Browse content similar to Episode 18. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Good afternoon and welcome to Points of View. | 0:00:10 | 0:00:12 | |
It seems the highlight of this year's Remembrance programming on TV | 0:00:12 | 0:00:16 | |
was Antiques Roadshow. Maybe not the programme you'd expect, | 0:00:16 | 0:00:20 | |
but their poignant broadcast from the National Memorial Arboretum | 0:00:20 | 0:00:24 | |
did bring home the true spirit of remembrance | 0:00:24 | 0:00:27 | |
and touched more viewers than any other tribute. | 0:00:27 | 0:00:30 | |
Well, let's remind ourselves of what was clearly a memorable edition | 0:00:48 | 0:00:51 | |
of an old favourite. | 0:00:51 | 0:00:53 | |
At the end of the war, you ended up in the infamous Belsen camp, | 0:00:53 | 0:00:58 | |
where so many, many people died. | 0:00:58 | 0:01:01 | |
It was the last moment, the sort of line between life and death | 0:01:01 | 0:01:05 | |
when you feel you're going, | 0:01:05 | 0:01:07 | |
and then the member of the British Army appeared. | 0:01:07 | 0:01:11 | |
-And he saved my life. -Tell me about that - what happened? -He was a human. | 0:01:11 | 0:01:15 | |
He said, "All right. Stay here and in the morning I'll pick you up." | 0:01:15 | 0:01:20 | |
And I believed him, and he did come. | 0:01:20 | 0:01:23 | |
He put me in a sheet, pushed me between four stretchers | 0:01:23 | 0:01:28 | |
in a military ambulance, and off we went. | 0:01:28 | 0:01:32 | |
And all I had was my naked life and the ring on the string on my neck. | 0:01:32 | 0:01:38 | |
That was all I had. And he saved my life. | 0:01:38 | 0:01:41 | |
And I never had a chance to say thank you, because he disappeared. | 0:01:41 | 0:01:46 | |
And after the war I lived in Australia, | 0:01:46 | 0:01:49 | |
there was no chance looking for him. | 0:01:49 | 0:01:51 | |
And at least, at this opportunity, I would like to say thank you. | 0:01:51 | 0:01:55 | |
Wherever he is. | 0:01:55 | 0:01:57 | |
A fitting tribute indeed. | 0:01:57 | 0:01:59 | |
Moving on. Actually, that's the name of the daytime drama | 0:01:59 | 0:02:03 | |
that charts the progress of individuals | 0:02:03 | 0:02:05 | |
going through huge life changes. | 0:02:05 | 0:02:07 | |
Now, in previous series you've praised the calibre of the acting | 0:02:07 | 0:02:10 | |
and the scripts, and offered the ultimate, if slightly double-edged compliment, | 0:02:10 | 0:02:14 | |
saying "It is too good for daytime." Well, it's back on...daytime. | 0:02:14 | 0:02:19 | |
I can think of plenty of people who'd kill to be in your shoes. | 0:02:19 | 0:02:22 | |
You've got your freedom, you can go out whenever you like, | 0:02:22 | 0:02:25 | |
you can lie in at weekends. Couple of holidays a year. | 0:02:25 | 0:02:29 | |
Do you really want to trade all that in for sleepless nights, | 0:02:29 | 0:02:33 | |
all your money spent on nappies, CBeebies all day, every day? | 0:02:33 | 0:02:38 | |
-Baby puke down your beautiful cape? -All right, all right. | 0:02:38 | 0:02:42 | |
So, a hung jury. And let's stay in the courtroom. | 0:03:07 | 0:03:10 | |
Garrow's Law is back on Sunday nights, | 0:03:10 | 0:03:12 | |
the drama based loosely on historical accounts | 0:03:12 | 0:03:15 | |
of one of the earliest practitioners of modern justice in Britain. | 0:03:15 | 0:03:19 | |
You try to recall, for your husband's sake. | 0:03:19 | 0:03:23 | |
