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The job interview. | 0:00:02 | 0:00:04 | |
Good morning, Beech's. | 0:00:04 | 0:00:05 | |
Yeah, I've come for an interview. | 0:00:05 | 0:00:07 | |
Arrive early. | 0:00:07 | 0:00:09 | |
Awkward questions. | 0:00:11 | 0:00:12 | |
Um... | 0:00:12 | 0:00:14 | |
Mm. | 0:00:14 | 0:00:15 | |
Um... | 0:00:15 | 0:00:17 | |
Cliched answers. | 0:00:17 | 0:00:18 | |
So, I do a lot of networking. | 0:00:18 | 0:00:19 | |
I probably live on adrenaline quite a lot. | 0:00:19 | 0:00:21 | |
A bit of a hard taskmaster. | 0:00:21 | 0:00:23 | |
Time to rip up the rule book. | 0:00:23 | 0:00:26 | |
HE GRUNTS | 0:00:26 | 0:00:28 | |
Three very different companies | 0:00:28 | 0:00:30 | |
have agreed to take part | 0:00:30 | 0:00:31 | |
in a pioneering experiment... | 0:00:31 | 0:00:33 | |
I want to try something new. | 0:00:33 | 0:00:36 | |
Hey, everyone. | 0:00:36 | 0:00:37 | |
..where the boss hands over recruitment | 0:00:37 | 0:00:39 | |
to their entire workforce. | 0:00:39 | 0:00:41 | |
I'm entrusting the power of this decision on you. | 0:00:41 | 0:00:44 | |
Bit frightened of the idea, really. | 0:00:46 | 0:00:48 | |
It's called collaborative hiring and what it is, | 0:00:48 | 0:00:51 | |
is when the whole workforce decides | 0:00:51 | 0:00:53 | |
on a hire rather than just the boss. | 0:00:53 | 0:00:56 | |
THEY LAUGH | 0:00:56 | 0:00:57 | |
Over a week, the applicants will do a series of workplace tasks... | 0:00:57 | 0:01:02 | |
Is this normal? | 0:01:02 | 0:01:03 | |
Just calm down. | 0:01:03 | 0:01:05 | |
..while company employees secretly assess them... | 0:01:05 | 0:01:08 | |
Just... Ah! | 0:01:12 | 0:01:14 | |
'That weren't supposed to happen.' | 0:01:14 | 0:01:15 | |
Scary. | 0:01:15 | 0:01:16 | |
..and then vote on who they think should get the job. | 0:01:16 | 0:01:20 | |
So, we know who you're going to vote for, don't we? | 0:01:20 | 0:01:22 | |
-I would say probably the one who's best looking. -Yeah. | 0:01:22 | 0:01:25 | |
THEY LAUGH | 0:01:25 | 0:01:26 | |
What could possibly go wrong? | 0:01:26 | 0:01:28 | |
Yeah, leave him with me, yeah. | 0:01:28 | 0:01:30 | |
Hello? | 0:01:30 | 0:01:32 | |
I'd like to say their enthusiasm is there, but it's not quite. | 0:01:32 | 0:01:36 | |
Welcome to the brave new world of recruitment... | 0:01:36 | 0:01:39 | |
Wow. | 0:01:39 | 0:01:40 | |
..where the staff are firmly in the hiring line. | 0:01:40 | 0:01:43 | |
If this works well, | 0:01:44 | 0:01:46 | |
it could change the way traditional British companies hire people. | 0:01:46 | 0:01:50 | |
Tonight, the chocolate factory | 0:01:50 | 0:01:51 | |
looking for a super salesperson. | 0:01:51 | 0:01:54 | |
Oh, they're coming. Scary! | 0:01:54 | 0:01:56 | |
-We. -We? | 0:01:56 | 0:01:58 | |
We, as a company. All right, Peter's taken the best... | 0:01:58 | 0:02:01 | |
That's not going to sell chocolates. | 0:02:01 | 0:02:02 | |
What happens when the hiring power | 0:02:02 | 0:02:05 | |
shifts to the factory floor? | 0:02:05 | 0:02:07 | |
We must get this right because | 0:02:07 | 0:02:09 | |
if we don't get it right, Beech's is going down. | 0:02:09 | 0:02:12 | |
Yes, Mark, roll's gone. | 0:02:28 | 0:02:31 | |
Right. | 0:02:31 | 0:02:33 | |
A company based in Preston | 0:02:33 | 0:02:35 | |
with 100 years of history... | 0:02:35 | 0:02:36 | |
My mum's worked here, | 0:02:38 | 0:02:40 | |
sister worked here, | 0:02:40 | 0:02:41 | |
I've had aunties working here. | 0:02:41 | 0:02:43 | |
All right then, luvvie, thank you. | 0:02:43 | 0:02:45 | |
..and a deeply loyal workforce. | 0:02:45 | 0:02:47 | |
I've been here since I was 15 | 0:02:47 | 0:02:49 | |
and Beech's means the world to me. | 0:02:49 | 0:02:51 | |
The factory is one of the last of its kind in Britain... | 0:02:53 | 0:02:56 | |
Good afternoon, Beech's Fine Chocolates. | 0:02:58 | 0:03:01 | |
..so it's crucial that owner Andrew Whiting | 0:03:01 | 0:03:03 | |
finds the right person for the job. | 0:03:03 | 0:03:06 | |
Everybody in the management team | 0:03:06 | 0:03:08 | |
feels responsible for the whole workforce. | 0:03:08 | 0:03:10 | |
They've been here a long time and... | 0:03:10 | 0:03:13 | |
I don't want anything to happen to them. | 0:03:13 | 0:03:16 | |
Now Andrew's taking a step into the unknown | 0:03:16 | 0:03:19 | |
to secure the company's future. | 0:03:19 | 0:03:21 | |
He's signed up for a unique workplace experiment... | 0:03:24 | 0:03:27 | |
..shaped by a team of recruitment experts. | 0:03:28 | 0:03:32 | |
It's called collaborative hiring. | 0:03:32 | 0:03:33 | |
It's a process that gets around that, sort of, hierarchical boss, | 0:03:33 | 0:03:37 | |
CV, desk relationship that we see so often | 0:03:37 | 0:03:40 | |
and, instead, throws it open to the workforce, | 0:03:40 | 0:03:42 | |
so everyone gets an equal say on who gets hired. | 0:03:42 | 0:03:45 | |
Right, everybody. | 0:03:47 | 0:03:49 | |
Shh-shh-shh. | 0:03:49 | 0:03:52 | |
As you know, we are going to be hiring | 0:03:52 | 0:03:54 | |
a new business development manager. | 0:03:54 | 0:03:57 | |
Now, this role is absolutely key for the future of Beech's. | 0:03:57 | 0:04:01 | |
You could say that this person | 0:04:01 | 0:04:03 | |
is going to have the future of the company in their hands. | 0:04:03 | 0:04:05 | |
I want to try something new. | 0:04:07 | 0:04:09 | |
I want all of the employees in the company | 0:04:10 | 0:04:12 | |
to have a say in the hiring | 0:04:12 | 0:04:14 | |
of this new candidate. | 0:04:14 | 0:04:15 | |
So, it's you who is going to do the hiring, not me. | 0:04:18 | 0:04:22 | |
Three applicants have been short-listed. | 0:04:27 | 0:04:31 | |
They've been told they're taking part in a recruitment experiment. | 0:04:31 | 0:04:35 | |
They have no idea the staff are doing the hiring. | 0:04:35 | 0:04:39 | |
So, it's really important that we do this secretly. | 0:04:39 | 0:04:41 | |
If the candidate knows who's assessing them, | 0:04:41 | 0:04:43 | |
they'll try to impress them and we don't want that, | 0:04:43 | 0:04:45 | |
instead what we want is someone to show the real them. | 0:04:45 | 0:04:49 | |
Staff will secretly assess them | 0:04:49 | 0:04:51 | |
via a series of job-related tests. | 0:04:51 | 0:04:53 | |
Ooh! | 0:04:55 | 0:04:56 | |
Halfway through, they'll let one of them go. | 0:04:56 | 0:04:59 | |
At the end of the week, | 0:04:59 | 0:05:00 | |
they'll vote for who gets the job. | 0:05:00 | 0:05:02 | |
We've got to get it right | 0:05:04 | 0:05:06 | |
and it is a big responsibility, | 0:05:06 | 0:05:08 | |
but I think it's really exciting. | 0:05:08 | 0:05:10 | |
It's up to us to decide... | 0:05:10 | 0:05:12 | |
who we think will become part of the family. | 0:05:12 | 0:05:14 | |
It's just going to be something that's totally different. | 0:05:14 | 0:05:17 | |
We might set a new trend now. | 0:05:17 | 0:05:19 | |
INTERCOM RINGS | 0:05:22 | 0:05:24 | |
Good morning, Beech's. | 0:05:24 | 0:05:26 | |
Hi, my name's Vito Cinardi, | 0:05:26 | 0:05:28 | |
I've come for an interview with yourselves. | 0:05:28 | 0:05:30 | |
OK, if you take a seat in reception, please. | 0:05:30 | 0:05:32 | |
48-year-old Vito Cinardi | 0:05:32 | 0:05:34 | |
is first to arrive. | 0:05:34 | 0:05:36 | |
He works in risk management | 0:05:37 | 0:05:39 | |
and used to sell Italian wine. | 0:05:39 | 0:05:41 | |
If you hit it twice, you pause it. | 0:05:43 | 0:05:45 | |
Across the factory, the covert operation swings into action. | 0:05:45 | 0:05:49 | |
What? Play. | 0:05:50 | 0:05:51 | |
They staff are now in charge | 0:05:51 | 0:05:53 | |
and they want a first peek at the applicants. | 0:05:53 | 0:05:56 | |
-Come in. -To Vito, it looks like a regular interview. | 0:05:58 | 0:06:01 | |
It's not. | 0:06:01 | 0:06:03 | |
-Hello, you must be Vito. -Hello. -Have a seat. -Thank you very much. | 0:06:03 | 0:06:06 | |
From the factory floor to sales and dispatch... | 0:06:06 | 0:06:09 | |
..the workforce is watching. | 0:06:11 | 0:06:13 | |
So, tell me a little bit about yourself then first, Vito. | 0:06:16 | 0:06:20 | |
I go out and get the business at the moment, so I... | 0:06:20 | 0:06:23 | |
That's promising so far, | 0:06:23 | 0:06:24 | |
he goes and gets customers. | 0:06:24 | 0:06:26 | |
So, I do a lot of networking, | 0:06:26 | 0:06:28 | |
a bit of cold calling... | 0:06:28 | 0:06:29 | |
That's good. Cold calling. | 0:06:29 | 0:06:31 | |
People skills. | 0:06:31 | 0:06:32 | |
-I assess what a company needs. -Right, why do you want this job? | 0:06:32 | 0:06:35 | |
I see it as an opportunity... | 0:06:35 | 0:06:37 | |
-He's a robot. -Eh? -He's a robot. | 0:06:37 | 0:06:39 | |
God's honest truth, I'd not heard about Beech's beforehand. | 0:06:39 | 0:06:43 | |
-Ooh. -Ooh! | 0:06:43 | 0:06:46 | |
We've been here since 1920, haven't we? | 0:06:46 | 0:06:48 | |
Yes, but how many Prestonians have heard of us, Barbara? | 0:06:48 | 0:06:50 | |
-Aye, yeah, yeah. -They all think the place has shut, so... | 0:06:50 | 0:06:54 | |
Next in is Karen Todd. | 0:06:54 | 0:06:56 | |
She's 52 and works in recruitment. | 0:06:58 | 0:07:00 | |
-Morning. -Morning. | 0:07:02 | 0:07:04 | |
-Hello, Karen. -Good morning, Andrew. | 0:07:04 | 0:07:06 | |
Pleased to meet you. | 0:07:06 | 0:07:08 | |
A little bit... | 0:07:08 | 0:07:09 | |
So, have you been involved in sales before? | 0:07:09 | 0:07:11 | |
I've been involved in sales all my life, yes. | 0:07:11 | 0:07:14 | |
-Coming across really well, ain't she? -Yeah, yeah. | 0:07:14 | 0:07:16 | |
I think if somebody's got drive and determination like I have... | 0:07:16 | 0:07:19 | |
-She's saying the right words and that lot. -Yeah. | 0:07:19 | 0:07:21 | |
We'll see if she can actually do all this, though. | 0:07:21 | 0:07:24 | |
So, can you sell anything to anyone, then? | 0:07:24 | 0:07:26 | |
I can't sell sand to the Arabs, no. | 0:07:26 | 0:07:28 | |
Oh, we can here! | 0:07:28 | 0:07:30 | |
If they needed some more, I would sell it to them. | 0:07:30 | 0:07:32 | |
