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-Christmas University Challenge. -APPLAUSE | 0:00:19 | 0:00:22 | |
Asking the questions, Jeremy Paxman. | 0:00:22 | 0:00:24 | |
Hello. | 0:00:28 | 0:00:29 | |
14 teams of distinguished alumni have entertained us | 0:00:29 | 0:00:32 | |
over the past few days with, on the whole, | 0:00:32 | 0:00:34 | |
an impressive display of what they know. | 0:00:34 | 0:00:36 | |
What many of them don't know, it turns out, | 0:00:36 | 0:00:39 | |
is when to use their buzzers in this contest and when not to. | 0:00:39 | 0:00:41 | |
LAUGHTER | 0:00:41 | 0:00:42 | |
But we've only been playing the game for 54 years, | 0:00:42 | 0:00:45 | |
and these things do take time to sink in. | 0:00:45 | 0:00:46 | |
LAUGHTER | 0:00:46 | 0:00:47 | |
But now, only the best two teams remain, | 0:00:47 | 0:00:49 | |
and in a little under half an hour, | 0:00:49 | 0:00:51 | |
one of them will become series champions, | 0:00:51 | 0:00:53 | |
winning themselves no prize other | 0:00:53 | 0:00:55 | |
than the right to look immensely pleased with themselves. | 0:00:55 | 0:00:58 | |
LAUGHTER | 0:00:58 | 0:00:59 | |
Now, the team from Leeds University had a very comfortable win | 0:00:59 | 0:01:01 | |
over the School of Oriental and African Studies | 0:01:01 | 0:01:04 | |
in their first-round match, | 0:01:04 | 0:01:05 | |
but they were trailing behind the University of Kent | 0:01:05 | 0:01:07 | |
for much of their semifinal. | 0:01:07 | 0:01:09 | |
When they finally got a grip and had put themselves on level pegging | 0:01:09 | 0:01:13 | |
at the gong, the tie-break question went their way. | 0:01:13 | 0:01:16 | |
They may never have been so pleased | 0:01:16 | 0:01:18 | |
to know about the Tigris and the Euphrates. | 0:01:18 | 0:01:19 | |
LAUGHTER Let's ask the Leeds team | 0:01:19 | 0:01:22 | |
to introduce themselves for the last time. | 0:01:22 | 0:01:24 | |
I'm Louise Doughty, | 0:01:24 | 0:01:26 | |
I graduated from Leeds in 1984 with a degree in English literature, | 0:01:26 | 0:01:30 | |
and I now write novels for a living. | 0:01:30 | 0:01:33 | |
Hello, I'm Gus Unger-Hamilton. I, too, read English at Leeds, | 0:01:33 | 0:01:36 | |
graduating in 2010, and I now play in the band alt-J. | 0:01:36 | 0:01:39 | |
And here's their captain. | 0:01:39 | 0:01:40 | |
Hello, I'm Kamal Ahmed. | 0:01:40 | 0:01:42 | |
I graduated in political studies from Leeds in 1990, | 0:01:42 | 0:01:45 | |
and I'm now the Economics Editor of the BBC. | 0:01:45 | 0:01:48 | |
Hello, I'm Steve Bell. | 0:01:49 | 0:01:51 | |
I graduated from Leeds in fine art in 1974, | 0:01:51 | 0:01:55 | |
and I've been drawing political cartoons | 0:01:55 | 0:01:57 | |
for The Guardian since 1981. | 0:01:57 | 0:01:58 | |
APPLAUSE | 0:01:58 | 0:02:00 | |
The team from St Hilda's College Oxford | 0:02:03 | 0:02:06 | |
beat Magdalene College Cambridge in their first-round match | 0:02:06 | 0:02:09 | |
by a whopping 225 to 65. | 0:02:09 | 0:02:12 | |
Then, in the rare spectacle of an all-female fixture, | 0:02:12 | 0:02:15 | |
they beat St Anne's College Oxford by 165 points to 75. | 0:02:15 | 0:02:19 | |
Let's meet them for the last time. | 0:02:19 | 0:02:21 | |
Hello, I'm Fiona Caldicott. | 0:02:22 | 0:02:24 | |
I graduated in medicine from St Hilda's in 1966, | 0:02:24 | 0:02:28 | |
and I now chair a large teaching hospital trust in Oxford, | 0:02:28 | 0:02:32 | |
and I'm the National Data Guardian for health and social care. | 0:02:32 | 0:02:36 | |
Hello, I'm Daisy Dunn. | 0:02:36 | 0:02:38 | |
I read classics at St Hilda's from 2005 to 2009, | 0:02:38 | 0:02:42 | |
and I'm now an author and journalist. | 0:02:42 | 0:02:44 | |
Meet their captain. | 0:02:44 | 0:02:46 | |
Hi, I'm Val McDermid. | 0:02:46 | 0:02:47 | |
I graduated from St Hilda's in 1975 with a degree in English, | 0:02:47 | 0:02:50 | |
and I'm a crime writer. | 0:02:50 | 0:02:53 | |
Hello, I'm Adele Geras. | 0:02:53 | 0:02:54 | |
I read modern languages at St Hilda's between 1963 and '66, | 0:02:54 | 0:02:59 | |
and I'm a writer. | 0:02:59 | 0:03:01 | |
APPLAUSE | 0:03:01 | 0:03:02 | |
OK, the rules are unchanging on this contest, | 0:03:06 | 0:03:08 | |
let's just get on with it. | 0:03:08 | 0:03:09 | |
Fingers on the buzzers, here's your first starter for ten. | 0:03:09 | 0:03:12 | |
William Sandys' Christmas Carols Ancient And Modern | 0:03:12 | 0:03:15 | |
