Browse content similar to Episode 12. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Tonight we are in the beautiful surroundings of Brimham Rocks | 0:00:07 | 0:00:09 | |
in North Yorkshire. | 0:00:09 | 0:00:15 | |
Welcome to Inside Out. | 0:00:18 | 0:00:19 | |
I'm Paul Hudson. | 0:00:19 | 0:00:29 | |
We speak to the women who claim that their employers right | 0:00:30 | 0:00:32 | |
here in Yorkshire have treated them like domestic slaves. | 0:00:32 | 0:00:35 | |
We are trapped in this system. | 0:00:35 | 0:00:36 | |
You know, that tolerates abuse, that tolerate slavery. | 0:00:36 | 0:00:38 | |
We take an exclusive look inside a | 0:00:38 | 0:00:40 | |
controversial military college which takes recruits | 0:00:40 | 0:00:42 | |
from the age of 16. | 0:00:42 | 0:00:45 | |
I'm definitely sticking it out. It's the job for me. | 0:00:45 | 0:00:50 | |
And, later in the programme, the music students | 0:00:50 | 0:00:52 | |
performing with an '80s pop icon. | 0:00:52 | 0:00:54 | |
It's really inspiring. | 0:00:54 | 0:00:56 | |
It's going to be a great show, I think. | 0:00:56 | 0:01:06 | |
First, the hidden story of the | 0:01:07 | 0:01:08 | |
foreign domestic workers who are exploited, beaten, | 0:01:08 | 0:01:10 | |
and abused, right here in Yorkshire, many come to the | 0:01:10 | 0:01:13 | |
UK as maids or nannies to raise money for | 0:01:13 | 0:01:15 | |
families back home but, as I've been finding out, | 0:01:15 | 0:01:18 | |
what appears to be a dream job can turn | 0:01:18 | 0:01:21 | |
into a living nightmare. | 0:01:21 | 0:01:26 | |
This is a story that's taken me by surprise. | 0:01:26 | 0:01:29 | |
I knew that foreign people were employed as domestic | 0:01:29 | 0:01:33 | |
helpers, mainly in the rich suburbs of London. | 0:01:33 | 0:01:37 | |
What I hadn't quite appreciated was how many foreign workers | 0:01:37 | 0:01:39 | |
are in this part of the world and why, for some of them, | 0:01:39 | 0:01:42 | |
abuse has become part of the job. | 0:01:43 | 0:01:50 | |
Both man, he raped me, the side of the other. | 0:01:50 | 0:01:52 | |
She's threatening me. | 0:01:52 | 0:01:53 | |
She says she has connections to the police and wherever | 0:01:53 | 0:01:55 | |
I go, they will find me. | 0:01:55 | 0:01:59 | |
It's a place where even if you shout for help, no-one can hear you. | 0:01:59 | 0:02:05 | |
Cecilia is from the Philippines and is a former domestic worker | 0:02:06 | 0:02:14 | |
who now lives in Barnsley. | 0:02:14 | 0:02:14 | |
But her life as a maid to one rich family left her devastated. | 0:02:14 | 0:02:18 | |
My employer, he raped me and I am screaming but he held me, my mouth, | 0:02:18 | 0:02:26 | |
to no screaming because the wife sleep there in the bedroom. | 0:02:26 | 0:02:30 | |
And then, following day, the son again, he did | 0:02:30 | 0:02:36 | |
the same things. | 0:02:36 | 0:02:39 | |
And I can't tell. I can't do anything. | 0:02:39 | 0:02:44 | |
The memories are still vivid even though the attack took | 0:02:44 | 0:02:46 | |
place in the Middle East more than 20 years ago. | 0:02:46 | 0:02:51 | |
I tell to the son, maybe it's you. | 0:02:51 | 0:02:54 | |
The baby I carried. | 0:02:54 | 0:02:55 | |
And he do like that. | 0:02:55 | 0:03:00 | |
My stomach, because I am pregnant, to take out my baby. | 0:03:00 | 0:03:04 | |
He said it's my fault. | 0:03:04 | 0:03:09 | |
Cecilia's troubles didn't end there ? she was brought to the UK | 0:03:09 | 0:03:12 | |
