failure of Robert Emmet's rebellion in Ireland, | 0:18:00 | 0:18:03 | |
and the Louisiana Purchase in the United States? | 0:18:03 | 0:18:06 | |
-The 1800s. -Correct. | 0:18:07 | 0:18:09 | |
APPLAUSE | 0:18:09 | 0:18:12 | |
Your bonuses are on flowering plants, Peterhouse. | 0:18:12 | 0:18:15 | |
In each case, give me the common or the scientific name | 0:18:15 | 0:18:19 | |
of the family described. | 0:18:19 | 0:18:21 | |
Firstly, which family of shrubs and trees includes the poplars? | 0:18:21 | 0:18:25 | |
It's named after a tree whose British species include crack, | 0:18:25 | 0:18:29 | |
white, goat, grey and osier. | 0:18:29 | 0:18:32 | |
-Could it be...? -Poplars? -No, poplars are, like, bigger. | 0:18:32 | 0:18:37 | |
-Could it be hawthorn? No. -Obviously not. | 0:18:37 | 0:18:39 | |
Could be. Shall we just go with that? | 0:18:39 | 0:18:41 | |
-Hawthorn. -No, it's willow. | 0:18:41 | 0:18:44 | |
Secondly, which family includes the ashes and lilacs? | 0:18:44 | 0:18:47 | |
It's named after an important commercial tree | 0:18:47 | 0:18:49 | |
of the Mediterranean region. | 0:18:49 | 0:18:51 | |
-Olive trees? -The cedar? | 0:18:52 | 0:18:54 | |
-Is that commercial? -Oh, I've no idea. -Palm? | 0:18:55 | 0:18:59 | |
It could be something that... | 0:18:59 | 0:19:00 | |
Cedar's more likely. | 0:19:00 | 0:19:02 | |
-Cedar. -No, it's olive. | 0:19:02 | 0:19:04 | |
And finally, which family includes the alders and hazels? | 0:19:04 | 0:19:07 | |
It's named after a common tree | 0:19:07 | 0:19:09 | |
with light-coloured bark that sheds tissue-like layers. | 0:19:09 | 0:19:12 | |
-Birch. Silver birch. -OK. | 0:19:12 | 0:19:14 | |
-Birch. -Birch is correct, yes. | 0:19:14 | 0:19:16 | |
APPLAUSE Right, ten points for this. | 0:19:16 | 0:19:18 | |
What title was given to the work | 0:19:18 | 0:19:19 | |
first published in 1927 | 0:19:19 | 0:19:21 | |
and compiled from a series of literary lectures by E M Forster? | 0:19:21 | 0:19:25 | |
The lectures covered seven... | 0:19:25 | 0:19:26 | |
-Aspects Of The Novel. -Correct. | 0:19:28 | 0:19:29 | |
APPLAUSE | 0:19:29 | 0:19:31 | |
These bonuses could give you the lead if you get them. | 0:19:31 | 0:19:34 | |
They're on films depicting artists. | 0:19:34 | 0:19:37 | |
Firstly, for five, the title of the 2008 film Little Ashes | 0:19:37 | 0:19:40 | |
is a translation of the title Cenicitas, | 0:19:40 | 0:19:43 | |
a painting by which Spanish artist | 0:19:43 | 0:19:46 | |
played in the film by Robert Pattinson? | 0:19:46 | 0:19:48 | |
-Oh, it's, um... -It's not Goya? | 0:19:48 | 0:19:50 | |
I don't know who it is, so it could be... | 0:19:50 | 0:19:52 | |
-Maybe Goya. He's not going to be Velazquez, so it may be Goya. -OK. | 0:19:52 | 0:19:56 | |
-Goya. -No, it's Dali. -Oh. | 0:19:56 | 0:19:58 | |
In the 1956 film Lust For Life based on the novel by Irving Stone, | 0:19:58 | 0:20:03 | |
