Episode 8 Out of the Blue


Episode 8

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How or where and two out of the blue, with Graham Little and Joanne

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Salley thought stop we are live from the of a summit us tonight, a

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musical pedigree includes to let in at Gary Lightbody and supporting

:00:26.:00:30.

David Gray. Now a latest album has topped the Irish charts, Lisa

:00:30.:00:38.

Hannigan will be singing live for us. He has already buy it a big art

:00:38.:00:42.

award in London this year. Tonight, he is moulding a masterpiece in 60

:00:42.:00:48.

minutes, sculptor Patrick Colhoun and. And he is about to make waves

:00:48.:00:53.

in a major new TV series about the Titanic, it is actor Gerard

:00:53.:01:03.
:01:03.:01:07.

McCarthy! Agreed to have here. Mick is a comfortable. In it is great to

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be home. You have spent a lot of time in Dublin and London, do you

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get home not much? And try to get home at least once a month, very

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recently it has been about once a week. A do still bring you watching

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them from your mum. See his like no. Do not start that! What do you miss

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most about this place when you are away? We it has to be the sense of

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humour. When you are home, the crack you have with your mates and

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the crack you have with complete strangers, is very exclusive to

:01:41.:01:45.

Northern Ireland, so that is heavily what I'm is the most.

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men of the plane touches down, you can have banter with the taxi

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driver. We will be speaking to Gerard about the great actors he

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has worked with and then of course there is the cast of Hollyoaks.

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First a, a big thanks to Davy Francis who sent this in. He

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decided he wanted to commemorate the presenters of Out of the Blue.

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Thank you very much. Good to see that we are inspiring some art of

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our own! Grain, you look a bit old in that picture. Christmas for

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theatres up and down the land means a ritual chorus of lamp rubbing and

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the hauling out of course costumes. Panto is back and is apparently

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timeless obsession with men laying on the lipstick and dressing up as

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Danes. Mark Maclean it dared to share one famous cross-dresser's

:02:35.:02:45.
:02:45.:02:46.

dressing room. This year, the grande dame of comedy, may make

:02:46.:02:50.

that reach because there until it in the grand opera house. She takes

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centre stage for the 22nd year running. My mummy and daddy love me.

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My mummy wanted a weaker and, at my daddy wanted a wee boy, both of

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them are delighted! They may not thank me for dragging it up, but

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some of our finest male entertainers, Jimmy Young, the two

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armies, Barry Humphries, or have a great reputation that bidding on

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women's close to earn a living. What is it that makes a man want to

:03:18.:03:24.

don-a-dress and UN whose idea was it in the first place? I have come

:03:24.:03:33.

for a sneak peek been made but that is's dressing room. Come end!

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or should I say John Lennon. I am almost there. Looking good. How

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long have you been at this game, dressing up as a woman? About 40

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years. Actually, 25 years. How does putting it on a dress allow you to

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get away with more? I think it is because I am another character.

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Don't you be laughing at love, at least I can change. John can think

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something, but why he is dressed as May, he can get away with it. I

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have a... UK been aware of it, as long as you are dressed as May. You

:04:21.:04:31.
:04:31.:04:34.

fancy me don't shoot. Any one there, looking at these Abri brought in!

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One of John's cross-dressing predecessors, Jimmy Young knew no

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boundaries. He was one of the first comics to confront the troubles.

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How d'you know if you are a Catholic or a Protestant? He is

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gags were loved by both sides of the sectarian divide. Nobody could

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stand up and start sliding the other side of as he did with or

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insular will. You could not stand up and do that as a guy, because

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people would think that was what she believed. When you are dressed

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up you will get away with it. Ironically, the Church encourage

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performers to cross dress in Elizabethan times. The English

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clergy because bridge laws that banished women from the stage, some

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men had to take the lead female roles. The church was deeply

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concerned that women did not know their place. In the theatre, that

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meant that they would have been centre stage in the Elizabethan

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society. Shakespeare was not the first to get his meal actors to

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dress up in drag. The earliest origins of West End Theatre are in

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ancient Greece and the greatest roles or all performed by men,

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because women were prohibited from appearing in theatre and

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participating in the do. They were almost like slaves, certainly

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second class citizens, so it was effectively an all-male stage,

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performing these great roles. more recent times, and the early

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salad, Dame Edna and the Little Britain boys have all become a name

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cross-dressers on British TV and Brendan O'Carroll's Head Mrs

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Brown's boys show that so the audience had not tired of this.

