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-I enjoyed playing the part -of Twm Sion Cati in Hawkmoor. | 0:00:18 | 0:00:21 | |
-Forever fighting, -I learnt a lot about weapons. | 0:00:22 | 0:00:25 | |
-This programme features medieval -combat... | 0:00:29 | 0:00:32 | |
-..as portrayed in the past -and the present. | 0:00:32 | 0:00:36 | |
-We'll see -the famous Japanese sword... | 0:00:36 | 0:00:39 | |
-..and combat -in Shakespeare's plays. | 0:00:40 | 0:00:42 | |
-In the Dark Ages, the Saxons -and the Vikings reached Britain. | 0:00:47 | 0:00:51 | |
-Then, -the Normans provided a challenge. | 0:00:53 | 0:00:56 | |
-After 1066 -and the Norman Invasion... | 0:00:57 | 0:01:00 | |
-..the wide-blade sword became -the standard sword on a battlefield. | 0:01:00 | 0:01:05 | |
-It changed very little -during the Middle Ages... | 0:01:05 | 0:01:08 | |
-..because it was such a good weapon. | 0:01:09 | 0:01:11 | |
-Thanks to the tales -of King Arthur... | 0:01:14 | 0:01:16 | |
-..and the Knights -of the Round Table... | 0:01:16 | 0:01:18 | |
-..the code of chivalry developed. | 0:01:19 | 0:01:22 | |
-These were the rules of how to fight -with courage and courtesy. | 0:01:22 | 0:01:26 | |
-The sword was a powerful symbol -of the code. | 0:01:26 | 0:01:29 | |
-A knight mirrored the ideals. | 0:01:33 | 0:01:35 | |
-Who better than a knight -with his sword... | 0:01:35 | 0:01:38 | |
-..to lead the Holy Crusades? | 0:01:38 | 0:01:41 | |
-The sword was the root of this idea. | 0:01:49 | 0:01:52 | |
-You were forbidden to unsheathe -your sword without reason. | 0:01:52 | 0:01:56 | |
-The tip of the sword -was forbidden to touch the ground. | 0:01:56 | 0:02:00 | |
-Before battle, -a knight would kiss the handle. | 0:02:00 | 0:02:04 | |
-The Crusades were battles between -Christianity's wide-blade sword... | 0:02:07 | 0:02:11 | |
-..and the Muslim scimitar. | 0:02:12 | 0:02:14 | |
-Paramount represents -Cecil B DeMille's production... | 0:02:16 | 0:02:19 | |
-..The Crusades. | 0:02:20 | 0:02:22 | |
-Over two centuries, -there were nine Crusades. | 0:02:22 | 0:02:25 | |
-The European Christians -challenged the Muslims. | 0:02:25 | 0:02:29 | |
-Jerusalem had to be reclaimed -from the enemy. | 0:02:31 | 0:02:35 | |
-Battles in the name of religion -were often massacres. | 0:02:35 | 0:02:39 | |
-At the Battle of Hattin in 1187... | 0:02:41 | 0:02:44 | |
-..the Crusaders -were conquered by Saladin. | 0:02:45 | 0:02:48 | |
-The wide-blade sword -surrendered to the scimitar. | 0:02:52 | 0:02:56 | |
-This is the type of wide-blade sword -a Crusader would have used. | 0:02:58 | 0:03:03 | |
-It was found near the Thames -in London... | 0:03:04 | 0:03:07 | |
-..when the Houses of Parliament -were built. | 0:03:07 | 0:03:10 | |
-It could wound a soldier -where his body wasn't protected. | 0:03:10 | 0:03:14 | |
-These are Arabian swords -with fine decoration. | 0:03:14 | 0:03:18 | |
-Saladin's soldiers would have -used swords similar to these... | 0:03:18 | 0:03:22 | |
-..which are part -of the Royal Collection in Leeds. | 0:03:22 | 0:03:26 | |
-Arabian swords were long and curved. | 0:03:27 | 0:03:30 | |
