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Good evening. | 0:00:03 | 0:00:04 | |
Tonight on Inside Out, we go undercover at Britain's | 0:00:04 | 0:00:07 | |
biggest supermarket, Tesco. | 0:00:07 | 0:00:08 | |
And we go in search of gold in one of the unlikeliest of places. | 0:00:08 | 0:00:12 | |
Welcome to Inside Out, I'm Paul Hudson. | 0:00:12 | 0:00:14 | |
Tonight, we are investigating Tesco, Britain's biggest supermarket, | 0:00:26 | 0:00:29 | |
where some special offers aren't always that special after all. | 0:00:29 | 0:00:39 | |
It's just on the Angel Delight, mate. | 0:00:45 | 0:00:47 | |
They are on offer for three for ?1. | 0:00:47 | 0:00:48 | |
Also tonight, the artist hiding real treasure | 0:00:48 | 0:00:50 | |
in the unlikeliest of places. | 0:00:50 | 0:00:51 | |
There we go, look at that. | 0:00:51 | 0:00:53 | |
Solid gold. | 0:00:53 | 0:00:54 | |
I wonder who's going to find it? | 0:00:54 | 0:00:58 | |
And later in the programme, top archaeological finds | 0:00:58 | 0:01:01 | |
here in the Yorkshire Wolds. | 0:01:01 | 0:01:03 | |
You can see he's got quite a wide rood here, | 0:01:03 | 0:01:06 | |
and that's probably something like an axe. | 0:01:06 | 0:01:12 | |
Now, how often do you check your receipt when you shop at Tesco? | 0:01:12 | 0:01:15 | |
We all take for granted the price we see on the shelf | 0:01:15 | 0:01:18 | |
is what we pay at the till, but what if it's not? | 0:01:18 | 0:01:21 | |
Well, Jonathan Gibson has been investigating | 0:01:21 | 0:01:24 | |
the not-so-special offers at Britain's biggest supermarket. | 0:01:24 | 0:01:32 | |
Who's up for a good deal? | 0:01:34 | 0:01:35 | |
I am! | 0:01:35 | 0:01:36 | |
I'm a sucker for a special offer! | 0:01:36 | 0:01:38 | |
Most of us are. | 0:01:38 | 0:01:39 | |
And Tesco knows it, too. | 0:01:39 | 0:01:40 | |
That's why the shelves at Britain's biggest supermarket | 0:01:40 | 0:01:42 | |
are full of special offers - money off this, buy two for that, | 0:01:42 | 0:01:46 | |
you get the drift, and we all take it for granted that the price we see | 0:01:46 | 0:01:51 | |
on the shelf is the price we'll pay at the till - right?! | 0:01:51 | 0:01:55 | |
But what if things don't quite add up when you get home | 0:01:55 | 0:01:58 | |
and unpack your shopping? | 0:01:58 | 0:02:00 | |
I've just bought a few bits at Tesco and I'm sure these products | 0:02:00 | 0:02:03 | |
were on special offer - that's why I've bought two of each - | 0:02:03 | 0:02:06 | |
but according to my receipt I've paid full price! | 0:02:06 | 0:02:08 | |
And that's the point. | 0:02:08 | 0:02:15 | |
I've paid 60% more than the deal on the shelf. | 0:02:15 | 0:02:19 | |
That's ?3.30 in hard cash. | 0:02:19 | 0:02:23 | |
At another Tesco store, I spot 2 for ?2.00 on ice cream. | 0:02:23 | 0:02:26 | |
But at the till, it's the full price as well, so what's going on? | 0:02:26 | 0:02:35 | |
Ice cream, Martin? | 0:02:35 | 0:02:37 | |
Martin works for Trading Standards and says the law | 0:02:37 | 0:02:39 | |
on pricing is simple. | 0:02:39 | 0:02:43 | |
They must put a price on goods so you know what you're going to pay | 0:02:43 | 0:02:46 | |
and that price must be accurate so you don't get charged | 0:02:46 | 0:02:49 | |
more than you thought you were going to pay. | 0:02:49 | 0:02:54 | |
Sounds simple enough and with more than 3,500 stores nationwide, | 0:02:54 | 0:02:58 | |
Tesco should be getting it right. | 0:02:58 | 0:03:00 | |
But is it? | 0:03:00 | 0:03:04 | |
That's what I want to find out so armed with my phone and some | 0:03:04 | 0:03:08 | |
secret cameras I want to see how many offers on the shelves don't go | 0:03:08 | 0:03:11 | |
through at the checkout, and here in Leeds I'm finding problems. | 0:03:11 | 0:03:14 | |
Have we shortchanged you? | 0:03:14 | 0:03:23 | |
How much by? | 0:03:23 | 0:03:24 | |
Yeah, just on the Angel Delight, mate. | 0:03:24 | 0:03:26 | |
