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APPLAUSE | 0:00:17 | 0:00:18 | |
Christmas University Challenge. | 0:00:18 | 0:00:21 | |
Asking the questions, Jeremy Paxman. | 0:00:21 | 0:00:24 | |
Hello, the honour of two more of the UK's universities is at stake | 0:00:28 | 0:00:32 | |
tonight with teams of alumni playing for a place | 0:00:32 | 0:00:35 | |
in the semifinals of this festive series. | 0:00:35 | 0:00:38 | |
As always, the teams are made up of former students | 0:00:38 | 0:00:40 | |
who've achieved a level of distinction | 0:00:40 | 0:00:42 | |
or at least a whiff of notoriety in their chosen field. | 0:00:42 | 0:00:46 | |
Now, only the four winning teams with the highest scores | 0:00:46 | 0:00:49 | |
will go through to the semifinals | 0:00:49 | 0:00:51 | |
so with this match and four more still to play, | 0:00:51 | 0:00:54 | |
tonight's winners will have to wait to see if their score is beaten | 0:00:54 | 0:00:57 | |
in later contests before they know whether or not they go through. | 0:00:57 | 0:01:01 | |
City University of London is represented by | 0:01:01 | 0:01:04 | |
a British-Iranian journalist | 0:01:04 | 0:01:05 | |
and author who's reported from over 35 countries during her career. | 0:01:05 | 0:01:09 | |
She's made 20 documentaries for Channel 4's Unreported World | 0:01:09 | 0:01:13 | |
and won an RTS and an Emmy Award | 0:01:13 | 0:01:15 | |
as well as Debut Political Book of the Year | 0:01:15 | 0:01:18 | |
and a Jerwood prize for non-fiction. | 0:01:18 | 0:01:21 | |
With her, a household face from his tenure | 0:01:21 | 0:01:23 | |
as general secretary of the TUC from 2003 to 2012. | 0:01:23 | 0:01:27 | |
Alongside his current job, | 0:01:27 | 0:01:29 | |
he's a member of the Banking Standards Board | 0:01:29 | 0:01:31 | |
and, in 2013, was knighted for his services to employment relations. | 0:01:31 | 0:01:36 | |
Their captain has been broadcasting for over 20 years, | 0:01:36 | 0:01:39 | |
including more than a decade as correspondent | 0:01:39 | 0:01:41 | |
and news anchor for Channel 4. | 0:01:41 | 0:01:44 | |
She also presents Radio 4's Front Row, | 0:01:44 | 0:01:46 | |
Newswatch on BBC television, | 0:01:46 | 0:01:48 | |
and has made documentaries on subjects as diverse | 0:01:48 | 0:01:51 | |
as Arnold Bennett, the wife of Oliver Cromwell | 0:01:51 | 0:01:54 | |
and the impact of David Bowie on British Asian women. | 0:01:54 | 0:01:58 | |
Their fourth member tells us his degree at City | 0:01:58 | 0:02:00 | |
didn't really prepare him to be the racing driver, TV presenter, | 0:02:00 | 0:02:04 | |
writer and all-round action man that he's since become. | 0:02:04 | 0:02:07 | |
He's presented Channel 5's Fifth Gear | 0:02:07 | 0:02:09 | |
and hosted Top Gear in its early days. | 0:02:09 | 0:02:12 | |
Unconfirmed rumours abound that, at one point, | 0:02:12 | 0:02:15 | |
he may also have been The Stig. | 0:02:15 | 0:02:17 | |
A question that's likely to remain unanswered tonight. | 0:02:17 | 0:02:20 | |
Let's ask the City team to introduce themselves in the usual manner. | 0:02:20 | 0:02:24 | |
I'm Ramita Navai, | 0:02:24 | 0:02:25 | |
I got my postgraduate in broadcast journalism | 0:02:25 | 0:02:28 | |
from City University in 2003 | 0:02:28 | 0:02:30 | |
and I'm a foreign affairs journalist and author. | 0:02:30 | 0:02:33 | |
I'm Brendan Barber, I graduated in 1973 | 0:02:34 | 0:02:38 | |
with a degree in social science and I'm now chairman of Acas, | 0:02:38 | 0:02:42 | |
the Advisory Consideration and Arbitration Service. | 0:02:42 | 0:02:46 | |
And this is their captain. | 0:02:46 | 0:02:48 | |
I'm Samira Ahmed and I took my postgraduate diploma | 0:02:48 | 0:02:51 | |
in newspaper journalism in 1990 | 0:02:51 | 0:02:53 | |
and I'm now a journalist and broadcaster. | 0:02:53 | 0:02:56 | |
I'm Tiff Needell, I graduated from City from 1974 | 0:02:56 | 0:03:00 | |
with a degree in civil engineering | 0:03:00 | 0:03:01 | |
but turned professional racing driver in 1977 | 0:03:01 | 0:03:04 | |
and rose to the lofty heights of the Grand Prix grids | 0:03:04 | 0:03:07 | |
before somehow becoming a Top Gear presenter on television. | 0:03:07 | 0:03:11 | |
APPLAUSE | 0:03:11 | 0:03:13 | |
Now, the University of Newcastle | 0:03:17 | 0:03:18 | |
is represented by a TV presenter who's covered everything | 0:03:18 | 0:03:21 | |
from the World Cup and Premier League football to Formula One | 0:03:21 | 0:03:25 | |
and the world's strongest man. | 0:03:25 | 0:03:27 | |
She recently become the world's first female anchor for live boxing. | 0:03:27 | 0:03:31 | |
She's a vocal advocate for sexual and domestic abuse charities | 0:03:31 | 0:03:35 | |
and an adviser to the government's Ministry of Justice panel. | 0:03:35 | 0:03:38 | |
With her, an influential guitarist, singer and songwriter, | 0:03:38 | 0:03:41 | |
noted for his distinctive stage and musical style | 0:03:41 | 0:03:44 | |
with the band Dr Feelgood and later, Ian Drury's Blockheads. | 0:03:44 | 0:03:48 | |
