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A close call. A moment of danger | 0:00:02 | 0:00:04 | |
when life can hang in the balance. | 0:00:04 | 0:00:06 | |
Oh, my God! | 0:00:06 | 0:00:07 | |
A split second where the outcome could go either way. | 0:00:07 | 0:00:11 | |
If he's alive, it's a miracle, really. | 0:00:11 | 0:00:13 | |
The difference between disaster and survival. | 0:00:13 | 0:00:16 | |
He was shouting, "Don't die, Mummy!" | 0:00:16 | 0:00:19 | |
These are people who've been there and lived to tell the tale. | 0:00:19 | 0:00:23 | |
YELLING | 0:00:23 | 0:00:24 | |
I thought he'd broken his neck. | 0:00:24 | 0:00:26 | |
Their instincts and resources, | 0:00:26 | 0:00:29 | |
coupled with the quick thinking of others | 0:00:29 | 0:00:31 | |
helped to pull them through. | 0:00:31 | 0:00:32 | |
We were just engulfed in flames. | 0:00:32 | 0:00:35 | |
And their dramatic experiences, recorded on camera. | 0:00:35 | 0:00:39 | |
I wasn't going to be coming up. It was curtains, it was over. | 0:00:39 | 0:00:43 | |
It's a day they'll never forget. | 0:00:43 | 0:00:45 | |
The day they had...a close call. | 0:00:45 | 0:00:47 | |
Today on Close Calls... | 0:01:03 | 0:01:05 | |
It's the moment every parent dreads. | 0:01:05 | 0:01:08 | |
A four-year-old boy is choking and unconscious. | 0:01:14 | 0:01:18 | |
A CCTV camera shows his family frantically trying to save him. | 0:01:21 | 0:01:25 | |
I feel guilty because he's my grandkid, | 0:01:25 | 0:01:28 | |
and he should've...I should've been able to do that. | 0:01:28 | 0:01:31 | |
I thought he was dead. | 0:01:31 | 0:01:33 | |
Eh... So I ran out, I ran outside screaming. | 0:01:33 | 0:01:36 | |
And... | 0:01:41 | 0:01:43 | |
A photographer captures the terrifying moment two men | 0:01:43 | 0:01:46 | |
are suddenly swept away by a huge wave. | 0:01:46 | 0:01:50 | |
There was nothing left on the road, | 0:01:50 | 0:01:51 | |
and the automatic reaction was, "They're gone." | 0:01:51 | 0:01:55 | |
A phone belonging to one of the victims records the whole accident. | 0:01:55 | 0:02:00 | |
It was on you so fast, it just took us away. | 0:02:00 | 0:02:03 | |
Jimmy, are you all right? | 0:02:03 | 0:02:06 | |
Are you all right, Jimmy? | 0:02:06 | 0:02:07 | |
Renfrew, West Scotland. | 0:02:16 | 0:02:18 | |
A grandmother desperately tries to save her grandson from choking. | 0:02:18 | 0:02:23 | |
With nothing working, in a panic, she calls 999. | 0:02:23 | 0:02:26 | |
His life is on the line. Neighbours rush to the scene. | 0:02:31 | 0:02:34 | |
Four-year-old James is choking, struggling to breathe, | 0:02:34 | 0:02:37 | |
and has lost consciousness. | 0:02:37 | 0:02:39 | |
That was it. He just collapsed and his eyes rolled. | 0:02:39 | 0:02:41 | |
They need help fast. | 0:02:41 | 0:02:44 | |
For grandmother Caroline Brown, family means everything. | 0:02:52 | 0:02:55 | |
She even lives around the corner from her daughter, Donna, | 0:02:55 | 0:02:58 | |
and grandson, James. | 0:02:58 | 0:03:00 | |
My house isn't a home without children. | 0:03:00 | 0:03:03 | |
I've got two daughters and a son. | 0:03:03 | 0:03:06 | |
I've got three grandsons and a granddaughter. | 0:03:06 | 0:03:09 | |
James is the youngest of them all. | 0:03:09 | 0:03:11 | |
Caroline and James are inseparable. | 0:03:11 | 0:03:14 | |
-Help you breathe. -Help me breathe? -Uh-huh. -Thank you. | 0:03:14 | 0:03:17 | |
My mum's spoiled James rotten. | 0:03:17 | 0:03:19 | |
The two of them are really, really close. | 0:03:19 | 0:03:22 | |
He's the most loving boy you could get. | 0:03:22 | 0:03:24 | |
Always wants to please. | 0:03:24 | 0:03:26 | |
He loves everybody. Everybody's his friend. | 0:03:26 | 0:03:30 | |
A former nursery nurse, Caroline goes to extraordinary | 0:03:30 | 0:03:34 | |
lengths to prevent any accidents, especially with food. | 0:03:34 | 0:03:38 | |
If I was making sausages, | 0:03:38 | 0:03:39 | |
I would take the skin off it. | 0:03:39 | 0:03:41 | |
If I was giving him potato scones, | 0:03:41 | 0:03:43 | |
I would cut them into soldiers and halve them. | 0:03:43 | 0:03:46 | |
I was peeling the grape skin off | 0:03:46 | 0:03:49 | |
and chopping it up. And they'll go, "Oh, for goodness' sake, | 0:03:49 | 0:03:52 | |
