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APPLAUSE | 0:00:17 | 0:00:19 | |
Christmas University Challenge. | 0:00:19 | 0:00:21 | |
Asking the questions, Jeremy Paxman. | 0:00:23 | 0:00:25 | |
Hello. Halley's Comet hoves into view roughly every 75 years - | 0:00:28 | 0:00:34 | |
so one sighting a lifetime, if we're lucky, is about all we'll get. | 0:00:34 | 0:00:38 | |
As frequent, but far more thrilling, is an all-female fixture on | 0:00:38 | 0:00:42 | |
University Challenge - but that's what lies ahead of us tonight as | 0:00:42 | 0:00:46 | |
we play the second semifinal to find out who'll be taking on | 0:00:46 | 0:00:49 | |
Leeds University for the series championship tomorrow evening. | 0:00:49 | 0:00:53 | |
Now, the team from St Anne's College, Oxford beat | 0:00:53 | 0:00:56 | |
Manchester University in the first match in this series | 0:00:56 | 0:01:00 | |
by 185 points to 55. | 0:01:00 | 0:01:02 | |
Hoping to repeat that performance are a science journalist | 0:01:02 | 0:01:05 | |
and broadcaster who's reported on everything from birth rates | 0:01:05 | 0:01:08 | |
among African elephants to fossilised parrots in Siberia, | 0:01:08 | 0:01:13 | |
a historian who's also a broadcaster with | 0:01:13 | 0:01:15 | |
a particular interest in the historical context of art objects. | 0:01:15 | 0:01:20 | |
Their captain is a chemist and authority on solar-powered | 0:01:20 | 0:01:23 | |
conversion. | 0:01:23 | 0:01:24 | |
She's been at the helm of numerous scientific organisations. | 0:01:24 | 0:01:27 | |
And their fourth member is a broadcaster journalist, | 0:01:27 | 0:01:30 | |
formerly with the BBC and Al Jazeera English. | 0:01:30 | 0:01:33 | |
Let's ask them to introduce themselves again. | 0:01:33 | 0:01:36 | |
Hello, my name is Rebecca Morelle. | 0:01:36 | 0:01:37 | |
I read chemistry at St Anne's and graduated in 2001 and now I'm | 0:01:37 | 0:01:42 | |
a science correspondent at BBC News. | 0:01:42 | 0:01:45 | |
Hello, I'm Janina Ramirez. | 0:01:46 | 0:01:48 | |
I read English language and literature at St Anne's | 0:01:48 | 0:01:51 | |
from '98 to 2001, | 0:01:51 | 0:01:53 | |
and I'm now an art historian, a broadcaster and writer. | 0:01:53 | 0:01:57 | |
And this is their captain. | 0:01:57 | 0:01:59 | |
Hello, I'm Mary Archer. | 0:01:59 | 0:02:01 | |
I read chemistry at St Anne's from 1962 to 1966, | 0:02:01 | 0:02:06 | |
and I'm currently chairman of the Science Museum Group. | 0:02:06 | 0:02:09 | |
And I'm Jackie Rowland. | 0:02:09 | 0:02:11 | |
I graduated in modern languages from St Anne's in 1986. | 0:02:11 | 0:02:15 | |
And for the past 25 years I've been working as | 0:02:15 | 0:02:18 | |
a television correspondent. | 0:02:18 | 0:02:19 | |
APPLAUSE | 0:02:19 | 0:02:22 | |
St Hilda's College, Oxford, came away from their first-round match | 0:02:25 | 0:02:29 | |
with 225 points to the 65 earned by Magdalene College, Cambridge. | 0:02:29 | 0:02:34 | |
Their line-up remains the same and comprises a psychiatrist | 0:02:34 | 0:02:38 | |
and psychotherapist, a former principal | 0:02:38 | 0:02:40 | |
of Somerville College, Oxford. | 0:02:40 | 0:02:41 | |
She is also an authority on the protection of personal data | 0:02:41 | 0:02:44 | |
within the NHS. | 0:02:44 | 0:02:46 | |
Her colleague is a specialist in the literature of ancient Greece | 0:02:46 | 0:02:49 | |
and Rome, particularly concerned with sexuality, women and gender. | 0:02:49 | 0:02:53 | |
Their captain is a prolific, award-winning and bestselling | 0:02:53 | 0:02:57 | |
author and their fourth player is also an author, having written more | 0:02:57 | 0:03:00 | |
than 19 books for children and adults, as well as being | 0:03:00 | 0:03:05 | |
a familiar voice on Radio Four's Round Britain Quiz. | 0:03:05 | 0:03:08 | |
Let's meet the St Hilda's team again. | 0:03:08 | 0:03:11 | |
Hello, I'm Fiona Caldicott. | 0:03:11 | 0:03:13 | |
I graduated from St Hilda's in 1966 in medicine. | 0:03:13 | 0:03:17 | |
I now chair a large teaching hospital trust in Oxford | 0:03:17 | 0:03:21 | |