Fans of Game Of Thrones will be unable to forget his role | 0:03:48 | 0:03:51 | |
as a mute executioner with a basilisk's stare. | 0:03:51 | 0:03:56 | |
Their captain is a marine biologist, broadcaster and writer | 0:03:56 | 0:03:59 | |
and just quite possibly today's foremost champion of the seahorse. | 0:03:59 | 0:04:03 | |
During her career, she's chased the perfect wave, | 0:04:03 | 0:04:06 | |
investigated the minds of sharks and told us why mud matters. | 0:04:06 | 0:04:11 | |
Their fourth member showed considerable enterprise | 0:04:11 | 0:04:14 | |
by using his postgraduate grant to set up a company | 0:04:14 | 0:04:17 | |
which has published some of the UK's best poets, | 0:04:17 | 0:04:19 | |
including Simon Armitage, Jackie Kay and Benjamin Zephaniah. | 0:04:19 | 0:04:23 | |
The university appears to have forgiven him | 0:04:23 | 0:04:25 | |
or at least have turned a blind eye | 0:04:25 | 0:04:27 | |
with the award of an honorary doctorate. | 0:04:27 | 0:04:29 | |
Let's meet the Newcastle team. | 0:04:29 | 0:04:31 | |
Hi, I'm Charlie Webster, | 0:04:31 | 0:04:33 | |
I graduated from Newcastle in 2004 in English language and linguistics. | 0:04:33 | 0:04:38 | |
I am now a TV presenter. | 0:04:38 | 0:04:39 | |
Hello, I'm Wilko Johnson, | 0:04:41 | 0:04:42 | |
I graduated in English in 1970 and I'm a musician. | 0:04:42 | 0:04:47 | |
And this is their captain. | 0:04:47 | 0:04:49 | |
Hello, I am Helen Scales, | 0:04:49 | 0:04:50 | |
I did my masters in tropical coastal management in 2000 | 0:04:50 | 0:04:54 | |
and now I'm a marine biologist and a writer. | 0:04:54 | 0:04:57 | |
Hello, I'm Neil Astley, | 0:04:57 | 0:04:58 | |
I graduated in English language and literature in 1978, | 0:04:58 | 0:05:02 | |
when I founded the poetry publisher's Bloodaxe Books | 0:05:02 | 0:05:04 | |
and I'm still its editor and managing director | 0:05:04 | 0:05:07 | |
nearly 40 years later. | 0:05:07 | 0:05:09 | |
APPLAUSE | 0:05:09 | 0:05:11 | |
OK, the rules are the same as ever, starter question is asked. | 0:05:13 | 0:05:17 | |
Solo efforts answered on the buzzer - | 0:05:17 | 0:05:19 | |
they're worth ten points. | 0:05:19 | 0:05:20 | |
And bonuses are worth 15 points - they're team efforts. | 0:05:20 | 0:05:23 | |
So, fingers on the buzzer, here's is your first starter for ten. | 0:05:23 | 0:05:26 | |
Quote, "An extraordinary example of a European intellectual, | 0:05:26 | 0:05:30 | |
"combining unique intelligent of the past | 0:05:30 | 0:05:32 | |
"with a limitless capacity to anticipate the future." | 0:05:32 | 0:05:36 | |
These words of the Italian Matteo Renzi | 0:05:36 | 0:05:39 | |
refer to which author, philosopher and semiotician who died...? | 0:05:39 | 0:05:42 | |
Was it Italo Calvino? | 0:05:44 | 0:05:46 | |
Nope. | 0:05:46 | 0:05:48 | |
You lose five points as well because it was an interruption. | 0:05:48 | 0:05:50 | |
..who died in February 2016? | 0:05:50 | 0:05:52 | |
Umberto Eco. | 0:05:54 | 0:05:55 | |
It Umberto Eco, yes. | 0:05:55 | 0:05:56 | |
APPLAUSE | 0:05:56 | 0:05:58 | |
So you get the first set of bonuses, City, | 0:05:59 | 0:06:01 | |
they're on a Christmas activity. | 0:06:01 | 0:06:03 | |
What activity does Laurie Lee describe in Cider With Rosie as | 0:06:03 | 0:06:07 | |
"a special tithe for the boys." | 0:06:07 | 0:06:10 | |
"Like hay-making, blackberrying, stone-clearing | 0:06:10 | 0:06:12 | |
"and wishing people a happy Easter, | 0:06:12 | 0:06:15 | |
"it was one of our seasonal perks"? | 0:06:15 | 0:06:17 | |
BUZZER | 0:06:17 | 0:06:19 | |
SLIGHT LAUGHTER | 0:06:19 | 0:06:20 | |
-Do you know? -They're buzzing at us now. | 0:06:20 | 0:06:22 | |
-I know. Do you know? -No, I don't know but I thought... | 0:06:22 | 0:06:25 | |
-Picking... -An activity? -Yeah, it's an activity. | 0:06:25 | 0:06:27 | |
-Shall we say tobogganing? -What? | 0:06:27 | 0:06:29 | |
Shall we just say tobogganing? Tobogganing. | 0:06:29 | 0:06:31 | |
-No, it's carol singing. -OK. | 0:06:31 | 0:06:33 | |
Secondly, which novel by Charles Dickens | 0:06:33 | 0:06:35 | |
includes a scene of carol singing organised by Mr Wardle? | 0:06:35 | 0:06:38 | |
In the same scene, Mr Snodgrass kisses Miss Wardle | 0:06:38 | 0:06:42 | |
under the mistletoe. | 0:06:42 | 0:06:44 | |
-Pickwick Papers? -It's not Great Expectations, is it? | 0:06:44 | 0:06:47 | |
No, it's not. Pickwick Papers. Pickwick Papers. | 0:06:47 | 0:06:49 | |
-Pickwick Papers. -Correct. | 0:06:49 | 0:06:52 | |
Which book of 1908 features a carol-singing scene | 0:06:52 | 0:06:55 | |
in a chapter entitled Dulce Domum? | 0:06:55 | 0:06:58 | |
The singing in question being performed by a choir of field mice. | 0:06:58 | 0:07:01 | |
Field mice... | 0:07:04 | 0:07:05 | |
SHE WHISPERS | 0:07:05 | 0:07:07 | |
Oh, it's a children's book, isn't it? | 0:07:07 | 0:07:08 | |
-The Wind In The Willows. -Correct. | 0:07:08 | 0:07:10 | |
APPLAUSE | 0:07:10 | 0:07:12 | |
Right, ten points | 0:07:12 | 0:07:13 | |
for this starter question, then. Fingers on the buzzers. | 0:07:13 | 0:07:16 | |