"Gran's at it again." You know what I mean? | 0:03:52 | 0:03:54 | |
It was a daily joke | 0:03:54 | 0:03:56 | |
about the grape situation cos Mum's like, "He can choke on it. | 0:03:56 | 0:03:59 | |
"He can choke on it." Peeling the skin and cutting them up. | 0:03:59 | 0:04:03 | |
I'm like, "Mum, he's four." | 0:04:03 | 0:04:05 | |
It's a sunny Friday, | 0:04:07 | 0:04:09 | |
and grandma Caroline is making lunch for the family. | 0:04:09 | 0:04:13 | |
Her home security CCTV shows Donna arriving just after midday. | 0:04:13 | 0:04:19 | |
My mum had his lunch ready, | 0:04:19 | 0:04:21 | |
so he was sitting at the table. And it was sandwiches and a yoghurt | 0:04:21 | 0:04:25 | |
that he was having for lunch. | 0:04:25 | 0:04:27 | |
Donna doesn't have time for lunch, | 0:04:27 | 0:04:29 | |
so just grabs some grapes from the fridge. | 0:04:29 | 0:04:32 | |
But that simple choice will have terrible consequences. | 0:04:32 | 0:04:36 | |
Me and James are sitting at the table | 0:04:36 | 0:04:38 | |
and my mum's on the sofa. | 0:04:38 | 0:04:40 | |
I had turned round to speak to her | 0:04:40 | 0:04:42 | |
and he'd stole the grape off the bunch | 0:04:42 | 0:04:45 | |
and he stuck it in the yoghurt and put it in his mouth. | 0:04:45 | 0:04:49 | |
Before James has a chance to take a bite, the grape slides | 0:04:49 | 0:04:52 | |
straight to the back of his mouth and gets caught in his throat. | 0:04:52 | 0:04:56 | |
So he'd choked on it. | 0:04:56 | 0:04:58 | |
So my mum had dived out and ran out into the kitchen, | 0:04:58 | 0:05:01 | |
and she's shouting, "Grab him, grab him, get it out, get it out." | 0:05:01 | 0:05:04 | |
Seeing James choking on the grape, Donna tries to dislodge it | 0:05:06 | 0:05:10 | |
by slapping his back. | 0:05:10 | 0:05:12 | |
She's going, "It's OK, Mum, I'll get it," | 0:05:12 | 0:05:14 | |
and she's...she's hitting his back. | 0:05:14 | 0:05:16 | |
I thought it would have came up, | 0:05:16 | 0:05:18 | |
but, see, the more I was banging it...at him, | 0:05:18 | 0:05:20 | |
he just turned round and looked at me, | 0:05:20 | 0:05:22 | |
and I think it was the fear in his eyes that frightened me. | 0:05:22 | 0:05:26 | |
He was struggling for breath. | 0:05:26 | 0:05:28 | |
He couldnae make any sound. | 0:05:28 | 0:05:30 | |
And she's going, "Mummy, it's not coming. | 0:05:30 | 0:05:32 | |
"I need to go and get help." | 0:05:32 | 0:05:34 | |
Hoping for help from neighbours, they take James outside. | 0:05:34 | 0:05:38 | |
As the CCTV shows, Caroline continues to try to dislodge the grape | 0:05:38 | 0:05:43 | |
by turning her little grandson upside down and slapping his back. | 0:05:43 | 0:05:47 | |
At that point, his lips were going blue | 0:05:49 | 0:05:52 | |
and he was just going limp. | 0:05:52 | 0:05:53 | |
And then that was it. He just collapsed and his eyes rolled | 0:05:53 | 0:05:56 | |
and he was... | 0:05:56 | 0:05:57 | |
That's when I panicked. | 0:05:57 | 0:05:59 | |
I just couldn't do nothing. | 0:05:59 | 0:06:00 | |
Nothing at all could I do for him. | 0:06:00 | 0:06:02 | |
I feel guilty because he's my grandkid, and he should've... | 0:06:02 | 0:06:06 | |
I should've been able to do that. | 0:06:06 | 0:06:08 | |
Frantic with worry, | 0:06:11 | 0:06:12 | |
gran Caroline knows she needs more help. | 0:06:12 | 0:06:15 | |
She takes James back inside and dials 999. | 0:06:15 | 0:06:19 | |
Panic-stricken mum Donna runs into the street calling to | 0:06:19 | 0:06:22 | |
neighbours for help. | 0:06:22 | 0:06:24 | |
I thought he was dead. | 0:06:24 | 0:06:26 | |
So I ran out, I ran outside screaming. | 0:06:26 | 0:06:29 | |
Across the road, neighbour Janice hears Donna's cries. | 0:06:29 | 0:06:33 | |
And I thought, "I need to go out and see what this is." | 0:06:33 | 0:06:35 | |
And there I seen Donna. | 0:06:35 | 0:06:37 | |
And she was just screaming, | 0:06:37 | 0:06:40 | |
shouting, "Somebody help us, help us." | 0:06:40 | 0:06:43 | |
I ran across. I seen Caroline at the door with James, | 0:06:43 | 0:06:48 | |
and she's on the phone | 0:06:48 | 0:06:50 | |
and she's got him underneath her arm. | 0:06:50 | 0:06:52 | |
Within seconds, four neighbours come to their aid. | 0:06:52 | 0:06:55 | |