They're on offer for 3 for ?1. | 0:03:26 | 0:03:28 | |
After checking the price on the shelf he asks his colleague | 0:03:28 | 0:03:30 | |
to refund the difference. | 0:03:30 | 0:03:32 | |
This seems to happen quite a lot, is it just me? | 0:03:32 | 0:03:34 | |
Nah. | 0:03:34 | 0:03:35 | |
But neither of the staff remove the out-of-date label so, | 0:03:35 | 0:03:38 | |
when my colleague returns a few hours later, we're | 0:03:38 | 0:03:40 | |
overcharged again. | 0:03:40 | 0:03:41 | |
And that's the problem. | 0:03:41 | 0:03:42 | |
Multi-buy deals are being left on the shelves after the tills have | 0:03:42 | 0:03:45 | |
been told they've ended. | 0:03:45 | 0:03:46 | |
This offer is almost a month out of date and it's not | 0:03:46 | 0:03:49 | |
the only out-of-date label! | 0:03:49 | 0:03:54 | |
I've just bought some batteries and on the shelf they're 2 for ?5 | 0:03:54 | 0:03:57 | |
but they haven't come off. | 0:03:57 | 0:03:59 | |
At this Tesco superstore on the outskirts of Leeds, | 0:03:59 | 0:04:02 | |
a worker checks the label but he doesn't spot | 0:04:02 | 0:04:04 | |
the label's out of date. | 0:04:04 | 0:04:05 | |
It should have been removed five days ago. | 0:04:05 | 0:04:09 | |
It's the right barcode. | 0:04:09 | 0:04:13 | |
And on we go. | 0:04:13 | 0:04:16 | |
I've started making a list of how many offers are wrong in how many | 0:04:16 | 0:04:19 | |
places and I want to know if what's happening in Yorkshire is also | 0:04:19 | 0:04:23 | |
happening across the country. | 0:04:23 | 0:04:28 | |
Because, if it is, it's not just a problem for Tesco, | 0:04:28 | 0:04:31 | |
it's a problem for Tesco customers. | 0:04:31 | 0:04:38 | |
Have we robbed you? | 0:04:38 | 0:04:39 | |
Just on the Chicken Tonight. | 0:04:39 | 0:04:40 | |
At this Tesco store in Liverpool, sauce marked ?1 on the shelf | 0:04:40 | 0:04:43 | |
is almost double at the checkout. | 0:04:43 | 0:04:46 | |
It says on the shelf ?1 and it's coming up ?1.79. | 0:04:46 | 0:04:49 | |
We've all got kids. | 0:04:49 | 0:04:50 | |
The kids need feeding. | 0:04:50 | 0:04:52 | |
Is that right? | 0:04:52 | 0:04:53 | |
That's what it is. | 0:04:53 | 0:04:54 | |
Thanks very much. | 0:04:54 | 0:04:56 | |
And at another store nearby, I'm left completely confused | 0:04:56 | 0:04:58 | |
by the offers on the shelves and what I'm charged | 0:04:58 | 0:05:01 | |
at the checkout. | 0:05:01 | 0:05:03 | |
In fact, there's so much difference between the shelf price | 0:05:03 | 0:05:06 | |
and the receipt price, I'm not even going to bother | 0:05:06 | 0:05:11 | |
to go back and try to get what I'm owed returned. | 0:05:11 | 0:05:13 | |
Completely ridiculous! | 0:05:13 | 0:05:17 | |
If there are just too many offers changing too frequently so that | 0:05:17 | 0:05:24 | |
store staff can't really be expected to understand them, comply | 0:05:24 | 0:05:28 | |
with all the changes, then that is something that Tesco | 0:05:28 | 0:05:33 | |
head office needs to think about. | 0:05:33 | 0:05:37 | |
And there's plenty to think about when I head back to Leeds. | 0:05:37 | 0:05:41 | |
Hi, I've just bought this bag full of shopping. | 0:05:41 | 0:05:43 | |
All those things are on offer but none of it's come off. | 0:05:43 | 0:05:49 | |
Do you want to deal with these? | 0:05:49 | 0:05:50 | |
I knew I shouldn't have been standing here! | 0:05:50 | 0:05:52 | |
The person who does this job did leave so we've been waiting | 0:05:52 | 0:05:55 | |
for the new person to come. | 0:05:55 | 0:05:57 | |
Doing now what somebody should have done hours, days, weeks ago. | 0:05:57 | 0:06:00 | |
That's a serious message but is everyone taking it seriously? | 0:06:00 | 0:06:08 | |
Have a guess what? | 0:06:08 | 0:06:10 | |
The offer's expired! | 0:06:10 | 0:06:11 | |
The offer has expired. | 0:06:11 | 0:06:13 | |
Does that happen much then? | 0:06:13 | 0:06:15 | |