What eight-letter word links a 2010 documentary | 0:07:16 | 0:07:18 | |
about the American public education system, | 0:07:18 | 0:07:21 | |
a concept in the philosophy of Friedrich Nietzsche | 0:07:21 | 0:07:24 | |
and a 1903...? | 0:07:24 | 0:07:26 | |
Superman. | 0:07:26 | 0:07:27 | |
Superman is correct, yes. | 0:07:27 | 0:07:28 | |
APPLAUSE | 0:07:28 | 0:07:31 | |
You get a set of bonuses on a magazine now, City. | 0:07:31 | 0:07:34 | |
A Century Of Style was the title of an exhibition | 0:07:34 | 0:07:37 | |
which opened in 2016 at the National Portrait Gallery | 0:07:37 | 0:07:40 | |
to celebrate the centenary of which magazine? | 0:07:40 | 0:07:43 | |
(Vogue.) Vogue. | 0:07:43 | 0:07:44 | |
Correct. Which Vogue model and muse to the likes of Jean Cocteau | 0:07:44 | 0:07:49 | |
and Man Ray became the magazine's World War II photographer | 0:07:49 | 0:07:52 | |
and correspondent? | 0:07:52 | 0:07:53 | |
THEY WHISPER | 0:07:55 | 0:07:58 | |
I'm going to guess it's a woman, but I can't guess... | 0:07:58 | 0:08:01 | |
Richard Avedon. | 0:08:01 | 0:08:03 | |
No, it was Lee Miller. | 0:08:03 | 0:08:04 | |
And finally, which English writer was an essayist for Vogue, | 0:08:04 | 0:08:07 | |
covering stories such as the marriage of the future George VI? | 0:08:07 | 0:08:11 | |
His novels include Chrome Yellow and Antic Hay. | 0:08:11 | 0:08:14 | |
Aldous Huxley. | 0:08:17 | 0:08:18 | |
Correct. APPLAUSE | 0:08:18 | 0:08:21 | |
Fingers on the buzzers. | 0:08:21 | 0:08:22 | |
Ten points for this. | 0:08:22 | 0:08:23 | |
Listen to the quotation and answer the question that follows. | 0:08:23 | 0:08:26 | |
"Mary's virgin explanation made Joseph suspect upstairs neighbour." | 0:08:26 | 0:08:31 | |
For what astronomical sequence is this sentence a possible pneumonic? | 0:08:31 | 0:08:35 | |
Is it the order of the planets? | 0:08:38 | 0:08:40 | |
It is indeed. | 0:08:40 | 0:08:41 | |
APPLAUSE | 0:08:41 | 0:08:45 | |
Right, you're off the mark, Newcastle. | 0:08:45 | 0:08:47 | |
You get three questions for your bonuses on baubles. | 0:08:47 | 0:08:49 | |
Firstly, for five points... | 0:08:49 | 0:08:51 | |
"A custard-coffin, a bauble, a silken pie. | 0:08:51 | 0:08:54 | |
"I love thee well in that thou lik'st it not." | 0:08:54 | 0:08:57 | |
These words of Petruchio to Katherine | 0:08:57 | 0:09:00 | |
in The Taming Of The Shrew refer to what item of her clothing? | 0:09:00 | 0:09:04 | |
So, custard. | 0:09:06 | 0:09:07 | |
What do we think? What can it be? | 0:09:07 | 0:09:09 | |
Something that kind of colour, yellowy? | 0:09:09 | 0:09:12 | |
It's obviously not her underwear. | 0:09:12 | 0:09:13 | |
I'd say corset. | 0:09:13 | 0:09:15 | |
A corset? | 0:09:15 | 0:09:16 | |
-Maybe I'm going too far. -Shall we go with corset? Any ideas? | 0:09:17 | 0:09:20 | |
-No? -JOHNSON: -Let's try it. | 0:09:20 | 0:09:21 | |
-Erm... -WEBSTER: -Skirt? | 0:09:21 | 0:09:23 | |
-Corset. -Is it skirt? | 0:09:23 | 0:09:25 | |
-No, it's much more innocent, it's her cap. -Oh! | 0:09:25 | 0:09:28 | |
"So feast your eyes now | 0:09:28 | 0:09:30 | |
"On mimic star and moon-cold bauble: | 0:09:30 | 0:09:33 | |
"World's may wither unseen | 0:09:33 | 0:09:35 | |
"But the Christmas tree is a tree of fable | 0:09:35 | 0:09:38 | |
"A phoenix in evergreen." | 0:09:38 | 0:09:40 | |
Appointed Poet Laureate in 1968, | 0:09:40 | 0:09:42 | |
who wrote those lines in his poem The Christmas Tree? | 0:09:42 | 0:09:46 | |
-WHISPERING -John Betjeman? | 0:09:46 | 0:09:48 | |
Is it John Betjeman? | 0:09:48 | 0:09:50 | |
-No, it was Cecil Day Lewis. -Oh! | 0:09:50 | 0:09:52 | |
And, finally, in which novel of 1897 does the title character | 0:09:52 | 0:09:55 | |
describe a shaving mirror as "a foul bauble of man's vanity" | 0:09:55 | 0:10:00 | |
before flinging it out of a window? | 0:10:00 | 0:10:03 | |
So, I missed, was it '87, I think you said? | 0:10:03 | 0:10:05 | |
Yeah, it was '87. | 0:10:05 | 0:10:06 | |
So, what do we know in '87, anyone? | 0:10:06 | 0:10:07 | |
-ASTLEY: -Which what of '87? | 0:10:07 | 0:10:09 | |
We need to listen more carefully to the questions. | 0:10:10 | 0:10:12 | |
-WEBSTER: -Which, which...? | 0:10:12 | 0:10:13 | |
Book, I think. | 0:10:13 | 0:10:15 | |
-No, which character, wasn't it? -It's not going to come back to us. | 0:10:15 | 0:10:17 | |
I don't think we're going to get it, are we? | 0:10:17 | 0:10:19 | |
A shaving mirror. No, let's pass because we're wasting time. | 0:10:19 | 0:10:22 | |
Pass. Sorry, we... | 0:10:22 | 0:10:23 | |
It's Dracula. Ten points for this. | 0:10:23 | 0:10:25 | |
Around twice as long as Marcel Proust's | 0:10:25 | 0:10:27 | |
A La Recherche Du Temps Perdu, | 0:10:27 | 0:10:30 | |
what document of around 2.6 million words in 12 volumes | 0:10:30 | 0:10:34 | |
was published in the UK on July the 6th, 2016? | 0:10:34 | 0:10:38 | |
Erm... | 0:10:40 | 0:10:42 | |
-No, I'm sorry... -Iraq Inquiry. | 0:10:43 | 0:10:45 | |
I'll have to accept that. | 0:10:45 | 0:10:47 | |
-No! -But next time, please answer as soon as you buzz. | 0:10:47 | 0:10:49 | |