and I'm the national data guardian for health and care. | 0:03:21 | 0:03:23 | |
Hello, I'm Daisy Dunn. | 0:03:25 | 0:03:26 | |
I read classics at St Hilda's from 2005 to 2009. | 0:03:26 | 0:03:30 | |
And I'm now an author and journalist. | 0:03:30 | 0:03:33 | |
-And let's meet their captain. -Hi, I'm Val McDermid. | 0:03:33 | 0:03:36 | |
I graduated in 1975 from St Hilda's with a degree in English. | 0:03:36 | 0:03:40 | |
And I'm a crime writer. | 0:03:40 | 0:03:41 | |
Hello, I'm Adele Geras. | 0:03:42 | 0:03:44 | |
I read modern languages between 1963 and 1966, and I'm a writer. | 0:03:44 | 0:03:49 | |
APPLAUSE | 0:03:49 | 0:03:52 | |
Well, the rules are the same as they always are, | 0:03:55 | 0:03:57 | |
so fingers on the buzzers. | 0:03:57 | 0:03:59 | |
Here's your first starter for ten. | 0:03:59 | 0:04:01 | |
The penultimate day of 2016 is the 200th anniversary of | 0:04:01 | 0:04:06 | |
the marriage at St Mildred's church on Bread Street in | 0:04:06 | 0:04:09 | |
the city of London of Mary Wollstonecraft Godwin to which poet? | 0:04:09 | 0:04:14 | |
-Shelley. -Correct. | 0:04:16 | 0:04:18 | |
APPLAUSE | 0:04:18 | 0:04:20 | |
Your bonuses, St Hilda's, are on Charles Dickens's | 0:04:22 | 0:04:25 | |
A Child's History Of England | 0:04:25 | 0:04:26 | |
and, in each case, name the historical figure described. | 0:04:26 | 0:04:29 | |
All three lived in the same century. Firstly, for five, | 0:04:29 | 0:04:33 | |
"the first merry proceeding was - of course - | 0:04:33 | 0:04:35 | |
"to declare that he was one of the greatest, the wisest | 0:04:35 | 0:04:38 | |
"and the noblest kings that ever shone like | 0:04:38 | 0:04:41 | |
"the blessed sun itself on this benighted earth." | 0:04:41 | 0:04:44 | |
Merry... Was "merry" King Cole? | 0:04:44 | 0:04:47 | |
He was a merry old soul. | 0:04:47 | 0:04:48 | |
King. I don't know. | 0:04:50 | 0:04:52 | |
Any ideas? | 0:04:52 | 0:04:53 | |
Same century. 19th century. | 0:04:54 | 0:04:58 | |
-I think one of the Henrys. Henry VIII? -Try Henry VIII. | 0:04:58 | 0:05:01 | |
We'll try Henry VIII? | 0:05:01 | 0:05:03 | |
Henry VIII? | 0:05:03 | 0:05:04 | |
No. It was Charles II or Dickens's judgment on Charles II. | 0:05:04 | 0:05:08 | |
Described as "Chief Justice of the court of King's Bench, a red face, | 0:05:08 | 0:05:13 | |
"swollen, bloated, horrible creature with a bullying roaring voice and | 0:05:13 | 0:05:17 | |
"a more savage nature perhaps | 0:05:17 | 0:05:19 | |
"than was ever lodged in any human breast." | 0:05:19 | 0:05:22 | |
-Judge Jeffreys. -Correct. | 0:05:23 | 0:05:25 | |
"First, an orange girl, and, then, an actress who really had good in | 0:05:25 | 0:05:29 | |
"her and of whom one of the worst things I know is that she actually | 0:05:29 | 0:05:32 | |
"does seem to have been rather fond of the King." | 0:05:32 | 0:05:35 | |
-Nell Gwyn. -Correct. | 0:05:35 | 0:05:37 | |
Ten points for this. | 0:05:37 | 0:05:38 | |
Queen's Ware and Black Basalt are | 0:05:38 | 0:05:40 | |
ceramic bodies invented by which industrial innovator | 0:05:40 | 0:05:44 | |
and campaigner against celebrity? | 0:05:44 | 0:05:45 | |
-Josiah Wedgwood. -Correct. | 0:05:47 | 0:05:50 | |
APPLAUSE | 0:05:50 | 0:05:52 | |
Your bonuses are on the 1975 film Monty Python And The Holy Grail. | 0:05:53 | 0:05:58 | |
In each case, listen to the quotation and identify | 0:05:58 | 0:06:01 | |
the actor whose character speaks those lines. | 0:06:01 | 0:06:05 | |
"Don't like her? What's wrong with her? | 0:06:05 | 0:06:07 | |
"She's beautiful, she's rich, she's got huge...tracts of land." | 0:06:07 | 0:06:10 | |
LAUGHTER | 0:06:10 | 0:06:12 | |
THEY CONFER | 0:06:12 | 0:06:15 | |
-Terry Gilliam. -I don't know. | 0:06:15 | 0:06:18 | |
-Terry Gilliam. -No, that's Michael Palin. | 0:06:19 | 0:06:22 | |
"There is a pestilence upon this land. Nothing is sacred, even those | 0:06:22 | 0:06:26 | |
"who arrange and design shrubberies are under | 0:06:26 | 0:06:29 | |