Well, that's great, thank you very much indeed for coming today. | 0:07:32 | 0:07:35 | |
-That's fantastic... -Thank you. -..and enjoy your week. -Lovely to meet you. | 0:07:35 | 0:07:39 | |
Last to arrive is 37-year-old William Oldfield, | 0:07:45 | 0:07:49 | |
a former cafe owner and car salesman. | 0:07:49 | 0:07:51 | |
INTERCOM RINGS | 0:07:51 | 0:07:53 | |
Good morning, Beech's. | 0:07:53 | 0:07:55 | |
Hello, this is William Oldfield for Andrew Whitaker. | 0:07:55 | 0:07:59 | |
I think you'll find it's Whiting. | 0:07:59 | 0:08:02 | |
-I'm Sylvia. -Hello, Sylvia. | 0:08:02 | 0:08:04 | |
My wife's got that exact same dress. | 0:08:04 | 0:08:05 | |
-Oh, has she really? -That's a good start, isn't it? | 0:08:05 | 0:08:08 | |
He's a bit loud! | 0:08:08 | 0:08:10 | |
I'm surprised you couldn't hear him up here. | 0:08:11 | 0:08:14 | |
-FROM OTHER ROOM: -Well, I don't know... | 0:08:14 | 0:08:16 | |
William's already making an impact. | 0:08:16 | 0:08:18 | |
He looks a pleasant enough lad, | 0:08:18 | 0:08:20 | |
but he sounded very, very loud. | 0:08:20 | 0:08:22 | |
Very, very loud! | 0:08:22 | 0:08:24 | |
So, William, can you tell me a little bit about | 0:08:25 | 0:08:27 | |
the previous job that you were doing? | 0:08:27 | 0:08:29 | |
Well, recently I had a cafe, which I've sold, | 0:08:29 | 0:08:31 | |
and I've had a little bit of time out with the children | 0:08:31 | 0:08:33 | |
and, previous to that, I've worked in... | 0:08:33 | 0:08:35 | |
Shall we say corporate enterprises... | 0:08:35 | 0:08:37 | |
He's very confident, ain't he? | 0:08:37 | 0:08:38 | |
He's full of it. | 0:08:38 | 0:08:40 | |
With Fiat, Auto UK, Ford of Great Britain. | 0:08:40 | 0:08:42 | |
He's got more of a background in motor trade really, which... | 0:08:42 | 0:08:45 | |
Keeps mentioning motor trade. Yeah. | 0:08:45 | 0:08:47 | |
Which is a different kettle of fish altogether. | 0:08:47 | 0:08:49 | |
And I thought it... And it sounds terrible to say it now, | 0:08:49 | 0:08:52 | |
it's a little bit sad, but I think maturity's taken over... | 0:08:52 | 0:08:54 | |
-Has he come up for air? -SHE LAUGHS | 0:08:54 | 0:08:56 | |
If you're asking me what a good salesmen is, | 0:08:56 | 0:08:58 | |
that's somebody that can build relationships with customers, | 0:08:58 | 0:09:01 | |
-somebody that's a good listener... -That's a good answer. | 0:09:01 | 0:09:04 | |
It's a good answer, but he don't shut up... | 0:09:04 | 0:09:06 | |
-LAUGHTER -..does he? -No. | 0:09:06 | 0:09:08 | |
All right, brilliant, thank you very much indeed. | 0:09:08 | 0:09:10 | |
-Thank you very much. -Thank you. | 0:09:10 | 0:09:12 | |
So, the three candidates are very much, sort of, | 0:09:12 | 0:09:15 | |
three different archetypes. | 0:09:15 | 0:09:16 | |
We have one very studious, | 0:09:16 | 0:09:18 | |
more likely to do a lot of research, | 0:09:18 | 0:09:20 | |
then a very much more traditional, a charmer, | 0:09:20 | 0:09:22 | |
much more likely to schmooze - | 0:09:22 | 0:09:25 | |
and then the third, I think a real wild card, an extrovert. | 0:09:25 | 0:09:28 | |
It's going to be very interesting. | 0:09:28 | 0:09:30 | |
Our candidates have been sent to the store room | 0:09:36 | 0:09:38 | |
to collect some chocolate. | 0:09:38 | 0:09:40 | |
-Hiya. -Hello. -You all right? | 0:09:40 | 0:09:42 | |
Yes, thank you, pleased to meet you. | 0:09:42 | 0:09:44 | |
Throughout the week, | 0:09:44 | 0:09:45 | |
their understanding of the company's products will be put to the test. | 0:09:45 | 0:09:48 | |
Coffee creams? | 0:09:48 | 0:09:51 | |
I think the funniest thing was calling Mr Whiting "Mr Whitaker". | 0:09:51 | 0:09:54 | |
"Mr Whitaker", that was brilliant. | 0:09:54 | 0:09:55 | |
Wrong chocolate company to start. | 0:09:55 | 0:09:57 | |
Hey, look at all that! | 0:10:00 | 0:10:02 | |
As homework gets started... | 0:10:02 | 0:10:03 | |
..factory staff are clocking off | 0:10:06 | 0:10:08 | |
and taking part in a first day exit poll. | 0:10:08 | 0:10:11 | |
Let's summarise then. | 0:10:13 | 0:10:15 | |
So, William is probably the outsider at the moment... | 0:10:15 | 0:10:18 | |
-Yes. -At the moment. | 0:10:18 | 0:10:19 | |
-..and Vito and... -Karen. | 0:10:19 | 0:10:21 | |
And Karen, I think they're like neck and neck... | 0:10:21 | 0:10:24 | |
-Yeah. -Neck and neck at the moment. -..at the moment. | 0:10:24 | 0:10:26 | |
The exit poll puts Karen in the lead. | 0:10:29 | 0:10:32 | |
William's got some catching up to do. | 0:10:32 | 0:10:34 | |
Day two, the main part of the secret experiment is about to begin. | 0:10:42 | 0:10:46 | |
A series of tasks will test key skills for the job on offer. | 0:10:48 | 0:10:51 | |
A bit frightened of the idea really, but... | 0:10:56 | 0:11:00 | |
it's a challenge, isn't it? | 0:11:00 | 0:11:02 | |
The applicants think it's a regular induction day, | 0:11:02 | 0:11:05 | |
they still don't know that the workforce | 0:11:05 | 0:11:08 | |
is secretly judging their every move. | 0:11:08 | 0:11:10 | |
-Hello. -Morning. | 0:11:18 | 0:11:20 | |
Hi. | 0:11:20 | 0:11:21 | |
It's the first time all three have seen each other. | 0:11:21 | 0:11:24 | |
Where are you from? Where are you...? | 0:11:33 | 0:11:34 | |
Down the road, Kirkham. | 0:11:34 | 0:11:37 | |
-Where are you from then? -Clapham. | 0:11:37 | 0:11:38 | |
Oh, not far, whereabouts? | 0:11:38 | 0:11:40 | |
Just at North Shore. | 0:11:40 | 0:11:41 | |
Yeah. You don't live in the posh bit, is that correct? | 0:11:41 | 0:11:44 | |
We can tell you're going to be a bag of fun, aren't you? | 0:11:44 | 0:11:47 | |
HE LAUGHS | 0:11:47 | 0:11:48 | |
The process is bringing out the worst in William and Vito. | 0:11:48 | 0:11:51 | |
Well, I asked him where he was from he went, "North Shore." | 0:11:51 | 0:11:55 | |
And I thought this is your chance, Vito, this is your chance | 0:11:55 | 0:11:57 | |
and you vetoed it! | 0:11:57 | 0:12:00 | |
Oh. | 0:12:00 | 0:12:01 | |
# I guess there's no love... # | 0:12:06 | 0:12:08 | |
Right, this must be mine. | 0:12:08 | 0:12:11 | |
After meeting Karen and Vito... | 0:12:12 | 0:12:14 | |
# I guess there's no love... # | 0:12:14 | 0:12:18 | |
..William reckons he may have come up with a winning strategy. | 0:12:18 | 0:12:22 | |
Well, I'm hoping they've seen me as somebody | 0:12:22 | 0:12:24 | |
that's not really the competition, because that was my plan really, | 0:12:24 | 0:12:27 | |
to come across as perhaps a little bit of a buffoon | 0:12:27 | 0:12:30 | |
and then Vito will be thinking, "I need to mark Karen," | 0:12:30 | 0:12:33 | |
Karen will be thinking, "I need to mark Vito," | 0:12:33 | 0:12:35 | |
and the two of them thinking "William's not got a chance," | 0:12:35 | 0:12:38 | |
and that helps, really, because then they'll not be worrying about... | 0:12:38 | 0:12:41 | |
me in particular, | 0:12:41 | 0:12:43 | |
and then I can come up from behind and take the job from them. | 0:12:43 | 0:12:46 | |
It's worked very well in the past, | 0:12:46 | 0:12:48 | |
it's called being Machiavellian | 0:12:48 | 0:12:50 | |
and I'm very good at it. | 0:12:50 | 0:12:52 | |
Where's the lids? | 0:12:57 | 0:13:00 | |
The first task will test the applicants' people skills. | 0:13:00 | 0:13:03 | |
Do they fit into the company's tight-knit family culture? | 0:13:03 | 0:13:06 | |
Tracey, can you take them off, luvvie? | 0:13:09 | 0:13:11 | |
Barbara, the factory's mother hen, is in charge. | 0:13:11 | 0:13:15 | |
She's worked here 49 years. | 0:13:15 | 0:13:17 | |
I would like to see them | 0:13:18 | 0:13:20 | |
be enthusiastic about it, | 0:13:20 | 0:13:22 | |
be interested in what they're doing | 0:13:22 | 0:13:24 | |
on every line that they're doing, | 0:13:24 | 0:13:26 | |
not just come in and do it. | 0:13:26 | 0:13:28 | |
Passionate about Beech's and passionate about the product. | 0:13:28 | 0:13:31 | |
So, I put the most attractive bit on now. | 0:13:34 | 0:13:36 | |
Karen made a good first impression, | 0:13:38 | 0:13:41 | |
but will she be accepted by the factory floor team? | 0:13:41 | 0:13:45 | |
I'm not nervous, I'm really excited. | 0:13:45 | 0:13:47 | |
I'm in a chocolate factory. | 0:13:47 | 0:13:49 | |
I'm going to make some chocolates. | 0:13:49 | 0:13:52 | |
-Would you like to have a go? -Yeah, brilliant. | 0:13:52 | 0:13:54 | |
Packing the chocolates is only one part of the task. | 0:13:57 | 0:14:00 | |
Actually, how they come across to their colleagues | 0:14:00 | 0:14:02 | |
is what they're really being tested on here. | 0:14:02 | 0:14:05 | |
So they've not got to get past me, is that right? | 0:14:05 | 0:14:07 | |
No, they've not got to get past you if you can. | 0:14:07 | 0:14:09 | |
It takes them out of their comfort zone | 0:14:09 | 0:14:10 | |
and that means you start to see the real person. | 0:14:10 | 0:14:12 | |
They're in my eye here. | 0:14:12 | 0:14:14 | |
Oh, my God. | 0:14:14 | 0:14:16 | |
Pressure is on. | 0:14:17 | 0:14:19 | |
By the heck, does it get stressful! | 0:14:21 | 0:14:23 | |
Geraldine's packed chocolates here for 23 years. | 0:14:23 | 0:14:26 | |
She's looking for someone with good communication skills. | 0:14:28 | 0:14:32 | |
They really do need to be people-focused. | 0:14:32 | 0:14:35 | |
They're selling our product, aren't they? | 0:14:35 | 0:14:37 | |
So they've got to sell it well, you know, to keep us in jobs. | 0:14:37 | 0:14:41 | |
Not too fast, OK? Not too fast. | 0:14:41 | 0:14:44 | |
William's big personality | 0:14:44 | 0:14:46 | |
hasn't gone down well so far. | 0:14:46 | 0:14:48 | |
-Marilyn? -Marilyn? | 0:14:48 | 0:14:50 | |
We're all ready. | 0:14:50 | 0:14:51 | |
Can he turn it around on the factory floor? | 0:14:51 | 0:14:55 | |
-Ooh! -So... So, you need your box. | 0:14:55 | 0:14:58 | |
Oh, Marilyn. | 0:14:58 | 0:14:59 | |
Oh, it's ridiculous. | 0:15:03 | 0:15:05 | |
He's got a big pile at the side of him. | 0:15:05 | 0:15:06 | |
Once you get that pile, it's hard to get rid of. | 0:15:06 | 0:15:09 | |
But at least it keeps your weight down, doesn't it? | 0:15:09 | 0:15:12 | |
That's one of the good things. | 0:15:12 | 0:15:14 | |
