Episode 15 Points of View


Episode 15

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Good afternoon and welcome to a special edition of Points Of View

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with the BBC's science and nature commissioner, Kim Shillinglaw. Welcome.

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Points Of View has been promised for some time there's going to be

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an increase in science programming and the launch

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of the new autumn schedule gave us something to look at.

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We'll come to that in a moment.

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First, let's take a whistle-stop tour of other programmes.

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We start with something that caused a lot of comment last year - Young Apprentice.

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I've already set up and run three businesses.

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I've sold one for profit to a major firm. I'm only 16.

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Just because I'm from a working-class background

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doesn't mean I don't have high ambitions. It's not where I'm from, it's where I'm going.

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And this was highly trailed - the new drama Death In Paradise.

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But did it live up to the hype?

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Sainte-Marie was colonised by the French,

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who lost it to the British, who lost it to the Dutch.

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The Dutch lost it back to the French.

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So, that was Death In Paradise. And now we turn to marine paradise.

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Kim, this is your territory.

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One programme we were watching recently

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which was very, very popular was Natural World.

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I'm so glad to hear that programme was popular with the viewers.

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I don't know about Ingrid -

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she's obviously a working scientist,

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but we'll certainly be returning to marine animals -

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Frozen Planet and also Great Barrier Reef, which is coming to BBC Two.

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Let's stick with new talent for a moment

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because there is another scientist that people want to see more of.

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It's the only metal that's liquid at room temperature.

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What are you planning for him?

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He is going to be doing another series for us

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called Order And Disorder on BBC Four.

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We'll be seeing that next year.

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We're talking to him about a couple of other things beyond that as well.

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OK, we've got one for you now that we covered a couple of weeks ago.

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It's Bang Goes The Theory's special on nuclear power.

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It was praised by some for being succinct, concise,

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but not by others.

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I think it was legitimate for Bang to seek to set

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the number of deaths from Chernobyl in the context of other deaths.

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Do you take great care not to mishandle statistics in general?

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We would always seek to make sure that the statistics

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we use in a broadcast programme are from the most authoritative sources

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that we can find at the time of production.

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Thanks. We'll come back to you.

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Statistics seem to be massaged up and down

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according to the person who's giving them.

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And the same is true, I guess, of quotes from cowboy builders.

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Cowboy builders are the subject of a whole rash of new BBC programmes.

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Viewer Lee Tidman

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plies a perfectly respectable trade as a building contractor.

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But he's aghast at what he sees as shoddy workmanship by the BBC.

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Stick with me and I'll help prevent you

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from falling into the Cowboy Trap.

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Cowboy Trap? What's that all about?

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I just couldn't believe that a programme called Cowboy Trap

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could so successfully not be a cowboy trap.

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From the programme, I expected to see the BBC or whoever makes

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the programme sort out the problems with the work that they had done.

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But nobody was brought to task or to book.

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Nobody could say, "We need to avoid these people

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"because they do bad work."

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-All they got was their room painted.

-'After a couple of days' hard graft,

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'they're well on the way to transforming this room.'

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So, with the Cowboy Trap sprung,

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it is another expose of the building trade,

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Dirty Tricks Of The Tradesmen, that has raised the ire of many viewers.

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On Dirty Tricks Of The Tradesmen, there's two aspects.

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There's one where they investigate things that have gone wrong.

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We lift the lid on some of the UK's most shocking tradesmen rip-offs.

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But at the same time, they're showing the consumer what tricks to look out for

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and what to do and what not to do when having work done on your home.

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Leaking radiator - I obviously get loads of these.

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Probably just an O-ring. Take me about quarter of an hour to fix it.

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But the water looks pretty murky - I'll try and persuade him

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there's corrosion going on in the system.

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One of the best things is Roger going into the back of his van.

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He keeps going up to these little cameras and going,

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"I'm going to get another 400 quid out of her!"

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His hands are permanently glued into his pockets.

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..to work even harder...

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..for thousands of us each year.

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I think this programme's better than Cowboy Trap because it actually

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does alert the public to the sort of tricks a rogue tradesman might use.

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And also, it does make it painfully obvious

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that the British public are probably way too trusting.