Kirk Douglas and Anthony Quinn play which two artists? | 0:20:03 | 0:20:07 | |
Lust For Life. What would that be? | 0:20:07 | 0:20:09 | |
HE WHISPERS | 0:20:09 | 0:20:13 | |
God! A pair of artists? That might be... | 0:20:13 | 0:20:16 | |
Maybe Gauguin and van Gogh or something. | 0:20:16 | 0:20:18 | |
-Go for it. -Maybe Gauguin and van Gogh. | 0:20:18 | 0:20:20 | |
-Gauguin and van Gogh. -Correct. | 0:20:20 | 0:20:21 | |
And finally, the role of which artist | 0:20:21 | 0:20:24 | |
is played by Jose Ferrer and John Leguizamo respectively | 0:20:24 | 0:20:27 | |
in the 1952 and 2001 film versions of Moulin Rouge? | 0:20:27 | 0:20:32 | |
-Oh, God, Toulouse... -Yeah, it's Toulouse-Lautrec. | 0:20:32 | 0:20:34 | |
-Toulouse-Lautrec. -Correct. | 0:20:34 | 0:20:35 | |
APPLAUSE Ten points for this. In physics, | 0:20:35 | 0:20:38 | |
what six-letter term denotes a rotating vector | 0:20:38 | 0:20:41 | |
that represents a sinusoidally varying quantity, such as... | 0:20:41 | 0:20:45 | |
-Cork. -No, I'm afraid you lose five points. | 0:20:46 | 0:20:49 | |
..such as the electric field of a photon? | 0:20:49 | 0:20:52 | |
The term is a homophone of a device used | 0:20:52 | 0:20:54 | |
on the television series Star Trek. | 0:20:54 | 0:20:56 | |
-Phaser. -Phaser is right, yes. | 0:20:58 | 0:21:00 | |
APPLAUSE | 0:21:00 | 0:21:04 | |
So, you've retaken the lead and your bonuses | 0:21:04 | 0:21:07 | |
are on German prepositions, Corpus Christi. | 0:21:07 | 0:21:10 | |
Adding the letter O to the end of the German word for after | 0:21:10 | 0:21:14 | |
gives the name of which Mexican food item? | 0:21:14 | 0:21:18 | |
-Nacho. -Correct. | 0:21:18 | 0:21:20 | |
Adding the letter T to the end of the German word for at or to | 0:21:20 | 0:21:25 | |
gives which mild French expletive? | 0:21:25 | 0:21:29 | |
-It's zu, so zut - is that a French...? -Zut, yeah. | 0:21:29 | 0:21:32 | |
Zut, definitely. | 0:21:32 | 0:21:34 | |
-Zut. -Zut is right. And finally, adding the letter O | 0:21:34 | 0:21:38 | |
to the beginning of the German word for with | 0:21:38 | 0:21:41 | |
gives what English verb? | 0:21:41 | 0:21:43 | |
-Omit. -Correct. | 0:21:43 | 0:21:45 | |
APPLAUSE We're going to take another | 0:21:45 | 0:21:49 | |
picture round. For your picture starter, | 0:21:49 | 0:21:51 | |
you'll see a portrait of a painter and writer. | 0:21:51 | 0:21:53 | |
Ten points if you can identify him. | 0:21:53 | 0:21:55 | |
-John Ruskin. -It is John Ruskin, painted by Millais. | 0:21:58 | 0:22:01 | |
APPLAUSE He was involved | 0:22:01 | 0:22:03 | |
in the foundation of the Working Men's College, | 0:22:03 | 0:22:06 | |
still in operation today in Camden. | 0:22:06 | 0:22:08 | |
It's one of Britain's earliest adult | 0:22:08 | 0:22:10 | |
or continuing education institutions. | 0:22:10 | 0:22:12 | |
For your picture bonuses, | 0:22:12 | 0:22:14 | |
works by three artists who gave classes there. | 0:22:14 | 0:22:17 | |