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is a man in a dress. I think a man wearing a dress is naturally funny.

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I don't get it. A I think men who dress up as women will be hilarious.

:06:41.:06:51.
:06:51.:06:53.

I don't get it., on Sun, Give Me Your arm. A relocate a? Go fancy a

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drink? I think Ralph was OK until you walk down Victoria Street.

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Regular listeners to his radio show may think that is how he presents

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it every evening. It is not a first for you Gerard? My character in

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Hollyoaks that I played for five years was a cross-dresser, and it

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was not, be like that, he but it was any, never having met anyone

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like that, it was quite weird to play someone who was very serious

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about it and it was not played for gags. The only reference that I had

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growing up was Boy George and it beard towards that side of the

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whole new romantic thing. You're only supposed to be in Hollyoaks

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for three months, but obviously you were there for years. Are you happy

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enough that you stay that long? Was it fun? They brought me up because

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they wanted to drive his character and the producer was adamant that

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he wanted the character in the show and Channel 4 were not sure that

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would work, so they agreed to bring the end for 12 episodes on a three-

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month contract and my agent says if it works, brilliant, into Manns

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people have forgotten about it. I ended up staying for five years. I

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think because the character was so out there and we do have so much

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fun with the story lines, then make up eccentric, it stopped me from

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getting bored, which is why the five years when so quickly.

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returned once, and the door is open, would you be tempted to go back?

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Yeah. He if they want to me and I was available, I would definitely

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go because I had such a great time. It was so much fun and I owe them

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so much. It was my first job in front of a camera and to get that

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experience of doing that every day for five years was prices. If they

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asked me and I could do it, I definitely would. It must be hard

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work? Are hard as part would be getting up at 6:30am to be in make-

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up, but that was outweighed by the 35 stunning girls that you work

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with every day! I you don't mind getting out of bed at 5:30am then.

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You went from a West Belfast to the West End and it was Kenneth Branagh

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that you have to find we are acting career? Kenneth Branagh set up the

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Renaissance scholarship and it amaze me, at so many people do not

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know Kenneth Branagh is from Belfast, but he set up his

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scholarship that pays for Northern Irish guineas to go and train as an

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actor, whether or not is in England or America and I applied for it in

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2000 and was lucky enough to get awarded it. It's me it everything

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at college at so much easier, living away from home for the first

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time. I went to Epsom for two years to study musical theatre, graduated

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and went into the Abba musical, Mamma Mia, within a couple of

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months. I did that for a few years, Carousel, Saturday Night Fever,

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directed by Arlene Phillips, so it was fun. That was it her. To come

:10:05.:10:11.

all that way up of course. It has been a crazy journey. It proudly

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took its name from an American president the who played his part

:10:14.:10:17.

in the Northern Ireland peace process. The design of the Clinton

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Centre in Enniskillen is something of a talking how -- point in the

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town. So as part of our Love it or Loathe it series we asked locals of

:10:25.:10:35.
:10:35.:10:39.

the see the building as a monument to appease or a monumental mistake.

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I am Jeni McRae, the ex-president and Enniskillen and chamber of

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Compton's and this is the centre. It was built on the bomb site and

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I'm sure you remember the Remembrance Day bombing in

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Enniskillen in 1987. The name was given to it from the former

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President Bill Clinton and he dedicated the centre to peace and

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prosperity in Ireland. This is a wonderful piece of modern art. It

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was designed by a local architect from Enniskillen and you can see it

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is very modern. I absolutely love it. I think it suits the town. It

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is very attractive. It is very simplistic, it has straight lines

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and is a very unusual shape and the Blue is to contrast with the water

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beside it. It was the same old traditional building, it would not

:11:31.:11:41.
:11:41.:11:45.

have the same effect. It is a new building for new beginnings I have

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been a resident of them has gone for 45 years. As a lover of all

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buildings I have loved living in Enniskillen, in its history, its

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character and its buildings are all beautiful. Until this are right

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behind me. There is no character. It is not in keeping with the town.