One man desperately tries to dislodge the grape. | 0:06:55 | 0:06:58 | |
And nothing was happening. | 0:07:01 | 0:07:02 | |
He...he... He just looked dead. | 0:07:02 | 0:07:06 | |
Other neighbours take over | 0:07:06 | 0:07:07 | |
and attempt to unblock James' windpipe, | 0:07:07 | 0:07:09 | |
but nothing is working. | 0:07:09 | 0:07:12 | |
Panicked grandmother Caroline is talking | 0:07:12 | 0:07:14 | |
with the emergency call handler. | 0:07:14 | 0:07:16 | |
I'm on the phone, I'm saying, "Please, please..." | 0:07:20 | 0:07:22 | |
And I know that girl done a lot to try and calm me down. | 0:07:22 | 0:07:26 | |
Of course, she's got to find out what's happening. | 0:07:26 | 0:07:28 | |
The 999 call handler explains how to position James on the ground | 0:07:52 | 0:07:56 | |
to check for blockages in his mouth. | 0:07:56 | 0:07:59 | |
The CCTV footage shows the neighbours following | 0:08:05 | 0:08:08 | |
the call handler's first aid instructions as Caroline relays them. | 0:08:08 | 0:08:13 | |
When I had done that, he seemed to kind of come conscious again. | 0:08:18 | 0:08:21 | |
I don't know if he was getting a wee bit of air through. | 0:08:21 | 0:08:26 | |
But it seemed to help. | 0:08:26 | 0:08:27 | |
But James is far from being out of danger | 0:08:58 | 0:09:01 | |
and mum Donna is increasingly agitated. | 0:09:01 | 0:09:04 | |
I was very, very anxious. | 0:09:04 | 0:09:07 | |
That's all I kept saying to my friend Bianca, | 0:09:07 | 0:09:10 | |
"Where's the ambulance, where's the ambulance?" | 0:09:10 | 0:09:12 | |
As paramedics reach the family's home, little James' life starts | 0:09:15 | 0:09:19 | |
to slip away. | 0:09:19 | 0:09:20 | |
Suddenly, James' heart rate dropped | 0:09:20 | 0:09:23 | |
from 96 beats per minute | 0:09:23 | 0:09:26 | |
down to 26, very dramatically. | 0:09:26 | 0:09:28 | |
I was petrified | 0:09:28 | 0:09:30 | |
and I kept saying to the paramedic, | 0:09:30 | 0:09:32 | |
"Is he going to be all right? | 0:09:32 | 0:09:33 | |
"Is he going to be all right?" | 0:09:33 | 0:09:34 | |
Bantry, South-West Ireland. | 0:09:44 | 0:09:47 | |
Businessman John Murphy is filming the stormy sea | 0:09:47 | 0:09:50 | |
threatening to close off this road. | 0:09:50 | 0:09:52 | |
It's the only way in and out of his seafood factory. | 0:09:52 | 0:09:56 | |
He and his friend Jimmy are debating | 0:09:57 | 0:09:59 | |
whether the road's safe to make deliveries | 0:09:59 | 0:10:01 | |
when out of nowhere... | 0:10:01 | 0:10:02 | |
..a massive wave sweeps them off of their feet. | 0:10:05 | 0:10:09 | |
The terrifying moment is captured on John's camera phone | 0:10:09 | 0:10:12 | |
The two men are separated by the force of the wave, | 0:10:14 | 0:10:17 | |
and John loses sight of his friend. | 0:10:17 | 0:10:19 | |
Jimmy, are you all right? | 0:10:19 | 0:10:21 | |
Are you all right, Jimmy? | 0:10:21 | 0:10:22 | |
Entrepreneur John Murphy is very much a family man. | 0:10:30 | 0:10:33 | |
I have seven children. | 0:10:33 | 0:10:35 | |
I have four boys and then I have three girls after that. | 0:10:35 | 0:10:40 | |
John's other passion is his mussel farming business, which he | 0:10:42 | 0:10:45 | |
started up over 30 years ago here, in Bantry. | 0:10:45 | 0:10:49 | |
Murphy's Irish Seafood, located in this idyllic spot, | 0:10:49 | 0:10:52 | |
has since grown into a global company, | 0:10:52 | 0:10:55 | |
supplying local produce to countries all over the world. | 0:10:55 | 0:10:58 | |
We started farming mussels here in the early '80s, | 0:11:00 | 0:11:03 | |
and they grew quite well. | 0:11:03 | 0:11:06 | |
And we produced a very, very nice mussel. | 0:11:06 | 0:11:08 | |
The business developed, and then we started cooking | 0:11:08 | 0:11:11 | |
the product ourselves. | 0:11:11 | 0:11:12 | |
And then we started exporting into other markets. | 0:11:12 | 0:11:15 | |
And it's fulfilling the orders for those foreign markets | 0:11:16 | 0:11:19 | |
that's on John's mind this cold January morning. | 0:11:19 | 0:11:22 | |
Localised storms have been battering his factory | 0:11:23 | 0:11:26 | |
on the southwest coast of Ireland for weeks. | 0:11:26 | 0:11:28 | |
The weather was just horrendous. | 0:11:28 | 0:11:31 | |
I've never seen it as bad. | 0:11:31 | 0:11:33 | |