It has today, we've been in a right muddle today. | 0:06:15 | 0:06:17 | |
Oh, there's been lots today, have there? | 0:06:17 | 0:06:19 | |
Yeah. | 0:06:19 | 0:06:20 | |
Ah, right. | 0:06:20 | 0:06:21 | |
Crikey! | 0:06:21 | 0:06:22 | |
Somebody must be on holiday! | 0:06:22 | 0:06:23 | |
Oh, right. | 0:06:23 | 0:06:24 | |
And as I head around the country, the same thing keeps happening, | 0:06:24 | 0:06:27 | |
time and time again. | 0:06:27 | 0:06:31 | |
These, mate, look they've all expired as well. | 0:06:31 | 0:06:33 | |
Yeah, yeah. | 0:06:33 | 0:06:34 | |
And that one, and that one there. | 0:06:34 | 0:06:37 | |
Blimey! | 0:06:37 | 0:06:38 | |
And that one there, mate. | 0:06:38 | 0:06:40 | |
I should work here! | 0:06:40 | 0:06:45 | |
So what's going on? | 0:06:45 | 0:06:49 | |
I have to tell the compliance manager that his men | 0:06:49 | 0:06:51 | |
are not doing their job. | 0:06:51 | 0:06:53 | |
Oh, I see. | 0:06:53 | 0:06:55 | |
So is there a separate department, then? | 0:06:55 | 0:06:58 | |
Yeah, so you have PI for labels and then you have another team that | 0:06:58 | 0:07:02 | |
takes things off before the date and then you have stock control | 0:07:02 | 0:07:05 | |
that's supposed to doublecheck, but they don't seem to be doing | 0:07:05 | 0:07:07 | |
the right thing. | 0:07:07 | 0:07:08 | |
Oh, I see. | 0:07:08 | 0:07:09 | |
It doesn't seem a terribly difficult or perhaps that long a job, | 0:07:09 | 0:07:12 | |
just to walk round the store, assuming everyone knows | 0:07:12 | 0:07:15 | |
what day it is, you know, to go round and tear off anything | 0:07:15 | 0:07:18 | |
that has had its day. | 0:07:18 | 0:07:24 | |
You'd think so, yeah! | 0:07:24 | 0:07:26 | |
The only thing that went through correctly | 0:07:26 | 0:07:28 | |
was the bag for life! | 0:07:28 | 0:07:29 | |
Maybe not, then! | 0:07:29 | 0:07:32 | |
And it's not just shoppers left confused as old and new promotions | 0:07:32 | 0:07:35 | |
end up side by side. | 0:07:35 | 0:07:38 | |
They've put two up, look. | 0:07:38 | 0:07:40 | |
Oh, right. | 0:07:40 | 0:07:41 | |
That one is correct and that is correct | 0:07:41 | 0:07:43 | |
but they didn't take that one out. | 0:07:43 | 0:07:44 | |
Oh, I see, well, that's confusing. | 0:07:44 | 0:07:47 | |
The longer the offer has been wrong, the bigger the failure of diligence | 0:07:47 | 0:07:50 | |
and the more worried I am, frankly. | 0:07:50 | 0:07:54 | |
In that case, he's not going to like what's coming up next. | 0:07:54 | 0:07:59 | |
At this store, the cashier checks the out-of-date label | 0:07:59 | 0:08:01 | |
but doesn't remove it. | 0:08:01 | 0:08:03 | |
And when I return the next day, neither does someone else. | 0:08:03 | 0:08:06 | |
So, a week later, I go back, and it's still on display. | 0:08:06 | 0:08:10 | |
And when I return a month later, yes, still on the shelf. | 0:08:10 | 0:08:14 | |
The fourth worker finally removes it. | 0:08:14 | 0:08:17 | |
That is very bad. | 0:08:17 | 0:08:19 | |
It's pretty basic that if one customer is shown something wrong | 0:08:19 | 0:08:22 | |
then it's put right to stop other customers being misled. | 0:08:22 | 0:08:30 | |
But at 33 of the 50 stores I went to, the till price was more | 0:08:30 | 0:08:34 | |
than the shelf price. | 0:08:34 | 0:08:36 | |
That's a whopping 66%! | 0:08:36 | 0:08:41 | |
If customer A has come back and complained and been refunded, | 0:08:41 | 0:08:44 | |
that doesn't mean there weren't 20 other customers who didn't spot it | 0:08:44 | 0:08:47 | |
and didn't complain. | 0:08:47 | 0:08:49 | |
So alarm bells would be ringing? | 0:08:49 | 0:08:50 | |
Very much so, yes. | 0:08:50 | 0:08:53 | |
There were obviously major problems with their control of the special | 0:08:53 | 0:08:57 | |
offers and it's the special offers that bring people in, | 0:08:57 | 0:09:00 | |
make people reach for more and perhaps spend a little bit more | 0:09:00 | 0:09:03 | |