was first published during the reign of which British monarch? | 0:03:15 | 0:03:19 | |
His reign also... | 0:03:19 | 0:03:21 | |
Victoria, I was going to say, sorry. | 0:03:22 | 0:03:24 | |
I'm afraid you lose five points. | 0:03:24 | 0:03:26 | |
His reign also saw the Slavery Abolition Act | 0:03:26 | 0:03:29 | |
and the passage of the Great Reform Bill. | 0:03:29 | 0:03:32 | |
William IV? | 0:03:36 | 0:03:37 | |
It was William IV, yes. APPLAUSE | 0:03:37 | 0:03:40 | |
The first bonuses are on writing about winter, St Hilda's. | 0:03:42 | 0:03:46 | |
In a novel of 1950, which fictional country is first encountered | 0:03:46 | 0:03:50 | |
in the grip of an apparently permanent winter? | 0:03:50 | 0:03:53 | |
As one character explains, "It's always winter. | 0:03:53 | 0:03:55 | |
"Always winter, and never Christmas. Think of that." | 0:03:55 | 0:03:58 | |
Narnia. | 0:03:58 | 0:03:59 | |
Correct. | 0:03:59 | 0:04:01 | |
"Let no man boast himself | 0:04:01 | 0:04:03 | |
"that he has got through the perils of winter | 0:04:03 | 0:04:05 | |
"till at least the 7th of May." | 0:04:05 | 0:04:07 | |
Who wrote those words in the novel Dr Thorne, first published 1858? | 0:04:07 | 0:04:11 | |
-Trollope. -Yeah. | 0:04:11 | 0:04:12 | |
-Anthony Trollope. -Correct. | 0:04:12 | 0:04:14 | |
Which would complete this couplet from Byron's poem Don Juan, | 0:04:14 | 0:04:18 | |
published in 1819? | 0:04:18 | 0:04:21 | |
"The English winter, ending in July to recommence in..." | 0:04:21 | 0:04:24 | |
August. | 0:04:28 | 0:04:29 | |
August is correct, yes. APPLAUSE | 0:04:29 | 0:04:31 | |
Ten points for this. | 0:04:31 | 0:04:33 | |
Differing only in their second letter, | 0:04:33 | 0:04:35 | |
which two words mean "to roll about in mud" and "a tree of the genus..." | 0:04:35 | 0:04:40 | |
Wallow and willow. | 0:04:41 | 0:04:43 | |
Well done. APPLAUSE | 0:04:43 | 0:04:46 | |
These bonuses for you, Leeds, your first set, | 0:04:48 | 0:04:51 | |
are on gaps and pauses. | 0:04:51 | 0:04:52 | |
Firstly, for five points, from the Latin for "cut", | 0:04:52 | 0:04:55 | |
what term is used in poetry for a division or pause | 0:04:55 | 0:04:59 | |
between two words in a metrical foot? | 0:04:59 | 0:05:02 | |
Caesura. | 0:05:02 | 0:05:03 | |
Caesura is correct, yes. | 0:05:03 | 0:05:05 | |
From words meaning "stand between", | 0:05:05 | 0:05:07 | |
what term can be used both for | 0:05:07 | 0:05:08 | |
a gap between two structures within the human body | 0:05:08 | 0:05:12 | |
and for the space between two adjacent atoms in a crystal lattice? | 0:05:12 | 0:05:16 | |
THEY CONFER | 0:05:16 | 0:05:18 | |
Interstice. | 0:05:21 | 0:05:22 | |
Interstice is correct. | 0:05:22 | 0:05:24 | |
Which six-letter word appears in the name of | 0:05:24 | 0:05:26 | |
a particular form of abdominal hernia? | 0:05:26 | 0:05:29 | |
More generally, it means a physical, logical or temporal gap. | 0:05:29 | 0:05:32 | |
Temporal gap... A space, a pause... | 0:05:34 | 0:05:36 | |
I'm not getting it. I'm not getting that. | 0:05:39 | 0:05:42 | |
-Sorry, we don't know. Oh... -Hiatus, hiatus. | 0:05:44 | 0:05:47 | |
Hiatus? | 0:05:47 | 0:05:48 | |
That's correct, yes. | 0:05:48 | 0:05:49 | |
LAUGHTER, APPLAUSE | 0:05:49 | 0:05:52 | |
Just in the nick of time. Ten points for this. | 0:05:52 | 0:05:54 | |
"The Raphael of our century" | 0:05:54 | 0:05:56 | |
was a contemporary critic's description | 0:05:56 | 0:05:58 | |
of which painter, born in Normandy in 1594? | 0:05:58 | 0:06:02 | |
His works include The Death Of The Virgin | 0:06:02 | 0:06:04 | |
and A Dance To Music Of Time. | 0:06:04 | 0:06:06 | |
Poussin. | 0:06:10 | 0:06:12 | |
Poussin is correct, yes. APPLAUSE | 0:06:12 | 0:06:14 | |
Three questions on the periodic table, St Hilda's, for your bonuses. | 0:06:16 | 0:06:20 | |
Sometimes called rare earths, what name is given | 0:06:20 | 0:06:23 | |
to the series of metallic elements with atomic numbers 57 to 71? | 0:06:23 | 0:06:28 | |
Heavy metal? | 0:06:33 | 0:06:34 | |
Is it the heavy metals? | 0:06:36 | 0:06:37 | |
No, the lanthanides, or lanthanoids. | 0:06:37 | 0:06:39 | |
Secondly, what term denotes the series | 0:06:39 | 0:06:42 | |
of highly radioactive elements with atomic numbers 89 to 103? | 0:06:42 | 0:06:46 | |
Transuranic? | 0:06:48 | 0:06:50 | |
-Transuranic? -I don't know. | 0:06:51 | 0:06:53 | |
Is it transuranic? | 0:06:54 | 0:06:56 | |