John's worried it will affect his business. | 0:11:33 | 0:11:36 | |
Today, he's desperate to get his latest catch off to Italy. | 0:11:36 | 0:11:40 | |
It takes about three days, three to four days to get to Italy. | 0:11:40 | 0:11:43 | |
It had to be there before the end of the week, | 0:11:43 | 0:11:45 | |
so that's why we were quite restricted on time. | 0:11:45 | 0:11:47 | |
And it had to go out on that day. | 0:11:47 | 0:11:49 | |
John needs to assess whether he can get an articulated lorry | 0:11:52 | 0:11:56 | |
load of mussels out of the isolated factory via the only available road. | 0:11:56 | 0:12:00 | |
But it's being battered by waves and is barely accessible. | 0:12:00 | 0:12:04 | |
He films the turbulent sea with his phone as he considers | 0:12:06 | 0:12:09 | |
the problem with his friend Jimmy, a local road worker. | 0:12:09 | 0:12:12 | |
Jimmy's a great guy. | 0:12:13 | 0:12:15 | |
He helped me, and he was assessing the damage as well. | 0:12:15 | 0:12:18 | |
John and Jimmy move further down the road to see if it's passable. | 0:12:19 | 0:12:23 | |
But the final decision as to whether or not the road can be opened | 0:12:23 | 0:12:26 | |
to traffic rests with the local council. | 0:12:26 | 0:12:29 | |
We were looking for the road, | 0:12:29 | 0:12:30 | |
that there was enough width to get the truck in. | 0:12:30 | 0:12:32 | |
And therefore, I'd call the council engineer. | 0:12:32 | 0:12:35 | |
And she was coming out to meet me. | 0:12:35 | 0:12:38 | |
On her way out, when she was leaving the office, | 0:12:38 | 0:12:40 | |
it so happened the photographer from The Examiner | 0:12:40 | 0:12:43 | |
called in to say, "Look, I need to get a few photographs of the coast | 0:12:43 | 0:12:46 | |
"and the damage that's done," and she said, | 0:12:46 | 0:12:48 | |
"Come with me and you'll see damage." | 0:12:48 | 0:12:50 | |
Council engineer Ruth arrives at the top of the road | 0:12:50 | 0:12:53 | |
with local newspaper photographer Adrian Cronin. | 0:12:53 | 0:12:56 | |
He's keen to take some pictures of the stormy seas | 0:12:56 | 0:12:59 | |
for the evening edition. | 0:12:59 | 0:13:00 | |
But his camera's about to capture something even more dramatic. | 0:13:00 | 0:13:04 | |
He begins taking pictures of the road leading to John's factory. | 0:13:04 | 0:13:08 | |
Then suddenly, what appeared to be two people appeared | 0:13:10 | 0:13:13 | |
at the bottom of the road. | 0:13:13 | 0:13:14 | |
And one of them seemed to have a camera phone in his hand, | 0:13:14 | 0:13:19 | |
filming or photographing what was going on. | 0:13:19 | 0:13:22 | |
It's John. He's hoping his video will explain to his customers | 0:13:22 | 0:13:26 | |
how the stormy weather is affecting his ability to deliver their goods. | 0:13:26 | 0:13:31 | |
I was taking video of the road. | 0:13:31 | 0:13:32 | |
And I know I turned out to the sea. | 0:13:32 | 0:13:34 | |
And, yeah, there was a wave coming, | 0:13:34 | 0:13:36 | |
but there was nothing that was extraordinary about it. | 0:13:36 | 0:13:39 | |
It looked more or less the same as other waves. | 0:13:39 | 0:13:42 | |
But this one just... The force... | 0:13:42 | 0:13:45 | |
It must have gone eight, ten feet up into the air. | 0:13:45 | 0:13:48 | |
I mean, you didn't hear it because it was on you so fast | 0:13:48 | 0:13:52 | |
and it just took us away. | 0:13:52 | 0:13:53 | |
This is the moment John gets swept off his feet | 0:13:57 | 0:14:00 | |
and carried along by the sea. | 0:14:00 | 0:14:01 | |
All the time, his phone camera, | 0:14:03 | 0:14:05 | |
in its waterproof case, | 0:14:05 | 0:14:07 | |
is still rolling, | 0:14:07 | 0:14:08 | |
capturing his desperate situation. | 0:14:08 | 0:14:10 | |
Adrian's pictures show the massive wave breaking onto the road, | 0:14:12 | 0:14:15 | |
swamping John and Jimmy. | 0:14:15 | 0:14:17 | |
The two men have suddenly disappeared from view. | 0:14:17 | 0:14:20 | |
They've been washed away. | 0:14:20 | 0:14:22 | |
And then, as soon as it receded, | 0:14:22 | 0:14:24 | |
there was nothing left on the road. | 0:14:24 | 0:14:26 | |
And the automatic reaction was, "They're gone." | 0:14:26 | 0:14:29 | |
It's a chilling scene. | 0:14:31 | 0:14:32 | |