by another family and says she spent much of her time | 0:03:12 | 0:03:14 | |
locked in the house. | 0:03:14 | 0:03:18 | |
When the moment came, she took action. | 0:03:18 | 0:03:20 | |
I opened the window. | 0:03:20 | 0:03:22 | |
My employer. | 0:03:22 | 0:03:24 | |
And I jumped. | 0:03:24 | 0:03:26 | |
I didn't know, it's a little bit higher. | 0:03:26 | 0:03:28 | |
I'm thinking, lower, the window. | 0:03:28 | 0:03:30 | |
A little bit higher. | 0:03:30 | 0:03:40 | |
I'm never looking, straight into the main road in London. | 0:03:41 | 0:03:43 | |
I said, this is my freedom here in England. | 0:03:43 | 0:03:46 | |
I go to find a new life. | 0:03:46 | 0:03:48 | |
It is absolutely heartbreaking to hear the repeated ordeal that | 0:03:48 | 0:03:53 | |
Cecilia has had to face in her life, and shocking that this is happening | 0:03:53 | 0:03:56 | |
in this day and age. | 0:03:57 | 0:04:05 | |
Unfortunately, Cecilia's story isn't an isolated one. | 0:04:05 | 0:04:07 | |
We've spoken to another domestic worker who's asked us | 0:04:07 | 0:04:09 | |
to protect her identity. | 0:04:09 | 0:04:10 | |
She says she's had jobs in Yorkshire where her wages have been withheld | 0:04:10 | 0:04:13 | |
and she's been bullied. | 0:04:13 | 0:04:16 | |
I was bathing the children and they were shouting. | 0:04:16 | 0:04:21 | |
Then my employer came from her room and shouted "You haven't disciplined | 0:04:21 | 0:04:24 | |
the children" and she said, "leave my premises right now." | 0:04:24 | 0:04:27 | |
When she said that, I went to my room to pack my things | 0:04:27 | 0:04:30 | |
and she threw a stool at me and it was lucky | 0:04:30 | 0:04:33 | |
that it didn't hit me. | 0:04:33 | 0:04:39 | |
Alice says, as well as physical violence there were threats, too. | 0:04:39 | 0:04:43 | |
I said it is better that I leave and she said "No, | 0:04:43 | 0:04:46 | |
you cannot leave because you need the work and you cannot change | 0:04:46 | 0:04:49 | |
employer because I have connections in immigration." | 0:04:49 | 0:04:52 | |
I was afraid at anytime she could send me back to the Philippines. | 0:04:52 | 0:04:58 | |
Alice eventually found work elsewhere and she's told us | 0:04:58 | 0:05:01 | |
she now much happier. | 0:05:01 | 0:05:07 | |
Rules around the employment of foreign workers have changed | 0:05:07 | 0:05:10 | |
quite a bit in the last few years. | 0:05:10 | 0:05:12 | |
In 2012, the Home Office brought in new regulations that effectively | 0:05:12 | 0:05:15 | |
tied a worker to the same employer. | 0:05:16 | 0:05:21 | |
But it meant if relationships went sour it was often very | 0:05:21 | 0:05:24 | |
difficult for workers to leave and find a new job. | 0:05:24 | 0:05:27 | |
In April this year the visa regulations were tweaked again, | 0:05:27 | 0:05:30 | |
giving workers the right to switch employers. | 0:05:30 | 0:05:33 | |
But with visas lasting six months or less, domestic helpers often have | 0:05:33 | 0:05:37 | |
some hard choices ? leave and try and find a new job in the remaining | 0:05:37 | 0:05:41 | |
time, or stay and suffer abuse to earn the cash they need | 0:05:41 | 0:05:44 | |
to send back home. | 0:05:44 | 0:05:53 | |
They are trapped in the system that tolerates abuse, | 0:05:53 | 0:05:56 | |
that tolerates slavery, that tolerates trafficking. | 0:05:56 | 0:06:00 | |
While many domestic helpers have a good experience in the UK ? | 0:06:00 | 0:06:03 | |
we've heard stories of workers' passports being taken away | 0:06:03 | 0:06:07 | |