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Two this site, we had the war memorial. It is now dwarfed by this

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monster! When you come up his street, your first impression it is

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a has Enniskillen got a present. It is in a brown malt looking at you.

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It is meant to mean peace, there is nothing of these will about Pat or

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brown. Be only locals who use it are the local water rats, who are

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:12:42.:12:43.

busily colour blind. Ms Gillan the with this is losing its own culture.

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He had heard the arguments for and against, can you come forward and

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vote with your feet? As a victim of the Enniskillen bombing, where my

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father was murdered, I think this building is disgusting. It is an

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eyesore. A I've been is building it there is a great assets and a

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contrast really with the older buildings they lit stir tea.

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looks unfinished. It symbolises that the town is changing. It is

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Making the homesick! You have gone from Hollyoaks to Shakespeare, that

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is a very different challenge? was a random phone call because I

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was coming to the end of my Hollyoaks contract and my agent

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said, what do you want to do? I definitely wanted to get back and

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do some kind of play. I said I wanted to do something far removed

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from Hollyoaks. The last time I had done Shakespeare was at drama

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school. I got the phone call whilst I was still filming, do you want

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this role at the Globe? Shakespeare? At the Globe? The

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first time I have done it. I would be mad to do it and mad to not do

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it. I took the job and two weeks after I finished Hollyoaks, and was

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on stage. Still on screen at the same time. Then Los Angeles and

:14:33.:14:39.

newer? Merry Wives of Windsor, it was a massive hit. Be transferred

:14:39.:14:46.

to Los Angeles, then a New York. This part, I thought it was going

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to be three months, it was seven months. It just ran. Was there a

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difference with American audiences? Yes. The thing about performing at

:14:57.:15:03.

the Globe is its massive, it has been reconstructed in exactly the

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same way as it was. It is performed without lights or set. You don't

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have anything that was not around in the time of Shakespeare. You

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adapt to that and then in America, we cannot see the audience and we

:15:20.:15:26.

had lights and the set was moving. The American audience got a very

:15:26.:15:32.

different sense of humour. When in Los Angeles on the press doubt, Tom

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Hanks was there and he has this distinctive laugh and he was

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laughing and I was thinking in character, that is Woody from Toy

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Story! The only time in history when a Shakespearean character has

:15:45.:15:50.

thought that! The best experience ever but the scariest thing because

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it's also the thing were you think, if I forget my lines, I cannot make

:15:55.:16:00.

it up. In any other production, you just improvise, you get around.

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That's not the kind of stuff that you can forget and make-up. We will

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do some more name-dropping because you have worked with Neve Campbell,

:16:08.:16:17.

Derek Jacobi, how did you find that? Amazing. The luckiest thing

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about my career is that no matter where I have worked, it is all this

:16:23.:16:29.

with people that I have learnt so much from. And that amazing set of

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actors included. They are working on Titanic with me. You watch them

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working and it then becomes fairly evident how their careers have

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panned out the way that they have and how they have got here. Derek

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Jacobi, in his 70s, and I watched him on set, never forgetting any

:16:51.:16:55.

lines for never having to do anything twice. And then you

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remember that the reason why he is so well regarded is because he is

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one of the best theatre actors we have. And he isn't used to getting

:17:06.:17:13.

a second chance. You watch him and think, you are incredible. Those

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kind of people, you just soak it all in. Thank you very much for

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joining us. Best of luck with the Titanic serious. Our next story is

:17:26.:17:30.

of an extraordinary woman who could not have done more to encourage

:17:30.:17:33.

talent in Northern Ireland. She survived the Nazi camps of the

:17:33.:17:37.

Holocaust before making it to Belfast, where she became an award-

:17:37.:17:43.

winning choreographer of modern dance. Helen Lewis was barely 5 ft

:17:43.:17:47.

tall but her impact was massive. Not even frostbitten feet would

:17:47.:17:57.
:17:57.:18:00.

stop her from dancing. From the age of six, Helen Lewis de there was on

:18:00.:18:06.

the one thing she wanted to do. Dance. Born in 1916 into a cultured

:18:06.:18:11.

Jewish family living in what was then Czechoslovakia, at age 22 she

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found herself in Prague, freshly graduated from the celebrated

:18:15.:18:21.