So, you can sit down... | 0:15:14 | 0:15:17 | |
Aye, William's hard at it. | 0:15:17 | 0:15:18 | |
He's doing well, he's still breathing. | 0:15:18 | 0:15:21 | |
He's full of encouragement, isn't he - Mark? | 0:15:21 | 0:15:23 | |
-Oh, yeah. -THEY LAUGH | 0:15:23 | 0:15:25 | |
William's getting stuck in | 0:15:25 | 0:15:27 | |
and bonding with the team... | 0:15:27 | 0:15:29 | |
Oh, aye, that's another one. | 0:15:30 | 0:15:32 | |
Well, you spotted them. | 0:15:32 | 0:15:33 | |
You spotted them, that's a good thing. | 0:15:33 | 0:15:36 | |
..but tension is building | 0:15:36 | 0:15:37 | |
on Turkish delight. | 0:15:37 | 0:15:39 | |
-There's too many coming down here, Gillian. -Right. | 0:15:40 | 0:15:43 | |
It's my fault, Barbara. I need to be an octopus. | 0:15:43 | 0:15:46 | |
Look at this now. | 0:15:47 | 0:15:49 | |
There's a reject in there. | 0:15:49 | 0:15:51 | |
You didn't spot it. | 0:15:51 | 0:15:52 | |
Karen's spotted a reject chocolate | 0:15:52 | 0:15:54 | |
she thinks Barbara may have missed. | 0:15:54 | 0:15:57 | |
-I've spotted it, don't you worry. -Oh, right. | 0:15:57 | 0:15:59 | |
I've not been here all them years, don't you worry. | 0:15:59 | 0:16:02 | |
She didn't spot a reject! | 0:16:02 | 0:16:04 | |
Her point-scoring has upset the head of the Beech's family. | 0:16:04 | 0:16:08 | |
I've not been here 49 years to do that. | 0:16:08 | 0:16:11 | |
I know, I know. | 0:16:11 | 0:16:13 | |
I assure you, that wouldn't have gone out. | 0:16:13 | 0:16:16 | |
This could be a make-or-break moment for the candidate. | 0:16:16 | 0:16:19 | |
If you upset people that you're working with, | 0:16:20 | 0:16:22 | |
it could affect how they think of you to work with | 0:16:22 | 0:16:24 | |
and, therefore, how they vote about you. | 0:16:24 | 0:16:26 | |
You might be able to make it up over the rest of the process, | 0:16:26 | 0:16:29 | |
but if you're upsetting people throughout, | 0:16:29 | 0:16:31 | |
you're clearly indicating you're not a good team player. | 0:16:31 | 0:16:35 | |
SHE EXHALES | 0:16:35 | 0:16:37 | |
That was hard. | 0:16:39 | 0:16:41 | |
Karen's lead may be slipping. | 0:16:42 | 0:16:44 | |
Is William now the one to watch? | 0:16:44 | 0:16:47 | |
Have you changed your mind about him now? | 0:16:49 | 0:16:52 | |
Yes, I think I have. | 0:16:52 | 0:16:53 | |
Yeah, I'm coming round. | 0:16:53 | 0:16:55 | |
-He seems more genuine, doesn't he, now? -Yeah, he does. | 0:16:55 | 0:16:57 | |
When you work with a person, you really find out who they are really. | 0:16:57 | 0:17:02 | |
You've always got the right to change your mind. | 0:17:02 | 0:17:04 | |
Vito's got a hard act to follow. | 0:17:04 | 0:17:06 | |
Is this Fancy Packing? | 0:17:07 | 0:17:09 | |
-It is. -Can I come in? | 0:17:09 | 0:17:11 | |
Thank you. | 0:17:11 | 0:17:13 | |
It's all to play for in Fancy Packing. | 0:17:13 | 0:17:15 | |
-Come on, then. -OK. -Let's have a go. | 0:17:18 | 0:17:22 | |
Am I doing OK? | 0:17:22 | 0:17:23 | |
Yeah, of course. | 0:17:23 | 0:17:24 | |
Do you like my green hat? | 0:17:24 | 0:17:26 | |
-Yes. -Really? Thanks. | 0:17:26 | 0:17:28 | |
Vito's natural charm is going down well. | 0:17:28 | 0:17:31 | |
-Oh, my word. -Don't worry, don't worry. -OK. | 0:17:33 | 0:17:36 | |
He's very nice. A very nice man. | 0:17:38 | 0:17:41 | |
His personality is proving popular with the Polish women. | 0:17:41 | 0:17:45 | |
How long have you been working here? | 0:17:45 | 0:17:47 | |
THEY BOTH SPEAK AT ONCE | 0:17:47 | 0:17:49 | |
You've been here one year. | 0:17:49 | 0:17:50 | |
-How long have you been...? -No, no, no, no. -Six years?! | 0:17:50 | 0:17:52 | |
You all look very happy. | 0:17:52 | 0:17:54 | |
Vito's made a smart move. | 0:17:55 | 0:17:57 | |
The Polish staff make up a quarter of the factory floor. | 0:17:57 | 0:18:01 | |
Bye, girls. Bye. | 0:18:01 | 0:18:03 | |
See you, girls. See you later. | 0:18:03 | 0:18:05 | |
Without knowing it, Vito may have just secured a winning block vote. | 0:18:05 | 0:18:10 | |
Oh, he's lovely, ain't he? | 0:18:10 | 0:18:11 | |
He's nice. He is nice. | 0:18:11 | 0:18:13 | |
He's a Beech's person, I think. | 0:18:13 | 0:18:16 | |
So, I don't know... It's getting harder and harder. | 0:18:16 | 0:18:18 | |
In the canteen, secret spies from all areas of the factory | 0:18:26 | 0:18:30 | |
are swapping notes. | 0:18:30 | 0:18:33 | |
Karen, for me, is... Where I thought... | 0:18:33 | 0:18:35 | |
I voted for her yesterday, but now it's changed me views. | 0:18:35 | 0:18:38 | |
What about her personality? | 0:18:38 | 0:18:40 | |
-Because yesterday, we said... -Yeah. | 0:18:40 | 0:18:41 | |
..she came across as having a really good personality. | 0:18:41 | 0:18:44 | |
That's gone for me now. | 0:18:44 | 0:18:45 | |
-Vito is a lovely man. -He's a lovely man. | 0:18:45 | 0:18:47 | |
Oh, I really like him and it's not only me, | 0:18:47 | 0:18:49 | |
it's the first time I've noticed the Polish ladies to speak out | 0:18:49 | 0:18:53 | |
and I think going out to customers and... | 0:18:53 | 0:18:56 | |
I just think he's lovely. | 0:18:56 | 0:18:58 | |
It's definitely William and Vito for me. | 0:18:58 | 0:19:01 | |
Do you think William has changed, then, during his turnaround? | 0:19:01 | 0:19:04 | |
Yes. | 0:19:04 | 0:19:06 | |
The person chosen for the job | 0:19:08 | 0:19:10 | |
will work upstairs in the sales department. | 0:19:10 | 0:19:13 | |
Would I be able to speak to the person | 0:19:13 | 0:19:15 | |
responsible for confectionary and gift purchasing, please? | 0:19:15 | 0:19:19 | |
The next task will be led by its director, Peter Hopps. | 0:19:21 | 0:19:25 | |
I'm a salesman through and through. | 0:19:25 | 0:19:27 | |
I've been a salesman since I was in my 20s and... | 0:19:27 | 0:19:29 | |
Once a salesman, always a salesman. | 0:19:29 | 0:19:31 | |
-Good morning, Vito. -Good morning. Hi. | 0:19:31 | 0:19:34 | |
Peter Hopps, sales director, Beech's Chocolates. | 0:19:34 | 0:19:36 | |
-Hi, you OK? -Welcome to my day. | 0:19:36 | 0:19:38 | |
The candidates think Peter will be feeding back the outcome | 0:19:38 | 0:19:41 | |
of today's task to the boss... | 0:19:41 | 0:19:43 | |
Without a doubt, I've got a strong personality. | 0:19:43 | 0:19:46 | |
I don't suffer fools gladly. | 0:19:46 | 0:19:47 | |
That's a typical Yorkshireman. | 0:19:49 | 0:19:51 | |
..but it's his colleagues who'll be eagerly awaiting the views | 0:19:51 | 0:19:54 | |
of the company's formidable head of sales. | 0:19:54 | 0:19:57 | |
The task is taking place at one of Peter's local clients. | 0:20:04 | 0:20:09 | |
If you'd like to take a seat, Karen. | 0:20:09 | 0:20:11 | |
-Good afternoon, William. -Ah, hi. | 0:20:11 | 0:20:13 | |
It'll test how much homework the three have done on Beech's products. | 0:20:13 | 0:20:17 | |
We use a top quality brazil, | 0:20:17 | 0:20:19 | |
it's not a midget brazil. | 0:20:19 | 0:20:22 | |
They think they're here to present some new packaging... | 0:20:22 | 0:20:24 | |
-Good morning, ladies. -Good morning. Hi. | 0:20:24 | 0:20:27 | |
..but the clients have agreed to drop in | 0:20:27 | 0:20:29 | |
some simple questions about the product range... | 0:20:29 | 0:20:32 | |
Morning, ladies, you OK? | 0:20:32 | 0:20:33 | |
Yeah. Good, thank you. | 0:20:33 | 0:20:35 | |
..and Peter is expecting to hear the right answers. | 0:20:35 | 0:20:38 | |
We've gone away, we've thought about the packaging | 0:20:38 | 0:20:40 | |
-and we've come back with this. -Right. | 0:20:40 | 0:20:42 | |
How many chocolates are in the box? | 0:20:42 | 0:20:44 | |
There's eight chocolates in the box. | 0:20:44 | 0:20:46 | |
-OK. -'Good start.' | 0:20:46 | 0:20:48 | |
There are 65 brands of chocolates in the box. | 0:20:48 | 0:20:51 | |
Mm-mm. | 0:20:51 | 0:20:53 | |
-There are eight to ten chocolates in the box... -Right, OK. | 0:20:53 | 0:20:56 | |
..depending on the size of the nut. | 0:20:58 | 0:21:00 | |
More homework needed. | 0:21:00 | 0:21:02 | |
Are any of these products you've shown us today gluten-free? | 0:21:02 | 0:21:05 | |
I think they are. All of them, aren't they? | 0:21:05 | 0:21:08 | |
-Am I correct? -You tell me. | 0:21:08 | 0:21:09 | |
Yeah, I think they're all gluten-free. | 0:21:09 | 0:21:11 | |
I will just double check on the brazils. | 0:21:11 | 0:21:15 | |
All the products are gluten-free. | 0:21:15 | 0:21:17 | |
All the products are gluten-free. | 0:21:17 | 0:21:20 | |
-Good afternoon. -Hi. -Good afternoon. | 0:21:20 | 0:21:22 | |
Good to see you, Tess. | 0:21:22 | 0:21:23 | |
William won over the factory floor... | 0:21:23 | 0:21:26 | |
-I'm William. -This is William. | 0:21:26 | 0:21:27 | |
-Hi, William, nice to meet you. I'm Sandrine. -Sandrine. | 0:21:27 | 0:21:30 | |
..but will his answers convince Peter | 0:21:30 | 0:21:31 | |
-he's the right man for the job? -Where's that from? -It's French. | 0:21:31 | 0:21:34 | |
It's lovely to be here finally. | 0:21:34 | 0:21:36 | |
It's a lovely little venue and as I always say to people | 0:21:36 | 0:21:38 | |
when I come somewhere nice, I will visit, | 0:21:38 | 0:21:40 | |
I'll come back with my family, | 0:21:40 | 0:21:41 | |
and even those places that I don't think are very nice | 0:21:41 | 0:21:43 | |
I say I'll come and visit anyway, but this one I genuinely will do. | 0:21:43 | 0:21:46 | |
William's gone off-piste. | 0:21:46 | 0:21:48 | |
It looks nice from the street and you come in, | 0:21:48 | 0:21:50 | |
and it's another world, isn't it? | 0:21:50 | 0:21:52 | |
I had a coffee shop and I said to Peter, | 0:21:52 | 0:21:53 | |
as we were just having a coffee that it's the small attention to detail, | 0:21:53 | 0:21:57 | |
like the River Brock on the wall | 0:21:57 | 0:21:59 | |
and you can just sit there - | 0:21:59 | 0:22:00 | |
even if you're sat on your own, | 0:22:00 | 0:22:01 | |
you could just, you know, muse over it. | 0:22:01 | 0:22:04 | |
I mean, you look smart as the staff | 0:22:04 | 0:22:05 | |
and the staff are as much the business as the product. | 0:22:05 | 0:22:08 | |