than they're meant to when they came into the store, | 0:09:03 | 0:09:05 | |
so that is very, very worrying. | 0:09:05 | 0:09:10 | |
But what does Tesco say? | 0:09:10 | 0:09:11 | |
The company wouldn't provide anyone for interview | 0:09:11 | 0:09:14 | |
but after reviewing our evidence told this programme... | 0:09:14 | 0:09:24 | |
But that's just the start. | 0:09:36 | 0:09:37 | |
Following our investigation, Britain's biggest supermarket says | 0:09:37 | 0:09:39 | |
it's now doublechecking the accuracy of every price in every store - | 0:09:39 | 0:09:42 | |
that's more than 3,500 stores across Britain. | 0:09:42 | 0:09:44 | |
Well, every little helps(!) | 0:09:44 | 0:09:54 | |
And don't forget, if you've got any comments about the night's programme | 0:09:59 | 0:10:01 | |
or you've got a story you think we might like to cover, | 0:10:01 | 0:10:04 | |
you can get in touch on Facebook or on Twitter. | 0:10:04 | 0:10:07 | |
Coming up on Inside Out, the archaeological treasures hidden | 0:10:07 | 0:10:10 | |
in the Yorkshire Wolds. | 0:10:10 | 0:10:13 | |
It's not easy to find you up here! | 0:10:13 | 0:10:19 | |
Now, there's a chance to find some modern-day treasure | 0:10:19 | 0:10:21 | |
in Scunthorpe next weekend. | 0:10:21 | 0:10:24 | |
An art exhibition is opening in the town. | 0:10:24 | 0:10:28 | |
The paintings will contain clues to a very special treasure hunt. | 0:10:28 | 0:10:31 | |
Anyone can take part and the prize is real gold, I kid you not! | 0:10:31 | 0:10:34 | |
Keeley Donovan has been on the hunt. | 0:10:34 | 0:10:44 | |
It's winter in Scunthorpe - not the most promising place to be | 0:10:44 | 0:10:47 | |
looking for treasure. | 0:10:47 | 0:10:48 | |
But later this week, people here will have | 0:10:48 | 0:10:50 | |
a golden opportunity - quite literally. | 0:10:50 | 0:10:55 | |
We've got five golden artefacts that have been created. | 0:10:55 | 0:10:57 | |
They are going to be hidden in and around Scunthorpe. | 0:10:57 | 0:10:59 | |
But to find them, you'll need to crack a code. | 0:10:59 | 0:11:09 | |
Some of them are really difficult. | 0:11:10 | 0:11:11 | |
One of them is supposed to be ridiculously easy. | 0:11:11 | 0:11:14 | |
Each gold object is worth ?1,000 and if you find it you keep | 0:11:14 | 0:11:21 | |
it - simple as that. | 0:11:21 | 0:11:23 | |
Confused? | 0:11:23 | 0:11:24 | |
Let me explain. | 0:11:24 | 0:11:25 | |
It's all in the name of art and Luke Jerram is the artist behind | 0:11:25 | 0:11:28 | |
this slightly crazy scheme. | 0:11:28 | 0:11:29 | |
I had this idea to think about celebrating the history | 0:11:29 | 0:11:31 | |
of Scunthorpe by taking five objects from the museum and created | 0:11:31 | 0:11:34 | |
replicas, I suppose, in solid gold. | 0:11:34 | 0:11:35 | |
So tell me about the statues themselves. | 0:11:35 | 0:11:39 | |
They range from a Jurassic ammonite, which will be millions of years old, | 0:11:39 | 0:11:42 | |
all the way through to a genus train, which is taken | 0:11:42 | 0:11:45 | |
from the steel industry. | 0:11:45 | 0:11:46 | |
There is a Viking brooch. | 0:11:46 | 0:11:51 | |
We've also got a Roman ram and this beautiful Tudor figurine as well. | 0:11:51 | 0:11:59 | |
But finding these ?1,000 solid gold objects will not be that easy. | 0:11:59 | 0:12:04 | |
Treasure hunters will have to crack a code which is hidden in paintings | 0:12:04 | 0:12:07 | |
to be displayed at the 2021 Gallery in Scunthorpe. | 0:12:07 | 0:12:09 | |
And the paintings are being created at this not-so-secret | 0:12:09 | 0:12:11 | |
location here in Bristol. | 0:12:11 | 0:12:17 | |
Each artefact has a painting that goes with it, and the painting | 0:12:17 | 0:12:20 | |
contains clues as to where to find this gold artefact. | 0:12:20 | 0:12:22 | |
There are five paintings and five objects. | 0:12:22 | 0:12:24 | |
Luke has asked artist Vivienne Baker to make the five paintings. | 0:12:24 | 0:12:27 | |