-This shape developed -in central Asia... | 0:03:30 | 0:03:33 | |
-..where nomads rode horses -into battle. | 0:03:34 | 0:03:36 | |
-The curved sword, the scimitar... | 0:03:43 | 0:03:46 | |
-..made it easier for a knight -to strike his enemy down. | 0:03:46 | 0:03:53 | |
-It also made it easier for him -to remove the sword from the body. | 0:03:53 | 0:03:59 | |
-The Arab sword was shrouded -in mystery. | 0:03:59 | 0:04:04 | |
-The Damascus sword. | 0:04:04 | 0:04:06 | |
-The sword's sharp blade -was legendary. | 0:04:06 | 0:04:10 | |
-The blade was made using -wootz steel from India and silicon. | 0:04:10 | 0:04:14 | |
-Since the 16th century... | 0:04:15 | 0:04:17 | |
-..no-one has managed -to make a similar one... | 0:04:17 | 0:04:20 | |
-..because the technology -has been lost. | 0:04:20 | 0:04:23 | |
-It's believed that the source -of the raw material ran out. | 0:04:27 | 0:04:31 | |
-It will never be possible to -manufacture another sword like this. | 0:04:31 | 0:04:36 | |
-Welsh knights were involved -in the battles in the Holy Land. | 0:04:38 | 0:04:42 | |
-The Earl of Pembroke -came from Wales. | 0:04:43 | 0:04:45 | |
-He was a Crusader -and accomplished knight. | 0:04:45 | 0:04:48 | |
-William Marshall was the most famous -tournament fighter... | 0:04:50 | 0:04:54 | |
-..and knight of his time. | 0:04:54 | 0:04:56 | |
-This sprawling castle was his home. | 0:04:56 | 0:04:59 | |
-He was rewarded generously -for his loyalty to King Richard I. | 0:04:59 | 0:05:03 | |
-In a time of treason and deception, -loyalty was rare. | 0:05:04 | 0:05:07 | |
-I'm in the Royal Armouries Museum in -Leeds to witness a grand tournament. | 0:05:12 | 0:05:17 | |
-Marshall would have enjoyed -being here. | 0:05:17 | 0:05:20 | |
-Before the tournament, -I want to see more of the armour. | 0:05:20 | 0:05:24 | |
-By the middle of the 13th century, -knights wore plate armour... | 0:05:24 | 0:05:30 | |
-..instead of chain mail. | 0:05:31 | 0:05:32 | |
-A heavier sword was required -to cut through the plate armour. | 0:05:33 | 0:05:37 | |
-Incredible. -Wearing it was another story. | 0:05:38 | 0:05:42 | |
-The tournaments were competitions -between teams of knights. | 0:05:44 | 0:05:49 | |
-Accidents happened -but the aim wasn't bloodshed. | 0:05:49 | 0:05:53 | |
-It was a way of training knights -but the price could be high. | 0:05:53 | 0:05:57 | |
-The defeated knight -was taken prisoner. | 0:06:01 | 0:06:05 | |
-A ransom had to be paid -for his release. | 0:06:05 | 0:06:07 | |
-That's how the Earl of Pembroke -amassed his fortune. | 0:06:07 | 0:06:10 | |
-This joust -is an international competition... | 0:06:14 | 0:06:17 | |
-..between France, -Holland and Britain. | 0:06:18 | 0:06:20 | |
-The purpose of armour was to protect -a soldier from a sword. | 0:06:23 | 0:06:26 | |
-Circular discs were added to protect -the body's most fragile areas. | 0:06:27 | 0:06:32 | |
-The neck... | 0:06:41 | 0:06:43 | |
-..armpit and groin -were important targets. | 0:06:43 | 0:06:47 | |
-They're movable parts of the body -so hard to protect. | 0:06:47 | 0:06:52 | |
