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APPLAUSE | 0:00:26 | 0:00:27 | |
Oh, well...! | 0:04:53 | 0:04:54 | |
Oh, yeah - | 0:06:35 | 0:06:36 | |
"Pulpit of Dean Swift." Yeah. | 0:06:36 | 0:06:38 | |
"Here lies the body of Jonathan Swift, | 0:07:45 | 0:07:47 | |
"Doctor of Divinity and Dean of this cathedral, | 0:07:47 | 0:07:50 | |
"where savage indignation can no longer lacerate his heart. | 0:07:50 | 0:07:54 | |
"Go, traveller, and imitate, if you can, | 0:07:54 | 0:07:56 | |
"this dedicated and earnest champion of liberty." | 0:07:56 | 0:07:59 | |
Here we are. | 0:10:07 | 0:10:09 | |
-Oh, wow. -Here - here is Gulliver. | 0:10:09 | 0:10:11 | |
"The emperor lays on a table three fine silken threads | 0:10:11 | 0:10:15 | |
"of six inches long. | 0:10:15 | 0:10:17 | |
"One is blue, the other red, and the third green." | 0:10:17 | 0:10:22 | |
Now, Gregory, you read, "One is red, one is blue and one is green," | 0:10:22 | 0:10:26 | |
but that's not what's in the printed text. | 0:10:26 | 0:10:28 | |
Indeed. In the printed text, it says, | 0:10:28 | 0:10:30 | |
"One is purple, the other yellow, and the third white." | 0:10:30 | 0:10:35 | |
So, what was the issue? | 0:10:35 | 0:10:36 | |
Well, the issue is that blue is the colour of the Order of the Garter, | 0:10:36 | 0:10:39 | |
the primary order of chivalry. | 0:10:39 | 0:10:41 | |
Red is the colour of the Order of the Bath, the second, | 0:10:41 | 0:10:45 | |
and green the colour of the Order of the Thistle. | 0:10:45 | 0:10:48 | |
Swift is getting at the system of political favours. | 0:10:48 | 0:10:52 | |
-Oh, sort of buying honours. -Exactly! -Ah! -Exactly. | 0:10:52 | 0:10:54 | |
The publisher could see whom Swift was getting at, | 0:10:54 | 0:10:58 | |
and the trouble, therefore, he might be in once this got out. | 0:10:58 | 0:11:02 | |
So, he toned it down. | 0:11:02 | 0:11:03 | |
Why, what were the consequences for the publishing? | 0:11:03 | 0:11:05 | |
-Imprisonment. -Right. | 0:11:05 | 0:11:08 | |
The printer felt Swift's satire was getting far too close to the bone. | 0:11:08 | 0:11:11 | |
"Vision is the art of seeing what is invisible to others." | 0:12:11 | 0:12:14 | |
-Lovely to have you here. -Thank you. | 0:14:38 | 0:14:39 | |
Happy birthday. Two years old. | 0:14:39 | 0:14:41 | |
Yes! Two years old, as a band. It's insane. | 0:14:41 | 0:14:43 | |
-It's insane how much success you've had, too. -Yeah, it is. | 0:14:43 | 0:14:46 | |
Everything's happened very quickly, it kind of hasn't stopped for us, | 0:14:46 | 0:14:49 | |
-so, we're just taking it in our stride. -Well, it's no wonder, | 0:14:49 | 0:14:52 | |
because the songs are so anthemic. | 0:14:52 | 0:14:55 | |
They really have struck a chord with the Irish listeners, | 0:14:55 | 0:14:59 | |
with radio listeners in particular. Ryan, you're the main songwriter. | 0:14:59 | 0:15:03 | |
When you go about writing a song, do you think about, you know, | 0:15:03 | 0:15:06 | |
-striking that anthemic chord? -Yeah, I do. | 0:15:06 | 0:15:08 | |
I always say, like, when I'm writing a song, | 0:15:08 | 0:15:10 | |
if I can't imagine a room full of people singing it back to me, | 0:15:10 | 0:15:12 | |
then I just kind of abandon it a bit, | 0:15:12 | 0:15:14 | |
because that's the kind of music we want to produce, | 0:15:14 | 0:15:16 | |
is big, anthemic, uplifting music, | 0:15:16 | 0:15:18 | |
cos we thought there was a gap there, | 0:15:18 | 0:15:20 | |
because a lot of music was kind of dreary and downtrodden, | 0:15:20 | 0:15:24 | |
we wanted to bring out some uplifting music, | 0:15:24 | 0:15:26 | |
-so, yeah, I definitely think about it. -And inject some fun. -Yeah. | 0:15:26 | 0:15:29 | |
Also, social media has been a big, big thing with you, | 0:15:29 | 0:15:33 | |
and getting you to this point, | 0:15:33 | 0:15:34 | |