-Give us a chance! -APPLAUSE | 0:10:49 | 0:10:51 | |
We are giving you a chance. | 0:10:51 | 0:10:52 | |
I'll give exactly the same courtesy to you. | 0:10:52 | 0:10:55 | |
So we're going to take a set of bonuses, then, City, | 0:10:55 | 0:10:59 | |
on the 18th-century naturalist Gilbert White. | 0:10:59 | 0:11:01 | |
Firstly, for five points, | 0:11:01 | 0:11:03 | |
Gilbert White is best known for his 1789 compilation of letters | 0:11:03 | 0:11:06 | |
about the natural history and antiquities | 0:11:06 | 0:11:09 | |
of which Hampshire village of which he was curate? | 0:11:09 | 0:11:12 | |
-SHE WHISPERS -Hampshire? | 0:11:14 | 0:11:17 | |
-Curate of a village in Hampshire. -You know Hampshire. | 0:11:17 | 0:11:19 | |
Name a village in Hampshire? | 0:11:19 | 0:11:20 | |
Chichester, but not a village, a town. | 0:11:20 | 0:11:22 | |
-That's not in Hampshire. -No, I don't know. -Pass. | 0:11:22 | 0:11:24 | |
It's Selborne. | 0:11:24 | 0:11:26 | |
White was the first to distinguish the willow wren | 0:11:26 | 0:11:29 | |
as three separate species. | 0:11:29 | 0:11:31 | |
Namely the wood warbler, the willow warbler and which other? | 0:11:31 | 0:11:34 | |
THEY WHISPER | 0:11:36 | 0:11:39 | |
Field warbler? | 0:11:39 | 0:11:41 | |
No, it's the chiffchaff. | 0:11:41 | 0:11:42 | |
And, finally, White described which segmented animals as | 0:11:42 | 0:11:45 | |
"the great promoters of vegetation, | 0:11:45 | 0:11:48 | |
"which would proceed but lamely without them"? | 0:11:48 | 0:11:51 | |
Earthworms? | 0:11:51 | 0:11:53 | |
-Earthworms. -Correct. APPLAUSE | 0:11:53 | 0:11:55 | |
Right, we're going to take a picture round now. | 0:11:55 | 0:11:57 | |
For your picture starter, you're going to see a flag | 0:11:57 | 0:12:00 | |
that's used to celebrate a week-long festival. | 0:12:00 | 0:12:03 | |
It's secular, it's in the Americas and for ten points, | 0:12:03 | 0:12:06 | |
I want you to name the festival. | 0:12:06 | 0:12:08 | |
Cinco de Mayo? | 0:12:12 | 0:12:14 | |
No. | 0:12:14 | 0:12:15 | |
One of you can buzz from Newcastle if you want to have a go. | 0:12:18 | 0:12:21 | |
-No? -No. | 0:12:21 | 0:12:22 | |
It's Kwanzaa, although the flag is occasionally seen | 0:12:22 | 0:12:26 | |
with its colours transposed, apparently. | 0:12:26 | 0:12:28 | |
So we'll take the picture bonuses | 0:12:28 | 0:12:29 | |
when someone gets the starter question right. | 0:12:29 | 0:12:31 | |
Ten points at stake for this, fingers on the buzzers, please. | 0:12:31 | 0:12:34 | |
Of which poem did WH Auden say, | 0:12:34 | 0:12:36 | |
"It does for the British and Germans | 0:12:36 | 0:12:38 | |
"what Homer did for the Greeks and Trojans"? | 0:12:38 | 0:12:41 | |
Written by the painter and poet David Jones, it's a response...? | 0:12:41 | 0:12:44 | |
-In Parenthesis. -Correct. | 0:12:46 | 0:12:48 | |
APPLAUSE | 0:12:48 | 0:12:49 | |
So we go back to the picture round. | 0:12:52 | 0:12:53 | |
You get the picture bonuses. | 0:12:53 | 0:12:55 | |
This year marks the 50th anniversary of Kwanzaa, | 0:12:55 | 0:12:58 | |
a festival observed from December 26th to January 1st, | 0:12:58 | 0:13:01 | |
celebrating African heritage and culture. | 0:13:01 | 0:13:04 | |
For your picture bonuses, | 0:13:04 | 0:13:05 | |
you're going to see three maps related to the festival. | 0:13:05 | 0:13:08 | |
Firstly, for five points, name this US state. | 0:13:08 | 0:13:11 | |
It's the birthplace of the Kwanzaa founder, Maulana Karenga. | 0:13:11 | 0:13:16 | |
Anyone good on US states? | 0:13:16 | 0:13:17 | |
-ASTLEY: -I think it's Maryland but I may be wrong. | 0:13:17 | 0:13:20 | |
You think it's Maryland? Anyone have more thoughts? | 0:13:20 | 0:13:22 | |
Cos that's New York, is it, coming down? | 0:13:23 | 0:13:26 | |
Hang on, no. New York's further up. | 0:13:26 | 0:13:28 | |
-New York's there. -OK, so where do we think? -WEBSTER: -Say Maryland. | 0:13:30 | 0:13:33 | |
Is it Maryland? | 0:13:33 | 0:13:34 | |
-It is Maryland, yes. JOHNSON: -Well done! | 0:13:34 | 0:13:36 | |
Secondly, name the city within Maryland. | 0:13:36 | 0:13:39 | |
It will host a celebration of the 50th anniversary | 0:13:39 | 0:13:41 | |
in the Reginald F Lewis Museum. | 0:13:41 | 0:13:44 | |
I'm no good at cities in Maryland. Anyone? | 0:13:44 | 0:13:47 | |
Any thoughts? | 0:13:47 | 0:13:48 | |
-Anyone? -WEBSTER: -No. Pass. | 0:13:48 | 0:13:50 | |
Sorry, no, we don't know. | 0:13:50 | 0:13:52 | |
It's Baltimore. | 0:13:52 | 0:13:53 | |
And, finally, name the language that has official status | 0:13:53 | 0:13:56 | |
in these countries. | 0:13:56 | 0:13:57 | |
The seven principles of Kwanzaa are taken from words | 0:13:57 | 0:14:00 | |
in this language. | 0:14:00 | 0:14:02 | |
So, it's east Africa. | 0:14:02 | 0:14:03 | |
What kind of languages are there in east Africa? | 0:14:04 | 0:14:07 | |
-ASTLEY: -Is it Xhosa? | 0:14:07 | 0:14:09 | |
Anyone else got any thoughts? | 0:14:09 | 0:14:10 | |
East African languages? | 0:14:10 | 0:14:12 | |
-WEBSTER: -Just give it a guess. | 0:14:12 | 0:14:13 | |