-It's a dangerous game according -to the Dutch team's captain... | 0:06:54 | 0:06:59 | |
-..Arne Koets or Lord of the Eagle. | 0:06:59 | 0:07:02 | |
-Even if the visor is closed... | 0:07:03 | 0:07:05 | |
-..you try and strike through it -to wound the brain. | 0:07:06 | 0:07:10 | |
-If the visor is open, -that offers an easier target. | 0:07:10 | 0:07:14 | |
-It depends on the helmet. | 0:07:15 | 0:07:17 | |
-Sometimes, the front of the neck or -the side of the neck is more open. | 0:07:17 | 0:07:21 | |
-The armpits are important. -This is the primary target. | 0:07:21 | 0:07:25 | |
-A weapon can pierce the chain mail -to wound the heart and the lungs. | 0:07:26 | 0:07:32 | |
-You'd expect moving to be difficult. | 0:07:34 | 0:07:37 | |
-The armour allows you -to move relatively easily. | 0:07:41 | 0:07:44 | |
-You can raise your arms -above your head. | 0:07:44 | 0:07:47 | |
-I can touch the opposite side -of my head, cross my arms... | 0:07:47 | 0:07:51 | |
-..and raise my arms -to protect myself. | 0:07:51 | 0:07:53 | |
-The apron is very flexible. | 0:07:56 | 0:07:58 | |
-It allows me -to lunge forward or leap. | 0:07:58 | 0:08:00 | |
-The plate moves like a concertina. | 0:08:02 | 0:08:05 | |
-The footwear and knees - all parts -are flexible and can bend. | 0:08:06 | 0:08:11 | |
-Even the tops of the legs. -I can raise them easily. | 0:08:12 | 0:08:16 | |
-It's rather comfortable, -to be honest. | 0:08:17 | 0:08:19 | |
-Owain Glyndwr was raised -in this tradition. | 0:08:27 | 0:08:30 | |
-He would have learnt the skills -as a young boy. | 0:08:30 | 0:08:34 | |
-I spoke to Dr Kate Olson -from Bangor University... | 0:08:35 | 0:08:39 | |
-..about his military background. | 0:08:39 | 0:08:41 | |
-He was descended from the princes -of Powys, Deheubarth and Gwynedd. | 0:08:44 | 0:08:50 | |
-As a boy, he would have received -a lot of weapon training. | 0:08:50 | 0:08:55 | |
-We know that he was involved -in battles in Scotland in 1385. | 0:08:55 | 0:09:02 | |
-He also fought in France. | 0:09:04 | 0:09:07 | |
-The poets commend his skills -on horseback. | 0:09:08 | 0:09:11 | |
-He was also very skilled -with his spears and his sword. | 0:09:12 | 0:09:17 | |
-I wonder which sword Glyndwr used. | 0:09:20 | 0:09:24 | |
-We have the only contemporary image -of Owain - the Great Seal. | 0:09:26 | 0:09:32 | |
-On the one side... | 0:09:33 | 0:09:35 | |
-..it shows Owain -sitting on his throne... | 0:09:36 | 0:09:39 | |
-..holding a sceptre and an orb. | 0:09:39 | 0:09:42 | |
-He looks like a nobleman -and, more importantly, a king... | 0:09:42 | 0:09:46 | |
-..in the style of the English kings. | 0:09:46 | 0:09:48 | |
-On the other side... | 0:09:48 | 0:09:51 | |
-..we see Owain on horseback -carrying a sword. | 0:09:51 | 0:09:55 | |
-This is a very important image -of Owain with a sword in his hand. | 0:09:55 | 0:10:01 | |
-Here's an example of the sword. | 0:10:03 | 0:10:05 | |
-The blade near the handle -is wide and the sword is heavier. | 0:10:05 | 0:10:10 | |
-Receiving a sword as a gift -was a special honour. | 0:10:18 | 0:10:21 | |