-so, tell me, would you be the ultimate social media band? -Um... | 0:15:34 | 0:15:38 | |
I don't know, really. | 0:15:38 | 0:15:39 | |
Like, we're very into social media, of course, | 0:15:39 | 0:15:41 | |
and we take it very seriously, what we do on social media, | 0:15:41 | 0:15:44 | |
and we're still in charge of our own social media, | 0:15:44 | 0:15:46 | |
so, everything we post comes directly from us, | 0:15:46 | 0:15:48 | |
and we try and post every day. | 0:15:48 | 0:15:49 | |
Like, people used to call us a social media band at the start, | 0:15:49 | 0:15:52 | |
but we never saw ourselves like that, I don't think. | 0:15:52 | 0:15:54 | |
-No. -It's developed. | 0:15:54 | 0:15:56 | |
There is lots of social media bands who are just social media bands, | 0:15:56 | 0:15:59 | |
or singers, or whatever, but they can't translate that | 0:15:59 | 0:16:01 | |
to then going and playing gigs and stuff, | 0:16:01 | 0:16:03 | |
but straight away we had just a mad fan base | 0:16:03 | 0:16:05 | |
that just wanted to see us playing straight away. | 0:16:05 | 0:16:08 | |
Well, that's it - the connection is there with the fans, for sure. | 0:16:08 | 0:16:10 | |
Look at the gigs - you've sold out the Academy, | 0:16:10 | 0:16:12 | |
the string of gigs at the Olympia, now the SSE Arena, the 3Arena. | 0:16:12 | 0:16:16 | |
How are you dealing with the success and the fame? | 0:16:16 | 0:16:19 | |
We try not to think about it too much. | 0:16:19 | 0:16:20 | |
You have to let it over your head a little bit, | 0:16:20 | 0:16:22 | |
or else - you don't want to get complacent, or anything like that, | 0:16:22 | 0:16:25 | |
but, you know, we're so thankful and appreciative | 0:16:25 | 0:16:27 | |
of absolutely everything that's happened to us so far, | 0:16:27 | 0:16:29 | |
and we'll never forget that it's the fans | 0:16:29 | 0:16:31 | |
and the people that support our music that - | 0:16:31 | 0:16:33 | |
-they're the reason that we're here, like. -And last word to Jimmy. | 0:16:33 | 0:16:35 | |
Yeah... I agree with everything he says, usually! | 0:16:35 | 0:16:39 | |
-And that is the key to your success! -Yeah, definitely, it is! | 0:16:39 | 0:16:42 | |
It's everybody that listens to our music, | 0:16:42 | 0:16:43 | |
like, everything goes over our heads, | 0:16:43 | 0:16:45 | |
we're still very grounded, | 0:16:45 | 0:16:47 | |
and we just want - at the end of the day, | 0:16:47 | 0:16:49 | |
we just want people to enjoy the music | 0:16:49 | 0:16:51 | |
-as much as we enjoy producing it. -Well, we are enjoying it. | 0:16:51 | 0:16:53 | |
For a small league and a minority sport, we've been very lucky, | 0:18:59 | 0:19:02 | |
and we've won a lot of international competitions. | 0:19:02 | 0:19:04 | |
2001 was the first international competition, | 0:19:04 | 0:19:06 | |
and our men's team took part in it, and we actually won that. | 0:19:06 | 0:19:09 | |
The following year, | 0:19:09 | 0:19:10 | |
it was the first version of the AFL International Cup. | 0:19:10 | 0:19:12 | |
We went in there as huge underdogs, as a new team, | 0:19:12 | 0:19:15 | |
and we won that against the odds. | 0:19:15 | 0:19:17 | |
Ireland have actually won it twice. | 0:19:18 | 0:19:20 | |
We're hoping to win number three this time round. | 0:19:20 | 0:19:22 | |
Our ladies' team has been hugely successful, as well. | 0:19:23 | 0:19:26 | |
They've won, like, six in a row, European Championships. | 0:19:28 | 0:19:31 | |
They won the first ladies' AFL International Cup in 2011, | 0:19:31 | 0:19:34 | |
got to the final in '14, and they're hoping to win this year. | 0:19:34 | 0:19:37 | |
The biggest challenges would be competing with other sports. | 0:19:50 | 0:19:53 | |
It would be, still, very much a minority sport here in Ireland. | 0:19:53 | 0:19:56 | |
We might have to stagger our playing season, | 0:19:56 | 0:19:58 | |
so that it doesn't compete directly with GAA. | 0:19:58 | 0:20:01 | |