Adrian fears John and Jimmy have been dragged out into the violent waves. | 0:14:32 | 0:14:37 | |
In the near freezing conditions, | 0:14:37 | 0:14:39 | |
in such an angry sea, he knows they'll have no chance of survival. | 0:14:39 | 0:14:44 | |
The engineer was crying and she was saying, | 0:14:44 | 0:14:46 | |
"Ring emergency services." | 0:14:46 | 0:14:48 | |
She got on and she started ringing for coastguard and everything. | 0:14:48 | 0:14:51 | |
But the first thought was that these two people were dead. | 0:14:51 | 0:14:54 | |
But John is alive | 0:14:56 | 0:14:58 | |
and fighting for his life. | 0:14:58 | 0:15:00 | |
He's being tossed about in the current. | 0:15:00 | 0:15:01 | |
His camera is still filming. | 0:15:01 | 0:15:04 | |
Water came in and obviously took my body, took me, | 0:15:05 | 0:15:09 | |
and I was on my back and I could feel myself | 0:15:09 | 0:15:12 | |
just being carried along underwater. | 0:15:12 | 0:15:14 | |
So, it was bang, bang, bang. | 0:15:14 | 0:15:16 | |
And you didn't know where you were going | 0:15:16 | 0:15:18 | |
because you were moving inside this wave. | 0:15:18 | 0:15:20 | |
Had it gone out to sea, I wasn't going to be coming up. | 0:15:20 | 0:15:23 | |
I really wasn't. It was...curtains, it was over. | 0:15:23 | 0:15:26 | |
As the fierce water throws him around, John somehow manages | 0:15:28 | 0:15:32 | |
to grasp hold of something. | 0:15:32 | 0:15:34 | |
I was passing something and I hit. And it so happened it was a gate | 0:15:34 | 0:15:37 | |
and I was able to hang on to the gate. | 0:15:37 | 0:15:39 | |
But the water kept pushing me along. | 0:15:39 | 0:15:42 | |
John clings onto the broken gate for dear life, | 0:15:42 | 0:15:44 | |
praying the strong current doesn't suck him out to sea. | 0:15:44 | 0:15:48 | |
And as the wave recedes, he realises he can just about stand up. | 0:15:48 | 0:15:53 | |
Jimmy, though, is nowhere to be seen. | 0:15:53 | 0:15:56 | |
I was able to get up and then realise | 0:15:56 | 0:15:59 | |
that I wasn't out at sea, I was on the land. | 0:15:59 | 0:16:02 | |
So my first thought was, "Jesus, where's Jimmy?" | 0:16:02 | 0:16:05 | |
COUGHING | 0:16:05 | 0:16:07 | |
John has swallowed a lot of sea water, | 0:16:07 | 0:16:10 | |
but he's more concerned with finding his friend. | 0:16:10 | 0:16:13 | |
I knew Jimmy couldn't swim, so I was...I really was concerned. | 0:16:13 | 0:16:19 | |
John knows Jimmy's unlikely to survive long in the sea. | 0:16:19 | 0:16:23 | |
With his camera still rolling, he begins a desperate search for him. | 0:16:23 | 0:16:27 | |
So I started calling for Jimmy. | 0:16:28 | 0:16:31 | |
Jimmy, are you all right? | 0:16:31 | 0:16:33 | |
COUGHING | 0:16:33 | 0:16:35 | |
Are you all right, Jimmy? | 0:16:35 | 0:16:36 | |
John frantically looks for his friend, but nothing. | 0:16:37 | 0:16:41 | |
When there were no replies, when I called and called and called, | 0:16:42 | 0:16:47 | |
I was really concerned. | 0:16:47 | 0:16:48 | |
Suddenly, above the noise of the waves, | 0:16:48 | 0:16:51 | |
he hears a muffled voice and hurries towards it. | 0:16:51 | 0:16:55 | |
Jimmy! Are you all right, Jimmy? | 0:16:55 | 0:16:57 | |
And then... I mean, just hearing his voice answering was... | 0:16:57 | 0:17:02 | |
The relief of that was just unbelievable. | 0:17:02 | 0:17:05 | |
MUFFLED SPEECH | 0:17:05 | 0:17:09 | |
I got carried up the road. | 0:17:09 | 0:17:10 | |
John's found him. Astonishingly, | 0:17:11 | 0:17:14 | |
they've both survived the terrifying ordeal. | 0:17:14 | 0:17:17 | |
There was a bog area. | 0:17:17 | 0:17:19 | |
And he'd been carried through the bog area | 0:17:19 | 0:17:21 | |
and he was passing a tree, and he caught onto the tree | 0:17:21 | 0:17:23 | |
because the bog was much lower than the road. | 0:17:23 | 0:17:25 | |
He finished up about 35 yards away from where I finished up. | 0:17:25 | 0:17:29 | |
I was taken in one direction and he was taken in another direction. | 0:17:29 | 0:17:33 | |
John helps to rescue his struggling friend. | 0:17:33 | 0:17:35 | |
I was able to get down... | 0:17:35 | 0:17:37 | |
There was a little bit of a bridge area, | 0:17:37 | 0:17:40 | |
so I was able to get some footing there. | 0:17:40 | 0:17:42 | |