-Our information suggests he received -a sword from the King of France... | 0:10:25 | 0:10:31 | |
-..in 1404. | 0:10:31 | 0:10:33 | |
-He was trying to forge -diplomatic relations with France... | 0:10:34 | 0:10:39 | |
-..during the rebellion. | 0:10:39 | 0:10:41 | |
-Two of his men visited France. | 0:10:41 | 0:10:45 | |
-The King of France -gave him a sword and armour. | 0:10:45 | 0:10:49 | |
-He was very fond of weapons. | 0:10:49 | 0:10:51 | |
-This was the best gift -he could give Owain. | 0:10:52 | 0:10:56 | |
-Glyndwr's battles were savage. | 0:10:59 | 0:11:01 | |
-The method of combat during the -Middle Ages caused terrible wounds. | 0:11:01 | 0:11:06 | |
-The knight's main weapon -was the sword... | 0:11:07 | 0:11:10 | |
-..but its sharp point -wasn't its only threat. | 0:11:10 | 0:11:12 | |
-Since swords were rarely cleaned, -the dirty, infected blades... | 0:11:13 | 0:11:17 | |
-..were also a deadly threat. | 0:11:18 | 0:11:20 | |
-Some people still enjoy fighting -like knights from the Middle Ages. | 0:11:28 | 0:11:32 | |
-They grab every opportunity -to show their combat skills. | 0:11:32 | 0:11:37 | |
-I visited Hanover -in northern Germany... | 0:11:38 | 0:11:41 | |
-..to witness a unique event. | 0:11:41 | 0:11:44 | |
-The competition is sponsored -by Knights Gone By from Conwy. | 0:11:44 | 0:11:48 | |
-They manufacture -medieval armoury and weapons... | 0:11:49 | 0:11:52 | |
-..for history societies -and film companies. | 0:11:53 | 0:11:56 | |
-A few of the competitions -were held in the leisure centre. | 0:11:58 | 0:12:03 | |
-This is the first ever international -open sword fighting contest. | 0:12:06 | 0:12:12 | |
-The focus is on the fighting! | 0:12:12 | 0:12:14 | |
-There are strict rules -but in the heat of battle... | 0:12:15 | 0:12:20 | |
-..a lot of showmanship can be seen. | 0:12:20 | 0:12:23 | |
-You may have noticed that no armour -is worn to protect these men. | 0:12:27 | 0:12:32 | |
-This building is a stone's throw -from the leisure centre. | 0:12:38 | 0:12:43 | |
-It's a schloss - a castle. | 0:12:44 | 0:12:46 | |
-It's home -to Baron von Hammerstein... | 0:12:46 | 0:12:49 | |
-..a suitable backdrop -for sword fighters. | 0:12:49 | 0:12:52 | |
-Alex Kiermayer, a Munich policeman, -is one of the judges. | 0:12:57 | 0:13:01 | |
-I've asked him -for a simple sword-fighting lesson. | 0:13:02 | 0:13:06 | |
-We'll start from the shoulder. | 0:13:06 | 0:13:08 | |
-Come forward. | 0:13:10 | 0:13:12 | |
-Yes. | 0:13:13 | 0:13:14 | |
-This is a long sword. | 0:13:14 | 0:13:16 | |
-The knight would grasp it -with two hands... | 0:13:16 | 0:13:19 | |
-..to try and strike -his opponent's helmet and armour. | 0:13:19 | 0:13:22 | |
-The idea of power with this weapon -in your hand is very strong... | 0:13:23 | 0:13:28 | |
-..but I think he knows more than me. | 0:13:28 | 0:13:31 | |
-I'll attack you -with the same strike you did to me. | 0:13:33 | 0:13:37 | |
-Use the same strike against -the sword and thrust to the face. | 0:13:37 | 0:13:41 | |
-Once again. | 0:13:44 | 0:13:46 | |
-OK? Are you OK? | 0:13:47 | 0:13:50 | |
-Release the power, -it doesn't matter. | 0:13:54 | 0:13:57 | |