Our other challenges, of course, then, would be financial. | 0:20:01 | 0:20:05 | |
The League and the organisation | 0:20:05 | 0:20:06 | |
doesn't receive any external government funding | 0:20:06 | 0:20:09 | |
at all at the moment, | 0:20:09 | 0:20:10 | |
so, all this success - and despite all this success - | 0:20:10 | 0:20:12 | |
we continue to have to self-fundraise for every tournament. | 0:20:12 | 0:20:16 | |
Hopefully, we can come back with two World Cups, | 0:21:29 | 0:21:31 | |
which would be phenomenal, | 0:21:31 | 0:21:32 | |
and continue our success at that level. | 0:21:32 | 0:21:34 | |
Going forward, we'd love, even at a small level, | 0:21:34 | 0:21:37 | |
just to grow the sport, get a few more clubs established. | 0:21:37 | 0:21:40 | |
We might get to a stage | 0:21:40 | 0:21:42 | |
where we'd have a full-time development officer here in Ireland | 0:21:42 | 0:21:44 | |
to promote and grow the sport. | 0:21:44 | 0:21:46 | |
CHEERING AND APPLAUSE | 0:23:33 | 0:23:35 | |
# There's a thousand things | 0:23:43 | 0:23:46 | |
# I've wanted to say | 0:23:46 | 0:23:49 | |
# But I've never been brave | 0:23:49 | 0:23:51 | |
# No, I've never been brave | 0:23:51 | 0:23:54 | |
# And you deserve | 0:23:54 | 0:23:57 | |
# The whole world | 0:23:57 | 0:23:59 | |
# An island to yourself | 0:23:59 | 0:24:01 | |
# You're an island in yourself | 0:24:01 | 0:24:04 | |
# And I think it's time | 0:24:04 | 0:24:07 | |
# That I tell you | 0:24:07 | 0:24:09 | |
# How I feel | 0:24:09 | 0:24:12 | |
# This is how I feel | 0:24:12 | 0:24:15 | |
# And I get lost | 0:24:15 | 0:24:18 | |
# When I'm with you | 0:24:18 | 0:24:20 | |
# And you'll hear me say | 0:24:20 | 0:24:24 | |
# Never change, baby | 0:24:24 | 0:24:27 | |
# Stay the same lady | 0:24:29 | 0:24:32 | |
# That I've known for so long | 0:24:34 | 0:24:40 | |
# Never change | 0:24:40 | 0:24:42 | |
# There's a hundred places | 0:24:52 | 0:24:55 | |
# I've wanted to see | 0:24:55 | 0:24:57 | |
# Would you see them with me? | 0:24:57 | 0:25:00 | |
# Would you see them with me? | 0:25:00 | 0:25:03 | |
# And I don't care | 0:25:03 | 0:25:05 | |
# Where we go | 0:25:05 | 0:25:08 | |
# Cos you are home | 0:25:08 | 0:25:11 | |
# You are my home | 0:25:11 | 0:25:13 | |
# And we can stay | 0:25:13 | 0:25:16 | |
# In cheap hotels | 0:25:16 | 0:25:19 | |
# Let's just pay to entertain ourselves | 0:25:19 | 0:25:24 | |
# And I get lost | 0:25:24 | 0:25:27 | |
# When I'm with you | 0:25:27 | 0:25:29 | |
# And you'll hear me say | 0:25:29 | 0:25:32 | |
# Never change, baby | 0:25:33 | 0:25:36 | |
# Stay the same lady | 0:25:38 | 0:25:42 | |
# That I've known for so long | 0:25:44 | 0:25:49 | |
# And I'm your man, hear me | 0:25:49 | 0:25:52 | |
# Scream your name daily | 0:25:54 | 0:25:58 | |
# Who I've known for so long | 0:26:00 | 0:26:05 | |
# Never change | 0:26:05 | 0:26:07 | |
# And I will take you with me | 0:26:10 | 0:26:13 | |
# Everywhere I go | 0:26:13 | 0:26:16 | |
# Pack your bags, we're leaving, baby | 0:26:16 | 0:26:18 | |
# I want you to know | 0:26:18 | 0:26:20 | |
# That loving you is easy | 0:26:20 | 0:26:23 | |
# I thought I'd tell you so | 0:26:23 | 0:26:26 | |
# And I want you to know | 0:26:26 | 0:26:32 | |
# Never change, baby | 0:26:32 | 0:26:35 | |
# Stay the same lady | 0:26:37 | 0:26:41 | |
# That I've known for so long | 0:26:42 | 0:26:47 | |
# Never change, baby | 0:26:47 | 0:26:51 | |
# Stay the same lady | 0:26:53 | 0:26:56 | |
# That I've known for so long | 0:26:59 | 0:27:04 | |
# And I'm your man, hear me | 0:27:04 | 0:27:07 | |
# Scream your name daily | 0:27:09 | 0:27:12 | |
# Who I've known for so long | 0:27:14 | 0:27:19 | |
# Oh, oh | 0:27:20 | 0:27:22 | |
# Never change | 0:27:22 | 0:27:25 | |
# Ooh, ooh. # | 0:27:28 | 0:27:33 | |
APPLAUSE | 0:27:36 | 0:27:38 | |
APPLAUSE | 0:28:13 | 0:28:15 |