So, going onto the product, Peter... | 0:22:08 | 0:22:11 | |
-At last. -I guess we have to talk about the product, don't we? | 0:22:11 | 0:22:14 | |
Peter starts things off... | 0:22:14 | 0:22:16 | |
So, the first one I'd like to bring up is that one. | 0:22:16 | 0:22:19 | |
Now what's good, as well, about these, | 0:22:19 | 0:22:20 | |
if you don't mind me saying, Peter, is I actually... | 0:22:20 | 0:22:23 | |
..but William's interrupted his flow. | 0:22:23 | 0:22:25 | |
And the wife was going mad, | 0:22:25 | 0:22:26 | |
she says, "What you giving them bath salts for?" | 0:22:26 | 0:22:28 | |
I was a little bit annoyed at times | 0:22:28 | 0:22:30 | |
when he started talking across me. | 0:22:30 | 0:22:33 | |
I think there's a good time to talk across someone | 0:22:33 | 0:22:35 | |
if you're discussing a product, | 0:22:35 | 0:22:37 | |
but there's not a... | 0:22:37 | 0:22:38 | |
It's not a good thing to take over. | 0:22:38 | 0:22:41 | |
What we've done with, with the brand here, | 0:22:41 | 0:22:43 | |
is we've taken what is the best of what we... | 0:22:43 | 0:22:45 | |
-We? -We, as a company. | 0:22:45 | 0:22:46 | |
I'm trying to put the royal we in there, you know, it's... | 0:22:46 | 0:22:49 | |
All right. Peter's taken the best... | 0:22:49 | 0:22:51 | |
I didn't really know what Peter was playing at when he corrected me | 0:22:51 | 0:22:54 | |
on the royal "we" - or whatever you want to call it. | 0:22:54 | 0:22:56 | |
What am I supposed to do - turn up and do a sales pitch, and say, | 0:22:56 | 0:22:59 | |
"I don't actually work for the company, | 0:22:59 | 0:23:01 | |
"this is an interview, so don't take it seriously?" No. | 0:23:01 | 0:23:04 | |
There's more of an all-year-round type of packaging here, | 0:23:04 | 0:23:06 | |
whereas that would be more aimed at a Valentines type. | 0:23:06 | 0:23:09 | |
-Yeah, yeah. -That's exactly how I would see that product. | 0:23:09 | 0:23:11 | |
The other point I would make... | 0:23:11 | 0:23:13 | |
And I didn't appreciate Peter keep interrupting | 0:23:13 | 0:23:15 | |
when I was trying to get a rapport going. | 0:23:15 | 0:23:16 | |
The girls were clearly loving the William Oldfield charm | 0:23:16 | 0:23:19 | |
and he destroyed it. | 0:23:19 | 0:23:20 | |
What's actually in the hearts? | 0:23:20 | 0:23:23 | |
They're solid milk chocolate hearts. | 0:23:23 | 0:23:25 | |
Right, solid milk chocolate? | 0:23:25 | 0:23:26 | |
Yeah, it's important that when you... | 0:23:26 | 0:23:29 | |
Well, I've just... I've just... | 0:23:29 | 0:23:31 | |
I've just said something that's incorrect there, | 0:23:31 | 0:23:33 | |
-it's a praline centre. -Right, OK. -Do forgive me. | 0:23:33 | 0:23:36 | |
Surely, if you're going to sell milk chocolate hearts | 0:23:36 | 0:23:39 | |
with a fondant in, you'd write it on the box. | 0:23:39 | 0:23:41 | |
So, when I said, "No, there's nothing in them," | 0:23:41 | 0:23:43 | |
I don't think I was wrong in saying that, the packaging was wrong. | 0:23:43 | 0:23:46 | |
He's very brash and | 0:23:46 | 0:23:48 | |
I don't know whether that's... | 0:23:48 | 0:23:50 | |
what I would look for in a salesperson. | 0:23:50 | 0:23:53 | |
On today's performance, | 0:23:53 | 0:23:56 | |
as someone that I have to work with, | 0:23:56 | 0:23:58 | |
he would probably be third. | 0:23:58 | 0:24:00 | |
William may be popular on the factory floor, | 0:24:00 | 0:24:03 | |
but he may have just blown it with the sales boss. | 0:24:03 | 0:24:06 | |
Will Peter's feedback to staff | 0:24:06 | 0:24:08 | |
affect his chances of clinching the job? | 0:24:08 | 0:24:11 | |
Bye. | 0:24:11 | 0:24:12 | |
Day three, time for tasks | 0:24:21 | 0:24:23 | |
in dispatch and telesales. | 0:24:23 | 0:24:25 | |
The pace is going to go up a little bit higher now. | 0:24:27 | 0:24:30 | |
We might see one or two of them come unstuck today, I don't know. | 0:24:30 | 0:24:34 | |
There's now an upstairs-downstairs divide over who should get the job. | 0:24:34 | 0:24:39 | |
Get your pads and then you wrap. | 0:24:39 | 0:24:42 | |
The factory floor like William. | 0:24:42 | 0:24:44 | |
Very impressed with William. | 0:24:44 | 0:24:46 | |
I would take him on as a packer. | 0:24:46 | 0:24:49 | |
Well, that's high praise, that. | 0:24:49 | 0:24:51 | |
Vito's got the Polish vote. | 0:24:52 | 0:24:54 | |
Upstairs in sales, they like Karen. | 0:25:05 | 0:25:08 | |
She gives the impression you could work with her already. | 0:25:08 | 0:25:10 | |
You know, she came across that friendly and, | 0:25:10 | 0:25:12 | |
you know, that open, really. | 0:25:12 | 0:25:14 | |
What seems to be happening at Beech's is | 0:25:14 | 0:25:16 | |
they change their mind, almost by the hour and that is great. | 0:25:16 | 0:25:19 | |
Research shows people decide in the interviews in the first ten seconds. | 0:25:19 | 0:25:22 | |
If people have changed their mind, | 0:25:22 | 0:25:24 | |
that means the process is working. | 0:25:24 | 0:25:25 | |
-We could do a job share between the three of us. -Hm! | 0:25:27 | 0:25:31 | |
I don't think that'd work, somehow. | 0:25:31 | 0:25:32 | |
All right - me and Karen, then! | 0:25:32 | 0:25:34 | |
-Me and Karen will do a job share. -A nice thought there, William! | 0:25:34 | 0:25:37 | |
At the end of today, | 0:25:39 | 0:25:40 | |
after discussing and considering | 0:25:40 | 0:25:42 | |
how the candidates have done in the tasks, | 0:25:42 | 0:25:44 | |
staff will decide who goes at the halfway point. | 0:25:44 | 0:25:47 | |
Sadly, there is something I need to inform you of | 0:25:49 | 0:25:52 | |
and that is that, although you've all done extremely well... | 0:25:52 | 0:25:55 | |
one of you will be leaving the process tomorrow | 0:25:55 | 0:25:59 | |
and the other two will be going forward with the rest of the week. | 0:25:59 | 0:26:02 | |
Good luck, everybody, and have a great time. | 0:26:06 | 0:26:08 | |
They still think Andrew's calling the shots. | 0:26:09 | 0:26:12 | |
They've no idea the staff have the power to make this decision. | 0:26:14 | 0:26:18 | |
I think today is your time to shine. | 0:26:18 | 0:26:21 | |
I think it's my time to keep my mouth shut, Karen, | 0:26:21 | 0:26:23 | |
that's what it is. | 0:26:23 | 0:26:24 | |
I think that's what he meant. | 0:26:24 | 0:26:25 | |
"Shine" was code for "shut your mouth". | 0:26:25 | 0:26:29 | |
So, there we are then, one of us is leaving. | 0:26:29 | 0:26:31 | |
It's a bit daunting, isn't it? | 0:26:31 | 0:26:33 | |
I thought I'd have a guaranteed period in which to shine | 0:26:33 | 0:26:36 | |
and I guess today's the day where | 0:26:36 | 0:26:38 | |
I really do need to behave | 0:26:38 | 0:26:40 | |
if I haven't already. | 0:26:40 | 0:26:42 | |
FORKLIFT BEEPS | 0:26:42 | 0:26:46 | |
Customer service is a key skill for the job on offer. | 0:26:48 | 0:26:51 | |
Ray and Jay in dispatch are next | 0:26:53 | 0:26:55 | |
to put the candidates through their paces. | 0:26:55 | 0:26:58 | |
Well, we've got a little test devised | 0:26:58 | 0:27:00 | |
and we want to see how our new | 0:27:00 | 0:27:02 | |
candidate can deal | 0:27:02 | 0:27:04 | |
with an irate customer | 0:27:04 | 0:27:05 | |
face-to-face in the yard. | 0:27:05 | 0:27:06 | |
Their pressure test involves a red pick-up truck | 0:27:11 | 0:27:13 | |
and an actor who specialises | 0:27:13 | 0:27:15 | |
in recruitment role play. | 0:27:15 | 0:27:17 | |
I'm going to be a bolshie customer | 0:27:18 | 0:27:20 | |
who's come to pick up his order from Beech's | 0:27:20 | 0:27:22 | |
but, unfortunately, there's going to be a problem. | 0:27:22 | 0:27:25 | |
We can't take it away on the van that we've got here, | 0:27:25 | 0:27:27 | |
it has to be a covered van. | 0:27:27 | 0:27:29 | |
Let's see how they cope with it. | 0:27:30 | 0:27:31 | |
Hello. | 0:27:36 | 0:27:37 | |
All three have been told they're shadowing the dispatch team. | 0:27:37 | 0:27:40 | |
-This is Jay. -Lovely to meet you. -Are you well? | 0:27:40 | 0:27:42 | |
-This is where all the finished goods goes out so... -Excellent. | 0:27:42 | 0:27:45 | |
-..what we'll do, if you want to follow us into here... -Sure. | 0:27:45 | 0:27:48 | |
-We'll get you kitted out first. -Sure. | 0:27:48 | 0:27:49 | |
They're blissfully unaware of what's about to happen. | 0:27:49 | 0:27:52 | |
We're off. | 0:27:54 | 0:27:55 | |
The fake angry customer has arrived. | 0:28:00 | 0:28:04 | |
-Hello. -Yeah, I've just come to collect for Smiths of Manchester. | 0:28:04 | 0:28:07 | |
-All right, brilliant. -It's a standard method of assessment | 0:28:07 | 0:28:10 | |
that's been used dozens of times. | 0:28:10 | 0:28:12 | |
I'll just go and see where your order is. | 0:28:12 | 0:28:14 | |
What we really want from a salesperson is... | 0:28:14 | 0:28:16 | |
How do they build that rapport? | 0:28:16 | 0:28:17 | |
How are they, sort of, talking someone down? | 0:28:17 | 0:28:20 | |
Those are sort of core skills for a salesperson. | 0:28:20 | 0:28:23 | |
-Is this the customer's vehicle? -It is, yeah. | 0:28:23 | 0:28:26 | |
Right... Unfortunately, we're not allowed to load you... | 0:28:26 | 0:28:29 | |
because you've come in a flatbed truck. | 0:28:29 | 0:28:31 | |
I don't understand that. | 0:28:31 | 0:28:32 | |
-I don't understand why you're not allowing it. -So... | 0:28:32 | 0:28:34 | |
If it rains on your product, then we're liable for it. | 0:28:34 | 0:28:37 | |
Well, that's ridiculous, that's ridiculous. | 0:28:37 | 0:28:39 | |
Jay, can we just have a look at the options here, then... | 0:28:39 | 0:28:42 | |
I'll tell you what, I'll go and get Ray, | 0:28:42 | 0:28:44 | |
if you just want to speak to the customer for a minute. | 0:28:44 | 0:28:46 | |
Simon, sorry, it's my first day, | 0:28:46 | 0:28:48 | |
I'm going to sort this out for you. Don't worry. | 0:28:48 | 0:28:50 | |
I need to get Ray. | 0:28:50 | 0:28:51 | |
We've dropped her right in it, to be honest with you, | 0:28:51 | 0:28:54 | |
but we just want to see how she deals with the situation | 0:28:54 | 0:28:56 | |
because she's face-on to a customer. | 0:28:56 | 0:28:58 | |