And I was able to... Jimmy was able to reach me. | 0:17:42 | 0:17:45 | |
And I was able to pull him across and pull him out. | 0:17:45 | 0:17:48 | |
And... Oh! The relief of that was just... | 0:17:48 | 0:17:53 | |
I've never experienced anything like that relief, really. | 0:17:53 | 0:17:56 | |
Because I was...I was sure Jimmy was gone. | 0:17:56 | 0:18:00 | |
The massive wave had pushed John and Jimmy from the path | 0:18:00 | 0:18:04 | |
into fields and ditches. | 0:18:04 | 0:18:05 | |
Reunited, they make their way back to the road, | 0:18:08 | 0:18:10 | |
much to the astonishment of Ruth, the council engineer, | 0:18:10 | 0:18:14 | |
and photographer Adrian, who witnessed the whole event. | 0:18:14 | 0:18:17 | |
The two appeared... | 0:18:19 | 0:18:21 | |
And I... | 0:18:21 | 0:18:24 | |
We couldn't believe it. | 0:18:24 | 0:18:25 | |
It was crazy. | 0:18:25 | 0:18:26 | |
John and Jimmy decide to take the rest of the day off. | 0:18:30 | 0:18:33 | |
They're uninjured but still shocked. | 0:18:33 | 0:18:35 | |
John has a remedy for that. | 0:18:35 | 0:18:37 | |
I remember that evening coming back out to meet Jimmy. | 0:18:38 | 0:18:42 | |
And brought Jimmy over a bottle of brandy. | 0:18:42 | 0:18:45 | |
And I said, "Jimmy..." | 0:18:45 | 0:18:46 | |
And the two of us sat down and we had a drink, | 0:18:46 | 0:18:48 | |
-and Jimmy was in good form. -HE LAUGHS | 0:18:48 | 0:18:51 | |
This is the spot where it happened, captured on a calmer day. | 0:18:51 | 0:18:55 | |
The wave came from the sea, scooping up John and Jimmy from this road, | 0:18:55 | 0:18:59 | |
flinging them into this overgrown wooded area. | 0:18:59 | 0:19:02 | |
Photographer Adrian can't believe they're still here | 0:19:02 | 0:19:05 | |
to tell the tale. | 0:19:05 | 0:19:07 | |
When I saw the force of that thing coming in, | 0:19:07 | 0:19:09 | |
I don't know how those two boys survived. | 0:19:09 | 0:19:12 | |
It was an absolute miracle. | 0:19:12 | 0:19:15 | |
John has been able to relive the day, | 0:19:15 | 0:19:18 | |
but Jimmy doesn't like talking about it. | 0:19:18 | 0:19:20 | |
It's incredible that they both survived being pummelled | 0:19:20 | 0:19:24 | |
by the gigantic wave. | 0:19:24 | 0:19:25 | |
They could have easily been swept out into the stormy open sea. | 0:19:25 | 0:19:29 | |
We were very lucky. | 0:19:29 | 0:19:30 | |
If we had gone to sea, there was no way we would've been... | 0:19:30 | 0:19:34 | |
we could've got out of that alive. | 0:19:34 | 0:19:36 | |
Absolutely no way. | 0:19:36 | 0:19:38 | |
Any medical crisis is stressful, but when there's a young child involved, | 0:19:46 | 0:19:50 | |
well, it's very emotional for all concerned. | 0:19:50 | 0:19:53 | |
Back to Renfrew. | 0:19:59 | 0:20:01 | |
½Four-year-old James is choking on a grape and has lost consciousness. | 0:20:01 | 0:20:05 | |
Mum Donna, gran Caroline and their neighbours have all tried | 0:20:05 | 0:20:09 | |
first-aid techniques to unblock his airway. | 0:20:09 | 0:20:11 | |
But nothing is working. | 0:20:11 | 0:20:13 | |
The distraught family have called for help. | 0:20:14 | 0:20:17 | |
Paramedics are on the way, and they need to get there fast. | 0:20:17 | 0:20:21 | |
I heard the ambulance and I just thought, "Thank God they're here." | 0:20:21 | 0:20:25 | |
Just eight minutes after gran Caroline dialled 999, | 0:20:26 | 0:20:30 | |
fast response paramedics Stephen and Ian arrive. | 0:20:30 | 0:20:33 | |
A very emotional scene. | 0:20:35 | 0:20:36 | |
You've got the parents, the grandparents, | 0:20:36 | 0:20:39 | |
bystanders pleading with you to help. | 0:20:39 | 0:20:41 | |
What was in front of them wasn't a very nice sight. | 0:20:41 | 0:20:44 | |
It doesn't matter how long you're in a job, | 0:20:44 | 0:20:46 | |
if it affects a child, | 0:20:46 | 0:20:48 | |
there will be that wee bit extra adrenaline. | 0:20:48 | 0:20:51 | |
It was like a sense of relief | 0:20:51 | 0:20:53 | |
when the paramedics arrived. I thought, "OK, they're here. | 0:20:53 | 0:20:57 | |
"They know what they're doing, they can make it better." | 0:20:57 | 0:21:01 | |
CCTV footage outside the family home shows the paramedics trying | 0:21:01 | 0:21:05 | |
to get the grape to move, but it still doesn't. | 0:21:05 | 0:21:09 | |
