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Good afternoon, and welcome to Points of View. | 0:00:10 | 0:00:13 | |
Welcome to the set of Strictly Come Dancing, | 0:00:13 | 0:00:16 | |
one of the BBC's most successful programmes. | 0:00:16 | 0:00:18 | |
They're busy in here getting everything ready. See the seats? | 0:00:18 | 0:00:22 | |
630 of them in here. | 0:00:22 | 0:00:24 | |
When they asked who wanted tickets, how many applications did they get? | 0:00:24 | 0:00:28 | |
One million. We'll talk about Strictly later. | 0:00:28 | 0:00:30 | |
Meanwhile, somebody who has been tripping the light fantastic, | 0:00:30 | 0:00:34 | |
twirling her way through a documentary about Leonardo da Vinci | 0:00:34 | 0:00:38 | |
is Fiona Bruce, leaving some viewers to ask, "Where are the paintings?" | 0:00:38 | 0:00:43 | |
There's something about the bars, the glamour, the excitement. | 0:00:47 | 0:00:50 | |
But nothing prepares you for seeing it in the flesh. | 0:00:55 | 0:00:59 | |
Apparently if we want to see how things should be done, | 0:01:34 | 0:01:36 | |
we should have been watching the BBC Two documentary Secret Pakistan. | 0:01:36 | 0:01:40 | |
In the 1990s, Pakistan helped create the Taliban to prevent Afghanistan | 0:01:40 | 0:01:46 | |
falling under the influence of India, Pakistan's enduring enemy. | 0:01:46 | 0:01:51 | |
And for tips on how to bring personality into a programme | 0:02:18 | 0:02:21 | |
but not at the expense of the subject matter, Frank Gardner - | 0:02:21 | 0:02:25 | |
whose guilty pleasure is the cult cartoon strip | 0:02:25 | 0:02:28 | |
and soon-to-be Hollywood blockbuster Tintin. | 0:02:28 | 0:02:31 | |
'This original page from Tintin In The Land Of The Soviets | 0:02:31 | 0:02:36 | |
'is so valuable, it has to be brought out of a bank vault.' | 0:02:36 | 0:02:39 | |
Wow. | 0:02:40 | 0:02:42 | |
You were right to spot, Sidpickle, that Frank's usual home is | 0:03:03 | 0:03:06 | |
the news bulletin, but it's not just a serious mode that news operates. | 0:03:06 | 0:03:11 | |
According to viewer Duncan Yates, bulletin producers | 0:03:11 | 0:03:14 | |
go out of their way to find a negative spin for nearly every issue. | 0:03:14 | 0:03:18 | |
I know the economy at the moment is particularly bad, | 0:03:18 | 0:03:22 | |
but I wish the BBC would just present the facts as they are | 0:03:22 | 0:03:26 | |
without trying to put a negative slant on them. | 0:03:26 | 0:03:29 | |
We're going to get the latest growth figures for the UK economy. | 0:03:30 | 0:03:33 | |
-Simon is here. -It's not great. | 0:03:33 | 0:03:35 | |
The UK's economy is still growing, but not by much. | 0:03:35 | 0:03:39 | |
We are looking at the weakest pace of recovery in nearly 100 years. | 0:03:39 | 0:03:44 | |
If it's bad news, it gets emphasised as being particularly bad. | 0:03:45 | 0:03:49 | |
If it's good news, there's always a "but" at the end. | 0:03:49 | 0:03:54 | |
The economy is turning over, but only just. | 0:03:54 | 0:03:56 | |
With third quarter figures due in the next couple of weeks, | 0:03:56 | 0:04:00 | |
the forecast is the UK's economy has grown faster than predicted. | 0:04:00 | 0:04:04 | |
But will it be a case of the glass being half-empty for BBC News? | 0:04:04 | 0:04:08 | |
Yes, we're not expecting much growth. | 0:04:08 | 0:04:10 | |
If we get any at all, it'll be a bonus. | 0:04:10 | 0:04:12 | |
If the news was just factual, negative but factual, | 0:04:12 | 0:04:17 | |
if that's how it is, | 0:04:17 | 0:04:20 | |
then maybe the whole country wouldn't feel quite so depressed. | 0:04:20 | 0:04:24 | |
So, there is a responsibility on the BBC not to talk it down too much, | 0:04:24 | 0:04:29 | |
cos it affects us all. | 0:04:29 | 0:04:30 | |
So, the jury is out on whether BBC News doom-mongers on purpose. | 0:05:01 | 0:05:05 | |
And it is a hung jury on the solicitor drama Hidden as well. | 0:05:05 | 0:05:09 | |