No, they're actinides, or actinoids. | 0:06:56 | 0:06:58 | |
And finally, what actinoid element has the atomic number of 94? | 0:06:58 | 0:07:02 | |
Sorry, we have no idea. | 0:07:05 | 0:07:07 | |
It's plutonium. | 0:07:07 | 0:07:08 | |
We're going to take a picture round now. | 0:07:08 | 0:07:10 | |
For your picture starter, I want you to name the figure indicated | 0:07:10 | 0:07:13 | |
by the clues in the image you're about to see, | 0:07:13 | 0:07:16 | |
which will give the location with which he's primarily associated, | 0:07:16 | 0:07:19 | |
the approximate dates of his life, and his feast day. | 0:07:19 | 0:07:22 | |
St Stephen. | 0:07:26 | 0:07:28 | |
Nope. | 0:07:28 | 0:07:29 | |
Anyone like to buzz from St Hilda's? | 0:07:29 | 0:07:31 | |
You may not confer. One of you may buzz. | 0:07:31 | 0:07:32 | |
Let's have it, please. | 0:07:36 | 0:07:37 | |
St Nicholas? | 0:07:38 | 0:07:39 | |
It is St Nicholas, yes. APPLAUSE | 0:07:39 | 0:07:41 | |
He's regarded, of course, as the origin of Santa Claus. | 0:07:44 | 0:07:47 | |
For your bonuses, three more saints associated with the festive season. | 0:07:47 | 0:07:50 | |
Five points for each you can identify. | 0:07:50 | 0:07:52 | |
Firstly, this saint from the approximate dates of his life, | 0:07:52 | 0:07:56 | |
the location with which he's most associated, and his feast day? | 0:07:56 | 0:07:59 | |
Is that St Denis? Paris? | 0:08:01 | 0:08:04 | |
Is that Paris? St Denis? | 0:08:04 | 0:08:06 | |
-Yes. -Paris? -Go for it. | 0:08:06 | 0:08:08 | |
Is it St Denis? | 0:08:08 | 0:08:09 | |
No, it's St Martin of Tours, | 0:08:09 | 0:08:11 | |
whose day used to mark the start of Advent. | 0:08:11 | 0:08:14 | |
Secondly, this saint from her approximate dates, | 0:08:14 | 0:08:17 | |
the location of her martyrdom, | 0:08:17 | 0:08:18 | |
and her feast day, which falls during Advent. | 0:08:18 | 0:08:21 | |
Is it Cecilia? | 0:08:23 | 0:08:25 | |
St Cecilia? | 0:08:27 | 0:08:28 | |
No, it's St Lucia of Syracuse. | 0:08:28 | 0:08:30 | |
And finally, this saint, | 0:08:30 | 0:08:31 | |
from the date and location of his martyrdom and his feast day. | 0:08:31 | 0:08:35 | |
-That's St Stephen. -Oh, yes. | 0:08:39 | 0:08:40 | |
That is St Stephen. | 0:08:40 | 0:08:41 | |
That is St Stephen, yes. | 0:08:41 | 0:08:43 | |
Ten points for this. APPLAUSE | 0:08:43 | 0:08:45 | |
Named as Portugal's Viceroy in India by King John III in 1524, | 0:08:45 | 0:08:49 | |
which explorer died in China on Christmas Eve in that year...? | 0:08:49 | 0:08:52 | |
Marco Polo? | 0:08:53 | 0:08:55 | |
No, I'm afraid you lose five points. | 0:08:55 | 0:08:57 | |
Magellan? | 0:08:58 | 0:09:00 | |
You could have heard the rest of the question, | 0:09:00 | 0:09:02 | |
which would have made it inevitable you would get Vasco da Gama, | 0:09:02 | 0:09:05 | |
but you buzzed in instead | 0:09:05 | 0:09:06 | |
and I must accept the answer you give when you buzz. | 0:09:06 | 0:09:08 | |
So, another starter question. | 0:09:08 | 0:09:10 | |
What seven-letter word links terms meaning "a prehistoric refuse heap", | 0:09:10 | 0:09:15 | |
"an informal coterie of political advisors" and...? | 0:09:15 | 0:09:19 | |
A midden. | 0:09:20 | 0:09:22 | |
LAUGHTER | 0:09:22 | 0:09:23 | |
That's very funny, but it's wrong. | 0:09:25 | 0:09:27 | |
LAUGHTER | 0:09:27 | 0:09:28 | |
.."an informal coterie of"... You lose five points. | 0:09:28 | 0:09:31 | |
.."of political advisors", | 0:09:31 | 0:09:33 | |
and "a style of post-war drama that emphasised drab, domestic settings"? | 0:09:33 | 0:09:37 | |
Come on, one of you buzz from St Hilda's. | 0:09:41 | 0:09:44 | |
Kitchen sink? | 0:09:44 | 0:09:46 | |
No, it's just kitchen, so I can't accept that, I'm afraid. | 0:09:46 | 0:09:49 | |
I must accept what you say. | 0:09:49 | 0:09:50 | |
Ten points for this. | 0:09:50 | 0:09:51 | |
Who is the only fictional character to have been given | 0:09:51 | 0:09:54 | |
a full page obituary in the...? | 0:09:54 | 0:09:57 | |
Hercule Poirot. | 0:09:57 | 0:09:58 | |
Hercule Poirot is right. | 0:09:58 | 0:09:59 | |
APPLAUSE | 0:09:59 | 0:10:01 | |
Your bonuses are on words, St Hilda's. | 0:10:03 | 0:10:06 | |
The Washington Post runs an annual competition | 0:10:06 | 0:10:09 | |
to find new meanings for existing words. | 0:10:09 | 0:10:12 | |
Thus, flabbergasted has been defined as being | 0:10:12 | 0:10:15 | |