I have paid for the stuff. | 0:28:58 | 0:29:00 | |
-I have this wedding that is coming up on Saturday... -Right. | 0:29:00 | 0:29:03 | |
If I do not get these to the wedding, | 0:29:03 | 0:29:04 | |
there will be bloody hell to pay, do you understand? | 0:29:04 | 0:29:07 | |
-Simon, honestly, Simon. -I am... -Simon, just calm down. | 0:29:07 | 0:29:09 | |
It's quite volatile, isn't it, at the end of the day? | 0:29:09 | 0:29:13 | |
But she seems to be handling it well. | 0:29:13 | 0:29:15 | |
You've got tomorrow... | 0:29:17 | 0:29:18 | |
Have you got a window at all that we could do a timed delivery for you? | 0:29:18 | 0:29:21 | |
I can't tell you how much this... | 0:29:21 | 0:29:22 | |
I can get it out on an AM delivery... | 0:29:22 | 0:29:25 | |
This is your first day and you're telling me that you can get this... | 0:29:25 | 0:29:28 | |
I've worked with couriers before and if they can get them, | 0:29:28 | 0:29:30 | |
we can get it on an AM delivery. | 0:29:30 | 0:29:32 | |
And we will not pay for this? | 0:29:32 | 0:29:33 | |
You won't pay for the delivery. | 0:29:33 | 0:29:35 | |
Her decisive manner has calmed things down. | 0:29:35 | 0:29:37 | |
-She calmed the situation, yeah. -She did calm the situation... | 0:29:37 | 0:29:40 | |
Got him to, like, an agreeable state, really, | 0:29:40 | 0:29:43 | |
which I think is very clever. | 0:29:43 | 0:29:44 | |
So far, so good. Candidate one... | 0:29:44 | 0:29:47 | |
Yeah, I'm impressed. | 0:29:47 | 0:29:49 | |
Round two. | 0:29:49 | 0:29:51 | |
What's to stop me from taking them now? | 0:29:51 | 0:29:54 | |
I mean, come on, for God's sake... | 0:29:54 | 0:29:55 | |
All it is, is putting it on there, but... | 0:29:55 | 0:29:58 | |
Vito's trying a softly, softly approach to sort things out. | 0:29:58 | 0:30:01 | |
-I can't... -This is for somebody's wedding. | 0:30:01 | 0:30:03 | |
I empathise with you totally, | 0:30:03 | 0:30:05 | |
I do understand, but it's not down to me, it's not my decision. | 0:30:05 | 0:30:08 | |
If I... Come on, let's me and you have a quick chat. Is that OK? | 0:30:10 | 0:30:15 | |
Why don't we try and persuade...? | 0:30:15 | 0:30:16 | |
He's taken Ray to one side to find a solution. | 0:30:16 | 0:30:19 | |
And make sure they get it before the weekend? | 0:30:19 | 0:30:21 | |
I want to make sure with the facts, first. | 0:30:21 | 0:30:23 | |
I won't be long. | 0:30:23 | 0:30:25 | |
A couple of minutes and we'll be back with you. | 0:30:25 | 0:30:27 | |
He wanted to resolve it | 0:30:27 | 0:30:28 | |
away from the customer. | 0:30:28 | 0:30:30 | |
Which is sound sense. | 0:30:30 | 0:30:32 | |
So, well done, Vito, for that one. | 0:30:32 | 0:30:34 | |
He's a very good actor, isn't he? | 0:30:34 | 0:30:36 | |
God, he's frightened me to death now three occasions. | 0:30:36 | 0:30:38 | |
-And ready to go again. -I think I'll sleep for weeks. | 0:30:38 | 0:30:41 | |
You're still not allowed to use that | 0:30:42 | 0:30:43 | |
-because it's still classed as an open... -Look... | 0:30:43 | 0:30:46 | |
Look, I'm not going to get involved, yeah? | 0:30:46 | 0:30:48 | |
I'm not going to get involved, cos I'm not sure what I'm talking about. | 0:30:48 | 0:30:51 | |
-I need this... -The pressure's on and William's taking a back seat. | 0:30:51 | 0:30:54 | |
I would be tempted, if it was me, | 0:30:54 | 0:30:56 | |
to just load it on the trailer, I don't really see the problem - | 0:30:56 | 0:30:59 | |
but this is clearly something I need to learn about, | 0:30:59 | 0:31:01 | |
it's health and safety and what to... | 0:31:01 | 0:31:03 | |
Is it all right if I just leave you with William? | 0:31:03 | 0:31:05 | |
Yeah, leave him with me, yeah. | 0:31:05 | 0:31:07 | |
-Sorry, I don't mean to leave you in a... -Right. | 0:31:07 | 0:31:10 | |
-Back in two seconds. -So... Hmm... | 0:31:10 | 0:31:12 | |
He should've gotten a little bit involved | 0:31:12 | 0:31:14 | |
to try and learn that this is going to be some of these things, | 0:31:14 | 0:31:17 | |
really, that he's going to have to deal with. | 0:31:17 | 0:31:19 | |
Can I not just take it now? Come on. | 0:31:19 | 0:31:21 | |
I'm not the boss, right? | 0:31:21 | 0:31:23 | |
It's not for me, is it, to say...? | 0:31:23 | 0:31:25 | |
I'm buggered if I'm paying for... | 0:31:25 | 0:31:26 | |
Will changing the subject help? | 0:31:26 | 0:31:28 | |
What's it like to drive, anyway? What's it like to drive? | 0:31:28 | 0:31:31 | |
-It's a nice vehicle, isn't it? -Well, it's all right. | 0:31:31 | 0:31:34 | |
King of the roads and all that. | 0:31:34 | 0:31:35 | |
It's a bit fancy, really. | 0:31:35 | 0:31:36 | |
He does come across more as a... | 0:31:36 | 0:31:38 | |
car salesman... | 0:31:38 | 0:31:39 | |
than a chocolate salesman... | 0:31:39 | 0:31:42 | |
But if he can put wheels on a brazil nut, he'll go far. | 0:31:42 | 0:31:44 | |
How's everything going today? All right, love? | 0:31:49 | 0:31:52 | |
INDISTINCT CHATTER | 0:31:52 | 0:31:55 | |
How's the dog? | 0:31:55 | 0:31:57 | |
So far, the workplace tasks | 0:31:57 | 0:32:00 | |
have focused on product knowledge | 0:32:00 | 0:32:01 | |
and people skills. | 0:32:01 | 0:32:03 | |
Just a quick call. Do you sell chocolates in your store? | 0:32:03 | 0:32:06 | |
The next one will test who's got what it takes to do the job itself. | 0:32:06 | 0:32:10 | |
Managing the telesales team to win new business | 0:32:15 | 0:32:18 | |
is a key part of the role they've applied for. | 0:32:18 | 0:32:21 | |
This is your chance to show us | 0:32:21 | 0:32:22 | |
-what you can actually do with the telesales team. -OK. | 0:32:22 | 0:32:25 | |
Your power hour starts now. | 0:32:25 | 0:32:27 | |
Thank you. | 0:32:27 | 0:32:29 | |
Hi, it's Ellie calling from Beech's Chocolates. | 0:32:29 | 0:32:32 | |
The applicants will now work with the team | 0:32:32 | 0:32:34 | |
to sell as much chocolate as they can in just 60 minutes. | 0:32:34 | 0:32:38 | |
We're looking at selling the thins at a two-for-one offer. | 0:32:38 | 0:32:42 | |
Vito starts with a short team pep talk... | 0:32:42 | 0:32:44 | |
You've got to really make it your own - | 0:32:44 | 0:32:47 | |
but be positive and be natural. | 0:32:47 | 0:32:49 | |
..then it's 50 minutes of cold calling. | 0:32:49 | 0:32:52 | |
Good afternoon, sir. | 0:32:52 | 0:32:53 | |
My name's Sean, I'm calling from Beech's Fine Chocolates. | 0:32:53 | 0:32:56 | |
How are you this morning? | 0:32:56 | 0:32:57 | |
Do you know what time she'll be back? | 0:32:57 | 0:32:59 | |
All right, then, not a problem. Thank you, bye-bye. | 0:32:59 | 0:33:02 | |
OK. | 0:33:02 | 0:33:03 | |
I feel as though he's a little bit out of his depth maybe. | 0:33:03 | 0:33:06 | |
I don't know. | 0:33:06 | 0:33:07 | |
Vito, thanks very much. Time's up. | 0:33:09 | 0:33:12 | |
-OK, no sales unfortunately. -OK. | 0:33:12 | 0:33:15 | |
So there's a big zero. | 0:33:15 | 0:33:16 | |
-Any potential sales? -Yes, yeah. -Right, OK. | 0:33:16 | 0:33:18 | |
I've got four call-backs that we need to do. | 0:33:18 | 0:33:21 | |
So it's jammed tomorrow(!) | 0:33:21 | 0:33:23 | |
William's rewriting the team's sales script. | 0:33:23 | 0:33:26 | |
It might sound like it's teaching you to stroke eggs, | 0:33:28 | 0:33:30 | |
or whatever the expression is, | 0:33:30 | 0:33:32 | |
but we introduce ourselves as, | 0:33:32 | 0:33:34 | |
"We're calling from Beech's Fine Chocolate, Preston," | 0:33:34 | 0:33:36 | |
I think it's quite important to say it's from Preston. | 0:33:36 | 0:33:38 | |
Time's ticking and he's not actually done anything. | 0:33:38 | 0:33:42 | |
So, going on to the second page... | 0:33:42 | 0:33:44 | |
His briefing has been going for 30 minutes. | 0:33:44 | 0:33:47 | |
I had time to go to the meeting. | 0:33:47 | 0:33:48 | |
He's not started selling. | 0:33:50 | 0:33:51 | |
No. Come on. | 0:33:51 | 0:33:53 | |
There's no time left to sell any chocolate. | 0:33:53 | 0:33:56 | |
Hello? | 0:33:57 | 0:33:58 | |
Nancy's Tea Shop? | 0:33:58 | 0:34:01 | |
Thanks, bye-bye. | 0:34:01 | 0:34:02 | |
-We didn't get any sales, me included. -Right. | 0:34:02 | 0:34:05 | |
Could you just come and help me look at this script... | 0:34:06 | 0:34:08 | |
Karen's power hour starts with a team training session. | 0:34:08 | 0:34:11 | |
How do we introduce ourselves to somebody? | 0:34:11 | 0:34:15 | |
The idea's gone down well with the staff spies... | 0:34:15 | 0:34:18 | |
I think she's doing OK, and brought them to her as well. I like that. | 0:34:18 | 0:34:23 | |
..and when they hit the phones... | 0:34:23 | 0:34:25 | |
You will do? | 0:34:25 | 0:34:27 | |
..Karen's team gets a sale. | 0:34:27 | 0:34:28 | |
Fantastic. | 0:34:30 | 0:34:32 | |
SHE APPLAUDS | 0:34:32 | 0:34:36 | |
Whoo! | 0:34:36 | 0:34:37 | |
So, if you give yourself marks out of ten, how much would you give? | 0:34:37 | 0:34:40 | |
I would give myself 11. | 0:34:40 | 0:34:42 | |
THEY LAUGH | 0:34:42 | 0:34:44 | |
Karen's riding high, | 0:34:48 | 0:34:49 | |
but it's been another difficult day for William. | 0:34:49 | 0:34:52 | |
He's worried he might be the one who goes home first. | 0:34:53 | 0:34:57 | |
When I meet people for the first time, | 0:34:58 | 0:35:00 | |
about half of people that I meet think I'm marvellous | 0:35:00 | 0:35:03 | |
and the other half are not quite sure. | 0:35:03 | 0:35:05 | |
Then after a couple of hours, they work me out | 0:35:05 | 0:35:06 | |
and probably say, you know, "Do you ever switch off?" | 0:35:06 | 0:35:09 | |
Or, "What's the real William?" | 0:35:09 | 0:35:10 | |
Well, I'm telling you, this is the real William, | 0:35:10 | 0:35:12 | |
I just worry that, you know, | 0:35:12 | 0:35:14 | |
people think, "Actually, he's the village idiot," and he isn't. | 0:35:14 | 0:35:18 | |
MUSIC: Didn't I Blow Your Mind This Time by The Delfonics | 0:35:18 | 0:35:22 | |
WOMEN SING IN POLISH | 0:35:28 | 0:35:30 | |
Does anybody want any trays or pads? | 0:35:33 | 0:35:36 | |
Give me more trays, please. | 0:35:36 | 0:35:37 | |
It's the morning of the mid-week vote. | 0:35:40 | 0:35:43 | |