Today he's come to take a look at how things are progressing. | 0:12:27 | 0:12:30 | |
Not that surprisingly, all the clues will be in gold. | 0:12:30 | 0:12:33 | |
Exciting. | 0:12:33 | 0:12:37 | |
It's like Christmas, isn't it? | 0:12:37 | 0:12:41 | |
Yeah, it looks nice, though, doesn't it? | 0:12:41 | 0:12:42 | |
It's going to be good. | 0:12:43 | 0:12:46 | |
Yes, that's quite a good texture. | 0:12:46 | 0:12:47 | |
The paintings are like backgrounds, like something solid | 0:12:47 | 0:12:49 | |
like stone or metal surfaces. | 0:12:49 | 0:12:50 | |
What are you doing now, then? | 0:12:50 | 0:12:54 | |
What's this? | 0:12:54 | 0:12:56 | |
I'm spray painting the clues on. | 0:12:56 | 0:13:00 | |
Have you cracked any of the clues? | 0:13:00 | 0:13:02 | |
No! | 0:13:02 | 0:13:08 | |
Even the easy one? | 0:13:08 | 0:13:09 | |
I don't stand a chance, then! | 0:13:09 | 0:13:11 | |
And even Luke doesn't seem sure. | 0:13:11 | 0:13:13 | |
There's no way I could crack the most difficult one. | 0:13:13 | 0:13:15 | |
I could certainly crack probably two or three of the paintings. | 0:13:15 | 0:13:18 | |
You say that now you know the answers! | 0:13:18 | 0:13:20 | |
I do, yeah. | 0:13:20 | 0:13:22 | |
I've been working with a guy from an unnamed government agency | 0:13:22 | 0:13:25 | |
to work out all the coding and the ciphers for these paintings. | 0:13:25 | 0:13:28 | |
Some are really easy to decode whereas the most | 0:13:28 | 0:13:30 | |
complicated painting, it will take maybe a month | 0:13:30 | 0:13:33 | |
for someone to perhaps work it out. | 0:13:33 | 0:13:36 | |
I know you're not giving a lot away, you don't want us to suss | 0:13:36 | 0:13:40 | |
out the clues just yet, but can we speak to the man? | 0:13:40 | 0:13:43 | |
Let me see what I can do. | 0:13:43 | 0:13:46 | |
So I've managed to persuade Luke to give me the details for his code | 0:13:46 | 0:13:49 | |
man and now I'm heading back up North to meet him. | 0:13:49 | 0:13:55 | |
I'm at Sheffield University to meet mathematician and secret code | 0:13:55 | 0:13:57 | |
setter Dan Fretwell. | 0:13:57 | 0:13:59 | |
How on earth does a mathematician get involved with an art | 0:13:59 | 0:14:04 | |
project like this? | 0:14:04 | 0:14:09 | |
Well, it was quite a surprise, really. | 0:14:09 | 0:14:11 | |
One day, there was an e-mail going round. | 0:14:11 | 0:14:13 | |
The header was just puzzler/codebreaker required. | 0:14:13 | 0:14:14 | |
I just tried to resist the temptation to open it but I failed. | 0:14:14 | 0:14:20 | |
How many people know the answers to the codes? | 0:14:20 | 0:14:23 | |
Just me and Luke. | 0:14:23 | 0:14:28 | |
How difficult are the cyphers that you've set within them? | 0:14:28 | 0:14:31 | |
Some of them are really difficult. | 0:14:31 | 0:14:32 | |
So there are five in total and one of them is supposed | 0:14:32 | 0:14:38 | |
to be ridiculously easy. | 0:14:38 | 0:14:39 | |
The final two in particular are much harder, so we're expecting at least | 0:14:39 | 0:14:42 | |
one of them to go unsolved for quite a while. | 0:14:42 | 0:14:48 | |
To give me a fighting chance, Dan shows me how to solve | 0:14:48 | 0:14:50 | |
a relatively easy puzzle. | 0:14:50 | 0:14:51 | |
So what I've used here is something called a Caesar shift. | 0:14:51 | 0:14:54 | |
It's a very old cipher and basically all I've done is I've took | 0:14:54 | 0:14:57 | |
the alphabet and I've shifted it on one place. | 0:14:57 | 0:14:59 | |
OK, so that would be an I. | 0:14:59 | 0:15:03 | |
Yep. | 0:15:03 | 0:15:06 | |
OK. | 0:15:06 | 0:15:07 | |
I know what you've done here. | 0:15:07 | 0:15:12 | |
There you go. | 0:15:12 | 0:15:14 | |
I know what you've done. | 0:15:14 | 0:15:16 | |
Very clever! | 0:15:16 | 0:15:17 | |
Does this one follow a similar rule? | 0:15:17 | 0:15:27 | |
Meanwhile, at a secret location elsewhere in the country, | 0:15:45 | 0:15:47 | |