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So, criticism that no real action is taken against the cowboys

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who are uncovered in those types of shows. And separately, Kim,

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some criticism for you about the Hadron Collider -

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this great particle accelerator where particles are banged together

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to teach us about the origins of the universe.

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It was restarted in CERN. People saying, "Where was the coverage?"

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-Did you just forget it was happening?

-That...

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It's a very interesting comment from the viewer.

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It's the sort of comment we're always really grateful to have because it

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helps us know what people care about and want to see programmes about.

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In this particular case, the restart of the Large Hadron Collider was

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very well covered by our news outlets

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and Radio 4 as well as Radio 5.

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And we do see our science output as a whole across the BBC,

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so while I take his comments on board -

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and I'll certainly pass them on to the production team -

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I think it was probably not Horizon's job in that particular case.

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OK, now, here's an interesting one from Tom Leeks.

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The worry is that you could use the same kit you use for the dinosaurs

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to enhance some baby chicks or something.

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The truth is, that's not necessary when it comes to the natural world.

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We've just spent four years

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in the field, in very difficult conditions, filming Frozen Planet.

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Although it's arduous, we don't need

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to resort to CG to bring the wonders of the natural world to life.

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So, you're not tempted to mix and match without telling the viewer?

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It's just not the way we approach filming the natural world.

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We think it's very important to bring it as truthfully

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to the audience as we possibly can,

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not least because the natural world IS spectacular.

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OK, right up your street,

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some brand-new science series have started this week.

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Starting with the much-advertised Frozen Planet.

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These are places that feed our imaginations.

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Places that seem to be borrowed from fairy tales.

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And on BBC Two, Dr Alice Roberts is back

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with her new series, The Origins Of Us.

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'As an anatomist, I'm fascinated by the way

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'our bodies have been sculpted

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'by our ancestors' struggle for survival.'

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'And what took us out of the forests, leaving other apes behind,

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'to spread out across the globe

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'was our search for food.'

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It's quite juicy.

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Let's talk about Horizon - a vital programme in your department.

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It's been criticised in the past a lot on Points Of View,

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for dumbing down,

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but we've got a viewer saying they really like it now. Have a look.

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I was absolutely blown away by the latest Horizon programmes,

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particularly by Seeing Stars.

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The programme was to do with how we are trying to understand

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the big questions of where are we from?

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The universe itself, how's it forming? Where did it come from?

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We have at our disposal tools that have never existed before

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in the history of mankind.

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We're the first ones that get to look at this.

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What was particularly good about that programme

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was the amount of sheer effort that had to be undertaken.

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That was absolutely stunning.

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So, some beautiful visuals.

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Surely Paul is about to tell us the content is dumbed down?

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It can't do everything.

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It can't show everything in a very small timeframe of an hour.

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What it does is give people a flavour of what's going on.

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'For us, it's quite hard to spot the odd one out.'

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OK, can you point one more time towards the different colour?

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Very good.

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'But for the Himba, it's easy to see the green which is different.'

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The programme to do with how we see colour

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and the experiments they did with that were absolutely fascinating.

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For us, it's quite clear the one that is different,

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but for them, they have to look very hard.

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It assumed that the people who were watching weren't dense.

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People are quite intelligent

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and therefore I felt Horizon

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had to strike a balance

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between not having too much detail and not making it dumbed down.

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For me, it got it right.

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Much praise for Horizon's latest reincarnation.

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Kim, how do you feel about that feedback?

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First of all, can I just say thank you to the viewer

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who kindly contributed those comments because after being pummelled

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by Jeremy Vine on Points Of View,

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it's always nice to get a positive response

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and for people to perhaps broadly feel that

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we're going in the right direction,

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-even if we're not always getting everything right.

-What else can we expect from your department

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in the coming months?

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We're going to have an audacious experiment

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on BBC Four called Afterlife House, which is all about the cycle of life

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and decay. It's going to be quite bold viewing,

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but I hope that viewers will find it interesting.

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-And, of course, more from Brian Cox.

-You're busy?

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-We certainly are.

-That's all from us this week, back to normal next week.

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Do send us your feedback on whatever you are watching on the BBC.

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Goodbye.

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