-I will not send him to the gallows here. -Why not? | 0:03:24 | 0:03:28 | |
You must simply speak the truth. | 0:03:28 | 0:03:30 | |
The night before he took the pistol to the theatre, | 0:03:30 | 0:03:34 | |
I knew what he had in mind to do. | 0:03:34 | 0:03:36 | |
And begged him to think of our son. | 0:03:38 | 0:03:42 | |
Of the duty he had to him. | 0:03:42 | 0:03:44 | |
I was holding our infant in my arms, and suddenly... | 0:03:47 | 0:03:53 | |
..my husband dragged the child from my arms. | 0:03:56 | 0:04:01 | |
Two returning dramas, and both are described as "samey" | 0:04:22 | 0:04:26 | |
or "predictable". | 0:04:26 | 0:04:27 | |
Are we to read from this that winning formulas | 0:04:27 | 0:04:30 | |
should be abandoned? | 0:04:30 | 0:04:31 | |
The Apprentice seems to be a winning formula. | 0:04:31 | 0:04:33 | |
It has spawned the current Young Apprentice. | 0:04:33 | 0:04:36 | |
Lord Sugar's challenges usually reduce the teenage contestants | 0:04:36 | 0:04:39 | |
to confusion and stress by the end of an episode, | 0:04:39 | 0:04:42 | |
but he managed to achieve that with viewers too this week. | 0:04:42 | 0:04:46 | |
The good news is, this is not all about profit. | 0:04:59 | 0:05:01 | |
Your job is to sell as much as possible, | 0:05:01 | 0:05:04 | |
so you'll be judged on sales volume. OK? | 0:05:04 | 0:05:08 | |
And Karren, let's have it for the MiniVac. | 0:05:08 | 0:05:11 | |
MiniVac total sales, £808.79. | 0:05:11 | 0:05:16 | |
I think we can say the MiniVac cleaned up. | 0:05:16 | 0:05:18 | |
Making a total of £1,138.77 for the day. | 0:05:18 | 0:05:23 | |
Clarification coming up, David. | 0:05:35 | 0:05:37 | |
Now, to a viewer who'd like to see a return to 3D TV. | 0:05:57 | 0:06:01 | |
Yes, I did say a return to a format that's only just appearing | 0:06:01 | 0:06:04 | |
at the most futuristic of technology fairs. | 0:06:04 | 0:06:07 | |
But perhaps multi-layering of pictures to give | 0:06:07 | 0:06:09 | |
the impression that you're in amongst the action | 0:06:09 | 0:06:12 | |
is actually not quite the kind of 3D that Lesley Westlake has in mind. | 0:06:12 | 0:06:17 | |
Have a look at this. | 0:06:17 | 0:06:18 | |
It is the three Davids she wants! | 0:06:27 | 0:06:29 | |
With two knighthoods and 150 years of broadcasting experience | 0:06:29 | 0:06:32 | |
between them, they are widely regarded as being responsible | 0:06:32 | 0:06:36 | |
for how we perceive television over the years. | 0:06:36 | 0:06:39 | |
Their presenting blueprint has surely been passed | 0:06:39 | 0:06:42 | |
like a golden baton to the next generation. | 0:06:42 | 0:06:45 | |
If I turn on the television to watch something, | 0:06:46 | 0:06:50 | |
I want to see that programme. | 0:06:50 | 0:06:52 | |
I don't want to see the presenter presenting him or herself. | 0:06:52 | 0:06:58 | |
Kate Humble really annoyed me. | 0:06:58 | 0:07:01 | |
She will go on and on throwing herself around. | 0:07:01 | 0:07:06 | |
She attracts your attention | 0:07:06 | 0:07:09 | |
and takes your mind away from the programme. | 0:07:09 | 0:07:12 | |
I don't think Kate Humble is the only one. | 0:07:12 | 0:07:16 | |
'It's Zoe Ball!' | 0:07:37 | 0:07:39 | |
CHEERING AND APPLAUSE | 0:07:39 | 0:07:43 | |
Ole! Hello and welcome to It Takes Two. | 0:07:43 | 0:07:47 | |
So it is more a case of the young pretenders, not presenters, | 0:07:47 | 0:07:50 | |
for Lesley. | 0:07:50 | 0:07:51 | |
She hankers for the clear, precise style of one David in particular. | 0:07:51 | 0:07:55 | |