School of Dance and married to her new husband, Paul. It seemed to be

:18:21.:18:26.

going well but for a girl with her background it was simply a case of

:18:26.:18:31.

wrong place, wrong time. By summer of 1939, all of Czechoslovakia was

:18:31.:18:37.

under Nazi occupation. Helen had just finished her dance training

:18:38.:18:42.

and she was ready to take on the major roles in the company she was

:18:42.:18:46.

wet but at that stage, she could not because she was Jewish and she

:18:46.:18:53.

was not even allowed to teach. In time, she was deported. When she

:18:53.:18:58.

was in Auschwitz, she survived two selections to the gas chambers. The

:18:58.:19:04.

first one, she had Clones over one arm. And for some miraculous reason,

:19:04.:19:09.

she switched her clothes to the other, thus hiding the scars on her

:19:09.:19:14.

tummy and she was allowed through. She had survived one, how could she

:19:14.:19:22.

survive another? On this occasion, there was a queue going towards the

:19:22.:19:25.

panel of people making the selection and acute coming away

:19:25.:19:33.

from them, out past. And she waited for her moment. And whenever she

:19:33.:19:37.

saw them looking away, she stepped in to the queue that was coming

:19:37.:19:44.

away. Helen's next destination was this concentration camp. At one

:19:44.:19:48.

stage she was asked to dance and she said she was starting with

:19:48.:19:53.

hunger, really cold. She did not think she had any energy, she could

:19:53.:19:57.

not think of dancing because with all of those injuries, all of the

:19:57.:20:02.

operations whilst in the camp, she had been told she could not dance

:20:02.:20:07.

again but she did and she thought, were did she get that energy? She

:20:07.:20:11.

could never understand. Helen survived the final death march by

:20:11.:20:15.

lying in a ditch. But both her young husband and her beloved

:20:15.:20:22.

mother died in the camp. returned to Prague and there was

:20:22.:20:26.

absolutely nobody. But fate intervened. Harry Lewis, a former

:20:26.:20:31.

friend from Prague who had fled to Belfast before the war, spotted her

:20:31.:20:37.

published by the Red Cross. How retract Helen down, they fell in

:20:37.:20:43.

love and married in proud in 1947. He brought his new bride back to

:20:43.:20:46.

Belfast, as she described it, a faraway city in a foreign land. And

:20:46.:20:52.

once again, dancing shipped your life. In 19 to P6, Grosvenor High

:20:53.:20:55.

School after to choreograph a school production of the bartered

:20:55.:21:02.

Bride. It was a very first time modern dance was seen in Northern

:21:02.:21:10.

Ireland. Nick Bryson is a former pupil. I just imagine this huge

:21:10.:21:14.

impact, whenever she arrived and she brought dance to Northern

:21:14.:21:24.
:21:24.:21:26.

Ireland as an art form. I Always remember Helen telling me, where is

:21:26.:21:29.

where in the performance space and what is what part of the body and

:21:29.:21:34.

high is what movement quality you move that body part with. I think

:21:34.:21:39.

Helen brought to us from overseas, from Europe, and give them context

:21:39.:21:44.

in Northern Ireland. Helen went on to choreograph for the Lyric

:21:44.:21:49.

Theatre as well as many operas. In 1969 she formed the Belfast modern

:21:49.:21:54.

Danske, which launched the careers of many professional dancers.

:21:54.:21:58.

Passionate about her art, in 2001 she was appointed an MBE for

:21:58.:22:02.

services to contemporary dance. Testament to the impact she had

:22:02.:22:10.

made in Northern Ireland. nurtured and love of dance in me.

:22:10.:22:20.

Go against the music quickly... And an ability to dance and teach.

:22:20.:22:23.

was a huge inspiration, she gave me belief that I could go into

:22:23.:22:31.

professional dancing. Helen passed away in 2009 at the age of 93. Even

:22:31.:22:35.

through the darkest days, she remained committed and passionate

:22:35.:22:39.

about what she loved most. And her legacy lives on in the country she

:22:39.:22:45.

came to call her own. What an inspirational woman. He has just

:22:45.:22:47.

had 60 minutes to make a contemporary sculpture out of clay.

:22:47.:22:53.