-Nominate Neil. -Yeah, Xhosa. | 0:14:13 | 0:14:16 | |
No, it's Swahili. | 0:14:16 | 0:14:17 | |
Xhosa is further south, I think, isn't it? | 0:14:17 | 0:14:19 | |
Right, it's a common language in Kenya and Tanzania and so on. | 0:14:19 | 0:14:23 | |
Right, ten points for this. Listen carefully, | 0:14:23 | 0:14:25 | |
answer as soon as your name is called. | 0:14:25 | 0:14:27 | |
In the words of the well-known Christmas song, | 0:14:27 | 0:14:29 | |
if colly birds to the power of French hens is 64, | 0:14:29 | 0:14:33 | |
what is gold rings to the power of turtledoves? | 0:14:33 | 0:14:37 | |
Five. Oh, sorry, five. | 0:14:37 | 0:14:40 | |
No. Anyone like to buzz from City? | 0:14:40 | 0:14:41 | |
-Erm... -Come on, you can't do this. -God, no, I can't. | 0:14:44 | 0:14:47 | |
-125. -You must ans... -125! | 0:14:47 | 0:14:48 | |
No, it's 25. | 0:14:48 | 0:14:50 | |
-Oh, dammit. -It's five squared. | 0:14:50 | 0:14:52 | |
I'm sorry, Newcastle, | 0:14:52 | 0:14:54 | |
you have been deducted five points for what was | 0:14:54 | 0:14:56 | |
a technical interruption and you don't get the points, City, | 0:14:56 | 0:15:00 | |
obviously, for getting the answer wrong. | 0:15:00 | 0:15:02 | |
Ten points for this. | 0:15:02 | 0:15:03 | |
In which novella is the eponymous hero's home | 0:15:03 | 0:15:05 | |
a tiny asteroid designated B61...? | 0:15:05 | 0:15:08 | |
-The Little Prince. -Correct. | 0:15:10 | 0:15:11 | |
APPLAUSE | 0:15:11 | 0:15:14 | |
Right, your bonuses are now on | 0:15:15 | 0:15:17 | |
Academy Award-nominated film directors. | 0:15:17 | 0:15:20 | |
Firstly, for five points, | 0:15:20 | 0:15:21 | |
which New Zealander was nominated for best director | 0:15:21 | 0:15:24 | |
for the 1993 film The Piano? | 0:15:24 | 0:15:26 | |
-Jane... Jane Campion. -Correct. | 0:15:26 | 0:15:28 | |
The 1975 film Seven Beauties led to which Italian | 0:15:28 | 0:15:32 | |
becoming the first woman to receive a nomination for best director? | 0:15:32 | 0:15:35 | |
Her other works include The Seduction Of Mimi | 0:15:35 | 0:15:37 | |
and Love And Anarchy. | 0:15:37 | 0:15:40 | |
THEY WHISPER | 0:15:40 | 0:15:43 | |
No, pass. | 0:15:43 | 0:15:44 | |
It's Lina Wertmuller. | 0:15:44 | 0:15:45 | |
And, finally, who became the first woman to win the Academy Award | 0:15:45 | 0:15:49 | |
for best director for the 2008 film The Hurt Locker? | 0:15:49 | 0:15:52 | |
Kathryn Bigelow. | 0:15:52 | 0:15:53 | |
Correct. Ten points for this. APPLAUSE | 0:15:53 | 0:15:57 | |
The Irving Berlin song White Christmas | 0:15:57 | 0:16:00 | |
made its cinema debut in which 194...? | 0:16:00 | 0:16:02 | |
-Holiday Inn. -Correct. | 0:16:04 | 0:16:05 | |
APPLAUSE | 0:16:05 | 0:16:08 | |
Your bonuses, Newcastle, | 0:16:09 | 0:16:11 | |
are on a June 2016 addition to the Oxford English Dictionary. | 0:16:11 | 0:16:16 | |
Firstly, for five points, popularised by Wikipedia | 0:16:16 | 0:16:19 | |
and online quiz websites, | 0:16:19 | 0:16:21 | |
what Greek-derived term means proper name by which a native | 0:16:21 | 0:16:25 | |
or resident of a specific place is known? | 0:16:25 | 0:16:28 | |
For example, Cypriot and Liverpudlian. | 0:16:28 | 0:16:33 | |
So, a name by which you should be known. | 0:16:33 | 0:16:36 | |
I don't know. Greek-based. | 0:16:36 | 0:16:37 | |
-We're looking quite blank. -No. -I don't think I know. | 0:16:37 | 0:16:40 | |
No, sorry, we don't know. | 0:16:40 | 0:16:42 | |
It's demonym. | 0:16:42 | 0:16:43 | |
Secondly, "It was the second best demonym I've ever heard," | 0:16:43 | 0:16:47 | |
states the 2013 citation in the New Yorker. | 0:16:47 | 0:16:50 | |
To which word for an inhabitant of an English city | 0:16:50 | 0:16:52 | |
is the writer referring? | 0:16:52 | 0:16:54 | |
It is thought to derive from a Celtic word meaning | 0:16:54 | 0:16:57 | |
breast-shaped hill. | 0:16:57 | 0:16:59 | |
A Celtic word for a breast-shaped hill? | 0:17:01 | 0:17:03 | |
Yeah, from what... | 0:17:03 | 0:17:04 | |
-WEBSTER: -And it's still describing a sort of demonym. | 0:17:04 | 0:17:06 | |
-JOHNSON: -Well, I hesitate to say. | 0:17:06 | 0:17:08 | |
-Gosh, I don't know. -Still describing something, demonym. | 0:17:08 | 0:17:11 | |
I don't think we know, sorry. | 0:17:11 | 0:17:13 | |
It's Mancunian. | 0:17:13 | 0:17:14 | |
And, finally, Carioca is a demonym for which major city | 0:17:14 | 0:17:18 | |
of the southern hemisphere? | 0:17:18 | 0:17:20 | |
Carioca, southern hemisphere. | 0:17:21 | 0:17:24 | |
Caracas... | 0:17:24 | 0:17:25 | |
-Erm... -WEBSTER: -Yeah, it might be. | 0:17:25 | 0:17:28 | |
Do you want to say that? Any ideas? | 0:17:28 | 0:17:29 | |
-ASTLEY: -Try Caracas. -Caracas? | 0:17:29 | 0:17:32 | |
No, it's Rio de Janeiro. | 0:17:32 | 0:17:33 | |
We're going to take a music round now. | 0:17:33 | 0:17:35 | |
For your music starter, you're going to hear an excerpt | 0:17:35 | 0:17:37 | |
from the soundtrack of a film of 1996. | 0:17:37 | 0:17:40 | |
Ten points if you can identify the film. | 0:17:40 | 0:17:42 | |