"considerable economic stress in this period of history." | 0:06:29 | 0:06:32 | |
-Eric Idle. -It was Eric Idle as Roger the Shrubber and, finally, | 0:06:38 | 0:06:42 | |
"Your mother was a hamster and your father smelt of elderberries." | 0:06:42 | 0:06:47 | |
-John Cleese. -John Cleese is right. | 0:06:47 | 0:06:49 | |
Right, ten points at stake for this. | 0:06:50 | 0:06:52 | |
Which US actor and model starred in Serge Gainsbourg's 1976 film, | 0:06:52 | 0:06:57 | |
Je T'aime Moi Non Plus? | 0:06:57 | 0:06:59 | |
Oh, no. Jane Birkin. | 0:07:02 | 0:07:04 | |
No. I'm afraid you lose five points. | 0:07:04 | 0:07:07 | |
..opposite the British actress Jane Birkin. | 0:07:07 | 0:07:09 | |
He made his name in underground films by Andy Warhol | 0:07:09 | 0:07:12 | |
such as Flesh, Trash and Heat and is mentioned in | 0:07:12 | 0:07:15 | |
Lou Reed's song Walk On The Wild Side. | 0:07:15 | 0:07:18 | |
It's Joe Dallesandro. | 0:07:22 | 0:07:24 | |
Oh, are you buzzing because you knew the answer? | 0:07:24 | 0:07:26 | |
I've given it to you now. It's too late. | 0:07:26 | 0:07:28 | |
-I was wrong anyway. -Right. | 0:07:28 | 0:07:30 | |
Ten points for this. Answer as soon as your name is called. | 0:07:30 | 0:07:33 | |
Fingers on the buzzers. | 0:07:33 | 0:07:35 | |
Name both of the elements discovered by Marie Curie | 0:07:35 | 0:07:38 | |
during her investigation of radioactivity. | 0:07:38 | 0:07:40 | |
-Radium and polonium. -Correct. | 0:07:42 | 0:07:44 | |
APPLAUSE | 0:07:44 | 0:07:46 | |
Your bonuses are on the first millennium of the common | 0:07:47 | 0:07:51 | |
or Christian era. | 0:07:51 | 0:07:52 | |
In each case, identify the century during which the named people | 0:07:52 | 0:07:56 | |
lived and died. | 0:07:56 | 0:07:57 | |
Firstly, Saints Cyril and Methodius, | 0:07:57 | 0:08:00 | |
who together were known as the Apostles of the Slavs, | 0:08:00 | 0:08:03 | |
the Byzantine Emperor Basil I | 0:08:03 | 0:08:06 | |
and Kenneth MacAlpin, the first King of Scots. | 0:08:06 | 0:08:09 | |
-We've got to find the century. -Yeah. | 0:08:09 | 0:08:12 | |
Fourth. I think it's fourth or fifth. | 0:08:12 | 0:08:14 | |
MacAlpin's going to be the fifth. | 0:08:16 | 0:08:18 | |
-Fifth. -No, that was the ninth century. -OK. | 0:08:19 | 0:08:22 | |
Secondly, the Chinese poets Li Po and Du Fu, | 0:08:22 | 0:08:25 | |
the Japanese empress Koken | 0:08:25 | 0:08:27 | |
and the Frankish king Pepin the Short. | 0:08:27 | 0:08:31 | |
Pepin the Short. | 0:08:31 | 0:08:33 | |
THEY CONFER | 0:08:33 | 0:08:35 | |
It's going to be seventh or... | 0:08:39 | 0:08:41 | |
-Seventh. -No, it's the eighth century. The 700s, though. | 0:08:41 | 0:08:44 | |
And five points for this. | 0:08:44 | 0:08:46 | |
The Neo-Platonist philosopher Plotinus, | 0:08:46 | 0:08:48 | |
the Sassanid ruler Shapur I | 0:08:48 | 0:08:50 | |
and Zenobia, Queen of Palmyra. | 0:08:50 | 0:08:53 | |
-Sounds old. -Yeah. | 0:08:53 | 0:08:55 | |
-First or second? -First because it's the first millennium. Say first. | 0:08:57 | 0:09:01 | |
First. | 0:09:01 | 0:09:02 | |
-No, it's the third. -Oh! | 0:09:02 | 0:09:04 | |
Right, we're going to take a picture round. | 0:09:04 | 0:09:06 | |
For your picture starter, you'll see a map. | 0:09:06 | 0:09:07 | |
For ten points, please give me the name of the republic whose | 0:09:07 | 0:09:10 | |
territory lies within the red outline. | 0:09:10 | 0:09:13 | |
Uzbekistan. | 0:09:20 | 0:09:22 | |
Good heavens, no. St Anne's? One of you buzz. | 0:09:23 | 0:09:25 | |
France. | 0:09:26 | 0:09:28 | |
No, it's Kiribas. | 0:09:28 | 0:09:30 | |
Right, ten points for this. | 0:09:30 | 0:09:31 | |
Born in Pembrokeshire in 1876, | 0:09:31 | 0:09:33 | |
which painter is noted for her self-portraits and domestic scenes? | 0:09:33 | 0:09:38 | |
A student of James Whistler, she's increasingly been recognised | 0:09:38 | 0:09:42 | |
as one of the foremost British postimpressionists. | 0:09:42 | 0:09:45 | |
-Is it Gwen John? -It is Gwen John, yes. | 0:09:46 | 0:09:48 | |
APPLAUSE | 0:09:48 | 0:09:51 | |