by their employers ? and of some people going to extreme lengths | 0:06:07 | 0:06:10 | |
to terrorise their staff. | 0:06:10 | 0:06:13 | |
Some of them, it's like the iron. The employer would iron the hand. | 0:06:13 | 0:06:18 | |
Of course, it's visible. We can see that. | 0:06:18 | 0:06:22 | |
The hot water, you know, covered all over the body. | 0:06:22 | 0:06:26 | |
Marrissa's organisation helps the victims of | 0:06:26 | 0:06:28 | |
abuse start a new life. | 0:06:28 | 0:06:32 | |
Until recently their only branch was in London ? but their increasing | 0:06:32 | 0:06:35 | |
case load means there's now one in Leeds. | 0:06:35 | 0:06:40 | |
A domestic worker in Yorkshire, telling me that I will | 0:06:40 | 0:06:43 | |
run away at midnight. | 0:06:43 | 0:06:46 | |
Then I had to keep her online. | 0:06:46 | 0:06:49 | |
The moment they are out of the house, especially | 0:06:49 | 0:06:53 | |
if they have problem in English. | 0:06:53 | 0:06:56 | |
And then, I would just say, someone pass the phone to them | 0:06:56 | 0:06:59 | |
and I will talk to them. | 0:06:59 | 0:07:03 | |
Can you please direct her to the station, to the train | 0:07:03 | 0:07:06 | |
or bus station. | 0:07:06 | 0:07:11 | |
So, then I say, I will tell her they are waiting | 0:07:11 | 0:07:14 | |
for you in Victoria. | 0:07:14 | 0:07:15 | |
So when you arrive in Victoria, I'm there. | 0:07:15 | 0:07:22 | |
And for those who do flee, there is some hope. | 0:07:22 | 0:07:25 | |
Hello. Nice to see you. | 0:07:25 | 0:07:28 | |
Jheff Migano runs a store selling Asian food to some of the 5,000 | 0:07:28 | 0:07:35 | |
Philippinos who live in Yorkshire ? and it's to his shop that many women | 0:07:35 | 0:07:38 | |
come when they need help. | 0:07:38 | 0:07:40 | |
From the first glance, you can see the loneliness | 0:07:40 | 0:07:42 | |
on their faces. | 0:07:42 | 0:07:43 | |
They are scared. | 0:07:43 | 0:07:44 | |
They don't know if police or immigration are | 0:07:44 | 0:07:46 | |
going to come for them. | 0:07:46 | 0:07:48 | |
Jheff's resources are limited ? but he says he can't turn them away. | 0:07:48 | 0:07:52 | |
If they come to me, I can give them food and accommodation, that's it. | 0:07:52 | 0:07:58 | |
But, about this, I don't know anything about it so they should | 0:07:58 | 0:08:00 | |
have a support for them, these victims. | 0:08:00 | 0:08:10 | |
Jeff does what he can ? but there are others offering help. | 0:08:14 | 0:08:17 | |
Good afternoon. Salvation Army. | 0:08:17 | 0:08:18 | |
The Salvation Army gives assistance to domestic workers | 0:08:18 | 0:08:20 | |
who are being abused, they say the number of calls | 0:08:20 | 0:08:22 | |
they get about slavery is rising. | 0:08:22 | 0:08:25 | |
There's an increasing number of victims of labour exploitation | 0:08:25 | 0:08:27 | |
but also domestic servitude. | 0:08:27 | 0:08:35 | |
In Yorkshire, we're seeing an increase in referrals, | 0:08:35 | 0:08:37 | |
along every category of this kind of exploitation. | 0:08:37 | 0:08:44 | |
The Home Office say they're introducing reforms to ensure | 0:08:44 | 0:08:46 | |
workers are better protected from abuse and slavery. | 0:08:46 | 0:08:48 | |
The Modern Slavery Act will, they say, give overseas domestic | 0:08:48 | 0:08:51 | |
workers who are potential victims of modern slavery immunity | 0:08:51 | 0:08:53 | |
from immigration enforcement action. | 0:08:53 | 0:08:59 | |
Back in Barnsley, Cecilia's life is now much better. | 0:08:59 | 0:09:09 | |