-I've got a mask on. | 0:13:57 | 0:13:59 | |
-Yes. | 0:14:03 | 0:14:04 | |
-Well done. | 0:14:04 | 0:14:06 | |
-Steel isn't the only material used. | 0:14:09 | 0:14:11 | |
-Bamboo swords can cause injury too. | 0:14:12 | 0:14:15 | |
-This isn't child's play. | 0:14:15 | 0:14:17 | |
-They're going at it hammer and tongs, -as you can see. | 0:14:17 | 0:14:20 | |
-Armour can protect -several parts of your body... | 0:14:33 | 0:14:36 | |
-..but accidents do happen. | 0:14:36 | 0:14:39 | |
-Ah! | 0:14:43 | 0:14:44 | |
-Ah! - -Break. | 0:14:44 | 0:14:45 | |
-This fighter has wounded his wrist -but first aid is on hand. | 0:14:45 | 0:14:50 | |
-The final -pits Holland against Israel. | 0:14:58 | 0:15:01 | |
-The tall fighter in white -is the Israeli. | 0:15:01 | 0:15:05 | |
-The winner receives a huge sword -as a prize from Magnus... | 0:15:09 | 0:15:14 | |
-..the blacksmith from Conwy. | 0:15:14 | 0:15:17 | |
-The winner is Alex from Tel Aviv. | 0:15:17 | 0:15:19 | |
-See you after the break. | 0:15:20 | 0:15:21 | |
-. | 0:15:23 | 0:15:24 | |
-888 | 0:15:25 | 0:15:25 | |
-888 - -888 | 0:15:25 | 0:15:27 | |
-One of the earliest manuscripts -describing sword fighting... | 0:15:31 | 0:15:34 | |
-..is the I.33 from Germany. | 0:15:35 | 0:15:38 | |
-These 13th-century monks -are skilled sword fighters. | 0:15:38 | 0:15:42 | |
-They describe moves in -a scientific way for the first time. | 0:15:42 | 0:15:47 | |
-These masters analysed -the art of sword fighting. | 0:15:49 | 0:15:54 | |
-It was possible to improve -the basic skills... | 0:15:54 | 0:15:58 | |
-..speed, balance -and the use of the mind and body... | 0:15:58 | 0:16:02 | |
-..by practising the technique. | 0:16:02 | 0:16:05 | |
-This attitude had existed -in the East for centuries. | 0:16:05 | 0:16:09 | |
-For over 1,000 years in Japan, -one sword ruled the battlefield. | 0:16:09 | 0:16:15 | |
-This was the katana, -the Samurai warriors' sword. | 0:16:15 | 0:16:18 | |
-The technology of the katana -lives on today in Japan. | 0:16:21 | 0:16:25 | |
-This is where the process starts. | 0:16:25 | 0:16:28 | |
-Men feed the furnace with pure iron -which looks like sand. | 0:16:28 | 0:16:33 | |
-Carbon from charcoal ashes -is already in the furnace. | 0:16:33 | 0:16:37 | |
-Both are mixed -to create this unique steel. | 0:16:37 | 0:16:41 | |
-The carbon is a key element. | 0:16:41 | 0:16:43 | |
-It can withstand heavy blows -in battle. | 0:16:43 | 0:16:47 | |
-After sweating without sleep -for three days... | 0:16:48 | 0:16:51 | |
-..it's time for the men to remove -the tamahagane from the furnace. | 0:16:51 | 0:16:55 | |
-Faith plays an important part -in the sword blacksmith's ritual. | 0:16:57 | 0:17:01 | |
-He prays to Buddha -for the perfect sword. | 0:17:02 | 0:17:04 | |
-The Samurai belonged -to the highest class. | 0:17:09 | 0:17:12 | |
-According to their religion, honour -in life and death was all-important. | 0:17:13 | 0:17:17 | |
-Samurai spiritual development -was achieved... | 0:17:19 | 0:17:23 | |
-..by following -the ways of the sword. | 0:17:23 | 0:17:26 | |