Amelia, no more. | 0:35:43 | 0:35:45 | |
The workforce are reminding themselves of the candidates' | 0:35:45 | 0:35:48 | |
performance over the last few days. | 0:35:48 | 0:35:51 | |
He does come across more as a car salesman than a chocolate salesman. | 0:35:51 | 0:35:54 | |
He's a Beech's person, I think. | 0:35:54 | 0:35:57 | |
She forgot about gluten-free, | 0:35:57 | 0:35:59 | |
which is a massive selling point for our range of products. | 0:35:59 | 0:36:01 | |
Today, they'll decide in a ballot | 0:36:03 | 0:36:05 | |
who will be leaving the process. | 0:36:05 | 0:36:07 | |
The machinery has been shut down. | 0:36:09 | 0:36:13 | |
Staff are collecting their ballot papers. | 0:36:13 | 0:36:15 | |
They'll mark the applicants on key skills for the job. | 0:36:16 | 0:36:19 | |
Can I just rest me banana and me cup on here? | 0:36:19 | 0:36:22 | |
I feel a bit disappointed with my performance. | 0:36:24 | 0:36:26 | |
I maybe could've done some tasks a bit better, | 0:36:26 | 0:36:28 | |
but obviously you can't use that as an excuse. | 0:36:28 | 0:36:31 | |
At the end of the day, everyone's in the same boat as me, simple as. | 0:36:31 | 0:36:36 | |
Out of all three of them in our room, | 0:36:36 | 0:36:38 | |
if they'd come for a job down there, I'd have picked Vito. | 0:36:38 | 0:36:40 | |
Yes, I would. He was the slowest, | 0:36:40 | 0:36:42 | |
but he was passionate and he was... | 0:36:42 | 0:36:44 | |
And he apologised and he was a gentleman - | 0:36:44 | 0:36:47 | |
but that's not going to sell chocolates. | 0:36:47 | 0:36:49 | |
I'm a little bit nervous now. | 0:36:49 | 0:36:51 | |
I'm hoping I've done enough to stay in. | 0:36:52 | 0:36:54 | |
Hope. | 0:36:56 | 0:36:58 | |
-Her personality didn't really show through... -No. | 0:36:58 | 0:37:00 | |
..and I think she weren't in her comfort zone, was she? | 0:37:00 | 0:37:02 | |
Because I think she could've been studying hard as well, Barbara... | 0:37:02 | 0:37:05 | |
-She could've been. -..not to make mistakes, | 0:37:05 | 0:37:07 | |
so that's why I'm putting that down, giving her a bit of leeway there. | 0:37:07 | 0:37:10 | |
I think it's very difficult to work out how I've done in this process. | 0:37:10 | 0:37:13 | |
So I'm going to find out. Is it a yes? Is it a no? | 0:37:13 | 0:37:15 | |
And I'll take it on the chin. | 0:37:15 | 0:37:18 | |
When the going gets tough, no. | 0:37:18 | 0:37:20 | |
He walked away from the confrontation, didn't he? | 0:37:20 | 0:37:23 | |
-Yeah. -So you have to think about that. | 0:37:23 | 0:37:25 | |
The staff are still divided over who's right for the job. | 0:37:26 | 0:37:29 | |
The boss, Andrew Whiting, is worried about which one they'll send home. | 0:37:33 | 0:37:37 | |
My job depends upon sales. | 0:37:38 | 0:37:40 | |
The factory depends on sales. | 0:37:40 | 0:37:42 | |
So, if we make the mistake of choosing somebody | 0:37:42 | 0:37:45 | |
who can't do sales, | 0:37:45 | 0:37:46 | |
then jobs are under threat. | 0:37:46 | 0:37:48 | |
At the moment, for me, | 0:37:48 | 0:37:50 | |
the only person who's shown any competence in delivering that | 0:37:50 | 0:37:53 | |
is Karen. | 0:37:53 | 0:37:55 | |
INDISTINCT CHATTER | 0:37:55 | 0:37:57 | |
Will the staff vote for personality | 0:37:57 | 0:37:59 | |
rather than sales skills? | 0:37:59 | 0:38:01 | |
Morning, everybody. | 0:38:03 | 0:38:04 | |
Now, today, we are going to be voting | 0:38:04 | 0:38:08 | |
for the two candidates you want to continue with the process | 0:38:08 | 0:38:12 | |
and then one candidate is going to be leaving the process | 0:38:12 | 0:38:14 | |
after this meeting. | 0:38:14 | 0:38:16 | |
The candidates are waiting in the boardroom. | 0:38:18 | 0:38:21 | |
They've still no idea what's been going on behind the scenes. | 0:38:21 | 0:38:24 | |
He really, really annoyed me because | 0:38:25 | 0:38:28 | |
he butted into my presentation | 0:38:28 | 0:38:30 | |
about two minutes in. | 0:38:30 | 0:38:32 | |
Peter isn't pulling any punches... | 0:38:32 | 0:38:34 | |
He's more suited to selling used cars than he is selling chocolate. | 0:38:35 | 0:38:39 | |
..but Geraldine's quick to defend William. | 0:38:39 | 0:38:42 | |
I just wanted to say, and I think Barbara will agree with me, | 0:38:42 | 0:38:45 | |
it was a different side of things for us. | 0:38:45 | 0:38:47 | |
William was on the shop floor with us but he was different, | 0:38:47 | 0:38:49 | |
he really took to it down there on Barbara's feeding belt, | 0:38:49 | 0:38:53 | |
as well as on mine. | 0:38:53 | 0:38:55 | |
It's sales versus factory floor. | 0:38:55 | 0:38:58 | |
But Barbara, the longest serving member of staff, | 0:38:59 | 0:39:02 | |
wants to have her say. | 0:39:02 | 0:39:04 | |
When I've listened to everything and I would suggest really, | 0:39:04 | 0:39:08 | |
that you all have your own votes, that we must get this right - | 0:39:08 | 0:39:11 | |
because if we don't get it right, | 0:39:11 | 0:39:13 | |
Beech's is going down. | 0:39:13 | 0:39:16 | |
We need somebody to take us forward, | 0:39:16 | 0:39:18 | |
really forward | 0:39:18 | 0:39:19 | |
and I think, personally, | 0:39:19 | 0:39:20 | |
you've got to really listen. | 0:39:20 | 0:39:22 | |
-We had a contribution, didn't we? -Yeah. | 0:39:22 | 0:39:24 | |
But I really think these guys... | 0:39:24 | 0:39:27 | |
You know, like Peter, Ray... | 0:39:27 | 0:39:29 | |
These are the people that you should listen to | 0:39:29 | 0:39:31 | |
because they know more about it than we do, | 0:39:31 | 0:39:34 | |
but please get it right cos, if you don't, that's what it is, OK? | 0:39:34 | 0:39:37 | |
-Yeah, well done, Barbara. -Thank you very much. | 0:39:37 | 0:39:39 | |
APPLAUSE | 0:39:39 | 0:39:42 | |
It's the moment of truth. | 0:39:48 | 0:39:50 | |
KNOCK ON DOOR | 0:39:56 | 0:39:57 | |
Hi. Can William come with me, please? | 0:39:59 | 0:40:02 | |
-What, is it one at a time? -I don't know. | 0:40:08 | 0:40:11 | |
William, hi, there. | 0:40:13 | 0:40:15 | |
-Come on in, have a seat. -Thank you. -Make yourself comfortable. | 0:40:15 | 0:40:18 | |
I want to thank you for taking part | 0:40:18 | 0:40:20 | |
in this unique experiment this week. | 0:40:20 | 0:40:22 | |
You had the opportunity to demonstrate what you could do and, | 0:40:22 | 0:40:27 | |
on this occasion, | 0:40:27 | 0:40:29 | |
I'm very sorry that it hasn't worked out for you, | 0:40:29 | 0:40:31 | |
so I'm sorry that you are leaving the process | 0:40:31 | 0:40:34 | |
as of now. | 0:40:34 | 0:40:36 | |
Any...comments? | 0:40:41 | 0:40:43 | |
Thank you very much. Thank you for the experience. | 0:40:44 | 0:40:46 | |
It's been enjoyable, I've enjoyed it. | 0:40:46 | 0:40:48 | |
and it's a memory I'll keep with me, Mr Whiting. | 0:40:48 | 0:40:51 | |
Mm. | 0:40:51 | 0:40:52 | |
I think the right decision has been made by the staff... | 0:40:54 | 0:40:57 | |
..so I still buy into the positives of this process, | 0:40:58 | 0:41:02 | |
although there are obviously some down sides | 0:41:02 | 0:41:05 | |
that feel negative at the time. | 0:41:05 | 0:41:07 | |
This whole process has made me reflect on who I am, as a person, | 0:41:09 | 0:41:13 | |
and I think, you know, I've got to think very long and hard | 0:41:13 | 0:41:15 | |
about what I do next with my career. | 0:41:15 | 0:41:18 | |
Well done. Oh! | 0:41:18 | 0:41:20 | |
I think I've realised now that the chocolate industry's not for me, | 0:41:21 | 0:41:24 | |
possibly even maybe other industries | 0:41:24 | 0:41:26 | |
and, actually, the pantomime's got my name on it. | 0:41:26 | 0:41:28 | |
Probably Widow Twankey or... Well, let's make it Buttons, should we? | 0:41:28 | 0:41:32 | |
Aw, it's a shame to see him go | 0:41:37 | 0:41:39 | |
cos he was a nice guy, wasn't he? | 0:41:39 | 0:41:40 | |
-He was really, wasn't he? -Really nice, yeah. | 0:41:40 | 0:41:42 | |
It's a shame we didn't even get chance to say goodbye to him | 0:41:42 | 0:41:45 | |
-or anything. -No, we didn't. | 0:41:45 | 0:41:46 | |
Oh. Oh, well. | 0:41:46 | 0:41:48 | |
-Can I just use your stapler? -Yeah, help yourself. | 0:41:48 | 0:41:51 | |
Two candidates left... | 0:41:53 | 0:41:55 | |
..a day to go until the final vote... | 0:41:56 | 0:41:58 | |
..and the factory's buzzing. | 0:42:00 | 0:42:02 | |
I feel more confident with Vito. | 0:42:03 | 0:42:05 | |
I think he could, like, motivate people. | 0:42:05 | 0:42:08 | |
I think he's quite on the quiet side and I think Karen just, | 0:42:08 | 0:42:11 | |
-there's a little bit more... -Is she not too laid back? | 0:42:11 | 0:42:13 | |
No, I don't think I'd put her at laid back. | 0:42:13 | 0:42:15 | |
Vito and Karen will now go head-to-head | 0:42:17 | 0:42:20 | |
in the toughest test yet. | 0:42:20 | 0:42:21 | |
Tomorrow, they'll head out as ambassadors of the Beech's brand | 0:42:27 | 0:42:31 | |
and present a new product to top industry experts. | 0:42:31 | 0:42:35 | |
They're going to be asking you searching questions, | 0:42:35 | 0:42:38 | |
so make sure you've done your homework on this. | 0:42:38 | 0:42:41 | |
They've only a few hours to pull together a top-level sales pitch. | 0:42:41 | 0:42:45 | |
Good afternoon, my name's Vito Cinardi. | 0:42:45 | 0:42:48 | |
I'm here to introduce you to a brand-new product... | 0:42:48 | 0:42:50 | |
An insight into what we do... | 0:42:50 | 0:42:52 | |
-HE SIGHS -..sort of thing. | 0:42:52 | 0:42:54 | |
Quite serious now that we're getting into the final stages | 0:42:54 | 0:42:57 | |
and I don't want to fluff this, so I'm going to smash it. | 0:42:57 | 0:43:01 | |
So, let's test myself against the experts. | 0:43:01 | 0:43:03 | |
Bring it on. | 0:43:06 | 0:43:07 | |
TENSE MUSIC PLAYS | 0:43:13 | 0:43:18 | |
Two formidable retail experts | 0:43:18 | 0:43:19 | |
have arrived at a hotel outside Preston | 0:43:19 | 0:43:22 | |
to put Karen and Vito through their paces. | 0:43:22 | 0:43:25 | |
John Butler has worked as a senior buyer for two large UK supermarkets. | 0:43:29 | 0:43:33 | |
He trains top sales executives how to pitch. | 0:43:33 | 0:43:36 | |