So you'll be pleased to hear that you get the picture bonuses. | 0:09:53 | 0:09:57 | |
Kiritimati atoll or Christmas atoll, | 0:09:57 | 0:10:01 | |
which forms part of the Republic of Kiribati, | 0:10:01 | 0:10:04 | |
is the first point of dry land to experience New Year. | 0:10:04 | 0:10:08 | |
For your bonuses, you'll see maps with three locations highlighted. | 0:10:08 | 0:10:11 | |
In each instance, I want you to tell me | 0:10:11 | 0:10:13 | |
the name of the city highlighted and what time and date | 0:10:13 | 0:10:17 | |
it will be in the UK | 0:10:17 | 0:10:20 | |
when each of these locations experiences New Year? | 0:10:20 | 0:10:24 | |
Firstly, this US state capital. | 0:10:26 | 0:10:29 | |
Is it Nevada? | 0:10:29 | 0:10:31 | |
THEY CONFER | 0:10:31 | 0:10:35 | |
So, the 1st of January at eight o'clock in the morning... | 0:10:35 | 0:10:39 | |
1st of January in the UK? | 0:10:39 | 0:10:42 | |
So it's eight o'clock in the morning, 1st of January. | 0:10:42 | 0:10:44 | |
I'm afraid not, that was Phoenix, in fact, in Arizona. | 0:10:44 | 0:10:47 | |
And so it was seven o'clock on the 1st of January. | 0:10:47 | 0:10:51 | |
Secondly, this capital of an autonomous country... | 0:10:51 | 0:10:53 | |
THEY CONFER | 0:10:53 | 0:10:56 | |
Two hours behind us? Two hours behind us, I think. | 0:11:03 | 0:11:05 | |
-Cos Iceland's the same as us. -Is it? | 0:11:05 | 0:11:08 | |
We think it's two o'clock in the morning | 0:11:08 | 0:11:10 | |
and that's Greenland, Nunavik. | 0:11:10 | 0:11:11 | |
No, it's three o'clock in the morning on the 1st of January, | 0:11:11 | 0:11:15 | |
and it's Nuuk in Greenland. | 0:11:15 | 0:11:16 | |
And finally... | 0:11:16 | 0:11:18 | |
THEY CONFER | 0:11:20 | 0:11:23 | |
-Moscow? -Moscow? | 0:11:23 | 0:11:25 | |
Moscow's before. | 0:11:27 | 0:11:30 | |
Five? | 0:11:30 | 0:11:32 | |
Four, five... | 0:11:32 | 0:11:34 | |
Five. | 0:11:34 | 0:11:35 | |
So, they get it on seven o'clock on Hogmanay. | 0:11:35 | 0:11:39 | |
No, it's nine o'clock on Hogmanay, and it's Moscow. | 0:11:39 | 0:11:42 | |
Right, ten points for this. | 0:11:42 | 0:11:43 | |
Derived from the Italian | 0:11:43 | 0:11:45 | |
for boat or barge, | 0:11:45 | 0:11:47 | |
what term is used for a Venetian gondolier's song | 0:11:47 | 0:11:50 | |
or a composition typified by gentle rocking rhythms in... | 0:11:50 | 0:11:55 | |
Barcarole. | 0:11:55 | 0:11:57 | |
Correct. | 0:11:57 | 0:11:58 | |
These bonuses are on the works of Seamus Heaney, St Hilda's. | 0:12:01 | 0:12:05 | |
So. "The Spear-Danes in days gone by and the kings who ruled them | 0:12:05 | 0:12:09 | |
"had courage and greatness." | 0:12:09 | 0:12:11 | |
These words begin which of Heaney's works? | 0:12:11 | 0:12:14 | |
A translation of a poem said to be | 0:12:14 | 0:12:17 | |
the earliest European vernacular epic. | 0:12:17 | 0:12:19 | |
-It's Beowulf. -Correct. | 0:12:19 | 0:12:21 | |
Commissioned to mark the centenary in 2004 | 0:12:21 | 0:12:25 | |
of Dublin's Abbey Theatre, Heaney's play The Burial At Thebes | 0:12:25 | 0:12:28 | |
is a reworking of which tragedy by Sophocles? | 0:12:28 | 0:12:31 | |
THEY CONFER | 0:12:32 | 0:12:36 | |
Antigone. | 0:12:36 | 0:12:37 | |
Correct. Published posthumously in 2016, | 0:12:37 | 0:12:40 | |
Heaney's story of a Trojan prince venturing into the underworld | 0:12:40 | 0:12:44 | |
to find his dead father is a translation of book six | 0:12:44 | 0:12:47 | |
of which epic poem by Virgil? | 0:12:47 | 0:12:51 | |
The Aeneid. | 0:12:51 | 0:12:52 | |
Correct. Ten points for this. | 0:12:52 | 0:12:53 | |
In their dictionary spellings, which accent appears on the | 0:12:56 | 0:12:59 | |
Italian word for "because", the French for summer | 0:12:59 | 0:13:02 | |
and the Spanish for Saturday? | 0:13:02 | 0:13:05 | |
Acute. | 0:13:05 | 0:13:07 | |
Acute is correct. | 0:13:07 | 0:13:08 | |
These bonuses are on scientific terms, St Hilda's. | 0:13:11 | 0:13:14 | |
They all begin with the same Greek prefix - | 0:13:14 | 0:13:17 | |