Initial feedback to us mainly concerned the wobbly camera work. | 0:05:09 | 0:05:13 | |
Where have we heard that before? Now the series has finished, | 0:05:13 | 0:05:16 | |
you've got another target in your sights. | 0:05:16 | 0:05:18 | |
Oi, what's going on? | 0:05:18 | 0:05:20 | |
Hello, Harry. | 0:05:21 | 0:05:23 | |
What are you doing here? | 0:05:30 | 0:05:33 | |
Think I'm going to sit there and watch them bang you up? | 0:05:33 | 0:05:35 | |
Oh, so that was the point of the title. | 0:05:56 | 0:05:59 | |
And they weren't teasing us for season two, | 0:05:59 | 0:06:01 | |
as it was only commissioned as a four-part serial. | 0:06:01 | 0:06:04 | |
But BBC daytime court drama The Case has secured itself a season two, | 0:06:04 | 0:06:09 | |
after comments to us claiming it was good enough for a primetime slot. | 0:06:09 | 0:06:13 | |
It has not migrated to peak yet, | 0:06:13 | 0:06:15 | |
but you've had a lot to say about its lunchtime reappearance. | 0:06:15 | 0:06:20 | |
..when there isn't a shred of evidence against him. | 0:06:20 | 0:06:23 | |
He knew about the contents of the will, no evidence. | 0:06:23 | 0:06:26 | |
The suicide was his idea, no evidence. | 0:06:26 | 0:06:30 | |
-He carried out the injection? -No evidence. | 0:06:30 | 0:06:35 | |
I've nipped back to the Strictly set, | 0:06:50 | 0:06:52 | |
and I'm on the edge of my seat as we're about to discuss | 0:06:52 | 0:06:55 | |
the unsung heroes of this whole Strictly extravaganza. | 0:06:55 | 0:06:59 | |
I say "unsung", that's the one thing they do really rather well. | 0:06:59 | 0:07:03 | |
# Oh, baby, I'm a love man | 0:07:03 | 0:07:06 | |
# Take your hand Let me holler one time, aaaw! | 0:07:07 | 0:07:08 | |
# I'm a love man. # | 0:07:18 | 0:07:20 | |
Led by musical director Dave Arch, | 0:07:22 | 0:07:24 | |
the singers and musicians of the Strictly house band | 0:07:24 | 0:07:27 | |
provides sterling support | 0:07:27 | 0:07:29 | |
to the celebrities and professional dancers. | 0:07:29 | 0:07:31 | |
And that crucial support has been noted. | 0:07:31 | 0:07:34 | |
# I got your e-mails You just don't get females | 0:07:38 | 0:07:42 | |
# Well, do you? # | 0:07:42 | 0:07:44 | |
Well, it's fantastic that people are writing in. | 0:07:56 | 0:08:00 | |
It's wonderful to know that people are listening | 0:08:00 | 0:08:03 | |
and, I mean, we just try our best every week. | 0:08:03 | 0:08:06 | |
MUSIC PLAYS | 0:08:06 | 0:08:09 | |
With so many musical styles to cover, their repertoire is huge, so who decides on which songs to play? | 0:08:12 | 0:08:18 | |
The songs are chosen each week between production and pro dancers, | 0:08:20 | 0:08:26 | |
so if it's a tango, they'll find something that's a certain tempo | 0:08:26 | 0:08:29 | |
and we take it from there, really. | 0:08:29 | 0:08:31 | |
We have no say in it. | 0:08:31 | 0:08:33 | |
If you're suddenly thrown a Lady Gaga song, | 0:08:33 | 0:08:36 | |
if you don't really listen to that, it can be a shock to the system | 0:08:36 | 0:08:39 | |
but it's always fun and it's always a challenge. | 0:08:39 | 0:08:42 | |
# ..And I want it now. # | 0:08:42 | 0:08:45 | |
We only do rehearse on the actual show days. | 0:08:46 | 0:08:49 | |
It's a common misconception that we rehearse all week. | 0:08:49 | 0:08:52 | |
-I wish we did. -Yeah. -So, it's a very long day. | 0:08:52 | 0:08:55 | |
-Dave always knows everything. -Yeah, we can't get away with it! | 0:09:00 | 0:09:04 | |
-"No! No! Bar 13 should be a B-flat, not a B." -What was that?! | 0:09:04 | 0:09:10 | |
And you're like, "Oh, no." | 0:09:10 | 0:09:12 | |
Being the unsung heroes of the programme is a lovely badge to wear. | 0:09:16 | 0:09:20 | |
BRUCE FORSYTH: Dave Arch and his wonderful, wonderful orchestra! | 0:09:20 | 0:09:24 | |
CHEERING | 0:09:24 | 0:09:26 | |