I want the artist's name in each case. Firstly, for five... | 0:22:17 | 0:22:20 | |
-Is it one of the Pre-Raphaelites? -This is Pre-Raphaelite, so... | 0:22:22 | 0:22:26 | |
-Holman Hunt? -Ford Madox Brown? | 0:22:26 | 0:22:29 | |
We're just guessing Pre-Raphaelites. | 0:22:29 | 0:22:32 | |
Ford Madox Brown. | 0:22:32 | 0:22:34 | |
No, that is... You were in the right area. | 0:22:34 | 0:22:36 | |
It's Rossetti. It's Dante's Dream. Secondly... | 0:22:36 | 0:22:39 | |
Oh, this is another one. OK. | 0:22:41 | 0:22:43 | |
Yeah, that's not... No, it's not Waterhouse. | 0:22:43 | 0:22:45 | |
I thought it was, but I don't think so. | 0:22:45 | 0:22:47 | |
-Shall we try Brown? -Do you want to go Brown? | 0:22:47 | 0:22:50 | |
-Really? Again? -Yeah. | 0:22:50 | 0:22:51 | |
It might be a Waterhouse, but I don't think so. | 0:22:51 | 0:22:54 | |
-Ford Madox Brown. -No, it's Burne-Jones, | 0:22:54 | 0:22:56 | |
The Beguiling Of Merlin. And finally... | 0:22:56 | 0:22:58 | |
-That looks like William Morris. -Yeah. | 0:23:00 | 0:23:03 | |
-William Morris. -It is. | 0:23:03 | 0:23:04 | |
His Acanthus design. Ten points for this. | 0:23:04 | 0:23:07 | |
Differing only in that the latter has a three-letter prefix, | 0:23:07 | 0:23:10 | |
which two words mean knowledge of spiritual mystery | 0:23:10 | 0:23:15 | |
and the likely course of a medical condition? Both can... | 0:23:15 | 0:23:18 | |
-Noesis and prognosis. -Correct. | 0:23:20 | 0:23:22 | |
APPLAUSE | 0:23:22 | 0:23:26 | |
Right, these bonuses, Corpus Christi, | 0:23:26 | 0:23:28 | |
are on ancient Mexico. | 0:23:28 | 0:23:30 | |
Located around 40 miles outside Mexico City, | 0:23:30 | 0:23:34 | |
the city of Tula was built by which civilisation | 0:23:34 | 0:23:37 | |
which flourished from around 900AD? | 0:23:37 | 0:23:40 | |
-It's not the Aztecs. -Olmecs? -Olmec? Olmec? Olmec? | 0:23:41 | 0:23:44 | |
All I know is it's not the Aztecs. | 0:23:44 | 0:23:46 | |
-The Olmec. -No, it's the Toltec. -Oh. | 0:23:46 | 0:23:48 | |
Thought to have been occupied by settlers from Tula, | 0:23:48 | 0:23:51 | |
Chichen Itza was originally constructed | 0:23:51 | 0:23:53 | |
by a subgroup of which pre-Columbian civilisation? | 0:23:53 | 0:23:57 | |
-Do you want to go Olmec? -That could be it. | 0:23:59 | 0:24:01 | |
-I don't know. -Yeah? -Don't know. | 0:24:01 | 0:24:03 | |
-Olmec. -No, it was the Mayas. | 0:24:03 | 0:24:05 | |
Toltec buildings at both Tula and Chichen Itza | 0:24:05 | 0:24:08 | |
were dedicated to the deity Quetzalcoatl, | 0:24:08 | 0:24:11 | |
usually depicted as a feathered manifestation of which animal? | 0:24:11 | 0:24:15 | |
-Oh, it's a bird. -Was he a crocodile? -I thought he was a bird. -Oh. | 0:24:15 | 0:24:18 | |
-But it was feathered. -Feathered. | 0:24:18 | 0:24:19 | |
-Like, a feathered crocodile? -Feathered boa? -Or snake? | 0:24:19 | 0:24:24 | |