in each case give the term from the description. | 0:13:17 | 0:13:20 | |
Firstly, in astronomy, | 0:13:20 | 0:13:22 | |
the point at which the moon is furthest from the earth. | 0:13:22 | 0:13:25 | |
In a general sense, it means a high or culminating point, | 0:13:25 | 0:13:28 | |
for example, of power and success. | 0:13:28 | 0:13:31 | |
THEY CONFER | 0:13:31 | 0:13:34 | |
Apogee. | 0:13:34 | 0:13:36 | |
Apogee is right. | 0:13:36 | 0:13:38 | |
Also known as programmed cell death, | 0:13:38 | 0:13:40 | |
a biological mechanism that allows the controlled destruction | 0:13:40 | 0:13:44 | |
of cells as part of an organism's natural growth? | 0:13:44 | 0:13:47 | |
THEY CONFER | 0:13:49 | 0:13:51 | |
Miosis. | 0:13:56 | 0:13:57 | |
No, it's apoptosis. | 0:13:57 | 0:14:00 | |
And, finally, in anatomy, a type of sweat gland | 0:14:00 | 0:14:02 | |
found in the armpits and perineum. | 0:14:02 | 0:14:05 | |
THEY CONFER | 0:14:05 | 0:14:08 | |
No, it's gone. Apostrophe. | 0:14:15 | 0:14:18 | |
Apocrine. | 0:14:18 | 0:14:20 | |
Ten points for this music starter. | 0:14:20 | 0:14:23 | |
You're going to hear a piece of classical music, | 0:14:23 | 0:14:25 | |
all you have to do is identify the composer. | 0:14:25 | 0:14:28 | |
ORCHESTRAL MUSIC PLAYS | 0:14:28 | 0:14:32 | |
Handel. | 0:14:37 | 0:14:39 | |
Handel is right, it's from the Music For The Royal Fireworks. | 0:14:39 | 0:14:42 | |
Your music bonuses are three more pieces inspired by fireworks. | 0:14:44 | 0:14:48 | |
In each case, for five points, I want the composer | 0:14:48 | 0:14:51 | |
of the work you hear. | 0:14:51 | 0:14:52 | |
Firstly, this French composer. | 0:14:52 | 0:14:54 | |
PIANO PLAYS | 0:14:54 | 0:14:58 | |
THEY CONFER | 0:15:10 | 0:15:11 | |
Debussy. | 0:15:11 | 0:15:13 | |
It is Debussy. | 0:15:13 | 0:15:14 | |
Secondly, another French composer... | 0:15:14 | 0:15:16 | |
PIANO PLAYS | 0:15:16 | 0:15:19 | |
THEY CONFER | 0:15:19 | 0:15:22 | |
Ravel? | 0:15:23 | 0:15:25 | |
No, that's Erik Satie. | 0:15:25 | 0:15:26 | |
And, finally, this Russian composer. | 0:15:26 | 0:15:28 | |
ORCHESTRAL MUSIC PLAYS | 0:15:28 | 0:15:32 | |
THEY CONFER | 0:15:34 | 0:15:37 | |
-Shostakovich? -No, it's Stravinsky. | 0:15:42 | 0:15:45 | |
Ten points for this. | 0:15:45 | 0:15:47 | |
"It makes everyone a tourist | 0:15:47 | 0:15:49 | |
"in other people's reality | 0:15:49 | 0:15:50 | |
"and, eventually, in one's own." | 0:15:50 | 0:15:53 | |
These words of Susan Sontag referred to what device? | 0:15:53 | 0:15:56 | |
Its modern form was developed from the 1820s. | 0:15:56 | 0:15:59 | |
Camera. | 0:16:01 | 0:16:03 | |
Correct. | 0:16:03 | 0:16:04 | |
St Hilda's, these bonuses are on the biographer Kathryn Hughes. | 0:16:07 | 0:16:11 | |
Kathryn Hughes's first published work deals with members of what | 0:16:11 | 0:16:15 | |
profession during the Victorian era? | 0:16:15 | 0:16:17 | |
Fictional examples include Agnes Grey and Jane Eyre. | 0:16:17 | 0:16:21 | |
-Governesses. -Governesses. -Governesses. | 0:16:21 | 0:16:24 | |
Correct. | 0:16:24 | 0:16:25 | |
Born in Warwickshire in 1819, | 0:16:25 | 0:16:27 | |
which prominent novelist is the subject of Hughes's | 0:16:27 | 0:16:29 | |
award-winning biography subtitled The Last Victorian? | 0:16:29 | 0:16:34 | |
THEY CONFER | 0:16:39 | 0:16:42 | |
-I think we'd better have an answer, please. -Sorry. | 0:16:50 | 0:16:53 | |
That's about George Eliot. | 0:16:53 | 0:16:54 | |
And, finally, which writer on household management | 0:16:54 | 0:16:57 | |
is the subject of a 2005 biography by Hughes? | 0:16:57 | 0:17:00 | |
Born 1836, her forenames were Isabel and Mary. | 0:17:00 | 0:17:03 | |
Mrs Beeton. | 0:17:03 | 0:17:04 | |
Correct. Ten points for this. | 0:17:04 | 0:17:07 | |
The School For Lovers is the subtitle of which opera buffa... | 0:17:07 | 0:17:11 | |
Cosi Fan Tutte. | 0:17:11 | 0:17:13 | |
Correct. | 0:17:13 | 0:17:15 | |
You get a set of bonuses, St Hilda's, on SI derived units. | 0:17:17 | 0:17:22 | |
Firstly, the SI derived unit of illumination begins the name | 0:17:22 | 0:17:26 | |