"appalled at the amount of weight or flab one has gained". | 0:10:15 | 0:10:18 | |
LAUGHTER | 0:10:18 | 0:10:20 | |
Get it? So identify the word in each case. | 0:10:20 | 0:10:22 | |
Firstly, usually denoting a familiar beverage, | 0:10:22 | 0:10:25 | |
what six-letter word has been defined as | 0:10:25 | 0:10:28 | |
"the person upon whom one coughs"? | 0:10:28 | 0:10:30 | |
Coffee. | 0:10:33 | 0:10:34 | |
Coffee is correct. | 0:10:34 | 0:10:36 | |
Secondly, what eight-letter verb has been defined as | 0:10:36 | 0:10:39 | |
"to give up or relinquish any hope of having a flat stomach"? | 0:10:39 | 0:10:43 | |
Retiral? | 0:10:46 | 0:10:48 | |
-Retiral? -OK. | 0:10:51 | 0:10:53 | |
Retiral? | 0:10:53 | 0:10:55 | |
No, it's abdicate. | 0:10:55 | 0:10:56 | |
LAUGHTER | 0:10:56 | 0:10:57 | |
And finally, what ten-letter noun | 0:10:57 | 0:11:00 | |
usually denotes an embarrassing bodily function, | 0:11:00 | 0:11:02 | |
but in this context means "the emergency vehicle | 0:11:02 | 0:11:05 | |
"that picks one up after being run over by a steam roller"? | 0:11:05 | 0:11:08 | |
LAUGHTER | 0:11:08 | 0:11:10 | |
Come on. | 0:11:12 | 0:11:14 | |
Flatus? | 0:11:14 | 0:11:15 | |
No, it's flatulence. LAUGHTER | 0:11:15 | 0:11:16 | |
Ten points for this. | 0:11:16 | 0:11:17 | |
Aesop's fable of The Fox And The Grapes | 0:11:17 | 0:11:20 | |
is a classic but anachronistic illustration | 0:11:20 | 0:11:23 | |
of what psychological concept? | 0:11:23 | 0:11:25 | |
It was first identified in the 1950s by Leon Festinger, | 0:11:25 | 0:11:29 | |
and is defined as "a feeling of discomfort that occurs | 0:11:29 | 0:11:32 | |
"when one holds two conflicting ideas at the same time". | 0:11:32 | 0:11:35 | |
Cognitive dissonance. | 0:11:37 | 0:11:38 | |
Correct. APPLAUSE | 0:11:38 | 0:11:41 | |
These bonuses are on Greece, St Hilda's. | 0:11:43 | 0:11:46 | |
In each case, I want the name of an island group. | 0:11:46 | 0:11:48 | |
Firstly, the name of which island group resembles that of | 0:11:48 | 0:11:51 | |
the Platonic solid whose faces are regular pentagons? | 0:11:51 | 0:11:55 | |
Dodecanese? | 0:11:59 | 0:12:00 | |
Yeah. Go with that. | 0:12:00 | 0:12:01 | |
-Dodecanese? -Correct. | 0:12:01 | 0:12:03 | |
Which island group has a name relating to an English word | 0:12:03 | 0:12:06 | |
meaning "recurring series of operations, | 0:12:06 | 0:12:09 | |
"such as those in internal combustion engines"? | 0:12:09 | 0:12:12 | |
Cyclades? | 0:12:12 | 0:12:14 | |
-Cyclades. -Correct. | 0:12:14 | 0:12:16 | |
Which island group has a name that is etymologically related | 0:12:16 | 0:12:19 | |
to an English word meaning scattered or dispersed? | 0:12:19 | 0:12:22 | |
No idea. | 0:12:30 | 0:12:31 | |
Sorry, we're not on that one. | 0:12:32 | 0:12:34 | |
It's the Sporades. | 0:12:34 | 0:12:35 | |
Right, we're going to take another starter question now. | 0:12:35 | 0:12:38 | |
Quote, "Richard and Judy, Vini Reilly, | 0:12:38 | 0:12:40 | |
"that stupid, yellow, circular face now known simply as the smiley." | 0:12:40 | 0:12:44 | |
These are among the references in an ode released in 2015 | 0:12:44 | 0:12:48 | |
by Mike Garry and Joe Duddle. | 0:12:48 | 0:12:51 | |
To which cultural figure are they referring, a part owner of | 0:12:51 | 0:12:54 | |
Factory Records and the founder of Manchester's Hacienda nightclub? | 0:12:54 | 0:12:58 | |
-Tony Wilson. -Correct. APPLAUSE | 0:13:00 | 0:13:03 | |
These bonuses are on Lady Jane Grey, St Hilda's. | 0:13:05 | 0:13:08 | |
Lady Jane Grey was born in 1537. | 0:13:08 | 0:13:10 | |
Her grandmother, Mary, stood in what relation to King Henry VIII? | 0:13:10 | 0:13:14 | |
Grandmother... Aunt? | 0:13:20 | 0:13:24 | |
-Aunt? -Aunt? | 0:13:24 | 0:13:26 | |
Aunt. | 0:13:26 | 0:13:27 | |
No, she was his younger sister. | 0:13:27 | 0:13:28 | |
As part of an attempt to divert the royal succession, | 0:13:28 | 0:13:31 | |
Jane was married in 1553, against her wishes, | 0:13:31 | 0:13:35 | |
to Guildford Dudley, the son of which duke? | 0:13:35 | 0:13:38 | |
-Dudley... Leicester? -Leicester. | 0:13:40 | 0:13:41 | |
Leicester. | 0:13:41 | 0:13:42 | |
No, it was Northumberland. | 0:13:42 | 0:13:44 | |
The Dudley faction proclaimed Jane as Queen | 0:13:44 | 0:13:46 | |
on the death of which monarch? | 0:13:46 | 0:13:48 | |
Lacking widespread support, | 0:13:48 | 0:13:50 | |
she was quickly overthrown, and Mary Tudor became Queen. | 0:13:50 | 0:13:53 | |