-A feathered boa - is that a thing? -A feather boa is a different thing. | 0:24:24 | 0:24:27 | |
Come on. LAUGHTER | 0:24:27 | 0:24:29 | |
Yeah, that's a different thing. That's a... Yeah. | 0:24:29 | 0:24:31 | |
-Is it a crocodile? -No, it was a snake. | 0:24:31 | 0:24:33 | |
LAUGHTER Right, ten points for this. | 0:24:33 | 0:24:35 | |
Recalled To Life, The Golden Thread | 0:24:35 | 0:24:37 | |
and The Track Of A Storm...? | 0:24:37 | 0:24:39 | |
-A Tale Of Two Cities. -Correct. | 0:24:39 | 0:24:42 | |
APPLAUSE | 0:24:42 | 0:24:45 | |
Your bonuses are on zoology, Peterhouse. | 0:24:45 | 0:24:48 | |
Squids, octopuses and cuttlefish belong to which class of molluscs? | 0:24:48 | 0:24:52 | |
-Is it bivalves maybe? -No, no, it's further up. | 0:24:52 | 0:24:56 | |
It's the other one. Begins with a C, I think. | 0:24:56 | 0:24:58 | |
-It's a class of mollusc? -Cephalopods. -Cephalopods. -OK. | 0:24:58 | 0:25:00 | |
-Cephalopods. -Correct. | 0:25:00 | 0:25:02 | |
In cephalopods, the structure known as the hectocotylised arm | 0:25:02 | 0:25:07 | |
is used for the transfer of what? | 0:25:07 | 0:25:09 | |
-Um... -It could be sperm or something. -Hectocotylised? | 0:25:10 | 0:25:14 | |
-I just don't know. -Hectocotylised? Yeah, well, cotyl, yeah... | 0:25:14 | 0:25:17 | |
-The transfer of sperm, I suppose. -OK. Do you think? -Let's use it. | 0:25:17 | 0:25:21 | |
-Sperm. -Correct. | 0:25:21 | 0:25:23 | |
In cephalopods, a statocyst is an organ that detects what force? | 0:25:23 | 0:25:27 | |
-Um... -Thrust or something? Water pressure? Water pressure? | 0:25:27 | 0:25:31 | |
Well, stato could be electricity. Electric charge? | 0:25:31 | 0:25:34 | |
-Come on. -What's the thing...? -Water pressure. | 0:25:34 | 0:25:36 | |
-Water pressure. -No, it's gravity. Ten points | 0:25:36 | 0:25:38 | |
for this. For what do the letters | 0:25:38 | 0:25:40 | |
LBJ stand when used... | 0:25:40 | 0:25:43 | |
-Lyndon Baines Johnson. -No, I'm afraid you lose five points. | 0:25:44 | 0:25:48 | |
..LBJ stand when used by bird-watchers | 0:25:48 | 0:25:50 | |
to refer to small, non-descript, usually passerine species? | 0:25:50 | 0:25:55 | |
-Come on. -Lark before June. -No, they're little brown jobs. | 0:25:57 | 0:26:02 | |
Ten points for this. | 0:26:02 | 0:26:03 | |
Which Germanic people migrated to Northern Italy in the late...? | 0:26:03 | 0:26:07 | |
-The Lombards. -Correct. APPLAUSE | 0:26:07 | 0:26:09 | |
So, you get a set of bonuses now on Burns Night. | 0:26:09 | 0:26:12 | |
The centrepiece of a Burns supper is the haggis, | 0:26:12 | 0:26:14 | |
or as Robert Burns described it, the great chieftain of what? | 0:26:14 | 0:26:19 | |
The pudding race. The pudding race. | 0:26:19 | 0:26:21 | |
-The pudding race. -Correct. | 0:26:21 | 0:26:22 | |
Which town in the Scottish Borders gives its name to the grace | 0:26:22 | 0:26:25 | |