She has a steady job in the care sector, but she can never forget | 0:09:10 | 0:09:14 | |
what happened to her. | 0:09:14 | 0:09:15 | |
I don't want to see, it stayed with me, I've suffered before. | 0:09:15 | 0:09:18 | |
I don't want people to suffer the same way I have suffered before. | 0:09:18 | 0:09:21 | |
And I don't want it. | 0:09:21 | 0:09:31 | |
Who knows what goes on behind closed doors, but at least there's hope | 0:09:32 | 0:09:35 | |
that the voices who've remained silent for so long may | 0:09:35 | 0:09:38 | |
finally be heard. | 0:09:38 | 0:09:39 | |
And if you're affected by any of the issues in my report or you're | 0:09:39 | 0:09:42 | |
concerned about someone, there is a confidential helpline. | 0:09:42 | 0:09:48 | |
Or there is advice on the website modernslavery.co.uk | 0:09:48 | 0:09:58 | |
Still to come on Inside Out: '80s pop icon Mark Almond | 0:10:01 | 0:10:03 | |
takes a group of music students to perform on the big stage. | 0:10:03 | 0:10:06 | |
Now, how young is too young to sign up for a life in the military? | 0:10:06 | 0:10:10 | |
Well, there's just one college in the country | 0:10:10 | 0:10:12 | |
which actively recruits 16 and 17-year-olds | 0:10:12 | 0:10:18 | |
which actively recruits 16- and 17-year-olds | 0:10:18 | 0:10:19 | |
and it's just down the road. | 0:10:19 | 0:10:22 | |
Olivia Richwald has been given exclusive access to the | 0:10:22 | 0:10:25 | |
Harrogate Army Foundation College and its latest batch of recruits. | 0:10:25 | 0:10:27 | |
Next three rounds. It's in the middle. | 0:10:27 | 0:10:30 | |
A couple of times just getting beasted | 0:10:30 | 0:10:32 | |
when I did something wrong. | 0:10:32 | 0:10:35 | |
One, two, three! | 0:10:35 | 0:10:37 | |
Wanting to leave. | 0:10:37 | 0:10:39 | |
There are times when I have wanted to leave. | 0:10:39 | 0:10:43 | |
I'm definitely sticking it out, it's the job for me. | 0:10:43 | 0:10:48 | |
Too young to drink, too young to vote, old enough to join the Army | 0:10:55 | 0:10:59 | |
and be trained to kill. | 0:10:59 | 0:11:03 | |
These are Yorkshire's teenage Army recruits. | 0:11:03 | 0:11:05 | |
They can sign up fresh from school. | 0:11:05 | 0:11:09 | |
The paperwork commits them to study here for a year, | 0:11:09 | 0:11:12 | |
in exchange for wages of ?1200 a month. | 0:11:12 | 0:11:16 | |
From their 18th birthday they'll be committed to serving | 0:11:16 | 0:11:19 | |
four years in the Army. | 0:11:19 | 0:11:22 | |
I want to travel, get better qualifications, | 0:11:22 | 0:11:25 | |
make new friends and have a better life for myself. | 0:11:25 | 0:11:28 | |
I've always wanted to do something a bit more exciting | 0:11:28 | 0:11:31 | |
than the day-to-day job. | 0:11:31 | 0:11:33 | |
I think the army will give me what I wanted. | 0:11:33 | 0:11:38 | |
Since you were, sort of, ten, 11, you've always | 0:11:38 | 0:11:40 | |
talked about it. | 0:11:40 | 0:11:41 | |
We were, yes, yes, he'll grow out of it but never did. | 0:11:41 | 0:11:47 | |
Junior soldiers have been trained here in Harrogate | 0:11:47 | 0:11:50 | |
for the past 18 years. | 0:11:50 | 0:11:56 | |
The MoD invests tens of thousands of pounds in each recruit | 0:11:56 | 0:11:59 | |
and they have to be very dedicated before they're accepted here. | 0:11:59 | 0:12:04 | |
Harrogate's Army Foundation College is controversial. | 0:12:04 | 0:12:09 | |
It's the only place in the country where children, those aged 16 and 17 | 0:12:09 | 0:12:17 | |