-Edward... Edward... -Edward, isn't it? | 0:13:53 | 0:13:55 | |
-Edward VII? No. -No. -Edward IV. III. | 0:13:55 | 0:13:58 | |
IV. | 0:13:58 | 0:13:59 | |
Edward... Edward IV? | 0:13:59 | 0:14:01 | |
No, it was Edward VI, the boy king. | 0:14:01 | 0:14:04 | |
Right, we're going to take a music round, now. | 0:14:04 | 0:14:06 | |
For your music starter, | 0:14:06 | 0:14:07 | |
you'll get an excerpt from a well-known symphony. | 0:14:07 | 0:14:09 | |
Ten points if you can get both its composer | 0:14:09 | 0:14:12 | |
and the single-word subtitle usually assigned to it. | 0:14:12 | 0:14:16 | |
ORCHESTRAL MUSIC | 0:14:16 | 0:14:17 | |
Is that Beethoven's Pastoral? | 0:14:25 | 0:14:27 | |
No. You can hear a little more, Leeds. | 0:14:27 | 0:14:29 | |
ORCHESTRAL MUSIC CONTINUES | 0:14:29 | 0:14:31 | |
Beethoven's Eroica. | 0:14:33 | 0:14:35 | |
Correct. APPLAUSE | 0:14:35 | 0:14:38 | |
In 2016, a poll of leading conductors by BBC Music Magazine | 0:14:40 | 0:14:44 | |
voted Beethoven's Eroica the greatest symphony. | 0:14:44 | 0:14:47 | |
Your music bonuses are extracts from three more symphonies | 0:14:47 | 0:14:51 | |
that made the top ten. | 0:14:51 | 0:14:52 | |
In each case, I simply want the composer | 0:14:52 | 0:14:55 | |
and the single-word subtitle by which it's usually known. | 0:14:55 | 0:14:58 | |
First, name this work and its Russian composer. | 0:14:58 | 0:15:01 | |
ORCHESTRAL MUSIC | 0:15:01 | 0:15:03 | |
-That sounds like Tchaikovsky, doesn't it? -Yeah. | 0:15:12 | 0:15:15 | |
What Tchaikovsky symphony, do we know? | 0:15:17 | 0:15:20 | |
Tchaikovsky... | 0:15:27 | 0:15:30 | |
Yeah. I'd go Tchaikovsky. | 0:15:32 | 0:15:35 | |
Yeah, but what's the name of the symphony? | 0:15:35 | 0:15:37 | |
Sorry, we don't know. | 0:15:39 | 0:15:41 | |
You're right with Tchaikovsky. It's the Pathetique. | 0:15:41 | 0:15:43 | |
Secondly, name this work and its Austrian composer. | 0:15:43 | 0:15:46 | |
ORCHESTRAL MUSIC WITH SINGER | 0:15:46 | 0:15:49 | |
Is it Mozart? | 0:15:53 | 0:15:55 | |
What's our symphony? | 0:16:02 | 0:16:04 | |
-Doesn't sound like Mozart. -Maybe it's not. | 0:16:04 | 0:16:07 | |
DROWNED BY MUSIC | 0:16:10 | 0:16:17 | |
-Come on. -I simply don't know. | 0:16:19 | 0:16:21 | |
Sorry, we don't know. | 0:16:21 | 0:16:22 | |
That's Mahler. | 0:16:22 | 0:16:23 | |
It's his second symphony, usually known as the Resurrection. | 0:16:23 | 0:16:26 | |
And finally, name this work and this composer. | 0:16:26 | 0:16:28 | |
ORCHESTRAL MUSIC | 0:16:28 | 0:16:30 | |
DROWNED BY MUSIC | 0:16:34 | 0:16:42 | |
Mozart, but sadly, no name. | 0:16:58 | 0:17:00 | |
It is Mozart. | 0:17:00 | 0:17:01 | |
It's his Jupiter Symphony. | 0:17:01 | 0:17:03 | |
So ten points at stake for this. | 0:17:03 | 0:17:04 | |
Fingers on the buzzers, please. | 0:17:04 | 0:17:06 | |
Born 1946, also known for her poetry and autobiographical fiction, | 0:17:06 | 0:17:10 | |
which US feminist activist was the author, in 1983, | 0:17:10 | 0:17:14 | |
of Right Wing Women - The Politics Of Domesticated Females? | 0:17:14 | 0:17:19 | |
She... | 0:17:19 | 0:17:20 | |
Gloria Steinem. | 0:17:21 | 0:17:23 | |
No. She... You lose five points. | 0:17:23 | 0:17:25 | |
She died in 2005. | 0:17:25 | 0:17:26 | |
One of you may buzz, St Hilda's. | 0:17:28 | 0:17:30 | |
It's Andrea Dworkin. Ten points for this. | 0:17:32 | 0:17:34 | |
Largely written in rhyming couplets and first staged in London in 1987, | 0:17:34 | 0:17:38 | |
which play by Caryl Churchill concerns the excesses | 0:17:38 | 0:17:42 | |
and greed of the stock market? | 0:17:42 | 0:17:44 | |
Is it Serious Money? | 0:17:48 | 0:17:50 | |
It is Serious Money, yes. APPLAUSE | 0:17:50 | 0:17:53 | |
Right these bonuses are on the rhetorical device known as anaphora, | 0:17:55 | 0:17:58 | |
that is, the repetition of a word or phrase in close occurrence. | 0:17:58 | 0:18:02 | |
Firstly, anaphora is the dominant figure of speech | 0:18:02 | 0:18:06 | |
in Elizabeth Barrett Browning's Sonnet 43. | 0:18:06 | 0:18:09 | |
Which three words occur repeatedly across eight lines? | 0:18:09 | 0:18:13 | |
Elizabeth Barrett Browning? | 0:18:14 | 0:18:16 | |
Um... | 0:18:16 | 0:18:18 | |
-I love you? -THEY LAUGH | 0:18:20 | 0:18:24 | |
Is it a word or lots of words? | 0:18:24 | 0:18:25 | |
Three words. Three words. | 0:18:25 | 0:18:26 | |