What I want is real engagement, | 0:43:36 | 0:43:38 | |
real rapport together. | 0:43:38 | 0:43:40 | |
Get me in early on the selling story | 0:43:40 | 0:43:42 | |
and they'll take me with them. | 0:43:42 | 0:43:44 | |
Bill Grimsey is former chief executive | 0:43:44 | 0:43:46 | |
of the food chain Iceland. | 0:43:46 | 0:43:48 | |
He's a top retail consultant. | 0:43:48 | 0:43:50 | |
I will not tolerate waffle. | 0:43:50 | 0:43:53 | |
I want confidence and I want facts, | 0:43:53 | 0:43:55 | |
and I want somebody to sell me the dream. | 0:43:55 | 0:43:58 | |
They'll put Vito and Karen's sales skills | 0:43:58 | 0:44:01 | |
to the ultimate test | 0:44:01 | 0:44:02 | |
and feed back their views to the staff. | 0:44:02 | 0:44:05 | |
It's just very nerve-racking, | 0:44:07 | 0:44:09 | |
sat here waiting. | 0:44:09 | 0:44:11 | |
My worst fear is making a complete fool of myself in front of everyone. | 0:44:13 | 0:44:18 | |
They'll both present a new product, | 0:44:18 | 0:44:20 | |
champagne truffles. | 0:44:20 | 0:44:22 | |
Karen's first in with John Butler. | 0:44:24 | 0:44:27 | |
Good morning, John. Nice to meet you. | 0:44:27 | 0:44:28 | |
I'm Karen Todd from Beech's Fine Chocolates. | 0:44:28 | 0:44:30 | |
-Nice to see you, have a seat. -Thank you. | 0:44:30 | 0:44:32 | |
Do you mind if I just set up | 0:44:32 | 0:44:34 | |
a couple of products for you to look at? | 0:44:34 | 0:44:35 | |
-Yeah, of course. -Thank you. | 0:44:35 | 0:44:37 | |
She's brought along a cupboard full of props. | 0:44:42 | 0:44:44 | |
She's wasting valuable selling time. | 0:44:53 | 0:44:55 | |
Hi, Vito. | 0:45:03 | 0:45:04 | |
-Hi. -Bill Grimsey, nice to meet you. | 0:45:04 | 0:45:06 | |
And you. And you. | 0:45:06 | 0:45:07 | |
Will Vito's old school charm | 0:45:07 | 0:45:10 | |
impress retail guru Bill Grimsey? | 0:45:10 | 0:45:13 | |
Are you married? Or do you have a partner? | 0:45:13 | 0:45:15 | |
Yeah, I'm married, yeah. | 0:45:15 | 0:45:16 | |
OK. What happens normally when you have a bit of a... | 0:45:16 | 0:45:19 | |
fall out with the, with the missus? Do you, do you...? | 0:45:19 | 0:45:21 | |
Well, I don't think I'm typical, because I certainly... | 0:45:21 | 0:45:24 | |
-OK! -I certainly wouldn't buy her a box of chocolates. | 0:45:24 | 0:45:26 | |
OK, all right. | 0:45:26 | 0:45:27 | |
I... We'll go the majority of men, shall we say? | 0:45:27 | 0:45:29 | |
Naturally, men, we're a bit... | 0:45:29 | 0:45:31 | |
You know, we don't really think things through sometimes | 0:45:31 | 0:45:33 | |
-when it comes to women, or I don't, anyhow... -Really? | 0:45:33 | 0:45:36 | |
I would buy them some chocolates, some flowers, | 0:45:36 | 0:45:38 | |
take them out for a nice meal, | 0:45:38 | 0:45:39 | |
whatever it's going to be | 0:45:39 | 0:45:41 | |
and that thought then goes down to champagne truffles, because... | 0:45:41 | 0:45:44 | |
I really don't think there's | 0:45:44 | 0:45:46 | |
a big enough market in the UK | 0:45:46 | 0:45:48 | |
of relationships falling out | 0:45:48 | 0:45:50 | |
to sustain a continual... | 0:45:50 | 0:45:52 | |
-Of course, of course. -..purchase of these products. | 0:45:52 | 0:45:54 | |
Karen's already used up three minutes doing her desktop display. | 0:45:55 | 0:45:59 | |
I was very frustrated | 0:46:02 | 0:46:04 | |
and I was highly tempted, as an ex-buyer, | 0:46:04 | 0:46:07 | |
to let her sit down and say, | 0:46:07 | 0:46:08 | |
"OK, well that's your five minutes up," | 0:46:08 | 0:46:10 | |
and I think that would've completely freaked her out. | 0:46:10 | 0:46:12 | |
I think she needs to really reflect on | 0:46:12 | 0:46:14 | |
how did she introduce herself and her product | 0:46:14 | 0:46:16 | |
in those first five minutes? | 0:46:16 | 0:46:17 | |
Because it was nearly a car crash for her. | 0:46:17 | 0:46:20 | |
Thank you for your patience. | 0:46:20 | 0:46:22 | |
Excuse me there. | 0:46:22 | 0:46:24 | |
It's halfway through the week, | 0:46:25 | 0:46:27 | |
you're the 17th supplier meeting I've had this week. | 0:46:27 | 0:46:29 | |
-OK. -Why are your products different? | 0:46:29 | 0:46:31 | |
The whole value of the company | 0:46:31 | 0:46:33 | |
is the people that operate within it. | 0:46:33 | 0:46:35 | |
We're like one big family. | 0:46:35 | 0:46:36 | |
We're passionate about the product that we manufacture. | 0:46:36 | 0:46:40 | |
What saved it for her was getting into the moment, | 0:46:40 | 0:46:43 | |
getting into the pitch early, | 0:46:43 | 0:46:45 | |
but listening to what was coming the other way. | 0:46:45 | 0:46:47 | |
OK, look forward to seeing you in two week's time. | 0:46:47 | 0:46:50 | |
-Thank you very much for your time. Thank you. -Well done. | 0:46:50 | 0:46:52 | |
How many of those cases go on a pallet? | 0:46:52 | 0:46:55 | |
-Um... -Or a layer on the pallet? | 0:46:55 | 0:46:57 | |
I don't know, I'll have to get back to you on that. | 0:46:57 | 0:46:59 | |
What's the code life on the product? | 0:46:59 | 0:47:01 | |
The code life? | 0:47:01 | 0:47:02 | |
Again, I don't know. I'll have to get back to you on that. | 0:47:02 | 0:47:04 | |
-That'd be excellent. -Yeah, yeah, of course. | 0:47:04 | 0:47:06 | |
-Thank you very much for your time. Thanks. Take care. -Bye-bye. -Bye-bye. | 0:47:06 | 0:47:10 | |
Nice guy, | 0:47:14 | 0:47:16 | |
but I think he lacked cutting edge, | 0:47:16 | 0:47:18 | |
I think he lacked some knowledge | 0:47:18 | 0:47:20 | |
and I think he lacked closing the deal. | 0:47:20 | 0:47:24 | |
I've got a little presentation for you, | 0:47:27 | 0:47:29 | |
-if you'd like to go through... -OK, thank you, that'll be very helpful. | 0:47:29 | 0:47:32 | |
Karen's second pitch is off to a more decisive start. | 0:47:32 | 0:47:35 | |
Beech's Fine Chocolates were established | 0:47:35 | 0:47:38 | |
since 1920, based in Preston in Lancashire... | 0:47:38 | 0:47:40 | |
So, what values do you put into a product? | 0:47:40 | 0:47:42 | |
We only use natural ingredients in our products | 0:47:42 | 0:47:45 | |
and we use premium quality ingredients, | 0:47:45 | 0:47:47 | |
which we ethically source. | 0:47:47 | 0:47:49 | |
She came in here well prepared, | 0:47:49 | 0:47:51 | |
she'd got this - which | 0:47:51 | 0:47:53 | |
ABSOLUTELY gave her a framework, | 0:47:53 | 0:47:55 | |
something to nail, | 0:47:55 | 0:47:56 | |
and it prevented me from doing... | 0:47:56 | 0:47:59 | |
Taking control. | 0:47:59 | 0:48:01 | |
I'll get back to you on Monday afternoon. Is that OK? | 0:48:01 | 0:48:03 | |
-Good stuff. -It's been lovely to meet you. -Thanks for coming in. | 0:48:03 | 0:48:06 | |
Thank you. | 0:48:06 | 0:48:07 | |
Karen's had two successful meetings. | 0:48:07 | 0:48:10 | |
Vito needs to be pitch perfect for John Butler. | 0:48:13 | 0:48:16 | |
We would let you have these at £3.00, excluding VAT, per box. | 0:48:18 | 0:48:21 | |
-OK, so... -Er, sorry, no... | 0:48:23 | 0:48:24 | |
Sorry. Excuse me, it should be £2.50. | 0:48:24 | 0:48:27 | |
Hang on. Do you know your numbers? | 0:48:27 | 0:48:28 | |
I do, I apologise. That should be £2.50. | 0:48:28 | 0:48:30 | |
OK, what margin am I making on that? | 0:48:30 | 0:48:32 | |
You're retailing out at 5.99, | 0:48:32 | 0:48:34 | |
approximately 50%. | 0:48:34 | 0:48:36 | |
-No, because... -My maths aren't... | 0:48:38 | 0:48:40 | |
-My maths aren't that great. -Vito, your maths are shocking. | 0:48:40 | 0:48:43 | |
-All right, the 5.99 includes VAT. -It does. -I don't get the VAT. | 0:48:43 | 0:48:46 | |
-Take the VAT off and calculate... -It's 4.99. | 0:48:46 | 0:48:48 | |
You're really worrying me about your numbers, Vito. | 0:48:51 | 0:48:53 | |
-Am I? OK, right. -Borrow it. I need to know what my margin is. | 0:48:53 | 0:48:56 | |
I need to know YOU understand it as well. | 0:48:56 | 0:48:59 | |
You'll have to excuse me, I haven't got my glasses on, which... | 0:49:04 | 0:49:07 | |
Do you not think this should've been part of your fundamental prep, to work out what's in it for me? | 0:49:07 | 0:49:12 | |
It should've been, yeah. Yep, you're quite right. | 0:49:12 | 0:49:14 | |
I'll tell you what, Vito, | 0:49:16 | 0:49:18 | |
I'm going to suggest you call yourself a time out, | 0:49:18 | 0:49:20 | |
-you buy yourself some time to calculate... -OK. -..these numbers... | 0:49:20 | 0:49:23 | |
-All right. -I feel like you haven't put the prep into the numbers, | 0:49:23 | 0:49:26 | |
you haven't really considered what's in it for me | 0:49:26 | 0:49:28 | |
..and come back and see us with a proper commercial proposal. | 0:49:28 | 0:49:31 | |
OK. Well, thank you for your time. | 0:49:31 | 0:49:33 | |
Vito's crashed in the final task. | 0:49:38 | 0:49:40 | |
I was shocking. | 0:49:43 | 0:49:45 | |
Shocking today. Absolutely. | 0:49:45 | 0:49:48 | |
HE SIGHS | 0:49:49 | 0:49:51 | |
It's the day of reckoning. | 0:50:02 | 0:50:03 | |
After secretly watching Karen and Vito all week, | 0:50:05 | 0:50:09 | |
staff will finally decide who gets the job. | 0:50:09 | 0:50:13 | |
It all depends for the future of Beech's today, | 0:50:13 | 0:50:16 | |
so it's very important that we get it right. | 0:50:16 | 0:50:20 | |
I just wonder what happens if we get it wrong. | 0:50:20 | 0:50:22 | |
The last exit poll put Karen ahead. | 0:50:26 | 0:50:28 | |
Can Vito turn things around at the 11th hour? | 0:50:29 | 0:50:33 | |
I think Karen's great with the way she's come across | 0:50:33 | 0:50:36 | |
and what she wants to do for the company... | 0:50:36 | 0:50:38 | |
I like Vito. He's come across really nice. | 0:50:38 | 0:50:41 | |
I think it's going to be a close vote today. | 0:50:41 | 0:50:44 | |
Before the vote, | 0:50:44 | 0:50:46 | |
the staff catch up with what happened at yesterday's sales pitch. | 0:50:46 | 0:50:49 | |
What have you got for me today? | 0:50:49 | 0:50:51 | |
He looks like fed up now. He's losing interest, isn't he? | 0:50:54 | 0:50:58 | |
My maths aren't that great. | 0:50:58 | 0:50:59 | |
Vito, your maths are shocking. | 0:50:59 | 0:51:02 | |
Let's himself down all the time. | 0:51:02 | 0:51:05 | |