those aged 16 and 17, | 0:12:17 | 0:12:18 | |
can join the military. | 0:12:18 | 0:12:19 | |
Critics say 16 is too young to make that kind of commitment. | 0:12:19 | 0:12:22 | |
But those who come here spend around 30% of their time in the classroom | 0:12:22 | 0:12:25 | |
and the education results achieved here are remarkable. | 0:12:25 | 0:12:35 | |
Some of them come with a reading age of between a five | 0:12:35 | 0:12:38 | |
and seven-year-old. | 0:12:38 | 0:12:39 | |
A lot of them come with a reading age between a nine and 11-year-olds. | 0:12:39 | 0:12:42 | |
A lot of them come with a reading age between a nine and 11-year-old. | 0:12:42 | 0:12:45 | |
The ones that have just left did fantastically, they have | 0:12:45 | 0:12:48 | |
progressed if not one level, two levels for some of them, | 0:12:48 | 0:12:50 | |
which is a great achievement in the short amount | 0:12:50 | 0:12:52 | |
of time we have them here. | 0:12:52 | 0:12:59 | |
Fewer than 10% of recruits are female. | 0:12:59 | 0:13:00 | |
But they're expected to work just as hard as the boys. | 0:13:00 | 0:13:03 | |
In addition to the gruelling physical regime, 17-year-old | 0:13:03 | 0:13:05 | |
Demi Allan from Edinburgh has started boxing ? if she can train | 0:13:05 | 0:13:08 | |
hard enough she might make the Army boxing team ? | 0:13:08 | 0:13:10 | |
which will be a fantastic start to her military career. | 0:13:10 | 0:13:17 | |
I enjoy the fitness, the fighting, | 0:13:17 | 0:13:19 | |
just the team spirit. I like it. | 0:13:19 | 0:13:24 | |
Action drill starts in nine seconds. | 0:13:24 | 0:13:29 | |
Don your respirator before the gas gets into your system. | 0:13:29 | 0:13:31 | |
The junior soldiers are now halfway through their training and this | 0:13:31 | 0:13:36 | |
is something they dread on the timetable, they're | 0:13:36 | 0:13:39 | |
going into the CS gas chamber. | 0:13:39 | 0:13:45 | |
What I want you to do now is carry out immediate decontamination. | 0:13:52 | 0:13:55 | |
Although you can't see it, | 0:13:55 | 0:13:57 | |
this shed is filled with CS ? or tear - gas. | 0:13:57 | 0:14:01 | |
Contact with it causes coughing, dizziness, | 0:14:01 | 0:14:03 | |
burning eyes and sickness. | 0:14:03 | 0:14:09 | |
Junior soldiers need to be able to handle a chemical incident. | 0:14:09 | 0:14:12 | |
And today they're being tested to see if they can decontaminate | 0:14:12 | 0:14:15 | |
their masks, faces and water supply. | 0:14:15 | 0:14:19 | |
When you first take it off, it isn't too bad. | 0:14:19 | 0:14:22 | |
Just your eyes start watering. | 0:14:22 | 0:14:23 | |
And then you're in there for longer and you start breathing in. | 0:14:23 | 0:14:27 | |
Horrible, can't breathe, You've got snot running | 0:14:27 | 0:14:29 | |
down your face. | 0:14:29 | 0:14:30 | |
You know, pretty sights. | 0:14:30 | 0:14:32 | |
You feel like you're choking and burning. | 0:14:32 | 0:14:33 | |
Happy it's over? | 0:14:34 | 0:14:34 | |
Happy it's over, yeah. | 0:14:34 | 0:14:41 | |
From here the challenges will only get tougher. | 0:14:42 | 0:14:48 | |
We've joined the junior soldiers on one of their main field exercises | 0:14:48 | 0:14:51 | |
near Catterick Garrison. | 0:14:51 | 0:14:53 | |
They're sleeping rough here in the woods, living | 0:14:53 | 0:15:02 | |
in sleeping bags and on ration packs. | 0:15:02 | 0:15:03 | |
This exercise is just three days long but when they join the Army | 0:15:03 | 0:15:07 | |