some very talented people are working to finish the gold | 0:15:47 | 0:15:49 | |
objects ready for them to be hidden in five locations around Scunthorpe. | 0:15:49 | 0:15:52 | |
Originally, it's a Viking brooch that was found | 0:15:52 | 0:15:54 | |
by a metal detectorist. | 0:15:54 | 0:15:55 | |
I really like the shape of it. | 0:15:55 | 0:15:57 | |
It reminds me of all the wind turbines in Scunthorpe. | 0:15:57 | 0:15:59 | |
This is called Lost Wax Castle. | 0:15:59 | 0:16:01 | |
We are putting the wax into the mould. | 0:16:01 | 0:16:03 | |
We are going to melt the wax out of the mould. | 0:16:03 | 0:16:05 | |
And then, through that tube, we will feed the metal to make the piece. | 0:16:05 | 0:16:08 | |
Oh, look at that, it's boiling! | 0:16:09 | 0:16:10 | |
Right, ready to go, and we will roll it over. | 0:16:10 | 0:16:12 | |
There is this lovely moment of alchemy when you're holding | 0:16:12 | 0:16:15 | |
precious metal and you're melting it down and it's being transformed | 0:16:15 | 0:16:17 | |
into another form, there's something quite magical about that. | 0:16:17 | 0:16:20 | |
It's quite hard to describe. | 0:16:20 | 0:16:21 | |
We've gone from a 3D object to scanning to wax into plaster | 0:16:21 | 0:16:24 | |
and now we're in 18-carat gold. | 0:16:24 | 0:16:26 | |
Look at that, solid gold worth ?1,000, I wonder | 0:16:26 | 0:16:28 | |
who's going to find it? | 0:16:28 | 0:16:34 | |
Weel, not me at this rate. | 0:16:34 | 0:16:43 | |
So I'm off to meet the man whose job it is to organise the exhibition. | 0:16:53 | 0:16:56 | |
Maybe he can give me some clues? | 0:16:56 | 0:17:01 | |
We are in Scunthorpe Centre. | 0:17:01 | 0:17:03 | |
We close to where any figures are hidden? | 0:17:03 | 0:17:06 | |
There are some in urban locations, some in parkland and some | 0:17:06 | 0:17:10 | |
a bit further out of town. | 0:17:10 | 0:17:15 | |
You worried that people will dig up all | 0:17:15 | 0:17:17 | |
the parks? | 0:17:17 | 0:17:20 | |
It was a concern so we were very careful not to bury any of | 0:17:20 | 0:17:23 | |
the objects. | 0:17:23 | 0:17:24 | |
It will be difficult to hide them. | 0:17:24 | 0:17:28 | |
Should we go in balaclavas in the middle of the | 0:17:28 | 0:17:31 | |
night? | 0:17:31 | 0:17:32 | |
We're not sure. | 0:17:32 | 0:17:38 | |
He might have to shake your bid. | 0:17:38 | 0:17:46 | |
So, if someone finds the object they get to keep it, | 0:17:46 | 0:17:48 | |
and they will then decide whether to melt it down | 0:17:48 | 0:17:51 | |
and turn it into hard cash. | 0:17:51 | 0:17:52 | |
Or they can keep the artefact for artistic reasons, | 0:17:52 | 0:17:54 | |
so that's interesting as well for me what the value of an object is, | 0:17:54 | 0:17:58 | |
is it just the value of the gold or does it have more value | 0:17:58 | 0:18:01 | |
as an artefact, as an artwork in its own right? | 0:18:01 | 0:18:03 | |
So Luke and Dominic are going to be | 0:18:03 | 0:18:05 | |
The exhibition starts here in Scunthorpe at the weekend | 0:18:05 | 0:18:08 | |
so get yourself there. | 0:18:08 | 0:18:09 | |
And happy hunting! | 0:18:09 | 0:18:18 | |
Now, most people know the Yorkshire Wolds for its rolling | 0:18:19 | 0:18:21 | |
hills and stunning views, but it has got another claim to fame | 0:18:21 | 0:18:24 | |
- as one of Britain's richest archaeological sites. | 0:18:24 | 0:18:26 | |
We sent intrepid explorer Paul Rose to investigate. | 0:18:26 | 0:18:28 | |
With thousands of acres of lush farm land - | 0:18:28 | 0:18:30 | |
you could be forgiven for thinking that all you'll find in the Wolds | 0:18:30 | 0:18:33 | |
are wheat or potatoes. | 0:18:33 | 0:18:37 | |
But just a few feet below the surface of this chalk rich | 0:18:37 | 0:18:40 | |
landscape there are epic stories of the black death, extreme violence | 0:18:40 | 0:18:43 | |
and heroic journeys. | 0:18:43 | 0:18:50 | |
They're all there if you dig deep enough. | 0:18:50 | 0:18:52 | |