Strictly Come Dancing still going strong after nine series. | 0:09:26 | 0:09:30 | |
Its Saturday night dance partner Casualty has an even longer pedigree | 0:09:30 | 0:09:33 | |
but we have recently covered calls for no further resuscitation | 0:09:33 | 0:09:38 | |
because it's past its best. | 0:09:38 | 0:09:40 | |
But apparently the scriptwriting crash team has performed a miracle | 0:09:40 | 0:09:43 | |
and brought it back from the brink. | 0:09:43 | 0:09:45 | |
# ..Then sings my soul | 0:10:04 | 0:10:08 | |
# My saviour God, to me | 0:10:08 | 0:10:11 | |
# How great thou art | 0:10:14 | 0:10:18 | |
# How great thou art. # | 0:10:18 | 0:10:23 | |
Now, I'd always imagined National Parks to be serene locations | 0:10:23 | 0:10:27 | |
where you can relax and enjoy the beauty of nature. | 0:10:27 | 0:10:31 | |
But if the rumpus triggered by Tales From The National Parks is anything to go by, | 0:10:31 | 0:10:36 | |
the Peak District is far from peaceful. | 0:10:36 | 0:10:38 | |
We have to try and take the middle ground | 0:10:38 | 0:10:41 | |
and we sometimes get a bit of a bashing for it, but hey-ho. | 0:10:41 | 0:10:45 | |
When you've got opposing views, you'll always be on the wrong side of one view, whatever you do. | 0:10:46 | 0:10:51 | |
Well, the programme-maker, Richard Macer, | 0:11:10 | 0:11:13 | |
strongly refutes any claims of lack of balance. | 0:11:13 | 0:11:15 | |
The film was not about whether off-roaders or anti-off-roaders are right, he says, | 0:11:15 | 0:11:20 | |
but who should decide who these landscapes are for. | 0:11:20 | 0:11:24 | |
Now, I know Countryfile is one programme that constantly covers | 0:11:24 | 0:11:27 | |
the issue of the competing needs of walkers and vehicles | 0:11:27 | 0:11:31 | |
in areas of natural beauty, | 0:11:31 | 0:11:32 | |
but it is the wearing of Remembrance poppies on Countryfile | 0:11:32 | 0:11:36 | |
that attracted attention last week. | 0:11:36 | 0:11:38 | |
It is true. | 0:12:06 | 0:12:07 | |
Indeed those poppies are exactly where Bob told us they'd be. | 0:12:07 | 0:12:12 | |
But Bob suspected wearing them was BBC company policy | 0:12:12 | 0:12:15 | |
and did not reflect the wearers' individual position. | 0:12:15 | 0:12:18 | |
This issue also triggered a long thread on our messageboard, | 0:12:18 | 0:12:21 | |
which included the BBC stance, and it is this. | 0:12:21 | 0:12:24 | |
So, there is no dictat. It's optional. | 0:12:41 | 0:12:43 | |
But dates are set in line with the Royal British Legion's own launch. | 0:12:43 | 0:12:47 | |
There will, of course, be some Remembrance programming in the coming weeks. | 0:12:47 | 0:12:51 | |
If you have any feedback on that, or any other topic, please write to us. | 0:12:51 | 0:12:55 | |
Here's the address: | 0:12:55 | 0:12:57 | |
Or if you have a question, e-mail us, like Mike. | 0:12:59 | 0:13:04 | |
Mike, the answer is there will be a tribute called Sir Jimmy Savile As It Happened on Friday. | 0:13:16 | 0:13:22 | |
Jump on the messageboard to get in touch. Join the lively discussions. | 0:13:22 | 0:13:25 | |
Or phone us. Calls are charged at a local rate from a landline | 0:13:28 | 0:13:32 | |
and here is the number for you. | 0:13:32 | 0:13:34 | |
Or even send us in a video, like this one from Jill Gearing. | 0:13:37 | 0:13:41 | |
I got a new digital TV | 0:13:41 | 0:13:42 | |
and now there's nothing on for me. | 0:13:42 | 0:13:45 | |
All my friends say the same. | 0:13:45 | 0:13:47 | |
Can you tell me who is to blame? | 0:13:47 | 0:13:49 | |
There's nothing nice on any more | 0:13:49 | 0:13:51 | |
and humour has gone out the door. | 0:13:51 | 0:13:53 | |
There's plenty of doom and gloom. | 0:13:53 | 0:13:55 | |
Any chance things will get better soon? | 0:13:55 | 0:13:58 | |
Goodbye. | 0:13:58 | 0:13:59 | |
Subtitles by Red Bee Media Ltd | 0:13:59 | 0:14:02 | |
E-mail [email protected] | 0:14:02 | 0:14:03 |