for real it could be for weeks at a time. | 0:15:07 | 0:15:09 | |
There's a huge sense of achievement once they've | 0:15:09 | 0:15:11 | |
completed these exercises. | 0:15:11 | 0:15:12 | |
We've seen them grow already. | 0:15:12 | 0:15:14 | |
It becomes easier as time goes on. | 0:15:14 | 0:15:16 | |
I'm starving! | 0:15:16 | 0:15:20 | |
I've had those before. | 0:15:20 | 0:15:24 | |
So, you're sleeping in the woods. What's that like? | 0:15:24 | 0:15:26 | |
Horrible. | 0:15:26 | 0:15:36 | |
I'm scared of spiders, and there's loads of them | 0:15:46 | 0:15:48 | |
and ants and insects. | 0:15:48 | 0:15:49 | |
But you get used to it. | 0:15:49 | 0:15:49 | |
When we go into the ring, the bell goes, what's | 0:15:56 | 0:15:58 | |
the first thing we do? | 0:15:59 | 0:16:00 | |
The summer term ends with college boxing night. | 0:16:00 | 0:16:02 | |
And Demi Allan's dedication has paid off. | 0:16:02 | 0:16:03 | |
She's been picked to fight in the only female bout of the evening. | 0:16:03 | 0:16:12 | |
I blank out going to the ring but it's walking out | 0:16:12 | 0:16:16 | |
that it's going to scare me. | 0:16:16 | 0:16:17 | |
You've got all the duty soldiers watching. | 0:16:17 | 0:16:19 | |
You've got the brigadiers, the sergeants, the officers. | 0:16:19 | 0:16:22 | |
You've got a lot of people come to watch. | 0:16:22 | 0:16:32 | |
After three two-minute rounds, it's a win for Demi. | 0:16:32 | 0:16:40 | |
How do you feel after that fight? | 0:16:40 | 0:16:42 | |
I'm knackered but I'm really glad I won it. | 0:16:42 | 0:16:49 | |
It was worth all that training, getting up early in the morning. | 0:16:49 | 0:16:52 | |
It's worth it. | 0:16:52 | 0:16:53 | |
And what are you looking forward to the most after this? | 0:16:53 | 0:16:55 | |
A shower! | 0:16:55 | 0:16:57 | |
And we will be following the progress of Demi, | 0:16:57 | 0:16:59 | |
Ben and Romario, to see if they graduate next year. | 0:16:59 | 0:17:09 | |
Now, students at the Leeds College of Music have been given an | 0:17:10 | 0:17:13 | |
opportunity of a lifetime. | 0:17:13 | 0:17:15 | |
To perform at one of the country's best | 0:17:15 | 0:17:21 | |
venues with an '80s pop icon. | 0:17:21 | 0:17:22 | |
Johnny I'Anson followed them on this amazing journey. | 0:17:22 | 0:17:27 | |
We looked on ourselves very much as an underground band. | 0:17:27 | 0:17:30 | |
We were a northern, electronic, underground band. | 0:17:30 | 0:17:34 | |
He was one of the biggest stars of the '80s. | 0:17:34 | 0:17:42 | |
Before you know it, you're on TOTP and then your life changes | 0:17:42 | 0:17:45 | |
completely after that. | 0:17:45 | 0:17:52 | |
MUSIC: Tainted Love by Soft Cell. | 0:17:52 | 0:17:54 | |
35 years on, he remains one of the country's | 0:17:54 | 0:17:56 | |
biggest singing stars with an instantly recognisable voice | 0:17:56 | 0:17:58 | |
and he can fill some of the most prestigious venues in the country. | 0:17:58 | 0:18:01 | |
When you go out onto the stage, it's a thrill | 0:18:01 | 0:18:04 | |
because you feel part of that history of walking out. | 0:18:04 | 0:18:13 | |
It all started for Marc Almond and Soft Cell here in Leeds | 0:18:13 | 0:18:16 | |
where he went to art college. | 0:18:16 | 0:18:18 | |
And that's why he's preparing to give something back | 0:18:18 | 0:18:20 | |
to the next generation of music students. | 0:18:20 | 0:18:25 | |
Leeds College of Music ? and a group of student musicians | 0:18:25 | 0:18:28 | |