I think David Attenborough is absolutely splendid. | 0:07:55 | 0:07:58 | |
He wants you to see and understand what he's presenting. | 0:07:58 | 0:08:04 | |
He never obtrudes on it, he just shows you gently, and you see it all | 0:08:04 | 0:08:10 | |
and you take it all in, and that is what a presenter should do. | 0:08:10 | 0:08:15 | |
And whilst we're praising the authority of more mature presenters... | 0:08:15 | 0:08:19 | |
Here, union leaders have dismissed as "daft" a suggestion by | 0:08:32 | 0:08:36 | |
a government minister that public sector workers | 0:08:36 | 0:08:38 | |
in England and Wales planning to strike over pension changes | 0:08:38 | 0:08:42 | |
should walk out for just 15 minutes. | 0:08:42 | 0:08:44 | |
And Julia will be joining Gloria Hunniford and Angela Rippon | 0:08:44 | 0:08:48 | |
to present the consumer show Rip-Off Britain next week. | 0:08:48 | 0:08:51 | |
Now, Life's Too Short. | 0:08:51 | 0:08:53 | |
Rarely has a programme received so much publicity prior to broadcast. | 0:08:53 | 0:08:57 | |
Actually, I say that, but most things involving Ricky Gervais | 0:08:57 | 0:09:00 | |
seem to trigger lively debate on our messageboard. | 0:09:00 | 0:09:03 | |
I'll offer a taster of the programme, | 0:09:03 | 0:09:05 | |
in the knowledge you may have tasted it already. | 0:09:05 | 0:09:07 | |
-Have you met before? Johnny, this is Stephen. -Hello. -No. -And Ricky there. | 0:09:07 | 0:09:13 | |
-I actually remember him from the Golden Globes. -Hi. -Yeah. | 0:09:13 | 0:09:17 | |
-How's it going? -I'm fine, man. | 0:09:17 | 0:09:19 | |
Just doing another film that's going to make loads of money. | 0:09:19 | 0:09:22 | |
-Probably a lot more money than any film you've ever made. -Good. | 0:09:22 | 0:09:28 | |
If you give a programme that much publicity, | 0:09:28 | 0:09:30 | |
you can get a reaction before it's broadcast. | 0:09:30 | 0:09:33 | |
So from our messageboards, the following... | 0:09:33 | 0:09:36 | |
And once the show had been broadcast? | 0:09:47 | 0:09:50 | |
If you would like to join the discussion on the messageboard | 0:10:04 | 0:10:07 | |
before, during or after programmes, | 0:10:07 | 0:10:09 | |
just log on to this address | 0:10:09 | 0:10:12 | |
and follow the link. | 0:10:12 | 0:10:14 | |
It doesn't have to be about cookery, | 0:10:14 | 0:10:16 | |
but if you believe Sue Richmond, there is nothing else on! | 0:10:16 | 0:10:19 | |
Ah, Sue, you won't want to listen to this, then. | 0:10:35 | 0:10:38 | |
Vegetarian cooking first began to influence the meat-and-veg brigade | 0:10:39 | 0:10:43 | |
in Britain in the late 1960s. | 0:10:43 | 0:10:47 | |
With the BBC slow to catch on during the '70s, | 0:10:47 | 0:10:49 | |
a dedicated programme didn't appear | 0:10:49 | 0:10:52 | |
until this effort hit the airwaves, and microwaves, in the early '80s. | 0:10:52 | 0:10:56 | |
Hello. Today I'm going to show you how to make wholewheat pastry. | 0:10:56 | 0:11:00 | |
And it's really worthwhile using wholewheat flour | 0:11:00 | 0:11:02 | |
to make your pastry. | 0:11:02 | 0:11:04 | |
It's not only a lot tastier, | 0:11:04 | 0:11:06 | |
but it's a very good source of protein and fibre, | 0:11:06 | 0:11:08 | |
and that's important when you're on a vegetarian diet. | 0:11:08 | 0:11:11 | |
So why hasn't vegetarian cooking been on the menu in recent years? | 0:11:11 | 0:11:16 | |