-A piece of scripture -is placed on the metal. | 0:17:26 | 0:17:29 | |
-A thin layer of clay and dust -keeps air out during the procedure. | 0:17:30 | 0:17:34 | |
-The hammer -welds the pieces together... | 0:17:37 | 0:17:40 | |
-..and removes the impure elements. | 0:17:41 | 0:17:44 | |
-The katana is now a block of steel. | 0:17:44 | 0:17:47 | |
-It's folded over. Dozens of folds -produces 5,000 layers. | 0:17:47 | 0:17:52 | |
-The best and sharpest katana sword -was produced in the 15th century. | 0:17:54 | 0:18:00 | |
-To fight with a katana, -a man had to be quick. | 0:18:00 | 0:18:04 | |
-By attacking Korea and China... | 0:18:10 | 0:18:13 | |
-..the Samurai claimed -precious property for the warlords. | 0:18:14 | 0:18:18 | |
-The katana -brought wealth and treasures. | 0:18:20 | 0:18:23 | |
-This sword was second to none. | 0:18:23 | 0:18:25 | |
-The katana is a mixture -of two different steels... | 0:18:30 | 0:18:33 | |
-..hard and sharp steel -for the blade... | 0:18:34 | 0:18:36 | |
-..and soft steel in the middle -to give the sword flexibility. | 0:18:36 | 0:18:40 | |
-In the Middle Ages, a new sword was -tested on a criminal's dead body... | 0:18:43 | 0:18:48 | |
-..but not a murderer -or someone with a skin disease. | 0:18:48 | 0:18:53 | |
-No-one wanted to contaminate -a new sword. | 0:18:53 | 0:18:56 | |
-It was also used -for the ultimate punishment. | 0:18:57 | 0:19:01 | |
-One of the final steps -is the polish. | 0:19:04 | 0:19:07 | |
-The aim is to create a sharp edge -and illustrate the grain... | 0:19:07 | 0:19:11 | |
-..which is characteristic -of the katana. | 0:19:11 | 0:19:15 | |
-A Samurai and his sword -are inseparable. | 0:19:15 | 0:19:18 | |
-It was his most precious belonging. | 0:19:18 | 0:19:20 | |
-He would carry it all day -and even take it to bed. | 0:19:21 | 0:19:24 | |
-It represented power and status. | 0:19:25 | 0:19:28 | |
-It was a symbol -of the Samurai's authority. | 0:19:28 | 0:19:31 | |
-Only death would come between them. | 0:19:31 | 0:19:33 | |
-Which sword is superior? | 0:19:34 | 0:19:36 | |
-The katana -or the medieval wide-blade sword? | 0:19:36 | 0:19:41 | |
-The katana is light and quick. | 0:19:42 | 0:19:44 | |
-The wide-blade sword -is just as sharp but heavier. | 0:19:44 | 0:19:48 | |
-The katana cuts thrice in the time -it take the other sword to cut once. | 0:19:50 | 0:19:55 | |
-A Samurai would prevail -in a contest. | 0:19:55 | 0:19:58 | |
-It takes three months -to make this handcrafted sword. | 0:20:02 | 0:20:07 | |
-Traditional skills are transferred -from generation to generation. | 0:20:07 | 0:20:12 | |
-Western Europe in the 15th century -witnessed the Renaissance. | 0:20:17 | 0:20:22 | |
-Many books were published. | 0:20:22 | 0:20:24 | |
-Some were written by experts -in order to teach fencing skills. | 0:20:25 | 0:20:30 | |
-Before long, these ideas -were adopted by the theatre. | 0:20:41 | 0:20:44 | |
-In Shakespeare's plays, there -are over 400 references to fencing. | 0:20:45 | 0:20:50 | |
-Shakespeare's audience -loved sword fights on stage. | 0:20:54 | 0:20:58 | |
-They were very familiar -with the art. | 0:20:58 | 0:21:01 | |