STRING MUSIC PLAYS | 0:17:42 | 0:17:46 | |
Is it Angela's Ashes? | 0:18:03 | 0:18:05 | |
No. | 0:18:05 | 0:18:07 | |
City, anyone like buzz from there? | 0:18:07 | 0:18:09 | |
-No conferring. -Oh, yeah, no conferring. -No conferring. | 0:18:09 | 0:18:11 | |
Er... | 0:18:11 | 0:18:12 | |
One of you can buzz. You can't start conferring, you know. | 0:18:12 | 0:18:16 | |
This is all gamesmanship. | 0:18:16 | 0:18:17 | |
Pull yourselves together! | 0:18:17 | 0:18:19 | |
-It's Fargo, it was the theme from Fargo. -Oh! | 0:18:19 | 0:18:23 | |
So music bonuses in a moment or two, | 0:18:23 | 0:18:25 | |
when someone gets a starter right. | 0:18:25 | 0:18:27 | |
Ten points at stake for this. | 0:18:27 | 0:18:28 | |
The 2016 Nobel Prize in Physiology or Medicine | 0:18:28 | 0:18:32 | |
was awarded to Yoshinori Ohsumi | 0:18:32 | 0:18:35 | |
for his discovery of the mechanisms of what process? | 0:18:35 | 0:18:38 | |
Autophagy. | 0:18:39 | 0:18:40 | |
Correct, yes! | 0:18:40 | 0:18:42 | |
APPLAUSE | 0:18:42 | 0:18:44 | |
So, I don't know whether you'll will be pleased to get | 0:18:46 | 0:18:48 | |
the music bonuses but you have them anyway. | 0:18:48 | 0:18:50 | |
You heard Carter Burwell's score for the Coen Brothers film Fargo, | 0:18:50 | 0:18:54 | |
set in snow-covered Minnesota and North Dakota. | 0:18:54 | 0:18:57 | |
Your bonuses are excerpts from the soundtracks of three more films | 0:18:57 | 0:19:00 | |
in which snow features memorably or acts as a plot device. | 0:19:00 | 0:19:05 | |
Five points for the title of each film you can give me. | 0:19:05 | 0:19:07 | |
First, this from a film of 1990. | 0:19:07 | 0:19:10 | |
ORCHESTRAL MUSIC PLAYS | 0:19:10 | 0:19:13 | |
Is it one of the Disney films? | 0:19:18 | 0:19:20 | |
Is that something like Snow White or...? | 0:19:20 | 0:19:22 | |
No, not in 1990. | 0:19:22 | 0:19:24 | |
It's 1990. | 0:19:24 | 0:19:26 | |
What happened in 1990? | 0:19:26 | 0:19:27 | |
A bit Christmassy and snowy. | 0:19:27 | 0:19:29 | |
-JOHNSON: -Something to do with Father Christmas? | 0:19:29 | 0:19:33 | |
Is there a Christmas Carol that year or...? | 0:19:33 | 0:19:36 | |
THEY MUMBLE | 0:19:36 | 0:19:37 | |
I don't think we know, do we? | 0:19:37 | 0:19:39 | |
Erm, shall I say Christmas Carol? | 0:19:39 | 0:19:41 | |
-No? WEBSTER: -I don't think it is, but yeah. | 0:19:41 | 0:19:43 | |
-Snow White? -JOHNSON: -That's rubbish. | 0:19:43 | 0:19:44 | |
-Or Snow White? -WEBSTER: -No, it's not. | 0:19:44 | 0:19:46 | |
-Let's just guess. Yeah, Christmas Carol. -Christmas Carol. | 0:19:46 | 0:19:49 | |
No, it's Edward Scissorhands. | 0:19:49 | 0:19:51 | |
Secondly, from the closing sequence of a film of 1980. | 0:19:51 | 0:19:55 | |
# Midnight with the stars and you... # | 0:19:55 | 0:20:01 | |
1980 film? Erm... | 0:20:01 | 0:20:03 | |
# Midnight and a rendezvous... # | 0:20:03 | 0:20:04 | |
Wilko, you look like you know it. | 0:20:04 | 0:20:06 | |
-WEBSTER: -Pass, just pass. -No, we don't know. | 0:20:07 | 0:20:10 | |
That was from The Shining. That was Al Bowlly, of course. | 0:20:10 | 0:20:13 | |
-And, finally... -I've seen that so many times! | 0:20:13 | 0:20:15 | |
ORCHESTRAL MUSIC PLAYS | 0:20:15 | 0:20:17 | |
Did he say what year it was? | 0:20:24 | 0:20:26 | |
No, he didn't say. | 0:20:26 | 0:20:27 | |
He didn't say what year it is. I have no idea. | 0:20:27 | 0:20:29 | |
-ASTLEY: -He didn't? -No, he didn't, we don't have a year. | 0:20:29 | 0:20:31 | |
-We just have to guess. -JOHNSON: -I've no... | 0:20:31 | 0:20:33 | |
-We're looking really blank. -WEBSTER: -Give us the year! | 0:20:33 | 0:20:36 | |
-No clues? -JOHNSON: -Go on. | 0:20:36 | 0:20:38 | |
-ASTLEY: -Was it silent? What's that silent movie film called? | 0:20:38 | 0:20:42 | |
The... | 0:20:42 | 0:20:44 | |
-Oh, the black-and-white one? -Yeah. -Yeah. | 0:20:44 | 0:20:46 | |
-The... Oh, no. I don't know. -JOHNSON: -Was it called...? | 0:20:46 | 0:20:48 | |
-We don't know. -WEBSTER: -Pass. -We don't know. | 0:20:48 | 0:20:50 | |
No, sorry, we don't know. | 0:20:50 | 0:20:52 | |
That's becoming a very familiar response, I'm afraid, isn't it? | 0:20:52 | 0:20:54 | |
-Yes, it is. -Murder On The Orient Express, | 0:20:54 | 0:20:56 | |
Richard Rodney Bennett score. Right, ten points for this. | 0:20:56 | 0:20:59 | |
Introduced by the German physician and writer Georg Groddeck | 0:20:59 | 0:21:02 | |
and later popularised by Freud, | 0:21:02 | 0:21:04 | |
what term denotes the sum total of the primitive instinctual forces | 0:21:04 | 0:21:08 | |
of an individual? | 0:21:08 | 0:21:09 | |
-Id. -Correct. | 0:21:11 | 0:21:12 | |
APPLAUSE | 0:21:12 | 0:21:14 | |
Right, you get a set of bonuses, City, | 0:21:17 | 0:21:19 | |
on the physiological effects of attending Christmas parties. | 0:21:19 | 0:21:23 | |
Firstly, alcoholic drinks consumed by the body | 0:21:23 | 0:21:25 | |
are detoxified through oxidation to acetaldehyde | 0:21:25 | 0:21:29 | |
by the hepatic enzyme ADH. | 0:21:29 | 0:21:32 | |
For what do the letters ADH stand? | 0:21:32 | 0:21:34 | |