are tuning up before their first rehearsal for the most | 0:18:28 | 0:18:34 | |
important gig of their lives. | 0:18:34 | 0:18:35 | |
They are going to be performing with Marc Almond | 0:18:35 | 0:18:43 | |
at one of the biggest concert venues in the country - | 0:18:43 | 0:18:46 | |
the Royal Festival Hall in London. | 0:18:46 | 0:18:51 | |
I was expecting everything to be ragged | 0:18:51 | 0:18:53 | |
but it's not it's fantastic which is inspiring for me. | 0:18:53 | 0:18:55 | |
It's going to be a really great show I think. | 0:18:55 | 0:19:05 | |
MUSIC: "Jackie" by Jacques Brel | 0:19:09 | 0:19:11 | |
And final year student Lily Kerbey who is in the choir has | 0:19:11 | 0:19:13 | |
just heard that she will have a very special part to play. | 0:19:13 | 0:19:17 | |
I'm doing a little duet with him. | 0:19:18 | 0:19:20 | |
We're doing Haunted Heart which is a classic song which | 0:19:20 | 0:19:25 | |
was done I think by Jo Stafford. | 0:19:25 | 0:19:31 | |
My mum's got tickets for the London gig so she'll be able to see me. | 0:19:31 | 0:19:35 | |
I was going to keep it as a surprise but I was on the phone | 0:19:35 | 0:19:38 | |
to her and I was like "Oh, my gosh, I'm doing a duet with Marc Almond!" | 0:19:38 | 0:19:42 | |
Obviously she knows who he is more than our generation does. | 0:19:42 | 0:19:45 | |
And Marc really did become one of the voices | 0:19:45 | 0:19:47 | |
of the post-punk generation. | 0:19:47 | 0:19:48 | |
His big break came in the late '70s at one particular club | 0:19:48 | 0:19:51 | |
in Leeds - the Warehouse. | 0:19:51 | 0:19:53 | |
There was no other club like it in the north of England. | 0:19:53 | 0:19:56 | |
People came from everywhere to come to the Warehouse. | 0:19:56 | 0:19:58 | |
It was amazing. | 0:19:58 | 0:20:02 | |
I started becoming a DJ at that point. | 0:20:02 | 0:20:04 | |
I already had my foot in the door. | 0:20:04 | 0:20:08 | |
So Mike the owner of the Warehouse knew I'd started this band Soft Cell | 0:20:08 | 0:20:11 | |
and he could see electronic music was emerging and becoming big around | 0:20:11 | 0:20:14 | |
the north of England. | 0:20:14 | 0:20:18 | |
They call themselves the Young Romantics | 0:20:18 | 0:20:21 | |
or the New Romantics but if you look | 0:20:21 | 0:20:28 | |
at the costumes you'll see that's the understatement of the year. | 0:20:28 | 0:20:33 | |
Richard Madeley did his first TV interview with me | 0:20:33 | 0:20:35 | |
at the Warehouse! | 0:20:36 | 0:20:36 | |
It's probably there on Youtube somewhere! | 0:20:36 | 0:20:38 | |
I think the whole thing is just about young | 0:20:38 | 0:20:40 | |
people having a good time and enjoying themselves. | 0:20:40 | 0:20:46 | |
So Non Stop Erotic Cabaret came out. | 0:20:46 | 0:20:48 | |
It's massive. Were you ready for that? | 0:20:48 | 0:20:50 | |
Not really! | 0:20:50 | 0:20:52 | |
I was still living in a shared student place in Leeds. | 0:20:52 | 0:20:58 | |
When the call came and they said you're in the top 20, | 0:20:58 | 0:21:02 | |
then you're number nine, then three, then number one, | 0:21:02 | 0:21:08 | |
it was just like unreality, really. | 0:21:08 | 0:21:10 | |
And before you know it, you're on TOTP! | 0:21:10 | 0:21:12 | |
Now, Soft Cell. | 0:21:12 | 0:21:14 | |
Last time I saw them, it was a fairly | 0:21:14 | 0:21:16 | |
squalid gig in Leeds. | 0:21:16 | 0:21:17 | |
Now, they're on Top of the Pops. | 0:21:17 | 0:21:20 | |
And unlike some of his contemporaries, Marc's career has | 0:21:20 | 0:21:22 | |