Stephen then uses a suction pump to remove excess saliva | 0:21:10 | 0:21:13 | |
from James' windpipe. | 0:21:13 | 0:21:15 | |
What we don't want with an unconscious person | 0:21:16 | 0:21:19 | |
is any secretions getting down | 0:21:19 | 0:21:21 | |
the windpipe and then to the lungs, cos that can cause | 0:21:21 | 0:21:24 | |
aspirated pneumonia. | 0:21:24 | 0:21:26 | |
His airway is clearer, but James | 0:21:26 | 0:21:28 | |
still isn't breathing properly. | 0:21:28 | 0:21:30 | |
Next, paramedic Stephen uses a manual ventilator to force | 0:21:30 | 0:21:34 | |
air into James' lungs, giving him much needed oxygen. | 0:21:34 | 0:21:38 | |
Mum Donna kneels beside her unconscious son, | 0:21:38 | 0:21:41 | |
clasping his hand in support. | 0:21:41 | 0:21:43 | |
I was trying to reassure him | 0:21:44 | 0:21:46 | |
at the same time, but I was frightened. | 0:21:46 | 0:21:48 | |
I was petrified. | 0:21:48 | 0:21:50 | |
And I just kept saying to the paramedic, | 0:21:50 | 0:21:52 | |
"Is he going to be all right? Is he going to be all right?" | 0:21:52 | 0:21:54 | |
But despite all the paramedics' efforts, James is still unresponsive | 0:21:56 | 0:22:01 | |
and the grape is still blocking his windpipe. | 0:22:01 | 0:22:03 | |
An ambulance with more specialist equipment arrives. | 0:22:04 | 0:22:08 | |
The medics lift James' lifeless form onto the trolley, | 0:22:09 | 0:22:12 | |
his limp arm dangling off the side of the bed. | 0:22:12 | 0:22:15 | |
They wheel him quickly to the ambulance, | 0:22:16 | 0:22:19 | |
closely followed by his mum and grandma. | 0:22:19 | 0:22:21 | |
Once we got him in the ambulance, however, | 0:22:23 | 0:22:25 | |
things changed for the worse. | 0:22:25 | 0:22:27 | |
Suddenly, James' heart rate dropped | 0:22:27 | 0:22:30 | |
from 96 beats per minute | 0:22:30 | 0:22:34 | |
down to 26, very dramatically. | 0:22:34 | 0:22:36 | |
And without doing anything immediately, | 0:22:39 | 0:22:42 | |
he would have passed away quite quickly. | 0:22:42 | 0:22:44 | |
A lack of oxygen is causing James' heart rate to plummet. | 0:22:45 | 0:22:48 | |
With the four-year-old's life in the balance, | 0:22:48 | 0:22:51 | |
Stephen decides he needs to perform a more invasive procedure | 0:22:51 | 0:22:54 | |
to unblock his airway. | 0:22:54 | 0:22:56 | |
He uses a piece of kit called a laryngoscope that | 0:22:56 | 0:22:58 | |
flattens his tongue and gives him a better view of the obstruction. | 0:22:58 | 0:23:03 | |
As we did that, | 0:23:03 | 0:23:04 | |
I could see the top of the grape | 0:23:04 | 0:23:08 | |
just above James' vocal cords. | 0:23:08 | 0:23:10 | |
But the next step is risky | 0:23:10 | 0:23:12 | |
and could make the already extreme situation even worse. | 0:23:12 | 0:23:17 | |
I was a wee bit nervous about knocking it further down | 0:23:17 | 0:23:20 | |
and then not getting access to it to retrieve it | 0:23:20 | 0:23:23 | |
so what we decided to do is use some suction - | 0:23:23 | 0:23:27 | |
on a hard suction catheter, | 0:23:27 | 0:23:29 | |
put that down onto the top of the grape | 0:23:29 | 0:23:33 | |
with the suction on full power. | 0:23:33 | 0:23:35 | |
I managed to bring the grape up | 0:23:35 | 0:23:38 | |
from the vocal cords | 0:23:38 | 0:23:40 | |
to a position that I was confident I could get the forceps around | 0:23:40 | 0:23:44 | |
the body of the grape | 0:23:44 | 0:23:45 | |
and take it out. | 0:23:45 | 0:23:46 | |
But this procedure Stephen is performing with the forceps requires | 0:23:48 | 0:23:52 | |
absolute precision. | 0:23:52 | 0:23:53 | |
Any sudden movement could have tragic consequences. | 0:23:53 | 0:23:56 | |
And the ambulance went to move and Stephen shouted stop, | 0:23:58 | 0:24:02 | |
because he had a hold of the grape. | 0:24:02 | 0:24:04 | |
And the next thing I heard... | 0:24:04 | 0:24:07 | |
"We've got it, we've got it!" | 0:24:07 | 0:24:09 | |
And he got the grape out and he went, | 0:24:09 | 0:24:12 | |
"Was that it? Is that all?" | 0:24:12 | 0:24:14 | |
And I'm like that, "I think so." | 0:24:14 | 0:24:16 | |
With James' windpipe cleared of its obstruction, | 0:24:16 | 0:24:19 | |
Donna gets a vital sign that his condition seems to be improving. | 0:24:19 | 0:24:24 | |