I'm a vegetarian. I've been a vegetarian since 1979. | 0:11:16 | 0:11:20 | |
And I just would like to know, | 0:11:20 | 0:11:21 | |
where are the vegetarian cookery programmes on the BBC? | 0:11:21 | 0:11:25 | |
There are apparently between 7 and 11% of people in this country | 0:11:25 | 0:11:29 | |
who are vegetarians and vegans, but there are a further 23% of people in this country | 0:11:29 | 0:11:34 | |
who are termed as "meat reducers" or "meat avoiders". | 0:11:34 | 0:11:39 | |
So that's a total of 34%. | 0:11:39 | 0:11:41 | |
-Do you think it's vegetable-based? -Yes, yes it is. | 0:11:41 | 0:11:43 | |
You're just saying that to shut me up, aren't you? | 0:11:43 | 0:11:46 | |
It is! I've been told in my ear it's a bacteria. | 0:11:46 | 0:11:48 | |
Although there are the odd vegetarian recipes, | 0:11:48 | 0:11:52 | |
they're more of a token, really, | 0:11:52 | 0:11:54 | |
and I don't feel that they have credibility for me as a vegetarian. | 0:11:54 | 0:11:59 | |
They're in amongst masses of meat and fish and saturated fat, | 0:11:59 | 0:12:04 | |
and quite frankly I don't want that. | 0:12:04 | 0:12:06 | |
But aren't vegetarian recipes overly complicated | 0:12:06 | 0:12:10 | |
and don't they take an age to cook? | 0:12:10 | 0:12:11 | |
This is rubbish. | 0:12:11 | 0:12:13 | |
Any vegetarian, and any vegetarian chef, | 0:12:13 | 0:12:15 | |
would tell you that actually, it's generally a lot quicker. | 0:12:15 | 0:12:19 | |
After all, one hasn't got the worry of having to cook meat. | 0:12:19 | 0:12:22 | |
So please, BBC, | 0:12:22 | 0:12:24 | |
couldn't we have a vegetarian cookery programme | 0:12:24 | 0:12:27 | |
that was actually run preferably by a chef that was a vegetarian | 0:12:27 | 0:12:31 | |
or vegan themselves? | 0:12:31 | 0:12:32 | |
Now, even as a former political correspondent, I sometimes struggle | 0:12:35 | 0:12:39 | |
to recall the names of world leaders. I guess we all do. | 0:12:39 | 0:12:42 | |
But this moment, in a newspaper review, was a collector's item. | 0:12:42 | 0:12:46 | |
We may not know who Reggie Love is, but Reggie Love | 0:12:58 | 0:13:01 | |
is President Clinton's...what they call the "body man". | 0:13:01 | 0:13:04 | |
He's very close to him, he becomes his personal friend. | 0:13:04 | 0:13:07 | |
The significance of Reggie Love is he also made the President very cool, | 0:13:07 | 0:13:11 | |
because this is a young, hip guy. | 0:13:11 | 0:13:13 | |
He introduced him to rap music, he played basketball with him. | 0:13:13 | 0:13:17 | |
There's great pictures of Clinton. | 0:13:17 | 0:13:19 | |
Those sort of things, in America, go a long way to help you get voted in. | 0:13:19 | 0:13:23 | |
And no-one corrected him either! | 0:13:23 | 0:13:25 | |
If you spot any howlers or feel our attention should be drawn | 0:13:25 | 0:13:28 | |
to anything else at all, please get in touch. You can write to: | 0:13:28 | 0:13:32 | |
E-mail us here: | 0:13:34 | 0:13:36 | |
Let rip on the messageboard: | 0:13:38 | 0:13:40 | |
Or give us a ring. Calls are charged at a local rate from a landline. | 0:13:43 | 0:13:46 | |
Here's the number for you. | 0:13:46 | 0:13:48 | |
We're on BBC Two next week as the Brazilian Grand Prix | 0:13:52 | 0:13:55 | |
has forced us off the tracks. | 0:13:55 | 0:13:57 | |
We'll see you then. Goodbye! | 0:13:57 | 0:13:58 | |
Subtitles by Red Bee Media Ltd | 0:13:58 | 0:14:01 | |
E-mail [email protected] | 0:14:01 | 0:14:03 |