of which EU member state? | 0:17:26 | 0:17:28 | |
THEY CONFER | 0:17:30 | 0:17:33 | |
It's Luxembourg. | 0:17:33 | 0:17:34 | |
Correct. The SI derived unit of luminous flux | 0:17:34 | 0:17:38 | |
appears within the surname of which celebrity chef? | 0:17:38 | 0:17:42 | |
Born in London in 1966, | 0:17:42 | 0:17:45 | |
his published works include Kitchen Chemistry. | 0:17:45 | 0:17:48 | |
THEY CONFER | 0:17:48 | 0:17:51 | |
Heston Blumenthal. | 0:17:52 | 0:17:53 | |
Correct. | 0:17:53 | 0:17:54 | |
And, finally, the SI derived unit of the electromotive force | 0:17:54 | 0:17:57 | |
begins the name of which major figure of the Enlightenment, | 0:17:57 | 0:18:00 | |
born in Paris in 1694? | 0:18:00 | 0:18:03 | |
-Voltaire. -Voltaire. | 0:18:03 | 0:18:05 | |
Voltaire is correct. | 0:18:05 | 0:18:07 | |
Ten points for this starter question. | 0:18:09 | 0:18:12 | |
In conservation biology, the acronym CITES, CITE-S... | 0:18:12 | 0:18:18 | |
Convention on the International Trade in Endangered Species. | 0:18:20 | 0:18:24 | |
-Correct. -Yay! | 0:18:24 | 0:18:26 | |
Your bonuses are on the Old Testament. | 0:18:29 | 0:18:31 | |
In the book of Daniel, the words "mene, mene, tekel, upharsin" | 0:18:31 | 0:18:34 | |
are the origin of what English expression meaning | 0:18:34 | 0:18:37 | |
a sign of impending doom? | 0:18:37 | 0:18:39 | |
The writing is on the wall? | 0:18:41 | 0:18:43 | |
-BELL RINGS -Oh, sorry. -That's all right. | 0:18:43 | 0:18:45 | |
Redundant. The writing is on the wall. | 0:18:45 | 0:18:47 | |
Correct. | 0:18:47 | 0:18:49 | |
Give the two words that complete this sentence from the | 0:18:49 | 0:18:52 | |
King James Bible, an interpretation of the word tekel. | 0:18:52 | 0:18:56 | |
"Thou art weighed in the balances, and art..." | 0:18:56 | 0:18:59 | |
"Found wanting." | 0:18:59 | 0:19:01 | |
Correct. | 0:19:01 | 0:19:02 | |
The writing on the wall is revealed to which Babylonian king | 0:19:02 | 0:19:05 | |
who dies soon afterwards? | 0:19:05 | 0:19:06 | |
He's the title figure of a painting by Rembrandt. | 0:19:06 | 0:19:09 | |
Nebuchadnezzar. | 0:19:09 | 0:19:10 | |
No, it's Belshazzar. | 0:19:10 | 0:19:11 | |
We're going to take a second picture round now. | 0:19:12 | 0:19:14 | |
For your picture starter, you're going to see an engraving | 0:19:14 | 0:19:17 | |
after a portrait of an 18th-century English poet. | 0:19:17 | 0:19:20 | |
Ten points if you can identify the poet. | 0:19:20 | 0:19:22 | |
Keats. | 0:19:29 | 0:19:30 | |
No, anyone like to buzz from St Hilda's? | 0:19:30 | 0:19:32 | |
You may not confer! | 0:19:32 | 0:19:34 | |
Shelley? | 0:19:37 | 0:19:38 | |
No, it's Thomas Grey, so picture bonuses shortly, | 0:19:38 | 0:19:42 | |
ten points at stake on this starter question. | 0:19:42 | 0:19:44 | |
Fingers on the buzzers. | 0:19:44 | 0:19:46 | |
At midnight on the 31st of December, in a tradition believed to bring | 0:19:46 | 0:19:50 | |
good luck, people in Spain consume what fruit... | 0:19:50 | 0:19:55 | |
One for each... | 0:19:55 | 0:19:57 | |
Grapes. | 0:19:57 | 0:19:58 | |
Grapes is correct, yes. | 0:19:58 | 0:20:00 | |
So, you get bonuses on the picture round, | 0:20:02 | 0:20:06 | |
2016 saw the 300th anniversary of the birth of the poet | 0:20:06 | 0:20:08 | |
and classicist Thomas Gray, | 0:20:08 | 0:20:10 | |
perhaps best known for the Elegy In A Country Churchyard, | 0:20:10 | 0:20:14 | |
a work which has long provided inspiration in diverse media. | 0:20:14 | 0:20:18 | |
Your bonuses will be about works that felt the influence | 0:20:18 | 0:20:22 | |
of Gray's elegy. | 0:20:22 | 0:20:23 | |
Firstly, for five points, | 0:20:23 | 0:20:25 | |
which British artist painted this watercolour | 0:20:25 | 0:20:28 | |
of the Stoke Poges church, near to which Gray was living | 0:20:28 | 0:20:31 | |
when he wrote the elegy and widely believed to have inspired it? | 0:20:31 | 0:20:35 | |
THEY CONFER | 0:20:37 | 0:20:40 | |
West? | 0:20:46 | 0:20:47 | |
No, that's Constable. | 0:20:47 | 0:20:48 | |