And instantly, his hands just heated up. | 0:24:24 | 0:24:27 | |
Going from freezing cold to heating up instantly. | 0:24:27 | 0:24:31 | |
With his airway unblocked but James still unconscious, | 0:24:33 | 0:24:36 | |
the ambulance races to the nearest A & E. | 0:24:36 | 0:24:39 | |
On the way up the hill to the emergency department | 0:24:39 | 0:24:42 | |
at RAH, | 0:24:42 | 0:24:43 | |
James started to cry, | 0:24:43 | 0:24:45 | |
which is a very good thing to hear cos we know | 0:24:45 | 0:24:48 | |
they're conscious and we know the area is relatively | 0:24:48 | 0:24:52 | |
clear and they're breathing. | 0:24:52 | 0:24:55 | |
As James lies in A & E, | 0:24:55 | 0:24:57 | |
the medical staff realise he's far from recovered. | 0:24:57 | 0:25:00 | |
James was getting very agitated | 0:25:00 | 0:25:03 | |
with the fact that the oxygen mask was on his face. | 0:25:03 | 0:25:05 | |
When they took the mask off, his oxygen level | 0:25:05 | 0:25:09 | |
dipped very, very fast. | 0:25:09 | 0:25:11 | |
And that's when they realised that, no, there was still something wrong. | 0:25:11 | 0:25:15 | |
In ten minutes, he was away again, and he was in the ambulance. | 0:25:15 | 0:25:19 | |
James is immediately transferred to Yorkhill Children's Hospital | 0:25:19 | 0:25:23 | |
for further investigation. | 0:25:23 | 0:25:25 | |
The chest X-ray had come back and it had shown a shadow in his lung. | 0:25:25 | 0:25:30 | |
So they thought part of the grape had come off | 0:25:30 | 0:25:33 | |
and part of the grape is stuck in his lung. | 0:25:33 | 0:25:36 | |
James is rushed into theatre, | 0:25:36 | 0:25:38 | |
where it's discovered he has fluid in his lung. | 0:25:38 | 0:25:41 | |
It's removed under anaesthetic. | 0:25:41 | 0:25:44 | |
It's an anxious wait for Mum and Gran, | 0:25:44 | 0:25:46 | |
but eventually James is brought back to the ward. | 0:25:46 | 0:25:49 | |
He came out of theatre, | 0:25:51 | 0:25:53 | |
we were sitting, waiting. | 0:25:53 | 0:25:55 | |
And we just heard him crying. | 0:25:55 | 0:25:57 | |
And it was just a relief to hear him crying, | 0:25:57 | 0:26:00 | |
coming along the corridor. | 0:26:00 | 0:26:03 | |
The surgeon came and he went, "He's a lucky boy." | 0:26:03 | 0:26:06 | |
When James comes around from the surgery, | 0:26:15 | 0:26:17 | |
there's one person he wants to see more than anyone. | 0:26:17 | 0:26:21 | |
All James wanted was a drink | 0:26:21 | 0:26:24 | |
and his gran. | 0:26:24 | 0:26:25 | |
He was just screaming, "Gran, Gran, Gran." | 0:26:27 | 0:26:30 | |
And it was just a whole relief. | 0:26:30 | 0:26:32 | |
I thought, "It's finally over." | 0:26:32 | 0:26:35 | |
And it turns out there was a surprising reason why no-one | 0:26:35 | 0:26:38 | |
was able to dislodge the grape. | 0:26:38 | 0:26:41 | |
The reason why it happened | 0:26:41 | 0:26:42 | |
was his tonsils are far too big for his mouth. | 0:26:42 | 0:26:45 | |
And they went like that, "Look, he's a very lucky boy. | 0:26:45 | 0:26:48 | |
"He shouldnae be here." | 0:26:48 | 0:26:50 | |
I was so close to losing him. | 0:26:50 | 0:26:52 | |
Since his recovery, the family have become even closer. | 0:26:52 | 0:26:56 | |
Whey-hey! | 0:26:56 | 0:26:58 | |
Now he's a wee typical boy. | 0:26:58 | 0:27:00 | |
Like I said, all the mischief, | 0:27:00 | 0:27:02 | |
but he's still the most loving boy you can get, | 0:27:02 | 0:27:04 | |
you know what I mean? | 0:27:04 | 0:27:05 | |
And, um, it's just a bond we'll always have. | 0:27:05 | 0:27:09 | |
Just a bond we'll always have. | 0:27:09 | 0:27:11 | |
And they know if it wasn't for the ambulance service | 0:27:11 | 0:27:13 | |
and their neighbours, it could have been a very different outcome. | 0:27:13 | 0:27:18 | |
I've got no doubt about it, my wee boy wouldnae be here | 0:27:18 | 0:27:21 | |
if it wasnae for everybody who helped that day. | 0:27:21 | 0:27:24 | |
I've never ever acknowledged paramedics | 0:27:24 | 0:27:27 | |
or anything, and you don't thank the job and everything they do | 0:27:27 | 0:27:31 | |
until it's something very, very personal to yourself. | 0:27:31 | 0:27:36 | |
A great outcome for everyone today, thank goodness. | 0:27:48 | 0:27:51 | |
Join us next time for more Close Calls. | 0:27:51 | 0:27:54 |