-ADH. -ADH. | 0:21:35 | 0:21:38 | |
Alco... | 0:21:38 | 0:21:40 | |
deoxy... | 0:21:40 | 0:21:43 | |
hydration? | 0:21:43 | 0:21:44 | |
Alcohydroxyhy... | 0:21:44 | 0:21:46 | |
You're just making this up, aren't you? No, it's... | 0:21:46 | 0:21:48 | |
-At least I'm having a go! -..alcohol dehydrogenase. | 0:21:48 | 0:21:50 | |
Yes, it is. It's good to have a go. | 0:21:50 | 0:21:52 | |
Well, five points for this. | 0:21:52 | 0:21:53 | |
The ventromedial nucleus or so-called satiety centre | 0:21:53 | 0:21:57 | |
is one of the controls for the feeling of fullness | 0:21:57 | 0:22:00 | |
after the consumption of food, discouraging overeating. | 0:22:00 | 0:22:04 | |
In which structure at the base of the brain is it located? | 0:22:04 | 0:22:07 | |
SHE WHISPERS | 0:22:07 | 0:22:09 | |
-Hypothalamus? -Hypothalamus? | 0:22:09 | 0:22:11 | |
-Hypothalamus. -Correct. -Nice work. | 0:22:11 | 0:22:14 | |
And, finally, prolonged nocturnal partying | 0:22:14 | 0:22:16 | |
may disrupt the cycle of sleeping and waking | 0:22:16 | 0:22:18 | |
controlled by the suprachiasmatic nucleus, | 0:22:18 | 0:22:21 | |
also in the hypothalamus. | 0:22:21 | 0:22:24 | |
What adjective from the Latin for "about" and "day" | 0:22:24 | 0:22:27 | |
is applied to this cycle? | 0:22:27 | 0:22:29 | |
Diurnal. | 0:22:31 | 0:22:33 | |
No, it's circadian. | 0:22:33 | 0:22:35 | |
Ten points for this. Playing Santa in 1916, | 0:22:35 | 0:22:37 | |
Santa's Helpers in 1922 | 0:22:37 | 0:22:41 | |
and Santa On A Train in 1940 | 0:22:41 | 0:22:44 | |
were among The Saturday Evening Post Christmas front covers | 0:22:44 | 0:22:47 | |
produced by which prolific US illustrator? | 0:22:47 | 0:22:50 | |
-Norman Rockwell. -Correct. | 0:22:52 | 0:22:54 | |
APPLAUSE | 0:22:54 | 0:22:55 | |
City, your bonuses are on scientists who share their surnames | 0:22:57 | 0:23:01 | |
with Italian footballers. | 0:23:01 | 0:23:03 | |
Give the shared surname in each case. | 0:23:03 | 0:23:05 | |
First, a goalkeeper in the 2006 Fifa World Cup final | 0:23:05 | 0:23:09 | |
and the 18th century French naturalist | 0:23:09 | 0:23:11 | |
noted for his 44 volume Histoire Naturelle. | 0:23:11 | 0:23:15 | |
-Who was the goalkeeper? -BARBER: -Is it Buffon? | 0:23:15 | 0:23:18 | |
-NEEDELL: -Buffon, he's... -Quick! | 0:23:18 | 0:23:20 | |
No, it's not Buffon. What's the...? | 0:23:20 | 0:23:22 | |
-No? -No. | 0:23:23 | 0:23:25 | |
Buffon? | 0:23:25 | 0:23:26 | |
-Correct. -Yes! | 0:23:26 | 0:23:27 | |
Secondly, for five points, | 0:23:27 | 0:23:29 | |
the winner of the Golden Boot at the 1982 World Cup | 0:23:29 | 0:23:32 | |
and a 20th-century Italian physicist noted for his work | 0:23:32 | 0:23:35 | |
on particle physics and the study of cosmic rays. | 0:23:35 | 0:23:39 | |
Golden Boot '82, World Cup? | 0:23:39 | 0:23:42 | |
-Say it, make a guess. -BARBER: -Was it Totti? | 0:23:42 | 0:23:44 | |
-NEEDELL: -I can't even think of him. -Totti? -BARBER: -Totti. | 0:23:44 | 0:23:47 | |
Totti. | 0:23:47 | 0:23:48 | |
-No, it's Rossi. -Oh. | 0:23:48 | 0:23:50 | |
And finally, a full-back who won the 1996 Champions League | 0:23:50 | 0:23:54 | |
with Juventus and an Italian scientist noted for a theorem | 0:23:54 | 0:23:57 | |
in fluid physics and the invention of the barometer. | 0:23:57 | 0:24:00 | |
Italian left-backs. | 0:24:04 | 0:24:06 | |
I'm not good on left-backs. | 0:24:06 | 0:24:09 | |
-Make a guess at an Italian player? -No, sorry. | 0:24:09 | 0:24:12 | |
-No, pass. -It's Torricelli. | 0:24:12 | 0:24:15 | |
Right, we're going to take a picture round. | 0:24:15 | 0:24:17 | |
For your picture starter, | 0:24:17 | 0:24:18 | |
you're going to see a fresco of the Adoration Of The Magi. | 0:24:18 | 0:24:20 | |
For ten points, I want to tell me in which half of which century | 0:24:20 | 0:24:24 | |
it was painted. | 0:24:24 | 0:24:25 | |
So, for example, your answer could be late 16th or early 15th. | 0:24:25 | 0:24:29 | |
Here it is. | 0:24:29 | 0:24:30 | |
Early 14th. | 0:24:34 | 0:24:36 | |
Correct. The early 1300s, yes. | 0:24:36 | 0:24:38 | |
APPLAUSE | 0:24:38 | 0:24:40 | |
So that was Giotto's Adoration Of The Magi dated to around 1305. | 0:24:40 | 0:24:45 | |
Your bonuses are three more works on the same subject and, again, | 0:24:45 | 0:24:48 | |
I want you to tell me in which half of which century each was painted. | 0:24:48 | 0:24:53 | |
Here's the first. | 0:24:53 | 0:24:54 | |
I'd go early 15th on this, what do you reckon? | 0:24:57 | 0:25:01 | |
Early 15th. | 0:25:01 | 0:25:02 | |
No, it's the late 15th, that's Botticelli. | 0:25:02 | 0:25:04 | |
And, secondly... | 0:25:04 | 0:25:06 | |
It's older than the other one... | 0:25:07 | 0:25:08 | |
-No, that's, erm, 17th. -Is it? -Yeah. | 0:25:08 | 0:25:12 | |
-I'd say that's early 17th. -Yeah. | 0:25:12 | 0:25:14 | |
Early 17th. | 0:25:14 | 0:25:15 | |
Correct, that's by Rubens. | 0:25:15 | 0:25:16 | |
And, finally, this watercolour. | 0:25:16 | 0:25:18 | |
Oh... | 0:25:18 | 0:25:20 | |
It could be late 19th or early 20th. | 0:25:20 | 0:25:21 | |