And, secondly, from what film is this still taken? | 0:20:48 | 0:20:52 | |
Its name is derived ultimately from a phrase appearing in the elegy. | 0:20:52 | 0:20:56 | |
THEY CONFER | 0:20:58 | 0:21:01 | |
-Let's have it. -All Quiet On The Western Front. | 0:21:11 | 0:21:13 | |
No, it's Paths Of Glory, | 0:21:13 | 0:21:15 | |
as in "the paths of glory lead but to the grave". | 0:21:15 | 0:21:17 | |
And, finally, identify this author and the title of his novel, | 0:21:17 | 0:21:21 | |
whose title also comes from a line in the elegy. | 0:21:21 | 0:21:24 | |
THEY CONFER | 0:21:26 | 0:21:28 | |
We don't know. | 0:21:35 | 0:21:36 | |
That's Thomas Hardy, who wrote, of course, | 0:21:36 | 0:21:38 | |
Far From The Madding Crowd. | 0:21:38 | 0:21:39 | |
Ten points for this. | 0:21:39 | 0:21:41 | |
Molecules of which gaseous element are produced at normal temperature | 0:21:41 | 0:21:44 | |
and pressure by the action of sulphuric acid on zinc? | 0:21:44 | 0:21:48 | |
Hydrogen. | 0:21:54 | 0:21:56 | |
Correct. | 0:21:56 | 0:21:57 | |
So, you get a set of bonuses on tennis matches | 0:21:59 | 0:22:02 | |
played on the final day of the 2016 Wimbledon tournament. | 0:22:02 | 0:22:07 | |
Name the player in each case. | 0:22:07 | 0:22:09 | |
First, the Guernsey-born British tennis player who won the | 0:22:09 | 0:22:12 | |
mixed-doubles final with her Finnish partner Henri Kontinen. | 0:22:12 | 0:22:16 | |
-Don't know. -No. | 0:22:18 | 0:22:21 | |
Don't know. | 0:22:21 | 0:22:22 | |
That's Heather Watson. | 0:22:22 | 0:22:23 | |
Secondly, the British player who won his second Wimbledon title | 0:22:23 | 0:22:26 | |
in as many days when he added the men's wheelchair singles | 0:22:26 | 0:22:29 | |
to the doubles title he'd won alongside Alfie Hewett. | 0:22:29 | 0:22:33 | |
No. | 0:22:35 | 0:22:36 | |
That's Gordon Reid. | 0:22:36 | 0:22:37 | |
And, finally, the Canadian player who was beaten by Andy Murray | 0:22:37 | 0:22:40 | |
in the men's singles final. | 0:22:40 | 0:22:42 | |
Come on now. | 0:22:45 | 0:22:46 | |
Canadian. | 0:22:46 | 0:22:48 | |
It's gone straight out of my head. | 0:22:50 | 0:22:54 | |
SHE MUTTERS | 0:22:54 | 0:22:57 | |
No. | 0:22:59 | 0:23:01 | |
It's Milos Raonic. | 0:23:01 | 0:23:02 | |
Ten points for this. | 0:23:02 | 0:23:04 | |
First seen at the Moscow Art Theatre in 1904 | 0:23:04 | 0:23:06 | |
in a production directed by Stanislavski, | 0:23:06 | 0:23:09 | |
which play by Anton Chekhov sees | 0:23:09 | 0:23:12 | |
an aristocratic woman and her family lose their estate to the son of a... | 0:23:12 | 0:23:16 | |
Cherry Orchard. | 0:23:16 | 0:23:18 | |
Correct. | 0:23:18 | 0:23:19 | |
There's about 3.5 minutes to go and a set of bonuses for you | 0:23:22 | 0:23:25 | |
now, St Hilda's, on Paris entertainment venues. | 0:23:25 | 0:23:28 | |
Founded in 1680, what is Paris' oldest theatre | 0:23:28 | 0:23:32 | |
and is it still the only one with a repertory company performing | 0:23:32 | 0:23:35 | |
both classical and modern drama in French? | 0:23:35 | 0:23:39 | |
The Comedie-Francaise. | 0:23:39 | 0:23:41 | |
Comedie-Francaise. | 0:23:41 | 0:23:42 | |
Correct. Sharing its name with a type of public | 0:23:42 | 0:23:45 | |
outdoor swimming pool, | 0:23:45 | 0:23:47 | |
which dining and cabaret venue is home to the troupe of | 0:23:47 | 0:23:50 | |
dancers known as the Bluebell Girls? | 0:23:50 | 0:23:53 | |
-Lido. -Lido? | 0:23:53 | 0:23:55 | |
It's the Lido. | 0:23:55 | 0:23:56 | |
Correct. The Theatre de la Ville en Place du Chatelet | 0:23:56 | 0:23:59 | |
was formally named after which Parisian actress | 0:23:59 | 0:24:02 | |
who performed there and also managed the theatre from 1899 | 0:24:02 | 0:24:05 | |
until her death in 1923? | 0:24:05 | 0:24:08 | |
THEY CONFER | 0:24:08 | 0:24:10 | |
-Is it Josephine Baker? -Try it. | 0:24:17 | 0:24:20 | |
Is it Josephine Baker? | 0:24:20 | 0:24:21 | |
No, it's Sarah Bernhardt. | 0:24:21 | 0:24:22 | |
Ten points for this. | 0:24:22 | 0:24:24 | |
When the Scottish physicist | 0:24:24 | 0:24:25 | |