How did you get on? The form has been made and I still have work to

:22:53.:22:57.

do. It has to be dried out and refined. It has to be glazed and

:22:57.:23:05.

fired again. But the form is there. We will have a look. This is what

:23:05.:23:09.

it will look like. It is the top of your head? Partial self-portrait.

:23:10.:23:14.

All that work, you will not do tomorrow because you are very busy?

:23:14.:23:19.

It's a big day, and installing my biggest ever piece of work into the

:23:19.:23:26.

FA McWilliams Gallery, 25 heads. And to be associated with this man,

:23:26.:23:33.

this great sculpture, is magnificent. And I am part of a

:23:33.:23:38.

contemporary exhibition along with artists from the States, Poland,

:23:38.:23:44.

Canada, South Korea, Italy and other places. I have seen white and

:23:44.:23:49.

red clay, but use black clay. love how it builds. I build

:23:49.:23:55.

everything by hand. It sits what I do. And also the mood of the work,

:23:55.:24:00.

it's quite dark and earthy. Quite brooding. Where do you get your

:24:00.:24:05.

ideas from? It is a desire to be different, there are great people

:24:05.:24:10.

working in ceramics but I want to do this my own way. I used spikes

:24:10.:24:15.

and Pierce sings and in some cases, or other materials like latex. Just

:24:15.:24:24.

to be different. It sure does and I wish you all the best. If some of

:24:24.:24:30.

this art work has already been auctioned off, but if you still

:24:30.:24:34.

want to get your hands on a piece, remaining pieces will be auctioned

:24:34.:24:39.

in the year with proceeds going to Children in Need. Keep an eye on

:24:39.:24:49.
:24:49.:24:49.

Children in Need website... Our music guest this week is the

:24:49.:24:53.

Mercury nominated Lisa Hannigan. Good to see you. It is a fairly

:24:53.:24:57.

hectic time for you, promoting her second album. It's going really

:24:57.:25:04.

well, it's great. She and my next day off his Christmas Eve. It will

:25:04.:25:10.

be a lean Christmas at home. Your second album, that difficult second

:25:10.:25:15.

album, was that your experience? Not really, I felt with the first

:25:15.:25:21.

one I learnt so much and there was so much to learn that I never had

:25:21.:25:25.

recorded in a studio before managed a band were arranged songs. There

:25:25.:25:33.

was a lot to learn. With this one, yes, I felt like I knew enough to

:25:33.:25:37.

enjoy it and really focus on the music. And when it came to putting

:25:37.:25:41.

the tracks down, it took one week? Yes, and the first one was two

:25:41.:25:46.

weeks. That's a pretty good trajectory. You really immerse

:25:46.:25:50.

yourself in all aspects of the business, you design the covers,

:25:50.:25:56.

you are involved in the video and they're usually quite bizarre?

:25:56.:26:01.

I try to make them interesting. I like the old one take videos as

:26:01.:26:08.

much as possible. It saves on editing. And shooting time. We did

:26:08.:26:14.

one with myself in a white dress against a white background and all

:26:14.:26:19.

of the boys off screen were playing instruments with the medium of paid.

:26:19.:26:24.

I start off lovely and clean and by the end, I looked like this crazy

:26:24.:26:29.

swamp monster! You look great tonight. We look forward to hearing

:26:29.:26:33.

you. You can catch place on tour at the Mandela Hall in Belfast next

:26:33.:26:37.

Tuesday. That's it - if you want more information about any of the

:26:38.:26:44.

stories from tonight, check out our website... We're back next year and

:26:44.:26:52.

if you have a story we should cover, please get in touch... For now, we

:26:52.:27:02.
:27:02.:27:14.

and Little Bird... Have a good # Your heart sings like a kettle.

:27:14.:27:20.

# And your words, they boil away like steam.

:27:20.:27:27.

# And a lie burns long while the truth bites quick.

:27:27.:27:32.

# A heart is built for both, it seems.

:27:32.:27:42.
:27:42.:27:43.

# You are lonely as a church. # Despite the queuing out your door.

:27:43.:27:53.
:27:53.:28:01.

# I am empty as a promise no more. # When the time comes.

:28:01.:28:11.

# And rights have been read. # I think of you often.

:28:11.:28:21.
:28:21.:28:36.

# I was salted by your hunger. # Now you've gone and lost your

:28:36.:28:46.
:28:46.:28:47.

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