I'm going to take a journey back in time through the wolds - | 0:18:52 | 0:18:55 | |
a place that has provided some of the country's most significant | 0:18:55 | 0:18:58 | |
archaeological finds. | 0:18:58 | 0:19:04 | |
It's very productive landscape in | 0:19:04 | 0:19:06 | |
prehistoric times as is the day, and | 0:19:06 | 0:19:09 | |
all that activity has left its mark. | 0:19:09 | 0:19:13 | |
You can go back through time periods, whether it is prehistoric | 0:19:13 | 0:19:15 | |
Mesolithic material through the Bronze Age, the Iron Age, the | 0:19:15 | 0:19:18 | |
medieval period, the Romans, and see how humans have shaped | 0:19:18 | 0:19:20 | |
informed that landscape. | 0:19:20 | 0:19:21 | |
The most famous of the wolds' archaeological sites | 0:19:21 | 0:19:23 | |
is the deserted medieval village of Wharram Percy near Malton. | 0:19:23 | 0:19:26 | |
And here there's still lots to actually see. | 0:19:26 | 0:19:30 | |
For 700 years, there was an active community here, and this is what | 0:19:30 | 0:19:35 | |
remains of the church and hub of the whole village. | 0:19:35 | 0:19:39 | |
A combination of the Black Death and the way the lad was | 0:19:39 | 0:19:42 | |
farmed meant that by the early 16th century the village was effectively | 0:19:42 | 0:19:45 | |
abandoned. | 0:19:45 | 0:19:52 | |
Archaeologists have had a field day trying to understand | 0:19:52 | 0:19:55 | |
what happened at Wharram Percy. | 0:19:55 | 0:19:56 | |
In the 1950s researchers moved in, and they stayed for 40 years | 0:19:56 | 0:20:01 | |
cataloguing every aspect of life. | 0:20:01 | 0:20:06 | |
You are not just looking at the building or a castle. | 0:20:06 | 0:20:08 | |
You are looking at the every day, how these | 0:20:08 | 0:20:13 | |
people ate, had they produced food, how they lived. | 0:20:13 | 0:20:15 | |
That makes the excavations stand out because it | 0:20:15 | 0:20:17 | |
gives all that contact the daily lives of ordinary people. | 0:20:17 | 0:20:19 | |
People like us. | 0:20:19 | 0:20:29 | |
The Wharram Percy dig is now over but, nearby on the wolds, | 0:20:31 | 0:20:34 | |
archaeologists are still hard at work. | 0:20:34 | 0:20:36 | |
Mel Giles and her team | 0:20:36 | 0:20:40 | |
from Manchester University are working on an extraordinary cold | 0:20:40 | 0:20:42 | |
case that's taken me even further back in time to the iron age | 0:20:42 | 0:20:52 | |
I am on the Trail of the burial that was found | 0:20:53 | 0:20:59 | |
when it was snowing in | 0:20:59 | 0:21:01 | |
1980. | 0:21:01 | 0:21:02 | |
Originally discovered by members of the Army. | 0:21:02 | 0:21:03 | |
The excavated what they thought was a shell and it | 0:21:03 | 0:21:06 | |
turned out to be an iron sword. | 0:21:06 | 0:21:16 | |
Beside the sword were human remains. | 0:21:16 | 0:21:18 | |
It was an amazing find of the lost burial site | 0:21:18 | 0:21:21 | |
of what appeared to be a significant figure. | 0:21:21 | 0:21:23 | |
The grave occupied a prime position with grand views all round. | 0:21:23 | 0:21:26 | |
And the fact the sword was bent but not broken was probably a sign | 0:21:26 | 0:21:29 | |
that the weapon was ALSO laid to rest along with its owner. | 0:21:29 | 0:21:32 | |
It's a dramatic burial with the sword Ben. | 0:21:32 | 0:21:34 | |
We can imagine the wood of the scabbard shattering around | 0:21:34 | 0:21:36 | |
the blade. | 0:21:36 | 0:21:37 | |
So this man somehow had a place high in society? | 0:21:37 | 0:21:40 | |
I think so. | 0:21:40 | 0:21:41 | |
I want to understand his life as well | 0:21:41 | 0:21:43 | |
as his death. | 0:21:43 | 0:21:44 | |
Mel's team are looking for more clues near the burial site | 0:21:44 | 0:21:48 | |
but what's clear is that this warrior met a violent end. | 0:21:48 | 0:21:50 | |
First, I am going to show you his skull, it is very fragile. | 0:21:50 | 0:21:57 | |