"I love you". | 0:18:28 | 0:18:29 | |
It's "I love thee". | 0:18:29 | 0:18:31 | |
AUDIENCE: Awww! | 0:18:31 | 0:18:33 | |
I wanted the words, there's no reason to... | 0:18:33 | 0:18:35 | |
They had the wrong words! LAUGHTER | 0:18:35 | 0:18:37 | |
Secondly, an example of anaphora in the Book Of Ecclesiastes, | 0:18:37 | 0:18:42 | |
in the King James Bible, begins, "For everything there is a season." | 0:18:42 | 0:18:47 | |
Which three-word phrase is repeated more than 20 times | 0:18:47 | 0:18:50 | |
in subsequent verses? | 0:18:50 | 0:18:51 | |
-Time for? Or a time to? -A time to. | 0:18:53 | 0:18:56 | |
A time to. | 0:18:56 | 0:18:58 | |
A time for? Time for? | 0:18:58 | 0:19:00 | |
"A time for". | 0:19:00 | 0:19:02 | |
No, it's "A time to". | 0:19:02 | 0:19:03 | |
AUDIENCE: Awww! | 0:19:03 | 0:19:05 | |
And finally, repeated anaphorically numerous times, | 0:19:05 | 0:19:08 | |
which four words are the informal title of a speech given by | 0:19:08 | 0:19:13 | |
Martin Luther King during the March On Washington in August 1963? | 0:19:13 | 0:19:18 | |
"I have a dream". | 0:19:18 | 0:19:19 | |
That's correct. APPLAUSE | 0:19:19 | 0:19:20 | |
Ten points for this. Listen carefully. | 0:19:20 | 0:19:22 | |
Give any three of the four words | 0:19:22 | 0:19:24 | |
that follow separate iterations of the word "sans" at the end | 0:19:24 | 0:19:28 | |
of the Seven Ages Of Man speech in Shakespeare's As You Like It? | 0:19:28 | 0:19:32 | |
"Sans teeth". | 0:19:32 | 0:19:33 | |
-Come on. -Three... | 0:19:35 | 0:19:36 | |
-Oh, three? -Any three. | 0:19:36 | 0:19:37 | |
Sans... Sans hair. Sans eyes. | 0:19:37 | 0:19:40 | |
Sans everything. | 0:19:40 | 0:19:41 | |
No, it's not hair. | 0:19:41 | 0:19:43 | |
Oh. | 0:19:43 | 0:19:44 | |
Anyone like to buzz from St Hilda's? | 0:19:44 | 0:19:46 | |
Sans teeth, sans eyes, sans nose. | 0:19:48 | 0:19:51 | |
No. It's sans teeth, sans eyes, | 0:19:51 | 0:19:54 | |
sans taste, sans everything. | 0:19:54 | 0:19:57 | |
Leeds, you lost five points for an incorrect interruption, too. | 0:19:57 | 0:20:00 | |
Shame on you. | 0:20:00 | 0:20:01 | |
LAUGHTER | 0:20:01 | 0:20:02 | |
Right, ten points for this starter question. Listen carefully. | 0:20:02 | 0:20:05 | |
What is the only single digit positive integer | 0:20:05 | 0:20:08 | |
that is not a factor of the number 2016? | 0:20:08 | 0:20:11 | |
Seven. | 0:20:18 | 0:20:19 | |
No. | 0:20:19 | 0:20:21 | |
St Hilda's? | 0:20:21 | 0:20:22 | |
Five. | 0:20:25 | 0:20:26 | |
Five is correct, yes. | 0:20:26 | 0:20:28 | |
APPLAUSE | 0:20:28 | 0:20:29 | |
Three questions on the history of science, St Hilda's. | 0:20:31 | 0:20:35 | |
Which learned organisation has its origins in 1660 | 0:20:35 | 0:20:39 | |
Invisible College of natural philosophers and physicians? | 0:20:39 | 0:20:43 | |
-Royal Society. -Royal Society? | 0:20:43 | 0:20:45 | |
Royal Society. | 0:20:45 | 0:20:46 | |
Correct. | 0:20:46 | 0:20:47 | |
The first meeting of the Royal Society was on | 0:20:47 | 0:20:50 | |
the 28th of November, 1660, | 0:20:50 | 0:20:52 | |
after a lecture at Gresham College by which polymath? | 0:20:52 | 0:20:55 | |
-Could it be Robert Boyle? I'm not sure. -Boyle? | 0:20:58 | 0:21:01 | |
-Could be Newton... -Think it's Newton? | 0:21:01 | 0:21:04 | |
Newton. | 0:21:06 | 0:21:07 | |
No, it was Sir Christopher Wren. | 0:21:07 | 0:21:08 | |
And finally, what is the motto of the Royal Society? | 0:21:08 | 0:21:11 | |
You may give the three words in Latin, or in the English sense. | 0:21:11 | 0:21:14 | |
-Don't know. -No? | 0:21:16 | 0:21:18 | |
Never knowingly under... | 0:21:18 | 0:21:21 | |
No. | 0:21:21 | 0:21:22 | |
Sorry. | 0:21:22 | 0:21:23 | |
It's "Nullius in verba", | 0:21:23 | 0:21:25 | |
take no-one's word for it. | 0:21:25 | 0:21:26 | |
We're going to take a second picture round now. | 0:21:26 | 0:21:28 | |
For your picture starter, you're going to see a small detail | 0:21:28 | 0:21:31 | |
of a painting on the theme of winter. | 0:21:31 | 0:21:33 | |
Ten points if you can name the artist. | 0:21:33 | 0:21:35 | |
Monet. Claude Monet. | 0:21:40 | 0:21:41 | |
It is Monet, well done. | 0:21:41 | 0:21:42 | |
We'll just see the whole thing, there it is. | 0:21:42 | 0:21:44 | |
APPLAUSE | 0:21:44 | 0:21:46 | |
That's his Magpie. | 0:21:46 | 0:21:47 | |
For your bonuses, three more details | 0:21:47 | 0:21:49 | |
from paintings on the theme of winter or winter weather. | 0:21:49 | 0:21:52 | |