Which should we go for? | 0:25:21 | 0:25:23 | |
-Late 19th. -Late 19th. | 0:25:23 | 0:25:25 | |
Correct, yes. That's by Burne-Jones. APPLAUSE | 0:25:25 | 0:25:27 | |
So, ten points at stake for this. Answer promptly. | 0:25:31 | 0:25:33 | |
Name two of the three kings of England between 1378 and 1546 | 0:25:33 | 0:25:38 | |
who are NOT title characters of plays by Shakespeare. | 0:25:38 | 0:25:41 | |
Erm, Henry VII and... | 0:25:43 | 0:25:46 | |
Edward IV. | 0:25:46 | 0:25:48 | |
Correct, the other one was Edward V. | 0:25:48 | 0:25:50 | |
APPLAUSE | 0:25:50 | 0:25:52 | |
So, you get a set of bonuses, then, City. | 0:25:52 | 0:25:54 | |
They're on Scrabble. | 0:25:54 | 0:25:56 | |
Prior to being placed on the playing board, | 0:25:56 | 0:25:58 | |
what would be the total score of the tiles required | 0:25:58 | 0:26:01 | |
to form each of the following words? | 0:26:01 | 0:26:03 | |
Firstly, "Elf," as in one of Santa's helpers. | 0:26:03 | 0:26:06 | |
BUZZER | 0:26:09 | 0:26:10 | |
Oh, sorry, I don't have the buzz. Sorry! | 0:26:10 | 0:26:12 | |
-BARBER: -11, one for E... -OK. -NEEDELL: -One is E. | 0:26:12 | 0:26:14 | |
-BARBER: -Five and five, is it? -11. | 0:26:14 | 0:26:16 | |
No, it's six. | 0:26:16 | 0:26:17 | |
Second, "Party". | 0:26:17 | 0:26:20 | |
What's P? Is that one or two? | 0:26:20 | 0:26:21 | |
P is a three. | 0:26:21 | 0:26:23 | |
Three, four, five, six... | 0:26:23 | 0:26:26 | |
Seven, eight... | 0:26:26 | 0:26:28 | |
-BARBER: -How much for Y? -And then how many for Y? | 0:26:28 | 0:26:30 | |
17? | 0:26:30 | 0:26:31 | |
No, that is 11. | 0:26:31 | 0:26:33 | |
And finally, "Yule," Y-U-L-E. | 0:26:33 | 0:26:36 | |
Y-U-L-E. | 0:26:36 | 0:26:38 | |
One, two, three, four... | 0:26:38 | 0:26:42 | |
What's Y? | 0:26:42 | 0:26:44 | |
Maybe five. | 0:26:44 | 0:26:45 | |
-Because it was... -No, it's less. | 0:26:45 | 0:26:48 | |
OK. What are you going to you guess? | 0:26:48 | 0:26:50 | |
I'd say 11. | 0:26:50 | 0:26:52 | |
11. | 0:26:52 | 0:26:53 | |
-No, it's seven. -Oh! | 0:26:53 | 0:26:55 | |
Right, ten points for this. 1869 and '70, | 0:26:56 | 0:26:58 | |
1918 and '19, | 0:26:58 | 0:27:01 | |
1935 and '36 | 0:27:01 | 0:27:02 | |
and 1973 and '74. | 0:27:02 | 0:27:05 | |
These are pairs of years that saw the winning | 0:27:05 | 0:27:07 | |
twice in succession of which sporting event, | 0:27:07 | 0:27:11 | |
the respective winners being The Colonel, | 0:27:11 | 0:27:13 | |
Poethlyn, Reynoldstown and Red Rum? | 0:27:13 | 0:27:16 | |
-Grand National. -Correct. | 0:27:18 | 0:27:20 | |
APPLAUSE | 0:27:20 | 0:27:22 | |
Your bonuses are on George Orwell's 1984, City. | 0:27:23 | 0:27:27 | |
So, for five points, firstly, in Orwell's 1984, | 0:27:27 | 0:27:30 | |
whose image appears during the Two Minutes Hate? He's the author of | 0:27:30 | 0:27:33 | |
The Theory And Practice Of Oligarchical Collectivism. | 0:27:33 | 0:27:36 | |
I need the two-word name, please. | 0:27:36 | 0:27:38 | |
I can't remember. | 0:27:38 | 0:27:40 | |
-BARBER: -The Theory Of... -SHE WHISPERS | 0:27:40 | 0:27:42 | |
-So he's the hate figure? -Yeah, can you remember? | 0:27:42 | 0:27:44 | |
If not, we'll pass. Pass. | 0:27:44 | 0:27:45 | |
It's Emmanuel Goldstein. | 0:27:45 | 0:27:47 | |
Goldstein's work has been... GONG | 0:27:47 | 0:27:48 | |
APPLAUSE | 0:27:48 | 0:27:50 | |
And at the gong Newcastle have 35, | 0:27:50 | 0:27:53 | |
City University have 145. | 0:27:53 | 0:27:54 | |
Well, Newcastle, | 0:27:56 | 0:27:57 | |
we're definitely going to be saying goodbye to you, I'm afraid. | 0:27:57 | 0:28:00 | |
You never got a chance to show us what you're made of, did you? | 0:28:00 | 0:28:02 | |
-We weren't quick enough off the buzzer. -We didn't, really. | 0:28:02 | 0:28:05 | |
No, you were a bit slow on the buzzer | 0:28:05 | 0:28:06 | |
but also you spent an awful lot of time saying, "We don't know, do we?" | 0:28:06 | 0:28:09 | |
We don't know! | 0:28:09 | 0:28:11 | |
Anyway, thank you very much for playing. | 0:28:11 | 0:28:12 | |
You didn't have to and it was good of you to come. Thank you. | 0:28:12 | 0:28:15 | |
And, City, well, 145 may bring you back | 0:28:15 | 0:28:18 | |
as one of the highest-scoring winning teams. | 0:28:18 | 0:28:22 | |
We don't know... Stop being such a suck-up! | 0:28:22 | 0:28:24 | |
145 may be enough, as I say, to bring you back | 0:28:26 | 0:28:28 | |
as one of the highest-scoring winning teams, | 0:28:28 | 0:28:30 | |
we shall have to wait and see. | 0:28:30 | 0:28:31 | |
But congratulations to you, thank you very much for joining us. | 0:28:31 | 0:28:34 | |
As I say, you, too, didn't have to do it. | 0:28:34 | 0:28:36 | |
I hope you can join us next time for another first-round match | 0:28:36 | 0:28:39 | |
but until then, it's goodbye from Newcastle University. | 0:28:39 | 0:28:42 | |
-Bye. -Bye! | 0:28:42 | 0:28:43 | |
-It's goodbye from City University, London. -Goodbye. -Bye. | 0:28:43 | 0:28:46 | |
And it's goodbye from me. Goodbye. | 0:28:46 | 0:28:48 | |
APPLAUSE | 0:28:48 | 0:28:51 |