His remains have made the short journey to Hull Museum. | 0:21:57 | 0:22:04 | |
That fine line has healed, so that | 0:22:04 | 0:22:07 | |
the sharp thin blade. | 0:22:07 | 0:22:12 | |
It goes hand-in-hand with an injury at the | 0:22:12 | 0:22:14 | |
back of his head, which is a much | 0:22:14 | 0:22:16 | |
larger wound. | 0:22:16 | 0:22:21 | |
He may have died by the sword but new data has shown that this man | 0:22:21 | 0:22:24 | |
was less than fighting fit. | 0:22:24 | 0:22:26 | |
Can you see that discolouration on the rip? | 0:22:26 | 0:22:30 | |
There, particularly, can you see how bumpy it is? | 0:22:30 | 0:22:32 | |
It looks almost like dirt. | 0:22:32 | 0:22:34 | |
It should not be there. | 0:22:34 | 0:22:38 | |
It is as body reacting to severe infection. | 0:22:38 | 0:22:43 | |
The warrior had tuberculosis - a debilitating chest infection that | 0:22:43 | 0:22:46 | |
would slowly have weakened him. | 0:22:46 | 0:22:50 | |
Scientists believe it's the second earliest case of TB to have | 0:22:50 | 0:22:53 | |
been found in Britain. | 0:22:53 | 0:22:55 | |
Whether there's a conflict and he is so poorly he is unable | 0:22:55 | 0:22:58 | |
to defend himself, whether members of his own | 0:22:58 | 0:23:01 | |
community despatching because they do not want | 0:23:01 | 0:23:04 | |
this disease to spread, they are worried, they may even see | 0:23:04 | 0:23:07 | |
him as being cursed by the gods, another possibility is he may want | 0:23:07 | 0:23:10 | |
to grab death the throat, go out in the glorious end, | 0:23:10 | 0:23:13 | |
and it is snowing that his comrades will promise him | 0:23:13 | 0:23:15 | |
the sender. | 0:23:15 | 0:23:25 | |
That's quite something. | 0:23:30 | 0:23:31 | |
While some stories take ages to piece together, | 0:23:31 | 0:23:33 | |
others are uncovered by mother nature. | 0:23:33 | 0:23:35 | |
Close to one of the world's great superstructures is the site of one | 0:23:35 | 0:23:39 | |
of the Wold's most remarkable discoveries. | 0:23:39 | 0:23:43 | |
In 1937, two brothers - | 0:23:43 | 0:23:44 | |
Ted and Willy Wright - found planks sticking out of the mud | 0:23:44 | 0:23:47 | |
of the riverbank at North Ferriby. | 0:23:47 | 0:23:51 | |
The wood looked like it was once part of a boat | 0:23:51 | 0:23:54 | |
but how old it was - well, that came as a complete | 0:23:54 | 0:23:57 | |
surprise. | 0:23:57 | 0:24:01 | |
The shape of the boat at the | 0:24:01 | 0:24:02 | |
brothers to believe it was a Viking | 0:24:02 | 0:24:04 | |
craft but the reality was much more exciting. | 0:24:04 | 0:24:06 | |
This boat was over 4000 years old. | 0:24:06 | 0:24:08 | |
These planks were situated in a gloopy, horrible mud. | 0:24:08 | 0:24:13 | |
How they manage to do it. | 0:24:13 | 0:24:17 | |
What a complete and utter nightmare. | 0:24:17 | 0:24:26 | |
The gloopy mud acted like a preservative playing a key | 0:24:26 | 0:24:30 | |
part of the survival of what remained. | 0:24:30 | 0:24:31 | |
Over the course of several decades, three boats were discovered - | 0:24:31 | 0:24:34 | |
and their design has led historians to believe they were capable | 0:24:34 | 0:24:36 | |
of crossing the open seas. | 0:24:36 | 0:24:46 | |
They showed us that not just look but outwards, out | 0:25:04 | 0:25:06 | |
beyond the Humber Bridge we see today. | 0:25:06 | 0:25:08 | |
These days, we enjoy the Yorkshire Wolds for its natural | 0:25:08 | 0:25:10 | |
beauty and amazing big sky views. | 0:25:10 | 0:25:12 | |
But beneath our feet, there are thousands of secret | 0:25:12 | 0:25:14 | |
stories, and one thing's for sure, what's been found so far has only | 0:25:14 | 0:25:17 | |
scratched the surface of the hidden history of this corner of England. | 0:25:17 | 0:25:20 | |
And you can see more Paul Rose and the hidden history | 0:25:20 | 0:25:23 | |
of the Yorkshire Wolds in a new 2-part series | 0:25:23 | 0:25:25 | |
on BBC Two this spring. | 0:25:25 | 0:25:26 |