I want the name of the artist in each case. | 0:21:52 | 0:21:54 | |
First, this British artist. | 0:21:54 | 0:21:56 | |
Ben Nicholson? | 0:21:56 | 0:21:58 | |
No, that's Turner. | 0:21:58 | 0:22:00 | |
Turner? Yeah? | 0:22:00 | 0:22:02 | |
Turner. | 0:22:04 | 0:22:06 | |
Well done, it is Turner, yes. | 0:22:06 | 0:22:08 | |
It's Hannibal Crossing the Alps In A Snowstorm. | 0:22:08 | 0:22:11 | |
Secondly, this German artist. | 0:22:11 | 0:22:13 | |
That's Caspar David Friedrich. | 0:22:17 | 0:22:20 | |
Caspar David Friedrich? | 0:22:20 | 0:22:22 | |
Caspar David Friedrich. | 0:22:22 | 0:22:24 | |
Yes. We'll see the whole thing. His Sea Of Ice. | 0:22:24 | 0:22:27 | |
And finally, this Japanese artist. | 0:22:27 | 0:22:29 | |
-Hokusai? -Got to be Hokusai, I think. -Hokusai. | 0:22:32 | 0:22:35 | |
Hokusai. | 0:22:35 | 0:22:36 | |
No, it's Hiroshige. | 0:22:36 | 0:22:38 | |
You were in the right part of the world, but it's Hiroshige. | 0:22:38 | 0:22:41 | |
The whole thing, there it is. | 0:22:41 | 0:22:42 | |
Snow Scene In The Garden Of Daimyo. BUZZER | 0:22:42 | 0:22:45 | |
All right, Steve? | 0:22:45 | 0:22:47 | |
LAUGHTER | 0:22:47 | 0:22:49 | |
Ten points for this. | 0:22:49 | 0:22:50 | |
The view that the labouring man of the 1820s | 0:22:50 | 0:22:53 | |
was in want of more bread, bacon and beer | 0:22:53 | 0:22:56 | |
is attributed to which political journalist and pamphleteer, | 0:22:56 | 0:23:00 | |
born 1763? | 0:23:00 | 0:23:02 | |
A champion of traditional rural England, he's noted for | 0:23:02 | 0:23:04 | |
both the Political Register - he founded it in 1802 - and... | 0:23:04 | 0:23:10 | |
William Cobbett. | 0:23:11 | 0:23:13 | |
William Cobbett is right, yes. APPLAUSE | 0:23:13 | 0:23:16 | |
Your bonuses are on popular music, Leeds. | 0:23:18 | 0:23:20 | |
In each case, give the title of the song | 0:23:20 | 0:23:22 | |
in which all the following people are mentioned. | 0:23:22 | 0:23:25 | |
Firstly, from a song released in 1987, | 0:23:25 | 0:23:27 | |
Leonard Bernstein, Leonid Brezhnev, | 0:23:27 | 0:23:29 | |
Lenny Bruce and Lester Bangs. | 0:23:29 | 0:23:31 | |
-Title of a song in which they're all mentioned? -Yes. | 0:23:32 | 0:23:35 | |
I mean, I've got no idea. | 0:23:35 | 0:23:38 | |
-Any thoughts? -What was the date? -1987. -1987. | 0:23:38 | 0:23:41 | |
-Lenny Bruce, Lester Bangs... -A 1987 hit. | 0:23:41 | 0:23:45 | |
Steve? | 0:23:45 | 0:23:47 | |
How about This Charming Man by The Smiths? | 0:23:47 | 0:23:49 | |
This Charming Man? By The Smiths. | 0:23:49 | 0:23:50 | |
No, it's REM's It's The End Of The World As We Know It. | 0:23:50 | 0:23:53 | |
Secondly, from a song released in 1979, | 0:23:53 | 0:23:56 | |
Woody Allen, Dali, Dimitri and Pasquale. | 0:23:56 | 0:24:00 | |
1979... | 0:24:01 | 0:24:03 | |
-'79. -1979. | 0:24:03 | 0:24:05 | |
No? Sorry, we don't know. | 0:24:11 | 0:24:13 | |
That was Reasons To Be Cheerful Part Three, from Ian Dury. | 0:24:13 | 0:24:16 | |
And from a song of 1934. | 0:24:16 | 0:24:18 | |
Inferno's Dante, the great Durante, | 0:24:18 | 0:24:21 | |
Botticelli, Keats and Shelley. | 0:24:21 | 0:24:22 | |
I don't know. | 0:24:22 | 0:24:25 | |
-Could be Cole Porter. -Cole Porter? | 0:24:25 | 0:24:28 | |
We need to be quick. | 0:24:28 | 0:24:29 | |
Come on. | 0:24:29 | 0:24:31 | |
Oh, um... Let's Do It. | 0:24:31 | 0:24:33 | |
No, it's You're The Top by Cole Porter. | 0:24:33 | 0:24:36 | |
Right, there's about two and a half minutes to go, ten points for this. | 0:24:36 | 0:24:38 | |
John MacBride, James Connolly and Padraig Pearse | 0:24:38 | 0:24:41 | |
were among the leaders of which insurrection...? | 0:24:41 | 0:24:43 | |
The Easter Rising. | 0:24:44 | 0:24:46 | |
The Easter Rising is correct. APPLAUSE | 0:24:46 | 0:24:49 | |
St Hilda's, your bonuses are on fictional characters. | 0:24:49 | 0:24:52 | |
Frederick Winterbourne appears in which work of 1878 by Henry James? | 0:24:52 | 0:24:57 | |
He's staying by Lake Geneva | 0:24:57 | 0:24:59 | |
when he meets the American princess who's the title character. | 0:24:59 | 0:25:04 | |
Princess Masamassima. | 0:25:04 | 0:25:06 | |
Nominate Geras. | 0:25:06 | 0:25:08 | |
Princess Masamassima? | 0:25:08 | 0:25:10 | |
No, it's Daisy Miller. | 0:25:10 | 0:25:12 | |
LAUGHTER | 0:25:12 | 0:25:13 | |
And secondly, George and Elizabeth Winterbourne are characters | 0:25:13 | 0:25:16 | |