Do you not think this should've been part of your fundamental prep, | 0:51:05 | 0:51:07 | |
to work out what's in it for me? | 0:51:07 | 0:51:09 | |
Oh, that's not good. | 0:51:09 | 0:51:11 | |
Vito and Karen have been called to the factory. | 0:51:15 | 0:51:18 | |
After five days being scored and assessed, | 0:51:19 | 0:51:22 | |
it's time to reveal the big secret... | 0:51:22 | 0:51:24 | |
..that it's not the boss, | 0:51:26 | 0:51:28 | |
it's the staff who are doing the hiring. | 0:51:28 | 0:51:31 | |
-Good morning, Andrew. -Vito, morning. | 0:51:31 | 0:51:34 | |
Morning, Karen. | 0:51:34 | 0:51:35 | |
-Morning, Andrew. -Morning. | 0:51:35 | 0:51:38 | |
Over the week, you will have become aware of the fact | 0:51:38 | 0:51:41 | |
-that we were scrutinising you. -Of course. | 0:51:41 | 0:51:43 | |
In actual fact, it's not me that's making the decision | 0:51:45 | 0:51:48 | |
about whether we hire you... | 0:51:48 | 0:51:50 | |
OK. | 0:51:50 | 0:51:52 | |
..it's the workforce. | 0:51:53 | 0:51:55 | |
Right, OK. | 0:51:56 | 0:51:57 | |
All right, fair enough. | 0:51:57 | 0:51:59 | |
That's a bit of a surprise to say the least, but there you go. | 0:51:59 | 0:52:02 | |
They're actually all waiting now in the canteen. | 0:52:02 | 0:52:05 | |
They're going to ask you questions themselves. | 0:52:05 | 0:52:07 | |
Oh, brilliant. Oh, my goodness. | 0:52:07 | 0:52:10 | |
Let's go. | 0:52:13 | 0:52:15 | |
I wouldn't say I'm nervous, but I'm nervous. | 0:52:15 | 0:52:17 | |
Vito and Karen will give a speech | 0:52:17 | 0:52:19 | |
and take questions from the floor. | 0:52:19 | 0:52:21 | |
After catching up on all the tasks across the week, | 0:52:21 | 0:52:24 | |
finally staff have the chance to put the candidates on the spot. | 0:52:24 | 0:52:28 | |
APPLAUSE | 0:52:29 | 0:52:32 | |
You come across as a really nice guy, which I know you are, | 0:52:36 | 0:52:40 | |
but are you that bad at maths or...? You seemed to get... | 0:52:40 | 0:52:42 | |
-No, I'm not. I'm pretty good at maths. -Were you just nervous? | 0:52:42 | 0:52:45 | |
It was nerves, yeah. It was nerves. | 0:52:45 | 0:52:47 | |
Unfortunately, Vito, that's a massive part | 0:52:47 | 0:52:49 | |
of every presentation... | 0:52:49 | 0:52:50 | |
-It is. You're right. -..and you should've been well prepared there. | 0:52:50 | 0:52:53 | |
Yes, fair enough. | 0:52:53 | 0:52:54 | |
Do you not think that you should've made a little bit more effort | 0:52:56 | 0:52:59 | |
with researching to the company and its product? | 0:52:59 | 0:53:01 | |
You're right, you're right. | 0:53:01 | 0:53:03 | |
Maybe a bit more research would have gone down a lot better. | 0:53:03 | 0:53:06 | |
100%, Mark. | 0:53:06 | 0:53:07 | |
The staff are disappointed with Vito's sales performance. | 0:53:07 | 0:53:11 | |
He's got one more chance to win them over... | 0:53:11 | 0:53:14 | |
with his speech. | 0:53:14 | 0:53:16 | |
I wrote some stuff down, but I thought... | 0:53:16 | 0:53:19 | |
"That's so insincere | 0:53:19 | 0:53:20 | |
"because it's not the right way to go about it," | 0:53:20 | 0:53:23 | |
so we'll get rid of that, cos it's a load of rubbish. | 0:53:23 | 0:53:25 | |
I'll put that there and I'll tell you from the heart. | 0:53:25 | 0:53:28 | |
I'm a loyal guy, | 0:53:28 | 0:53:29 | |
so you can always come to me any time you want | 0:53:29 | 0:53:31 | |
with anything that you need to ask. | 0:53:31 | 0:53:33 | |
Looking after each other | 0:53:33 | 0:53:35 | |
is really, really important. | 0:53:35 | 0:53:37 | |
So, what I can do for you guys, | 0:53:37 | 0:53:39 | |
and hopefully you'll let me do it, | 0:53:39 | 0:53:40 | |
is go out there and just do the best I can | 0:53:40 | 0:53:42 | |
to get more business in for you guys. | 0:53:42 | 0:53:44 | |
It's important that I do that | 0:53:44 | 0:53:46 | |
to secure your futures | 0:53:46 | 0:53:48 | |
and, you know, your kids' futures. | 0:53:48 | 0:53:50 | |
He's got a lovely personality. | 0:53:50 | 0:53:52 | |
Loyalty, trust, hard work, | 0:53:52 | 0:53:54 | |
understanding... | 0:53:54 | 0:53:56 | |
Yeah, but personality doesn't sell chocolates, | 0:53:56 | 0:53:58 | |
in a way, does it, though? | 0:53:58 | 0:53:59 | |
So, hopefully, you know, we can get on and do that. | 0:53:59 | 0:54:01 | |
Thank you very much indeed, Vito, that's fantastic. | 0:54:01 | 0:54:04 | |
APPLAUSE | 0:54:04 | 0:54:06 | |
At the 11th hour, Vito's words have had a big impact on the workforce. | 0:54:06 | 0:54:10 | |
I was impressed with that. | 0:54:12 | 0:54:14 | |
Vito win. | 0:54:22 | 0:54:24 | |
He came over very well, though, in his speech. | 0:54:24 | 0:54:26 | |
I think he did really well there, really well. | 0:54:26 | 0:54:29 | |
Karen's got a hard act to follow. | 0:54:31 | 0:54:34 | |
APPLAUSE | 0:54:34 | 0:54:36 | |
Thank you. | 0:54:38 | 0:54:40 | |
Why did you take other Beech's products | 0:54:40 | 0:54:43 | |
to the presentation yesterday? | 0:54:43 | 0:54:45 | |
Beech's are moving forward. | 0:54:45 | 0:54:47 | |
They've had a lot of history | 0:54:47 | 0:54:49 | |
from what I knew about you | 0:54:49 | 0:54:52 | |
when I used to buy your coffee creams for my dad. | 0:54:52 | 0:54:55 | |
Do you feel like you're going to fit in with the company then | 0:55:00 | 0:55:02 | |
if you get the job? | 0:55:02 | 0:55:04 | |
Of course I am. | 0:55:04 | 0:55:06 | |
Karen, what do you...? Were you shocked | 0:55:06 | 0:55:08 | |
when you realised that we was going to... To get your job? | 0:55:08 | 0:55:10 | |
I was shocked, but that's just how I'd have it... | 0:55:10 | 0:55:14 | |
cos you are who are important. | 0:55:14 | 0:55:16 | |
That's it. That's dead-on. | 0:55:16 | 0:55:18 | |
Everything that you've got about your product | 0:55:21 | 0:55:23 | |
is what I believe in. | 0:55:23 | 0:55:24 | |
I'll bring my passion, | 0:55:26 | 0:55:28 | |
determination to succeed | 0:55:28 | 0:55:29 | |
to ensure that we're taking it forward for the next generation. | 0:55:29 | 0:55:33 | |
I've met some really great people - | 0:55:33 | 0:55:35 | |
so, whatever happens, I'm a winner | 0:55:35 | 0:55:37 | |
and I just hope you choose me. | 0:55:37 | 0:55:39 | |
APPLAUSE | 0:55:39 | 0:55:41 | |
Has Karen's emotional pitch won the staff over? | 0:55:41 | 0:55:45 | |
It's time to vote. | 0:55:48 | 0:55:50 | |
Anybody need pens? | 0:55:50 | 0:55:51 | |
I'm not sure which way it's going to go. | 0:55:52 | 0:55:55 | |
I'll be waiting with bated breath | 0:55:55 | 0:55:57 | |
to see who actually gets this job. | 0:55:57 | 0:55:59 | |
I'm surprised it's so close, | 0:56:01 | 0:56:03 | |
it's been going on all week. | 0:56:03 | 0:56:04 | |
I was expecting, like, one person pulling miles away by now | 0:56:04 | 0:56:08 | |
and like... But it's really, really tight. | 0:56:08 | 0:56:10 | |
Well, I can officially declare then that the votes will now be counted. | 0:56:11 | 0:56:14 | |
Andrew has the result. | 0:56:20 | 0:56:23 | |
He's off to collect the successful candidate. | 0:56:23 | 0:56:26 | |
Are we going to hold hands? | 0:56:27 | 0:56:28 | |
No. | 0:56:28 | 0:56:30 | |
-No. -Can I not hold your hand? -No. | 0:56:30 | 0:56:32 | |
-Please? -No. | 0:56:32 | 0:56:34 | |
Hello. | 0:56:37 | 0:56:39 | |
Right, an anxious moment. | 0:56:39 | 0:56:41 | |
The votes have been counted, | 0:56:41 | 0:56:44 | |
so I can tell you now that, | 0:56:44 | 0:56:46 | |
after all your efforts, | 0:56:46 | 0:56:48 | |
the successful candidate is... | 0:56:48 | 0:56:50 | |
He's here, he's here. | 0:56:52 | 0:56:54 | |
..Karen. | 0:56:57 | 0:56:59 | |
APPLAUSE | 0:56:59 | 0:57:02 | |
Congratulations, congratulations. | 0:57:02 | 0:57:04 | |
Karen Todd is the new business development manager | 0:57:04 | 0:57:07 | |
at Beech's Fine Chocolates. | 0:57:07 | 0:57:09 | |
And I'm really, really honoured that you've picked me. | 0:57:10 | 0:57:13 | |
Thank you so much. | 0:57:13 | 0:57:15 | |
They voted with their heads | 0:57:17 | 0:57:18 | |
and they probably voted right. | 0:57:18 | 0:57:20 | |
So, you know, good luck to Karen and good luck to Beech's. | 0:57:20 | 0:57:23 | |
Well done. Yeah, I knew... | 0:57:23 | 0:57:24 | |
They're already gelled together. | 0:57:24 | 0:57:26 | |
We can hit the floor running, as it were - | 0:57:26 | 0:57:28 | |
and my hat's off to the workforce | 0:57:28 | 0:57:30 | |
for making the right decision at the right time for this company. | 0:57:30 | 0:57:35 | |
I like that we've come from seeing somebody's profile on a video | 0:57:35 | 0:57:39 | |
to finally making that decision | 0:57:39 | 0:57:41 | |
and it's marvellous for us. | 0:57:41 | 0:57:43 | |
I'm really, really chuffed. | 0:57:44 | 0:57:46 | |
-Really chuffed. -I'll see out me retirement in five years | 0:57:46 | 0:57:49 | |
and it will go on for the rest of the girls here. My friends, really. | 0:57:49 | 0:57:53 | |
I'm really determined | 0:57:54 | 0:57:55 | |
and I'm thrilled, | 0:57:55 | 0:57:57 | |
and it's just a massive, massive honour. | 0:57:57 | 0:58:01 | |
I don't think Beech's will be the same company | 0:58:02 | 0:58:05 | |
after going through this process, | 0:58:05 | 0:58:06 | |
I think we've seen people almost elated | 0:58:06 | 0:58:08 | |
by being involved in this process, | 0:58:08 | 0:58:10 | |
feeling so valued - and that makes all of the difference. | 0:58:10 | 0:58:14 | |
Because we don't want it to end... | 0:58:14 | 0:58:16 | |
Sorry. | 0:58:16 | 0:58:17 | |
We want it to go on | 0:58:17 | 0:58:19 | |
and I think Karen will take us there. | 0:58:19 | 0:58:21 | |
-Yeah. -I'm just getting a bit sad | 0:58:21 | 0:58:23 | |
because I'll be retiring | 0:58:23 | 0:58:25 | |
and there's all these new things coming on, | 0:58:25 | 0:58:27 | |
so I do wish them good luck. | 0:58:27 | 0:58:29 | |
Look at what you're seeing here, | 0:58:29 | 0:58:31 | |
that's the passion. | 0:58:31 | 0:58:33 | |
If Karen gets that, | 0:58:33 | 0:58:35 | |
then she'll be all right | 0:58:35 | 0:58:36 | |
I hope so, I hope so, anyway. Yeah. | 0:58:36 | 0:58:40 |