-Some would join in... | 0:21:01 | 0:21:02 | |
-..until they prohibited swords -in the theatre. | 0:21:03 | 0:21:06 | |
-Here, in Stratford-upon-Avon, home -of the Royal Shakespeare Company... | 0:21:11 | 0:21:16 | |
-..many famous Welsh actors -have performed... | 0:21:16 | 0:21:20 | |
-..including Matthew Rhys. | 0:21:25 | 0:21:28 | |
-I had a good period of stage -combat in Stratford-upon-Avon... | 0:21:29 | 0:21:33 | |
-..when I was a member -of the company. | 0:21:33 | 0:21:36 | |
-I was Edmund in King Lear. | 0:21:36 | 0:21:38 | |
-I was also Macduff in Macbeth. | 0:21:39 | 0:21:42 | |
-Maybe the most prominent part -is Romeo from Romeo & Juliet. | 0:21:43 | 0:21:47 | |
-There is an element of risk -in stage combat. | 0:21:50 | 0:21:52 | |
-It can be very dangerous. | 0:21:59 | 0:22:02 | |
-Personally, I think it has more -to do with the actors. | 0:22:02 | 0:22:06 | |
-That's the greatest danger. | 0:22:06 | 0:22:08 | |
-I don't want to blow -my own trumpet... | 0:22:09 | 0:22:12 | |
-..but I count myself lucky -to have been trained. | 0:22:12 | 0:22:16 | |
-I'm always happier fighting -other actors who have been trained. | 0:22:16 | 0:22:21 | |
-When I've filmed scenes with actors -who haven't been trained... | 0:22:22 | 0:22:26 | |
-..I've sustained injuries. | 0:22:26 | 0:22:28 | |
-I have a few scars - -I don't know if you can see this. | 0:22:28 | 0:22:32 | |
-These happened -when it all went wrong. | 0:22:34 | 0:22:39 | |
-In a production, such as Romeo & -Juliet which I played for a year... | 0:22:39 | 0:22:44 | |
-..taking part in a play for -12 months with so much fighting... | 0:22:44 | 0:22:49 | |
-..someone's going to be tired, -ill or hung-over one day... | 0:22:49 | 0:22:52 | |
-..and something will happen. | 0:22:52 | 0:22:55 | |
-Life on the street in Elizabethan -times was packed with dangers. | 0:22:56 | 0:23:02 | |
-Gangs of men would threaten people -with swords and knives. | 0:23:02 | 0:23:06 | |
-In Shakespeare's day, -you had to play to the audience... | 0:23:06 | 0:23:10 | |
-..because they knew everything -about fighting with swords. | 0:23:10 | 0:23:14 | |
-The audiences of the day -loved violence. | 0:23:15 | 0:23:19 | |
-Bear-baiting, bullfighting, -cockfighting, dog fighting. | 0:23:19 | 0:23:24 | |
-If an actor wanted to survive -to perform another day... | 0:23:24 | 0:23:27 | |
-..he had to learn fencing carefully. | 0:23:28 | 0:23:30 | |
-Shakespeare's fencing teacher -was an Italian. | 0:23:35 | 0:23:39 | |
-Lessons were held -in London's Blackfriars Theatre. | 0:23:39 | 0:23:43 | |
-The sword was the primary -combat weapon at the time. | 0:23:43 | 0:23:47 | |
-Before long, another weapon -came to replace the sword. | 0:23:47 | 0:23:53 | |
-Gunpowder was discovered -by the Chinese in the 9th century. | 0:23:53 | 0:23:58 | |
-By the 16th century, -it was used in muskets. | 0:23:58 | 0:24:02 | |
-The gun would change -the face of fighting... | 0:24:02 | 0:24:06 | |
-..and change the world -of the sword forever. | 0:24:06 | 0:24:09 | |
-S4C Subtitles by Simian 04 Cyf. | 0:24:29 | 0:24:32 | |
-. | 0:24:32 | 0:24:33 |