in the 1929 novel Death Of A Hero, by which English author, | 0:25:16 | 0:25:20 | |
also known for his 1955 biography of TE Lawrence? | 0:25:20 | 0:25:24 | |
-Don't know. -Don't know. | 0:25:28 | 0:25:30 | |
-Sorry, think we're... -That's Richard Aldington. | 0:25:31 | 0:25:34 | |
And finally, Giles Winterborne falls in love with Grace Melbury | 0:25:34 | 0:25:37 | |
in The Woodlanders, a work of 1887 by which English novelist and poet? | 0:25:37 | 0:25:42 | |
Thomas Hardy. | 0:25:42 | 0:25:44 | |
Correct. Ten points for this. APPLAUSE | 0:25:44 | 0:25:47 | |
What six-letter name links | 0:25:47 | 0:25:48 | |
the founding editor of the New York Tribune, | 0:25:48 | 0:25:51 | |
a Gothic writer who purchased the villa Strawberry Hill | 0:25:51 | 0:25:54 | |
in Twickenham in the 1740s, | 0:25:54 | 0:25:56 | |
and the Roman poet whose works include...? | 0:25:56 | 0:26:00 | |
Horace? | 0:26:00 | 0:26:01 | |
Horace is correct, yes. APPLAUSE | 0:26:01 | 0:26:03 | |
These bonuses, St Hilda's, are on medicine. | 0:26:05 | 0:26:08 | |
What physical phenomenon is denoted by the term borborygmus? | 0:26:08 | 0:26:12 | |
Movement of air in the gut, but... | 0:26:16 | 0:26:19 | |
I'll accept that, yes. A stomach rumble, yes. | 0:26:19 | 0:26:22 | |
Borborygmus can be a symptom of which disease, | 0:26:22 | 0:26:26 | |
caused by a reaction to a class of proteins present in gluten? | 0:26:26 | 0:26:29 | |
-IBS. -Is it? IBS? | 0:26:31 | 0:26:35 | |
IBS. Irritable bowel syndrome. | 0:26:35 | 0:26:37 | |
No, it's coeliac disease. | 0:26:37 | 0:26:38 | |
Borborygmus can also be a symptom of IBS. | 0:26:38 | 0:26:41 | |
For what those letters stand? | 0:26:41 | 0:26:43 | |
Irritable bowel syndrome. | 0:26:43 | 0:26:44 | |
That's correct. LAUGHTER | 0:26:44 | 0:26:46 | |
Ten points for this. APPLAUSE | 0:26:46 | 0:26:47 | |
What five-letter word links | 0:26:47 | 0:26:49 | |
the 19th-century essayist and critic associated with the term | 0:26:49 | 0:26:52 | |
"art for art's sake", | 0:26:52 | 0:26:54 | |
and a Latin term for the male head of a household? | 0:26:54 | 0:26:57 | |
Pater. | 0:27:00 | 0:27:01 | |
Pater and pater, of course. APPLAUSE | 0:27:01 | 0:27:03 | |
15 points for these bonuses. They're on flags. | 0:27:03 | 0:27:06 | |
Which constellation is depicted on the national flags of | 0:27:06 | 0:27:09 | |
Australia, New Zealand and Papua New Guinea? | 0:27:09 | 0:27:11 | |
-Southern Cross, isn't it? -Mm-hm. | 0:27:11 | 0:27:13 | |
The Southern Cross. | 0:27:13 | 0:27:14 | |
Correct. | 0:27:14 | 0:27:15 | |
The national flag of which country contains 27 stars, | 0:27:15 | 0:27:18 | |
roughly corresponding to the positions of constellations | 0:27:18 | 0:27:22 | |
visible over one of its cities? | 0:27:22 | 0:27:23 | |
Any ideas? | 0:27:26 | 0:27:28 | |
-Sorry, we're not flag girls. -LAUGHTER | 0:27:28 | 0:27:30 | |
It's Brazil. | 0:27:30 | 0:27:31 | |
And lastly, which of the United States has a state flag...? | 0:27:31 | 0:27:34 | |
GONG | 0:27:34 | 0:27:35 | |
And at the gong, Leeds have 55, | 0:27:35 | 0:27:37 | |
St Hilda's College Oxford have 160. | 0:27:37 | 0:27:39 | |
APPLAUSE | 0:27:39 | 0:27:41 | |
Well, you were a fun team, Leeds, and you were... | 0:27:46 | 0:27:49 | |
Your knowledge was nicely spread, I thought, | 0:27:49 | 0:27:51 | |
but you're going to have to concede defeat | 0:27:51 | 0:27:54 | |
in the final of this Christmas series to St Hilda's College Oxford. | 0:27:54 | 0:27:58 | |
You said you were old, but then, well, | 0:27:58 | 0:28:00 | |
you are a bit older than most of the students who take part. | 0:28:00 | 0:28:03 | |
LAUGHTER | 0:28:03 | 0:28:04 | |
Anyway, congratulations. Thank you very much for joining us. Thank you. | 0:28:04 | 0:28:07 | |
Thank you all for playing. | 0:28:07 | 0:28:09 | |
APPLAUSE | 0:28:09 | 0:28:10 | |
So, thank you to all the teams | 0:28:18 | 0:28:20 | |
who've taken part in this Christmas series, | 0:28:20 | 0:28:23 | |
and thank you for watching. | 0:28:23 | 0:28:24 | |
Next time, we resume the students' competition, | 0:28:24 | 0:28:27 | |
but until then, it's goodbye from Leeds University... | 0:28:27 | 0:28:29 | |
Goodbye. | 0:28:29 | 0:28:30 | |
-It's goodbye from St Hilda's College Oxford... -Goodbye. | 0:28:30 | 0:28:33 | |
And it's goodbye from me. | 0:28:33 | 0:28:34 | |
Happy Christmas. APPLAUSE | 0:28:34 | 0:28:37 |