stood the test of time. | 0:21:22 | 0:21:25 | |
Two years ago, Leeds College of Music offered him | 0:21:25 | 0:21:27 | |
an honorary fellowship. | 0:21:27 | 0:21:32 | |
It was nice of them to recognise that I'd been part of Leeds music. | 0:21:32 | 0:21:35 | |
Even though I wasn't born in Leeds, Leeds has always been | 0:21:35 | 0:21:38 | |
like a musical home for me. | 0:21:38 | 0:21:44 | |
Finally the big day has arrived ? | 0:21:44 | 0:21:46 | |
a beautiful sunny day to be performing at the Festival Hall. | 0:21:46 | 0:21:49 | |
So how's everyone feeling? | 0:21:49 | 0:21:50 | |
It's nerve-wracking walking on. | 0:21:50 | 0:21:51 | |
There's wires everywhere and you're thinking, | 0:21:51 | 0:21:52 | |
don't trip over. | 0:21:52 | 0:21:53 | |
But as soon as you're singing or playing your | 0:21:53 | 0:21:55 | |
instrument, it's fine. | 0:21:55 | 0:21:59 | |
I feel so honoured - there are so many | 0:21:59 | 0:22:01 | |
flute players in college and I was chosen to perform here. | 0:22:01 | 0:22:04 | |
When do the nerves set in? | 0:22:04 | 0:22:08 | |
About half an hour into it. | 0:22:08 | 0:22:09 | |
You're not nervous yet? | 0:22:09 | 0:22:10 | |
Nah! | 0:22:10 | 0:22:18 | |
Somehow I don't believe him. | 0:22:18 | 0:22:19 | |
So this is it then - months of hard work, | 0:22:19 | 0:22:22 | |
more than one sleepless night, now it's just the small | 0:22:22 | 0:22:24 | |
job of performing at the Royal Festival Hall. | 0:22:24 | 0:22:26 | |
I don't know who's more nervous, me or them. | 0:22:26 | 0:22:34 | |
I'm just looking through the window. | 0:22:34 | 0:22:35 | |
It looks like a packed house but we knew that was the case. | 0:22:35 | 0:22:38 | |
Playing the Festival Hall is always daunting. | 0:22:51 | 0:22:53 | |
For me ? so it will be exciting for the others. | 0:22:53 | 0:22:56 | |
It's great. | 0:22:56 | 0:22:57 | |
It's going to be a fanstastic show. | 0:22:57 | 0:23:07 | |
# Now it begins... | 0:23:13 | 0:23:23 | |
The first half seems to whizz by and soon it's time | 0:23:27 | 0:23:30 | |
for Lily's duet with Marc. | 0:23:30 | 0:23:32 | |
Will you please say hello to Lily Kerbey who's | 0:23:32 | 0:23:34 | |
going to join me for this last song. | 0:23:34 | 0:23:43 | |
# There's a ghost of you in my haunted heart | 0:23:43 | 0:23:53 | |
She certainly did her mum and nana proud. | 0:23:55 | 0:24:03 | |
The minute I know that Mum or Dad | 0:24:04 | 0:24:05 | |
is going to be in the audience, | 0:24:05 | 0:24:07 | |
I'm like... | 0:24:07 | 0:24:08 | |
I came and sat down in my seat and everyone was like, | 0:24:08 | 0:24:11 | |
are you all right, and I said yes! | 0:24:11 | 0:24:13 | |
Awesome, absolutely amazed! | 0:24:13 | 0:24:14 | |
In the second half, | 0:24:14 | 0:24:15 | |
Marc and the college musicians treat the audience to some | 0:24:15 | 0:24:17 | |
of his biggest hits. | 0:24:17 | 0:24:27 | |
And the crowd, as they say, go wild! | 0:24:35 | 0:24:37 | |
Such a thrill and an honour for me to work | 0:24:37 | 0:24:39 | |
on stage with such fantastic musicians, fantastic people ? | 0:24:39 | 0:24:41 | |
the arrangements, the choir ? absolutely everything was wonderful. | 0:24:41 | 0:24:43 | |
I couldn't have dreamt of anything more. | 0:24:43 | 0:24:47 | |
That's all from here in beautiful north Yorkshire. | 0:24:55 | 0:24:57 | |
Make sure you join us next time. | 0:24:57 | 0:25:00 | |
Good | 0:25:20 | 0:25:20 | |
Good afternoon. | 0:25:20 | 0:25:23 | |
Good afternoon. Not | 0:25:23 | 0:25:23 |