traditionally recited at a Burns supper, | 0:26:25 | 0:26:27 | |
as well as to a variety of bannock or fruitcake? | 0:26:27 | 0:26:31 | |
-No idea. -Oh, Eccles. -Eccles. | 0:26:31 | 0:26:33 | |
-No, Eccles isn't in Scotland. -Just go for it. -Come on. | 0:26:33 | 0:26:36 | |
-Eccles. -No, it's Selkirk. Eccles is in Lancashire. | 0:26:36 | 0:26:39 | |
Taking its name from the cloth in which it is boiled, | 0:26:39 | 0:26:41 | |
according to the traditional recipe, | 0:26:41 | 0:26:43 | |
which dried fruit pudding often concludes a Burns Night supper? | 0:26:43 | 0:26:47 | |
I think we should pass. | 0:26:47 | 0:26:49 | |
-What's it called? -Just pass. I don't know. | 0:26:49 | 0:26:51 | |
-Come on. -Pass. | 0:26:51 | 0:26:53 | |
It's a clootie dumpling. Ten points for this. | 0:26:53 | 0:26:55 | |
Listen carefully. Which two distinct | 0:26:55 | 0:26:57 | |
square numbers between 100 and 500 | 0:26:57 | 0:27:00 | |
have the property that the digits of one, | 0:27:00 | 0:27:03 | |
when read backwards, form the digits of the other? | 0:27:03 | 0:27:06 | |
-343. -No. | 0:27:14 | 0:27:16 | |
169 and 196. | 0:27:18 | 0:27:21 | |
No, it's 144 and 441. Ten points for this. | 0:27:21 | 0:27:24 | |
What structure within some churches is often placed on top of a predella | 0:27:24 | 0:27:29 | |
in front of a reredos and beneath a baldachin? | 0:27:29 | 0:27:33 | |
-Tabernacle. -No. | 0:27:34 | 0:27:36 | |
Anyone want to buzz from Corpus Christi? | 0:27:36 | 0:27:39 | |
-Pulpit. -No, it's the altar. Ten points for this. | 0:27:41 | 0:27:44 | |
Answer promptly. | 0:27:44 | 0:27:46 | |
Give the two seven-letter anagrams that mean regard or consideration | 0:27:46 | 0:27:51 | |
and a ceremonial staff carried by a monarch. | 0:27:51 | 0:27:54 | |
-Respect and sceptre. -Correct. | 0:27:57 | 0:27:59 | |
APPLAUSE | 0:27:59 | 0:28:01 | |
Your bonuses now are on science, Corpus Christi. | 0:28:01 | 0:28:04 | |
What is the predominant geometric...? | 0:28:04 | 0:28:06 | |
GONG | 0:28:06 | 0:28:08 | |
APPLAUSE And at the gong, | 0:28:08 | 0:28:11 | |
Peterhouse have 150, Corpus Christi have 175. | 0:28:11 | 0:28:14 | |
Well, it was pretty close. | 0:28:16 | 0:28:18 | |
We shall have to say goodbye to you, Peterhouse, | 0:28:18 | 0:28:20 | |
but thank you very much for being with us | 0:28:20 | 0:28:22 | |
and you certainly leave with a very respectable score. | 0:28:22 | 0:28:25 | |
Corpus Christi, we'll look forward to seeing you in the quarterfinals. Congratulations. | 0:28:25 | 0:28:29 | |
I hope you can join us next time for the first of the quarterfinals. | 0:28:29 | 0:28:32 | |
Until then, though, it's goodbye from Peterhouse, Cambridge. | 0:28:32 | 0:28:34 | |
-ALL: -Goodbye. | 0:28:34 | 0:28:36 | |
It's goodbye from Corpus Christi College, Oxford. | 0:28:36 | 0:28:38 | |
-ALL: -Goodbye. -And it's goodbye from me. Goodbye. | 0:28:38 | 0:28:40 | |
APPLAUSE | 0:28:40 | 0:28:42 |