William Cullen | 0:24:25 | 0:24:26 | |
let ethyl ether boil into a partial vacuum | 0:24:26 | 0:24:29 | |
at the University of Glasgow in 1748, | 0:24:29 | 0:24:32 | |
it was the first known artificial example of what process? | 0:24:32 | 0:24:37 | |
Vacuum distillation? | 0:24:42 | 0:24:44 | |
No, anyone to buzz from St Hilda's? | 0:24:44 | 0:24:46 | |
It's refrigeration or evaporative cooling. | 0:24:49 | 0:24:52 | |
Ten points for this. | 0:24:52 | 0:24:54 | |
Directed by Burr Steers, | 0:24:54 | 0:24:56 | |
which film of 2016 was described by one reviewer as an energetic... | 0:24:56 | 0:25:02 | |
The Revenant. | 0:25:02 | 0:25:03 | |
No, you lose five points. | 0:25:03 | 0:25:05 | |
..energetic and occasionally inspired mashup | 0:25:05 | 0:25:08 | |
of Jane Austen and George Romero. | 0:25:08 | 0:25:10 | |
Jane Austen With Zombies? | 0:25:13 | 0:25:15 | |
No, it's Pride And Prejudice And Zombies. | 0:25:15 | 0:25:17 | |
Shocking you don't know. Ten points for this. | 0:25:19 | 0:25:22 | |
Who acceded to the throne of Great Britain in the year that | 0:25:22 | 0:25:25 | |
Martin Van Buren became US President? | 0:25:25 | 0:25:28 | |
Queen Victoria. | 0:25:33 | 0:25:35 | |
Correct. | 0:25:35 | 0:25:36 | |
Your bonuses, St Hilda's, are on politics. | 0:25:39 | 0:25:42 | |
In each case, give the single word that completes these titles, | 0:25:42 | 0:25:45 | |
all three answers end in the letters I-S-M. | 0:25:45 | 0:25:49 | |
Firstly, George Bernard Shaw's 1928 work, | 0:25:50 | 0:25:53 | |
The Intelligent Woman's Guide To...what? | 0:25:53 | 0:25:56 | |
THEY CONFER | 0:25:56 | 0:25:58 | |
Socialism. | 0:26:03 | 0:26:04 | |
Correct. Secondly. Hannah Arendt's 1951 work Origins Of...what? | 0:26:04 | 0:26:09 | |
-Sexism? -Feminism. -Feminism. | 0:26:13 | 0:26:15 | |
Feminism? | 0:26:15 | 0:26:17 | |
No, it's totalitarianism. | 0:26:17 | 0:26:18 | |
And, finally, Edward Said's 1993 work Culture And...what? | 0:26:18 | 0:26:24 | |
Imperialism? | 0:26:24 | 0:26:26 | |
Imperialism. | 0:26:26 | 0:26:27 | |
Correct. Ten points for this. | 0:26:27 | 0:26:29 | |
In Roman history, what term | 0:26:29 | 0:26:31 | |
denotes a victory celebration | 0:26:31 | 0:26:32 | |
of lesser magnitude than a triumph? | 0:26:32 | 0:26:35 | |
In modern usage... | 0:26:35 | 0:26:37 | |
-Ovation. -Ovation is correct. | 0:26:37 | 0:26:39 | |
These bonuses are on taxonomy, St Hilda's. | 0:26:42 | 0:26:45 | |
The botanical term division is equivalent | 0:26:45 | 0:26:48 | |
to what taxonomic rank in zoology? | 0:26:48 | 0:26:51 | |
Species. | 0:26:54 | 0:26:56 | |
Species? | 0:26:56 | 0:26:58 | |
No, it's a phylum. | 0:26:58 | 0:26:59 | |
Its name meaning jointed foot, | 0:26:59 | 0:27:01 | |
what phylum contains the largest number of species? | 0:27:01 | 0:27:06 | |
THEY CONFER | 0:27:06 | 0:27:08 | |
Sorry, we don't know. | 0:27:14 | 0:27:15 | |
They're arthropods. | 0:27:15 | 0:27:17 | |
And, finally, to which phylum do mammals belong? | 0:27:17 | 0:27:20 | |
GONG | 0:27:21 | 0:27:25 | |
APPLAUSE | 0:27:25 | 0:27:27 | |
Chordate. | 0:27:27 | 0:27:28 | |
And at the gong, St Anne's College, Oxford, have 75, | 0:27:28 | 0:27:32 | |
St Hilda's College, Oxford, have 165. | 0:27:32 | 0:27:36 | |
Well, St Anne's, we shall have to say goodbye to you - | 0:27:36 | 0:27:38 | |
never really got into your stride today, did you? | 0:27:38 | 0:27:40 | |
But thank you very much for joining us. | 0:27:40 | 0:27:42 | |
And St Hilda's, we should look forward... | 0:27:42 | 0:27:44 | |
Many congratulations to you. | 0:27:44 | 0:27:46 | |
..to see you in the final. Thank you. | 0:27:46 | 0:27:48 | |
I hope you can join us next time for the final, but until then, | 0:27:48 | 0:27:51 | |
it's goodbye from St Anne's College, Oxford. | 0:27:51 | 0:27:53 | |
-ALL: -Goodbye. | 0:27:53 | 0:27:55 | |
It's goodbye from St Hilda's College, Oxford. | 0:27:55 | 0:27:57 | |
-ALL: -Goodbye. -And it's goodbye from me, goodbye. | 0:27:57 | 0:28:00 | |
APPLAUSE | 0:28:00 | 0:28:02 |